Sunday, 12 April 2026

CBR18 Book 18: "Cherry Baby" by Rainbow Rowell

Page count: 416 pages
Rating: 3 stars, I think. It may be 3.5, but I'm not actually sure right now. 

Thank you to William Morrow and NetGalley for this ARC. My opinions are my own. This book is out on April 14th.

Cherry's husband, Tom, is in Los Angeles, working on turning his web comic-turned extremely successful graphic novel, Thursday, into a movie. His semi-autobiographical comic, which happens to have a caricatured version of Cherry in it, who is called Baby. Now that there are multiple trailers, even complete strangers recognise Cherry in all sorts of strange places. She is trying very hard not to pay any attention to all the publicity.

Very few people know that Tom has been away for the last year, and that Cherry asked him for a divorce. The rest of Cherry's family is all very religious and keeps telling her to forgive him and take him back. However, Cherry is bitter. Tom's off living the high life in Hollywood, while she's at home, in the house they bought together to possibly build a family in, taking care of the gigantic dog that Tom wanted and left Cherry with. One evening, when Cherry is out at a concert, she reconnects with an old friend from college, whom she had always had a crush on but never acted on, because he dated her best friend. Russ Sutton is still very handsome and seems utterly delighted to see Cherry again. While she was pretty solidly friend-zoned back in college, he now seems absolutely crazy about her. He also appears to never even have heard of Thursday. 

But suddenly, Tom is back from Los Angeles, ready to pack up his things and make the move permanent. Deciding how to split the contents of the house turns into a long, drawn-out process (after more than a decade together), and Cherry starts realising that she might not be ready to give up on her marriage, after all.

I was so incredibly excited when I was granted an ARC for this novel. Rainbow Rowell is one of my favourite authors. So many of her books have elements that feel like they were written for me, specifically - especially Attachments, Fangirl and Landline. I bought Slow Dance in hardback when I was in Vermont visiting my best friend last year, so I could read it on release day. So it's really difficult for me to write this review, because this is the first book of Rowell's where I'm not actually sure what I think, and how I should rate it. I read it in two days (because I thought it was coming out on April 7th, and I like to try to get my ARC reviews done around the release date of the book - turns out I was a week early) and I feel really conflicted, because while there were things I liked about it, there were also a lot of things that I disliked and/or that made me uncomfortable. 

Things I liked:
- Cherry's friendship with Stacia. 
- The way Rowell's writing always makes the characters feel complex and real. 
- Some of the family dynamics in Cherry's family. 
- Cherry's relationship with her boss.
- Most of Cherry's whimsical dress sense. 

Things I didn't like as much:
- Cherry's insistence on wearing heels, even when it was clear that it was causing her excruciating pain in her feet, legs and lower back. 
- The way Cherry acted towards Russ after one argument
- Cherry may be very good at her job, but she seems like quite an unpleasant person, overall. Most of her sisters also seem quite petty and mean. 

What I actively disliked:
- The massive focus on fatness throughout the book. The word "fat" is used 72 times in this novel, and most of it is to describe Cherry, but it's also made very clear that her mother and four of her sisters are also fat. Cherry and three of her sisters have a group chat, excluding the eldest, Hope, because she has been losing more than half of their body weight in the last year, and they're sure she's on Ozempic and just not telling them. They are REALLY mean about it, and seem to think it's some sort of personal betrayal of all of them that she has lost the weight (even though it seemed incredibly obvious to me that it was probably because of health reasons, and moreover, none of their d*mn business). The fact that it's also mentioned at one point that Cherry is a US size 18, which happens to be the size I am now (after several years of treatment with GLP-1 medication, also for health reasons), made it seem all the more pointed to me. With so many books of hers that felt like they were mirroring me and my life in some ways, this felt more like a personal attack, which is never a nice feeling, and certainly not something I was expecting from a Rowell book. 

Maybe I wasn't in the right headspace for this, maybe it's just that I was still processing my book hangover from This Kingdom Will Not Kill Me by Ilona Andrews (review to come when I catch up on my backlog), but this is my least favourite Rainbow Rowell novel so far, and the only one so far I don't think I actually want to spend money on while it's full price. I may get it if I find it for less than 3 dollars in an e-book sale, but unless I re-read this and discover I was completely wrong the first time around, I will not be wanting a physical copy of this book on my shelves. And that makes me really sad. 

Judging a book by its cover: The cover is simple and cheerful, and the cream, black and red, with a little bit of green makes it eye-catching. 

Crossposted on Cannonball Read

Sunday, 5 April 2026

CBR18 Book 17: "While You Were Seething" by Charlotte Stein

Page count: 320 pages
Rating: 3.5 stars

Thank you to St. Martin's Press and NetGalley for this ARC. My opinions are my own. This book will be out on April 14th.

Daisy Emmett is an excellent PR manager and has successfully managed a number of difficult clients, but trying to repair the image of famous romance author Caleb Miller, after he very publicly declared to the world that "happy endings are for fools", might be her most difficult job yet. Their mutual dislike of one another started when they were both in college a decade ago, and despite their many shared interests, they seemed to constantly argue and provoke one another. Now Daisy has to get Caleb to agree to go on a multi-stop book tour, to make sure he can convince his readers that his books are still worth reading, and he doesn't hate the genre he's so successfully written in for years. He also refuses to fly anywhere and insists on driving to all the various locations in his beat-up old truck, so they will be forced to spend hours and days together in a very cramped space.

One of the things that avid fans love about Caleb's books is the dedications he writes to his long-lost love, but Daisy is pretty sure this woman never existed (mainly because she cannot imagine anyone putting up with him for any amount of time, let alone loving him). Nevertheless, since it is her job to make him seem charming, romantic and attractive, she has hired an actress to appear with him on some of the stops of the tour, to fuel the rumours of a possible reunion. Unfortunately, during the first stop, a misunderstanding leads to everyone believing that Daisy is the mystery woman of Caleb's dreams, and because Daisy needs the book tour to be a success, she is forced to agree to play her nemesis's romantic interest. What is even more unnerving to her is how easy she finds it to pretend to be his long-lost love, and how every new day makes her reevaluate their time together in college, and see things both of them said and did in a new light. Maybe Caleb didn't always disapprove of everything she said and did, and maybe she no longer hates him? 

This is my first novel by Charlotte Stein, and I gather from both her author's note and previous reviews I've read of her earlier books that several of Daisy's friends who are mentioned in this book have been the protagonists of at least two of her earlier books. I know my friend Ashley/Narfna mentioned in her review of My Big Fat Fake Marriage that the insecurity of the characters was an issue for her, and I think that is my sticking point with this book, as well. The reason I can't rate this book more than 3.5 stars (and that is me generously rounding up) is that both Daisy and Caleb (or Emmett and Miller, as they refer to each other for most of the book) are both so insecure and have so much self-loathing that it goes beyond being something sympathetic, and just gets annoying.

Daisy is from the UK, but attended university in the US on a scholarship. She grew up in a small English town where she always felt like an outsider, and comments from her family about how she "must have been switched at birth" probably didn't make her feel any better. At 24, she feels desperately out of place at college, and the only one she seems to have anything in common with is Caleb Miller, who, unfortunately, is so standoffish and rude, and seems to always criticise or scoff at everything she says, that she grows to loathe him. She considers herself too loud, too enthusiastic, too peculiar, and to fit in, she becomes the ultimate people-pleaser. She uses her sharp powers of observation to assess what people around her want and need, and learns to tone down every possibly problematic aspect of her own personality so she will be seen as invaluable and indispensable. 

Her ability to assess what other people want, sometimes before they themselves know it, is what makes her so good at her job. Of course, even though she has several loyal employees and friends, she doesn't really believe that any of them really like her, because she has had so many negative experiences in the past, with both acquaintances and lovers.

Caleb Miller lives like a recluse in a house surrounded by a massive fence, and many posters about how he has vicious guard dogs. He eats his very plain and flavourless meals at the same diner every day, and has, despite his deep misanthropy, managed to write multiple extremely successful romance novels (at least two of them turned into TV adaptations starring Nicole Kidman - loved that little detail). However, after a disastrous TV appearance, his fans are now turning on him, and his publisher has begged Daisy to help. Caleb hates flying and anything that forces him out of his routine. He insists on driving his own pickup truck to the various tour locations and seems appalled that Daisy refuses to leave his side (she's convinced he'll make a run for it the first chance he gets). 

While Daisy seems to think he hates everything about her, he seems to know exactly what her food and drink preferences are every time they stop to eat, and once he discovers that some of the things he said to her back in college have stayed with her and haunted her, he is genuinely appalled. When it becomes clear that the world now believes them to have been secret lovers at some point, and improving Caleb's image demands that they keep up the charade, he decides he's going to become the best fake boyfriend there is, despite his obvious social awkwardness.

I'm not a huge fan of "enemies to lovers" where it's obvious that they are really only enemies because of some dumb misunderstanding, where one or both of them said something insensitive at some point, and a conversation or two could have cleared it all up. In this book, that trope is further complicated by the fact that both Daisy and Caleb are so full of insecurities and self-loathing that they cannot believe anyone would actually voluntarily spend time with them, let alone see past their perceived massive flaws to learn to love them. It took them both FAR too long to get over this and move towards a happy ending. I also never understood why Caleb decided that he must forego absolutely anything that could bring a smidgen of joy to his life (he literally eats the saddest food and doesn't seem to allow himself anything that could be construed as comfortable). 

I should have felt a kinship with Daisy, because thanks to decades of anxiety and a family situation that wasn't exactly ideal, I, too, have spent so much of my life people-pleasing and trying to make myself indispensable, both in my personal and professional life. Yet even at my worst, at least one tiny voice in my head told me that I was being irrational, and I never ended up being as bad as Daisy or Caleb. 

It could just be that I've read a lot of romance novels, but I also felt that a lot of the "twists" of this story were very heavily telegraphed, and I was therefore never really surprised by the plot. I know that my friend Rochelle has been very enthusiastic about some of Stein's previous novels, so this is probably more a "me" problem, than something that will apply to all romance readers. I will probably check out at least one more of her novels to see if my misgivings are confined to just this book, or if Stein's writing just isn't for me. 

Judging a book by its cover: Leni Kauffman draws excellent romance covers, where the people portrayed look the way they are described in the books. If I was going to nitpick, Caleb is described mostly wearing worn-out jeans, rather than brown trousers, and I think Daisy's hair is described as a bit darker than this, but considering how many bad romance covers there are out there, that is negligible. 

Crossposted on Cannonball Read

Tuesday, 24 March 2026

CBR18 Book 16: "The Love Feud" by Janine Amesta

Page count: 255 pages
Rating: 4 stars

Disclaimer! This was an ARC from the author. My opinions are my own. 

Hailey Moreno thought it was quite exciting to be secretly dating the son of her family's company's chief rival, but once her father died, and said rival (with the help of his son) tried to offer to buy the Moreno's air balloon business, she felt deeply betrayed and told Ryland Selene to take a hike.

Four years later, she still hasn't told her mother or any of her sisters that she used to date Ryland, and had her heart pretty thorougly broken by him. Hailey is the youngest of the Moreno sisters, and had a wild temper and a tendency to stir up drama when she was younger. She loved to make videos on her social media feed, but at 26, she's growing up and wondering about her future. As the only unmarried daughter, she is the one who still lives with their widowed mother, and does her best to make her anxious mother socialise more. It seems as if her mother expects her to just stay unmarried and living in her childhood home forever, and Hailey is beginning to feel trapped.

Having clashed a lot with her older sister Selah in the past, and now really wants to contribute to the company in a way that will earn her sister's approval. She suggests arranging a hot air balloon festival in Central Oregon, and unfortunately, since theirs is not the only hot air balloon company in the state, her sister insists that she extend an olive branch to their main competitors. Which means talking to her ex again.

Ryland "Ry" Selene has never gotten over Hailey Moreno, and felt so guilty about making her life more difficult in the weeks after her father's death, that he reevaluated his own life to the point where he quit his dad's company, got himself a business degree, and is now working for a local brewery. He tries to tell himself that he doesn't miss piloting hot air balloons, but deep down, he very much does. The fact that one of his closest co-workers at his new job is his former high school bully is not improving his life. So when he discovers that Hailey e-mailed his dad about this air balloon festival, he takes it as an opportunity to see her again.

Soon Hailey has convinced him that to drum up promotion for the event, which they only have a few months to plan, they should have a fake hating relationship on social media. They should play up the rivalry between their families and their companies, and pretend to be fighting in a series of videos, planned out by Hailey. Because Ry pretty much wants any excuse to spend more time with Hailey again, he reluctantly agrees, encouraged by his roommate, who thinks having staged fights with his ex-girlfriend might help Ry get more assertive and likely to stand up for himself against the office bully. 

Of course, making the videos bring Hailey and Ry into contact with one another a lot, and spending time bickering on camera makes it obvious that their previous chemistry isn't just still present, it may actually be even more incindiary than before. It doesn't take all that long before they may be fighting on camera, but kissing as soon as the videos are done. But Ry didn't really like the idea of their relationship being secret four years ago. He's even less thrilled about the idea now, when he finally has a chance to win Hailey back.

This is the third and final novel in Janine Amesta's Love is in the Air trilogy, about the Moreno sisters finding their happy endings and saving their family business after the sudden and unexpected death of their father. In Love at First Flight, Hailey was the bratty younger sister who got her sister's relationship in trouble by gossiping too much on social media. As the youngest sister, Hailey was still in a very emotionally unstable place when their father died, and some of her actions in the aftermath, when trying to cope with her grief, led to her making some questionable decisions. Hailey and Selah do talk it out and reach a better understanding of each other, but even several years later, Hailey still feels like the black sheep, who's not as talented and useful as her sisters.

Ryland is a rather shy and very non-confrontational guy. One of the rare occasions when he pushed himself to be brave was when he first saw Hailey and made himself go over and talk to her, even though he was convinced he'd be firmly rejected. He feels a lot of guilt about how much he hurt Hailey shortly after her father's death, to the point where he convinced himself he needed to change his whole life and future plans. Reconnecting with Hailey confirms to him that he's not over her, and even though he thinks her social media fake feud is ridiculous, he just can't help saying yes to her, because he loves her special brand of crazy.

I feel very lucky that I've gotten to read this entire series as ARCs, and once again extend my thanks to Janine Amesta for the reading copy. This book releases today, and in these depressing times, a contemporary romance that focuses on family, personal growth and a sweet second chance romance is a balm for the senses. 

Judging a book by its cover: I think this may be my favourite of all the covers in this series. I really like the lit balloon, and Hailey reaching down towards Ryland. Even though this isn't a scene that actually appears in the book, the vibes feel right, and the Romeo and Juliet reference is pretty obvious.

Crossposted on Cannonball Read

Monday, 23 March 2026

CBR18 Book 15: "The Proposal" by Jasmine Guillory

Page count: 325 pages
Rating: 3.5 stars

Nowhere Book Bingo 26: BIPOC rep by a BIPOC author
Reading Rainbow - Orange cover

Nikole "Nik" Paterson is bored and uncomfortable at a baseball game with her handsome, if rather self-centred, actor boyfriend, and his bros. She is absolutely blindsided when he surprises her with a public proposal, via the scoreboard, and to add insult to injury, he didn't even spell her name correctly. Nik is mortified, her boyfriend is insulted by her rejection, and things are about to take a nasty turn when a couple of strangers come to Nik's rescue.

Carlos Ibarra and his sister witness the proposal first-hand from a few rows behind her and when Nik's scorned boyfriends storms off, and a camera crew appears to be on their way to interview Nik, his sister insists that they step in and pretend to be close friends of Nik's, so they can lead her off to safety and away from the public eye and further embarrassment. They take Nik to a bar where her supportive friends are waiting, and share some drinks to decompress after the humiliating event.

Nik is certainly not ready for anything serious again any time soon, but her friends keep encouraging her to keep in touch with the handsome and kind Carlos, and it doesn't take long before they embark on a rebound relationship. Carlos takes his responsibility to his family members extremely seriously and doesn't want to be tied down to a long-term girlfriend. Nik just wants some uncomplicated sex and fun. Surely they can keep things casual and not catch feelings, right?

Jasmine Guillory seems to be a big favourite among some romance readers online, and while her books are fine, they just never seem to be all that memorable to me, and I only read about one a year. As is so often the case with me, I'm yet again way behind on my reviews, and having finished this book in the middle of February, I'm having a lot of trouble remembering specifics of the plot.

What I do remember:
- Carlos has this idea that he needs to be free to drop everything at a moment's notice in case any member of his family, close or extended, needs anything. Since he already works as a paediatrician, a job that demands a lot of his time, he has convinced himself that he can't have a girlfriend who will also make demands on his time. 
- Nik's ex-boyfriend is a real tool, and after being rejected (in front of a huge crowd of people, in an event he orchestrated), he starts sending her threatening messages. As a result, she drags her two best friends along for a self-defence class that they all end up loving. When he finally tries to confront her towards the end of the book, the lessons prove to have been very useful.
- One of Nik's friends runs a cupcake bakery and seems to need a lot of help, which keeps putting Nik and Carlos in close proximity to one another. 
- Carlos' cousin is pregnant, and her pregnancy is a complicated one. This means that he worries even more about her than any of his other relatives. 
- Both Carlos and Nik have many justifications to themselves about why they're not ready or able to commit to anyone in a long-term relationship, which means it takes a frustratingly long time for both of them to admit that they have feelings for each other. 

I don't regret having spent money on this (chances are, I got it in an e-book sale) or spending time reading it, but I doubt it will become a comfort re-read in the future for me. 

Judging a book by its cover: I like this new cover design a lot better than the original, which had a very nice blue background, but just faces in profile, seemingly floating on the edges of the cover. Not very appealing. This sunset view is much prettier. 

Crossposted on Cannonball Read

Thursday, 12 March 2026

CBR18 Book 14: "A Girl Like Her (Deluxe Edition) by Talia Hibbert

Page count: 320 pages
Rating: 4 stars

Thank you to NetGalley and Sourcebook Casablanca for this ARC. My opinions are my own. 

Evan Miller has recently moved to Ravenswood, and while he appreciates his job as a metalworker and many of his co-workers, he's less of a fan of the boss's son trying to ingratiate himself with him. Especially once said nepo-baby keeps throwing condescending hints about Evan's next-door neighbour, Ruth.

Ruth Kabbah is shunned by most people in Ravenswood because of events in her past. She barely ever leaves her house, except once weekly, to have lunch with her mother and sister. She's autistic, has very little patience for anyone else's nonsense, and is obsessed with comics. When her new neighbour, a tall, hot, bearded guy, knocks on her door, presenting her with a Shepard's Pie to boot, she is deeply suspicious. On the other hand, she's not going to turn down free food. Her stove was removed after an accidental fire, and she really only lives on cup noodles and fast food. So delicious, home-cooked meals outside of her mother's dinners are a rarity.

Despite Ruth's initial hostility, Evan finds her fascinating and keeps showing up on her doorstep with food. Ruth decides she can lend him comics in return, and is rather surprised that Evan is not only reading them, but is quite happy spending hours discussing them with her. As their friendship grows, so too does the attraction between them, but Ruth's only previous relationship was a very toxic one, so she's wary about getting involved with anyone else. She's both grateful and frustrated that Evan keeps being a gentleman who respects her boundaries and backs off the minute she has hesitations. 

Can Evan convince Ruth that she's not, in fact, a "jezebel" who should be afraid to leave her house? Can he prove to her that she is worth loving, just the way she is?

A Girl Like Her was originally self-published by Talia Hibbert in 2018. Now they have been picked up by a big publisher, and she's had a chance to revise and improve them, and they will hopefully reach a wider market than previously. I have liked, or loved, every novel of Hibbert's that I've read before, but I haven't had a chance to check out the earlier novels that she published before The Brown Sisters series. It's been quite a few years since I read it now, but I thought there were quite a few similarities between this and Get a Life, Chloe Brown. Both feature self-employed plus-size black women who barely ever leave their houses, and handsome, tattooed craftsmen who fall in love with them. Both have neurodivergent heroines (I think all of Hibbert's novels may feature at least one protagonist on the autism spectrum) and heroes who patiently wait for them to be ready to be loved. Despite the similarities, it didn't feel like Hibbert was plagiarising herself, just writing variations on a theme.

Based on the author's note at the back of the book, one of the novellas in the series is being expanded into a full novel, and she's working on improving the second book in the series (about Ruth's sister). I am most likely going to wait until the new editions are out. 

Judging a book by its cover: The new cover of this Deluxe edition feels like the publishers are trying to "rebrand" Hibbert's books to a wider market. The previous editions either had pictures of a couple embracing or just went with a buff, tattooed shirtless dude, leaving the woman out of the equation entirely. All of these previous cover designs were pretty typical of romance, and with this more demure cover, I think they're hoping to catch more of the "women's lit" market. 

Crossposted on Cannonball Read

Sunday, 1 March 2026

CBR18 Book 13: "Better Than a Duke" by Suzanne Enoch

Page count: 352 pages
Rating: 4 stars

Thank you to NetGalley and Bramble for this ARC. My opinions are my own.

Beckett Raines, the Marquis of Hentrose, has been widowed for ten years, leaving him a single father to young Rebecca (who would like to be known as Lady Becks). He's been aided by a number of loyal servants, but now his meddling mother has decided that it's time for him to marry an appropriate woman who can be a good role model to the girl. Because Beckett was guided by his emotions the last time around, and his wife turned out to be very pretty, but rather vapid, and then died in childbirth, he's determined that his next marriage will be a partnership, with no romantic feelings involved. 

Iris Silbern has been widowed for four years and currently has to reside with her ten-year-old son, Edmund, with her aunt and uncle, in the house neighbouring Beckett's, and their first meeting isn't exactly flattering to her. She comes storming into his house, threatening him with a shovel, with her hair like a haystack around her head and her clothes wrinkled from a long time travelling. She accuses him of having abducted Edmund (when in fact, the rascal came up with a sob story about being a starving orphan), but calms down once she sees how happy her son is playing with Rebecca. It doesn't take long before the children are pretty much inseparable, and Beckett and Iris are bonding over being widowed single parents. 

It doesn't take long for Rebecca to discover that while the lady her father is possibly going to marry may look pretty and pleasant while there are other adults around, she's clearly planning to have Beckett to herself. She strongly implies that Rebecca will be sent off to boarding school and that her father will be all the happier for it. Meanwhile, Iris is hoping to borrow money from her uncle to buy herself a house in the country, where she plans to take in lodgers. They, on the other hand, believe she should get married again, even though she has no wish to ever remarry. They introduce her to the Duke of Trent, who is over seventy, already has two sons and several grandchildren, but is nevertheless looking for Duchess number six. Marrying the lecherous old man would ensure that Iris got enough money to secure a good education and a decent future for Edmund. And while he's outlived five wives so far, surely he'll not outlive Iris as well?

Obviously, neither child is happy with their potential step-parents, especially since it would mean Rebecca and Edmund would be separated. They'd much rather be siblings and decide to get their parents to marry each other, and their plans are forced to get ever more elaborate as Beckett and Iris stubbornly refuse to acknowledge that their perfect partner is right there on the other side of the garden wall.

Last year, I got an ARC of A Duke Never Tells, Suzanne Enoch's previous novel, and it was a perfectly fine read, but I can't really remember a thing about it now, except that two different couples were romancing each other while assuming other people's identities. It certainly didn't make me smile, and even laugh, as much as this one. The previous book became a bit too messy to be a fun romp; this one succeeded better. A lot of romance novels, movies and television have done parent trap retellings, or stories with similar tropes. A few years ago, I read Don't Want You Like a Best Friend by Emma R. Alban, but here the scheming children are debutantes who try to get their parents to marry so they themselves don't have to. This one was a lot more entertaining, which isn't always an easy feat when two of the characters concerned are children of nine and ten. 

Even when they start acknowledging that they are growing to be more than just friends, neither Beckett nor Iris considers the other as a suitable future spouse. Beckett wants a lady of impeccable pedigree and breeding who can help advise and guide Rebecca and ensure that she fits into polite society. While he tries to ignore his overbearing mother, her constant criticism is starting to wear on him, and he's worried that growing up without a mother is damaging Rebecca. Because he was blinded by love and made a rather poor choice of first wife, he now wants a marriage without romantic entanglements. He wants a marriage of convenience, a platonic partnership, more to offer a maternal influence for his daughter than for himself. Iris is stubborn, has a terrible temper, is not afraid to speak her mind and has, on occasion, punched men who offended her. While he admires her spirit, he doesn't want his daughter to behave that way. 

Iris, meanwhile, married a man she thought needed her help and guidance, only to discover that he had a gambling problem even before they got married, which only got worse as their marriage continued. He fell when drunk and drowned in a ditch. Iris' father-in-law allowed them to stay in one of the houses on his estate, but as soon as he passed, her brother-in-law kicked them out, leaving them homeless and helpless. She knows what Beckett is looking for in a new wife and understands why she's not suitable. While she feels happier in his company than in years, she also wants him to have a wife who will be accepted in society, rather than constantly shocking and causing minor scandals. 

If the book had been longer, I suspect I would have been annoyed with the length of time it took for the other marital candidates to be neutralised (and while she is clearly an unpleasant person, I think the consequences for Beckett's first choice ended up being more horrible than she deserved) and for Beckett and Iris to finally get together. This is also one of the times when an epilogue would have been nice, to see how the new family was getting along. It is possible to have epilogues in romance that don't involve pregnancies, and one would have been nice here. 

Judging a book by its cover: I don't think smug-looking dude in a cravat is the way to sell a romance, but I'm not mad that it's not a cutesy cartoon cover. 

Crossposted on Cannonball Read

CBR18 Book 12: "In Which Winnie Halifax is Utterly Ruined" by Alexandra Vasti

Page count: 196 pages
Rating: 4 stars

Reading Rainbow - Purple/violet cover

It's 1811. Winnifred "Winnie" Wallace just wants to settle down in a small town in Wales and raise sheep. She has a modest amount of money, given to her by her con woman mother before said woman absconded to France. However, being a single woman trying to establish herself leads to a lot of suspicion, so Winnie fibs a tiny bit and claims to be married, but estranged from her husband. She literally makes up a name and an address for her fictional spouse, and suddenly she's welcomed into the community.

Ten years later, Spencer Halifax, the Earl of Warren, is told by his solicitor, Henry Mortimer, that it has come to his attention that a woman claims to be married to Spencer, and has copies of banns that very much seem to suggest that the wedding took place. Because all the church records of the place where they supposedly got married were lost when the church burned down, legally speaking, there is no way to disprove the claim, and Spencer may in fact have a wife in Wales. 

Spencer has to rescue his fake wife from the local jail, where she's ended up after punching a rival farmer who accused her of theft. Once she cleans up all the grime, he is, of course, stunned by her beauty (they are never just plain and average in these stories). She convinces him that she in no way wanted to defraud or entrap him in any way, and is rather shocked to realise that her clever lies and external circumstances might mean they are actually legally married. She agrees to accompany him to London, but there is a chance they may have to ask for an actual annulment.

Margo's novella was the shortest of the three stories, and the one I liked the least. Matilda's is probably the longest, and the one I liked the most. That puts Spencer's novella smack bang in the middle, at four stars. It's the most farcical of the three stories, and the plot just keeps getting more and more preposterous as the story progresses. There's the fake marriage to be dealt with, and Winnie's secret plan to return the stolen necklaces her mother gave her to their rightful owners, which involves showing up at dinner parties and hiding in broom closets, and sneaking about at the opera, and what have you. It's not quite insta-love in this story, but it comes very close. Winnie and Spencer don't spend a lot of time together before it becomes clear that their fake marriage should become a real one, and that both of them are sick of being alone and terribly responsible apart, when they have so much fun together. 

I'm really glad that I have discovered Alexandra Vasti as a writer. I have an ARC of the novel she's releasing in June, and I'm really looking forward to reading it.

Judging a book by its cover: The covers of Vasti's self-published novellas are a lot less elaborate than her current romance covers. I do really like the shade of purple used for the background and the little white flowers. 

Crossposted on Cannonball Read.