Thursday 2 May 2024

CBR Book 20: "The Prisoner's Throne" by Holly Black

Page count: 496 pages
Rating: 4 stars

CBR16 Sweet Books: Excited (this is one of my most anticipated releases in the first half of the year)

This book really doesn't stand alone. It is the second half of a duology that started with The Stolen Heir, which came out last year. If you haven't read that one, it's probably best to skip this review and return once you've caught up. 

Prince Oak, heir to the throne of Elfhame, finds himself a prisoner in the dungeons of Queen Suren (or Wren, as he prefers to call her), and knows that if he doesn't get himself out quickly, his temperamental sister Jude and her husband Cardan, the High Queen and King of Elfhame will react very badly indeed, and probably obliterate anyone standing in the way of their army on the way to retrieve Oak. 

There's also the pesky complication that Oak truly loves Suren/Wren and understands entirely why she feels betrayed by him, and like she can't trust him. Nevertheless, he wants to prove himself to her, and make sure she's not being taken advantage of by the wicked hag who has appointed herself Suren's chief advisor and clearly has some sort of very devious revenge plot against the royal family of Elfhame brewing. 

Can Oak escape Suren/Wren's dungeons, prevent a war, convince his beloved that he truly would like to spend the rest of his days with her (but he'd rather not have to be king of anything, please, how are they going to square that with her now being Queen of her own realm?) and prevent wicked forces from using Suren/Wren for their own ends, possibly destroying her in the process?

I love Holly Black. She has yet to write a book that I didn't at least enjoy. Are Suren/Wren and Oak's courtship and journey towards their eventual happy ending as twisted and at times exhausting as Jude and Cardan's in The Folk of the Air trilogy. Thankfully no, those two psychos are their own special brand of crazy (and I love them so), but that doesn't mean that their relationship doesn't face formidable challenges. 

The storytelling in this book was a bit messy, it's a rather convoluted plot, and I'm not sure it was a great idea to have this be single POV. I get that it's all about secrets and deceptions, and plot twists throughout, but I think both this and The Stolen Heir might have been better with dual POVs, this one in particular. 

Black's world-building is excellent and it's always a joy to see how her fertile imagination depicts the intricacies of the various Faerie kingdoms. Suren/Wren's wintery northern kingdom is a very different place to where Oak has grown up, and as someone from a Nordic country, it's fun to see references to more of the Norse fae. 

While we got a small cameo from Madoc in the previous book, but only mentions of Jude and Cardan, so it was great to get more of Oak's family this time around, to see Jude, Cardan, Taryn and even Oriana and Madoc in a different setting and situation than in the previous books. They deeply care for one another, but have such trouble expressing those feelings. There's rich potention for some really juicy group therapy sessions in the Greenbriar line, and among Madoc's three daughters. 

This book seems to end on a fairly closed note, but if Black wants to revisit her characters further, a novella from Jude and Cardan's possibly expedition to the Undersea realm could be a lot of fun. 

Judging a book by its cover: Like the cover for the previous book in the duology, this cover is dominated by white. There's a lot of icicles, considering Wren's wintery home, and the ring plays a prominent role in the story. I'm generally not as big a fan of these as the ones for the Folk of the Air trilogy about Cardan and Jude. 

Crossposted on Cannonball Read