Wednesday 29 June 2016
Rating: 4 stars
Lily Danville grew up in Cedar Ridge, Colorado, and loved hiking the mountain trails or climbing the rock faces in the summer, or skiing the challenging slopes in the winter. She was happy there, until tragedy struck and she lost half her family over the course of a few weeks. She's never forgiven herself and wasn't ever planning on returning. Having lost her job in a fashionable salon in San Diego and pretty much been blacklisted in the industry, she desperately needs a job, and has no choice but to return to her home town, to work for her friend Jonathan. She dreads going back for a number of reasons, but most of all because it will mean seeing Aidan Kincaid again, the guy she used to dream of, but could never have.
Aidan Kincaid is part of a large and close-knit family. He and his brothers run the Cedar Ridge Resort, which they're trying to keep afloat, despite some serious difficulties thanks to debts run up by their dead-beat dad. Aidan works as a firefighter and volunteers for the local Search and Rescue-service, when he's not co-managing the resort and trying to keep his younger siblings out of trouble. He's got a reputation as a ladies' man, not one for serious commitment, but that's because part of him has been pining for Lily, since the summer when she disappeared from the Ridge. Now she's back and he's more attracted to her than ever. But how long is she going to stay this time? Is she going to leave and break his heart once more?
The blurb of the book led me to believe that Lily and Aidan had shared much more of a passionate romance before Lily left Cedar Ridge, when the fact is that they were both teenagers, who spent quite a lot of time together, but only really had anything romantic going at one school dance. Lily, always in competition with her sister, who had admitted to fancying Aidan, as a result never really let herself get too close to him. Once the tragic events that tore her life to pieces occurred, she is incapable of forgiving herself, and she certainly can't allow herself to have feelings for Aidan, as that would feel like a betrayal to her sister.
Aidan never knew about Lily's sister's feelings and wasn't able to act on his infatuation to Lily until that dance. Shortly after, she left town, before he had time to tell her how he felt and for ten years, he's been trying to tell himself that it was probably for the best. Nonetheless, when she returns, the normally very level-headed man gets all out of sorts (to the amusement of his various relatives) and it doesn't take all that long before he's confirmed that the spark is most certainly still there between him and Lily.
This is the first book in the Cedar Ridge series and there are more than enough Kincaid siblings to provide fodder for multiple sequels. The only other Shalvis I've ever read is Rumor Has It, which I read for the RITA Reader Challenge back in 2014. As far as I can tell from the two books I've now read by her, and some general reading on the internet, Ms. Shalvis excels at cosy, comfortable contemporary romances, set in small towns, featuring generally well-rounded protagonists, without too much angst to complicate things.
In this book, Aidan has his fair share of troubles, relating to his father, but is really quite a stand-up guy. He's very much a protector, for his family and working both as a firefighter AND in search and rescue. For the past ten years, he's has a number of never-too-serious relationships, but he's always been up front about not wanting long-term commitment and once Lily returns to Cedar Ridge, it's obvious that deep down he was just hoping she'd come back and that with her, he pretty much wants nothing but commitment.
Lily struggles with guilt and grief and has a hard time being back in a place where she suffered such powerful losses. She's pretty determined that her stay is only short-term, covering at her childhood friend Jonathan's salon while one of his employees is on maternity leave. She keeps sending out her resumés, hoping for a job somewhere else, with no wish to settle back in her home town, no matter how tempting the presence of Aidan is. Her attraction to him is also all mixed up in guilt and an overwhelming sense of loyalty to her sister, which is what provides the main obstacle to the romance of the book.
I pretty much loved the setting (despite not being an outdoors person at ALL) and the various supporting characters. I liked that what complications and low-level angst there was in the relationship between Lily and Aidan was handled without too much drama, even though both of them clearly had some lessons to learn about communication and not sending mixed signals. I suspect I will be checking out more books in this series, as going back to the fictional town of Cedar Ridge and getting better acquainted with more of Aidan's siblings will provide me with many hours of relaxing summer reading.
Judging a book by its cover: There are two different covers for this book. The one I read (featured here), has a rugged man in a rescue service t-shirt and cargo pants, with a rope and what looks like assorted mountain-climbing gear strapped to his side, photo-shopped onto a background of mountains and blue sky. The other cover is a twee watercolour image, full of flowers and mutet pastel colours, more suitable for a children's book than a romance, if you ask me. It also features the hokey tag line: "Sometimes only going home can set you free". Big bowl of nope on that one. I'll take my rugged mountain man any day of the week.
Crossposted on Cannonball Read.
Rating: 3 stars
Daisy Craigmore doesn't mourn her abusive d-bag of a husband at all, but has nonetheless worn widow's weeds for the proscribed period of time, so as to avoid a scandal. Now she's pretty ready to get her flirt on, but her first "date" of sorts, is ruined when she comes across her friend torn to pieces in an ally, and the beast that killed her ready to tear into Daisy and her lover next. The mysterous Ian Ranulf, Marquis of Northrup, insists on protecting her, whether Daisy wants it or not.
Ian Ranulf has been exiled from his werewolf clan for over seventy years, since he refused to fight his grandfather for the alpha position. He keeps his wolfish nature tightly controlled, but is forced to act when he realises a rogue werewolf is committing gruesome murders around London, and that several women wearing the same perfume as Daisy have been the creature's former victims. Having kept himself isolated and closed off from society for decades, Ian suddenly feels involved again and the beautiful widow makes him feel alive like no one in ever so long.
I read the first book in this series back in January 2013. It features Daisy's sister Miranda, who has the power to start fires. Apparently Ian also featured in this book, as an antagonist, although I must admit I remember very little of the plot of the book, even having re-read my own review. His rather callous treatment of Miranda and his attempts to lure her away from her husband, make both of them rather sceptical when he now seems to have set his sights on Daisy.
I don't recall the various supernatural factions of this world playing such a prominent part in the first book, but Callihan is clearly determined to widen her world-building, and here introduces a whole bunch of new stuff. Then there's the crazed werewolf on the loose (whose identity I suspected really quite early on), trying to murder Daisy and the power struggle in Ian's old werewolf clan, which he keeps trying to keep out of, even when it's clear that they, and every other supernatural power in London, want him involved.
Once Daisy and Ian move past the "you tried to steal my sister away from her husband, are you sure I'm not just a creepy replacement" part of their courtship, they still need to deal with the fact that Daisy is pretty badly messed up both emotionally and physically because her dead hubby was a d*ck, and there's the whole Ian is an immortal being, while Daisy is a normal, going to grow old and eventually die mortal. Ian was married to a mortal woman long ago, and she really didn't deal too well with the differences in power and supernaturality (it's totally a word, you guys. I'm sure of it) between them.
Because Callihan's contemporary New Adult books are so great, I kept wanting to get back to this series, even though I didn't exactly remember Firelight knocking my socks off. I like historical romance, I like paranormal fantasy. I know Callihan can write engaging romances. Yet this just wasn't all that exciting, and I kept reading just in the hopes that the book was going to get better. I don't want to spoil things, but of course Daisy has a supernatural power of her own, and she figures out a way past the pesky "the man I love will live practically forever, while I will die" difficulty.
This series keeps getting good reviews on the interwebs. I suspect I'll keep going just to see if the series gets more engaging. I know all too well that a lot of paranormal series need two-three books to really get off the ground, and I feel Callihan has entertained me enough in the past that I can give her another chance or two.
Judging a book by its cover: Quite a pretty and atmospheric cover, with a lady (clearly meant to be Daisy) moving through the woods at night, vines and leaves swirling around her. She's wearing a period appropriate dress and I really like the various shades of green and yellow. If the cover model had her hair in a more period appropriate updo, more suitable for a woman of the time, rather than flowing in the wind like she's in some sort of Victorian shampoo advert, that would make the image even better.
Crossposted on Cannonball Read.
Tuesday 28 June 2016
Rating: 3 stars
Lydia Green is sent a video of her fiancee making out (and more) with his best friend/best man shortly before she's supposed to walk down the isle. Utterly humiliated, she leaves her phone on the bed and does the only thing she can think of, run away. Even in full bridal gear, she manages to hoist herself over the very tall fence at the back of the property and climbs in the open window of the house next door. Fairly banged up and utterly devastated, she collapses in the bathtub and bursts into tears.
Vaughn Hewson's career is currently fairly dead, after his band broke up. He's back in his home town, trying to put his parents' home on the market, before trying to figure out what he wants to do with the rest of his life. He certainly wasn't expecting to find a crying bride in his bathtub, or having to deal with the ensuing drama when the groom's furious family come knocking on the door to figure out why she ran away from the wedding.
Vaughn offers Lydia a place to stay for a few days, until she can get a semblance of order back in her life. Vaughn's sister, who is running a bar with a couple of friends, offers both Vaughn and Lydia jobs while they make up their minds about what they want to do next, and how they feel about each other.
I read the first three books in Kylie Scott's Stage Dive series, but never really felt like going back and reading the fourth one, where apparently Vaughn is introduced. His back story is not really necessary to understand this book, which is clearly going to centre around the Dive Bar, that Vaughn's sister and her friends run. There's a whole bunch of supporting characters introduced, who will clearly be the protagonists of upcoming novels. I will be deeply surprised if Vaughn's sister, currently estranged from her husband and (SPOILER!) accidentally pregnant with another man's child, doesn't reconcile with said husband in one of the future books.
Sadly, this book wasn't all that exciting. First of all, I don't really like romances where the couple fall in love too quickly. I can't be bothered to go back and check, but we are not talking many weeks from Lydia's wedding day until she's clearly oh so very in love with Vaughn. A man so indecisive about what he wants that he actually goes off and leaves her for a while, only to come slinking back, suddenly ready to propose marriage himself. I didn't really believe in this couple much. I did like many of the supporting characters, though, and I appreciated that Lydia was described as a somewhat more full-figured woman than many you meet in romance novels. Also, there was a brief cameo from my favourite character from the Stage Dive books and he always makes everything better.
Judging a book by its cover: There's a Dirty martini in the foreground of the picture (see what they did there? Just like the book title. Much clever. So wow). There's a heavily tattooed guy in the background with what could be a band t-shirt on. I wish they'd tried to match the cover model a bit more with what the hero was supposed to look like (thin, rangy, ginger), but apparently tattooed arms will have to do. It's not a great cover, but then again, the contents of the book aren't exactly thrilling, so I guess it matches up there.
Crossposted on Cannonball Read
Monday 20 June 2016
Rating: 3.5 stars
Actor John Tennessee McCord was the star of a long-running TV show, but recently, his career has taken a bit of a dive. Having been one half of a big Hollywood power couple and then being rather publically dumped last year certainly hasn't helped. Now he's got a new TV series lined up about the California gold rush and while scouting out the locations for it, his pickup truck breaks down in Hellcat Canyon. Not that he minds all that much, as the burgers at the Misty Cat Cavern, the former Hellcat Saloon, are very tasty, and the blonde waitress there is clearly both intelligent and gorgeous.
Still physically and emotionally scarred from her previous marriage, Britt Langley really isn't looking for any kind of relationship and has gotten very good at charmingly turning away any male interest in herself. She works as a waitress at the Misty Cat Cavern and a part-time real estate agent to pay the bills and nurses plants back from the brink of death in her spare time. When the handsome and charming J.T walks into the Misty Cat, Britt is smitten despite her vows to stay unattached.
Liking the small time charm of Hellcat Canyon and the prospect of wooing the pants of Ms. Langley, J.T. decides to stay around town for a while. The chemistry between him and Britt is noticable to everyone around them, and it doesn't take all that long for them to act on their mutual attraction. But while J.T. may not be as hot a gossip commodity as he once was, the paparazzi will eventually track him down, and what started as a small town flirtation is soon broadcast all over the internet. Can their developing romance survive the sudden glare of the spotlight?
I read and mostly enjoyed the entirety of Julie Anne Long's Pennyroyal Green series. This is her first contemporary novel and I was curious to see how she'd manage writing a whole new genre. Sadly, the first half of this book is quite slow and rather boring in parts. The banter between Britt and J.T is pretty good, but nothing much of interest happens, even after they start hooking up. Britt is very wary of commitment and J.T is known far and wide as the "man allergic to the L-word". Just as they are starting to get more comfortable in each other's company, J.T's mega famous mean girl ex shows up to try to get him back. For the first two thirds of the novel, I was really just reading out of loyalty to Ms. Long, but then, towards the end, things started picking up and the book got really very entertaining. J.T delivers one heck of a wedding speech which would melt the heart of any right-thinking woman and Britt engages in some drunken billboard graffiti out of jealousy that made me laugh a lot. It's not enough to get the book more than half a star above 3, though.
Unsurprisingly, the book introduces a whole bunch of characters, both from the Hellcat Canyon region and from J.T's Hollywood life, whom I am sure we will meet again in future books. Ms. Long got 11 books out of her previous series, after all, and I'm sure she can mine the little mountain region for quite a few romances in years to come. I'm personally looking forward to that of J.T's former colleague and sometime frenemy, Franco Francone. He plays a significant enough part in this book that I cannot imagine he's a future hero. I pre-ordered this book based on Ms. Long's entertaining historicals, but based on this first contemporary, Ms. Long is off the auto-buy list for now. I'll still buy her books on sale, of course, but I'm going to need something more consistently good for her to move back to "buy at full price" status.
Judging a book by its cover: Things I like - the red pick-up truck is relevant to the story, as J.T loves his truck and has spent a lot of time and money making sure it still runs. The cover models look like they have the correct hair colours. I think Britt may have been wearing cowboy boots at some point. The flowers are a nice touch, even though no such profusion of wild flowers are ever mentioned in the book. Things I don't like - the absolutely ridiculous pose. Britt is supposed to be quite petite, which the cover model doesn't look to be. I also think both models could look older, as both Britt and J.T are in their mid-30s.
Crossposted on Cannonball Read.
Sunday 19 June 2016
Rating: 4 stars
Lady Helen Ravenel has lived a very sheltered existence on her family's estate and spent much of her life in mourning for one family member or another. Until very recently, the estate was so deeply mired in debt that Helen and her younger sisters were unlikely to have any dowries and it was very important that Helen and her sisters marry rich men. The current Earl, Helen's cousin (who inherited the estate after the death of their brother and in short order did his best to drag the estate out of debt, while falling in love with and marrying her brother's widow) arranged for Helen to marry his friend, the exceedingly wealthy department store owner, Rhys Winterborne. Then, due to a misunderstanding between them involving Helen's first kiss ever, the betrothal was dissolved.
Rhys Winterborne, born poor and uneducated in Wales, has worked his way up to become one of the wealthiest men in England. After being injured in a train accident, Helen nursed him back to health, and he was drawn to the ethereal and shy beauty before he even saw her face clearly. Nonetheless, he considers himself a savage brute and knows a lot of other people do to, despite the wealth and influence he now wields. He knows how unlikely it is that a commoner like himself gets to ally himself to a noble family like the Ravenels, so is unsurprised when Helen's sister-in-law Kathleen announces that the betrothal is at an end. What does surprise him greatly, however, is when Lady Helen herself shows up at his office some days later, claiming that while she was overwhelmed by her emotions, she was also very excited and she absolutely still wants to marry him. To the point where she's quite willing for him to compromise her thoroughly to make sure nothing gets in the way of their marriage once more.
Once Helen returns to the bosom of her family, quite thoroughly and enthusiastically deflowered, her family can no longer mount any objections to her marrying Winterborne. There are secrets in Helen's past, however, that may make her less desirable to Rhys once he discovers them. Can she get him to the altar before he finds out what only a select few people actually know?
The previous book in this series, Cold-Hearted Rake, was Lisa Kleypas' first historical romance in five years. It was rather disappointing, all things considered, and the best thing about it was the romance it was setting up between Helen and Winterborne, which we get the continuation of here. While this book is an improvement and I really liked both Helen and Rhys, both separately and together, I found the extremely contrived obstacle put in the way of their romance to be eye-rollingly ridiculous, especially considering how quickly the whole mess is sorted out when Helen FINALLY after so many chapters of agonising about whether to tell Rhys the truth or not (and a whole host of well-meaning busy-bodies telling her not to - bad advisors!), comes clean and admits to the deep dark secret, which (SPOILERS) involves her true parentage.
Some of her completely TSTL traipsing around the bad parts of London almost unaccompanied to rescue a plot moppet were also rather frustrating, but the things I enjoyed greatly outweighed the things I didn't and therefore this gets a higher rating than the previous book. The relationship between Helen and her sisters, both biological and by marriage is lovely and I loved her friendship with the female doctor (who I'm hoping is going to feature in a romance of her own further down the line). While the previous book seemed more about setting up the colourful Ravenel family, with Kathleen and Devon's romance taking the back seat, at least this book is focused entirely on Helen and Rhys. There is more than one mention of how Helen's younger sister, the quirky Pandora, never intends to marry. However, Kleypas has announced that Pandora's going to be the heroine of the next novel (with the son of Sebastian and Evie from Devil in Winter, probably my favourite Kleypas novel, as the hero). So what I'm saying here is, February 2017 cannot come fast enough.
Judging a book by its cover: Lord, have mercy, that is a LOT of pastel. The pink, the fuschia, the mauve, the purple, it's all getting very Old School romance cover up in here. Also, is she supposed to be walking up those stairs, because if so, she'll have trouble. Way too many flowers there. Someone's florist went a bit overboard. I can't imagine Winterborne hiring someone that incompetent.
Putting the cover model (that they've even made blonde, although not as ethereally, luminescently pale as Helen is described in the book - I think of her more with the same colouring as of Evanna Lynch, when she played Luna Lovegood in the Harry Potter movies) in a wedding dress is fine, since the whole plot is how Helen and Rhys have to get to the altar and actually get married. I don't like the deeply impractical shape of the skirt. I think Winterborne would insist on Helen having a much more elegant and practical dress than that.
Crossposted on Cannonball Read.
Rating: 3.5 stars
Cynric "Cyn" Malloren, one of the younger brothers of the extremely powerful and influential Marquess of Rothgar, is on his way back to his regiment after a convalescence and is bored and looking for adventure, when his coach is held up by a couple of highwaymen. Noticing that there is something strange about the pair, Cyn refuses to comply with their orders and ends up "kidnapped" and taken to a small cabin in the woods. He quickly figures out that his captors are in fact a pair of young women, one of whom has had her hair cropped short like a boy's. The women are clearly desperate for some reason, and Cyn wants to figure out why they've taken to robbing passers-by to alleviate his tedium.
Lady Chastity Ware needs money to help her recently widowed sister and her baby nephew. The ladies' father (I can't be bothered to look up his title or name) pretty much forced his eldest daughter into marriage with a cruel and callous man and when Chastity refused to marry said man's younger brother, her father arranged for him to be found naked in her bed, causing a huge scandal. When Chastity still refused to marry him, he had her beaten and cut off all her hair, exiling her to the countryside with only ugly, shapeless dresses to wear. Chastity solved the problem by stealing some of her brother's clothes, disguising herself as a boy, and masquerading as "Charles". She wants to help her sister reunite with the man she loves but was not allowed to marry, and they encounter Cyn when they attempt to rob his coach.
Cyn decides not to let on that he knows "Charles" is in fact a woman, and convinces the ladies to let him help them in their quest. They go off on a road trip, pursued not only by the ladies' father's men, but also their unscrupulous brother-in-law, who wants to get his hands on Chastity's sister and the baby. Chastity falls for the charming and roguish Cyn pretty fast, but is known in society now as "notorious" and knows that a powerful Malloren would never be allowed to marry a fallen woman like herself. While Cyn finds Chastity attractive, he's not really looking for a wife, being a dedicated soldier and all, but as their journey continues, he becomes determined to make her his, no matter what the cost.
When Jo Beverley died in May this year, there were a lot of very touching obituaries for her, and I had to look through Goodreads to check if I'd ever read one of her books. It turns out that, yes, I had, but I had very little recollection of the book. She wrote more than forty novels and a number of novellas during her career and it felt like a suitable tribute to read one of her novels in memory of her. Most romance sites seemed to highlight My Lady Notorious as a good place to start and one of her best works.
Now, the book was originally published in 1993, which means that there will probably be tropes that may feel dated or troubling to the modern romance reader. The Ware girls father was just unrepentantly bad and awful, really, there was absolutely nothing redeeming about him at all. Now, in the late 1700s, it was perfectly allowed for men to teach their female relatives like chattel, but a lot of romance writers still don't strive for quite such realistic assholery in the menfolk. Chastity spends most of the book in one disguise or another, and there is a truly troubling section where she dresses up as a masked courtesan at a raucous house party/orgy and in short order is siezed and kissed by her own brother (ew!), semi-molested by another party goer, seduced by Cyn and later also full on snogged by his older brother Rothgar (who later totally recognises her and seems totally fine with the fact that he's been pawing his younger brother's intended - just no). That whole bit - not cool.
While a lot of this book is very entertaining, and I always like a good cross-dressing story, Chastity's refusal to reveal her true identity (or Cyn's refusal to just tell her he's known that she's a woman all along) goes on for far too long. In the latter half of the book, Cyn is also sort of pushed to the side, while Rothgar sort of takes over everything and is the one who actually sorts everything to a satisfying end, while Cyn is sent off on various errands, absolutely playing second fiddle rather than being particularly heroic. I get that Beverley probably wanted to set Rothgar up as incredibly formidable, but when he spends more time with the heroine in the latter half of the book than the hero himself does, the reader might get confused about who the lady is actually meant to end up with.
As there are so many other enjoyable romance series out there, I'm not entirely sure that I will be seeking out more of the Malloren books. It's fun to read something from the Georgian period rather than the more common Regency era of historical romance, but some of the romances written in the 90s just have too many tropes I don't particularly enjoy. I don't regret reading this one, but may wait to seek out more of the late Ms. Beverley's books.
Judging a book by its cover: I'm assuming this is the original cover for the e-book version and as romance covers go, it's neither particularly remarkable or hilarious, like many of the classic romance covers are. Plain background, fancy velvet pillow, golden masquerade mask. As masks and fancy dress features in the book more than once, I can't fault the publishers for this decision. It's certainly a lot better than the original cover of the mass market paperback, where none of the protagonists look as described and I think Chastity may be part mermaid.
Crossposted on Cannonball Read.
Rating: 3.5 stars
Kivrin Engle is a young history student at Oxford University, whose dream it is to time travel back in time to the Middle Ages. You see, in the 2050s, historians have the option to travel back in time as a research tool, to truly discover what the past was like. Most historians travel back to the early to mid 20th Century, and there are certain periods that are deemed far too dangerous. The Middle Ages has generally been deemed one of them, due to the devastating effects of the Black Plague.
But Kivrin is to be sent back to the Oxford region around 1320, deemed to be safe enough, as the plague didn't arrive there until 1348. She's learned spinning and weaving, Latin, and Middle English. She's had a translator gadget installed and a slew of inoculations to protect herself. The history department have constructed an elaborate back story for her, to explain why a young woman would be travelling alone in a period when women were never left unattended. Despite the constant worry of her tutor, Mr. Dunworthy, she is determined to go on this brief two week adventure, to observe Christmas celebrations in the past.
Despite Mr. Dunworthy's fussing and protestations, Kivrin is sent back in time as planned, only to discover that book learning and reality are very different things. Instead of arriving close by a road, she is transported into a wood, and although the time travelling "net" that transported her, isn't supposed to let diseases through, she's clearly caught something nasty that's making her dizzy and disorientated. She is rescued by a kindly priest and taken into the household of the local gentry, and once she recovers from her illness, is desperate to figure how to get back to her pick-up point, so she isn't stuck in the past forever. As she's travelled back to the right time of year, it takes her a while to realise that she's not in 1320 after all, but that something has gone badly wrong, and she is in fact, going to witness first-hand the ravages of the Black Plague in England in 1348.
Mr. Dunworthy worries terribly for Kivrin, and once the technician who set her coordinates in the past collapses with a high fever after gasping that "Something is wrong!", he is even more frantic. Dunworthy and his doctor friend Mary Ahrens (who gave Kivrin all her inoculations) are all too soon stuck in a medical quarantine, after the mysterious virus which knocked out the lab technician seems to be spreading with worrying speed and more and more people succumb. Having to work out the logistics of how to house, feed and accommodate people stuck in Oxford during the quarantine and figuring out where the virus originated from becomes more of a priority, but Dunworthy still doesn't stop trying to figure out what has happened to Kivrin. He's determined to get her fetched home safely, no matter what time period she ended up.
I don't read a whole lot of science fiction, but when it's the topic of choice for the Cannonball Read book club, I couldn't very well refuse to join in. As a historian myself, with a particular interest in the Middle Ages, a book in which historians actually have time travel at their disposal seemed like it really was designed to appeal to me, so I purchased the book and set to reading. It's a big book, which starts off slow with a lot of minute details about the preparations to get Kivrin sent off, and then pretty much alternating chapters following Kivrin in the past and Dunworthy in the future. I can see how the book is meant to show us that even with so many centuries of distance, people in general haven't changed all that much and a crisis situation involving a disease epidemic brings out the worst of the crazy and fear in some, while others knuckle down and deal with the realities with patience and compassion.
Even though it was slow in places, and nothing much of anything happened (for a while at least, before all the dying started), I really liked the meticulous descriptions of the Middle Ages and Kivrin's observations there. It was, as they say, relevant to my interests. The bits where Dunworthy is stressing around Oxford, trying to locate the director of the history department or other people by phone or having to deal with the logistics of housing and feeding a bunch of people stranded in the city during the quarantine was less exciting.
Quite purposefully, Willis has a lot of parallels in the narrative, intending to show us, that despite the great differences, there are also similarities between the past and the future. In both time periods, there is a plot moppet who varies between being quite engaging and dreadfully annoying. In 2058, that child is Mary Dunworthy's great-nephew Colin and in 1348, it's Agnes, the youngest daughter of the family Kivrin is staying with. There are people reacting with fear, suspicion and panic in the face of disease and there are people who will work themselves ragged to care for people, without any sort of praise or personal reward. Even in the face of terrible tragedy, like a disease epidemic, most people will be concerned with their own petty goings-on, oblivious to the bigger picture.
I do not think this book needed to be 600 pages long. Far too much of this book involved people not locating others by phone (when predicting the future, Ms. Willis did not anticipate mobile phones or the internet), waiting around for phone calls, being deeply concerned about the availability of toilet paper and eggs, Kivrin frantically trying to get back to the drop point and just too many minute descriptions of mundane events that didn't really further the plot.
I had originally rated this book 4 stars, but in the weeks since I finished it (yes, I'm once again WAY too far behind on my reviews), what I remember most are the boring bits that frustrated me, rather than the good bits that entertained me, and as a result, the book is being downgraded a bit. I'm sure it was a huge literary achievement in 1992 and it's won pretty much all the literary science fiction awards out there, but in 2016, it has dated quite a bit. If I haven't already gotten this across, it is rather dark and depressing book, and towards the latter half, the death toll is unrelenting and dispiriting, both in the Middle Ages and in the future Kivrin came from. The book has a happy ending, of sorts, but I have to wonder about the years of therapy Kivrin is likely to need after her ordeal.
Judging a book by its cover: Since this book came out in 1992, it's had a large array of covers. My edition is the 2012 edition from SF Masterworks, where they tend to have fairly simple and elegant covers. The simple sandy-beige background seems to imply a portal of sorts, with clock faces towards the upper right corner. The hooded person wearing a plague mask is clearly meant to invoke the time period Kivrin travels to, even though no one in the book ever wears such an outfit. The only thing that puzzles me is the stylistic inky cloud behind the person, which seems to be smoky versions of various tools and surgical instruments, really not relevant to the story at all.
Crossposted on Cannonball Read.
Monday 13 June 2016
Rating: 4 stars
Gregory Bridgerton is the second youngest of eight siblings and the last of the Bridgerton offspring to remain single. Having seen all of his siblings settle into loving marriages, he is certainly a believer in true love. He just hasn't met the right woman yet. He's quite convinced he'll know once he finally meets the one. Only, when Gregory finally falls in love with a woman, the charming and stunning Miss Hermione Watson, she's already in love with another man. Her father's secretary, to be exact. Her best friend, the practical and constantly-overlooked Miss Lucinda "Lucy" Abernathy, wants to save her friend from a bad match and of all the men who have fallen head over heels for Hermione, Gregory Bridgerton seems the most promising. Lucy sets out to help Gregory woo Hermione, but instead falls for him herself.
Which is an unwanted complication, as Lucy has been practically engaged for years and years, a very promising match her uncle made for her. He has finally signed the papers and has absolutely no intention of letting her back out of the contract because she is in love with another man. By the time Gregory realises that he's not in fact in love with Hermione, but with Lucy, it may be too late for him to do anything about it. The woman he loves is about to marry someone else. Can he stop the wedding before she says "I do"?
By the time I got to Gregory's book in my big Bridgerton re-read, I got distracted by other books and it kept being pushed further down my reading list. The other week, however, when I'd forgotten my e-reader at work (the horror!), I pulled up the Kobo app on my phone and this was one of the last books I'd purchased. That seemed as good a time as any to pick it up, and as is pretty much always the case with a Julia Quinn novel, once I'd started, I finished the book ever so quickly.
With the exception of Hyacinth's book, the books in the latter half of the Bridgerton series are good, but not amazing. One of the best things about the series, is the family interaction, but with all of his other siblings happily married off, there aren't that many of them to make appearances in the book either. Hyacinth does show up, thankfully, and the always wonderful dowager Violet Bridgerton is present, but I missed some of the laugh out loud moments from previous books.
Gregory is a romantic, which is sweet. Unlike many of the previous heroes in the series, there is never any doubt in his mind that he will get married - he wants to - but he also wants to make sure he finds the right woman. As he was very young when his father died, he never really got to see much of the devotion his parents had for one another, but he was practically raised by his brother Anthony, whose marriage to Kate is an equally harmonious one.
Lucy is one of those heroines whose best friend is the prettiest and most sought-after of all the ladies of the season. She's used to being completely overlooked, or only ever approached to curry favour with Hermione from the hordes of men who fall at her feet. Not that she minds in the slightest, as she is a) practically engaged already, and thus doesn't need to worry about attracting suitors and b) a loyal and supportive friend. Her main worry about Hermione's infatuation is how unsuitable the match is. She suspects that her friend could never be truly happy married to a man with such a different standing to her own, and because she can see what a great guy Gregory is, she does what she can to aid him in wooing Hermione. Not that it works in the slightest, but it brings Lucy and Gregory into contact more often.
As is frequently the case, the villain of the piece, who making the path of true love run less than smoothly is a weak part of the novel. Quinn so rarely manages to do good antagonists and the books where there is no outside party trying to interfere with the lovers are generally better. I do like that the latter half of the book doesn't exactly play out as expected and that Lucy's fiancee is rather lovely, even though his dad is odious. At some point, I will get round to reading the new Julia Quinn book, featuring the Bridgertons' aunt Billie, but as reviews of that book have been decidedly mediocre, I'm not in a hurry to pick it up just yet.
Judging a book by its cover: I have the UK paperback version of On the Way to the Wedding. Piatkus, Julia Quinn's UK publisher, uses these quaint hand-drawn covers for all of her books, but some work better than others. In general, I like the UK ones a LOT more than the US ones, but I really am not a huge fan of the couple on this book. The image fits quite well with the contents of the story, at least. I also think the man, whom I assume to be Gregory, should possibly have been wearing colours that didn't clash badly with the mauve background.
Crossposted on Cannonball Read.
Sunday 12 June 2016
Rating: 4 stars
Thomas Turner, better known to his fellow Reign of Terror motorcycle brothers as Razor, is conflicted. He wants to be unquestionably loyal, but when a police detective reveals new information about his mother's death, he can't leave the case alone, despite warnings from his father and other gang members. Having always believed she committed suicide, he's compelled to find out whether the Reign of Terror were in fact involved in her alleged murder.
Breanna Miller has always felt like an outcast, both in school and at home (she is the middle child of NINE siblings). She's super smart and dreams of going away to an elite school, where she's even managed to secure a scholarship, but is denied the chance because her parents need her at home. Her parents rely on her to help take care of her younger siblings and generally seem to ignore the fact that time and again, Breanna gives up on her dreams because of her family. Her only friend, Addison, has a lot of problems of her own, and as such, isn't someone Breanna feels she can turn to.
Like everyone else at school, Breanna is initially afraid of Razor, and there are all sorts of rumours about what the members of the Reign of Terror have to do to patch in. After Razor helps her out one afternoon when her brother's forgotten to pick her up, Breanna starts wondering about the mysterious Thomas Turner, and soon the two can't stop thinking of each other. Breanna's brain is constantly looking for puzzles to solve, and Razor just happens to have some messages in code that could help him figure out what really happened to his mother.
Once Breanna realises that a) Razor is not the dangerous criminal she feared, but actually a very smart and chivalrous boy and b) contrary to what she expects, he doesn't find her a brainy freak, but is fascinated by the way her brain works,, she starts warming up to him. Unfortunately, someone snaps a picture of the two of them, which out of context looks really salacious, and uses it to blackmail Breanna. She's terrified that the picture will be leaked on social media, potentially ruining her chances to get into college and away from her smothering family.
There is frequently an opposites attract, protagonists from different worlds theme in Katie McGarry's books, and this one is no different. Razor is the close-mouthed, emotionally closed-off loner, a motorcycle-riding bad boy with a dangerous reputation. He's grown up among members of the motorcycle club, and would never conceive of trying to leave them to live a different life. He's always wondered if his father's love of women was partially responsible for his mother killing herself, and once he discovers that his mother's death wasn't a suicide, but that she was quite possibly run off the road, he can't stop digging into the case, no matter what the older Reign of Terror members tell him.
Breanna is a loner in a different way, and despite her large family, feels like she has no one to turn to. The fifth of nine siblings, she is seen as an annoying younger sibling by the four eldest and as a nagging older sibling by her four youngest. Because she's extremely smart and well-adjusted, her parents constantly ignore her to prioritise more pressing needs in the family and rely on her for babysitting duties. She's denied her wish to go away to a prestigious private school because her parents, who both have to work full time to support their giant family, can't spare her. At seventeen, Breanna is pretty much raising her younger siblings, and that is not a job a young girl should have to have.
To add to her troubles, the star football player wants to pay her to write his essays for him, and when she continues to refuse, he manages to secure an incriminating photo of her and Razor together. The fact that nothing at all happened is completely irrelevant. The photo is snapped at exactly the wrong moment, and Breanna is worried that she's going to have to agree to the douchewad's demands, in order to make sure her future isn't ruined.
I have yet to find a Katie McGarry book that I don't like and she tends to do excellent pairings, with deeply likable protagonists, often in interestingly fucked up situations, who find solace in each other. In this, I was furious at Breanna's parents, who so selfishly kept reproducing and expecting their children to pretty much raise each other. I honestly don't understand how Breanna's mother, who works as a nurse, could ignore contraception in such a way. As far as I could tell, they were not religious nuts who believed safe sex was a sin. Who has nine children, when it's quite clear that they can't support said children both financially and emotionally? They completely ignore Breanna and all her troubles during the first part of the book, only to go mega overboard on being protective in the second half, once they discover she's been dating a biker. They made me really angry.
The "we know best, just never ask any questions" attitude of the older Reign of Terror bikers was also pretty frustrating. As they are clearly set up as law-abiding and above board, despite all the rumours in the local community about them, it was obvious to me that they hadn't conspired to murder Razor's mother, but their complete inability to be open with him, and insistence on blind, unquestioning loyalty, even when the kid is clearly struggling, was baffling to me.
While I care about as little about motorcycle gangs as I do sportsball players, I am a sucker for well-written, emotionally resonant romance. Because this is YA, there aren't really any smexy times, although there is some pretty impressive UST and some great smolder and kisses. McGarry keeps delivering books that hit me right in the feels, even when some parts of the story annoys me. I will eagerly await the next book in the series.
Judging a book by its cover: There are a number of different covers for this book, all of them variying degrees of meh to awful. The version I read actually had a pretty decent cover, which fits with certain scenes in the story. A blond guy in black jeans and a white t-shirt, walking along the train tracks on a railway bridge - this could be a scene of Razor in the book. Several of the key scenes in the story take place near just such a bridge, so I think it's quite fitting, and much better than say, the headless couple leaning against a convertible (had it been a motorcycle, it would have fit better) or the badly photoshopped couple embracing, while pouting out of the image that make up the other two covers of the book that I have seen.
Crossposted on Cannonball Read.
Rating: 3.5 stars
I have mentioned more than once my immense fondness and love for the YouTube series The Lizzie Bennet Diaries. I read the companion book about Lizzie, and the sequel of sorts, about Lydia. I was of the opinion that Pride and Prejudice had been modernised pretty successfully already. But as we have seen in the last few years with the many different iterations of Sherlock Holmes, in films, books and TV, a really good thing can inspire a lot of different interpretations.
Eligible is part of The Austen Project, which about 200 years after her death, pairs six contemporary fiction authors with the works of beloved Jane Austen, asking them to re-imagine them in a modern setting. Joanna Trollope has done Sense and Sensibility, Val McDermid has done Northanger Abbey, Alexander McCall Smith has done Emma, and Curtis Sittenfeld is tasked with giving us a contemporary literary twist on Jane and Lizzie (or Liz, as she's mostly referred to here), Bingley and Darcy. Set in Cincinnati, it has Jane being a yoga instructor trying to get pregnant with IVF, as she has yet to find a man she really likes; Elizabeth is a successful magazine columnist, conducting an affair with the married Jasper Wick; Mary is the eternal student, generally completely uninterested in any of her sisters' concerns; while Kitty and Lydia are cross-fit and paleo diet fanatics. Chip Bingley is a handsome ER doctor who recently participated in the popular reality show Eligible (think The Bachelor, you're clearly meant to), his ambitious sister Caroline is his manager and Fitzwilliam Darcy is his arrogant neurosurgeon friend, who can't seem to play well with others in a social setting.
The two eldest Bennet women (Jane is about to turn forty) move back home after their father has an accident and breaks his arm badly. It's clear that Mr. Bennet has badly mismanaged the family's finances, not helped by his oblivious wife, who relieves stress by shopping online and hoarding. Mrs. Bennet desperately wants one of her daughters to hit it off with Chip Bingley, and is delighted when he and Jane seem instantly smitten with one another. Liz, meanwhile, tries to get her father to understand that their huge childhood home needs to be cleaned, fixed up and put on the market. The three younger sisters need to leave the nest and fend for themselves, while the Bennet parents move into a more affordable apartment. Because Chip and Jane start dating, Liz frequently runs into Darcy, slowly beginning to wonder if their constant sniping is a sign of something else.
I'm not going to lie, I preferred The Lizzie Bennet Diaries to this, and just thought it was a lot more fun. The ways in which Sittenfeld manages to make the tale a lot more diverse in a number of different ways is cleverly done and I thought the inclusion of Ham was brilliant (although he is WAY too good for Lydia!). I thought the grand reveal of Mary's secret Tuesday night outings could have been revealed at a different point of the book than the very last chapter - it felt weird to have her get a tacked-on chapter at the very end, as an after-thought almost.
While it was a bit slow to start, I was fairly quickly drawn into the book, and due to the short chapters, I had devoured about two thirds of the book in one sitting, before realising that it really was quite late at night and I had things I needed to do the next day. So while there were parts of the book that dragged, and I really could have done without the spider infestation (!), I really did like the book and for people who haven't already discovered the YouTube series (what's wrong with you, don't you like awesome things?), it may even be the preferred version. I appreciated seeing the elder Bennet sisters as more mature and established women, but ultimately prefer grad student Lizzie.
Judging a book by its cover: What with this book being part of The Austen Project and published as serious contemporary fiction, I can only assume that the really boring cover is to assure people that while this book may be based on one of the most famous romances of all time, it's not actually a romance novel per se. It's perfectly acceptable intellectual reading, and as such, has a bland inoffensive cover. With a child's drawing of an expensive engagement ring pasted onto the cover for no good reason. Maybe the art director wanted to do a favour for their child/niece/nephew. Who knows? Romance novels have a lot of awful covers, but this is just boring and not particularly inviting. If I wasn't really curious about the Pride and Prejudice reimagining and had seen it favourable reviewed in several places, I would never have picked up this book.
Crossposted on Cannonball Read.
Saturday 11 June 2016
Rating: 3.5 stars
And they all lived happily ever after... Or did they? What happens after we close the story books and leave the princes and princesses to the rest of their lives? Danielle Whiteshore, popularly known as Cinderella, is having some trouble adjusting to life as a royal, having been treated no better than a slave by her vicious stepmother and stepsisters until her sudden elevation in status upon marriage to Prince Armand. Even though they were nothing but awful to her, she still feels bad about the way birds swooped in to attack the three women on her wedding day. So when her stepsister Charlotte comes to the palace, demanding to see her, Danielle invites her in, and discovers that her bitter and jealous stepsister is determined to murder her, by mundane or magical means.
Shortly after the aborted assassination attempt, Danielle is told her husband has been kidnapped and it seems likely that both her stepsisters are involved in the scheme. Queen Beatrice, her mother-in-law, seems fairly calm under the circumstances, enlisting the help of two formidable young women, her very own "secret service". These women are Talia, also known to some as Sleeping Beauty, whose fairy gifts have ensured that she's exceptionally skilled with martial arts and weapons, and Snow White, who learned magic to defend herself from her jealous mother. The two foreign princesses are doubtful when Danielle insists on accompanying them on the rescue mission, believing that she will be a burden, as she is innocent and inexperienced.
As it turns out, Danielle may be kind and forgiving, but she's certainly not stupid and she has the useful ability to communicate with birds and animals, which more than once helps them in their quest. As they enter Fairyland, it turns out that all the three princesses are badly outmatched, and the only way they'll be able to retrieve Prince Armand and get themselves out is by working together.
I spent much of my childhood and teenage years devouring fairy tales. Scandinavian, German, French, Celtic, Arabic - I read as many as I could get my hands on and I loved seeing the various twists in folklore. I don't remember what age I was when I discovered that some of the early versions of these tales were rather brutal and violent, certainly for the evil-doers, but often for our heroes and heroines as well. Jim C. Hines is certainly aware of the darker origins, something apparent both in Snow and Talia's rather horrific backstories.
Clearly not too pleased with the often rather passive role taken by the ladies in their original stories, the women have all the agency here. The prince is relegated to kidnapping victim, while both the rescuers and villains are female. Danielle may not be as independent and capable as her fellow princesses at the beginning of the book, but learns a lot over the course of the story and more than proves her worth.
This is the first book in the series, and I suspect did a lot of setting up. I was entertained, but not exactly blown away by the story, although from my book twin Narfna's reviews of the series last year, I'm pretty sure that I want to continue with the series, if only to see how Hines reimagines other fairy tales and princesses.
Judging a book by its cover: I own this book in paperback, and having left it out on the living room table, my husband was not kind in his judgement. I can see what he means, it's not exactly the most inviting of covers. There's a whole lot of different shades of pastel competing here and some pretty awful outfits. Then there's the fact that all three of our heroines seem to be simpering in different ways, Snow White (the one with the snow flake throwing star, if you hadn't guessed) being the most egregious. What's up with that posture? Of the three, Talia is the one who comes off the best, but I refuse to believe she'd wear that much pink. The German cover for this book is WAY cooler. The publishers should consider a redesign with that.
Crossposted on Cannonball Read.