Rating: 3 stars
Thank you to NetGalley and Crooked Lane Books for this ARC. My opinions are my own.
Rua remembers nothing from before she woke up in a muddy hole in upstate New York. Her maid and everyone around her claims that she's Emma Harrington, missing for two days, but Rua while Rua may look just like her, she is certain there is nothing of Emma in her. Emma's wealthy parents are determined to try bury the scandal of Emma's behaviour, which isn't made easier when Rua in Emma's body behaves in ways a debutante from the 1870s most certainly shouldn't.
Finn Somethingorother (cannot be bothered to go back to the book to find his actual surname), Lord of Donore, is in New York trying to secure lucrative business deals so he can secure his position in society, and use his wealth and privilege to support a hospital and an orphanage. One of the wealthy magnates would like him to marry his daughter, but at every social gathering, Finn can't take his eyes off the scandalous Emma Harrington, who insists he should call her Rua. He also can't understand why he seems like he knows her from somewhere.
According to the publisher: "Irish mythology collides with Gilded Age New York in this sweeping debut enemies-to-lovers historical romantasy, perfect for fans of Outlander and A Fate Inked in Blood." I'm a sucker for creative use of mythology in a story, I read far too few books set during the Gilded Age, despite loving historical romances, and I tend to really enjoy a good enemies to lovers plot.
Sadly, I should have remembered that most of the time, publishers have an extremely creative interpretation of what the book they're selling actually contains. Is there Irish mythology in this? Yes, and I thought it was rather creatively used, and wish there had been more of it. We also get an insight into New York in the 1870s, but it mostly involves very snooty and controlling mothers with lofty social ambitions for their offspring. Occasionally Rua wanders around unaccompanied in an inappropriately informal outfit, and gets herself into more trouble as Emma Harrington is more deeply embroiled in scandal.
Is this enemies to lovers? Not even close. This is former lovers possibly trapped in the bodies of other people and trying to remember how they fit together and what the heck has happened to bring them to where they are now. The romance is probably the least interesting plot of this book, and once the whole convoluted mess of who Rua and Finn really are to one another and how they came to be in New York at this time is explained, the book is pretty much over, and there isn't really any time for the reader to see how their romance is likely to work out now that they know the truth.
There are absolutely elements that work, but as a whole, this book is unsatisfying and leaves you wanting a more fleshed out story with more complex characters and character dynamics.
Judging a book by its cover: There are a lot of interesting elements incorporated in this cover (the knot work arch, the clock face in the background, the ravens, Rua's beautiful dress. However, I really don't like the way the artist has drawn the people, especially Finn, who looks more like a sinister villain than a romantic hero.
Crossposted on Cannonball Read