Sunday, 31 December 2017

#CBR9 Books 129-130: "Locke & Key, vol 4: Keys to the Kingdom and vol 5: Clockworks" by Joe Hill and Gabriel Rodriguez

Total page count: 320 pages
Rating: 4 stars

SPOILER WARNING! This review may contain some spoilers for the plots of the two volumes in question. 

In volume 4, Keys to the Kingdom, the three Locke siblings are still fighting against the Dark Lady, whose inhabiting the body of the person they think is their friend Zach. He's posing as Kinsey's affectionate boyfriend and Tyler's loyal friend, trying to get one of the siblings to reveal where the crucial and powerful Omega key is hidden. Over the course of this volume, the Locke children seem to be attacked more and more frequently and only towards the end of the volume do they realise where the true threat lies, but by that point, it may be too late.

In volume 5, Clockworks, we go back in time, first to 1775, when the first keys were created and get some insight into the dangers that lurk inside the portal that the Dark Lady wants opened. Kinsey and Tyler also find a way to go back and see exactly what happened to their father and his friends in 1988. Both of them are far too preoccupied to discover that Bode isn't acting entirely like his normal self.

I would have read a lot more strategically earlier in December if I'd remembered just how dense and compact the writing in each of the volumes of Locke & Key are. I certainly wouldn't have saved my final graphic novels to the same day I have review deadlines, as the books took WAY longer than I anticipated to read. I also keep forgetting just how utterly creepy these books are and how much they affect me. My plan was to read the final three, but after getting through these two, I needed to take a break before I dive into the final and concluding volume, which I'm sure is going to out-gruesome the previous five.

Over the years I have been reading this comic, I've really come to get attached to the characters in it. I really rarely read horror because I get so emotionally attached and the suspense and the gore just gets too much for me. As the stakes get higher and things get more serious, these stories within these books just get creepier and creepier. It doesn't help that Gabriel Rodriguez' art leaves so little to the imagination. I am very much enjoying them, but two volumes was all I had the stomach for this time.

Crossposted on Cannonball Read.

#CBR9 Book 128: "The Wicked + The Divine, vol 1: The Faust Act" by Kieron Gillen and Jamie McKelvie

Page count: 144 pages
Rating: 4 stars

Every ninety years, twelve gods incarnate as humans. They appear as rock stars and are loved and hated in equal measure. In two years, they are all dead. The lesson they need to learn is: just because you're immortal, doesn't mean you're going to live forever.

In the first volume of The Wicked + The Divine we are introduced to Laura, a seventeen-year-old from London who is utterly devoted to the various recently incarnated gods, who appear as rock stars of various genres all over the city. After she passes out at one of Amaterasu's concerts, she is introduced to "Luci", the current incarnation of Lucifer and taken backstage to spend more time with some of the gods. Just as countless people adore the new godlings, there are those who hate them too. When armed gunmen open fire on the people in the room, Luci gets carried away, snaps her fingers and has their heads explode. During her trial, where she's adamant that they can't prove an actual link between her fingers and the dead bodies, the judge is spectacularly killed in the same way, and Luci finds herself in prison.

Laura is convinced that for all that she is scary and seems a bit unhinged, Luci didn't actually kill the judge. Someone is trying to frame her, and she wants to do whatever she can to help. She is sent to look for the mysterious Ananke, and comes into contact with even more of the twelve deities as a result. There is clearly more here than Laura understands and she knows she's neglecting her schoolwork and future by throwing herself wholeheartedly into the quest to free Luci, but she can't seem to help herself.

I didn't know a lot about this comic before I started reading it, and having finished the first five issues, collected in The Faust Act, I'm not entirely sure I know all that much more. As the description says, twelve gods get incarnated every ninety years. It's not always the same gods, but Ananke seems to be part of the group no matter what. In 2014, at least, they all appear as famous rock stars, utterly adored by their fans. Most people seem deeply sceptical to their claims of actually being divine, and it seems that Luci breaks a lot of unspoken rules when she openly shows off some of her dangerous and unpredictable powers. This has consequences as the issues go on.

As this is only the first trade, it does the job of introducing us to a large cast of characters. There's Laura, who's our entry-point into the comic, and a whole bunch of the different gods. Why are they reincarnated into the bodies of young, beautiful people? Why do they only live for two years? Who is setting up Luci for a murder charge? All of these questions will clearly be answered down the line.

I am very intrigued by the premise of this comic, and will absolutely be reading more of it. The fact that my husband "knows" both the writer and artist from an internet forum from many years ago is an added bonus. It's always good to support friends.

Judging a book by its cover: Jamie McKelvie's art is so gorgeous throughout this comic, and the monthly covers for the various issues feature beautiful facial portraits of the various deities. So it was a bit of a disappointment to me when the trade had this cover which is so simple, even though it is rather evocative.

Crossposted on Cannonball Read.

#CBR9 Book 127: "Roomies" by Christina Lauren

Page count: 368 pages
Audio book length: 9 hrs 35 mins
Rating: 3 stars

Holland Bakker is trying to be a writer, but two years after graduating from college, still doesn't really feel like she has anything to write about. The apartment she lives in is in part paid for by her wealthy uncles, and even her job, as a stagehand/photographer at the Broadway theatre where her uncle is the musical director is thanks to him. She's feeling adrift and like a bit of a scrounger, and desperately wishes she could find some purpose. For more than six months, she's been going several blocks out of her way to and from work, just so she can see the handsome busker at the 50th Street Station. One night, after a few too many drinks, she actually stops and tells him how much she loves his music. Shortly after, she is the victim of an attempted mugging, and ends up unconscious on the subway tracks. When she comes to, the paramedics suspect she tried to kill herself, and say they came thanks to an anonymous tip. Holland is confused as to why her mystery crush didn't identify himself, but has more to worry about as she's taken to the hospital.

Holland's uncle Robert is the creator of a wildly successful Broadway show, but as the original star is leaving and about to be replaced by another prestigious star, the lead violinist quits in a huff, and his music is integral to the show. The show could be doomed, unless they find a replacement musician. Holland suggests Calvin, the mystery busker, and takes her uncle to see him playing at the station. It turns out that Calvin trained at Julliard, and would be delighted to audition. Once he's actually offered a job, however, he's forced to confess that he's in the country illegally, his student visa having run out four years ago. That's also the reason he didn't actually give his name to the police or paramedics when he called 911 after Holland's mugging. He doesn't want to get deported.

One of the theatre employees jokes that Calvin could easily be hired and get a green card if Holland were to marry him - she's had a crush on him for months, after all? While everyone brushes it off as insanity, Holland sees an opportunity to finally pay her beloved uncle back for all the things he's done for her over the years. She's already deeply infatuated in the busker and adores his music. After thinking it over for a few days, she asks Calvin (who she's been calling "Jack" in her head until she learned his real name) to come to lunch and suggests the mad plan to him. Since working on Broadway is Calvin's dream, it doesn't actually take all that long to persuade him to agree to the marriage of convenience.

After mooning over him from afar for more than six months, Holland now has to share an apartment with her crush. It doesn't take long before Calvin is a runaway success on Broadway. Her uncle Robert is happy, Calvin is living his dream and Holland is feeling more adrift than ever. Even as she's growing closer to Calvin and they start acting on their mutual attraction, she's not entirely sure if he's starting to genuinely return her feelings (not that she's fully honest about how strongly she feels for him) or if he's just playing her until he can get his green card.

I've seen Roomies included on more than one "Best of the Year" romance lists recently, most notably the Entertainment Weekly one and it made me curious to read the book, as I thought the premise seemed a bit forced. Having greatly enjoyed their previous novel Dating You/Hating You earlier this year, I assumed from its inclusion on EW's list that this book was going to be even better. It's not.

My disappointment in the book may stem from the fact that its inclusion on more than one Top Ten Romances of the Year list made me heighten my expectations. By all means, this is not a bad book, but it's not even in the top 4 Christina Lauren novels I've read. The premise of the whole book, as I said, felt too forced. An actual marriage of convenience story is more difficult to pull off in a contemporary story than a historical novel (where this trope is pretty common, but strangers could more often marry in those days for any number of reasons). Yes, you have the "I'll pose as your fake girlfriend/boyfriend/fiancee for reasons" situation, but the couple rarely actually complete the legally binding ceremony before living together and falling in love.

As well as the complication that Holland isn't honest about the fact that she's been more or less stalking Calvin from afar for more than six months before she ever spoke to him, there's a whole bunch of other drama that gets thrown into the mix to make their relationship more difficult. Holland was not a particularly engaging heroine - she seemed a bit too whiny and ungrateful, considering the hugely privileged situation she was actually in - very few people have found their "calling" at 25, and at least she lives in a cushy apartment and has a job, even if this is thanks to generous relatives.

Normally, in Christina Lauren's books, the supporting cast of characters is excellent. Both the hero and heroine tend to have excellent and loyal friends, as well as family. Here, yes, Holland has amazing gay uncles and her brother seems pretty cool, but her so-called best friend is a jealous harpy who treats Holland, her own boyfriend (who she refuses to call anything but fuck-buddy) and others dreadfully and keeps hitting on Calvin in front of Holland and it made me literally uncomfortable to read several of the scenes she was in. I couldn't really get fully invested in the main romance, and the comforting friendships that were supposed to help flesh out the book were also missing.

This book is going nowhere near any "Top 10 of 2017" list for me, and frankly, because I got my expectations built up and then smashed, it's more likely to end up closer to my bottom of the year list. There are so many great other novels by Christina Lauren out there - and Dating You/Hating You (which I've also seen on even more Best of 2017 lists, thankfully) is much more worthy of your time.

Judging a book by its cover: Well, if you were in any doubt of which city this novel was set in, the Manhattan skyline should tip you off. I'm wondering if Christina Lauren's publisher wants to market them to a more varied crowd than the regular romance readers, since if you overlook the wedding rings in the title font, there isn't a lot to this cover that screams "romance". While I'm not super excited by their previous covers, I think this is just rather dull.

Crossposted on Cannonball Read.

#CBR9 Book 126: "Miracle on 5th Avenue" by Sarah Morgan

Page count: 384 pages
Rating: 4 stars

Perpetual optimist Eva Jordan loves the Christmas holidays, but this year, still mourning her beloved grandmother who passed last year, it's getting more difficult for her to summon up her holiday cheer. Now that her two best friends and business partners are both in happy relationships, Eva's goal for the Christmas season is meeting someone she might find happiness with too. But first she has a job to do. One of her elderly clients has hired her to decorate her grandson's luxurious penthouse apartment while he's away at a writing retreat. Eva's job is to make it cheerful for Christmas and fill his fridge and freezer with delicious meals, so all is ready for him when he returns.

Bestselling crime writer Lucas Blade has a crippling writer's block, and he's promised his publisher that his new book will be done by Christmas Eve. He's told his entire family that he's away on a writing retreat in Vermont, so they'll leave him alone. The time coming up to Christmas is always particularly hard on Lucas, since he lost his wife in an accident three years ago. When he tackles what he believes to be an intruder, he's surprised to see that she's in fact a petite and curvy blonde, who seems as frightened to find him in the apartment as he is shocked to see anyone arrive. He quickly figures out that his grandmother is meddling and tries to persuade Eva to leave, but she's adamant that she will carry out the job she's been hired for. While Lucas is initially annoyed, he finds that Eva, contrary to his fears, is not a distraction to his writing, but that her presence in fact inspires him to write for the first time in months.

Once Eva completes his grandmother's commission and leaves, Lucas discovers that he's entirely unable to write without her in the apartment. He hires her for the weeks up until Christmas and even promises to take her to a swanky society ball, so she has a chance to possibly meet her Prince Charming. By the time the ball comes around, however, Lucas isn't so sure he wants to watch Eva flirt with someone else.

This is the third book in the From Manhattan with Love series, and there are two full-length books and a novella preceding it. I started with book 3 because it fit into this month's keyword challenge, and because it was set around Christmas and I felt like reading something fluffy while ignoring my father and brothers bickering and the pain in my inconveniently broken rib. It's clear that the previous two books deals with Paige and Frankie, Eva's best friends and the two women she runs a business with. Their business, Urban Genie, seems to be some sort of events planning firm, where they arrange everything from elaborate proposals, birthday parties, weddings, help people get dog walkers and more.

Eva's friendship with Lucas' grandmother was clearly established in one of the earlier books, and it seems as if Lucas himself has been mentioned more than once, with several people being huge fans of his gruesome and chilling crime thrillers. While it was clear that I was missing some references from earlier books, all the information I really needed to appreciate the story was available and all it did was make me even more eager to go back and read the earlier books now, so I have the full story of the three friends and their romantic adventures.

Eva and Lucas are set up as pretty much diametrically opposite. Eva is eternally optimistic, tries to see the good in everything and everyone, likes to read romance novels, is a vegetarian and is kind and gracious to absolutely everyone. Lucas is a pessimist and a recluse, deeply cynical and sceptical about the motives of everyone around him (not just because he writes truly spine-chilling crime thrillers about ruthless serial killers). The death of his wife was clearly an incredible blow to him and he's not over the loss of her yet. He's the one who tells Eva that it's ok to grieve and be sad, even nearly a year after losing her grandmother. Having always been taught that it's better to be sunshine than a rain cloud, Eva has not really been letting herself grieve as deeply as she needs to and has been afraid of burdening her friends with her occasionally gloomy thoughts. Since Lucas is a stranger, she finds it more easy to open up to him.

Another way in which the two are different is that Lucas grew up supported and surrounded by a big family, while Eva's mother died at birth and her grandmother raised her. She's always been pretty much alone, except for her grandmother, so when she died, Eva lost the only real family ties she had left. Now she's trying to honour her gran's memory as best she can.

There is insta-attraction between Lucas and Eva (they are trapped together in his apartment for several days together because a snow storm starts raging shortly after Eva arrives, and it's not safe for her to leave), but the book takes place in a bit more than a month in the run-up to Christmas. While that isn't the longest time to get to know someone, they do spend a lot of time together, since Lucas basically hires Eva to be his live-in housekeeper once he discovers that he can't write his new novel without her around. He has a lot of issues to work through after the death of his wife, especially since even before she died, their relationship wasn't exactly the most calm and harmonious. Eva is so incredibly different from his former wife and to begin with, he's not sure how to handle all his new emotions.

This was a quick, satisfying and fun holiday read, and I am very happy that I have the earlier books in the series already, so I can go back and see how Eva's friends found their HEAs too.

Judging a book by its cover: While the cover is cute enough, I really don't like the colour combinations much. The red and the almost turquoise sky seems to clash badly to me. Still, with the Manhattan skyline, it's clear that the book is set in New York. I think it should possibly have had some more Christmassy details, since the book is set over that holiday, after all.

Crossposted on Cannonball Read.

#CBR9 Book 125: "Not Now, Not Ever" by Lily Anderson

Page count: 320 pages
Rating: 4 stars

From Goodreads:

Elliot Gabaroche is very clear on what she isn't going to do this summer. 

1. She isn't going to stay home in Sacramento, where she'd have to sit through her stepmother's sixth community theater production of The Importance of Being Earnest.
2. She isn't going to mock trial camp at UCLA.
3. And she certainly isn't going to to the Air Force summer program at her mom's base in Colorado Springs. As cool as it would be to live-action-role-play Ender's Game, Ellie's seen three generations of her family go through USAF boot camp up close, and she knows it's much less Luke/Yoda/"Feel the Force" and much more one hundred push-ups on three days of no sleep. And that just isn't appealing, no matter how many Xenomorphs from Alien
she'd be able to defeat afterwards.

What she is going to do is pack up her determination, her favorite Octavia Butler novels, and her Jordans, and run away to summer camp. Specifically, a cut-throat academic-decathlon-like competition for a full scholarship to Rayevich College - the only college with a Science Fiction Literature program, and her dream school. She's also going to start over as Ever Lawrence: a new name for her new beginning. She's even excited to spend her summer with the other nerds and weirdos in the competition, like her socially-awkward roommate with neon-yellow hair, and a boy who seriously writes on a typewriter and is way cuter than is comfortable or acceptable.

The only problem with her excellent plan to secretly win the scholarship and a ticket to her future: her golden-child, super-genius cousin Isaiah has had the same idea, and has shown up at Rayevich smugly ready to steal her dreams and expose her as a fraud in the process. 

This summer's going to be great. 

Last year, I read the rather excellent The Only Thing Worse Than Me is You, a modernised YA take on Much Ado About Nothing, set in a prep school for especially gifted students. So when I discovered that Lily Anderson had written a companion novel, with very gifted students competing with each other at a summer camp, as a modern YA retelling of sorts of the Oscar Wilde play The Importance of Being Earnest, I knew I was going to have to read it. Now while I absolutely adore the Shakespeare play, honesty forces me to admit that I haven't actually ever read the Wilde play (nor even seen a movie version - shameful, I'm sure). I did read a summary, and while the previous book was fairly loosely based on the Shakespeare, this book is an even more loosely inspired retelling.

This book is clearly set some time after TOTWTMIS, with the protagonists of that now college-age, with some of them helping out as advisors at the summer camp. Because Elliot/Ever is terrible with remembering names, she gives pretty much everyone, especially the counsellors, nicknames, so they're "Perfect Nerd Girl" and "Lumberjack Beard", even having read the previous book, it took me a while to place familiar characters. Brandon, one of the supporting characters from that book, is the mysterious young man who carries around and works mainly on a typewriter (it has a fairly logical explanation, he's not just a hipster). He's one of the members on Ever's decathlon team, and as the weeks pass, it's clear that there's a lot of chemistry between them.

Isaiah, Ever's cousin, has promised mutually assured destruction if she lets anyone know that they are not in fact twins (he's technically too young to compete, and has lied about his age to get in - and told one of the counselors that they were brother and sister before Ever could intervene) or if anyone in their families finds out where they are. To begin with, some of the other campers are worried that Ever and Isaiah are going to go easy on each other because they're related, but Ever soon proves that she is utterly ruthless and willing to crush her "twin", should the need arise. Having her obnoxious relative close by isn't the only problem facing Ever, though. As the camp progresses, it's clear that someone is stealing important items from the campers, and trying to sabotage the competition. Things get increasingly more tense as the weeks pass and the frustration among the various competitors starts building.

As in the previous book (which you in no way need to read to enjoy this, but possibly should check out just because it really is such a fun read), there's tons of nerd references throughout the book. As science fiction is Ever's passion, there were a lot more references to that here, and as I myself am not as big a fan of the genre (certainly not in book form - I keep trying), I think more possibly went over my head, but it in no way took away from my enjoyment of the book as a whole.

I liked the various friendships that built as well as the romance between Ever and Brandon. Leigh, Ever's strange and wonderfully oddly behaved roommate is a delight and the camp seems a pretty awesome place to spend the summer (even if I'm not vaguely smart enough to qualify). While I think I liked last year's book a tiny bit better, this was still a very fast and fun read, and I will be waiting eagerly for whatever Lily Anderson writes next.

Judging a book by its cover: Not exactly the most exciting of covers, but they've managed to find a girl with pretty big hair (Ever is tall and her impressively large hair is mentioned several times in the book) and a guy who looks adorably scruffy enough to be Brandon. Not entirely sure I like the big font they've used, but the yellow background is very cheerful.

Crossposted on Cannonball Read.

#CBR9 Book 124: "Jessica Jones: Alias, vol 1" by Brian Michael Bendis and Michael Gaydos

Page count: 216 pages
Rating: 4 stars

From the blurb:

Meet Jessica Jones. Once upon a time, she was a costumed superhero...but not a very good one. Her powers were unremarkable compared to the costumed icons that populate the Marvel Universe. In a city of Marvels, Jessica Jones never found her niche.

Now a chain-smoking, self-destructive alcoholic with a mean inferiority complex, Jones is the owner and sole employee of Alias Investigations - a small, private-investigative firm specialising in superhuman cases. When she uncovers the potentially explosive secret of one hero's true identity, Jessica's life immediately becomes expendable. But her wit, charm and intelligence may just help her survive another day. 

Back when this comic came out in 2001, it was called Alias. I can only assume that the new title, adding Jessica's name, was done after the premiere and success of the Netflix series from 2015 (was it really that long ago already?), to allow new readers to more easily find their way to the comic. Ironically, of course, the show had to be called Jessica Jones as there was already an action show starring a female character out there called Alias. This book was a Christmas present from my husband last year, because of all of the Marvel TV shows with their many cool characters, Jessica Jones is probably my favourite, and he wanted me to be able to read the comics the show was based on.

For those who have watched the show, the character we meet in the pages of this book will be very familiar, even if the two cases she works on over the course of the nine issues collected here are different. Jessica is a loner, she's bitter, sarcastic, self-destructive and mean. She doesn't particularly enjoy her job, but needs to pay the bills somehow. She smokes, drinks too much and swears a lot. While she has a very suspicious nature, she is still fooled by a crying woman coming to her for help. It turns out that the case she's hired for, locating a missing woman, is in fact a ploy to potentially unmask a very famous superhero (and get him implicated in a murder case). The whole plot seems to be set in motion to discredit the current president. Jessica is none too pleased about being used, but refuses to provide a proper alibi for herself by releasing the tape she has proving her whereabouts when the missing woman she was hired to locate turned up dead (but which will also reveal the hero in question's identity).

For Jessica's second case over the course of the book, a distraught woman shows up at Jessica's office trying to locate her husband, Rick Jones, who she claims is somehow related to Jessica (this is news to our heroine) and a former superhero sidekick who may now be in terrible danger. While she's unsure of how wise it is to get involved, Jessica nevertheless takes the case.

While I really enjoyed and read through all nine issues of this book very quickly, I especially miss some of the supporting characters from the Netflix show in this book. There is no Trish here, Malcolm is basically an over-eager fan who pops up in Jessica's office occasionally and asks to be allowed to be her assistant, and Luke Cage only makes a brief (but rather memorable appearance).

I know that a lot of things only borrow loosely from their source material, and I suspect that much of what ended up on the TV show will happen later in the comics. In 2018, I clearly need to get further trades of Alias to see where the stories become more similar.

Judging a book by its cover: Since I watched the Netflix series first, in my head, Jessica Jones looks like Krysten Ritter. But you know, I guess the original artist gets to decide what she looks like to the creators. Can't really argue with it. It's not the most thrilling of covers. I'm not sure it would make me pick up the book unless I was already interested.

Crossposted on Cannonball Read.

#CBR9 Book 123: "For Your Arms Only" by Caroline Linden

Page count: 388 pages
Rating: 2 stars

Alexander Hayes fought bravely during the Napoleonic war and achieved the rank of Major. During the battle of Waterloo, he was gravely injured and nearly died. When he, some weeks later, managed to get back to rejoin his fellow soldiers, he discovered that not only had one of his childhood friends died during the battle, but that he was being accused of treason. In absolute disgrace, he lets his family continue to believe that he died, and goes to work as a spy for England, in the hopes of eventually being able to clear his name.

Now, five years later, he is sent to locate a soldier whose gone missing from his former home town. He needs to come clean to his family about having been alive all these years, without being able to tell them the truth about where he's been or why he never contacted them. He also discovers that the soldier's youngest daughter, Miss Cressida Turner, is deeply distrustful of strangers, and just as likely to shoot him as aid him in his search. Once Cressida realises just in what dire straits her missing father left her, her widowed sister and aged grandmother in, she has no choice but to join forces with the mysterious possible traitor, as her family will be destitute and homeless if her father is not located soon.

A View to a Kiss, the first book in this trilogy, was a fairly slow and rather uneventful book, despite having a spy as a main character and several others as part of the supporting cast. As it had the rather unusual premise of a noblewoman falling for a commoner, I gave it the benefit of the doubt and rated it higher than I possibly should have. It does, however, mean that I'm not so generous with my rating of this second book, starring Alex Hayes/Alec Brandon, one of the supporting spies of book one, as this one is if possible even less exciting than the first one, and here there is no creative turning on its head of common tropes.

Our hero is worried about returning to his home town, and the only one who seems truly happy to see him is his mother, who doesn't seem to care why her youngest son is alive but hasn't been in contact for five long years. One of the reasons Alex is told by his superiors that he should return home (in addition to the mission) is that his older brother passed away a while back, so he is now the heir to the estate. His younger sister Julia is deeply hurt (very understandably so) and his cousin, who believed himself to be the heir and who has dutifully taken care of everything since his brother's death, must be some kind of saint, as he doesn't protest even a little bit to have his believed inheritance suddenly snatched away. For a while, I believed he may turn out to be part of whatever villainous plot had made Papa Turner disappear (because there was going to be some sort of plot, right?), but SPOILER - he turns out to be totally legit and just goes back to being a nice person somewhere else.

So the plot of this novel, such as it is, involves Alex trying to locate Turner the elder (I do not remember what military rank he was, and I don't care enough to look it up). The first time he runs into Cressida is when he's snooping in the Turner family's stables, and Cressida shows up and pulls a gun on him. She thinks he's handsome and is impressed that he doesn't seem even vaguely intimidated by her (he's a trained soldier, lady, he fought in the war. A slip of a girl with a gun isn't actually much of a threat to him). Her father has been missing for almost two months, and what little money the womenfolk he left behind had, is rapidly running out. While it seems to be pretty common practise for Papa Turner to go off for weeks or the occasional month, he always returns, flush with cash and expects his mother and two daughters to be pleased. He's never been gone two months without word before, and Cressida is getting worried.

After some joint snooping, Cressida and Alex manage to find Papa Turner's journal, which is written in code. Cressida, it seems, has always had a knack for decrypting things and sets about trying to decode the journal, in the hopes that they will find her father that way. I wish I can say they go on lots of exciting search missions, but nope, that is not the case. There's mainly a whole lot of nothing happening for much of the book.

There's a secondary romance subplot involving Cressida's widowed sister and one of their loyal family retainers, who has apparently loved her faithfully since before she got married to the scumbag she is now widowed from. There's their grandmother, who is clearly going senile, and only sees the good in her clearly disreputable son (who does NOT seem like he was a very good father), convinced he will show up any second now. Alex' sister Julia keeps being surly because he won't tell her anything of importance, and she's worried he did in fact commit treason all those years ago.

After three quarters of a book of really nothing much happening at all, there is suddenly a big, over the top action-packed finale, when they discover the truth behind Papa Turner's disappearance (which coincidentally, and very conveniently) turns out to be related to Alex' being accused of treason after Waterloo. Suddenly there's nefarious villains, and people being manhandled and threatened and there's danger and destruction and in a book which has pretty much been people pottering about the country side asking questions, or trying to figure out a code in a book, it seems very sudden and badly out of place.

I still have the final volume in this series left to read (curse those e-book sales), but considering how dull this book turned out to be, I'm not exactly going to be rushing to finish it.

Judging a book by its cover: If I recall correctly, the hero of this novel has short blond hair, not some dark and flowy mullet. The heroine is described as much younger than the lady on this cover, with nearly black, straight hair and she seems to dress fairly primly. So I'm assuming the publishing department just found a generic historical romance cover and called it a day, not really bothering with any kind of accuracy.

Crossposted on Cannonball Read.