Rating: 4 stars
Amelia Tarrant and Caleb Stirling are both history professors at Oxford with a speciality in magical antiques. They have been best friends since childhood, but any hint of affection between them could be ruinous to Amelia's reputation and the careers of both. As a result, they have to appear to be enemies and stage elaborate public fights every so often to make sure all their colleagues believe them to be bitter rivals.
One such fight, involving a volatile magical teaspoon, causes a big enough explosion that their careers may still be on shaky grounds. The head of the history faculty sends them to a manor house in Cumbria to assist a local nobleman in cataloguing his extensive collection of magical artefacts.
If maintaining their ruse of being enemies is tiresome and occasionally tricky in Oxford, having to do it while secluded in a haunted country manor proves even more frustrating to them. Amelia and Caleb both feel, unbeknownst to the other, rather more than friendly towards the other, but wouldn't dare to presume that the other returns such lustful feelings.
All the books in India Holton's Love's Academic have been delightful, cosy reads, but this one is probably my favourite. Caleb is another very Howl from Howl's Moving Castle-coded hero (although he is more like the Howl of the original book than the Miyazaki version). He's vain and a bit self-centred, but clearly just worships the ground Amelia walks on. She doesn't seem to realise that all his life choices have been determined by what keeps him close to her. She's the one who actually cares about a career in history; he's just muddling through because it makes it easier for him to spend as much time with her as possible.
Amelia is a capable woman in a male-dominated field, and she constantly has to deal with her overbearing and sexist colleagues and superiors. Caleb really is her only friend, and it annoys her to have to pretend to loathe him just so she won't be dismissed as an emotional and love-struck female, who must marry and go tend house. Over the course of the book, Amelia and Caleb realise that their long friendship has mutually developed into something deeper, but they are unable to act on their feelings since it's impossible for them to get some time alone.
Throughout the book, there is a subplot about a magical teaspoon that reacts to strong emotions and tends to cause sudden explosions if tensions are too high. Amelia comes to the conclusion that she mustn't just reevaluate her feelings for and potential future with Caleb, but come to a decision about whether or not she can keep being underestimated and mansplained to by most of her very sexist colleagues, or whether she should quit the history department and do something else.
The "cosy" label is found all over the speculative fiction genres nowadays, and a lot of the time, it's not entirely earned, or the author tries too hard with quirky characters and tiresome hijinks. However, Holton really does write lovely, low-stakes cosy romances, and as this was one of my more anticipated releases of the first part of 2026, I am happy that it was worth the wait.
Judging a book by its cover: All the books in this trilogy have had lovely covers, but this is by far my favourite. The midnight blue and the golden yellow, with the lovely, ethereal night sky in the background, with the stars seemingly dancing - it's just so pretty.
Crossposted on Cannonball Read.
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