Rating: 3.5 stars
Thanks to Netgalley and Random House for this ARC. My opinions are my own.
Emilia del Valle Claro grows up in San Francisco in the latter half of the 19th Century. Her mother, Molly, is of Irish descent and was a nun before she was seduced by an unscrupulous young Chilean aristocrat, who left her pregnant and entirely without support (she obviously had to leave the convent). She married Francisco Claro, the intelligent and kind-hearted teacher at the Aztec Pride School, and he's the only father Emilia knows growing up.
Emilia is a sponge for learning, encouraged by her stepfather, and as she gets older, she helps support the family by writing and selling melodramatic and gory pulp novels. Her dream is to become a journalist, which is almost impossible for a young woman in the 1890s. She manages to persuade an editor to publish some of her work under the pseudonym she's been using for her pulpy novels. Once the Chilean Civil War breaks out in 1891, she is able to use her Chilean paternity to her advantage. The newspaper agrees to send her to Chile to report, along with her friend and co-worker, Eric Whelan, and now, they'll even let her publish under her own name.
In Chile, Emilia is able to eventually reconnect with her biological father, who by this point is destitute and near death's door. She and Eric are separated for the first part of the war, covering different aspects of the fight, and when they finally reunite, they realise that their friendship has developed into stronger feelings. They share a short interlude of passion before Eric goes off to follow one of the upcoming battles in closer detail. While they are separated, Emilia volunteers at one of the local hospitals until she is arrested, suspected of being a foreign spy. She suffers enough to give her serious emotional scars before Eric returns from the battlefield to get her out. He wants to take her back to her family in San Francisco, but Emilia isn't ready to go home until she's explored the mysterious plot of land her biological father left her in his will.
Isabel Allende wrote on of my favourite novels of all time, The House of the Spirits, and I've enjoyed so many of her other novels as well. She tends to write engaging stories featuring interesting women, who live lives that often challenge the gender and societal norms of the day. Emilia is a very ambitious and confident woman, who even at a time when most women ended up housewives and homemakers insists on going out and making a career for herself. She doesn't allow anyone to fob her off with frivolous pieces of society gossip, she wants to write about things that matter, and isn't afraid to put herself in danger to get a good story.
This book was a nice read, but the only character who really seemed to be fully realised was Emilia herself. Everyone else, including her love interest, is just loosely sketched out, like stock characters who exist in the story to show up another facet and aspect of Emilia's character. As such, it didn't feel quite as rich and complex as some of the other Allende novels I've read. If you've enjoyed her books in the past, though, you're likely to like this one as well.
Judging a book by its cover: This is a pretty cover, and I like the colour choices on it. I am, however, slightly confused about the scale of certain things. Is the sailing ship a toy behind Emilia? If not, why not have it in the background so it could look like it was closer to the horizon? Are the clouds metaphorical in some way?
Crossposted on Cannonball Read