CBR17 Book 55: "Paladin's Grace" by T. Kingfisher

Page count: 360 pages

Rating: 4 stars

CBR17 Bingo: Purple (most of the cover, barring the cover image, is a lovely lavender purple)

Stephen is one of the paladins of the Saint of Steel (who was a god, despite the name), who died very suddenly and unexpectedly a few years back. No one thought gods could die, and a lot of his paladins killed themselves and caused massive amounts of damage when it happened. Now, Stephen and the six other paladins who remain are housed at the Temple of the White Rat and volunteer as bodyguards whenever that's required. Stephen and the other paladins are berserkers; they used to descend into battle madness when fighting for their god. Without their god to call them back, the paladins worry about new berserker rages, as they may not be able to stop without any force to call them back. So Stephen knits socks and does his best to see to the well-being of his brother and sister paladins.

 One day, when patrolling the city, he runs into a woman being harassed, and to foil her attackers, they pretend to have a steamy tryst in an alleyway. Grace is a skilled perfumer, with nothing but negative baggage in the romantic department. She shares her lodgings with a charming spy, who acts as her agent and tries to make sure Grace makes the sort of money she deserves. Grace wasn't really expecting to ever see her rescuer again, but they meet at a court function, and are soon witnesses to an assassination attempt. Soon, both Grace and Stephen are involved in a complicated power struggle, and to make matters worse, there's a mysterious killer out there on the streets who chops the heads off its victims. 

I've liked all of the Kingfisher books I have read, especially her fairy tale retellings. I even mostly liked What Moves the Dead, despite being very creeped out by it throughout. I've owned many of her Saint of Steel books as e-books for a while, but when it was announced that T. Kingfisher (or Ursula Vernon, as she is really called) would be one of the guests of honour at Norcon (a very small and intimate fantasy/sci-fi convention at the University of Oslo) this year, it seemed like the perfect time to acquire the books in paperback, so I could get them signed. I also had grand plans to read all four stories before the festival started, but since this happened just before the end of term, I was pretty exhausted from work, and had only read a book and a half of the series.

Meeting authors is always such a strange and wonderful experience to me, but T. Kingfisher was funny, gracious and very interested in chatting with her fans in between the panels she took part in. There were also several opportunities during the two days to get books signed. She also had a big signing in the fantasy/sci-fi/all things nerd shop in the centre of town, where I saw a picture of the queue. It went for more than a block and a half. At the actual festival, I don't think there were ever more than six people having to wait in line - it was great.

It's not that I've gone completely off YA as I get older, but romantic fantasy with YA characters is getting less appealing to me. A romance with slightly more mature characters is therefore feels so much more satisfying. None of the protagonists in any of the Saint of Steel books are teenagers (or the age where they could play teenagers on TV). They have lived eventful lives, with all the advantages and disadvantages this involves, and they have to negotiate their awakening romantic feelings while considering the position they're in and the people they feel beholden to. 

Grace used to be married, and her ex is clearly a real piece of work. Stephen struggles to find a place where he truly belongs, and is a protector through and through. He wants to protect and be with Grace, but the thought of abandoning his fellow paladins at the Temple of the White Rat, the only family he now has, may be impossible for him. Trying to sort out the political machinations and trying to find a creepy decapitating killer are challenges enough, but Grace and Stephen also need to figure out how to hopefully manage a happy ending together. 

As well as the romantic relationship, which develops gradually between Grace and Stephen, Kingfisher also includes other important people in her protagonsist's lives. Having lost pretty much everything, even his sense of identity, when his god/Saint died, the remaining surviving paladins are all Stephen have left, and they are all as family. The bishop in the Temple of the White Rat may be his benefactress and de facto employer, but she clearly cares a lot for the broken knights. Grace may have had a troubled past, but she's found herself with a formidable best friend. Because of her husband, Grace doesn't really have any way to prove her previous accomplishments, which might have made it difficult for her to support herself, but thanks to her friend and landlady Marguerite, her perfumes are sought after and exclusive. In fantasy, the heroines are often independent and move about in male dominated societies, not all of them have any female friends. Women supporting other women is one of my favourite things, so I'm glad Kingfisher showed how loyal the women are towards one another. 

Of the four books in this series, I think the third, Paladin's Hope, is my favourite. I really enjoyed all of them, though, and hope that Kingfisher will write books about the remaining paladins who haven't found their happy endings yet, as well. 

Judging a book by its cover: When I first got the new paperback editions of the Saint of Steel series, I was a bit taken aback by how very pastel they all were (this one is lavender, the second is a delicate pale green, the third is baby blue and the fourth book is very pink). The cover illustrations are really nice, though, and really give a good impression of how the characters are described in the story (sadly, not always the case). 

Crossposted on Cannonball Read

CBR16 Book 62: "A Sorceress Comes to Call" by T. Kingfisher

Page count: 400 pages

Rating: 4.5 stars

CBR16 Bingo: Dun Dun (From pretty much the first chapter, where Cordelia is "made obedient" there is a creeping sense of dread all the way through this novel)

Cordelia knows her mother isn't like other mothers. Other mothers can't take over your limbs and puppet you, or force you to stay still and motionless for hours or days on end. Other mothers permit doors that can be closed in the house and let their daughters have friends. Other mothers don't have a magical horse who spies on the daughter when they are out on rides. Cordelia's mother wants her to marry a rich man, and to launch her daughter properly into society, Cordelia's mother needs a rich husband who can provide her with the lifestyle she requires, and then conveniently disappear. 

Cordelia's mother, Evangeline, has found a suitable candidate, a middle-aged country squire who she now just needs to charm sufficiently for him to propose marriage to her. She can't enchant him, because all magical spells are dissolved once the wedding takes place (it involves water, wine, salt and holy ground). Fortunately for her (certainly not anyone else), Evangeline is beautiful and enticing and more than manipulative even without using magic. What she had not taken account of when plotting, was suspicious relatives. 

The squire's spinster sister, Hester, recognises Doom (as she without fail refers to Evangeline) the second she arrives on their doorstep, and she has no intention of letting her brother fall into her clutches. Hester is initially unsure whether Cordelia is her mother's creature and will take Doom's side, but after observing some of their interactions and speaking to the servants (Cordelia sometimes goes to sleep hidden in a wardrobe), she concludes that the girl will also need to be rescued from her ambitious and merciless mother.

I see lots of people saying that this is a dark fantasy set in the Regency era, but I really didn't see a lot of traces of a specific time period in the story. It could just as easily be set in some generic historical fantasy past. I have only read two books by T. Kingfisher previously, but even What Moves the Dead, which had me uncomfortable throughout, really kept me turning pages just to see what would happen next. Nettle & Bone was one of my favourite books of 2023. It also features a sinister threat and a sense of dread throughout, but in A Sorceress Comes to Call, the feeling of discomfort and unease begins in the very first chapter and doesn't really let up until the very end, because Cordelia's mother really is that unpleasant and so clearly extremely dangerous, and you really don't want her to cause harm to anyone, let alone the protagonists, Cordelia and Hester.

It should also be mentioned that this has some elements reminiscent of the fairy tale of The Goose Girl, but not enough that it feels right to call this a fairy tale retelling. The horse Falada certainly plays a very different role in this book than in the original fairy story. 

Cordelia has never known kindness or affection, and having seen her mother do terrible things in the past, she knows the Squire and Hester are in danger, but she's afraid to talk to anyone. She knows that the tale of her mother's magical powers will most likely not be believed, and she fears she will be seen as her mother's accomplice. Luckily, Hester is an observant and clever woman, who takes Cordelia under her wing and listens to her, even when what she says appears preposterous. In an attempt to slow down Doom's seduction attempts somewhat, Hester invites a number of close family friends for a house party, to ensure that the Squire is never entirely alone with the scheming sorceress. 

Cordelia and Hester are both such likeable protagonists. By letting the readers share the POV of Cordelia, Doom's traumatised young daughter, Kingfisher is able to show first-hand just how terrifying her mother really is. Giving Hester, a wise middle-aged woman the other POV gives the readers hope that there may be some way to thwart Doom's plans and hopefully give Cordelia a safer future. 

Hester loves her brother but is by no means blind to his weaknesses. She knows that if she doesn't act quickly, Doom will have charmed herself into marriage with her brother, and after that, it's unlikely that either Hester or her brother will live for very long. Hester also regrets some of the choices of her past, which means she gave up on love and marriage of her own, and now she is older and has a bad knee and feels she would only be a burden to a potential husband. Thankfully, someone disagrees with this (there is a minor romantic subplot that I found very sweet). 

I don't think Kingfisher's full on horror books are for me, because her suspense books are frankly more than unnerving enough. Luckily, I have a large back catalogue to choose from, and likely many good reading experiences in my future.

Crossposted on Cannonball Read

CBR15 Book 36: "What Moves the Dead" by T. Kingfisher

Page count: 160 pages

Rating: 4 stars

CBR15 Bingo: Dwelling (the "haunted" house is pretty central to the story).

This was my fantasy/sci-fi book club's selection for May, and while I normally don't like horror books, I read this mainly because I was so impressed with T. Kingfisher's Nettle & Bone, and also because it really was very short. It's a retelling of Edgar Allan Poe's The Fall of the House of Usher, which I have never read, and because I'm not a huge fan of Poe, I didn't bother reading it before reading this, either. I just read the Wikipedia summary, figuring that would be more than enough. 

Our non-binary protagonist, Alex Easton (uses they/them pronouns) is a retired soldier who receives a letter from an old friend, Madeline Usher. Alex was in the army with Madeline's brother Roderick and is shocked when they arrive at the absolute wreck of a house the siblings live in, and see the physical state that their old friends are in. Both siblings are emaciated and deeply pale, and have thin, white flyaway hair, both on their heads and bodies. According to an American doctor who is also there, Madeline is seriously ailing, and struck with frequent fits of catalepsy, moving around the house with rigid limbs, speaking in a distracted, eerie voice. She rarely remembers what happened during these fits when she is more lucid. Her brother Roderick is pretty much a nervous wreck. Easton wonders why the siblings haven't just moved, but both seem determined that they must stay in their old, dilapidated family home, even when something there might be killing them.

Easton is deeply worried about their friends and with the aid of the American doctor and Miss Potter, a British botanist who is travelling in the area (she's revealed to be Beatrix Potter's aunt - probably fictional), tries to figure out what is causing their strange behaviour. Next to the house is a creepy, murky lake, which has strange lights within that glow at night. There are also a host of strangely behaving wildlife, including hares that move about with jerky, unnerving movement, and that don't seem to stop moving, even when dead. 

What Moves the Dead has a lot of Gothic elements and the creeping sense of unease just grows as the story progresses. It's a very well-written story, and several of the members of my book club wished that it was longer and that we got more out of the story. For all that it's a novella, Kingfisher includes some interesting worldbuilding. Easton is from a fictional European country, where they have a lot more pronouns than many languages. There are, for instance, specific pronouns used only for children, and some that are used only for God. In this country, members of the army are also given a unique pronoun, which means that no matter what gender the soldier is originally, once they become a sworn soldier, they are referred to with ka/kan pronouns. The explorations of the fictional European country and its language give added depth to what is really just a very quick read.

I don't like a lot of horror, and I find fungus generally very creepy. So there were a lot of elements that really worked to make this a rather uncomfortable read. Nevertheless, I also really liked the story and especially Alex Easton, our protagonist. It seems that this novella is the first in a series featuring Easton, with the next one out in early 2024. In a lot of cases, I don't want to keep reading the series of our book club selections, but in this case, even if Kingfisher stays with the horror genre, I will keep going, because I was so entertained. 

Judging a book by its cover: The really very unnerving image on the book gives you a fair idea of what the book features. The hare is absolutely riddled with fungus and little pink mushrooms, including some piercing it. The UK cover features a raised hand covered in mushrooms, which seems tame in comparison to this. 

Crossposted on Cannonball Read. 

CBR15 Book 26: "Nettle & Bone" by T. Kingfisher

Page count: 320 pages

Rating: 4.5 stars

#CBR15 Passport Challenge: Books I already own

CBR15 Bingo: Violence

15-word-review: Princess Marra has to complete three impossible tasks to kill her brother-in-law. A quest follows.

Longer review: Marra, the youngest princess in a small, rather insignificant kingdom, who has spent half of her life in a convent and so is almost, but very significantly not, a nun, has been set three impossible tasks by a dust-wife (a magic-wielding woman who can communicate with the dead). She must spin thread out of nettles and fashion a cloak in less than a night and a day, and she must make a dog out of cursed bones and wire. Her final task is to capture the moon in a jar. All of these tasks are to find a way to kill her brother-in-law, the prince of a neighbouring kingdom. The prince married her eldest sister, who died after less than a year. Then the second eldest princess was married off to him, and although inexperienced and naive after a very sheltered upbringing first in a palace and then in a convent, Marra discovers that her sister has been abused and tortured, and keeps trying to stay pregnant so her husband doesn't hurt her as much. Marra wants to avenge her oldest sister and save her remaining living one, but is rather powerless on her own.

In fairy tales, the impossible frequently becomes possible, and Marra succeeds in her impossible tasks against all odds and is granted the aid of the very powerful dust-wife who set her the tasks. Along with the dust-wife and her demon chicken, accompanied by her bone dog, and eventually also an exiled (if very gentle) killer and a wicked godmother, Marra slowly travels to her brother-in-law's kingdom to try to stop him from ever hurting her family ever again. 

When my husband asked what I was reading and I told him the title of the book, he wilfully decided to misunderstand and kept asking why I would read a book about soup. There is no soup of any kind in this novel, the nettles and bones are parts of the impossible tasks that Marra nearly ruins her hands and body to accomplish, all to find a way to save her remaining sister (who she thinks has always hated her and probably still does). The wicked prince has killed his first wife and will probably murder his second one if she finally succeeds in bearing him an heir (fair warning to those who might find it distressing, the abused queen has a lot of miscarriages - no graphic details are included, but this book might not be for everyone). 

This book was a fast and engrossing read for me. It's my first novel by Kingfisher, and I was a bit worried, as I've heard some of the books she's written are mostly in the horror genre. There are absolutely horrible elements to this story, but they are all very believable, human-inflicted acts. Despite the abuse and violence committed by Marra's brother-in-law (and sadly ignored by her mother, the Queen, and spymaster of their little kingdom), quite a lot of this book is cozy and focuses on friendship, loyalty, and togetherness. It's about not underestimating those who might seem humble and weak, or too old. It's about second chances and embracing opportunities. There's a romantic subplot, but it's very gentle and almost entirely off-page.

I loved this book so much that I bought it in paperback as well, so I can have it displayed on my bookshelf. I've already recommended it to several of my friends. Anyone who likes a dark fairytale-inspired fantasy should check this out. 

Judging a book by its cover: I really like the e-book cover of the book, with the cover model wearing a dress that looks like it's made of vines and thorns, but also the UK paperback edition that I got that is in dark colours with a number of the elements from the story on the cover. 

Crossposted on Cannonball Read.