CBR17 Book 42: "Mickey7" by Edward Ashton

Page count: 317 pages

Rating: 3.5 stars

Nowhere Books Bingo 25: Book adapted into a movie or TV show

CBR17 Bingo: Diaspora (Mickey7 and the others on his crew are colonists on a hostile planet far from their original home)

Mickey Barnes has, through some truly idiotic decisions, ended up acquiring so much gambling debt that he now has to leave the planet. Literally the only way he can do that is to go with the space expedition, which is setting off to colonise the far-off planet of Niflheim. Unfortunately, there aren't all that many spaces available, and unlike most of the geniuses and top of their fields representatives who are going, Mickey doesn't have all that many marketable skills. So he signs on as an Expendable (without even reading the paperwork all too carefully before he signs - definitely not a genius). 

Being Expendable means that whenever anything gets too dangerous for the rest of the crew, Mickey is sent to do the job. If he dies, they upload his memory to a hard drive and print him out a brand new body. So when he wakes up, he's a new person, with all the memories of the previous Mickeys (including, mostly, how all the others died - some of them REALLY horribly). 

The Mickey we first meet is, unsurprisingly, considering the title of the novel, Mickey7. Since joining the expedition, he has died and woken up in a new body seven whole times. When the reader first meets Mickey7, he is stuck at the bottom of a very deep ice cavern, and his best friend (pick better friends, Mickey) is leaving him down there to die, because it's dangerous  (and said friend isn't going to risk his own neck for the Expendable). It turns out that, existentially speaking, dying and waking up in a new body a whole bunch of times does a number on you. Because it's a fairly unique experience, he doesn't really have anyone else he can talk it over with, but suffice it to say, Mickey doesn't really enjoy dying and waking up in a new body.

Therefore, Mickey7 decides he's going to try to make it out of the ice caves and back to the colony base on his own. While doing so, he encounters one of the giant space bugs that seem to be indigenous to the world, and is briefly concerned he's going to be eaten alive. Instead, he is shocked to realise the giant bug gently carries him through the underground tunnels and deposits him outside, not too far from the base he's trying to get to. 

When Mickey7 gets back to base and goes to lie down in his bunk, he discovers that his buddy has already reported him as lost and dead, and a new copy, Mickey8 is already there, ready for duty. Due to some horrific exploitation of the cloning technique in earlier times, multiples of any person are incredibly forbidden, and if discovered, the Mickeys risk complete termination - not only will their bodies be killed and recycled, but their genetic imprint and memories will be wiped, so there will be no new ones, ever. Nevertheless, neither Mickey can determine who should be killed so the other can live, so they try to survive on the meagre rations of one person, while hiding their duplicate existence from everyone else in the colony. They also need to figure out whether the so-called monsters they're supposed to exterminate to successfully colonise Niflheim are actually sapient beings, who should be negotiated with, rather than just killed as aggressive local fauna. 

My IRL book club, the Dark Corner, had this as their book of the month in January of 2024, when we still thought the movie adaptation was going to come out in March that year. I only ever got about a quarter of the way through the book at this point before losing interest, but when the Bong Joon Ho movie was finally actually being released in early 2025, I figured it was about time I actually read the book. Even the second time, it took me a while to really get into the story, and I never really warmed up to the characters all that much.

Because of the many prejudices towards clones, religious for some, philosophical for others, most of the colonists on Niflheim avoid Mickey7, and he pretty much only has two friends. One is the idiot who left him to die down an icy crevasse (and we find out later, probably abandoned him to die on at least one other occasion), and the other is Mickey's girlfriend (who pretty much considers having two boyfriends a win-win situation when she discovers the unfortunate duplication). The colony commander is a deeply religious man who hates Mickey7 because he believes him to be an abomination; he's clearly not going to react well to the prospect of having two Mickeys running around, draining the colony's meagre resources. 

I finished this in March (yes, I am stupidly behind on my reviews again, especially because I had all those ARCs that took priority in my review queue - why do you ask?) and then never managed to get to the cinema in time to see the movie. So I can't really say how faithful the adaptation is. Since the movie is Mickey17, it seems obvious that they kill Mickey many more times in that one. I suppose I'll get round to watching it on streaming at some point, even if reviews claim it's not one of Joon Ho's best films. 

I know there's also a sequel to this, but I'm not sure I liked this enough to continue the series. 

Judging a book by its cover: I'm very glad to have the original, non-movie-tie-in cover (I hate those), although the cover image has very little to do with anything that happens in the story. I'm not sure any of the Mickeys are left alone to drift through space like that. 

Crossposted on Cannonball Read

CBR17 Books 35-41: "The Murderbot Diaries" by Martha Wells (all the novellas and short stories)

Total page count: 807 pages

My original reviews and ratings for the first four novellas can be found here.

CBR17 Bingo: Favourite (goes for the whole series, and the protagonist)

All Systems Red

Nowhere Book Bingo 25: First in a series

It's been five years since I first read The Murderbot Diaries, and it was interesting to revisit the original novella. This was selected as the January selection for my real-life book club (with the option to read the other three if people had time). While a lot of the members really enjoyed the story, it was agreed that this story is mostly set up and quite unsatisfying if you don't keep going with the series to discover more of Murderbot as a character. There were some who found Murderbot as a narrator quite annoying, while others (like me) found Murderbot's misanthropic attitude and desire to just be left alone to watch its stories deeply relatable. 

Even now, having read the whole series, I still find a lot of the supporting characters who are introduced in this story a bit confusing, and they mostly blend together for me. Doctor Mensah is an obvious exception since Murderbot respects her so much. 

The structure of the novella is also a bit wonky. It starts relatively slow, and then there's a series of dramatic events before the story ends very abruptly, possibly too quickly. 

I also feel like I should address the Apple TV adaptation of this novella, which manages to capture the tone and feel of the story while making some pretty massive changes. Quite a few of the supporting characters have been cut (the fact that it works as well as it does suggests that Wells probably didn't need the Pres Aux team to be as big as it is in the novella - no wonder I keep getting the characters confused). Skarsgård plays an excellent Murderbot, even though he's not Murderbot as I imagine it (the Murderbot in my head is female presenting, more like Gwendoline Christie as Brienne of Tarth rather than tall, handsome and Scandinavian), and I can't help but think that our favourite SecUnit's extreme social awkwardness is portrayed so well since Skarsgård is so familiar with Scandinavians and our weird introverted way of being. No one in Scandinavia likes being talked to by strangers or having FEELINGS shared all over them. 

One of my favourite things about the adaptation is the choice to have scenes from Murderbot's favourite media shown to the viewers. If I wasn't already pretty sure I'd be hooked on Sanctuary Moon, seeing the brief snippets of it on screen confirms it. There is still an episode left to go, but so far, I think the show may be dealing with the confusing end section of the story better than in the novella. Time will tell. 

Artificial Condition

Nowhere Book Bingo 25: A novella

I remembered this as one of my favourites of the novellas, and upon revisiting it, knowing how the relationship between Murderbot and ART (A**hole Research Transport) develops in later stories, it was extra satisfying to see how their friendship began. Considering Murderbot is usually the smartest individual in the room, and keeps being exasperated by the silly humans around it, it was fun to see it befriend someone who is certainly on the same level, and probably intellectually even more impressive. Reading about ART and Murderbot bonding through watching Murderbot's various shows might also have struck a particular chord with me, as that is how my husband and I met (watching shows in various friends' dorm rooms), and we still spend a lot of quality time enjoying shows together. 

Another thing I'd forgotten about this book was how quickly Murderbot, so intent on going off on adventures of its own, trying to avoid annoying emotional attachments, so quickly finds a new group of vulnerable, squishy humans it needs to protect. The humans in this story are, if possible, even more clueless in the big, ruthless corporate world than the Pres Aux team, and that is saying something. 

I'm also very relieved that Apple TV have announced that there will be a second season of Murderbot, so viewers get to watch the friendship of ART and Murderbot develop on screen. Hopefully, we'll also get glimpses of more of Murderbot's favourite shows. 

Rapport: Friendship, Solidarity, Communion, Empathy - 3.5 stars

This surprise story was announced by TOR only days before the first season of Murderbot aired, and it was launched online after the last episode aired. Considering it's chronologically set after Artificial Condition, it's not like it contains direct spoilers. 

Considering we don't actually get to meet ART again in the Murderbot universe until Network Effect, it was a really nice bonus given to the fans from Martha Wells, a story showing us ART/Perihelion with its own crew a short while after it and Murderbot part ways in the second novella. I'm a huge fan of ART/Peri, and seeing the scary transport interacting with its own crew in this story was an unexpected delight. 

Rogue Protocol

I remembered this story as the one I liked the least of the original four novellas when I first read the series. Upon a re-read, I was surprised to see how incredibly action-packed it was compared to the other novellas, and it's in this story that we really see why Murderbot may have chosen that name for itself.

Going back to the now-abandoned mining colony, where it suspected it had committed a massacre, proves to it that a large group of people got killed, but it also proves to Murderbot how right it was to disable its governor module, so it can never be made to do things like that ever again. Any murders it will be doing in the future will be to protect others, not just senseless violence at the orders of a greedy corporation. 

It's quite clear from some of the early Murderbot stories that our favourite SecUnit has some not always pleasant prejudices towards other robots, and in this story, Murderbot is forced to confront some of these. One of the reasons Murderbot felt it had to leave its favourite human, Doctor Mensah, and the Pres Aux team was because it didn't want to become someone's pet droid. Having been basically enslaved in its service with the Corporation, before it hacked its governor module and went rogue, Murderbot, even with the extremely progressive view of the members of the Pres Aux team, it just can't really believe that humans could feel towards robots as they do humans. So it's good for its personal development and continued journey towards some kind of personhood to have some of those notions disproved.

Mild spoiler warning - this is probably the novella with the most bummer ending of all of them. 

Exit Strategy

Having discovered during its wanderings, trying to find itself, that GreyCris, the evil corporation that tried to kill the Preservation Alliance crew in the first novella, has kidnapped Doctor Mensah, Murderbot (who really shouldn't have feelings for anything or anyone) feels compelled to return for a rescue mission. By now, Murderbot has met and interacted with a bunch of other human groups, and even experienced loss and something like grief, and since Doctor Mensah is its favourite human in the whole world, it can't stand by and see her endangered by GreyCris. It also becomes clear that Murderbot is ready and willing to die in the attempt to get Mensah safe.

I don't think it's a spoiler to anyone that Murderbot, the protagonist of the series, which is currently eight stories and counting (I recently heard that a new Murderbot book, Platform Decay, will be coming out in 2026 - much rejoicing) isn't actually killed here. In case anyone was worried.

Before I finally read Network Effect, this was probably my favourite Murderbot story. 

Home: Habitat, Range, Niche, Territory - 3 stars

While most of the stories in The Murderbot Diaries are obviously told from Murderbot/SecUnit's POV, this short story is set after the events of Exit Strategy. It gives us Doctor Mensah's perspective both on the events of that novella and shows us her dealing with the aftermath of what is clearly a very traumatising experience. 

Mensah is clearly a very intelligent and sensitive person, and her insights into Murderbot and the understanding she's clearly gained about it over the course of the novellas (she clearly thought a lot about everyone's favourite SecUnit even when it was away from her and busy finding its own purpose in the world). 

I didn't realise this existed when I first read the series, so I had to go back to it a bit out of continuity, but it's always nice to see the Murderbot world through some of the other characters' eyes, as well. 

Fugitive Telemetry - 4.5 stars

Buzzword Cover Challenge 25: Technology

While Murderbot isn't anyone's pet at Preservation Station, it's not entirely clear what its duties are supposed to be. Because of the rather harrowing events in Exit Strategy, Murderbot is obviously extremely protective of Doctor Mensah. Protective to the point where it's not surprising when the woman is almost relieved when a dead body shows up, so she can volunteer her SecUnit to assist in the investigation. 

Murderbot is worried that the dead body may have something to do with GreyCris, so it agrees to help determine the identity of the deceased, find out where the body was killed and how, and most importantly, why this happened. Of course, in order to do so, it needs to persuade the rather cautious members of station security to trust it (not everyone knows that Murderbot, while a rogue SecUnit, isn't a BAD SecUnit) and speak to a number of humans and other robots, not exactly something it's super well-equipped to handle. 

To my delight, Murderbot seeks the advice of Ratthi and Gurathin, some of my favourite supporting characters (the show did SO much to expand on the character of Gurathin - I liked him before, now I love him). 

Because this novella was published as the sixth in the series, but chronologically takes place as number five, I skipped it on my first read-through, because I didn't want to read it out of order. So, with the exception of Rapport, which came as a surprise to everyone, this was my last existing Murderbot story to discover. Having now read it, I'm sorry I waited so long. It was great. 

Crossposted on Cannonball Read.

CBR17 Book 34: "The Undercutting of Rosie and Adam" by Megan Bannen

Page count: 432 pages

Rating: 5 stars

Thanks to Netgalley and Orbit Books for this ARC. My opinions, are as always, my own.

This is the third book in the series, and as such, not the best place to start reading. This review may contain some spoilers for the previous two books in the series, and the place to begin is with The Undertaking of Hart and Mercy. 

Tanrian Marshall Rosie Fox can't die. Or at least she doesn't stay dead, because she's a demigod, daughter of the Trickster. She is 157 years old, and has died more times than she can count. Every time it happens, it tends to freak out the people around her, and it gets mighty lonely watching everyone you care about grow old and die, while you just stay the same. Rosie's most recent death, from electrocution, happened after she stuck her hand into the wiring of one of the portals that allow people from outside to cross into the magical area of Tanria. The portals keep short-circuiting, and Rosie thinks she can see a strange, shadowy vine tangling in the machinery. It's when she's trying to "investigate" this that she, once again, dies.

The trouble with the portals is serious enough that they have to call for the inventor himself, Dr. Adam Lee. Rosie remembers meeting the impeccably dressed gentleman five years ago, but doubts he'll even remember her from so long ago. Of course, a statuesque woman over six feet tall, with long rust-red hair and "eyes like garnets", is difficult to forget, and Adam Lee remembers her very well. Not that he is willing to admit this at first, he seems shy and almost stand-offish.

Because of the trouble with the portals, which all seem to be breaking down, everyone in Tanria needs to be evacuated. Due to a complicated series of events, Rosie, Dr. Adam Lee, Rosie's partner Penrose Duckers and Duckers' ex-boyfriend Zeddie Birdsall are all stuck in Tanria when the final portal breaks down. Rosie notices that the shadowy vines seem to be spreading and growing thicker on the ground. The various animals and wildlife in Tanria can also clearly see and interact with the vines, but presumably, none of the other people can see what Rosie sees. 

Now, Adam, Rosie, Duckers and Zeddie have to work together to try to get the portals working again, or risk being trapped in Tanria, potentially forever. To begin with, animal messages can cross the magical border (it's a whole complicated thing, I can't begin to explain it here) and bring messages, supplies and food from the outside, but as the vines proliferate and thicken, it gets harder and harder for even them to cross over.

Duckers is very amused to see his normally unflappable partner so taken with Dr. Lee, and teases her mercilessly. He also tries to avoid his ex-boyfriend as much as possible, which isn't easy when there's just the four of them there, and Zeddie cooks almost all the food they eat. How can Rosie even hope to have a chance with Adam when she's over a hundred years old and will possibly never die? No one would want to complicate their life with someone like her, would he?

This is the third and final book in the Hart and Mercy trilogy, and while I enjoyed the second book, The Undermining of Twyla and Frank, it didn't enchant me in the way that The Undertaking of Hart and Mercy or this one did. Exploring some more of the mythological sides of this strange and original fantasy world, the story of exuberant demigod Rosie and the reticent and lonely inventor she falls for was an utter delight to read, and I loved finding out more about the portals, how they worked, and how they came to be invented in the first place.

Penrose Duckers has been an amazing supporting character in each of the three books so far, and part of the joy of reading the series has been seeing how he has developed over time. He is young and inexperienced when he partners with Hart in the first book, he goes through a lot of personal turmoil in the second book, and in this one, set seven years after the end of book 2, he has to rethink some of his former decisions and life choices when Zeddie Birdsall comes back into his orbit (Duckers breaks up with him in book 2 because he needs space). 

With every story featuring characters who have some form of immortality or can just live a terribly long time, I find myself so grateful that I will never have to deal with something like that. While Rosie has a nice life, there are very few people who can even begin to understand how hard it is to keep dying and resurrecting, seeing friends and loved ones drift away, or grow old and die around you. She's starting to get sick of the whole thing, and the Trickster's sudden reappearance in her life, claiming he wants to be a proper father to her (after most of a lifetime of being neglectful of her and her mother), isn't making the situation any better.

A friend of mine constantly complains that there are very few tall heroines with short heroes (I'm still waiting for Ali Hazelwood to change things up in her writing and try it), so I'm going to recommend she read this book. Rosie is six-foot-five, while Dr. Adam Lee is a full foot shorter than her (five-foot-five). Duckers keeps calling him her pocket boyfriend. At one point, he stands on a little step to reach up to kiss her (it's adorable). 

This was a wonderful ending to the trilogy, and very nicely wraps up the story not just of Rosie and Adam, but pretty much all the significant characters we've met over the course of the whole series. If you liked the first two, this one is well worth the wait. 

Judging a book by its cover: I'm not a huge fan of the colour orange (even before it became irrevocably associated with THAT one), and I really don't think the shade of blue of the background patterns, and then the bright pink of the heart at the centre of the cover go well together. They all sort of clash. Nevertheless, it continues the very whimsical tradition established on the previous two covers in the series. 

Crossposted on Cannonball Read.

CBR17 Book 33: "These Summer Storms" by Sarah Maclean

Page count: 400 pages

Rating: 4.5 stars

CBR17 Book Bingo: Family

Thanks to Random House and Netgalley for this ARC. My opinions are my own. 

Alice Storm hasn't had any contact with her family for five years, since she went public with some unsavoury company secrets and her father disowned her. Now her larger-than-life father, Franklin Storm, is dead, and she has to return to the family's private island off Rhode Island to pay her respects. She isn't planning on staying past the funeral, but it seems even in death, Franklin is determined to control his family.

He has left his widow and Alice's three siblings letters with specific instructions. They all have to stay on the island for a week, performing the various tasks and challenges, or neither of them will inherit anything at all. Alice doesn't get a letter and is quite happy not to inherit a cent, but is told in no uncertain terms that if she leaves before the week is over, neither of her siblings (or her mother) will inherit anything at all. Now, she has no choice but to stay on Storm Island with what remains of her deeply dysfunctional family, with the stern and worryingly attractive Jack Dean, her father's right-hand man (who she had a one-night stand with before she discovered who he really was). 

It becomes very obvious that in the five years Alice has been cut off from her family, a lot of things have changed, but far too many things have seemingly stayed the same. Along with Alice, her mother Elizabeth, her brother Sam and her sisters Greta and Emily, there are also Sam's children, his greedy wife (who everyone hates) and Emily's wife (who seems to be everyone's favourite, and the only one who seems entirely unfazed by the terribly family dynamics playing out over the course of the week. 

While Sarah Maclean usually writes historical romance (many of which I have really enjoyed in the past), this seems to be her debut in contemporary fiction. There is a strong romantic subplot in the novel, but while Alice and Jack and their developing relationship is a compelling story, the heft of the novel is about the four Storm siblings, their mother Elizabeth having a final reckoning, grieving their father and eventually revealing deeply buried secrets which will change everything for them going forward.

There are some pretty strong Succession vibes to this story, and I'm sure Franklin Storm and Logan Roy would have gotten on like a house on fire (or tried to kill each other, it could go either way). Neither of the Storm siblings, nor their in-laws (with the exception of Sam's wife, she's odious), are as absolutely deplorable as the Roy siblings (or their spouses). I found Maclean's cast of characters very compelling, however, and while Alice has the main POV in the story, each of her siblings gets their own chapter, giving the reader more insight into each of them.

While there are twists and turns and several long-buried secrets coming to light in the novel, I'm not sure the point is for the reader to view this as a mystery. Knives Out, this ain't. Some of the reveals seem quite obvious, while others were fun surprises. This book may not work for everyone (just as her romances don't), but I really enjoyed Maclean's first foray into contemporary fiction and would love to read more from her in the future (although I really do want the fourth Hell's Belles novel at some point as well). 

Judging a book by its cover: The cover of this book is clearly not that of a traditional romance novel. We see the four Storm siblings walking along a beach, in an image a lot more like a photograph, there is no clinch cover, or even cutesy cartoony people showing our romance protagonists. Alice and Jack aren't the main feature here; Alice and her siblings, on the other hand, are. 

Crossposted on Cannonball Read. 

CBR17 Book 32: "Manic Pixie Dream Earl" by Jenny Holiday

Page count: 320 pages

Audio book length: 11 hrs 15 mins

Rating: 3.5 stars

Thanks to Jenny Holiday, Netgalley and Tantor Audio for this ARC. My opinion is my own.

Edward "Effie" Astley, Viscount Featherfinch, is a poet and a terrible disappointment to his father. Thankfully, he's about to set off on the annual "Earl's trip" with his two best friends, who support him come what may. So they don't ask any questions when Effie asks them to help him store a broken printing press, nor why he's so preoccupied with letters from a Miss Evans. Effie doesn't really want to confess to having become infatuated with a non-aristocratic lady, who coincidentally thinks he's a woman too, called Euphemia. 

Miss Julianna Evans loves the magazine she publishes, but hates that her odious brother insists on weekly editorial meetings and keeps questioning every decision she makes, constantly cutting her budget. Normally, she's far too busy to ever consider taking a brief holiday, but when there is a delay at her printers, and the alternative is waiting impatiently at her sister's house, generally just being in the way, she impulsively decides that she's going to spend some of her hard-earned savings to go to Brighton to meet her best friend Euphemia, who she knows will be staying there with her friends. 

Brighton isn't a big enough place for Effie and Julianna to avoid each other for very long (nor would this be a particularly effective romance novel if they did). Considering Effie has been lying about his identity to Julianna for the past five years, she gets over the deceit remarkably quickly. Effie's two best buds also take it in their stride that their slightly unorthodox bestie is in love with a magazine publisher who is quite a few years his elder.

The publisher claims that this book is Ted Lasso meets Bridgerton meets The Hangover. I have complained in the past that absolutely everything set in the Regency era is now marketed towards "fans of Bridgerton", and I can only surmise that the Ted Lasso comparison is made because this book features non-toxic male friendships and guys who support each other in wholesome ways, while The Hangover is thrown in there because it's the most famous dudes on a road trip story out there, even now, sixteen years later. I despair at these sales pitches. 

There is a lot to like here. Effie is bisexual and has no problem admitting this to his friends, although his friends seem to have suspected him to be gay and/or asexual before he reveals his feelings for Julianna. There's the aforementioned non-toxic male friendships. We have an age gap, where the heroine is about a decade older than the hero (Effie is in his late twenties, Julianna is in her late thirties). Most of the book takes place in Brighton rather than London, and the more unusual location made for a nice change. 

Harry Frost does a good job with the narration of the book, but I find that about a month after finishing the story, I don't remember too much of the overall plot. While I've liked several of Jenny Holiday's contemporary romances, I'm not sure I liked her rather unusual take on the historical genre. Nevertheless, I already own Earl's Trip, the first book in the series, so I'll probably get round to reading it at some point. I also hope she gets round to writing about Effie's friend Olive in some future instalment, she was the most interesting supporting character here. 

Judging a book by its cover: This cover is rather busy, and features a number of people in various situations, not all of which take place in the actual story, unless my memory entirely fails me. I think there are too many things going on here. 

Crossposted on Cannonball Read

CBR17 Book 31:"It's a Love Story" by Annabel Monaghan

Page count: 368 pages

Rating: 3.5 stars

Thanks to Netgalley and G.B. Putnam for this ARC. My opinion is my own.

Jane Jackson spent her adolescence as the comic relief character "Janey Jakes" on a popular teen sitcom. Now she's a creative executive at a movie studio, and really trying to get a script she loves turned into a movie. Frequently crippled with anxiety and self esteem issues, Jane has learned to "fake it till you make it", but she may have faked it too far this time. Desperate to get the movie script approved by her boss, she lied and claimed that Jack Quinlan, one of the hottest pop stars around, promised to write a song for the soundtrack. 

Except Jane hasn't seen or spoken to Jack for twenty years, since they recorded a hit song for her sitcom. His agent refuses to pass on her messages to him, and her only way to possibly get a chance to talk to him is to track him down at a music festival in Long Island. To accomplish this, she will need to ally herself with the man she briefly crushed on and now loathes, artsy cinematographer Dan Finnegan. His family lives in the town in Long Island where Jack will be playing, and he offers to take Jane, since he needs to go to a family reunion there anyway. 

Jane, having assumed that Dan is from some rich and elitist family, is surprised to discover that his family are all farmers and construction workers, and he's the odd one out, an introverted artist in a family full of outgoing and gregarious labourers. While it's obvious that Dan loves his parents and brothers, he's also not entirely comfortable among them, and that everyone automatically assumes that Dan and Jane are dating further complicates matters. 

Jane is forced to realise that her second impression of Dan (after finding him very appealing at their first meeting) as pretentious and judgmental is quite incorrect, and that her first impression, that he's a charming and interesting person whom she could possibly fall for, is much closer to the truth. Unfortunately, Jane has never been lucky in love before, and doubts that there could be anything serious between her and Dan, even if they do succeed in their wild quest to track down Jack Quinlan. 

As is far too often the case with me, I'm really behind on my reviews and trying desperately to remember the plots of books I read months ago. Honesty forces me to admit that despite my having finished this book a mere month ago, I'm having real trouble remembering a lot of details of the story. I had to read both the official synopsis and glance at several reviews on Goodreads to remind myself of what actually happens.

I remember that Jane has self-esteem issues, not helped by her father abandoning her and her mother when she was younger. She became a teen TV star to help pay the bills, and her crush ended in a rather humiliating experience. She keeps following her co-stars from the sitcom on social media, and they all seem to have vastly more successful lives than her. 

Dan is a cinematographer who made a very critically acclaimed, but otherwise mostly overlooked, movie. He also takes a lot of photos, and that's how he and Jane first met. They had undeniable chemistry, but before they had a chance to get to know each other, Dan shot down a script idea in a meeting with Jane's boss, and now she resents him. 

While they're in Long Island they stay in bunk beds in Dan's old room (the whole house is full of his brothers and in-laws there for his parents' wedding anniversary) and chat a lot, and they take bike rides and go to the beach and do all sorts of adorable things, and yet it all blends together in my head, and I can't remember what episodes happened in The Love Haters (a vastly less entertaining book, which nevertheless had a heroine with anxiety and self-esteem issues, and was set by the sea, so had scenes involving bathing) and what happened in this one. There were quite a few nice, heart-warming scenes with Dan's family, I think?

I don't really feel like I can rate a book I have such a hazy memory of any higher than 3.5 stars, but I am absolutely open to reading more of Monaghan's books in the future. 

Judging a book by its cover: A lot of times, these covers have absolutely nothing to do with anything that happens in this story. But the curly-haired woman, with the blue polka-dotted bathing suit, is exactly like Jane is described in the book. So while it's yet another animated cover (le sigh), it at least fits the content of the story.

Crossposted on Cannonball Read

CBR17 Book 30: "Along Came Amor" by Alexis Daria

Page count: 512 pages

Rating: 4.5 stars

CBR17 Pie Chart Challenge: Diversity

Thank you to Netgalley and Avon for this ARC. My opinions are my own.

Ava is nursing her hurt feelings over the dissolution of her marriage in a hotel bar, when a handsome man approaches and offers to make her a better drink than the one she currently has (she made a face when sipping it). The man clearly has bartending experience, and after a brief conversation, Ava discovers that the charming man in fact owns the hotel she's currently in (not to mention a whole chain of them). Ava decides to do something entirely out of character for her, and agrees to a one night stand with Roman, which turns out to be a lot more memorable than either of them expected.

Roman Vasquez barely ever takes time off; he lives and breathes for his business empire, always striving for more and better. Yet the chance meeting with the downcast, but lovely Ava at the bar makes him uncharacteristically order his assistant to clear his entire schedule, and while they agreed it was to be a one-time thing, the two continue to meet up every few months or so, when Ava is feeling especially upset and dejected. At first, Roman doesn't mind being this beautiful woman's comfort hookup, but with every new meeting, he begins to fall more and more, and wants to pursue a proper relationship with Ava. He's always been hard-working and goal-oriented, and now his goal is to win Ava.

Ava has a very meddling family with a lot of strong opinions, and was basically made to feel like it was her fault that her husband cheated and that their marriage dissolved. She therefore wants none of her friends and family to find out about Roman, to avoid endless speculation and mean-spirited gossip about a relationship she doesn't see leading to a long-term future anyway. So it complicates matters rather a lot when she discovers that Roman is the best man at her cousin Jasmine's upcoming wedding (where Ava is the Maid of Honour). How is she going to keep their hook-ups secret when she can barely keep her eyes and hands off him every time he is near, and now they have to spend a lot of time together wedding planning?

This is only the second Alexis Daria novel that I've read, the first one being Take the Lead, a reworking of her debut novel. That was a perfectly good read (although I remember very little about the plot a year later), but it took me much longer to get through than many romances, since the plot and characterisation weren't really grabbing me. That is certainly not the case in this book. Eva is a really interesting protagonist, Roman is an excellent foil for her, and from their first meeting, I just wanted to keep reading to see what would happen next. 

Some of the supporting characters in this story are the couples from the previous two books in the Primas of Power trilogy (both of which I own, but haven't gotten round to reading yet). While Ava's cousins Jasmine and Michelle are ride or die for her and would support her through anything, it's quite obvious that most of Ava's family are really toxic and constantly make her feel like a failure. In contrast, Roman's mother and sister (who both live with him in his swanky apartment, at his insistence) are extremely supportive of him - they just want him to find a better work-life balance (in fact, get any sort of life outside of work) and do so much for them. 

I read this book after having finished some books that were either frustrating and rather boring or merely fine. So it's possible that my very high rating of this is because it was just so delightful to find an entertaining and well-written book as a palate cleanser to those other ones. I'm pretty sure that if I re-read it, I'll stand by my rating, though. It's not a full five stars (Ava takes a bit too long to wake up and realise that Roman is perfect for her), but this book balances some heavy themes and a lot of emotional topics in a good way. It's rare to find an author who can skillfully balance genuine emotion and romance, with cringeworthy embarrassment, cathartic long-overdue emotional confrontations with overbearing family, and still manage to include more than one laugh-out-loud moment. Yet in the final chapters of this book, Daria manages to do just that. 

That excellent balance also makes it possible for me to ignore the "baby in the epilogue" of it all (much easier to do now that I'm no longer involuntarily childless). This book seems to have more endings than the movie version of Return of the King, but I guess that might be natural, since this book finishes up Daria's entire Primas of Power trilogy, and it doesn't just show us Ava and Roman's continued happiness, but what happens to the other two couples, as well. Now that I've read and thoroughly enjoyed this, I'm absolutely going to add the previous two books in the series to my reading list over the summer. 

Judging a book by its cover: I really like the style of the covers for this trilogy, making the covers look like old-time movie posters. They're all distinct and suitable for the book in question, but eye-catching with bold colours, and the couple front and centre in a passionate embrace. I'm so very ready for the drawn covers to move on to something else, but these are better than a lot of other romances out there right now. 

Crossposted on Cannonball Read