Rating: 4.5 stars
Buzzword Title Challenge 25: Water words
Warning! Mild spoilers for some plot points later in the review.
Scarlett Vandermeer is struggling, both with her academic subjects at Stanford and her diving. While physically fully recovered from a bad accident a year ago, Scarlett has a block that prevents her from even attempting the type of dive that had her hospitalised and having to go through several surgeries to fix her broken body. She needs to get her grades up if she wants to get into med school, and she has reluctantly agreed to go to therapy to see if she can get past the mental block that is hindering her diving but doesn't really feel as if it's working.
Lucas Blomquist is a world champion swimmer and has won multiple Olympic medals. He's one of Stanford's top aquatic athletes and the loyal boyfriend of Scarlett's diving teammate Penelope. When Lucas and Penelope quietly break up, however, Penelope drunkenly suggests that Lucas and Scarlett hook up, because "they're into the same thing", BDSM. While Lucas is apparently a great, loyal and caring boyfriend, sexually he and Penelope just aren't compatible, because Pen isn't into kink at all. Scarlett, however, is. After a few weeks of extreme awkwardness around both Pen and Lucas, she and Lucas actually communicate and discover that their kinks seem to be extremely well-matched. Scarlett is wary about starting anything with her friend's ex, but once she and Lucas spend more time together, she can't really help herself, and they agree on a mutually beneficial arrangement.
For reasons known best to herself, Pen doesn't really want to publically break up with Lucas, so Scarlett and Lucas can't really be public with their hook-ups. Soon they are nevertheless spending a lot of time together, working for the same professor on a biology project, and getting more and more obsessed with one another. Scarlett's history with PTSD and her self-esteem issues make it difficult for her to trust anyone. Her growing friendship with Penelope also makes her unsure about her relationship with Lucas, are they really as over each other as they claim?
I understand that Ali Hazelwood's books aren't for everyone and that her writing style can be annoying. By now, it's becoming obvious that to me, her writing works perfectly for me, and with each new thing she publishes, I like her even more. I also love that as she becomes more successful as a writer, she publishes stories she's clearly wanted to write for a long time. She gets criticised for writing the same story over and over, and yes, she does have a tendency to feature huge, hulking guys and vulnerable petite heroines. Would I love for her to have a towering, Amazonian heroine and a short king hero in the future? Absolutely. But she's been changing up her formula more and more. In the last two years, she's written YA, and paranormal romance (book 2 is out in October!) and exploration of kink is getting more prominent in some of her books. I've seen some people say this is her best book to date, but I still think I prefer Not in Love and Love, Theoretically. Part of that is because Scarlett and Lucas both felt so young (this is definitely New Adult) and part of it is because of Penelope.
Over on Threads, the algorithm has clearly realised that I like Ali Hazelwood, so I see a lot of posts about her writing, especially this new book. Penelope is clearly a divisive character, and without spoiling too much, her actions towards the end of the book are objectively shitty towards both Scarlett and Lucas. A lot of people seem to think that what she does is unforgivable and to some, her mere presence in the book, apparently ruined it for them. I liked that Hazelwood introduced a close female friendship between two characters who were both rather messed up (Scarlett and Penelope both have their issues), and as a result, mistakes were eventually made.
I think that over the course of the story, some of Penelope's demands on both Scarlett and Lucas' time were a bit unreasonable, and personally, I would have told her to bugger off occasionally, but as they are written, that is not something Scarlett or Lucas would do. Scarlett's choice to eventually forgive Penelope is one of the things that made me like this book more. Female characters so easily fall into archetypes. The bitchy, sabotaging ex is such a stereotype in a lot of romances. Penelope is so much more than that. She is genuinely a great and supportive friend to Scarlett. She's happy that Scarlett and Lucas find a connection she wasn't able to have with him. When a series of events mean that her life is less than great, she says and does some pretty awful things. Does that mean that she's an utterly irredeemable character? Once again, these characters are young. They are in their early 20s, only starting out in life. I respect and like Hazelwood more for including a complicated friendship dynamic in the book and for letting Penelope be more multi-faceted than the standard jealous ex-girlfriend trope.
Scarlett is another of Hazelwood's vulnerable and skittish heroines. Because she used to be effortlessly good at a lot of things, like professional diving and academia, it's very difficult for her to adapt to life becoming more challenging. She has PTSD from the behaviour of her emotionally abusive and controlling father, which makes her very uneasy around most men. She has a great relationship with her stepmother, who is an important part of the great supporting cast of this novel. Scarlett doesn't really believe she deserves good things, so in her mind, her relationship with her perfect boyfriend specimen Lucas Blomquist is never going to be a lasting thing. Their hook-ups are only supposed to be temporary, and as she keeps catching deeper feelings, she struggles to accept them and own up to them.
Thankfully, Lucas really does seem to be the perfect man, almost annoyingly so. I really would have liked for him to have some sort of flaw, but no, he's understanding, and supportive, if a bit of a perfectionist, and from the descriptions of him, he looks like a mix between Alexander Skarsgård and Michael Phelps. I don't think Hazelwood has written a single book where the hero doesn't fall first, and that is also the case here. Because Lucas is also more emotionally mature, he is able to acknowledge his own feelings, while patiently waiting for Scarlett to catch up, giving her time and space to join him in being head over heels.
Lucas is also Swedish. The previous time I read a novel with a Swedish protagonist, Olivia Dade's Ship Wrecked, one recurring term of endearment drove me nuts and it annoyed me enough that I couldn't rate the book more than 4 stars. In this, there are some uses of Swedish, but they are actually accurate and suitable for the situation, so I wasn't bothered by them. The way Hazelwood describes Lucas and his brothers and the place they come from felt authentic to me as a Scandinavian. I suspect that the audiobook will be harder for me to get through, though, unless they have an actual Swede narrating Lucas' parts.
As far as I can tell, not in any way being into kinky stuff (happily Asexual and celibate, over here), all the BDSM stuff covered in this book, from Lucas and Scarlett's lists when they compare what they are into, and throughout their relationship, is very respectfully and accurately described. The spice level seems to be getting a bit higher with each new Hazelwood, but I still think that a lot of readers would find this relatively mild, comparatively speaking. It's certainly not anything like, say, Christina Lauren's early romances (they've gone a lot more tame now) or anything by Kit Rocha, or Katee Robert.
Judging a book by its cover: If my Threads feed is anything to go by, a lot of people have been clutching their pearls over the level of spice/smut in this book. With a cover like this, what are you expecting? Those are clearly not the hands of people who are just waving at each other. Personally, I love that there are no people on the cover, that way I'm free to picture the characters exactly as I want inside my head.
Crossposted on Cannonball Read
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