Tuesday, 15 April 2025

CBR17 Book 21: "A Duke Never Tells" by Suzanne Enoch

Page count: 352 pages
Rating: 3.5 stars

Thank you to Netgalley and Bramble for this ARC. My opinions are my own. 

Lady Margaret "Meg" Pinwell is about to start her first season when her father announces that he's spoken to his old friend, the Duke of Earnhurst, and secured her a coveted match with said duke's son and heir. Before Meg has a chance to even go to London and have any fun during the Season, the Duke promptly dies, and forces Meg into a year of mourning, since she is now affianced with the new duke. 

A year later, with absolutely no contact from the man she is contracted to marry, Meg is unsurprisingly a bit fed up. A missive to her parents assures them that the new Duke still intends to honour the agreement and Meg will become a duchess without ever even having been to London. The new Duke is rumoured to be quite the rake, with a reputation for gambling, carousing and womanising before his father's death. He didn't even show up to his own father's funeral. Meg asks her aunt Clara (her mother's younger sister) for advice, and they think up a scheme, where they will go to the ducal country estate, pretending to be ladies on the way to London, touring country estates. With Meg disguised as Clara's impoverished companion, they will hopefully get the chance to ask the duke's staff about him, so Meg can get a clearer idea of whether she wants to marry this man at all.

Unbeknownst to Meg and Clara, James Clay, the current Duke of Earnhurst is in fact residing at his country estate, arguing with Elliot Riniken, his father's former (now his) estate management about how his irresponsible behaviour has led to the estate being an overgrown mess, with a manor house that's falling apart. Water leaks have led to several holes in the ceiling, the library is partially covered in mould, and most of the staff have run off to get new positions, with the former butler having stolen a lot of the more valuable silver. The reason the estate is in such a dreadful state is that the former Duke wanted his son to return home, and face his responsibilities for a few years before his death. Both men were incredibly stubborn, James refused, while his father just gave up on any and all upkeep of the house or surroundings, because he decided it was up to his son to fix things. Now they're about to host a wedding in six weeks, and Rinikin can't authorise any repairs until the new duke signs off on them. James seems mostly happy to drink himself into a stupor. 

Since there are barely any servants left on the premises, the duke himself opens the door when Clara, not actually a noblewoman but the younger sister of a woman who has married an earl, arrives, disguised as a highborn lady, Lady Sophronia, accompanied by her paid companion, Mabel (Meg). Having recently raided the wine cellar, James thinks it will be a great idea to claim he is the butler of the estate, and he takes the two ladies into the duke's office, claiming that Mr Riniken is the duke. Riniken, a former army officer, is a good ten years older than James, so the two ladies are quite shocked by his appearance, not to mention the ramshackle state of the building, and the fact one of the only servants they can see appears to be drunk in the middle of the day. 

Since the ladies are pretending to tour country houses, they agree to go on a tour of the premises (in some of the rooms that aren't actively dangerous to enter), but they've not been there long before Meg tumbles down half a staircase, due to a rotten bannister, and injures her foot badly. The doctor proclaims that she needs complete rest for at least one week, probably two, and suddenly James' practical joke will need to be maintained for the duration of the ladies' stay, lest gossip spread to London that the new Duke of Earnhurst is a drunken madman who pretends to be a butler to visitors. 

Four people, lying about their true identities, two of them also about the reason they're even at the estate in the first place, are stuck in a house that's falling apart, forced into close proximity while maintaining an increasingly more elaborate deception. Since Meg/Mabel is forced to stay bedridden for a lot of the stay, Clara/Sophronia spends a lot of time trying to get to know the "Duke" better, so they can find evidence to present to Meg's parents for why the match must be broken. Finding herself gradually falling for the man she believes is her beloved niece's intended isn't exactly ideal. Rinikin, on his part, is fighting his attraction to what he believes to be a woman of a much higher status than himself. James, seemingly the world's worst butler, would also be a deeply inappropriate match for Lady Margaret Pinwell, or even Mabel the ladies' companion - but they also can't seem to stop being drawn to one another, kissing whenever the opportunity arises.

In your standard romance novel, you sometimes get romances featuring the mistaken identity trope. Well, in this book, not only do you get two romances for the price of one, but you get mistaken identity times four. Not only that, but you get multiple POVs. Not only do the readers get to see the story through Meg, Clara, James and Elliot's eyes, but there are a few chapters from the POV of James' very supercilious and long-suffering valet. 

It's been years since I read a romance by Suzanne Enoch, and this was quite different from any historical romance I've read before. Sometimes you have secondary romances taking place in the background while our protagonists find their HEAs, but in this book, there are four protagonists and both romances come with a number of complications, getting more and more farcical as the story progresses. 

While we are given reasons for why James Clay has been completely ignoring his responsibilities for years, causing his country estate to deteriorate so badly, they just seemed rather insignificant in the grand scheme of things. His father was too hard on him, he seemed to always prefer the opinions of Rinikin and treated him as a replacement son (at least in the eyes of James). Because of the weird power struggle between the former duke and his son, most of the staff went without wages and were forced to find jobs elsewhere. Rinikin is at his wits' end trying to keep the business side of the dukedom afloat. It's not until a beautiful woman is badly hurt falling down the stairs that James seems to see that the house is a wreck and he needs to do something to fix it. Not only does he authorise Rinikin to handle craftsmen to come to repair it, but he does a lot of the physical labour himself, especially when it comes to restoring the gardens (this also seemed rather out of character for a privileged nobleman). 

Obviously, everything works out fine in the end, with everyone's true identities being revealed in plenty of time for a double wedding and HEAs all over the place. This was a fun enough book, but I think four people running around lying about their identities was a bit too much for me. I don't mind a light-hearted romp, but there were a bit too many complications for me to be likely to want to reread this in the future. 

Judging a book by its cover: While I'm delighted to see something other than yet another cartoony cover on a romance novel, I'm not sure that this is a great improvement. The hot pink, the lurid green, the teal of the cover model's cravat. It's all a bit of an eyesore. The guy's smirk isn't exactly helping, either. 

Crossposted on Cannonball Read

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