Audio book length: 10 hrs 52 mins
Rating: 4 stars
This was an audio ARC from Netgalley. My opinions are my own.
CBR16 Sweet Books: Exciting (I've been looking forward to this for a long time, and was VERY excited to get an ARC shortly before the release date.
Nowhere Bingo: A book with multiple POVs
When Aurora "Rory" Evans was a lonely teenager, she ran into a handsome Canadian hockey player while she was selling coffee at the Mall of America. She took his name and pretended to have an actual Canadian boyfriend, making her loneliness and ostracism seem more bearable, because even if she had been invited to things, she wouldn't have been able to come, since she was probably visiting her boyfriend, in Canada. And obviously, he couldn't come to school dances or her ballet recitals, living in Canada and all. To keep up the ruse, she also wrote her fictional boyfriend long letters, basically making them a sort of journal for some difficult years in her life.
Now an adult, having given up on ballet as it was making her sick, Aurora works as a dance teacher in a small town. She still struggles with her years of disordered eating, and occasionally gets panic attacks, but she's doing a lot better and enjoys teaching children the joys of dance. To her great surprise, the tragically widowed Mike Martin, whose daughter comes back to dance classes after some time away (what with the grief and the dead mum and soforth), is none other than the handsome young man she took as inspiration for her fake boyfriend. To her credit, it takes her a while to confirm to herself that the Mike she met as a teenager and this Mike are the same person, but even when she does, she doesn't tell him the truth about her teenage coping mechanism.
Mike loved his wife and is still dealing with a lot of emotions after her sudden death in a car accident. Olivia, Rory's dance student, is his step-daughter and while he's the only father she's ever known, he's had to fight his parents-in-law for custody, which hasn't exactly made the grieving process easier. It's clear that Olivia adores her father, but she's also a tween who lost her mother and is prone to tantrums and sudden outbursts. Dance classes with "Miss Rory" are one of her favourite things. Mike likes that Aurora doesn't fawn over him (unlike many of the dance mums) and he sees the easy rapport she has with Olivia, and when he discovers that Aurora is working multiple jobs to make ends meet, offers to hire her to be Olivia's sort-of nanny while he's off resuming his hockey career.
So the romance here takes a while to develop. Aurora is keeping the secret that she basically used Mike as a template for a fantasy boyfriend for a long time as a teenager, a truth that becomes more difficult to tell the longer she knows him and the closer they become. Mike is also Aurora's employer (she refuses to take a paycheck, but lives in his basement, has access to a car whenever she needs it, and gets health insurance) for a lot of the book, which certainly complicates the situation between them somewhat. Mike also feels like he can't date again until his daughter is older, possibly even until after she's old enough to move out. He doesn't feel like he can introduce a new woman into her life, in case they break up and she would have to deal with losing another person. When they do finally decide to become more than friends, they do address the employer/employee complication, so it's very much not a case of anyone being exploited or taken advantage of.
There's so much to like in this book. The close friendship between Aurora and her best friend (who owns the dance studio where she works). Mike has been in therapy since his wife died, and once Aurora gets health insurance, she can also afford to see a therapist. She has a long list of reasons as to why she needs to, beginning with the relationship with her very controlling mother, who still makes her feel guilty for giving up a career as a dancer, because of all the time and money her mother put into "supporting" her daughter. There's the disordered eating, which still creates problems for her occasionally, although I liked how she tried to get more comfortable with allowing herself sugary things and her anxiety. And after a while, it's actually her complicated feelings about her relationship with Mike.
By the way, notice how I keep calling the male protagonist simply Mike in my review? My major complaint about this book, the main reason I cannot give it five stars, even though I really enjoyed it and it did so many things well, is that consistently, throughout the entire book, up to and including the epilogue, Aurora calls Mike by his full name. He is Mike Martin EVERY single time she refers to him. I get it when they are still just acquaintances, and he's the father of one of the girls she teaches. But once she moves into his house to take care of his daughter? Once they actually start engaging in spicy recreational activities? Why? Who does that?
I do not call or think of my husband as Mark Patterson, he's just Mark. Possible exception if I have to fill out official paperwork or something, then I guess I'd use his full name. Why, Aurora? What is your deal? What is up with that? This strange quirk started bothering me about halfway through the book when I really started noticing it, and by the end of the book, I was annoyed enough that it made me want to scream. So no five stars for you, book.
It's been a while since I listened to an audio book with two narrators, but to me, this had an unusual audio format. I'm used to romance novels that have alternating POVs between the protagonists, and if the audiobook has two different narrators, they read the entire chapter from "their" character's POV. That is not the case here. Emily Ellet narrates the chapters where Aurora is the POV character and Joshua Jackson narrates Mike's. In all the chapters, Ellet does all the female voices and Jackson does all the male voices. So it becomes a sort of hybrid between a standard audio book and an audio drama. I really liked it. I've now come across another romance audio that did the same thing. If this is a new trend in dual-POV books in audio, whether romance or not, I'm a big fan. It makes the whole thing a lot more entertaining.
Both narrators for this are really good and make the story more engaging. Normally, I only listen to audiobooks when I'm going to and from work, or am out doing errands, or if I'm doing chores. Now, I kept finding excuses to listen more. I know there was a lot of excitement on social media because THE Joshua Jackson (of Dawson's Creek and Fringe fame) was doing the male part. Is this actually his first time doing audiobooks? If so, he did a good job. I enjoyed the audiobook enough that I used one of my precious Audible credits on it once I finished listening. So even if this was an ARC originally, Ms. Holiday got another sale.
Niggles about Aurora's weird name quirk aside, this was really good and I liked how Mike's character actually got the space and time to work through his many issues because of his wife's death. Neither Aurora nor Mike are magically healed by the love of another, and keep going to therapy because even once they work through the final act complications, both of them need mental health support. In so many books, one or both of the main characters should have intense and comprehensive therapy to deal with their MANY issues - that is not the case here.
I think the next book in the series is about Gretchen, Aurora's best friend. I can't wait. Hopefully, she'll not refer to her romantic partner with first and surname constantly.
Judging a book by its cover: By now, I can pretty much recognise a Leni Kaufmann-illustrated cover at a glance. I always love her covers, and this one is particularly cute. Not entirely sure why the guy (clearly Mike) looks like the twin of Andy Dwyer from Parks and Recreation, but the pink and the mint-green and Aurora's lovely ballet slippers - the playful way she sits and glances over at Mike. It works for me on every level.
Crossposted on Cannonball Read.
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