CBR18 Book 42: "The Fatal Unpleasantness at Netherfield" by Claudia Gray

Page count: 336

Rating: 4 stars

Thank you to NetGalley and Vintage for this ARC. This book is on sale now.

Jonathan Darcy is getting tired of his parents nervously hovering around him and keeping him from doing anything more strenuous than sitting in front of a fire, reading. So when a letter arrives from his aunt Jane at Netherfield, who is feeling rather inundated with Bingley's sisters and their spouses, and his mother is unable to go, he eagerly volunteers to go in her stead. He has not stopped thinking about Juliet Tilney, but his parents think it is best that they have no further contact.

Poor Juliet Tilney hasn't really been able to leave her home for months, and now it seems unlikely that she'll ever find a husband, certainly not Jonathan Darcy. So when she is unexpectedly called to Netherfield to assist Jonathan in yet another unsolved murder, she knows it's unseemly, because someone (in this case, Bingley's brother-in-law, Mr. Hurst), but she's just so happy to be reunited with him and investigating once more. She refuses to consider her grandfather's suggestion that she entrap the young man to secure her future. She knows she can never be accepted as a suitable daughter-in-law by the Darcys after the scandalous events in London. 

The young investigators find an unexpected supporter in Jane Bingley, however, who sees how much they clearly love one another, and is deeply saddened that Juliet's life has been so negatively affected because of a cruel prank. Jane still remembers the months she was separated from Bingley because of the scheming of his sisters and Darcy, and doesn't want any young couple to ever have to face anything like that. While she may be rooting for the young couple, Mrs. Caroline Allerdyce, Charles Bingley's sister, is still determined that her daughter, Priscilla, will be the future mistress of Pemberley, and keeps trying to push them together at every available opportunity.

I had to catch up with the previous two books in the series before I read this one, and I'm glad I did, as it meant I hadn't forgotten any major details from the previous two books that might be relevant in this story. I would absolutely not recommend anyone start with this book; it is very much a fifth book in a series, and if you haven't read some of the others, especially book 4, The Rushworth Family Plot, there will be plot lines that don't make as much sense.

While the previous book focused on characters from Mansfield Park, here Claudia Grey shows us the lovely and kind-hearted Bingleys many years into their marriage. Their daughters have moved away and are married, and now they are playing host to two of Bingley's sisters, with their husbands. When Juliet comes to help with the investigation of the poisoning of Mr. Hurst, Jonathan is noble enough to surrender his room at Netherfield and goes to stay with his grandparents at Longbourn, a place he has never felt at home, and he's determined that Juliet never realises what a sacrifice he is making for her sake. Even though all her five daughters found husbands (three of them even very well-off ones), Mrs. Bennett is still displeased about all sorts of things in her old age, while Mr. Bennett cares for little other than his books. Neither of them has any understanding of what they see as Jonathan's peculiarities, and he can never be at ease in that house.

Ms. Gray's authorial voice really is very close to Austen's own, and while you are aware that you are basically reading fan fiction about the continued lives of all of these characters, she captures the essence of them so well, and it seems like such plausible lives for these characters to have. Charles and Jane Bingley have clearly had a very happy life together, and still bend over backwards to help all of their various family members, even at the cost of their own comfort. With so many characters early in the series having been disapproving of either Jonathan, Juliet or their relationship, it was a great comfort to have these two characters wholeheartedly supporting the young couple and refusing to judge or blame Juliet in any way for her unfortunate circumstances. 

Having checked Ms. Gray's website, because it was unclear to me how long she was planning on continuing this series, it does seem as if she's contracted for at least one more book about our young sleuths. Without wanting to spoil too much, there was at least SOME romantic development in this book, and while I was frustrated for a while, I am now very excited to see where the next book takes our characters (I'm guessing they may have to solve murders among the characters of Persuasion, that's pretty much the only book that hasn't been featured much). 

Judging a book by its cover: Dare I hope, based on the silhouettes on the cover, that this book will finally have some sort of forward momentum in the glacially slow romance between our protagonists? Or is it a cruel trick from the publishers to fool me into committing to another book? 

Crossposted on Cannonball Read

 

CBR18 Book 41: "The Antiquarian's Object of Desire" by India Holton

Page count: 368 pages

Rating: 4 stars

Amelia Tarrant and Caleb Stirling are both history professors at Oxford with a speciality in magical antiques. They have been best friends since childhood, but any hint of affection between them could be ruinous to Amelia's reputation and the careers of both. As a result, they have to appear to be enemies and stage elaborate public fights every so often to make sure all their colleagues believe them to be bitter rivals.

One such fight, involving a volatile magical teaspoon, causes a big enough explosion that their careers may still be on shaky grounds. The head of the history faculty sends them to a manor house in Cumbria to assist a local nobleman in cataloguing his extensive collection of magical artefacts. 

If maintaining their ruse of being enemies is tiresome and occasionally tricky in Oxford, having to do it while secluded in a haunted country manor proves even more frustrating to them. Amelia and Caleb both feel, unbeknownst to the other, rather more than friendly towards the other, but wouldn't dare to presume that the other returns such lustful feelings. 

All the books in India Holton's Love's Academic have been delightful, cosy reads, but this one is probably my favourite. Caleb is another very Howl from Howl's Moving Castle-coded hero (although he is more like the Howl of the original book than the Miyazaki version). He's vain and a bit self-centred, but clearly just worships the ground Amelia walks on. She doesn't seem to realise that all his life choices have been determined by what keeps him close to her. She's the one who actually cares about a career in history; he's just muddling through because it makes it easier for him to spend as much time with her as possible. 

Amelia is a capable woman in a male-dominated field, and she constantly has to deal with her overbearing and sexist colleagues and superiors. Caleb really is her only friend, and it annoys her to have to pretend to loathe him just so she won't be dismissed as an emotional and love-struck female, who must marry and go tend house. Over the course of the book, Amelia and Caleb realise that their long friendship has mutually developed into something deeper, but they are unable to act on their feelings since it's impossible for them to get some time alone.

Throughout the book, there is a subplot about a magical teaspoon that reacts to strong emotions and tends to cause sudden explosions if tensions are too high. Amelia comes to the conclusion that she mustn't just reevaluate her feelings for and potential future with Caleb, but come to a decision about whether or not she can keep being underestimated and mansplained to by most of her very sexist colleagues, or whether she should quit the history department and do something else. 

The "cosy" label is found all over the speculative fiction genres nowadays, and a lot of the time, it's not entirely earned, or the author tries too hard with quirky characters and tiresome hijinks. However, Holton really does write lovely, low-stakes cosy romances, and as this was one of my more anticipated releases of the first part of 2026, I am happy that it was worth the wait. 

Judging a book by its cover: All the books in this trilogy have had lovely covers, but this is by far my favourite. The midnight blue and the golden yellow, with the lovely, ethereal night sky in the background, with the stars seemingly dancing - it's just so pretty.

Crossposted on Cannonball Read. 

CBR18 Book 40: "Daugther of Tides" by Kit Rocha

Page count: 320 pages

Rating: 3.5 stars

Defeat the Goblin TBR: has a dark/stormy vibe

Naia is a very young water nymph, born directly from the Dreaming, but she has the memories and experiences of so many who have lived before her who had any connection to the sea. Einar was once a mortal man before he became the immortal pirate lord known as the Kraken, tied to his magical ship and his equally immortal crew. Aleksi is the most charming and beloved of all the gods; he is literally The Lover. After the events in Queen of Dreams (a book I read and very much enjoyed, but apparently didn't have the energy to fully review, Aleksi is feeling strange and unsettled. He keeps having strange visions, he doesn't instantly heal when he is injured, and he's started to worry that he is dying.

These three individuals are sent on a diplomatic mission to an icy kingdom, trying to broker a peace with Gwynira, the Ice Queen, who was previously one of the now imprisoned Sorin the Betrayer's allies. Einar has secrets he's keeping from the other two about his connection to the icy island kingdom they find themselves in, Naia is welcomed as a reborn version of the old goddess of the natives there, while Aleksi just wants to enjoy himself for as long as possible by hiding his impending death from the other two. 

I loved both the books in the Bound to Fire and Steel duology. I loved the world-building, I loved the pantheon of interesting deities (of which Aleksi and Einar both belong), and I found the tension between Ash, Sachielle and Zanya both interesting and sexy. Since I knew this was going to be a duology, I held off on reading this until close to the release date of the sequel, Prince of Storms (I have an ARC and need to read and review it by the end of this week). Unfortunately, whatever magic made the first two books in this world so incredibly appealing and immersive to me seems to have faded. I found this book slow to start, I found it difficult to really care about the characters or the mission they have been sent on. In addition, I found myself rather exhausted by how horny the three protagonists constantly are for each other. Maybe it would have been more exciting if they actually acted on their feelings until pretty much the very end of the book. Instead, it just felt annoying. 

The book picks up in the second half, but I never got the feeling of not wanting to stop reading, which was frequently the case with the first two books in this world. Maybe it's just that it was hard for me to feel any worry about Aleksi, since it's incredibly obvious that he's not actually going to die. He's part of the triad at the centre of this duology, which is a romance first and foremost, and the next book won't end with him actually dying and leaving the other two to grieve. While the various stakes were really high in the previous two books, I find it hard to get particularly invested this time around. It made me very sad, because I really had been looking forward to revisiting this world. 

I'm crossing my fingers that the sequel, which I will be starting soon, is better and that the duology as a whole works better for me once it's been completed. 

Judging a book by its cover:

We've got the churning sea, we've got a whole lot of tentacles. They seem to belong to more than one creature, so maybe the cover designer thought Einar had a bunch of friends to help him when he goes all Kraken-y?

CBR18 Books 38-39 : "The Perils of Lady Catherine de Bourgh" and "The Rushworth Family Plot" by Claudia Gray

The Perils of Lady Catherine de Bourgh

Page count: 400 pages

Rating: 3.5 stars

Since Mr Jonathan Darcy, son of the esteemed Fitzwilliam Darcy, and Miss Juliet Tilney, daughter of Henry Tilney, have now solved not one, but two murders among their extended acquaintance, word has gotten around, and as a result, Lady Catherine DeBourgh has summoned the young Mr Darcy to come to Rosings Park to help her identify the person who is trying to kill her. He insists that Miss Tinley be invited as well. Both young persons are accompanied by their fathers, who, unfortunately, take an instant dislike of each other. Mr Tilney thinks Mr Darcy is a supercilious snob, while Mr Darcy thinks Mr Tilney takes things too lightly and jokes too much at inappropriate times, not at all a suitable manner of behaviour for a clergyman. 

Some of the people surrounding the dowager suspect she may be exaggerating the danger she is in. She claims her carriage was sabotaged, then someone tried to shoot her, and when this failed, they nearly pushed her down the stairs. As the two young people start investigating, it becomes obvious that someone is indeed trying to do away with Lady Catherine, and that their attempts are becoming more aggressive. Because Lady Catherine rarely leaves Rosings Park, it also means the culprit is someone very close to her, a family member or loyal retainer. Can our young detectives figure out the identity of the would-be murderer before they actually succeed in doing away with the old lady?

The Rushworth Family Plot

Page count: 336 pages

Rating: 4 stars

While Mr Jonathan Darcy and Miss Juliet Tilney have been very clear with each other about their mutual fondness and hopes for a future match, their fathers developed a mutual dislike during their stay at Rosings Park. General Tilney, Miss Tilney's tyrannical grandfather, who normally isn't known for his generosity, is incensed enough by the perceived snub of his grandchild by the Darcys, so he is determined she will make a grander match during the London season. Juliet and her authoress mother is ordered to London to purchase a new wardrobe of clothes for her, and find her an appropriate suitor.

Jonathan, meanwhile, is also in London, staying with the family of Edmund and Fanny Bertram, since his family had to return to Pemberley after his younger brother broke his arm. He knows his parents would like him to find some suitable young lady to court, but he has no intention of asking anyone but Juliet Tilney to marry him. However, the ambitious Mrs Allerdyce (who was Caroline Bingley before her marriage) is determined that if SHE couldn't be the mistress of Pemberley, then her daughter will instead. Jonathan may be a keen investigator of murders, but in social situations involving young ladies, he is far too clueless to realise he's being manipulated. 

Claudia Gray also reintroduces some of Austen's most scandalous characters (how can Mansfield Park be so painfully dull when it also has the dastardly Henry Crawford and the whole running off with Maria Rushworth, nee Bertram subplot). Maria Rushworth, now many years divorced, shows up in London with her aunt/companion in tow, along with a daughter who was clearly born out of wedlock. Maria swears that Rushworth is the father, but anyone with eyes can see the strong resemblance to Henry Crawford. Maria claims that she and Rushworth are going to reconcile and marry again soon, but lo and behold, it doesn't take long before Mr Rushworth is found brutally strangled in his townhouse. Jonathan and Juliet promise the Bertrams they will do their best to find the murderer before the scandal surrounding the whole thing further tarnishes the family.

I have long complained that Gray is being far too slow and dragging out the romance between Jonathan Darcy and Juliet Tilney too much. I get that they are unlikely to surrender to the throes of passion while investigating murders (or attempted murder, in the case of Lady Catherine), but I would still have liked some stronger declarations from both parties. Gray keeps throwing obstacles in our young sleuths' way. In The Perils of Lady Catherine de Bourgh, both young people are accompanied to Rosings Park by their fathers, who are vastly different and dislike each other pretty much on sight. Their antipathy towards each other does not get better as the story goes on. 

In The Rushworth Family Plot both the elder Mr Darcy and Mr Tilney are safely away in their homes, and the only parental figure around is Juliet's mother, Catherine Tilney, now a famous author of Gothic novels.  She sees the warmth and attraction between the two and is very surprised by her husband's impression that Jonathan Darcy is cold and indifferent towards Juliet. She is very impressed with how he seems to genuinely listen and trade ideas with her daughter, never seeming dismissive or overbearing. She can see that they have a very good partnership while investigating and is convinced they would make a very good match. Unfortunately, because as soon as the parental disapproval may have been dealth with, there need to be other difficulties, Juliet is embroiled in a scandal of her own, through absolutely no fault of her own. Because of the careless and opportunistic acts of someone else, her reputation may be absolutely ruined. Jonathan Darcy, who is appalled by this turn of events, challenges the besmircher of Juliet's honour to a duel to prove her innocence. It all went a bit melodramatic, and I really hope Gray can let these two have a happy ending soon.

With Juliet falling victim to the Regency version of a manipulated photograph, which marks her as utterly unsuitable as a wife to anyone with taste, as well as Mrs. Caroline Allerdyce's scheming to get her daughter married to Jonathan, it just felt like too many things still muddying up the works.

One of the very fun things with these books is obviously how Gray takes the minor Austen characters from various novels and gives them more prominence. In The Perils of Lady Catherine DeBourgh, we see that Lady Catherine's sickly daughter in no way minded that Mr Darcy chose someone else. She has married his cousin, Colonel Fitzwilliam and seems mostly very happy with him. They are both very sad that their young son has been sent away to boarding school (because no heir of Lady Catherine is to be homeschooled), and there are certain communication difficulties leading to friction, but it all gets sorted out in the end. We also see how Charlotte and Mr. Collins are managing in their marriage. They now have two children, a son and a daughter, and there is something strange in the son's behaviour that neither Jonathan nor Juliet can figure out at first. 

In The Rushworth Family Plot, we meet Edmund and Fanny Bertram again (who were also supporting characters in The Murder of Mr Wickham), as well as Edmund's older brother, now the head of the family, his dog-obsessed mother, their vivacious non-scandalous sister, and, of course, Maria Rushworth and Henry Crawford. Fanny is deeply depressed after a failed pregnancy, and Edmund is unaware that she overheard the doctor say she is unlikely to ever bear children. Edmund's brother has been persuaded that selling their plantation in Barbados is the only humane thing to do because of the evils of slavery. He is also courting Caroline Allerdyce's eldest daughter. Gray does a good job of showing the readers that Caroline Bingley never really wanted Mr Darcy, only the wealth and prestige of being mistress of Pemberley. She has clearly been very happy in her marriage to Mr Allerdyce, but now that Jonathan Darcy is present and available in London, she can't help but scheme and manipulate to try to make her daughter mistress of Pemberley in the future instead. 

I have an ARC of the fifth book in the series that I need to read in the next couple of days (it's also why I finally needed to knuckle down and review these two books. I really hope that Gray is bringing the series to an end soon, I don't know how much longer I can wait for Jonathan and Juliet to get their happy ending. 

CBR18 Book 37: "Let's Make a Scene" by Laura Wood

Page count: 352 pages

Rating: 5 stars

Cynthie Taylor needs some positive publicity, fast. Once it was revealed that not only was the film director she recently broke up with married, but his wife is pregnant, former good girl Cynthie is now seen as a manipulative home wrecker (the cheating director is obviously not getting the same negative press, what with being a man and all).

Fired from a high-profile superhero movie, Cynthie may have found a new and unexpected career rescue. The writer and director of Cynthie's first-ever movie, A Lady of Quality, the one who made her a breakout star, wants to make a sequel, as in the thirteen years since it was made, it has become a cult classic on streaming, and now the funding is in place to make a follow-up. Most of the original team will be in place to make it, and filming in the UK will take Cynthie away from the most aggressive press attention. It would also mean working closely with Jack Turner-Jones again, a man Cynthie has a complicated past with. 

Thirteen years ago, Cynthie was a relatively unknown actress selected for her role in A Lady of Quality in a series of auditions. Jack Turner-Jones was the son of two acclaimed and beloved British actors, who had very high career expectations for him. He's worried she's going to ruin the whole movie with her stage fright and inexperience. Cynthie overhears him complaining to one of the directors that he wants her fired, and finds his arrogance infuriating. They start off on the wrong foot and keep getting more antagonistic as the shoot progresses. The studio execs, however, want Cynthie and Jack to pretend to be a couple to drum up publicity for the movie. So while they privately loathe each other, they not only have to pretend to fall in love in the movie they're filming, but off-screen as well. 

Now Cynthie's PR people think it would be very beneficial for her reputation if she rekindled this fake romance with Jack, which will also create advance publicity and excitement for A Lady of Quality 2. Jack Turner-Jones is up for contract negotiations for the next season of Blood/Lust, and wants to make sure his character isn't killed off. Fake dating Cynthie will raise his media profile considerably. Since the world already thinks they used to love each other back in the day, selling the relationship now should be easier. There is the added complication that the streaming service that's funding the movie wants there to be a behind-the-scenes documentary accompanying the release, so Cynthie and Jack would have to pretend to be affectionate a lot more of the time.   

Career-wise, Cynthie is now basically where Jack once hoped he would end up. She's starred in a number of prestigious films, been Oscar-nominated, won several other major acting awards, and until she was unfortunate enough to get romantically involved with a man who chose not to divulge that he was married, she was box office gold. Jack, on the other hand, is a constant disappointment to his exacting parents, being perfectly happy as an ensemble player in a supernatural TV show about vampires. 

As is the case with every fake relationship story in romance, especially because this is ALSO a second-chance romance, there's no way that Cynthie and Jack don't fall madly in love with each other. The book alternates between the present day and thirteen years ago, so the readers first get to see the older actors meeting again (and being instantly smitten with one another), but also get the whole complicated backstory of how the filming of the first movie and their fake relationship back then ended so catastrophically. 

One of my favourite things in Under Your Spell was the supporting cast of characters, like Clem's mothers and sisters, and Theo's micro-managing personal assistant. Here, Cynthie has a wonderful team of people taking care of her, including her best friend Hannah, who has been her personal assistant from the start. While Jack's parents are the absolute worst, he, too, has a lot of supportive friends, and then there's the crew of the movies, who also provide a lot of entertainment.

I literally bought this for my e-reader as soon as I finished Under Your Spell, and ended up liking it even more, possibly because a lot of different scenes in this reminded me of several of Lucy Parker's London Celebrities books, which remain some of my favourite contemporary romances. There were also references throughout to several of my favourite rom-coms, including While You Were Sleeping. Laura Wood is an author I will be eagerly searching for new releases from, based on the two books I read these last few days. If she writes another one as good as these, she may be a new auto-buy author for me.

Judging a book by its cover: This one has a much more traditional romance cover than Under Your Spell, and it gratifies me to see that the little cartoon people are actually wearing outfits as described in the book (that is so often not the case). 

Crossposted on Cannonball Read.

CBR18 Book 36: "Under Your Spell" by Laura Wood

Page count: 352 pages

Rating: 4.5 stars

Monthly Keyword 26: Spell

Buzzword Cover 26: Music

Clementine "Clemmie" Monroe has a lot of trust issues, and they're all because of the men in her life. Clemmie is one of three sisters, born within three months of one another, from three very different women who all got knocked up by her carefree rock star father, Rip Harris. Instead of being jealous or upset about the fact that her husband had been unfaithful, Clemmie's mother divorced her father, bought a large house and invited the two other women to live with her. So while Clemmie has been unlucky in the father department, she's basically had three mothers and two ride or die sisters supporting her while growing up. 

Unfortunately, even when her father proved time and time again that he couldn't really be trusted to remember things like visitations or special events in his daughters' lives, Clemmie kept hoping against hope that he would someday be better. Her trust issues with men did not get better after her first relationship ended with the guy, who had already been emotionally manipulating her for a long time, dumping her to go take a job as a drummer in her father's band. Clemmie has sworn to never have anything to do with musicians ever since.

Going in a vastly different direction with her next long-term relationship, Clemmie chose someone reliable and safe (and extremely boring, according to her sisters), but ended up heartbroken all the same. Her very boring boyfriend of several years not only dumped her to move in with another woman, but even had the audacity to take her cat when he left! Then she is fired, and has no idea how she's going to keep paying for her flat, since she now has to cover all the rent herself.

The first time Clemmie went through a bad breakup, her sisters supported her, and they had a witchy ceremony casting what they named "the Breakup spell", where they cursed the man who wronged her and each made wishes for what the future would bring for her. Now they get her drunk and resurrect the spell. It involves a lot of candles, Fleetwood Mac on a portable speaker, and then the women cast three wishes and a curse. The curse is for Clemmie's disappointing boyfriend to never satisfy anyone sexually ever again (and have a permanent itchy groin rash). Clem's record executive sister wishes her to have hot sex (both her sisters feel that some casual hook-ups would be exactly what the doctor ordered, mainly because Clem has never done casual in her life), Clem herself wishes for a job doing what she loves, while Clem's sensitive indie musician sister Lil wishes for "big love, the unconditional, wholehearted, soul mate kind."

After completing the ritual, the sisters get bad news. Their 'uncle Carl', their father's manager and the man who frequently stepped in when Rip once again completely forgot about important things in his daughters' lives, has passed away. After his funeral, Clem tries to hide away in her childhood bedroom, only to find that an extremely hot man has already hidden in there. After some flirty bantering and quite a bit of tequila, Serena's wish for Clem comes true. She has a one-night stand with the man she thinks is called Edward, and then sneaks away in the morning, leaving him a note.

Of course, this wouldn't be much of a romance novel if things didn't get complicated. Clem's wish was for a job, and her sister Serena has one for her, which will pay extremely well and allow her to hang out in their grandmother's house in Northumberland (which is being renovated for holiday rentals). All she has to do is babysit one of the world's most famous rock stars for six weeks, making sure he actually completes the album for the record company Serena works for. Despite one sister being a cutthroat record company exec and the other a darling on the indie music scene, Clem's dislike of all things music means she needs to be reminded who this Theo James even is. On the other hand, this is why Serena is convinced she will be perfect for the job. Theo James may be world-famous and extremely good-looking, but Clem's aversion to anything to do with the music business will ensure things will stay professional. 

It will surprise no one who has read more than a few books in their life that the man Clem is going to be paid to spend six weeks in a remote location is none other than her one-night-stand (who was never called Edward, but hadn't even realised that Clem got his name wrong until he saw the note she left the next morning).

So Clemmie and Theo, and their sizzling sexual chemistry, are living in forced proximity in a remote area of the north of England, and need to keep things entirely professional. At first, they barely speak, but then they gradually develop a friendship. Even when Clem is starting to reconsider her rule about never getting involved with musicians, Theo keeps things friendly but platonic. Whoever heard of a superstar musician who respects boundaries? 

This book started out slow, but even before the main romance (and its many complications) was introduced, Clemmie and her two sisters had me hooked. I would happily have read a non-romance book about their relationship. Since the majority of contemporary romance novels I read are set in the US, it's also always nice to read something set in the UK, and especially a part of it I'm actually quite familiar with.

Clem and Theo are very sweet together. This book has one of my favourite tropes, where one of the characters has to nurse the other one back to health. There are also some background subplots involving Clem's sisters, who, over the course of the book, get exactly what they wished for when casting the breakup spell, which is nicely done by the author. 

I had never even heard of Laura Wood when I bought this book in an e-book sale several years ago, and if it hadn't been for it fitting into several of my reading challenges, and I felt like reading a romance over some of the other options available, this may have stayed forgotten on my digital bookshelves for years. Instead, I put my entire reading list on hold after completing it, so I could purchase the sequel/companion book, about Theo's best friend and binge-read that too.

Judging a book by its cover: While I complain a lot about modern romance covers and the interchangeable pastel-coloured covers with little cartoon characters on it, I think this may just be a bit too plain and non-descript. One of the reasons I kept forgetting this book exists is that the cover just isn't very exciting. If it hadn't fit into one of my reading challenges, I would possibly never have gotten to it. 

Crossposted on Cannonball Read

CBR18 Book 35: "Game of Rogues" by Julie Anne Long

Page count: 384 pages

Rating: 4.5 stars

Thank you to Avon and NetGalley for this ARC. My opinions are my own. This book is out on June 3rd, 2026. 

Guinevere "Ginny" Woodville travels alone and unchaperoned to London to confront the man known as "The Reaper", Gabriel Marchand, owner of one of the most exclusive gentlemen's clubs/gaming hells in the city. Her newly come of age younger brother, who also recently became the Earl of Highgrove after the death of a cousin, got drunk one evening and gambled away not just the entire newly acquired fortune, but also mired himself in debt. Since some of that money was going to provide dowries for the Woodville women, so they could secure good marriages, it's imperative that Ginny get the money back within the month.

Marchand offers to forgive her brother's debt of several thousand pounds to him if Ginny agrees to spend a whole night in his bed. Naturally, she refuses his offer and hopes to never have to see him again. As fate and the sort of coincidences that usually only happens in romance novels to throw our lovers together would have it, Marchand and Ginny are both staying at the Grand Palace of the Thames, where the rules of the proprietresses require all guests to dine together and socialise in the parlour at least four nights each week. 

Ginny manages to identify the person her brother lost a whopping 15,000 pounds to (in addition to the 4000 he owes Marchand), and he's none other than the Earl of Sydenham, her father used to call friend, but who also seemed to never have forgiven that Ginny's mother married Woodville instead of the Earl. If Ginny manages to locate a rare Ming vase, part of the inheritance her brother would have gotten from the late Earl of Highgrove, Sydenham is willing to forgive the debt. Otherwise, he wants it paid in full in a month.

The Woodville siblings became orphans when Ginny was sixteen, after her father drove his high-flyer too quickly around a corner. Ginny's mother survived her husband by two days, and on her deathbed, Ginny promised to always take care of her younger brother and twin sisters, and make sure they all made good marriages someday. Having single-handedly spent the last eight years raising her siblings, taking care of the family finances, managing their crumbling estate, basically taking on the responsibility of both her deceased parents, Ginny is determined to find the vase so she can restore the fortune that her brother lost. Unexpectedly, Marchand proves to be a valuable help in this search, both helping to locate possible places the vase may be, and providing protection when she insists on going to more unsavoury areas of the city to look for it.

Of course, all this galivanting around unchaperoned with a devastatingly handsome rogue, while also seeing softer sides of him when they spend evenings together in the cosy parlour of their boardinghouse, means that Ginny not only stops hating Marchand, but also realises that she may be ruined for all other men, not least Francis, the carefully respectful third son of a duke she had assumed she would marry until she had to go off to London to save her family. Marchand is equally surprised to find that this stubborn and unusual young woman, who refuses to be afraid of him and constantly challenges him, is making him yearn for a very different future, one that doesn't involve him eternally striving to acquire more wealth and influence. 

Really good historical romance is getting harder to find. Meredith Duran is no longer writing. Sherry Thomas is writing historical mysteries. Tessa Dare's last novel was published in 2019, and fans are still waiting for the promised fourth book in that series. Julia Quinn is busy with the TV adaptations of her work and is now apparently making luxury hardback editions of romance novels for collectors. Loretta Chase and Courtney Milan publish a new book every few years. Julie Anne Long, however, is still reliably publishing a romance a year, and while I thought the first few novels of her Palace of Rogues series were merely good, not great, the last three have been absolute stone-cold classics, and I'm happy to say that this book continues her streak. I was both happy and surprised when I was granted an ARC, and because of my terrible memory and my tendency to fall behind on reviews, I waited to read it until just before the release date.

Some books take a while for me to get into. Not so Ms. Long's books. Within the first few chapters, reading one of her books feels like a soothing escape from reality. Each new book in the Palace of Rogues series introduces us to a new main couple, but also lets us come back to the comfortable found family of regulars to see how they are getting on (we're getting closer and closer to a romance between Pike the footman and Dot the maid with each story). Delilah and Angelique, their handsome husbands, Mr. Delacorte, Mrs. Pariseau - it's like seeing old friends again, while also getting to experience a new and exciting love story each time I pick up one of her books. 

We're rapidly nearing the end of term, and I have a lot of work to do and many grades to finalise, yet once I started this book yesterday morning, I pretty much ignored all of my other responsibilities until I had finished it before lunchtime today. Julie Anne Long writes interesting characters, and frequently her heroines are people who have been shouldering a huge amount by themselves, and have spent their lives fixing things for others, until they finally find the man who wants to ease their burdens and take care of them. Her heroes are often intimidating, powerful men who have troubled backgrounds and finally find the woman who sees their insecurities, refuses to be intimidated by them and makes them soften, without really losing any of the things that make them powerful. 

I don't know how many books Ms. Long has planned for in this series, but her Pennyroyal Green series ended up being twelve books and a novella, so I'm hoping I can keep visiting this comfortable and charming corner of the fictional Regency for many years to come. If you've enjoyed other books by her, this is another keeper, which I can see myself returning to for re-reads, if not as many times as with What I Did for a Duke, in my opinion, her best book, and one of my favourite ever romances. And I only just now realised that both of the heroines have very similar-sounding names. No wonder reading this made me want to reread it, for the umpteenth time. 

Judging a book by the cover: Since these books will no longer be printed in mass market paperback format (a development that makes me very sad), it seems that Avon decided to introduce a new cover design entirely, which means this book won't match its predecessors. Since some of the covers earlier in this series have been, at least in part, really awful (usually the portrayal of one or several of the people on said covers), this isn't necessarily a bad thing. But as someone who hates it when my physical books don't match, this radical difference in cover design also annoys me. That said, the choice to make the cover look like a playing card, with very stylised silhouettes rather than realistic images of the couple, works for me. It feels classier than the traditionally illustrated covers. 

Crossposted on Cannonball Read.