CBR17 Book 49: "The Change" by Kirsten Miller

Page count: 480 pages

Rating: 4.5 stars

Buzzwords Cover Challenge 25: Pattern

CBR17 Bingo: Red (A book with a red cover)

Official plot summary:

In the Long Island oceanfront community of Mattauk, three different women discover that midlife changes bring a whole new type of empowerment...

After Nessa James's husband dies and her twin daughters leave for college, she's left all alone in a trim white house not far from the ocean. In the quiet of her late forties, the former nurse begins to hear voices. It doesn't take long for Nessa to realise that the voices calling out to her belong to the dead--a gift she's inherited from her grandmother, which comes with special responsibilities.

On the cusp of 50, suave advertising director Harriett Osborne has just witnessed the implosion of her lucrative career and her marriage. She hasn't left her house in months, and from the outside, it appears as if she and her garden have both gone to seed. But Harriett's life is far from over--in fact, she's undergone a stunning and very welcome metamorphosis.

Ambitious former executive Jo Levison has spent thirty long years at war with her body. The free-floating rage and hot flashes that arrive with the beginning of menopause feel like the very last straw--until she realizes she has the ability to channel them, and finally comes into her power.

Guided by voices only Nessa can hear, the trio of women discover a teenage girl whose body was abandoned beside a remote beach. The police have written the victim off as a drug-addicted sex worker, but the women refuse to buy into the official narrative. Their investigation into the girl's murder leads to more bodies, and to the town's most exclusive and isolated enclave, a world of stupendous wealth where the rules don't apply. With their newfound powers, Jo, Nessa, and Harriett will take matters into their own hands...

This was my IRL book club's selection for April (because a murder mystery starring three witchy women seemed really appropriate in the same month as Easter (see my description of traditional Norwegian Easter pastimes here). We had a very interesting discussion about it at the end of the month, and it turned out to be a bit of a divisive book. I absolutely loved it, but I suspect that if I'd been younger when I read it (as many members of my book club are) or a man, this book might not have worked for me on as many levels as it did.

One of the things that turned out to be an issue with a lot of the readers was the difficulty in pinpointing the genre of the book. This book isn't an urban fantasy novel, even though there are seemingly supernatural elements in it. It's not a straight-up mystery/crime novel. It's not literary fiction. It's very feminist, and some of the women in the story are described by others as witches, but it doesn't fit neatly into any one category, and for some of the members, that was apparently really frustrating. I've classified it as a contemporary fiction novel with magical realism elements, and there is a mystery to be solved, but it doesn't follow the traditional genre beats of a mystery novel.

Fully in my perimenopausal era now, there were many things in this novel that I recognised almost too well. Jo's overwhelming sense of rage at everyone and everything all the time. Harriet getting to a point where she just wants to do her own thing and doesn't give a single f*ck about what anyone says about it. Nessa is probably the nicest of the three protagonists, but also the one I identified the least with. Her supernatural gift, which it's established as something that women of her family have shared for generations, seems rather horrible. Being able to see the ghosts of dead women, who need the culprits brought to justice, and just not getting peace until the issue is dealt with - it seems like a heavy burden. Thankfully, she has the two other women to assist her in avenging these helpless victims (because while it starts with one dead body, it becomes clear that she is just one in a very long line of women who have met a horrible end in the area).

The POVs of the story mostly shift between Harriet (who was pretty much a middle-aged Poison Ivy), Jo and Nessa. We also get chapters from other women's POVs, including several of the dead girls whom they are determined to get justice for. It helps the reader see these young women as actual people, not just disposable victims. There's a subplot involving a True Crime podcaster, there to delve into the case, who previously did a season on a serial killer decapitating his victims and leaving the heads as grisly trophies. When asked about it, it turns out that he can easily remember every single location a head was found, but he struggles to remember the name of a single one of the victims. Getting to see the world through the victim's eyes, even for just one chapter each, made their tragic fates so much more impactful. 

This book could be summed up as 'F*ck the Patriarchy' or 'Not all men, but almost all of them, and quite a few women who facilitate their awfulness'. Not to say that there aren't some actually good men in the story. Nessa reconnects with the former partner of her dead husband, who is a genuinely decent man and a policeman determined to help with the cases, even when it becomes clear that many of his co-workers feel differently. Jo's husband, who is out of work and working on a screenplay, may not be perfect, but he clearly loves and supports his wife, and as someone who has been with a man for 25 years now, who, because of a whole host of mental issues, depression, and the like has struggled to hold down jobs for a lot of our time together, but who is still a caring husband and father, I got rather heated in my defense of a guy a lot of other readers thought was a bit of a useless sadsack.

To me, this book about righteously angry women, who set out to right the wrongs done by privileged, spoiled and callous men, was an almost perfect read. The latter half had some pacing issues that kept me from giving it a full five stars, but I really enjoyed it when reading, and had trouble putting it down. Strongly recommended, but it may work better for you if you are a woman of a certain age, who has experienced some of the varied awfulnesses that menopause brings. 

Judging a book by its cover: I have the UK paperback edition of this book, where the cover is the black patterns on the blood red background. On some versions, I've seen more of a black border around the edges, and there's red and even a bit of violet in the colour scheme. The American cover seems to be dark blue with sinister-looking thistles on the front. Here, there's just the woman's partially obscured face, and a bee very prominently on the lower half. Both are relevant to the contents. 

Crossposted on Cannonball Read

CBR16 Book 32: "You Were Made to Be Mine" by Julie Anne Long

Page count: 364 pages

Rating: 3.5 stars

Christian Hawkes was a British spymaster during the Napoleonic wars and ended up spending years in a French prison after someone sold him out. Now he's free, but left destitute and mostly friendless. The Earl of Brundage, tipped to become an ambassador, hires Hawkes to locate his missing fiancée and a very valuable necklace (who was only on loan to the Earl) the young woman had in her possession when she went missing.

Hawkes would like nothing better than to tell Brundage to go to hell, but he needs money, and he also needs time to find enough evidence that Brundage was a French spy during the war (which has helped him rise to the position he's now in) and the man who betrayed Hawkes to the French. He most likely stole Hawkes' money too. Pretending to look for Brunage's intended will give Hawkes more time to find the evidence he needs.

Lady Aurelie Capet (a distant cousin to French royalty), Brundage's betrothed, has indeed run away. After discovering that Brundage was not the man she believed him to be, she saved, plotted and schemed to get as far away from him as she can. Alone and scared, she has managed to cross the English Channel and has found refuge in the Grand Palace on the Thames under an assumed name.

Hawkes dramatically arrives a few days later, staggering over the doorstep, bleeding profusely from a stab wound (or maybe a gunshot wound, I forget and I can't bother to go back and double-check). Either way, it's a serious injury and the arrival causes quite the uproar amongst the owners and guests. As the inhabitants of the Palace for several days had anticipated the arrival of a clergyman, there is initially some confusion as to the identity of their new, unconscious houseguest. Aurelie feels sympathy for the injured man and offers to care for him and sit by his bedside until he wakes up. Once he does awaken, it doesn't take long for the couple to fall head over heels. 

Hawker never had any intention of reuniting a sheltered young woman with a villain like Brundage, but his revenge quest against the man becomes even more serious after he discovers what actually happened to Aurelie and why she felt she had no chance but to run away from him. Until Hawker can acquire the final pieces of evidence against the man, however, he is the one in danger. Brundage has accused Hawker of kidnapping Aurelie and stealing the valuable necklace.  

Throughout reading the story, I kept wondering if Hawker (both the name and character) were inspired by Joanna Bourne's spymaster Hawker in The Black Hawk (a book I absolutely adore). I couldn't find anything in the acknowledgements about it, but I'm still going to wonder. 

This was another enjoyable romance from Julie Anne Long, but readers should know that there is indirect mention of rape in the book, and there is a fair age gap between Aurelie and Hawker. I'm not a huge fan of insta-love stories, but this one is done well. There are some romances by Long that I re-read again and again, and while this was fine, I don't think this is one I'm going to revisit multiple times. 

Judging a book by its cover: I don't know what cover designers have against Julie Anne Long's romance novels. Most of the covers in this series are absolutely dreadful. There are so many things that just seem off with this cover. The weird pose while kissing, which seems like they'd both get neck and/or back pain. His hair. Her dress, with skirts that seem to take up a third of the cover. The kiss also looks awkward. Not great, Avon, you can do better. 

Crossposted on Cannonball Read

CBR16 Book 10: "En enda natt" (All In) by Simona Ahrnstedt

Page count: 495 pages

Rating: 4 stars

Nowhere Book Bingo: First in a finished series

CBR16 Sweet Books: New (new author AND first time reading romance in Swedish)

Financial bad boy and seemingly ruthless venture capitalist David Hammar is a self-made man and has acquired his wealth and power for one purpose, which he is close to achieving. He is determined to take over Investum, one of the biggest companies in Sweden, owned and controlled by the powerful De la Grip family. Since the takeover might go smoother if his company has at least one member of the family on their side, he arranges to meet the daughter of the family, Natalia De la Grip, for a business lunch. 

Natalia is extremely good at her job and keeps getting great references from current and previous employers. Working as a financial analyst, she desperately wants to prove herself capable and skilled enough to earn a place on the board of Investum. After her fiancée left her, she more or less lives at her work. She has no idea why David Hammar, considered a dangerous young upstart by her father, would want to meet with her, but is curious enough to go to the appointment (especially after her best friend Åsa goes on about how handsome and sexy David is). It doesn't take David long to conclude that Natalia is far too eager to please her father to ever betray the family name and join his revenge plot. The two have undeniable chemistry, however, and although he knows it's a terrible idea, he goes out of his way to do her a personal favour, even though he should forget about her and continue with his takeover plans.

Natalia knows her father and brother consider David Hammar some sort of personal nemesis, but when he claims to have double-booked so he won't be able to attend a concert (this is a total lie), offering her the tickets instead (an intimate concert with her favourite artist), they start texting, and soon he's invited her to dinner, which ends with them spending a passionate night together. It's only supposed to be one single night (the Swedish title of the book, in fact), but despite both knowing it's a terrible idea, they keep meeting and gradually falling for one another. David's best friend and business partner, Michel, is deeply uncomfortable about the rapidly escalating situation and keeps asking his friend to let Natalia down gently, before she discovers he's been lying to her the whole time, and his major personal and professional motivation is to ruin her family.

So this book has been on my actual physical bookshelf since 2016. I tracked down a copy and bought it in paperback after reading this very favourable review over on Smart Bitches, Trashy Books, and since then it's lingered unread. More fool me, this book was a cracking read, with so many soap opera elements. It not only kept me up far too late at night reading after I started reading it, but I spent most of a Sunday doing almost nothing but reading to finish it. 

I'm trying to severely limit my reading challenges this year, after a few years of having most of my reading choices dictated by them. Nevertheless, I need to set myself SOME guidelines, especially to keep chipping away at my TBR list, and one of the goals I've set for myself is to read at least one of the Swedish or Norwegian books on my shelf per month. I barely ever read anything but English, which I'm starting to feel rather guilty about, especially considering how many Norwegian and Swedish language books have accumulated on my shelves. I've made some attempts at reading Norwegian contemporary fiction, much of it very critically lauded, and with very few exceptions, I'm bored senseless. One would think the answer would instead be to read the genres I enjoy in my first and second languages, especially since I literally already bought and paid for the books. Romance, fantasy, historical fiction - it's all there, being ignored because of all the shiny English-language books I let distract me. 

TL, DR - I decided to finally read this book, and should clearly have done so sooner. Ahrnstedt started out writing historical romances (must see if I can track those down as well) and it clearly made her good at research. I don't know all that much about high finance or corporate shenanigans, but all of the stuff included in the book felt very realistic. It probably doesn't hurt that I spent much of the second half of last year finally watching all four seasons of Succession. So many deplorable rich people, intrigue, double-dealing, and betrayal. It made all of the stuff that happens in this book seem highly plausible.

Being used to reading English-language romance, I'm used to there being only one or maybe two POV characters. We usually only get the story from the heroine and/or hero's perspective. Here, Ahrnstedt gives us insight into quite a few characters, not just Natalia and David, our protagonists, but also Natalia's best friend, Åsa; David's best friend and business partner, Michel, occasionally also one of Natalia's brothers. There's a also very slow-burn secondary romance developed between Åsa and Michel, who used to be friends in their university days. 

Because of some seriously bad stuff in his and his family's past, David's anger towards Gustav and Peter De la Grip (Natalia's father and eldest brother) is understandable, but even his best friend and partner doesn't know the full extent of his animosity and why he's so determined to take over their company and ruin their lives. He keeps being told by his best friend and mentor that vengeance won't actually give him the satisfaction he thinks it will, especially if it means absolutely devastating a woman he clearly cares for. It takes him a long time to realise that they are correct. 

Natalia is a very engaging romance heroine. She's driven and very competent, and while I don't know anything about high finance, the author clearly did her research and shows us in a number of ways, rather than just telling us how capable Natalia is. She really wants to work for the family business, unfortunately, her father, the CEO of Investum, is infamously sexist and doesn't believe women can hack it in business. He keeps proving this to himself by occasionally hiring women, making it so difficult for them to do their jobs, ending with them quitting, usually utterly crushed. The only one of his children he even vaguely has to have time for is his eldest son and heir, Peter, and only because he wouldn't dare do anything to piss off dear old dad. 

Both Natalia's mother and Peter's wife are women who support Gustav's old-fashioned and draconian view of gender roles, happily staying at home and expressing disbelief over women like Natalia who want careers and professional recognition. Why can't she just find herself a nice, rich husband who will support her, so she can live a life of leisure and settle down to have babies?

Basically, if Natalia wasn't so likable, I think I would be entirely in David's corner, cheering on his plan to take down and humiliate the De la Grip family, who are also part of the Swedish nobility and pretty much perfect examples of selfish and clueless rich assholes. Natalia has always felt like the odd one out of her family. The only one who seems to care for her at all is her younger brother Alexander, the handsome wastrel son who revels in drinking and carousing and never seems to stay in one place for very long. Her only friend is another driven career woman, who due to terrible personal losses early in life, seems to have difficulties showing affection or closeness to anyone (and hence acts like a b*tch a lot of the time when Natalia could use support).

Becoming more socialist with every passing day, a plot to take down and humiliate rich people very much appeals to me. The fact that David is a superwealthy venture capitalist tarnishes his halo a tad, and he ends up really breaking Natalia's heart. I do not think he groveled nearly enough towards the end of this novel and that Natalia was far too quick to forgive him for his many thoughtless actions, which is why I can't rate this higher than four stars. That, and the book just felt too long. I'm very glad I have the next two books in the series on my bookshelf, though. The next one is about Alexander, the playboy who is apparently haunted by mysterious shit, and a beautiful doctor lady who works in wartorn countries, and who from their encounters in this book seems to loathe him. So that promises to be fun.

Judging a book by its cover: It's not that the red evening dress on the cover isn't striking, and I love the way it flows down like some lush wave to the bottom of the cover image, but our heroine wears exactly one red dress over the course of the story, and there is a detailed description of how much leg said dress shows. This dress, for all its prettiness, shows absolutely no leg. 

Crossposted on Cannonball Read

CBR15 Book 67: "Slewfoot: A Tale of Bewitchery" by BROM

Page count: 305 pages

Rating: 4 stars

Connecticut, 1666. An ancient spirit is awoken in the darkness of the wood, fed by blood and the prayers of the wild spirits name him Father and Slayer. They lure a clumsy farmer into a cave to feed him to the spirit, making young Abitha a widow. Abitha already doesn't fit into the Puritan community with her outspoken ways and questioning of the rules. Having grown up in London, Abitha was sold by her drunken father and married off to a stranger, who thankfully turns out to be a gentle and rather simple man. Unfortunately, his gentle ways also make him easy for his domineering older brother to manipulate, and Abitha's brother-in-law is furious when the community elders allows Abitha to stay on by herself on the farm after her husband's death. If Abitha is able to raise enough crops to pay off the farm's debts, it's her brother-in-law who will be in trouble with the magistrate. 

Abitha nearly kills herself working the fields on her own, until she befriends Father (who she names Samson, after the goat that the forest spirits first killed to raise their slayer) and he starts tapping into ancient memories of being one with the land. His magic allows Abitha to grow plenty of corn, but her brother-in-law breaks into the farm at night and burns most of her harvest. Desperate, and unwilling to let her odious brother-in-law win, Abitha makes another deal with Samson, who gets the bees to produce huge amounts of honey and honeycomb, allowing Abitha to pay off her debts. 

Abitha's mother, who died when she was still a teenager, was a wise woman, who helped people with simples and healing potions. Abitha has also been helping some of the women and young girls in the community with little blessings and managed to cure one of the preachers' daughters of measles. This obviously comes back to haunt her when her brother-in-law decides to accuse her of witchcraft. Ironically, he's not entirely wrong, she has been dabbling with magic to succeed, but his wild accusations of her fornicating with the devil are obviously untrue. Sadly, because the community gets carried away, no one is willing to listen to Reverend Carver (whose daughter Abitha healed), and his wife Sarah is accused of aiding a known witch and tortured nearly to death before she finally breaks down and denounces Abitha. The villagers have tortured and murdered Abitha's cat, humiliated and tortured a kind woman whom Abitha respected, and done their best to torture "the truth" out of Abitha as well. If they want a witch, Abitha is determined to give the community what they want and fear. She accepts Samson's bargain when he comes to save her (he's been off fighting his own battle for his identity) and together she and Samson enact vengeance on the community who spurned her.

It should come as no surprise to anyone that the truest monsters in this book, set in Puritan America in the 1660s, are the humans who get caught up in religious hysteria. The forest spirits lure a goat and an impressionable man into a cave and get them killed to reawaken their forest god, and try to set him to kill all the colonists (this doesn't really work out as they planned), but Father/Samson feels deeply confused and conflicted and refuses to do their bidding. Some people die at his hand, but usually none who don't deserve it. There's some quite graphic violence in parts of this book, and I really wish that so much of Abitha's eventual vengeance didn't involve bugs (so many bugs *shudder*), but the most upsetting parts to read are the ones where Abitha and Sarah are tortured by the so-called righteous magistrate and his minions. 

This book was very well-liked by my book club and we had an interesting discussion about it during our meeting. It was agreed that one of the things that probably made it a bit different from another witch hunt during the Puritan era novel was the aspect of the forest god/Father/Samson, and the nature spirits and their attempts to eradicate the white colonists. Samson is a deeply conflicted character, and it's revealed over the course of the story that this is because he has been many things over the years, and the remaining forest spirits have only tried to revive one aspect of him, so he's separated from his true self. He doesn't really want to be a slayer and a vessel for vengeance, he delights in the simple worship that Abitha offers him and the nature magic he is able to perform with her. He needs to go on his own quest to discover who he once used to be, and when he returns, he discovers what the townsfolk have done to Abitha. 

The story isn't just anti-colonialist, the forest spirits clearly remember the natives coming to their land and seem to be against anyone encroaching on their territories. We discover in the latter half of the book why the forest spirits have become so vengeful, and it gives the book an interesting dimension that with the exception of a few men, usually motivated by greed, there are no really evil players here. Everyone has their reasons for doing what they do. It was also pleasantly surprising to me and gave the story more nuance that not the entire Puritan community was against Abitha from the start. Reverend Carter and his wife Sarah are portrayed as genuinely good people, which makes what happens to them in the latter half of the story even more tragic.

This has been one of my favourite book club reads so far this year. I haven't read anything else Brom has written, but based on this, I would absolutely be open to reading something else as well. 

Judging a book by its cover: I'm not surprised that cover art is gorgeous, considering the author is also a professional artist. Nevertheless, the cover for this actually made a couple of the members of my book club gasp audibly when we were shown it at the meeting last month. It's so incredibly pretty.

Crossposted on Cannonball Read

CBR15 Book 26: "Nettle & Bone" by T. Kingfisher

Page count: 320 pages

Rating: 4.5 stars

#CBR15 Passport Challenge: Books I already own

CBR15 Bingo: Violence

15-word-review: Princess Marra has to complete three impossible tasks to kill her brother-in-law. A quest follows.

Longer review: Marra, the youngest princess in a small, rather insignificant kingdom, who has spent half of her life in a convent and so is almost, but very significantly not, a nun, has been set three impossible tasks by a dust-wife (a magic-wielding woman who can communicate with the dead). She must spin thread out of nettles and fashion a cloak in less than a night and a day, and she must make a dog out of cursed bones and wire. Her final task is to capture the moon in a jar. All of these tasks are to find a way to kill her brother-in-law, the prince of a neighbouring kingdom. The prince married her eldest sister, who died after less than a year. Then the second eldest princess was married off to him, and although inexperienced and naive after a very sheltered upbringing first in a palace and then in a convent, Marra discovers that her sister has been abused and tortured, and keeps trying to stay pregnant so her husband doesn't hurt her as much. Marra wants to avenge her oldest sister and save her remaining living one, but is rather powerless on her own.

In fairy tales, the impossible frequently becomes possible, and Marra succeeds in her impossible tasks against all odds and is granted the aid of the very powerful dust-wife who set her the tasks. Along with the dust-wife and her demon chicken, accompanied by her bone dog, and eventually also an exiled (if very gentle) killer and a wicked godmother, Marra slowly travels to her brother-in-law's kingdom to try to stop him from ever hurting her family ever again. 

When my husband asked what I was reading and I told him the title of the book, he wilfully decided to misunderstand and kept asking why I would read a book about soup. There is no soup of any kind in this novel, the nettles and bones are parts of the impossible tasks that Marra nearly ruins her hands and body to accomplish, all to find a way to save her remaining sister (who she thinks has always hated her and probably still does). The wicked prince has killed his first wife and will probably murder his second one if she finally succeeds in bearing him an heir (fair warning to those who might find it distressing, the abused queen has a lot of miscarriages - no graphic details are included, but this book might not be for everyone). 

This book was a fast and engrossing read for me. It's my first novel by Kingfisher, and I was a bit worried, as I've heard some of the books she's written are mostly in the horror genre. There are absolutely horrible elements to this story, but they are all very believable, human-inflicted acts. Despite the abuse and violence committed by Marra's brother-in-law (and sadly ignored by her mother, the Queen, and spymaster of their little kingdom), quite a lot of this book is cozy and focuses on friendship, loyalty, and togetherness. It's about not underestimating those who might seem humble and weak, or too old. It's about second chances and embracing opportunities. There's a romantic subplot, but it's very gentle and almost entirely off-page.

I loved this book so much that I bought it in paperback as well, so I can have it displayed on my bookshelf. I've already recommended it to several of my friends. Anyone who likes a dark fairytale-inspired fantasy should check this out. 

Judging a book by its cover: I really like the e-book cover of the book, with the cover model wearing a dress that looks like it's made of vines and thorns, but also the UK paperback edition that I got that is in dark colours with a number of the elements from the story on the cover. 

Crossposted on Cannonball Read. 

CBR15 Book 24: "A Sinister Revenge" by Deanna Raybourn

Page count: 320 pages

Rating: 3 stars

This is book 8 in the Veronica Speedwell series. It's not a good place to start. You want the first book, A Curious Beginning.

15-word review: Veronica tries to discover who wants to murder Stoker’s brother. Stoker is sadly mostly absent.

Official book summary:

Veronica's natural-historian beau, Stoker, has been away in Bavaria for months and their relationship is at an impasse. But when Veronica shows up before him with his brother, Tiberius, Lord Templeton-Vane, he is lured back home by an intriguing job offer: preparing an iguanodon for a very special dinner party.

Tiberius has received a cryptic message - along with the obituaries of two recently deceased members of his old group of friends, the Seven Sinners-that he too should get his affairs in order. Realizing he is in grave danger but not knowing why, he plans a reunion party for the remaining Sinners at his family estate to lure the killer out while Veronica and Stoker investigate.

As the guests arrive and settle in, the evening's events turn deadly. More clues come to light, leading Veronica, Stoker, and Tiberius to uncover a shared past among the Sinners that has led to the fatal present. But the truth might be far more sinister than what they were prepared for.

Good things: 

- We get an exciting new location, the Templeton-Vane's family estate.

- Stoker's brothers are always entertaining - we get both Tiberius and Merryweather in this one.

- Who doesn't love a dinosaur fossil?

Bad things:

- Stoker is mostly absent for the majority of the book. He's off restoring the model of the iguanodon and avoiding Veronica.

- The mystery of this one ended up being a bit preposterous.

- I found Veronica pretty insufferable in this one. 

While I have enjoyed a lot of the previous Veronica Speedwell mysteries in the past, this one felt underwhelming and it took me longer than usual to get through it. Veronica is a character who is frequently portrayed as somewhat self-centred and oblivious to those around her, and while I fully respect Ms. Raybourn's choice to let her heroine be flawed and dislikable, I'm not sure I want to keep reading the series unless Veronica, our main protagonist, goes through some changes. Stoker is by far my favourite character in these books and the choice to have him off-page for much of the mystery certainly didn't help things. 

I'm choosing to hope that this was just a weaker entry in the series, and will give the author at least one more chance, based on the many novels of hers I've enjoyed in the past. 

Judging a book by its cover: I'm really not sure why the little silhouette that's supposed to be Veronica is holding a butterfly net, as her main pastime of lepidoptery seems to have been entirely forgotten by now. I do, however, really like the various dinosaur bones and other fossils decorating the cover on this one. 

Crossposted on Cannonball Read. 

#CBR11 Book 87: "Angel in a Devil's Arms" by Julie Anne Long

Page count: 368 pages
Rating: 4 stars

Official book description:
He has devil's blood in his veins. At least, that's always been the legend. How else could the Duke of Brexford's notorious bastard son return from the dead? The brutal decade since Lucien Durand, Lord Bolt, allegedly drowned in the Thames forged him into a man who always gets what—and who—he wants. And what he wants is vengeance for his stolen birthright...and one wild night in Angelique Breedlove's bed.

Angelique recognizes heartbreak when the enigmatic Lord Bolt walks into The Grand Palace on the Thames, and not even his devastating charm can tempt her to risk her own ever again. One scorching kiss drives home the danger.

But in the space between them springs a trust that feels anything but safe. And the passion—explosive, consuming—drives Lucien to his knees. Now his whole life depends on proving his love to a woman who doesn't believe in it...because his true birthright, he now knows, is guardian of Angelique Breedlove's heart.

This is the second book in Julie Anne Long's return to historical romances, her The Palace of Rogues series. While this book works perfectly fine on its own, it follows on pretty much directly from the first, Lady Derring Takes a Lover, which is also very worth reading. In a year when there really haven't been many romances that impressed me much, the fact that Long has written two is both remarkable and encouraging.

While Angelique Breedlove was quite the fallen woman before she entered into a partnership with the widow of her recently deceased lover, at the start of this book, she has a home, a business she's proud of, friends and a lovely found family. Delilah, the former Lady Derring, who should probably have hated her for being her husband's mistress, is instead her best friend and staunchest supporter. Captain Tristan Hardy, the naval hero who swept Delilah off her feet in the previous book, is a trusted friend. The ladies' boarding house, the Palace on the Thames seems to be doing well enough that the ladies are even thinking of expanding, hoping to buy the property next door.

So it's rather a surprise when the mysterious man who's been paying them to keep their nicest suite of rooms available shows up, with proof that he's in fact the scandalous Lord Bolt, who possesses a marquess' title, despite being the illegitimate eldest son of the Duke of Brexford. Everyone believed him to be dead, but instead he's been off making himself frightfully wealthy in the far East. Now he's back, bent on revenge on the people who had him set upon in the night, stabbed and pushed in the icy Thames. He believes the mastermind behind the plot against him is his own stepmother, the Duchess of Brexford (not a popular person in the Palace on the Thames after trying to steal their cook on more than one occasion) and he's determined to make it uncomfortable for the guilty parties by showing London that he's back, he's very much alive, and he's just as scandalous as ever.

Of course, while Angelique finds him extremely attractive, she has no wish to involve herself with a scandalous rake, no matter how handsome and wealthy he might be. She's had her share of drama, and now wants to live comfortably, happily unnoticed by the ton, securing the boarding house's reputation as a place of high standards and impeccable morality. She and Delilah explain their house rules to Lucien, believing he will choose to move elsewhere. They are surprised when he agrees to abide by the curfew, show up to the joint dinners and the communal evenings in the drawing room. He further impresses them by being pleasant to the other guest and quickly making friends with his charm and entertaining stories.

While revenge might have been Lucien's initial goal, he comes to realise that his provocative behaviour is keeping Angelique at arm's length. Against his wishes, he also meets his younger brother and finds that he likes the young man. His plans of causing a scandal and exposing the Duchess of Brexford to all of society would be very damaging to more than one person he has come to care about. To his credit, he uses his charm, intelligence and ruthlessness to redeem his former scandalous image instead, showing Angelique that he can be a worthy partner for her. When he gets a bit too alpha male and tries to defend her reputation in public, ending up confirming the gossip about her past, he works very hard to grovel and earn her forgiveness.

I said in my review of the first book as well, but I'm SO glad that Long is back to writing historical romances. Her contemporaries were perfectly fine, but her Regency romances truly shine. It seems that really good and memorable romances are fewer and far between these days, but I suspect I will enjoy re-reading this one.

Judging a book by its cover: I think the only thing I like about this whole cover is the font, and I'm not entirely sure about that one either. I hate the awkward posture of the dude in the background (who looks nothing like Lucien is described, apart from having dark hair). I hate that he looks like a cheap lookalike for Antoni from Queer Eye. While the female cover model's face is pretty enough, there's something about her posture and facial expression that makes me think they found her picture in some advert for a phone sex ad and photo shopped it onto the cover, then pasted the dress on paper-doll style. While I normally like yellow and it can be nice and cheerful, this whole ensemble just rubs me the wrong way. I think this cover actively detracts from the really excellent story inside the book and hope Ms. Long is luckier with her next one.

Crossposted on Cannonball Read.

#CBR8 Book 125: "Greven av Monte Christo (The Count of Monte Cristo)" by Alexandre Dumas

Page count: 945 pages
Rating: 4.5 stars

Young sailor Edmond Dantés is well-meaning, kind and really rather naive, wanting nothing more than to make enough money to take care of his elderly father and marry his beloved Mercedes. There are other, less well-meaning people in his life who want what he has and are prepared to frame Dantés for treason to get these things. While celebrating his engagement to Mercedes, Dantés is arrested, charged with aiding in a plot to restore the exiled Napoleon to the throne. The anonymous scheming may have come to nought, except a letter in Dantés' possession frames the father of the judge who hears his case, and said man decides that the best thing to do is burn the letter, and lock Dantés away, before the precious judge is implicated in the scandal. So thanks to a drunken, malicious prank and an unscrupulous judge, Dantés is locked up away in a dark dungeon for fourteen years, where he nearly goes mad, while his father dies alone and destitute and his Mercedes marries another.

Dantés probably would have lost his mind if not for the friendship with another prisoner, the Abbot Feria, who, when trying to dig an escape tunnel, instead ends up in Dantés' cell. The two strike up a friendship and Feria, a very learned man, teaches the fairly inexperienced sailor everything he knows. He listens patiently to Dantés' story of how he ended up being imprisoned, and explains exactly how he will have ended up being framed, turning Dantés' thoughts immediately to escape and revenge. Initially, the two are planning to escape the prison together. But the Abbott is old and sick and dies before they have a chance to get out. He tells Dantés of a great treasure, hidden away on the island of Monte Cristo. Once Dantés escapes, he goes there, and discovers riches beyond his wildest dreams. After fourteen years, with everyone who ever knew him believing him long dead, Dantés can start truly plotting his revenge.

Ten years after the escape, the mysterious and brooding Count of Monte Cristo appears in Paris and soon the lives of three prosperous and successful gentlemen start falling apart completely.

I'm convinced that it is more than twenty years since I first read this book, when I was still young and patient and felt that the longer the book, the better, frankly (this was back when I also happily read my mother's three volume edition of Les Misérables in about four days while stuck at my gran's in the west of Norway, a book I only got about a third of the way through once I tried re-reading it a few years back. To be fair, this was a time long before wifi and smart phones, the only thing to do when in the west of Norway was to read. What else was I going to do, hang out with my douchy cousins, or worse yet, my little brother?) When the Cannonball Book Club poll for Classics ended up picking the LONGEST book of all of the ones nominated (I want to point out that I picked The Age of Innocence by Edith Wharton - at a neat 350 pages), it wasn't like I had a choice but to read the book, and I certainly wasn't going to opt for some abridged version. That would be cheating. This is also why this book will now forever be known to me as the book that ate November.

I actually started it in mid-October, but it became really obvious that as long as I was allowing myself to read other books as well, I was just never going to get through the nearly thousand pages of 19th Century French adventure fiction. Hence the only books I finished in November except this, were the ones I listened to in audio. In the end, I completed the book on November 30th, the day before our book club discussion. The Norwegian translation I read was done in the 1950s, but was thankfully not too difficult to get into, once I got used to some of the more old-fashioned terms. The first third or so, until Dantés finally escapes prison and goes to the island to find the treasure, moves along at a fair clip and is quite exciting. The problem came when he returns after ten years, and Dumas spends a lot of time re-establishing all the characters (who obviously no longer go by the same names they did at the beginning of the book, that would be far too easy) and setting the stage for Dantés' truly masterful revenge scenario. Once the book really gets going on that, it's all pretty thrilling, right up until the end.

It's not for nothing that this is known as one of the great revenge stories of all time. It was also, obviously written in a time when books like this, sold in instalments, were the big network entertainments of their day. Over the course of eighteen months, people would only get sixty pages at a time. That's a long time to wait to see how Dantés deals out righteous vengeance on the guys who did him wrong and made themselves rich and successful thanks in part to his misfortune. I wish I could say that I read it, considering where the instalment breaks would have been and fully aware of how the entertainments of our day have changed (all points covered in our excellent book club discussion), but I totally didn't. I mainly just forced myself through it, in between correcting a LOT of essays and audio book listening, wanting to get through the early Paris sections, where I had to use Wikipedia to help me keep track of the names of all the various parties, their many family members and how exactly they were soap operaishly connected to one another through double dealing, scheming and adultery, so I could understand everything fully once the Count's plan really kicked into gear.

While I don't love it as much as I did when I was a teenager, it's still a great book and for a book written in the mid-19th Century, it has an interestingly varied portrayal of both male and female characters. I was especially excited to see that Dumas apparently thought nothing of having Eugénie Danglars, the daughter of one of the men who wronged Dantés, escape the whole sorry revenge plot by running off with her companion on what I'm assuming will be one heck of a lesbian bohemian adventure. Valentine Villefort, one of the other prominent ladies, is so good and kind and true she makes your teeth hurt, but a lot of the other ladies, not least Mercedes, Dantés' lost love, are very impressive in their own right, this is not just a book about dudes.

While I was initially despairing, as it felt like that my November was pretty much this and correction work, I'm very glad that the Book Club pick did end up being this book, so that I got a chance to finally re-read it. I'd kept telling myself I was going to, and then never getting round to it, because it's sooo long. I also have plans to watch the TV adaptation starring Richard Chamberlain (clearly the go-to actor for Dumas adaptations in the 1970s - as well as playing Dantés, he was Aramis in the Musketeers movies directed by Richard Lester and he also starred in the dual role in The Man with the Iron Mask), but as New Year's is rapidly approaching, I needed to get these reviews completed - no time to watch movies before I blog. I honestly don't know what the abridged versions of the novel leave out, it seemed to me that once you with hindsight can see what is being set up, even the parts of the novel that dragged while reading them were really quite important. I would therefore recommend that you allow yourself the time to read the full version if you try the book. It's worth the effort, I promise.

Judging a book by its cover: For years and years and years, I've been a member of what is called the Norwegian Book Club, which is more of a subscription service for books than an actual club where people get together to read the same book every month and discuss it. It should also be noted that because a) Norwegian hardback books are terribly expensive and b) I barely ever read Norwegian books, I automatically cancel the books of the month every single time. I get the e-mail, I go to the website, I cancel the books. Very occasionally, i use the accompanying website to buy presents for people. All of this is to explain that my two volume edition of Greven av Monte Christo (which is the Norwegian name for the book) is one that I got when I became a member many many years ago, and the cover is nothing very exciting. A silhouette of a man. The background on volume one is dark blue, the background on volume two is golden yellow. Apart from that, they are identical.

Crossposted on Cannonball Read. 

#CBR8 Book 123: "Crooked Kingdom" by Leigh Bardugo

Page count: 560 pages
Audio book length: 18hrs
Rating: 4 stars

Spoiler warning! There will be some spoilers for Six of Crows and Ruin and Rising, the final book in Bardugo's Grisha trilogy in this review. There will also be some spoilers about the ending of this book, which means it's best to avoid this whole review until you've read both these excellent books (and possibly the Grisha trilogy as well.)

Kaz Brekker and his crew have just pulled off a heist so daring even they didn't think they'd survive. But instead of divvying up a fat reward, they're right back to fighting for their lives. Double-crossed and left crippled by the kidnapping of a valuable team-member, the crew is low on resources, allies, and hope. As powerful forces from around the world descend on Ketterdam to root out the secrets of the dangerous drug known as jurda parem, old rivals and new enemies emerge to challenge Kaz's cunning and test the team's fragile loyalites. A war will be waged on the city's dark and twisting streets - a battle for revenge and redemption that will decide the fate of magic in the Grisha world. 

While they pulled off the impossible and managed to get out of the Fjerdan ice court alive, with the only possible source of the dangerous superdrug jurda parem in their custody, Kaz Brekker and his little band of outlaws didn't get to retire with their unbelievable wealth, celebrating their victory. The brilliant Kaz was in fact outsmarted and out-manoeuvred by the deceitful Councilman Van Eyck, and now his beloved Wraith has been abducted and the gang have less than a week to rescue her and orchestrate their revenge. If their previous mission was dangerous and hard to complete, this one is possibly going to be even harder. They have no money, no allies, there are a number of hostile parties trying to kill some or all of the group and time is running out.

The action of Crooked Kingdom takes the reader back to Ketterdam, where Kaz, Matthias, Nina, Jesper and Wylan have to work together against steep odds to outsmart Van Eyck and their other enemies, rescue Inej, make sure the only living source of jurda parem gets out of the city safely and finally get paid the money they were promised. As in Six of Crows, the action takes place over a short space of time and everything that could go wrong, seems to have turned against our heroes and heroines. These two books should ideally be read together, as they don't work seperately and the stories complement each other so well.

I bought this audiobook on Audible pretty much the second I'd finished Six of Crows, as I had to find out what happened immediately. The book is even longer than the first, and yet I listened to the whole thing in less than three days. In this book, Wylan also gets his own chapters, and his narrator on the audio didn't entirely work for me. It was especially the way he made Kaz sound (as in Wylan hearing Kaz talking). He made his sound far too nasal and high-pitched, like a strange parody version of Wallace Shawn doing Vizzini in The Princess Bride. It was distracting and took me out of the story a little bit.

I mostly really loved this book, and I especially loved the way it tied everything together with Bardugo's first trilogy with some very cool cameos. I must admit that I liked a certain privateer character a lot more in his appearance here than I did in the Grisha trilogy. He fit better, somehow. The one thing I didn't like was the choice Bardugo made close to the ending. I think the only reason she did it was to try to inject even more darkness and grittiness to the story, which really was not necessary if one considers how dark the books already go in depicting Kaz's past and how he lost his brother, Inej's separation from her family and forced prostitution, what Wylan discovers about his parents, Matthias' time in prison, how Nina had to survive in Ketterdam and so on. What she chooses to do in the final act of the story feels cheap and actually robs the story of something, and it made me absolutely furious.

Vague spoilers for Ruin and Rising and also this book. At the end of this book, a character is actually pretty much resurrected with magic, from the point of actual honest to god death, just so our heroine can have a happy ending of sorts. This storyline actually makes the huge sacrifice of said character mean a lot less and while it would have been a bit of a bummer ending for the book, it would have felt appropriate with what happens earlier in the plot. Instead we get a "everybody lives" situation, and the characters haven't actually sacrificed much of anything, they end up exactly where they'd be happiest.

I have a theory that Bardugo possibly regretted this ending somewhat, and therefore decided to prove that she could be ruthless and there could be personal loss and despite the character's saying of "No mourners, no funerals", she wanted them to have to say goodbye to one of their own. It's a very Joss Whedon-y move, offing one beloved cast member just so the others will be extra sad, and it annoyed me as much here as it tends to do in Whedon's work.

Bardugo's choice, which I think seriously takes away from my enjoyment of the book, makes me deduct one star from the total rating. Nonetheless, this is the end of an excellent duology and the promise that Bardugo showed in her first three books has developed even further into a great pair of books. As well as continuing the plotting and scheming with a new and different heist, all the romantic promise in the first book comes to fruition in this book, with three amazing couples, all of whom I loved to read about and spend time with. These characters are all, in their way, so damaged and broken, they have such pain in their pasts and need each other so very much. For characters so young, they have lived through so much pain. By the end, there is a promise of a better life for them, and I really hope that if Bardugo continues to write books from her Grishaverse, we meet some of them again in future instalments.

Judging a book by its cover: Another cover combining towering buildings and a dark and ominous crow. I don't really have another way of saying that I love these covers, so I'll just leave it at that.

Crossposted on Cannonball Read.

#CBR7 Book 8: "The Duke of Dark Desires" by Miranda Neville

Page count: 384 pages
Rating: 4 stars

No one ever expected Julian Fortescue to end up becoming a Duke, least of all himself. But after a series of tragic accidents, illnesses and old age kills off most of his male relatives, Julian finds himself as Duke of Denford. As this book begins, he is also actually a wealthy man, having come to a settlement with all of his relatives that means he has the money to support himself in style. This doesn't escape the notice of his dear mother, who promtly arrives on the doorstep of his rather bare and understaffed town house with his three younger half-sisters in tow. Julian never got along with his mother's second husband (who was very religious and liked to beat his step-son), and so has barely had any contact with his mother or younger sisters. Now his mother has married an American sea captain, and emotionally blackmails Julian into accepting guardianship of the three girls.

Julian has absolutely no idea what to do with three young ladies. He's not exactly a great role model to them, with a history of womanising, gambling and drinking. While he may have become a Duke, he's not given up his former trade of art dealing, to the disapproval of much of the ton. He tries to get his neighbour's wife, Lady Windermere, to help him hire a governess, but she just laughs at him. So when the mysterious, but very sensual Miss Jane Grey shows up on his doorstep, wanting the position, and Julian instantly falls in lust with her, he hires her on the spot, figuring that she can tutor the girls by day, and warm his bed by night.

Jane Grey is in England for revenge, however. She is in reality Jeanne-Louise de Falleron, only survivor of the Falleron family, who were arrested and executed during the Revolution. She knows that a man named Fortescue was supposed to help her father obtain the correct papers to allow the family safe passage out of Paris, in return for a share in the family's priceless artworks. Instead the family were betrayed. Jeanne only survived because she had the papers for the family's governess, the actual Jane Grey and one of the soldiers arresting the Fallerons saw an opportunity to get a grateful mistress out of the bargain. Having been Jane for so long, doing whatever she needs to survive, Jeanne is a far cry from the innocent, pampered French girl she once was. Her thoughts of revenge are what has kept her going. She knows that Denford is the head of the Fortescue clan and figures that being in his household will be the best way to tracking down the man who betrayed her family, so she can kill him.

No longer a sheltered society virgin, Jane is used to men's desire and finds Denford as attractive as he does her. Sleeping with him will only complicate things, so Jane refuses to give in to his attempts at seduction, for a period at least. Of course she grows more attached to the girls she teaches with every day, remembering the younger sisters that she lost. She also spends every evening in companionable conversation with Julian in his library, under the guise of reporting on her work with his sisters. As the weeks pass, she no longer wishes to resist him.In her spare time, she tries to investigate the various members of the Fortescue family who may have been in France during the Revolution, and tires to ignore her fears that the man she's falling for, may in fact be the man she has sworn to kill.

The fourth and final book in Miranda Neville's Wild Quartet series is the one I've really been looking forward to, because the hero has been such a fun supporting character in the previous books in the series. Throughout the series, Julian's dark past and clear remorse about something that happened in Paris years ago has been hinted at, and it's been mentioned in more than one book that he is in possession of the Falleron collection. So to those readers, it's no surprise at all that Julian is the Mr. Fortescue that Jane/Jeanne is looking for. Of course, it's not exactly kept secret for new readers for long either.

Julian keeps his black hair long, despite the fashion for short hair in gentlemen. He wears unrelieved black and carries a silver-topped cane. He adores being seen as sinister, a bit cruel and uncompromising, and quite happily tried to steal his former best friend's wife away. Yet he's unable to turn his young sisters away and wants them to have the best care possible. He was young and a bit too naive when he was in France all those years ago, and he knows his carelessness was in part responsible for the Falleron family being arrested. He forced himself to watch the daughters being executed, and has never forgotten his complicity. He's not let it stop him from living his life, however. He plans to bring the Falleron collection from Belgium, where he has kept it safely hidden for years and use it to possibly win the favour of the Prince Regent himself. He's a known rake and because he has always been one of the black sheep of the Fortescue family, he feels no particular responsibility to take care of his many relations or take up the mantle of duty that comes with being a Duke.

Jane was promised to a French Duke before the Revolution and was raised in an aristocratic environment, aware both of the privileges and the duties of the nobility. She's shocked at how lightly Julian seems to take his title and how little he seems affected by the importance of his position. As she gets to know him better, she comes to understand that that coincidence, blind luck and the laws of primogeniture all led to him becoming a Duke and having had to struggle to support himself for most of his life, without much if any support from his many distant relations, he feels no particular fondness for any of them, and doesn't quite see why he has to care for them just because he happens to be the nominal head of the family. It would obviously be inappropriate for a governess to lecture her employer, but Jane nonetheless tries to make Julian see that his position in now one where he cannot entirely act solely as he wishes, and that his actions have weight and consequence in a way they didn't when he was one of many mere Mr. Fortescues.

While the relationship between the Duke of Denford and Miss Jane Grey could have been an uncomfortable one, considering that he is her employer, and has so much power over her. Yet because Julian is pretty up front about his desires and wishes from the start, and Jane is no innocent and frankly acknowledges the sexual attraction between them almost as quickly. Julian is very clear that he doesn't want anyone unwilling in his bed, and while he places Jane in the bedroom next to his, he also makes sure to give her the key to the adjoining door, so she will feel safe (and also because he realises how tempting having the key to his bedroom may be for her). It's quite clear to Julian that Jane is not who she pretends to be, and that there is something in her past she wishes to keep hidden. She claims to have worked as a governess for the governor of St. Lucia, but she speaks French like a pre-Revolutionary aristocrat, and their nightly conversations proves that she is far too knowledgeable in certain areas to be a common-born servant.

Jane fights her attraction because she knows she and Julian have no future. Her mission is to find one of his relatives, murder him and then try to flee to the Colonies, where she will hopefully be safe from prosecution. Even if she wasn't set on revenge on the shadowy Mr. Fortescue, Julian is a Duke and she is a morally compromised nobody, no matter how grand her family once was. Having submitted herself first to the soldier who saved her from the guillotine and later been the mistress of a rich merchant, she no longer has the exclusive pedigree required of a potential Duchess. Julian, used as he is at ignoring social conventions begins to consider Jane a suitable wife long before he discovers her real identity. He clearly has no problems with the idea of marrying his governess/mistress. She's excellent with his sisters and she makes him feel better, in and out of bed.

There is a lot more to this romance that I'm not adequately able to get across. Elyse over on Smart Bitches, Trashy Books does a much better job. It was her enthusiastic reviews of this book and Lady Windermere's Lover that make me pick up this series in the first place. While I wasn't quite as enthusiastic about the other three books, I'm glad I read them to get the background and history required to really enjoy this one. I shall keep a lookout for new books by Miranda Neville in the future.

Crossposted on Cannonball Read.