Page count: 384 pages
Rating: 3.5 stars
This is the fourth and, I'm assuming, final book in the Rokesby series. All the books work fine on their own, you do not need to read any others for the story to make sense.
Nicholas Rokesby, the fourth son of the Earl of Manston, is studying to be a doctor in Edinburgh. When he receives an urgent summons from his parents while he's in the middle of taking important exams, he assumes someone may be dead or at least dying, so he travels back home as quickly as possible. There he is told that Georgiana "Georgie" Bridgerton, his father's goddaughter and Nicholas' lifelong friend, was abducted by a desperate suitor, and although nothing actually happened, she is now compromised in the eyes of society and will either be forced to remain a spinster forever or marry her abductor to save her reputation, unless Nicholas does the honourable thing and offers to marry her instead. All of Nicholas' siblings have married for love, and he is rather appalled that his parents are expecting such a sacrifice from him. On the other hand, it's not like it's Georgie's fault that some over-eager idiot decided to try to kidnap her and force her into marriage, and while he views her almost as a sister, they have always been fast friends. There are worse fates.
Georgiana "Georgie" Bridgerton never wanted a London season. She's pretty sure she'd be bored stiff and it always seemed to her to be a waste of time and money. Nevertheless, she was flattered when Freddie Oakes danced with her while she was in London with her mother, and offered to take her to a bookshop. She didn't suspect for a second that he'd literally kick her maid out of the carriage and drive off towards Gretna Green, intent on forcing Georgie into marriage, so her generous dowry could cover his gambling debts. Georgie incapacitated him and tied him to a chair and managed to escape once they got to a coaching inn, but having spent most of a day in a carriage with him, her reputation is ruined and the scandal is inevitable.
Georgie is certainly not expecting Nicholas Rokesby, her brother's best friend and someone she grew up with to suddenly show up, having taken time away from his medical studies in Scotland, to offer to marry her. Georgie doesn't want to be pitied by anyone. She doesn't want to feel indebted to the man who "saves" her reputation. She hates that through no fault of hers, she is suddenly considered damaged goods and only marriage to someone can "cleanse" her in the eyes of society. Initially, she refuses Nicholas' proposal and is angry, but after an eventful night seeing how capable he is in a crisis and having had time to think about their long friendship and how comfortable they are in each other's company, she decides that marriage to him is better than a life alone, or worse, married to the odious Freddie Oakes.
This is the fourth book in the Rokesby series, a prequel to Quinn's incredibly popular Bridgerton novels. For long-time fans of the series, there are cameo appearances from Edmund, Violet, Anthony, Benedict and baby Colin (who eats constantly, even as an infant). I have sadly found most of the earlier books in the series rather tame and forgettable and am hard-pressed to remember many details from any of them now (not the case with most of Quinn's more classic novels). This one was possibly my favourite of the four, probably because of the friendly banter between Georgie and Nicholas and some fun side characters. The fact that I read the whole book in less than twenty-four hours is in itself remarkable, in a time when my mind can barely concentrate on anything at all, thanks to the super depressing news cycle, the continued stress of lock-down and working from home (more than a month and a half and counting), the rising death tolls worldwide - you get my drift. It's a sweet and easy story to read, possibly almost too lacking in conflict throughout. The scandal has already happened to Georgie when the book opens, because she and Nicholas have known one another since childhood, they're very comfortable with one another.
If you're looking for a romance with a lot of hijinks and drama, this is not the book for you. If you're looking for a pleasant, relaxing read to while away a few hours during a time when everything around us seems to be depressing and horrible, you could do worse than this. Not by any means one of my favourite Julia Quinn novels, but much better than her last few novels.
Judging a book by its cover: I always prefer the UK covers for Quinn's books, with the cursive font, the little animated characters in their period-appropriate outfits and frequently other cute decoration as well.
Crossposted on Cannonball Read.
This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Showing posts with label the Rokesbys. Show all posts
Showing posts with label the Rokesbys. Show all posts
Thursday, 9 July 2020
Friday, 28 December 2018
#CBR10 Book 108: "The Other Miss Bridgerton" by Julia Quinn
Page count: 384 pages
Rating: 3 stars
Miss Poppy Bridgerton is visiting a cousin at the coast when she stumbles upon a strange cave, which happens to be full of smugglers' goods. When she's shortly after discovered by two of the smugglers, she finds herself drugged and abducted onto a ship, where the very handsome captain tells her that she can't be released until after the ship has been to Portugal and back. Poppy is none too happy about this, obviously, but doesn't really have a choice. She just has to hope that her reputation isn't completely in tatters by the time she returns.
While he has to present himself to Poppy Bridgerton as a privateer, Andrew Rokesby used to have a career in the navy, and now secretly works for the British Government, ferrying secret messages to exotic locations. Not even his own family knows what he really does, and while he's not happy about the idea, he can't have the stubborn Miss Bridgerton revealing to anyone what she has found in the cave, so whether he wants to or not, she has to be his unwilling passenger to Portugal and back. He only hopes he can complete his mission swiftly and return her to England before anyone realises she's been gone - or he'll most likely have to marry the infuriating woman.
This is the third book in Julia Quinn's prequel series to her extremely popular and successful Bridgerton novels. With each book, I keep hoping that she'll return to the magical storytelling of her earlier books, and with each successive book, I keep being let down. This book is fine. Poppy Bridgerton is independent, headstrong, much more intelligent than is seen as entirely attractive in a woman in the Georgian era, and mourns a dead brother. Andrew Rokesby is the younger of several sons and wants to serve his country, but chafes at the fact that he has to keep the truth hidden from his family in order to do so. Oh, and at some point in the story, Quinn decides that he clearly wants to be an architect instead, so she throws in this scene where he nerds out about building techniques and the special ways to construct some house in Portugal, just so Poppy (and we, the readers) can see how wrong it is for him to even be a sea captain, let alone a clandestine diplomat.
Set aside the hugely problematic "meet cute" of this novel - that the heroine is literally drugged and abducted by the hero's crew members, and then she's held prisoner in his cabin for over a week, and there is some good banter and flirting here. But in every interaction, it was difficult for me to remember that Poppy was not on this exciting ocean adventure by choice, she was abducted. Doesn't really matter how handsome the hero is, or how infuriating he finds the situation, he still went along with kidnapping a young woman away from her family.
There's also the fact that apart from the initial abduction, very little happens. Poppy complains about having to be cooped up in the captain's cabin. They flirt. She befriends the boy who brings her food. She and the captain flirt some more. He keeps saying he needs to keep her confined - then takes her up on deck to show her the stars. He needs to keep her on the ship when they get to Portugal, but goes against his better judgement and takes her on a tour of the city. Then they BOTH get abducted, by villains wanting ransom money.
As I said, some of the dialogue and banter is rather cute, if I could have forgotten that our dashing captain was also a kidnapper! His worry that he might end up married to our heroine was difficult to sympathise with, since he was the one who was responsible for completely crushing her reputation, by whisking her on a several week long journey on a ship without a chaperone. He's lucky he fell in love with her, as he would have been honour bound to marry her no matter what.
I should probably just give up on these books, and wait until online reviewers tell me Quinn is back to her old sparkling self again. But I love her earlier novels so much, and keep hoping that her books will be really great again. This book is merely ok, which is sad, as it's the last book I'm likely to read this year, and it's only the second book I managed to finish in all of December. (I may be broken, you guys). I would have liked to end the year on a more satisfying note. Alas, it was not to be.
Judging a book by its cover: There's really not much to say about this cover. There's a cute young woman, in a pretty dress. There's a ship in the background. Happily, the woman's dress is not unlaced most of the way down the back, showing her mysterious and anachronistic lack of undergarments, nor is she showing off most of her legs by lying draped awkwardly over furniture in some way. So I guess I should be thankful for small mercies.
Crossposted on Cannonball Read.
Rating: 3 stars
Miss Poppy Bridgerton is visiting a cousin at the coast when she stumbles upon a strange cave, which happens to be full of smugglers' goods. When she's shortly after discovered by two of the smugglers, she finds herself drugged and abducted onto a ship, where the very handsome captain tells her that she can't be released until after the ship has been to Portugal and back. Poppy is none too happy about this, obviously, but doesn't really have a choice. She just has to hope that her reputation isn't completely in tatters by the time she returns.
While he has to present himself to Poppy Bridgerton as a privateer, Andrew Rokesby used to have a career in the navy, and now secretly works for the British Government, ferrying secret messages to exotic locations. Not even his own family knows what he really does, and while he's not happy about the idea, he can't have the stubborn Miss Bridgerton revealing to anyone what she has found in the cave, so whether he wants to or not, she has to be his unwilling passenger to Portugal and back. He only hopes he can complete his mission swiftly and return her to England before anyone realises she's been gone - or he'll most likely have to marry the infuriating woman.
This is the third book in Julia Quinn's prequel series to her extremely popular and successful Bridgerton novels. With each book, I keep hoping that she'll return to the magical storytelling of her earlier books, and with each successive book, I keep being let down. This book is fine. Poppy Bridgerton is independent, headstrong, much more intelligent than is seen as entirely attractive in a woman in the Georgian era, and mourns a dead brother. Andrew Rokesby is the younger of several sons and wants to serve his country, but chafes at the fact that he has to keep the truth hidden from his family in order to do so. Oh, and at some point in the story, Quinn decides that he clearly wants to be an architect instead, so she throws in this scene where he nerds out about building techniques and the special ways to construct some house in Portugal, just so Poppy (and we, the readers) can see how wrong it is for him to even be a sea captain, let alone a clandestine diplomat.
Set aside the hugely problematic "meet cute" of this novel - that the heroine is literally drugged and abducted by the hero's crew members, and then she's held prisoner in his cabin for over a week, and there is some good banter and flirting here. But in every interaction, it was difficult for me to remember that Poppy was not on this exciting ocean adventure by choice, she was abducted. Doesn't really matter how handsome the hero is, or how infuriating he finds the situation, he still went along with kidnapping a young woman away from her family.
There's also the fact that apart from the initial abduction, very little happens. Poppy complains about having to be cooped up in the captain's cabin. They flirt. She befriends the boy who brings her food. She and the captain flirt some more. He keeps saying he needs to keep her confined - then takes her up on deck to show her the stars. He needs to keep her on the ship when they get to Portugal, but goes against his better judgement and takes her on a tour of the city. Then they BOTH get abducted, by villains wanting ransom money.
As I said, some of the dialogue and banter is rather cute, if I could have forgotten that our dashing captain was also a kidnapper! His worry that he might end up married to our heroine was difficult to sympathise with, since he was the one who was responsible for completely crushing her reputation, by whisking her on a several week long journey on a ship without a chaperone. He's lucky he fell in love with her, as he would have been honour bound to marry her no matter what.
I should probably just give up on these books, and wait until online reviewers tell me Quinn is back to her old sparkling self again. But I love her earlier novels so much, and keep hoping that her books will be really great again. This book is merely ok, which is sad, as it's the last book I'm likely to read this year, and it's only the second book I managed to finish in all of December. (I may be broken, you guys). I would have liked to end the year on a more satisfying note. Alas, it was not to be.
Judging a book by its cover: There's really not much to say about this cover. There's a cute young woman, in a pretty dress. There's a ship in the background. Happily, the woman's dress is not unlaced most of the way down the back, showing her mysterious and anachronistic lack of undergarments, nor is she showing off most of her legs by lying draped awkwardly over furniture in some way. So I guess I should be thankful for small mercies.
Crossposted on Cannonball Read.
Wednesday, 5 July 2017
#CBR9 Book 61: "The Girl with the Make-Believe Husband" by Julia Quinn
Page count: 384 pages
Rating: 3 stars
Shortly after the death of her father, Miss Cecilia Harcourt gets a letter informing her that her brother, Thomas Harcourt has been injured during battle i the American colonies. Her odious cousin keeps coming around hinting strongly at how beneficial it would be for Cecilia to marry him, so instead she buries the family silver in the garden and sets off over the Atlantic to find her brother and nurse him back to health. Unfortunately, no one seems to be willing to speak to her and her brother appears to be missing. Instead she finds his best friend, Captain Edward Rokesby, who's unconscious in the hospital and clearly also needs her aid. In order to be allowed to tend to him, Cecilia lies and claims to be his wife. She knows the charade will be up as soon as Rokesby wakes up, but at least she can give him the tenderest of care until then.
When Edward wakes up, he's surprised to find the woman he identifies as his best friend Thomas' sister Cecilia by his bedside. He's even more confused when she appears to be his wife, but the doctors confirm that the blow he took to the head when out on some very secretive mission appears to have caused him to forget the last six months of his memory. As Edward had frequently sent messages to Cecilia in Thomas' letters to her, and she had started sending little greetings for him, he's not entirely surprised that he's married to her, having already half fallen in love with her through he correspondence, he just can't remember when or how the marriage took place.
Cecilia feels dreadful about her lies, but discovers that the army officials are much more likely to assist her in her search for her brother if she is Captain Rokesby's wife, not just Miss Harcourt, sister of a missing officer. So even though it pains her to deceive a clearly very honest and upstanding gentleman, she keeps up the lie that she married Edward and promises herself that as soon as they locate Thomas, she will tell him the truth and set him free, even if he's unlikely to ever want to see her again afterwards.
This is the second "hero with amnesia" romance I've read in the last few months. I thought Meredith Duran's A Lady's Code of Misconduct worked a lot better, and both the protagonists of that book were more morally complex and interesting. Julia Quinn doesn't really write about bad people. All of her characters tend to be upstanding and thoroughly decent, and apart from the lie at the centre of their relationship, there really is NO conflict between Cecilia and Edward. They're pretty much already madly in love with each other from the letters they've been exchanging and while Cecilia keeps being terribly upset about her lies, and her belief that Edward is really in love with Billie Bridgerton, his neighbour back home (who married his brother in the previous book in the series), so she's stolen him from some other woman, it's quite clear from all of Edward's thoughts that whether he remembers marrying her or not, he's absolutely crazy about Cecilia.
As well as the relationship built on a lie plot, there is Cecilia's missing brother to locate, and Edward trying to remember exactly what happened in the six months he's now forgotten. None of this was terribly interesting to me. While the setting, of Revolutionary War America is more unusual in a historical romance, I didn't really feel as if Quinn really utilised it as much as she could have. It was nevertheless a nice change from the English countryside or London drawing rooms that most of these books are set in.
It's been a long time since Quinn really knocked my socks off with one of her romances. This is perfectly pleasant, but all in all, rather forgettable. I'll still keep getting her books on sale, but she's completely off my auto-buy list for the time being.
Judging a book by its cover: I'm really not an expert on late 18th Century women's fashion, but I'm pretty sure that this is not a period appropriate dress for the American War of Independence/Revolutionary War period. It looks more like a generic "historical" dress, with no clear time period in mind. Why there's an ocean and rolling cliffs in the background is also puzzling to me, as the whole book takes place in a British-occupied New York, there's no picturesque countryside in the book at all. They have at least found a cover model who's blond, like the heroine, and her putting her finger to her lips, indicating a secret is really rather cute.
Crossposted on Cannonball Read.
Rating: 3 stars
Shortly after the death of her father, Miss Cecilia Harcourt gets a letter informing her that her brother, Thomas Harcourt has been injured during battle i the American colonies. Her odious cousin keeps coming around hinting strongly at how beneficial it would be for Cecilia to marry him, so instead she buries the family silver in the garden and sets off over the Atlantic to find her brother and nurse him back to health. Unfortunately, no one seems to be willing to speak to her and her brother appears to be missing. Instead she finds his best friend, Captain Edward Rokesby, who's unconscious in the hospital and clearly also needs her aid. In order to be allowed to tend to him, Cecilia lies and claims to be his wife. She knows the charade will be up as soon as Rokesby wakes up, but at least she can give him the tenderest of care until then.
When Edward wakes up, he's surprised to find the woman he identifies as his best friend Thomas' sister Cecilia by his bedside. He's even more confused when she appears to be his wife, but the doctors confirm that the blow he took to the head when out on some very secretive mission appears to have caused him to forget the last six months of his memory. As Edward had frequently sent messages to Cecilia in Thomas' letters to her, and she had started sending little greetings for him, he's not entirely surprised that he's married to her, having already half fallen in love with her through he correspondence, he just can't remember when or how the marriage took place.
Cecilia feels dreadful about her lies, but discovers that the army officials are much more likely to assist her in her search for her brother if she is Captain Rokesby's wife, not just Miss Harcourt, sister of a missing officer. So even though it pains her to deceive a clearly very honest and upstanding gentleman, she keeps up the lie that she married Edward and promises herself that as soon as they locate Thomas, she will tell him the truth and set him free, even if he's unlikely to ever want to see her again afterwards.
This is the second "hero with amnesia" romance I've read in the last few months. I thought Meredith Duran's A Lady's Code of Misconduct worked a lot better, and both the protagonists of that book were more morally complex and interesting. Julia Quinn doesn't really write about bad people. All of her characters tend to be upstanding and thoroughly decent, and apart from the lie at the centre of their relationship, there really is NO conflict between Cecilia and Edward. They're pretty much already madly in love with each other from the letters they've been exchanging and while Cecilia keeps being terribly upset about her lies, and her belief that Edward is really in love with Billie Bridgerton, his neighbour back home (who married his brother in the previous book in the series), so she's stolen him from some other woman, it's quite clear from all of Edward's thoughts that whether he remembers marrying her or not, he's absolutely crazy about Cecilia.
As well as the relationship built on a lie plot, there is Cecilia's missing brother to locate, and Edward trying to remember exactly what happened in the six months he's now forgotten. None of this was terribly interesting to me. While the setting, of Revolutionary War America is more unusual in a historical romance, I didn't really feel as if Quinn really utilised it as much as she could have. It was nevertheless a nice change from the English countryside or London drawing rooms that most of these books are set in.
It's been a long time since Quinn really knocked my socks off with one of her romances. This is perfectly pleasant, but all in all, rather forgettable. I'll still keep getting her books on sale, but she's completely off my auto-buy list for the time being.
Judging a book by its cover: I'm really not an expert on late 18th Century women's fashion, but I'm pretty sure that this is not a period appropriate dress for the American War of Independence/Revolutionary War period. It looks more like a generic "historical" dress, with no clear time period in mind. Why there's an ocean and rolling cliffs in the background is also puzzling to me, as the whole book takes place in a British-occupied New York, there's no picturesque countryside in the book at all. They have at least found a cover model who's blond, like the heroine, and her putting her finger to her lips, indicating a secret is really rather cute.
Crossposted on Cannonball Read.
Wednesday, 28 December 2016
#CBR8 Book 129: "Because of Miss Bridgerton" by Julia Quinn
Page count: 384 pages
Rating: 3.5 stars
Sibylla "Billie" Bridgerton has always been a tomboy. As a girl, she ran wild with the neighbouring Rokesby children, and it's been long expected that she'll end up marrying either of the younger sons, Edward or Andrew. She's doesn't really mind the idea herself, but marriage is the furthest thing from her mind, even after her best friend, Mary Rokesby goes off to marry her eldest brother George's best friend. After all, if Billie gets married, whose going to oversee the running of the Bridgerton estate? Her brother Edmund is still away at Eton, far too young to take charge. The only Rokesby Billie doesn't really get along with is the heir, George Rokesby, Viscount Kennard. He's always so serious, clearly disapproving of her un-ladylike ways.
So when Billie falls out of a tree, twists her ankle badly and ends up stranded on a deserted cottage roof, having tried to rescue a stray cat, she really wishes that anyone else in the neighbourhood except the supercilious George is the one to come to her rescue. Things do not improve when circumstances cause the ladder he's used to get up on the roof to fall over, stranding them both. While no one in their right mind would think that George Rokesby had compromised Billie Bridgerton on a roof in the middle of the countryside, propriety would demand that the Viscount offer for her hand if they are stranded there for too long. Luckily, Andrew Rokesby, home on leave from the navy with a broken arm, comes along and rescues the two of them, but is very amused by the predicament they've found themselves in. George also insists on chivalrously carrying the wounded Billie back home, and after their little adventure, the two suddenly see each other differently.
As the son and heir, George has never been allowed to go off and see the world. His brother Andrew is in the navy, while Edward is over in the Colonies, scouting in the Revolutionary War. As the eldest, he has always observed his younger siblings and the vivacious eldest Bridgerton daughter run around and cause trouble. Even now, although Billie is universally loved in the neighbourhood, she has a tendency to get into unlikely scrapes, and it annoys George immensely. Almost as much as the thought that she may some day end up marrying one of his brothers. After their little interlude on the roof, George suddenly finds himself very bothered by the idea of Billie marrying anyone...except him. Could he be falling in love with the exasperating Miss Bridgerton?
While most of Julia Quinn's books are set in the Regency era, this new series is set a generation before her most famous Bridgerton books, in the Georgian era, but do in some ways still involve Bridgertons, as the title suggests. Billie Bridgerton is in fact the aunt of all the various Bridgerton siblings, whose father Edmund, Billie's younger brother, never actually appears in the series, except in the heroes and heroine's memories, as he died tragically before his youngest daughter was born. He's only mentioned in passing here, as he's away at school, but it seems likely he may make an appearance in later books. There is certainly another Bridgerton sister to marry off, as well as two Rokesby brothers, one of whom is missing in the Americas in the midst of the Revolutionary war for much of the plot of this book.
I've said in previous reviews that the best Julia Quinn novels don't have overly complicated plots or outside forces trying to get between the lovers. She's really not very good at writing villains. Happily, this is one of the books where the only thing keeping our couple apart is their preconcieved notions of one another and the fact that they've just not realised that they've got their perfect partner a few miles away, on the neighbouring estate. Billie and George just need to forget the impressions they made of each other growing up, and see each other as the adults they've become. Their families are clearly perfectly happy for them to end up together and it's quite sweet how they scheme to throw them together.
I wish I could say that this is Julia Quinn's triumphant return to truly great romance, after her previous years' efforts have mainly been rather forgettable, but I can't. I absolutely enjoyed this book, and appreciated that it didn't feature a lot of complicated drama, just two people learning to see the other in a new light and falling in love. Yet I doubt it's going to be one of the Quinn books that people remember in years to come, and it's certainly not a timeless classic like some of her Bridgerton novels. I don't regret buying it when it came out, but I suspect I will wait until her books are on sale before getting more of them. The next book in the series, involving lost brother Edward, set in Revolutionary era wartime America, will be an interesting departure from her previous books, though, so I imagine I'll be reading it, just to see her do something different.
Judging a book by its cover: There's a lot I like about this cover. The gorgeous green of the gown. The fact that it's only saucily slid off one shoulder rather than all undone in the back with anachronistic lack of undergarments. The cover model's little smirk in the mirror. The crossed fingers behind her back. There's also things I don't like. The cover model is way too old to be a 23-year-old Billie Bridgerton. This book is set in the Georgian era. That is not a period appropriate dress! Great for Regency, wrong for the previous generation.
Crossposted on Cannonball Read.
Rating: 3.5 stars
Sibylla "Billie" Bridgerton has always been a tomboy. As a girl, she ran wild with the neighbouring Rokesby children, and it's been long expected that she'll end up marrying either of the younger sons, Edward or Andrew. She's doesn't really mind the idea herself, but marriage is the furthest thing from her mind, even after her best friend, Mary Rokesby goes off to marry her eldest brother George's best friend. After all, if Billie gets married, whose going to oversee the running of the Bridgerton estate? Her brother Edmund is still away at Eton, far too young to take charge. The only Rokesby Billie doesn't really get along with is the heir, George Rokesby, Viscount Kennard. He's always so serious, clearly disapproving of her un-ladylike ways.
So when Billie falls out of a tree, twists her ankle badly and ends up stranded on a deserted cottage roof, having tried to rescue a stray cat, she really wishes that anyone else in the neighbourhood except the supercilious George is the one to come to her rescue. Things do not improve when circumstances cause the ladder he's used to get up on the roof to fall over, stranding them both. While no one in their right mind would think that George Rokesby had compromised Billie Bridgerton on a roof in the middle of the countryside, propriety would demand that the Viscount offer for her hand if they are stranded there for too long. Luckily, Andrew Rokesby, home on leave from the navy with a broken arm, comes along and rescues the two of them, but is very amused by the predicament they've found themselves in. George also insists on chivalrously carrying the wounded Billie back home, and after their little adventure, the two suddenly see each other differently.
As the son and heir, George has never been allowed to go off and see the world. His brother Andrew is in the navy, while Edward is over in the Colonies, scouting in the Revolutionary War. As the eldest, he has always observed his younger siblings and the vivacious eldest Bridgerton daughter run around and cause trouble. Even now, although Billie is universally loved in the neighbourhood, she has a tendency to get into unlikely scrapes, and it annoys George immensely. Almost as much as the thought that she may some day end up marrying one of his brothers. After their little interlude on the roof, George suddenly finds himself very bothered by the idea of Billie marrying anyone...except him. Could he be falling in love with the exasperating Miss Bridgerton?
While most of Julia Quinn's books are set in the Regency era, this new series is set a generation before her most famous Bridgerton books, in the Georgian era, but do in some ways still involve Bridgertons, as the title suggests. Billie Bridgerton is in fact the aunt of all the various Bridgerton siblings, whose father Edmund, Billie's younger brother, never actually appears in the series, except in the heroes and heroine's memories, as he died tragically before his youngest daughter was born. He's only mentioned in passing here, as he's away at school, but it seems likely he may make an appearance in later books. There is certainly another Bridgerton sister to marry off, as well as two Rokesby brothers, one of whom is missing in the Americas in the midst of the Revolutionary war for much of the plot of this book.
I've said in previous reviews that the best Julia Quinn novels don't have overly complicated plots or outside forces trying to get between the lovers. She's really not very good at writing villains. Happily, this is one of the books where the only thing keeping our couple apart is their preconcieved notions of one another and the fact that they've just not realised that they've got their perfect partner a few miles away, on the neighbouring estate. Billie and George just need to forget the impressions they made of each other growing up, and see each other as the adults they've become. Their families are clearly perfectly happy for them to end up together and it's quite sweet how they scheme to throw them together.
I wish I could say that this is Julia Quinn's triumphant return to truly great romance, after her previous years' efforts have mainly been rather forgettable, but I can't. I absolutely enjoyed this book, and appreciated that it didn't feature a lot of complicated drama, just two people learning to see the other in a new light and falling in love. Yet I doubt it's going to be one of the Quinn books that people remember in years to come, and it's certainly not a timeless classic like some of her Bridgerton novels. I don't regret buying it when it came out, but I suspect I will wait until her books are on sale before getting more of them. The next book in the series, involving lost brother Edward, set in Revolutionary era wartime America, will be an interesting departure from her previous books, though, so I imagine I'll be reading it, just to see her do something different.
Judging a book by its cover: There's a lot I like about this cover. The gorgeous green of the gown. The fact that it's only saucily slid off one shoulder rather than all undone in the back with anachronistic lack of undergarments. The cover model's little smirk in the mirror. The crossed fingers behind her back. There's also things I don't like. The cover model is way too old to be a 23-year-old Billie Bridgerton. This book is set in the Georgian era. That is not a period appropriate dress! Great for Regency, wrong for the previous generation.
Crossposted on Cannonball Read.
Subscribe to:
Posts (Atom)



