Showing posts with label A Novel of Elfhame. Show all posts
Showing posts with label A Novel of Elfhame. Show all posts

Thursday, 2 May 2024

CBR Book 20: "The Prisoner's Throne" by Holly Black

Page count: 496 pages
Rating: 4 stars

CBR16 Sweet Books: Excited (this is one of my most anticipated releases in the first half of the year)

This book really doesn't stand alone. It is the second half of a duology that started with The Stolen Heir, which came out last year. If you haven't read that one, it's probably best to skip this review and return once you've caught up. 

Prince Oak, heir to the throne of Elfhame, finds himself a prisoner in the dungeons of Queen Suren (or Wren, as he prefers to call her), and knows that if he doesn't get himself out quickly, his temperamental sister Jude and her husband Cardan, the High Queen and King of Elfhame will react very badly indeed, and probably obliterate anyone standing in the way of their army on the way to retrieve Oak. 

There's also the pesky complication that Oak truly loves Suren/Wren and understands entirely why she feels betrayed by him, and like she can't trust him. Nevertheless, he wants to prove himself to her, and make sure she's not being taken advantage of by the wicked hag who has appointed herself Suren's chief advisor and clearly has some sort of very devious revenge plot against the royal family of Elfhame brewing. 

Can Oak escape Suren/Wren's dungeons, prevent a war, convince his beloved that he truly would like to spend the rest of his days with her (but he'd rather not have to be king of anything, please, how are they going to square that with her now being Queen of her own realm?) and prevent wicked forces from using Suren/Wren for their own ends, possibly destroying her in the process?

I love Holly Black. She has yet to write a book that I didn't at least enjoy. Are Suren/Wren and Oak's courtship and journey towards their eventual happy ending as twisted and at times exhausting as Jude and Cardan's in The Folk of the Air trilogy. Thankfully no, those two psychos are their own special brand of crazy (and I love them so), but that doesn't mean that their relationship doesn't face formidable challenges. 

The storytelling in this book was a bit messy, it's a rather convoluted plot, and I'm not sure it was a great idea to have this be single POV. I get that it's all about secrets and deceptions, and plot twists throughout, but I think both this and The Stolen Heir might have been better with dual POVs, this one in particular. 

Black's world-building is excellent and it's always a joy to see how her fertile imagination depicts the intricacies of the various Faerie kingdoms. Suren/Wren's wintery northern kingdom is a very different place to where Oak has grown up, and as someone from a Nordic country, it's fun to see references to more of the Norse fae. 

While we got a small cameo from Madoc in the previous book, but only mentions of Jude and Cardan, so it was great to get more of Oak's family this time around, to see Jude, Cardan, Taryn and even Oriana and Madoc in a different setting and situation than in the previous books. They deeply care for one another, but have such trouble expressing those feelings. There's rich potention for some really juicy group therapy sessions in the Greenbriar line, and among Madoc's three daughters. 

This book seems to end on a fairly closed note, but if Black wants to revisit her characters further, a novella from Jude and Cardan's possibly expedition to the Undersea realm could be a lot of fun. 

Judging a book by its cover: Like the cover for the previous book in the duology, this cover is dominated by white. There's a lot of icicles, considering Wren's wintery home, and the ring plays a prominent role in the story. I'm generally not as big a fan of these as the ones for the Folk of the Air trilogy about Cardan and Jude. 

Crossposted on Cannonball Read

Monday, 9 January 2023

CBR15 Book 2: "The Stolen Heir" by Holly Black

Page count: 368 pages
Rating: 4 stars

Wren thought she was a normal human girl until the night when scary monsters out of a nightmare came and claimed she was in fact their daughter and had to come back to Faerie with them. Lord Jarel and Lady Nore of the Court of Teeth rip away her human glamour and make sure that Wren sees her human parents reject her faerie self (bluish skin, blue hair, mouth full of razor-sharp teeth) with horror and disgust. The cruel faeries, accompanied by the fearsome Stormhag threaten the lives of Wren's human family, and though only nine years old, Wren is forced to go with them to keep her loved ones safe. 

In the Court of Teeth, she is Queen Suren, but queen in name only. She is kept captive and tortured both physically and emotionally until she's barely a shell of her former self and an angry, vicious feral child. Her faery parents keep her literally chained and controlled with a magic bridle and their plan is to marry Suren to Prince Oak, heir to the Greenbriar Throne, and then have him (and probably Wren/Suren) murdered, so they can be High King and Queen. Their plan fails spectacularly, High Queen Jude publicly chops off the head of the giant serpent that used to be her husband and saves not only High King Cardan but increases his power and their joint hold on Elfhame. During the brief time of negotiations and attempted betrayals, Wren/Suren gets to know Prince Oak a bit better. He doesn't seem scared of her and treats her with kindness, but after the Battle of the Serpent, as it comes to be known, Suren is still forced back to the now disbanded Court of Teeth, with Jude having ordered that henceforth Lady Nore and Lord Jarel need to obey all of Suren's commands. Terrified and despondent that she couldn't find safety in the High Court, Wren basically nopes out and runs away to the human world, living homeless in the woods and trying to engage with Faerie as little as possible.

At nineteen, Wren survives by foraging for food in the woods, eating leftovers she finds in rubbish bins, or stealing food from the house of her un-family (what she has learned to call her human family), who she's unable to let go of. She can never forget the horrified reaction of her parents (even though she now knows they were spelled to react so badly) and she fears that they or her former sister would react just as badly if they saw her again. Nevertheless, she keeps creeping around their house, breaking in when they're asleep. Wren has discovered she has the power to dissolve spells and curses if she works hard enough, so she tends to try to save foolish humans from faerie curses when she's able.

Then one night, the Stormhag is coming for her, and to her surprise, the one who rescues her is none other than Prince Oak, all grown up and very formidable. He claims to need her help, as Lady Nore has reclaimed power in the North, now using dark magic to animate hideous creations from sticks, snow, and the body parts of the dead. She's clearly building an army and will be looking to Elfhame for revenge and conquest. As the deeply reluctant heir to the throne, Oak has spent his adolescence making himself into the perfect target for all the assassins coming for the royal family. He's taken it upon himself to stop Lady Nore and rescue his captured father, former Grand General Madoc. He needs Wren, as she is the only one with the power to control her mother. 

While the thought of going back to the Court of Teeth and seeing Lady Nore again fills Wren with dread, she also can't allow the psychotic creature who claims to be her mother to succeed in her sinister, necromantic plans. Nor can she forget that she and Oak seemed to be friends for a very short while as children and that he's now grown into a very handsome, charming, and manipulative young man, who's clearly not going to hesitate to get her to agree, one way or the other. Bogdana, the Storm hag, catches up with them before they've gotten very far on their quest, and shocks Wren/Suren with the truth of her "birth". Faeries can't lie, and Wren, who's never exactly been happy in her own skin, comes to doubt herself further. 

She reluctantly accompanies Oak and his two companions. Tiernan is Oak's bodyguard (not that he gets to do much guarding, the way Oak throws himself headfirst into danger) and Hyacinthe, their prisoner, is a former soldier of Madoc's, now under a curse and able to give them information about the Ice Needle Citadel, as he served Lady Nore there for many years. Tiernan clearly doesn't trust Wren one bit, and Wren is only too aware that Oak has several hidden agendas and if his pleasant looks and manners are a deception, she could end up a captive in the Court of Teeth once more. Faeries can't directly lie, but as a result, they become very skilled at twisting the truth, and Oak, for all that he is only seventeen, has clearly been hardened by years of near-successful assassination attempts and interacting with two-faced courtiers. Desperate for love and belonging, Wren is all too aware that if she's not careful, she'll lose her heart to his honey-tongued words, and considering all the pain and loss she has suffered so far in her short life, she doesn't think she'll survive the pain of having her heart broken by the prince.

I've been eagerly anticipating the release of this book for months and months, since it first came to my attention that Holly Black was writing more from her dark and twisted Elfhame universe. Toxic and damaged as they are, Jude and Cardan shouldn't work as a couple, yet ended up doing after all and after such a feat, Black (whose writing I was already pretty enamored with) owns my eternal loyalty. Turns out, that shocking and brutal as the opening to The Cruel Prince is for Jude and her sisters, Wren/Suren has it SO much worse. Seriously, Jude and Cardan played mind games and tried to kill one another before they kind of reluctantly fell madly in love with each other, and both got some serious baggage growing up in Faerie. Neither of them had to face a fraction of the f*cked up sh*t Suren has to go through before she's even 12 and when you add to her torment some of the stuff she eventually suffers in this book - let's just say the girl has my metaphorical sword and I wan to eviscerate anyone who harms a blue hair on her head henceforth. 

In interviews, Black has said that this is the first part of a duology, and while Wren/Suren is our point of view character in this book, the next book is Oak's, and we're going to see a lot of the same events that we see in this one through his eyes instead. While all of the books in the Folk of the Air trilogy were sort of exhausting because Jude and Cardan are really extreme personalities and not necessarily pleasant people to spend time with, in this I loved Wren from the start, but was also very aware that there were clearly a whole lot of things under the surface, and people waiting to double-cross or manipulate and all sorts of twists and turns, and even when a lot of things became clear, it's obvious that there is so much more going on that we won't know about until the second book. Based on how this book ends, I cannot imagine that Oak's book won't also continue the story, because if Wren and Oak's relationship ends where this book left it, I may have to burn some things down. 

As of now, I've rated this book four stars, but which rating it's ultimately going to end up with very much depends on whether Black can deliver with the second part of the story (which based on her previous novels, I'm pretty sure she can). There is no release date for Oak's book on Holly Black's website and I don't even know if she's started writing it yet. So I guess I'll just have to pine listlessly until the next book comes out, hopefully early next year. 

Judging a book by its cover: Is it a cage? Is it Wren's hidden willow den in the woods? I love that the cover image easily evokes both images. I'm also guessing that since this cover is mostly white (some of the limited special editions are all black), Oak's book is going to be mostly black. Although based on the way he's described in this book, maybe the theme will be heavy on the gold instead. It'll be interesting to see in a year if my prediction holds true.

Crossposted on Cannonball Read.