Monday, 27 October 2025

CBR17 Book 62: "The Inheritance" by Ilona Andrews

Page count: 280 pages
Rating: 4.5 stars

CBR17 Bingo: Free (swapping out Migrant)

In a world pretty much like our own, people were just going about their ordinary lives when suddenly, everything changed. Gigantic portals to some other mystical dimension began opening all over the world. It soon became clear that if the portals were left unattended for a while, hordes of horrific monsters emerged and proceeded to wreak havoc. Once specialised teams started breaching the gates, they discovered each portal contained a lot of rare and valuable minerals and resources, as well as the scary monsters, and each gate had an anchor, which, when destroyed, would collapse the gates. Humans started developing specialised talents that allowed them to help explore the gates and fight the emerging threats.

One of the people whose world changed irrevocably with the appearance of the first gates was Adaline "Ada" Moore. She had a supportive husband and two kids, but after the chaos and terror of the first invasion of monsters, her husband decided he had other places to be, and abandoned her and her children entirely. Ada is now employed by the government, and her Talent allows her to survey the various breaches for whatever resources are there, to ascertain what needs to be extracted before the gate collapses. Her talent is rare and sought-after, so she has been in hundreds of breaches over the past decade, always carefully guarded and one of the first people to be evacuated if something goes wrong.

But not this time. Going into a breach, there is an unexpected attack of monsters that the advance team didn't find and neutralise, and the man who is supposed to guard Ada panics, lets off an explosion to hide his tracks and runs away, trapping Ada, the only human survivor, in a labyrinthine cave system with no obvious exit. Her only companion is a scared tracker dog, a German Shepherd named Bear. She is granted an unexpected gift by a dying alien warrior woman, who was fighting the ruthless monsters that attacked the team. The woman basically dies in Ada's arms, but gifts Ada a mystical gemstone which sinks into Ada's forehead before the woman dies. She is told this is her "inheritance", and as she is forced to traverse the creepy and dangerous passages in the dark, Ada discovers that the gemstone has given her increased endurance, the ability to see in the near dark, as well as a wealth of knowledge about alien worlds and civilisations Ada never dreamed existed.

Ada believes herself to be abandoned, assuming everyone outside believes she died in the attack. However, she promised her children she would be home, and refuses to leave them orphaned if she has anything to say about it. Ada has no previous experience with fighting and self-defence, and Bear is only barely an adult dog. Nevertheless, they are forced to fight for their lives and level up quickly to survive. As an unexpected side effect, it turns out that eating alien monster mystery meat as your only source of protein comes with a number of new and exciting mutations that enhance Ada and her trusty dog considerably.

Of writers still alive today, Ilona Andrews are among my absolute favourites. The husband and wife writing team have written some of my favourite paranormal fantasies over the past decade and a half, and I love that some of their most creative works have begun as free episodic fiction on their website, to give their fans something diverting to read when times get tough. The Inheritance, now part one of The Breach Wars was supposed to be a novella length story, published in installments about once a week, but as is so often the case, the authors discover that they need to write more and longer to make the story complete, and we lucky readers therefore ended up with a short novel instead, and the promise of more excitement to come.

One of their strengths when writing is the characterisation, not only of their protagonists (in this case, Ada Moore, forty-something mother-of-two, and developing badass), but also the supporting cast. When people began developing Talents, some got enhanced speed, endurance and fighting abilities and are counted as combat classes. Ada's talent is that of Assessor, very much a non-combat class, but since she is one of the people who help determine what all the various goodies can be found inside the gates, she makes the companies that she is hired out to, and the government she works for, huge amounts of money, and is therefore treasured and protected. She knows the work is dangerous, but it pays extremely well, and the benefits allow her to feed and house her kids well, send them to the best schools (and the death benefits are enough to support them until adulthood, should the worst happen). While she's seen some scary things in the past, she's never been in a situation as bad as the one she finds herself in here, abandoned by people who were supposed to protect her and left for dead.

If she were alone in the world, Ada might have given up and let herself die in the breach, but she knows that her deadbeat husband won't be there for the kids, and she can't stand the thought of them being left orphaned and scared. So she ovaries up and determines to find an alternate way out of the gate, nearly dying more than once, but emerging stronger and fiercer with each near-death experience.

In the decade since the Gates started appearing and threatening the world, large organisations or guilds have been formed with both combat and non-combat Talents, specialising in killing any hostile threats inside, extracting valuable resources and collapsing anchors to neutralise the gates. Elias McFeron works for the guild that employed the team supposed to protect Ada. He's not exactly happy when he discovers the cluster f**k of incompetence that led to most of a team being left for dead inside a Gate they were responsible for, including a very experienced Assessor. The stories of the few survivors who made it out, including the guy who was supposed to sacrifice himself to protect Ada, if it came to that, are a little bit too similar and rehearsed to be believable, and they know something untoward went down. Elias and his team are so far secondary characters, and this part of the story is more of a minor subplot (somewhat fleshed out in the extended scenes added once the book was made ready for publication), but for the reader, it's nice to know that someone trustworthy and honourable out there is working to get Ada out, even if she doesn't know it herself.

I know that the audio version of this hasn't been finalised yet and will hopefully become available at some point in November. This is primarily a digital release, but print-on-demand copies can be purchased as well. While the story was being serialised on their website, the authors commissioned accompanying art, which is all included in the e-book (in colour if you have a colour screen), as well as additional art released only in the full version. So you get some really gorgeous illustrations accompanying the story. 

Judging a book by its cover: The cover art and internal illustrations in The Inheritance are all done by Candice Slater, and once again, prove that Ilona Andrews can have decent covers, as long as they are the ones commissioning it. What I especially like about this cover is that it seems to reveal new details every time I look at it. There are so many tiny details. 

Crossposted on Cannonball Read

Friday, 17 October 2025

CBR17 Book 61: "Reading Lolita in Tehran" by Azar Nafisi

Page count: 384 pages
Rating: 3 stars

Nowhere Book Bingo 25: A Bookish Memoir/biography
CBR17 Pie Chart: Education
CBR17 Bingo: Citizen (Nafisi lived and taught in Iran during increasingly more dictatorial strictures against its citizens)

Official summary:
Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.

I got this in an e-book sale during the summer of 2018, because it sounded interesting and like something I should own. It fit in a number of my reading challenges this year, so I decided to read it this summer. Unfortunately, while some of the stories Nafisi told about the increasing totalitarianism that was introduced in her country were really interesting, the actual literary analysis was rather boring, and even the historical events got a bit dry after a while.

This book is a mix between a biography, writing about Nafisi’s life in Iran as it became subject to an increasingly more authoritarian government. One of the reasons I had trouble sticking with it was that, sadly, the news cycle was so depressing and so much in the real world America was mirroring things I was reading about that it was distressing to read. With the world being the way it is at the moment, escapist reading is becoming more and more essential for my mental health. 

So I have to confess that while I didn't DNF this book, I also didn't manage to read all of it. I ended up skipping probably about half, reading the first few sections, then skipping to the last one, to see how everything ended. I also think it’s important to mention that while this book wasn’t really for me, it may be a better fit for someone else. It does feature a lot of literary analysis, though, mostly of books I have neither read nor have any interest in ever reading, so I should possibly have researched it more closely before I started it. 

Crossposted on Cannonball Read

Saturday, 11 October 2025

CBR17 Book 60: "Can't Escape Love" by Alyssa Cole

Page count: 192 pages
Rating: 3.5 stars

CBR17 Pie Challenge: Inclusion
CBR17 Bingo: Borrow (read through Libby, since I don't actually own the book)

Regina "Reggie" Hobbs is working hard to make her nerdy website, Girls with Glasses, a success, and prove to her over-protective parents that she's perfectly capable of taking care of herself, even if she's in a wheelchair. She loves the work, she loves her very capable team, but lately, she's been struggling with insomnia, and the only thing that seems to soothe her to sleep is the voice of a puzzle podcaster, Gustave Nguyen, she used to follow, but he no longer podcasts, and the archive of his episodes has been deleted. So Reggie goes to the unusual step of contacting him, asking if he could make some recordings for her, to help her sleep.

Gustave "Gus" Nguyen is autistic and often has trouble with social interactions, especially with women. He remembers Reggie from chats they used to have on his live streams, but doesn't want to give a virtual stranger voice recordings that he would no longer have any control over. He sympathises with her plight, however, and offers to call her if she has trouble sleeping, to talk to her until she falls asleep. Thus begins their friendship, and soon it becomes clear that while Gus can help Reggie with her insomnia, Reggie can help Gus succeed in completing an escape room he's working on. He's been contracted to design an escape room based on a very popular romance anime for Anime Con, and he knows absolutely nothing about the anime, nor does he see what is so fascinating to others about it. 

Reggie, on the other hand, is a superfan and offers to help him understand the show and the characters in return for his nighttime phone calls. Once they discover that they both live fairly close to each other in Queens, they can meet up in person, and it doesn't take long for their friendship to develop into something more. 

Both Reggie and Gus have some personal issues to resolve before they can fully commit to a relationship, but since both feel more comfortable with each other than apart, and help complement each other's skills beautifully, there is never any doubt that they will find a HEA, without too much conflict.

While I've read all the full novels in the Reluctant Royals series, I have yet to complete all the novellas, and with this fitting into a number of my reading challenges this summer, it felt like a good quick read to choose. There are several mentions of Reggie's twin sister Portia in this, the heroine of A Duke by Default, a book that still makes me annoyed every time I think of it. Naledi, the heroine of A Princess in Theory also has a cameo. Even though it's part of an ongoing series, this novella would mostly work fine on its own. There are some issues with Reggie's parents and her sister that are not entirely resolved (that happens in Portia's book). But it's not anything that would ruin anyone's reading experience if this was the first book of Cole's they picked up.

The inclusion of neurodiverse characters has become quite common in romance now, but back in 2019, when this book came out, I think it was more unusual. Considering this also has a heroine who is mostly wheelchair-bound (she can stand for short periods of time, but lost the use of her legs after viral meningitis when she was younger), this book crosses off a lot of squares on a diversity bingo board. It therefore felt like a good choice for the "Inclusion" pie slice of the CBR Pie Challenge. It also works as "borrowed" as I got it through my library app Libby, and don't actually own the book. 

Judging a book by its cover: Cole usually has really good covers for her books, with cover models that actually look close to how they're described in the story. It's not often you see people in wheelchairs on romance covers. 

Crossposted by Cannonball Read

CBR17 Book 59: "Oona Out of Order" by Margarita Montimore

Page count: 352 pages
Rating: 4 stars

Buzzword Title Challenge 25: Alliteration
Buzzword Cover Challenge 25: Eyes
CBR17 Bingo: O (A book title that starts with O)

Official plot summary (because I read this back in July):
Just because life may be out of order, doesn’t mean it’s broken.

It’s New Year’s Eve 1982, and Oona Lockhart has her whole life before her. At the stroke of midnight, she will turn nineteen, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens thirty-two years in the future in her fifty-one-year-old body. Greeted by a friendly stranger in a beautiful house she’s told is her own, Oona learns that with each passing year, she will leap to another age at random. And so begins Oona Out of Order…

Hopping through decades, pop culture fads, and much-needed stock tips, Oona is still a young woman on the inside but ever-changing on the outside. Who will she be next year? Philanthropist? Club Kid? World traveller? Wife to a man she’s never met?

Oona Out of Order is a remarkably inventive novel that explores what it means to live a life fully in the moment, even if those moments are out of sequence. 

This is one of those books I bought in an e-book sale many years ago and then pretty much forgot about, until it fit into a bunch of my reading challenges this year. Based on the blurb, I wasn't entirely sure if this was going to work for me, but I was pleasantly surprised, and the author was able to sustain the high concept throughout the book.

So mentally and emotionally, Oona ages chronologically, but because of a strange wish she makes on New Year's Eve in 1982, she keeps being sent backwards and forwards in her own life time, and never knows if she's going to be younger or older, which people from her life will be around, how her relationships are going to play out and so on. Oona from the year before tends to write letters to give present day Oona advice on how to navigate her confusing existence from year to year. She has large ledgers locked up in a safe with stock market advice, to make sure that she always has enough money to live a carefree life. 

Some years, she doesn't get the letter, or note, or advice until it's too late, and she may already have committed mistakes past her warned her about. In some years, she recieves bad news about people she cared about, and she quickly learns to avoid "spoilers", to keep her peace of mind. It can be a confusing, and occasionally depressing, way to go through her life, and some New Year's Eves, she is a lot more depressed than others. Other years, she can't wait to jump to a new experience.

This was only the second novel Ms. Montimore published, and based on this, I would absolutely consider reading more from her. She is a creative and entertaining writer.

Judging a book by its cover: The cut out segments of the woman's face would give me a headache if I looked at it too long. It's a striking cover, and the prominently staring eye is the reason I could use this for my Buzzword Cover Challenge. Looking at alternative covers on Goodreads, I also discovered that in the UK, this book has a different title, The Rearranged Life of Oona Lockhart. I wonder why they renamed it?

Crossposted on Cannonball Read.

Monday, 6 October 2025

CBR17 Book 58: "The Listeners" by Maggie Stiefvater

Page count: 416 pages
Rating: 4.5 stars

CBR17 Bingo: Culture (A lot of people from a lot of different backgrounds, countries and cultures are forced together for a time during World War II)

Official plot summary:
January 1942. The Avallon Hotel & Spa has always offered elegant luxury in the wilds of West Virginia, its mountain sweetwater washing away all of high society’s troubles.

Local girl-turned-general manager June Porter Hudson has guided the Avallon skillfully through the first pangs of war. The Gilfoyles, the hotel’s aristocratic owners, have trained her well. But when the family heir makes a secret deal with the State Department to fill the hotel with captured Axis diplomats, June must persuade her staff—many of whom have sons and husbands heading to the front lines—to offer luxury to Nazis. With a smile.

Meanwhile, FBI Agent Tucker Minnick, whose coal tattoo hints at an Appalachian past, presses his ears to the hotel’s walls, listening for the diplomats’ secrets. He has one of his own, which is how he knows that June’s balancing act can have dangerous consequences: the sweetwater beneath the hotel can threaten as well as heal.

June has never met a guest she couldn’t delight, but the diplomats are different. Without firing a single shot, they have brought the war directly to her. As clashing loyalties crack the Avallon’s polished veneer, June must calculate the true cost of luxury.

I've been a fan of Maggie Stiefvater's since 2010, when I read her debut novel, Lament. So I was obviously very excited when I heard this year's release was going to be for adults. That it was going to be a historical fiction novel with elements of magical realism just made me more eager to read it. So much so that I pre-ordered the UK edition in hardback (normally, I wait until the books are in paperback before I pick them up). As an exciting bonus, I realised my book was signed when I opened the book from Blackwell's. Did the book live up to my expectations? Very much so.

In Europe, unsurprisingly, we learn a lot about the Second World War in school (especially in Norway, where we were occupied by the Germans for nearly five years). I developed an interest in history from a fairly young age, and as such, I feel like I know quite a bit about the conflict from the European side of things. For other parts of the world, I am a lot more ignorant. This novel is in part based on true events, they did in fact house diplomats from the axis countries (Germany, Italy, Japan and Russia) in luxury hotels in various places in the USA, to be able to use these esteemed guests (read: hostages) to negotiate the safe return of diplomats and American citizens of their own from the opposing countries. And the owners of said hotels had very little say in whether or not they wanted the guests there in the first place. 

One of Stiefvater's strengths as a writer, in my opinion, is her way of crafting interesting stories in worlds similar to, but not quite like, our own. In this book, the paranormal aspects (such as characters being able to manifest stuff from out of their dreams) are toned down, but there is a touch of magical realism in the strange, seemingly sentient sweetwater at the Avallon spa. Water that has an affinity for certain individuals, the Avallon manager, June, being one of them. This clearly has both its benefits and disadvantages for her. 

One might think that a woman being the general manager of a large luxury resort in the 1940s is one of the more fantastical elements of this story, but June Porter Hudson is based on real women in history who held the same position as her. A lot of people assume that because of her title and responsibilities, June is related to the Gilfoyles, who own the hotel. They are wrong, although June has been close, in different ways, to many of the family members. 

As well as June, the readers follow (among others) the secretive FBI Agent Tucker Minick, who knows that this posting may be his last, yet still struggles to toe the line of the bureau. While he refuses to talk about it, he has more knowledge of the secrets of the West Virginian sweetwater than he lets on, and his experiences are clearly not of the positive kind. 

We also meet the curious Hannelore, daughter of German diplomats, who appears to be mute, but astutely observes everything around her, with near-perfect recall. While children in novels can often end up feeling like nothing more than plot moppets, that is not the case with Hannelore, who is clearly neurodivergent (which makes it a rather risky proposition for her parents to take her with them to Nazi Germany, where diversity of any kind wasn't exactly encouraged or rewarded). 

I'm once again reviewing books I read months ago (thanks to my inability to keep up with any other reviews than for my ARCs, and only barely those), so I don't remember all the details as much as I'd like. Suffice it to say, this was a really good book, with an interesting story, engaging characters, some tricksy mysteries and, as the story progresses, a hint of romance. 

Judging a book by its cover: I much prefer the UK cover to the American one (a black and white photo looking down a long, winding staircase). In this, the reader gets a lot more elements from the story: the imposing Appalachian mountains in the background, the majestic hotel, the local apples, obviously the water, and if you look very closely at the entrance to the hotel, June's three loyal dachshunds. 

Crossposted by Cannonball Read

Saturday, 4 October 2025

CBR17 Book 57: "Ladies in Hating" by Alexandra Vasti

Page count: 345 pages
Rating: 4 stars

Thank you to St. Martin's Press and Netgalley for this ARC. My opinions are my own. 

Lady Georgiana Cleeve was disowned by her father when she announced that she was the author of several popular novels, and has lived alone with her mother ever since, cut off from all contact with her brothers, convinced that the scandal she brought on herself and her family would irrevocably tarnish the reputations of anyone connected to her. She is selling well and her books are popular, but for the last few years, she has noticed a number of worrying similarities between her own books and those of another lady novelist, who also writes Gothic romances. Could the preposterously named Lady Darling be plagiarising Georgina? And if so, how is she getting her information?

Georgina becomes obsessed with unmasking this mysterious rival, and eventually resorts to hiding in the bushes outside Belvoir Library, which distributes for both of them. She is shocked to discover that not only is Lady Darling someone she recognises, but someone she shares a past with. Catriona Rose Lacey is the daughter of a butler who worked for Georgina's family, but was suddenly fired and banished from the estate by Georgina's imperious father. She hasn't seen Catriona for over a decade, but seeing her again reawakens feelings that Georgina had almost forgotten existed. 

When confronted by the furious Georgina, Catriona fervently denies all her claims of plagiarism. While she read some of Georgina's early novels, she's been so busy writing and building her own career for the past few years that she's not had time to read anything at all. Cat writes to support herself, her cousin and her teenage brother, who now has a position as a clerk. For many years, after her father died, it was only the money Cat could bring in, from her writing and working in a pie shop, that kept the family from starving. Unlike what Georgina fears, Cat doesn't really hold a grudge against Georgina's father for firing her father and sending them packing, but that obviously takes some time to be revealed.

Since this is a romance, obviously, the two women can't stop thinking of each other, even when they are annoyed and consider the other a rival. Despite their attempts to avoid each other, they keep being thrown together, and once they end up literally trapped together in a crumbling Gothic mansion, which may or may not be actually haunted, their forced proximity leads to them eventually going from mutual pining to actually snogging (and eventually more). 

Cat and her family are worried that she's going to get her heart broken, mostly because of the big class difference between the two women. They aren't aware that Lady Georgina was cut off entirely by her father, and even after his death, has refused to contact her brothers for fear that they will reject her. Because of her father's treatment of her, she's convinced that she will lead anyone close to her to be tarnished by her scandal and ostracised by society, so she keeps herself entirely isolated, which, of course, is very destructive in the long run. 

This is a fairly slow-burn romance, and there is a fair amount of angst from Georgina, which keeps her from being able to fully open up to Cat or accept affection from anyone. There's a lot of fun shenanigans in the dilapidated mansion they spend a bunch of time in, and it's never entirely clear whether the place is actually haunted, or whether this is more the vivid imagination of the two women. 

This is the third and final novel in the Belvoir's Library series, but it works fine as a stand-alone novel. You don't need to have read any of the previous two, but for the curious, it's fun to see Lady Georgina as a supporting character in Ne'er Duke Well (where she avoids marriage proposals by pretending to be the most vacuous of airheads) and in Earl Crush, where she is a very supportive and entertaining friend to the heroine. She was a great supporting character in both of these previous novels, which is why I'm glad she got a romance of her own. It seems that Iris, another supporting character in these novels, is going to be denied her happy ending, since Ms. Vasti didn't get to continue the series to a fourth book. I am nevertheless very excited to see what she writes next. 

Judging a book by its cover: While I'm not exactly super fond of the various shades of pink of the cover, the cover image shows a fun and rather dramatic scene in the novel (where our two heroines are trying to escape the Gothic ruins they find themselves trapped in). I especially like the inclusion of Georgina's fluffy dog, (Francis) Bacon, in all his derpy glory.

Crossposted on Cannonball Read