The Colour Coded Reading Challenge, hosted by My Reader's Block was a lot more achievable this year, once you the rules were opened so you could either read a book with the colour in the title OR the colour in question could be the dominant colour on the cover. I completed all the various categories by the 20th of April, and here are all the books I read for it - 51 in total.
Blue
The Winner's Crime - Marie Rutkoski
It Started with a Scandal - Julie Anne Long
Whispers Under Ground - Ben Aaronovitch
The Heart of Betrayal - Mary E. Pearson
Saga, vol 5 - Brian K. Vaughan and Fiona Staples
The Game and the Governess - Kate Noble
The Rogue Not Taken - Sarah MacLean
Red
An Abundance of Katherines - John Green
The Winner's Curse - Marie Rutkoski
The Duke and the Lady in Red - Lorraine Heath
The Martian - Andy Weir
Lady Be Good - Meredith Duran
Dirty Rowdy Thing - Christina Lauren
A Red-Rose Chain - Seanan McGuire
Red Glove - Holly Black
The Legend of Lyon Redmond - Julie Anne Long
Yellow
Twelfth Night - Deanna Raybourn
Hold Me Closer: the Tiny Cooper Story - David Levithan
Texts from Jane Eyre - Mallory Ortberg
Uprooted - Naomi Novik
If I Fall - Kate Noble
Sweet Filthy Boy - Christina Lauren
Green
Honor's Knight - Rachel Bach
Strangers in Death - J.D. Robb
Catch a Falling Heiress - Laura Lee Guhrke
Magic Shifts - Ilona Andrews
Also Known As - Robin Benway
Falling Into Bed with a Duke - Lorraine Heath
Brown
Veronica Mars: Mr Kiss and Tell - Rob Thomas and Jennifer Graham
Crocodile on the Sandbank - Elizabeth Peters
Longbourn - Jo Baker
Black
The Duke of Dark Desires - Miranda Neville
Black Heart - Holly Black
White
Odinsbarn - Siri Pettersen
The Life-Changing Magic of Tidying - Marie Kondô
A Wish Upon Jasmine - Laura Florand
White Cat - Holly Black (re-read)
Bonk - Mary Roach
Any Other Colour
Owl and the Japanese Circus - Kristi Charish (orange)
Shadow and Bone - Leigh Bardugo (grey)
Will Grayson, Will Grayson - John Green and David Levithan (purple)
Vision in Silver - Anne Bishop
My Lady Quicksilver - Bec McMaster
Wallflower Gone Wild - Maya Rodale (pinkish purple)
Pride and Prejudice - Jane Austen (pink)
Suggests colour
The Boy in the Striped Pyjamas - John Boyne
Into the Shadows - Carolyn Crane
Heart of Iron - Bec McMaster
Dark Wild Night - Christina Lauren
Archangel's Shadows - Nalini Singh
A Kiss in the Dark - Kimberly Logan
This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Showing posts with label Colour Coded 15. Show all posts
Showing posts with label Colour Coded 15. Show all posts
Sunday, 3 January 2016
Thursday, 31 December 2015
#CBR7 Book 156: "The Rogue Not Taken" by Sarah MacLean
Page count: 432 pages
Rating: 4 stars
Lady Sophie Talbot is the youngest daughter of a coal miner who it's rumoured won his Earldom in a card game with the Prince Regent. Sophie was quite happy growing up in a little village in Cumbria, dreaming of marrying the baker's boy and one day running her own bookshop. Moving to London and becoming part of the ton was never her dream, and unlike her sisters, who seem to clamber to outdo each other with regards to being seen and being scandalous, she'd rather stay in the background and read. While she hates that the gossip papers have dubbed them all "the soiled S's" (all their names start with S) and the way they speculate about how her eldest sister landed a duke, she's also fiercely loyal to her family and when she finds her ducal brother-in-law in a compromising situation with a woman most certainly not her pregnant sister, she loses her temper and shoves him in a fish pond. In front of everyone in polite society. Lady Sophie, the quiet one, just caused the biggest scandal of the season.
Wanting to get away as quickly as possible, she tries to persuade the scoundrelly Marquess of Eversley, popularly known as "King" to let her ride along in his carriage back to the city. She believes she may be able to blackmail him, as she caught him climbing out a window and holds his boot hostage, but he just abandons it and her, rushing away. Desperate to be gone, Sophie instead bribes his footman into giving her his livery and stows away on his carriage, only to realise far too late that it's not going back to London, it's going north. Eversley has recieved news that his father may be at death's door and cannot resist a final chance to tell his father he is never getting married and fathering heirs.
Strangely, despite being in ill-fitting livery, barely anyone but King actually recognises that Sophie isn't a boy, despite the fact that she's still wearing silk slippers (the footman's boots didn't fit). He's convinced she's trying to snare herself a husband by being caught in a compromising position with him, but she denies this vehemently and does her best to get far away from him as quickly as possible. Using undeniable cleverness to best Eversley, she manages to get coach fare north, she's decided to go back to her home village of Mossband to realise her dreams, never to return to the capital. But the coach is stopped by highwaymen, Sophie throws herself in front of a pistol shot to rescue a young urchin, and despite telling himself repeatedly that he wants nothing to do with Sophie Talbot, King has to go searching for a doctor so he's not left with a dead earl's daughter on his hands.
Sophie and King (the reveal of his real name is excellent) pretty much loathe each other at first sight. He believes her to be a title-hunting social climber, she thinks he embodies all the things she hates most about the aristocracy. He can seduce soon to be married women and escape half-dressed out a window without anyone raising so much as an eyebrow while she was publically shunned for trying to defend her sister's honour. He's rich, handsome, arrogant and keeps saying exactly the wrong thing, sometimes directly insulting Sophie, but much of the time doing so without even meaning to. They both keep trying to remind themselves how annoying they find the other person, as they are clearly extremely attracted to one another.
In many ways, this book reminded me of A Week to Be Wicked, probably my favourite Tessa Dare novels, and one of my favourite romances ever. There's a road trip element, there is a lot of spirited banter, the couple have sizzling chemistry and they keep having mishap after mishap, while stuck on the road together. Both the heroes are uncomfortable travelling in small, dark, enclosed coaches. Both the heroines are highly intelligent, bookish, overlooked by everone and clearly super awesome. This book has daddy issues, gunshot wounds, occasional plot moppets (who were mostly sweet rather than annoying), assumed names, a pretend engagement, some pretty sexy times in both a carriage and a hedge maze, allusions to Greek mythology and hero, who while incredibly skilled at putting his foot in his mouth, eventually fully acknowledges what a first class idiot he's been and grovels very satisfyingly. He's not wrong about Sophie being far too good for him, but he shows signs of improvement towards the end and he's certainly not selfish in the bedroom department, which is an definite plus in a romance hero.
At least until I re-read One Good Earl Deserves a Lover, this is among my favourite Sarah Macleans and Sophie is certainly one of my favourite heroines. I do have niggles about the plot (King could have been slightly less insulting all the time, the conflict with his father could have been very easily solved if they actually just had a CONVERSATION), but they are not enough to ruin the happy glow of such a fun romance. After the most recent Milan was a let-down, I'm glad that I got to end the year on such a high note, making this the book that completed my triple Cannonball.
Crossposted on Cannonball Read.
Rating: 4 stars
Lady Sophie Talbot is the youngest daughter of a coal miner who it's rumoured won his Earldom in a card game with the Prince Regent. Sophie was quite happy growing up in a little village in Cumbria, dreaming of marrying the baker's boy and one day running her own bookshop. Moving to London and becoming part of the ton was never her dream, and unlike her sisters, who seem to clamber to outdo each other with regards to being seen and being scandalous, she'd rather stay in the background and read. While she hates that the gossip papers have dubbed them all "the soiled S's" (all their names start with S) and the way they speculate about how her eldest sister landed a duke, she's also fiercely loyal to her family and when she finds her ducal brother-in-law in a compromising situation with a woman most certainly not her pregnant sister, she loses her temper and shoves him in a fish pond. In front of everyone in polite society. Lady Sophie, the quiet one, just caused the biggest scandal of the season.
Wanting to get away as quickly as possible, she tries to persuade the scoundrelly Marquess of Eversley, popularly known as "King" to let her ride along in his carriage back to the city. She believes she may be able to blackmail him, as she caught him climbing out a window and holds his boot hostage, but he just abandons it and her, rushing away. Desperate to be gone, Sophie instead bribes his footman into giving her his livery and stows away on his carriage, only to realise far too late that it's not going back to London, it's going north. Eversley has recieved news that his father may be at death's door and cannot resist a final chance to tell his father he is never getting married and fathering heirs.
Strangely, despite being in ill-fitting livery, barely anyone but King actually recognises that Sophie isn't a boy, despite the fact that she's still wearing silk slippers (the footman's boots didn't fit). He's convinced she's trying to snare herself a husband by being caught in a compromising position with him, but she denies this vehemently and does her best to get far away from him as quickly as possible. Using undeniable cleverness to best Eversley, she manages to get coach fare north, she's decided to go back to her home village of Mossband to realise her dreams, never to return to the capital. But the coach is stopped by highwaymen, Sophie throws herself in front of a pistol shot to rescue a young urchin, and despite telling himself repeatedly that he wants nothing to do with Sophie Talbot, King has to go searching for a doctor so he's not left with a dead earl's daughter on his hands.
Sophie and King (the reveal of his real name is excellent) pretty much loathe each other at first sight. He believes her to be a title-hunting social climber, she thinks he embodies all the things she hates most about the aristocracy. He can seduce soon to be married women and escape half-dressed out a window without anyone raising so much as an eyebrow while she was publically shunned for trying to defend her sister's honour. He's rich, handsome, arrogant and keeps saying exactly the wrong thing, sometimes directly insulting Sophie, but much of the time doing so without even meaning to. They both keep trying to remind themselves how annoying they find the other person, as they are clearly extremely attracted to one another.
In many ways, this book reminded me of A Week to Be Wicked, probably my favourite Tessa Dare novels, and one of my favourite romances ever. There's a road trip element, there is a lot of spirited banter, the couple have sizzling chemistry and they keep having mishap after mishap, while stuck on the road together. Both the heroes are uncomfortable travelling in small, dark, enclosed coaches. Both the heroines are highly intelligent, bookish, overlooked by everone and clearly super awesome. This book has daddy issues, gunshot wounds, occasional plot moppets (who were mostly sweet rather than annoying), assumed names, a pretend engagement, some pretty sexy times in both a carriage and a hedge maze, allusions to Greek mythology and hero, who while incredibly skilled at putting his foot in his mouth, eventually fully acknowledges what a first class idiot he's been and grovels very satisfyingly. He's not wrong about Sophie being far too good for him, but he shows signs of improvement towards the end and he's certainly not selfish in the bedroom department, which is an definite plus in a romance hero.
At least until I re-read One Good Earl Deserves a Lover, this is among my favourite Sarah Macleans and Sophie is certainly one of my favourite heroines. I do have niggles about the plot (King could have been slightly less insulting all the time, the conflict with his father could have been very easily solved if they actually just had a CONVERSATION), but they are not enough to ruin the happy glow of such a fun romance. After the most recent Milan was a let-down, I'm glad that I got to end the year on such a high note, making this the book that completed my triple Cannonball.
Crossposted on Cannonball Read.
#CBR7 Book 152: "Longbourn" by Jo Baker
Page count: 352 pages
Rating: 4 stars
Quick question - can you give me the name of a single servant in Pride and Prejudice? Despite having read the book multiple times and having just finished the audio version of the book, I certainly couldn't do it. Jo Baker has taken the classic novel and imagined what the lives of the invisible people behind the scenes, so to speak. The very essential people who wash the mud out of Lizzie's petticoats after she's been walking the countryside, who help the Bennett sisters do their hair, make the beds, empty the chamber pots, sweep the floors, cook the food, tend the horses, open the doors, run errands no matter the state of the weather, carry messages back and forth and make life so much easier for the main cast of Pride and Prejudice.
There's the housekeeper, Mrs. Hill; her husband, the butler; the maids Sarah and Mary (who because the middle daughter of the family is also a Mary is forever called Polly instead). There's also the mysterious and newly hired footman, James. Their lives' work is to make things as comfortable and effortless for the family they serve, but they have hopes and dreams and pasts of their own. Sarah, orphaned at an early age and taken into the household after a stay in the poor house, especially dreams of travelling and seeing the country, not content to be a servant her entire life. She's suspicious of James, the ruffian who showed up from nowhere and was suddenly hired on as a footman. All the other servants seem to adore him, and Mrs. Hill dotes on him, but Sarah's sure he's lying about his past and is determined to figure out what he's hiding. Both James and Mrs. Hill are concerned when Sarah seems to form an attachment with one of Mr. Bingley's handsome and exotically dark-skinned footmen.
The servants, like everyone else, hope the elder Bennett sisters will make good matches, and worry when Lizzie spurns Mr. Collins, who after all will be their new master at some point in the future. They all think it would have been easier if he married a Bennett daughter, but can see he should have set his sights on Miss Mary, who was a much more suitable match for him.
While the Bennett women and all their acquaintances seem charmed by the dashing Mr. Wickham, the servants are not so easily fooled by his looks and easy charm. They recognise a predator when they see one and when he shows a very worrying interest in little Polly, James forgets all his hard-earned instincts to keep his head down and steps in to protect her. Wickham shows just how dangerous he can be and causes great upheaval in the household. Both Sarah and Mrs. Hill are shattered by the aftermath.
The book is divided into three parts, and the third part is the one that's the most removed from the main plot of the source novel. In this part we discover more of Mrs. Hill's past, her connection to James the footman and why he wished to keep his past hidden from everyone. It offered a perspective on the Regency period you certainly don't see in the romance novels, not just because it concerns the lives of the working classes, but because it's easy to forget when reading about balls and dresses and courting that the Napoleonic wars were also raging at the time. While so many romances are populated by officers back AFTER the Napoleonic wars, with varying degrees of PTSD, they rarely show any of the realities of the actual fighting, and certainly not what it would have been like for the foot soldiers. Longbourn, however, doesn't shy away from such unpleasantness.
This book is a very interesting take on what I think of as "literary fan fiction". I really liked the different interpretations of the already known characters from the beloved novel, as well as a fascinating look at all those servants who get completely forgotten about, but were oh so necessary for the wheels of society to turn. At first, I was worried I'd find the book boring, but I pretty much raced through it, just as invested in the lower born protagonists that I was reading about Lizzie and her sisters finding love.
I'm not entirely sure I liked some of the choices Baker made in the book, however, and wish that Mrs. Hill's past could have been handled differently. I did like that Baker continued the story past the pages of the original, with glimpses of Lizzie's life as Mrs. Darcy and showed what life might be like for a maid at Pemberley. I can't really fault Sarah for the choices she eventually made, although I doubt I would have chosen the same if I were in her situation. There have been several very favourable Cannonball reviews of this in the past, I'm glad I finally got round to reading it.
Crossposted on Cannonball Read.
Rating: 4 stars
Quick question - can you give me the name of a single servant in Pride and Prejudice? Despite having read the book multiple times and having just finished the audio version of the book, I certainly couldn't do it. Jo Baker has taken the classic novel and imagined what the lives of the invisible people behind the scenes, so to speak. The very essential people who wash the mud out of Lizzie's petticoats after she's been walking the countryside, who help the Bennett sisters do their hair, make the beds, empty the chamber pots, sweep the floors, cook the food, tend the horses, open the doors, run errands no matter the state of the weather, carry messages back and forth and make life so much easier for the main cast of Pride and Prejudice.
There's the housekeeper, Mrs. Hill; her husband, the butler; the maids Sarah and Mary (who because the middle daughter of the family is also a Mary is forever called Polly instead). There's also the mysterious and newly hired footman, James. Their lives' work is to make things as comfortable and effortless for the family they serve, but they have hopes and dreams and pasts of their own. Sarah, orphaned at an early age and taken into the household after a stay in the poor house, especially dreams of travelling and seeing the country, not content to be a servant her entire life. She's suspicious of James, the ruffian who showed up from nowhere and was suddenly hired on as a footman. All the other servants seem to adore him, and Mrs. Hill dotes on him, but Sarah's sure he's lying about his past and is determined to figure out what he's hiding. Both James and Mrs. Hill are concerned when Sarah seems to form an attachment with one of Mr. Bingley's handsome and exotically dark-skinned footmen.
The servants, like everyone else, hope the elder Bennett sisters will make good matches, and worry when Lizzie spurns Mr. Collins, who after all will be their new master at some point in the future. They all think it would have been easier if he married a Bennett daughter, but can see he should have set his sights on Miss Mary, who was a much more suitable match for him.
While the Bennett women and all their acquaintances seem charmed by the dashing Mr. Wickham, the servants are not so easily fooled by his looks and easy charm. They recognise a predator when they see one and when he shows a very worrying interest in little Polly, James forgets all his hard-earned instincts to keep his head down and steps in to protect her. Wickham shows just how dangerous he can be and causes great upheaval in the household. Both Sarah and Mrs. Hill are shattered by the aftermath.
The book is divided into three parts, and the third part is the one that's the most removed from the main plot of the source novel. In this part we discover more of Mrs. Hill's past, her connection to James the footman and why he wished to keep his past hidden from everyone. It offered a perspective on the Regency period you certainly don't see in the romance novels, not just because it concerns the lives of the working classes, but because it's easy to forget when reading about balls and dresses and courting that the Napoleonic wars were also raging at the time. While so many romances are populated by officers back AFTER the Napoleonic wars, with varying degrees of PTSD, they rarely show any of the realities of the actual fighting, and certainly not what it would have been like for the foot soldiers. Longbourn, however, doesn't shy away from such unpleasantness.
This book is a very interesting take on what I think of as "literary fan fiction". I really liked the different interpretations of the already known characters from the beloved novel, as well as a fascinating look at all those servants who get completely forgotten about, but were oh so necessary for the wheels of society to turn. At first, I was worried I'd find the book boring, but I pretty much raced through it, just as invested in the lower born protagonists that I was reading about Lizzie and her sisters finding love.
I'm not entirely sure I liked some of the choices Baker made in the book, however, and wish that Mrs. Hill's past could have been handled differently. I did like that Baker continued the story past the pages of the original, with glimpses of Lizzie's life as Mrs. Darcy and showed what life might be like for a maid at Pemberley. I can't really fault Sarah for the choices she eventually made, although I doubt I would have chosen the same if I were in her situation. There have been several very favourable Cannonball reviews of this in the past, I'm glad I finally got round to reading it.
Crossposted on Cannonball Read.
#CBR7 Book 151: "Pride and Prejudice" by Jane Austen
Page count: 334 pages
Audio book length: 11 hrs 35 mins
Rating: 5 stars
Is there anyone, from barely discovered tribes in the South American rainforests, to nomadic tribes on the Mongolian steppes, who doesn't actually know the gist of the plot of this book? Just in case there are any people who have lived in a barren cave their entire life, I will attempt to summarise it the major plot beats.
Jane and Lizzie are the two eldest, prettiest and most sensible of the five Bennett sisters. Their mother is a silly and easily upset woman who wants nothing more than to see her daughters happily married. Their father would seem to mainly want to be left alone with his books (a household full of women, I can symphatize). There's also the stuffy Mary, and the boy-crazy youngest sisters, Kitty and Lydia. A rich and handsome young gentleman, Mr Bingley, moves to the area, and Mrs. Bennett is determined that he will fall in love with one of her girls. After he meets Jane, that seems very likely to happen, but after some promising encounters, the majority of the Bennett family make a dreadful spectacle of themselves at a ball and before anyone is even cured of their hangover, Bingley's two spiteful and snobbish sisters and haughty and supercilious friend, Mr. Darcy have convinced him that he imagined Jane's affection and persuaded him to return to London. Lizzie's none too surprised as she pretty much loathed Darcy at first sight.
Meanwhile Lizzie upsets her mother by refusing the proposal of the family's distant cousin, Mr Collins, who will one day inherit their house. He marries her spinster friend Charlotte Lucas instead. After some months of getting used to her friend choosing security and a home of her own at the price of being married to someone quite ridiculous, Lizzie comes to accept her friend's choice and goes to visit her at her new home. Here she runs into Mr. Darcy again and over the course of her six week long visit, she sees him quite a few times. She likes his cousin quite a bit, but is shocked speechless when Mr. Darcy proposes marriage towards the end of her stay there. He confesses that he does so against his better judgement and that he thinks her family are beneath him, but he loves her enough to overlook their difference in station. Lizzie, having recently discovered the truth behind his spiriting away Bingley and breaking Jane's heart, as well as believing Darcy financially ruined a childhood friend, wastes no time telling the man exactly how appalled she is and tells him to stuff his proposal. He's offended, but writes her a comprehensive letter explaining his side of the story with regards to the accusations she flings at him, and once Lizzie calms down sufficiently, she starts to wonder if she's owes the man an apology.
Six months later, when travelling in Derbyshire with her aunt and uncle, Lizzie meets Mr. Darcy again, here at his magnificent estate, Pemberley. He's like a changed man, amiable, generous to a fault, complimentary and insisting he wants to introduce Lizzie and her relatives to his younger sister. Having had time to think and consider everything she learned in the letter carefully, Lizzie's heart is already more receptive towards Darcy when a terrible scandal is revealed, involving the youngest Bennett sister. Any happiness with the proper and respectable Darcy seems sure to be doomed - just as Lizzie was considering telling him her feelings had changed.
I've read Pride and Prejudice countless times, first in Norwegian, later in English. I fondly remember waiting eagerly along with my mother for every new episode of the 1995 mini series, that for a very long time type cast Colin Firth as the romantic lead in all sorts of things, as he was the perfect Mr. Darcy. When I don't have time to watch the six hour mini series, the 2005 movie version starring Kiera Knightley and Matthew McFadyen will do nicely as well. I adored the modernised YouTube version made around the book's 200th anniversary, and the spin off book resulting from it. I still return to the original every few years though and each time I rediscover little bits that I'd forgotten in Ms. Austen's brilliant romance, which as well as having several satisfying happy endings, is a very clever social satire, using the eternally unmarried parson's daughter's observations of the people around her and the situations of ladies very much in her social sphere. While Austen has written many memorable book, this was the first of hers I read and it remains my absolute favourite.
The new Audible audio version, narrated by Rosamund Pike, who played Jane in the 2005 movie version, is excellent. Ms. Pike has a lovely voice and manages to differentiate between the huge cast of characters with pretty distinctive voices for everyone, mostly to great success. It was a perfectly soothing and comforting listen in the hustle and bustle of the pre-Chistmas weeks. All the characters are so familiar to me, and having the book to listen to while running errands and trying to finish the last of the shopping made several stressful tasks go easier. If you've never allowed yourself the pleasure of reading Pride and Prejudice, you should consider the audio version for an extra treat. If you already know and love the book, get the audio, as I can't imagine a version that could be better.
Crossposted on Cannonball Read.
Audio book length: 11 hrs 35 mins
Rating: 5 stars
Is there anyone, from barely discovered tribes in the South American rainforests, to nomadic tribes on the Mongolian steppes, who doesn't actually know the gist of the plot of this book? Just in case there are any people who have lived in a barren cave their entire life, I will attempt to summarise it the major plot beats.
Jane and Lizzie are the two eldest, prettiest and most sensible of the five Bennett sisters. Their mother is a silly and easily upset woman who wants nothing more than to see her daughters happily married. Their father would seem to mainly want to be left alone with his books (a household full of women, I can symphatize). There's also the stuffy Mary, and the boy-crazy youngest sisters, Kitty and Lydia. A rich and handsome young gentleman, Mr Bingley, moves to the area, and Mrs. Bennett is determined that he will fall in love with one of her girls. After he meets Jane, that seems very likely to happen, but after some promising encounters, the majority of the Bennett family make a dreadful spectacle of themselves at a ball and before anyone is even cured of their hangover, Bingley's two spiteful and snobbish sisters and haughty and supercilious friend, Mr. Darcy have convinced him that he imagined Jane's affection and persuaded him to return to London. Lizzie's none too surprised as she pretty much loathed Darcy at first sight.
Meanwhile Lizzie upsets her mother by refusing the proposal of the family's distant cousin, Mr Collins, who will one day inherit their house. He marries her spinster friend Charlotte Lucas instead. After some months of getting used to her friend choosing security and a home of her own at the price of being married to someone quite ridiculous, Lizzie comes to accept her friend's choice and goes to visit her at her new home. Here she runs into Mr. Darcy again and over the course of her six week long visit, she sees him quite a few times. She likes his cousin quite a bit, but is shocked speechless when Mr. Darcy proposes marriage towards the end of her stay there. He confesses that he does so against his better judgement and that he thinks her family are beneath him, but he loves her enough to overlook their difference in station. Lizzie, having recently discovered the truth behind his spiriting away Bingley and breaking Jane's heart, as well as believing Darcy financially ruined a childhood friend, wastes no time telling the man exactly how appalled she is and tells him to stuff his proposal. He's offended, but writes her a comprehensive letter explaining his side of the story with regards to the accusations she flings at him, and once Lizzie calms down sufficiently, she starts to wonder if she's owes the man an apology.
Six months later, when travelling in Derbyshire with her aunt and uncle, Lizzie meets Mr. Darcy again, here at his magnificent estate, Pemberley. He's like a changed man, amiable, generous to a fault, complimentary and insisting he wants to introduce Lizzie and her relatives to his younger sister. Having had time to think and consider everything she learned in the letter carefully, Lizzie's heart is already more receptive towards Darcy when a terrible scandal is revealed, involving the youngest Bennett sister. Any happiness with the proper and respectable Darcy seems sure to be doomed - just as Lizzie was considering telling him her feelings had changed.
I've read Pride and Prejudice countless times, first in Norwegian, later in English. I fondly remember waiting eagerly along with my mother for every new episode of the 1995 mini series, that for a very long time type cast Colin Firth as the romantic lead in all sorts of things, as he was the perfect Mr. Darcy. When I don't have time to watch the six hour mini series, the 2005 movie version starring Kiera Knightley and Matthew McFadyen will do nicely as well. I adored the modernised YouTube version made around the book's 200th anniversary, and the spin off book resulting from it. I still return to the original every few years though and each time I rediscover little bits that I'd forgotten in Ms. Austen's brilliant romance, which as well as having several satisfying happy endings, is a very clever social satire, using the eternally unmarried parson's daughter's observations of the people around her and the situations of ladies very much in her social sphere. While Austen has written many memorable book, this was the first of hers I read and it remains my absolute favourite.
The new Audible audio version, narrated by Rosamund Pike, who played Jane in the 2005 movie version, is excellent. Ms. Pike has a lovely voice and manages to differentiate between the huge cast of characters with pretty distinctive voices for everyone, mostly to great success. It was a perfectly soothing and comforting listen in the hustle and bustle of the pre-Chistmas weeks. All the characters are so familiar to me, and having the book to listen to while running errands and trying to finish the last of the shopping made several stressful tasks go easier. If you've never allowed yourself the pleasure of reading Pride and Prejudice, you should consider the audio version for an extra treat. If you already know and love the book, get the audio, as I can't imagine a version that could be better.
Crossposted on Cannonball Read.
Friday, 11 December 2015
#CBR7 Book 134: "The Game and the Governess" by Kate Noble
Page count: 424 pages
Rating: 3 stars
At seventeen, Miss Sophie Baker is looking forward to her debut in society. She's only a few months away from graduating from a prestigious ladies' academy and her future looks bright. Then her father dies suddenly, destitute after having been swindled by a con man. Sophie's whole world changes and instead of a season and balls and pretty dresses, she's left to fend for herself, making a living as a governess. She blames the Earl of Ashby for her change in circumstance, as it was his former business manager who swindled her father. Had the Earl publicly denounced the man instead of just firing him, Sophie's father would never have lost everything they owned.
Five years later, having successfully saved up nearly enough to achieve her dreams of going to America to join her cousins, Sophie comes face to face with the Earl of Ashby. She just doesn't realise that he's not the man she thinks he is. Lord Edward Granville, the aforementioned Earl of Ashby, known to his friends as "Lucky Ned" has entered into a wager with his secretary, John Turner. For a period of two weeks, Ned has agreed to switch places with his secretary, to prove that his overall luck, popularity and success with the ladies, especially, has nothing to do with his wealth and title, but just his looks, charm and the luck that always seems to make him come out on top.
Turner proposed the wager both because he wanted to cut his pompous and oblivious employer down to size a bit. If he wins, he gets five thousand pounds to save his family's failing mill. If he loses, Ned will not only be even more insufferable, as he'll have been proven right, but he'll lose the mill once and for all. Trading places, Ned has to make a woman of gentle birth (no low-born and easily coerced servants allowed) fall in love with him and present him with a clear token of her affection. Ned thinks it's going to be a piece of cake and is also looking forward to showing the stuffy Turner that life as the Earl isn't always as care free and easy as it looks to be.
Despite the house they're staying in being full of eligible women, Ned is chagrined to realise that when people think he's a mere secretary, the same affable behaviour that normally has him welcomed with opened arms, is seen as overly familiar and inappropriate. While he may have spent his first twelve years in genteel poverty before becoming the former Earl's heir, he's gotten very used to his easy life of privilege. The only woman who will even give him a second glance is the governess, Miss Turner, and even with her, he has to work much harder than he ever has before to impress her. He has no idea that she blames him for her downfall in life, and by the time he discovers the truth, he's already fallen in love with her. Can the Earl of Ashby become a decent and likable human being over the course of two weeks and also convince a woman who has every right to hate him that she should spend the rest of her life with him?
While there was a lot of potential in this book, the romance feels more like a secondary plot than the main event. So much time is spent establishing the relationship between John Turner and Ned Granville and setting up the wager. Ned and Sophie don't even really speak until nearly halfway through the book. Then there's the fact that Ned, initially, really is a bit of an ass. He clearly needs to walk a mile or two in someone less fortunate's shoes and wake up and smell his privilege, and to be fair to Ms. Noble, he goes through a lot of changes over the course of the book. By the end, he's a pretty decent romance hero and has a lot more understanding for the position he put his friend Turner in.
While Ned is a bit of a douche-canoe initially, and Turner is frankly a bit of a bore, who spends quite some time trying to sabotage things for his friend, because he so desperately needs to win the wager to get the money to save his mill, Sophie is great and I am upset that so much of the book focuses on the friendly frenemy relationship of the dudes, when there is a lovely, strong, clever heroine, who despite the misfortunes she's suffered, has retained the ability to keep positive and choosing to see the silver lining rather than the clouds. While she was deeply upset with Ashby initially, five years later she has proved to herself that she's a resilient, self-sufficient woman. She's good with children, she's managed to make nearly enough money to achieve her dreams and she's really not looking for a man to complete her or "take her away" from her life of drudgery. She delivers a righteous slap to Ned when he kisses her the first time, having just presumes she wants him, and verbally berates him in the strongest terms.
There is a lot of good stuff in the book, and I'm sad that I can't rate it higher, but in a romance, I really do want the interaction between the hero and heroine to be the most prominent story line and it just didn't feel like that was the case here. So far, Kate Noble hasn't done anything that I actively hate, and I'm willing to give her a lot of slack for being a co-writer on my beloved Lizzie Bennet Diaries. I still have quite a few of her books from various book sales, but am not going to buy any more until I've found one that I can really fully recommend without several reservations.
Crossposted on Cannonball Read.
Rating: 3 stars
At seventeen, Miss Sophie Baker is looking forward to her debut in society. She's only a few months away from graduating from a prestigious ladies' academy and her future looks bright. Then her father dies suddenly, destitute after having been swindled by a con man. Sophie's whole world changes and instead of a season and balls and pretty dresses, she's left to fend for herself, making a living as a governess. She blames the Earl of Ashby for her change in circumstance, as it was his former business manager who swindled her father. Had the Earl publicly denounced the man instead of just firing him, Sophie's father would never have lost everything they owned.
Five years later, having successfully saved up nearly enough to achieve her dreams of going to America to join her cousins, Sophie comes face to face with the Earl of Ashby. She just doesn't realise that he's not the man she thinks he is. Lord Edward Granville, the aforementioned Earl of Ashby, known to his friends as "Lucky Ned" has entered into a wager with his secretary, John Turner. For a period of two weeks, Ned has agreed to switch places with his secretary, to prove that his overall luck, popularity and success with the ladies, especially, has nothing to do with his wealth and title, but just his looks, charm and the luck that always seems to make him come out on top.
Turner proposed the wager both because he wanted to cut his pompous and oblivious employer down to size a bit. If he wins, he gets five thousand pounds to save his family's failing mill. If he loses, Ned will not only be even more insufferable, as he'll have been proven right, but he'll lose the mill once and for all. Trading places, Ned has to make a woman of gentle birth (no low-born and easily coerced servants allowed) fall in love with him and present him with a clear token of her affection. Ned thinks it's going to be a piece of cake and is also looking forward to showing the stuffy Turner that life as the Earl isn't always as care free and easy as it looks to be.
Despite the house they're staying in being full of eligible women, Ned is chagrined to realise that when people think he's a mere secretary, the same affable behaviour that normally has him welcomed with opened arms, is seen as overly familiar and inappropriate. While he may have spent his first twelve years in genteel poverty before becoming the former Earl's heir, he's gotten very used to his easy life of privilege. The only woman who will even give him a second glance is the governess, Miss Turner, and even with her, he has to work much harder than he ever has before to impress her. He has no idea that she blames him for her downfall in life, and by the time he discovers the truth, he's already fallen in love with her. Can the Earl of Ashby become a decent and likable human being over the course of two weeks and also convince a woman who has every right to hate him that she should spend the rest of her life with him?
While there was a lot of potential in this book, the romance feels more like a secondary plot than the main event. So much time is spent establishing the relationship between John Turner and Ned Granville and setting up the wager. Ned and Sophie don't even really speak until nearly halfway through the book. Then there's the fact that Ned, initially, really is a bit of an ass. He clearly needs to walk a mile or two in someone less fortunate's shoes and wake up and smell his privilege, and to be fair to Ms. Noble, he goes through a lot of changes over the course of the book. By the end, he's a pretty decent romance hero and has a lot more understanding for the position he put his friend Turner in.
While Ned is a bit of a douche-canoe initially, and Turner is frankly a bit of a bore, who spends quite some time trying to sabotage things for his friend, because he so desperately needs to win the wager to get the money to save his mill, Sophie is great and I am upset that so much of the book focuses on the friendly frenemy relationship of the dudes, when there is a lovely, strong, clever heroine, who despite the misfortunes she's suffered, has retained the ability to keep positive and choosing to see the silver lining rather than the clouds. While she was deeply upset with Ashby initially, five years later she has proved to herself that she's a resilient, self-sufficient woman. She's good with children, she's managed to make nearly enough money to achieve her dreams and she's really not looking for a man to complete her or "take her away" from her life of drudgery. She delivers a righteous slap to Ned when he kisses her the first time, having just presumes she wants him, and verbally berates him in the strongest terms.
There is a lot of good stuff in the book, and I'm sad that I can't rate it higher, but in a romance, I really do want the interaction between the hero and heroine to be the most prominent story line and it just didn't feel like that was the case here. So far, Kate Noble hasn't done anything that I actively hate, and I'm willing to give her a lot of slack for being a co-writer on my beloved Lizzie Bennet Diaries. I still have quite a few of her books from various book sales, but am not going to buy any more until I've found one that I can really fully recommend without several reservations.
Crossposted on Cannonball Read.
Thursday, 3 December 2015
#CBR7 Book 131: "A Kiss in the Dark" by Kimberly Logan
Page count: 384 pages
Rating: 1.5 stars
Warning! There will be spoilers for the plot in this review - because I have to pick apart the mediocre plot to fully get my scathe on.
Lord Tristan Knight has come into the Earl of Ellington after his estranged father died unexpectedly in a carriage accident. As the late Earl blamed his son for the death of Lady Ellington, stabbed to death by an East End bandit, Tristan has been absent for a long time. His younger sister Emily was left alone with a grieving, neglectful father and after the return of her brother has tried to act out and scare away a series of governesses in an attempt to make her brother notice her. When she finally runs away, Tristan realises he's been very dumb.
After traces of Lady Emily's belongings are found in Tothill Fields, the same area where their mother was murdered years ago, Tristan becomes desperate. His butler recommends he seek out the aid of Lady Deidre Wilks, the notorious Viscountess Rotherby, who is known for her charitable acts in the area. When Tristan turns up on her doorstep, Deidre recognises him instantly. She was the pickpocket who lured Lady Ellington down the alley where she was murdered, and she's convinced Tristan has come to bring her to justice. Instead he convinces her to aid him in the search for his sister. Together they comb the slums for the runaway, fighting their instant attraction to one another as they grow ever closer.
Dear readers, this really wasn't a very good book. It sadly wasn't a bad enough book to really be entertaining either, and as it fit into nearly all my reading challenges in one go, there was no way I wasn't going to finish it. Apparently it's Kimberly Logan's debut novel, and as I doubt I could write a whole book, I don't want to be too dismissive here, but people, it's a very sad example of a historical romance.
First of all, Ms. Logan is extremely keen to let the reader know that Tristan and his sister Emily, like their mother before them, have violet eyes. Not blue, but a purply violet. This is mentioned twenty-one times over the course of the book (I went back and searched, because, really). Also, Deidre has strawberry-scented hair (this is only mentioned four times, however).
There is a whole lot of tell, don't show in this book and mostly very clumsy exposition. Luckily, when Lady Emily runs away, shortly after she is eye-witness to the criminal gang boss who unbeknownst to her also murdered her mother stabbing a dude to death, she is rescued one of a gang of kind-hearted pickpockets, the same ones Deidre reads stories to and tries to save from a life of crime by donating food and blankets to. All of them seem uncharacteristically rosy-cheeked, perky and optimistic for orphaned children who mostly have to steal to survive, with the notable exception of Jack, the bad seed, who is sullen, mean, untrustworthy, but allowed to stay with them until he resorts to attempted rape. Then he's driven off, without any of the boys cottoning on to the fact that he'll clearly sell their location and that of their foundling Earl's daughter out to the dastardly villain who's combing the area for her.
Lady Emily, despite being raised in a perfectly nice townhouse and while neglected by her father, not really used to a life of any sort of hardship, has no trouble settling into the drafty, dilapidated hovel the pickpockets stay in, helping with the cleaning, flirting with their young leader and learning pickpocketing right along side the others. Even when Deidre and Tristan show up looking for her, the boys lie about having seen her, because clearly a young noblewoman is much better off living with a bunch of orphan thieves than with her worried brother.
Deidre, once an orphaned pickpocket herself, picked the pocket of Viscount Rotherby and was pretty much adopted by him. Taught to speak, walk, dress and behave like a lady, she eventually married her patron because he was worried how she'd survive once he died. His servants have stayed on in her house and been nothing but supportive of this pickpocket street urchin who is now her mistress. There are all manner of unsavoury rumours about her, but Lady Rotherby is in fact, that wonderful creature amongst romance heroines, the virginal widow.
For all that Tristan darkly imagines the woman he lusted after from pretty much the moment he met her in the arms of a man old enough to be her father, Deidre is of course untouched and inexperienced. Sure, one of her best friend's is a prostitute, but she's never seen a naked man before she does the deed with Tristan. Naturally, despite her inexperience, they both climax simultaneously - and Deidre is hard pressed to imagine how sex could possibly have been better, had Tristan known in advance that she was a virgin. He claims he wanted more time to prepare her, but apart from some time spent giving attention to her boobs, there is no sign of anything like oral sex or fingering, to you know, give her pleasure without his penis being involved. During their first passionate encounter, there was also this description, that stood out to me as I honestly can't even: "It was as if they had been made for each other, two halves of a whole that had been made one."
Neither Tristan nor Deidre really have a lot of interesting character traits. Tristan is very tall, has violet eyes and feels haunted by seeing his mother stabbed to death in front of him (sadly, he doesn't become the Regency version of Batman, that would have been the best plot development!). Deidre, despite her lowly origins, has become the perfect lady, who spends most of her days doing charity works in the East End slum she grew up in, all the while ignoring what society gossips say about her. They both spend an unseemly amount of time thinking about boning each other when they should be worried about the safety of a young girl lost in a very rough part of London. Of course, she's the luckiest little girl that ever was, taken in by friendly Disney pickpockets rather than kidnapped and sold into sexual slavery or something similarly seedy.
Apparently Ms. Logan also wrote a sequel, where a grown Lady Emily is reunited with Peter, the head of the cheerful band of pickpockets who rescue her, now a Bow Street Runner. I have absolutely no wish to read this book, or anything ales that Ms. Logan has written. Her writing may have improved after her debut, but based on this, I'm not giving her another try any time soon.
Crossposted on Cannonball Read.
Rating: 1.5 stars
Warning! There will be spoilers for the plot in this review - because I have to pick apart the mediocre plot to fully get my scathe on.
Lord Tristan Knight has come into the Earl of Ellington after his estranged father died unexpectedly in a carriage accident. As the late Earl blamed his son for the death of Lady Ellington, stabbed to death by an East End bandit, Tristan has been absent for a long time. His younger sister Emily was left alone with a grieving, neglectful father and after the return of her brother has tried to act out and scare away a series of governesses in an attempt to make her brother notice her. When she finally runs away, Tristan realises he's been very dumb.
After traces of Lady Emily's belongings are found in Tothill Fields, the same area where their mother was murdered years ago, Tristan becomes desperate. His butler recommends he seek out the aid of Lady Deidre Wilks, the notorious Viscountess Rotherby, who is known for her charitable acts in the area. When Tristan turns up on her doorstep, Deidre recognises him instantly. She was the pickpocket who lured Lady Ellington down the alley where she was murdered, and she's convinced Tristan has come to bring her to justice. Instead he convinces her to aid him in the search for his sister. Together they comb the slums for the runaway, fighting their instant attraction to one another as they grow ever closer.
Dear readers, this really wasn't a very good book. It sadly wasn't a bad enough book to really be entertaining either, and as it fit into nearly all my reading challenges in one go, there was no way I wasn't going to finish it. Apparently it's Kimberly Logan's debut novel, and as I doubt I could write a whole book, I don't want to be too dismissive here, but people, it's a very sad example of a historical romance.
First of all, Ms. Logan is extremely keen to let the reader know that Tristan and his sister Emily, like their mother before them, have violet eyes. Not blue, but a purply violet. This is mentioned twenty-one times over the course of the book (I went back and searched, because, really). Also, Deidre has strawberry-scented hair (this is only mentioned four times, however).
There is a whole lot of tell, don't show in this book and mostly very clumsy exposition. Luckily, when Lady Emily runs away, shortly after she is eye-witness to the criminal gang boss who unbeknownst to her also murdered her mother stabbing a dude to death, she is rescued one of a gang of kind-hearted pickpockets, the same ones Deidre reads stories to and tries to save from a life of crime by donating food and blankets to. All of them seem uncharacteristically rosy-cheeked, perky and optimistic for orphaned children who mostly have to steal to survive, with the notable exception of Jack, the bad seed, who is sullen, mean, untrustworthy, but allowed to stay with them until he resorts to attempted rape. Then he's driven off, without any of the boys cottoning on to the fact that he'll clearly sell their location and that of their foundling Earl's daughter out to the dastardly villain who's combing the area for her.
Lady Emily, despite being raised in a perfectly nice townhouse and while neglected by her father, not really used to a life of any sort of hardship, has no trouble settling into the drafty, dilapidated hovel the pickpockets stay in, helping with the cleaning, flirting with their young leader and learning pickpocketing right along side the others. Even when Deidre and Tristan show up looking for her, the boys lie about having seen her, because clearly a young noblewoman is much better off living with a bunch of orphan thieves than with her worried brother.
Deidre, once an orphaned pickpocket herself, picked the pocket of Viscount Rotherby and was pretty much adopted by him. Taught to speak, walk, dress and behave like a lady, she eventually married her patron because he was worried how she'd survive once he died. His servants have stayed on in her house and been nothing but supportive of this pickpocket street urchin who is now her mistress. There are all manner of unsavoury rumours about her, but Lady Rotherby is in fact, that wonderful creature amongst romance heroines, the virginal widow.
For all that Tristan darkly imagines the woman he lusted after from pretty much the moment he met her in the arms of a man old enough to be her father, Deidre is of course untouched and inexperienced. Sure, one of her best friend's is a prostitute, but she's never seen a naked man before she does the deed with Tristan. Naturally, despite her inexperience, they both climax simultaneously - and Deidre is hard pressed to imagine how sex could possibly have been better, had Tristan known in advance that she was a virgin. He claims he wanted more time to prepare her, but apart from some time spent giving attention to her boobs, there is no sign of anything like oral sex or fingering, to you know, give her pleasure without his penis being involved. During their first passionate encounter, there was also this description, that stood out to me as I honestly can't even: "It was as if they had been made for each other, two halves of a whole that had been made one."
Neither Tristan nor Deidre really have a lot of interesting character traits. Tristan is very tall, has violet eyes and feels haunted by seeing his mother stabbed to death in front of him (sadly, he doesn't become the Regency version of Batman, that would have been the best plot development!). Deidre, despite her lowly origins, has become the perfect lady, who spends most of her days doing charity works in the East End slum she grew up in, all the while ignoring what society gossips say about her. They both spend an unseemly amount of time thinking about boning each other when they should be worried about the safety of a young girl lost in a very rough part of London. Of course, she's the luckiest little girl that ever was, taken in by friendly Disney pickpockets rather than kidnapped and sold into sexual slavery or something similarly seedy.
Apparently Ms. Logan also wrote a sequel, where a grown Lady Emily is reunited with Peter, the head of the cheerful band of pickpockets who rescue her, now a Bow Street Runner. I have absolutely no wish to read this book, or anything ales that Ms. Logan has written. Her writing may have improved after her debut, but based on this, I'm not giving her another try any time soon.
Crossposted on Cannonball Read.
Monday, 26 October 2015
#CBR7 Book 114: "The Man in the Brown Suit" by Agatha Christie
Page count: 288 pages
Audio book length: 7hrs 59 mins
Rating: 5 stars
Anne Beddingfeld's father is a famous archaeologist and anthropologist. He dies, leaving Anne mostly penniless, but hungry for adventure. She kindly rejects the proposal of the village doctor and accepts her father's solicitor's invitation to stay with him and his wife for a time in London. Shortly after her arrival in the capital, she is witness to an accidental death. A man in a large overcoat reeking of mothballs falls onto the tracks of the train station, and a tall, bearded man claiming to be a doctor examines the body. The bearded man in the brown suit loses a scrap of paper, which also reeks of mothballs. Could he have been searching the dead body? The paper reads "17 122 Kilmorden Castle" - what could it mean?
The newspapers discover a connection with the dead man on the train tracks and a young woman murdered in the house of Sir Eustace Pedler. Not only that, but the man in the brown suit who Anne witnessed is the main suspect for the woman's murder. Then Anne discovers that the Kilmorden Castle is a cruise ship, sailing to South Africa. A first class ticket costs exactly the amount of money she was left after her father's debts were paid off, and Anne sees this as a clear sign that adventure is calling. With cheek and audacity, she gets the owner of the main newspaper hunting for "The Man in the Brown Suit" to agree to hire her on as a freelance reporter if she tracks down more information connected with the crime.
On the ship, the adventurous, but nearly penniless Anne befriends society beauty Susanne Blair and earns the admiration of both Sir Eustace Pedler, on his way to South Africa on a task for the Foreign Office and Colonel Race, a tall and striking gentleman rumoured to be working for the Secret Service. Among the travellers are also the suspiciously untanned Reverend Chichester, who claims to have been working in the depths of Borneo for years; Guy Pagett, Sir Eustace's secretary and Harry Raybourn, a mysterious young man who stumbles into Anne's cabin one night, having been stabbed by unknown assailants in the hallway. Sir Eustace claims the handsome young man is his other secretary, but Anne deduces that he is none other than the infamous "Man in the Brown Suit". After her brief evening encounter with him, she's convinced he didn't kill the woman in England, and becomes determined to clear his name.
The Man in the Brown Suit, along with They Came to Baghdad and Why Didn't They Ask Evans? (the first Christie I ever read), is probably my favourite Agatha Christie book, a fact my BFF Lydia knew very well. So trying to cheer me up when I was unable to read physical books while concussed, she sent me this as an audio book, bundled (really rather strangely) with the eighth Miss Marple mystery, 4:50 from Paddington. I hadn't realised, until I looked it up on Wikipedia to remind myself of the name of some of the secondary characters, that this was only Ms. Christie's fourth novel, which makes it even more of an impressive achievement. Apart from some very clunky info-dumping in the prologue, when two criminal henchmen sit around discussing the many nefarious acts of their employer, the shadowy "Colonel", in a way that no people ever would talk about a person they worked for, this book is a fun thrill-ride from start to finish.
There is Anne, the self-proclaimed adventuress, who loves "The Perils of Pamela" and wants to fall in love with someone strong, silent and dashing. Full of pluck and determination, she throws caution to the wind and travels to South Africa in search of a murderer, with barely a penny in her pocket, just convinced that it'll all work itself out somehow. Some might find her callous disregard for practicalities annoying, but I find her delightful and she's not wrong, things keep turning out in her favour, even if she keeps ending up in near-death situations.
This story has murder; stolen diamonds: abductions; dastardly henchmen; a cunning underworld kingpin; a dashing, wronged and emotionally vulnerable love interest and more. I like any Christie with a romantic subplot and my only gripe with the book is that Emilia Fox, who mostly does an excellent job with narrating, gave Harry Raybourn, our haunted love interest, a voice so dark and gravelly that it mostly reminded me of Christian Bale doing Batman-growling. See, Christian Bale's normal voice - lovely, luscious and sexy as heck. Christian Bale's Batman-growling - just not hot. Which is a shame, cause Harry Raybourn should be passionate and appealing. It didn't detract too much from my enjoyment, but means I can't rate the narration of the audiobook as highly as I'd like.
Crossposted on Cannonball Read.
Audio book length: 7hrs 59 mins
Rating: 5 stars
Anne Beddingfeld's father is a famous archaeologist and anthropologist. He dies, leaving Anne mostly penniless, but hungry for adventure. She kindly rejects the proposal of the village doctor and accepts her father's solicitor's invitation to stay with him and his wife for a time in London. Shortly after her arrival in the capital, she is witness to an accidental death. A man in a large overcoat reeking of mothballs falls onto the tracks of the train station, and a tall, bearded man claiming to be a doctor examines the body. The bearded man in the brown suit loses a scrap of paper, which also reeks of mothballs. Could he have been searching the dead body? The paper reads "17 122 Kilmorden Castle" - what could it mean?
The newspapers discover a connection with the dead man on the train tracks and a young woman murdered in the house of Sir Eustace Pedler. Not only that, but the man in the brown suit who Anne witnessed is the main suspect for the woman's murder. Then Anne discovers that the Kilmorden Castle is a cruise ship, sailing to South Africa. A first class ticket costs exactly the amount of money she was left after her father's debts were paid off, and Anne sees this as a clear sign that adventure is calling. With cheek and audacity, she gets the owner of the main newspaper hunting for "The Man in the Brown Suit" to agree to hire her on as a freelance reporter if she tracks down more information connected with the crime.
On the ship, the adventurous, but nearly penniless Anne befriends society beauty Susanne Blair and earns the admiration of both Sir Eustace Pedler, on his way to South Africa on a task for the Foreign Office and Colonel Race, a tall and striking gentleman rumoured to be working for the Secret Service. Among the travellers are also the suspiciously untanned Reverend Chichester, who claims to have been working in the depths of Borneo for years; Guy Pagett, Sir Eustace's secretary and Harry Raybourn, a mysterious young man who stumbles into Anne's cabin one night, having been stabbed by unknown assailants in the hallway. Sir Eustace claims the handsome young man is his other secretary, but Anne deduces that he is none other than the infamous "Man in the Brown Suit". After her brief evening encounter with him, she's convinced he didn't kill the woman in England, and becomes determined to clear his name.
The Man in the Brown Suit, along with They Came to Baghdad and Why Didn't They Ask Evans? (the first Christie I ever read), is probably my favourite Agatha Christie book, a fact my BFF Lydia knew very well. So trying to cheer me up when I was unable to read physical books while concussed, she sent me this as an audio book, bundled (really rather strangely) with the eighth Miss Marple mystery, 4:50 from Paddington. I hadn't realised, until I looked it up on Wikipedia to remind myself of the name of some of the secondary characters, that this was only Ms. Christie's fourth novel, which makes it even more of an impressive achievement. Apart from some very clunky info-dumping in the prologue, when two criminal henchmen sit around discussing the many nefarious acts of their employer, the shadowy "Colonel", in a way that no people ever would talk about a person they worked for, this book is a fun thrill-ride from start to finish.
There is Anne, the self-proclaimed adventuress, who loves "The Perils of Pamela" and wants to fall in love with someone strong, silent and dashing. Full of pluck and determination, she throws caution to the wind and travels to South Africa in search of a murderer, with barely a penny in her pocket, just convinced that it'll all work itself out somehow. Some might find her callous disregard for practicalities annoying, but I find her delightful and she's not wrong, things keep turning out in her favour, even if she keeps ending up in near-death situations.
This story has murder; stolen diamonds: abductions; dastardly henchmen; a cunning underworld kingpin; a dashing, wronged and emotionally vulnerable love interest and more. I like any Christie with a romantic subplot and my only gripe with the book is that Emilia Fox, who mostly does an excellent job with narrating, gave Harry Raybourn, our haunted love interest, a voice so dark and gravelly that it mostly reminded me of Christian Bale doing Batman-growling. See, Christian Bale's normal voice - lovely, luscious and sexy as heck. Christian Bale's Batman-growling - just not hot. Which is a shame, cause Harry Raybourn should be passionate and appealing. It didn't detract too much from my enjoyment, but means I can't rate the narration of the audiobook as highly as I'd like.
Crossposted on Cannonball Read.
Sunday, 25 October 2015
#CBR7 Book 109: "Bonk: The Curious Coupling of Science and Sex" by Mary Roach
Page count: 336 pages
Rating: 3.5 stars
I don't read a whole lot of non-fiction. What little I do read is usually in the celebrity biography genre. But for my Eclectic Reader Challenge, I needed to read something qualifying as Micro history. I didn't even know what that was, but the internet was very helpful in clearing up my confusion. Goodreads even has a lot of useful suggestions of what I could read. As Bonk had a fairly high average rating, and was very highly rated by several of my like-minded book friends, not to mention that I was curious about the subject matter was handled.
I really wasn't sure what to expect, as I mentioned, this is pretty much my first foray into micro history, but Ms. Roach is a very entertaining writer and covers the topic from a number of angles. She writes about famous researchers like Kinsey, Masters and Johnson who worked diligently during the 20th Century, but also goes back earlier, looking at the way sex was viewed historically and how the research of it developed. She's clearly travelled all over the world for her answers, interviewing pig farmers in Denmark, doctors in Asia and on occasion, she even volunteers herself (and on one occasion) as a research subject.
Some chapters were absolutely more fascinating than others. I must also confess that my reading of this book was interrupted by the release of Carry On, and having to read the last third of this book with one heck of a book hangover after a book about gay wizards probably meant that I was no longer really in the right frame of mind for scientific facts about sex and sexual research, no matter how entertainingly it was written. I may try to re-read the book at a later date, when I can give my full attention to it.
Crossposted on Cannonball Read.
Rating: 3.5 stars
I don't read a whole lot of non-fiction. What little I do read is usually in the celebrity biography genre. But for my Eclectic Reader Challenge, I needed to read something qualifying as Micro history. I didn't even know what that was, but the internet was very helpful in clearing up my confusion. Goodreads even has a lot of useful suggestions of what I could read. As Bonk had a fairly high average rating, and was very highly rated by several of my like-minded book friends, not to mention that I was curious about the subject matter was handled.
I really wasn't sure what to expect, as I mentioned, this is pretty much my first foray into micro history, but Ms. Roach is a very entertaining writer and covers the topic from a number of angles. She writes about famous researchers like Kinsey, Masters and Johnson who worked diligently during the 20th Century, but also goes back earlier, looking at the way sex was viewed historically and how the research of it developed. She's clearly travelled all over the world for her answers, interviewing pig farmers in Denmark, doctors in Asia and on occasion, she even volunteers herself (and on one occasion) as a research subject.
Some chapters were absolutely more fascinating than others. I must also confess that my reading of this book was interrupted by the release of Carry On, and having to read the last third of this book with one heck of a book hangover after a book about gay wizards probably meant that I was no longer really in the right frame of mind for scientific facts about sex and sexual research, no matter how entertainingly it was written. I may try to re-read the book at a later date, when I can give my full attention to it.
Crossposted on Cannonball Read.
Wednesday, 30 September 2015
#CBR7 Book 104: "The Legend of Lyon Redmond" by Julie Anne Long
Page count: 384 pages
Rating: 5 stars
Before I begin this review, I have to say that in a genre where where so many books have absolutely atrocious covers, where readers pick up and love the books despite the cover art, this book has one of my favourite covers in years. It fills me with joy and perfectly encapsulates the contents of the book. I wish more romances had covers this great.
While many of Julie Anne Long's Pennyroyal Green books can be read out of order or completely independently of each other, this book is the culmination of the 11-book series, and as such, will probably not have the same impact on the reader as if it's read without some previous knowledge of the series in general and Olivia and Lyon's tragic romance in particular. There are SO many good books in this series, and one absolute classic. Go read some of them, then come back for this review.
It is said in Pennyroyal Green in Sussex, that the Redmonds and the Everseas have been enemies since the Dark Ages, but that once every generation, a Redmond and an Eversea will fall disastrously in love with each other. This generation's doomed couple - Lyon Redmond and Olivia Eversea, who met at a small assembly and almost instantly fell incandescently in love, despite knowing that their parents would never approve. Meeting an hour here and there in secret, conducting their courtship as secretly as they could, completely oblivious to the fact that everyone around them could see that they were besotted. Then Lyon Redmond suddenly left England, never to return. Gossip said it was because Olivia Eversea broke his heart.
Five years and thousands of hothouse flowers delivered to her door, Olivia Eversea shocks everyone by accepting the proposal of Lord Landsdowne, a quiet and unprepossessing viscount. Their wedding is the social event of the season, and as most of her siblings have had quiet weddings, Mrs. Eversea is determined that Olivia will get married with pomp and occasion. Yet at every turn, there are reminders of her long-lost love. A popular ballad is created, sung on every street corner. Illustrated prints depicting the possible adventures of Lyon Redmond appear in shop windows. He is seen as the dashing hero, she as the withered Miss Havishamesque creature who jilted him.
Lyon Redmond has spent the years away from England making a fortune, proving with every action that loving Olivia Eversea is what he does best. Now she is marrying another, and it's time for a reckoning between them. The last time he asked her, she refused to leave her family and go with him. Now Lyon will confront Olivia one last time and they will see if their love story is in fact a curse, or a blessing.
In each and every Pennyroyal Green book, the reader has got little snippets of the story of Lyon and Olivia. How they met and fell in love is never revealed, but that something Olivia Eversea said or did, made Lyon Redmond leave England and his family for good, is clear. That Olivia was never the same after he left, throwing herself into her worthy charitable causes and fending off eager suitors, seeming indifferent, yet never cruel, to all of them. Rumours of Lyon's exploits on the continent, making money hand over fist, possibly engaging in piracy. Olivia becoming thinner and more brittle, until one day she decides to accept a proposal, after all.
In this final book, which features cameos from many of the previous couples in the series, the reader finally gets to see how Lyon and Olivia met, what led to their separation and estrangement. It's become clear in the previous books that Isaiah Redmond is a strict and unforgiving father, whose four children all went against his express wishes in choosing their life partner. Lyon's refusal to bow to his demands, choosing to abandon his homeland and his family instead, probably spurred his younger siblings to exert their wills and make their own unpopular choices.
Olivia and Lyon's romance is in part a tragic one. They were young when they met and because of the enmity of their families, their feelings for one another were not well received by their parents. When push comes to shove, Olivia can't handle it. She cannot follow Lyon into exile. Having not even experienced her first season, she is still young and innocent, and terrified of what the future might bring. She breaks his heart and her own with the choice she makes and has to live in shattered loneliness in the years that follow, constantly hounded by suitors, watching her siblings and friends fall in love and settle down.
It was always obvious that Lyon wasn't going to be happy with Olivia's decision to marry another. Yet he cannot be surprised that she's unwilling to pine forever for him, having heard nothing to encourage her for five years. Their reckoning is a necessary one, and there are hurt feelings on both sides, but oh such a passion as well.
Last week, I came to the realisation that The Legend of Lyon Redmond, a book I've been anticipating since I first heard it was being written, and pre-ordered months ago, would be released during my autumn break. With the stress of my work over the last few months, I have had much less time and energy to read, so the prospect of a whole day off when I could revel in this book was a gift from the fates. Like I suspect all long time readers of the series, I had very high expectations. Lyon and Olivia's story runs like a unifying thread throughout the other narratives and getting to read their story was almost too exciting to bear.
I adore What I Did for a Duke, the story of Olivia's younger sister and the Duke of Falconbridge. There are other books in the series that I am deeply fond of, but this is the only book in the series that I feel can rate as highly. Like in Genevieve's book, I got so caught up in the story that I literally shouted at the characters more than once. My husband seemed amused by my antics, assuring me that it would be a pretty unsatisfactory romance if the protagonists didn't end up happily together in the end. I nearly threw a cushion at him. Clearly both the Eversea sisters are determined to try my nerves by taking a really long time to realise what is best for them.
This is a wonderful book, but really does require the reader to have taken the journey through the series to fully appreciate the ending, not only to Olivia and Lyon's story, but to all the Pennyroyal Green books. I wasn't wild on the epilogue, where we are suddenly introduced to a current day descendant of the Redmonds and Everseas, and given insight into what happened to the children and grandchildren of all the heroes and heroines of the books in the centuries to come. I felt that was unnecessary, but it didn't ruin the perfection of the rest of the book. I will most likely skip it the many times I re-read this in future, though.
With this, I complete the Pennyroyal Green series and my double Cannonball.
Crossposted on Cannonball Read.
Rating: 5 stars
Before I begin this review, I have to say that in a genre where where so many books have absolutely atrocious covers, where readers pick up and love the books despite the cover art, this book has one of my favourite covers in years. It fills me with joy and perfectly encapsulates the contents of the book. I wish more romances had covers this great.
While many of Julie Anne Long's Pennyroyal Green books can be read out of order or completely independently of each other, this book is the culmination of the 11-book series, and as such, will probably not have the same impact on the reader as if it's read without some previous knowledge of the series in general and Olivia and Lyon's tragic romance in particular. There are SO many good books in this series, and one absolute classic. Go read some of them, then come back for this review.
It is said in Pennyroyal Green in Sussex, that the Redmonds and the Everseas have been enemies since the Dark Ages, but that once every generation, a Redmond and an Eversea will fall disastrously in love with each other. This generation's doomed couple - Lyon Redmond and Olivia Eversea, who met at a small assembly and almost instantly fell incandescently in love, despite knowing that their parents would never approve. Meeting an hour here and there in secret, conducting their courtship as secretly as they could, completely oblivious to the fact that everyone around them could see that they were besotted. Then Lyon Redmond suddenly left England, never to return. Gossip said it was because Olivia Eversea broke his heart.
Five years and thousands of hothouse flowers delivered to her door, Olivia Eversea shocks everyone by accepting the proposal of Lord Landsdowne, a quiet and unprepossessing viscount. Their wedding is the social event of the season, and as most of her siblings have had quiet weddings, Mrs. Eversea is determined that Olivia will get married with pomp and occasion. Yet at every turn, there are reminders of her long-lost love. A popular ballad is created, sung on every street corner. Illustrated prints depicting the possible adventures of Lyon Redmond appear in shop windows. He is seen as the dashing hero, she as the withered Miss Havishamesque creature who jilted him.
Lyon Redmond has spent the years away from England making a fortune, proving with every action that loving Olivia Eversea is what he does best. Now she is marrying another, and it's time for a reckoning between them. The last time he asked her, she refused to leave her family and go with him. Now Lyon will confront Olivia one last time and they will see if their love story is in fact a curse, or a blessing.
In each and every Pennyroyal Green book, the reader has got little snippets of the story of Lyon and Olivia. How they met and fell in love is never revealed, but that something Olivia Eversea said or did, made Lyon Redmond leave England and his family for good, is clear. That Olivia was never the same after he left, throwing herself into her worthy charitable causes and fending off eager suitors, seeming indifferent, yet never cruel, to all of them. Rumours of Lyon's exploits on the continent, making money hand over fist, possibly engaging in piracy. Olivia becoming thinner and more brittle, until one day she decides to accept a proposal, after all.
In this final book, which features cameos from many of the previous couples in the series, the reader finally gets to see how Lyon and Olivia met, what led to their separation and estrangement. It's become clear in the previous books that Isaiah Redmond is a strict and unforgiving father, whose four children all went against his express wishes in choosing their life partner. Lyon's refusal to bow to his demands, choosing to abandon his homeland and his family instead, probably spurred his younger siblings to exert their wills and make their own unpopular choices.
Olivia and Lyon's romance is in part a tragic one. They were young when they met and because of the enmity of their families, their feelings for one another were not well received by their parents. When push comes to shove, Olivia can't handle it. She cannot follow Lyon into exile. Having not even experienced her first season, she is still young and innocent, and terrified of what the future might bring. She breaks his heart and her own with the choice she makes and has to live in shattered loneliness in the years that follow, constantly hounded by suitors, watching her siblings and friends fall in love and settle down.
It was always obvious that Lyon wasn't going to be happy with Olivia's decision to marry another. Yet he cannot be surprised that she's unwilling to pine forever for him, having heard nothing to encourage her for five years. Their reckoning is a necessary one, and there are hurt feelings on both sides, but oh such a passion as well.
Last week, I came to the realisation that The Legend of Lyon Redmond, a book I've been anticipating since I first heard it was being written, and pre-ordered months ago, would be released during my autumn break. With the stress of my work over the last few months, I have had much less time and energy to read, so the prospect of a whole day off when I could revel in this book was a gift from the fates. Like I suspect all long time readers of the series, I had very high expectations. Lyon and Olivia's story runs like a unifying thread throughout the other narratives and getting to read their story was almost too exciting to bear.
I adore What I Did for a Duke, the story of Olivia's younger sister and the Duke of Falconbridge. There are other books in the series that I am deeply fond of, but this is the only book in the series that I feel can rate as highly. Like in Genevieve's book, I got so caught up in the story that I literally shouted at the characters more than once. My husband seemed amused by my antics, assuring me that it would be a pretty unsatisfactory romance if the protagonists didn't end up happily together in the end. I nearly threw a cushion at him. Clearly both the Eversea sisters are determined to try my nerves by taking a really long time to realise what is best for them.
This is a wonderful book, but really does require the reader to have taken the journey through the series to fully appreciate the ending, not only to Olivia and Lyon's story, but to all the Pennyroyal Green books. I wasn't wild on the epilogue, where we are suddenly introduced to a current day descendant of the Redmonds and Everseas, and given insight into what happened to the children and grandchildren of all the heroes and heroines of the books in the centuries to come. I felt that was unnecessary, but it didn't ruin the perfection of the rest of the book. I will most likely skip it the many times I re-read this in future, though.
With this, I complete the Pennyroyal Green series and my double Cannonball.
Crossposted on Cannonball Read.
#CBR7 Book 103: "Saga, volume 5" by Brian K. Vaughan and Fiona Staples
Page count: 152 pages
Rating: 5 stars
Saga is my favourite comic book of the last few years and I feel like I do nothing but spend my days waiting for a new trade paperback to come out. I managed to save volume five for an unprecedented nine days from buying it until I actually read it, because I know that it'll probably be another six months at least until I get more. The writing is flawless, the art is breathtaking. The plot is never, even for a second, predictable. The six issues making up this trade had me grimacing in disgust, laughing, gasping, swearing and almost crying.
Oh, if you're not caught up yet, there may be spoilers beyond this point.
I found volume four extremely distressing, because Alanna and Marko were arguing and when fictional characters whom I love have relationship troubles, it affects me more than it probably should. Now they are separated, with Marko and Prince Robot IV having made an unexpected alliance to track down their missing children. Alanna and her mother-in-law are trying to keep Hazel safe from Dengo, the guy who kidnapped them. Elsewhere, Gwendolyn, Sophie, Lying Cat and the Brand (the Will's sister) are looking for the ingredients to a cure for the Will, the assassin sent to kill Alanna and Marko. As always, tiny Hazel narrates the story with aplomb, giving all sorts of heart-breaking foreshadowing, such as "she and her pals find what they're looking for...but at a much higher cost than expected".
If you're not already reading Saga, with all the glowing reviews out there on the internet, I honestly don't know how this is going to change your mind. It's just so good, and you're missing out if you don't give it a chance.
Crossposted on Cannonball Read.
Rating: 5 stars
Saga is my favourite comic book of the last few years and I feel like I do nothing but spend my days waiting for a new trade paperback to come out. I managed to save volume five for an unprecedented nine days from buying it until I actually read it, because I know that it'll probably be another six months at least until I get more. The writing is flawless, the art is breathtaking. The plot is never, even for a second, predictable. The six issues making up this trade had me grimacing in disgust, laughing, gasping, swearing and almost crying.
Oh, if you're not caught up yet, there may be spoilers beyond this point.
I found volume four extremely distressing, because Alanna and Marko were arguing and when fictional characters whom I love have relationship troubles, it affects me more than it probably should. Now they are separated, with Marko and Prince Robot IV having made an unexpected alliance to track down their missing children. Alanna and her mother-in-law are trying to keep Hazel safe from Dengo, the guy who kidnapped them. Elsewhere, Gwendolyn, Sophie, Lying Cat and the Brand (the Will's sister) are looking for the ingredients to a cure for the Will, the assassin sent to kill Alanna and Marko. As always, tiny Hazel narrates the story with aplomb, giving all sorts of heart-breaking foreshadowing, such as "she and her pals find what they're looking for...but at a much higher cost than expected".
If you're not already reading Saga, with all the glowing reviews out there on the internet, I honestly don't know how this is going to change your mind. It's just so good, and you're missing out if you don't give it a chance.
Crossposted on Cannonball Read.
Tuesday, 29 September 2015
#CBR7 Book 99: "My Lady Quicksilver" by Bec McMaster
Page count: 448 pages
Rating: 4 stars
This is book 3 in an ongoing series. While it can be read as a stand alone, the world building and the overarching story line will make a lot more sense if you start at the beginning, with Kiss of Steel.
Sir Jasper Lynch is the head of the Nighthawks, basically the mostly nocturnal police force of the Steampunk London that Bec McMaster has invented here. All of the nearly four hundred Nighthawks are rogue bluebloods, people who have caught the craving virus by accident in some way (become vampires) and who are not of the Echelon, the nobility who rule the country. After an assassination attempt on the Prince Regent, Lynch is tasked with finding the notorious human revolutionary, Mercury. If Mercury is not brought to justice within a short space of time, Lynch's life is forfeit instead.
Using his enhanced senses and his decades of experience with detective work, Lynch manages to track down Mercury, and is shocked to discover that the revolutionary is a woman. Not only that, she manages to get the better of him by using her feminine wiles to distract him, then she escapes. Now the reason he wants to find her is as much professional as it's personal. Little does he realise that she's much closer than he is expecting.
Rosalind Fairchild needs to find her missing brother, who was involved with the rogue group of revolutionaries who tried to blow up a large part of the Echelon and visiting dignitaries from Scandinavia. She needs to infiltrate the Nighthawks, and gets herself hired as Sir Jasper Lynch's personal secretary. She knows that if he discovers that she is also Mercury, he will arrest her and hand her to the Echelon to be executed, but Rosalind has been trained for subterfuge by the very best, and has no intention of getting caught. She needs to locate her brother, rescue him and then she can go back to ridding the world of all bluebloods.
Rosalind is a humanist, one of the disenfranchised humans who believe revolution is necessary, as the Prince Regent and the Echelon keeps making further demands for blood taxes and humans and mechs (humans who have had to get mechanical prosthetics after injuries) are being treated worse and worse. Few know that Mercury, the infamous revolutionary, is in fact a woman. Recently, a small band of her former followers went rogue, clearly sick of waiting for results. Not content with trying to kill a large group of people with an explosion, they are now working on some sort of weapon that turns bluebloods crazy with bloodlust, slaughtering everyone near them. Rosalind is as determined to stop these rogue revolutionaries as Lynch.
Lynch is the nephew of one of the ruling Dukes on the Echelon council, but was cast off by his family when he refused to fight his cousin in a duel for the rights to be the Duke's heir. Instead he founded the Nighthawks, non-noble bluebloods trained to police the city, solve crimes and bring criminals to justice. What Lynch fears most of all is losing control, and he keeps himself in check, never drinking more than the minimum required amount of blood, never letting himself get emotionally involved. So when Mercury gets under his skin so very quickly, it awakens needs in him he'd almost let himself believe he didn't have. He knows he can never have Mercury, but his newly awakened emotions draw him towards his impudent new secretary, a lovely widow who seems determined to drive him to distraction, even as she tidies up his private life.
Less involved in the larger politics of this world, and more on investigation and police work, My Lady Quicksilver may be my favourite book in the series so far. By now, all the pieces of the world building are firmly in place and McMaster can just let her characters play. The opposites attract story at the centre of this book is delightful. Rosalind is an outlaw, Lynch an officer of the law. She's all about temptation, sensuality and fun, he's all about control, order and work. Neither wants to fall for the other, but they are helpless to control their emotions.
As well as Lynch and Rosalind's romance, I very much liked the supporting cast of Nighthawks in this book. Family is very important in these books, and Rosalind's relationship with her brothers and with her werwulfen friend also adds depth and complexity to the world. Teased in this book, and coming up in the next one, is the romance between two of Lynch's most trusted lieutenants, Garret Reed and one of the few blue blood women, Perry Lowell. I very much liked their banter in this one and hope their book is as satisfying as this one.
Crossposted on Cannonball Read.
Rating: 4 stars
This is book 3 in an ongoing series. While it can be read as a stand alone, the world building and the overarching story line will make a lot more sense if you start at the beginning, with Kiss of Steel.
Sir Jasper Lynch is the head of the Nighthawks, basically the mostly nocturnal police force of the Steampunk London that Bec McMaster has invented here. All of the nearly four hundred Nighthawks are rogue bluebloods, people who have caught the craving virus by accident in some way (become vampires) and who are not of the Echelon, the nobility who rule the country. After an assassination attempt on the Prince Regent, Lynch is tasked with finding the notorious human revolutionary, Mercury. If Mercury is not brought to justice within a short space of time, Lynch's life is forfeit instead.
Using his enhanced senses and his decades of experience with detective work, Lynch manages to track down Mercury, and is shocked to discover that the revolutionary is a woman. Not only that, she manages to get the better of him by using her feminine wiles to distract him, then she escapes. Now the reason he wants to find her is as much professional as it's personal. Little does he realise that she's much closer than he is expecting.
Rosalind Fairchild needs to find her missing brother, who was involved with the rogue group of revolutionaries who tried to blow up a large part of the Echelon and visiting dignitaries from Scandinavia. She needs to infiltrate the Nighthawks, and gets herself hired as Sir Jasper Lynch's personal secretary. She knows that if he discovers that she is also Mercury, he will arrest her and hand her to the Echelon to be executed, but Rosalind has been trained for subterfuge by the very best, and has no intention of getting caught. She needs to locate her brother, rescue him and then she can go back to ridding the world of all bluebloods.
Rosalind is a humanist, one of the disenfranchised humans who believe revolution is necessary, as the Prince Regent and the Echelon keeps making further demands for blood taxes and humans and mechs (humans who have had to get mechanical prosthetics after injuries) are being treated worse and worse. Few know that Mercury, the infamous revolutionary, is in fact a woman. Recently, a small band of her former followers went rogue, clearly sick of waiting for results. Not content with trying to kill a large group of people with an explosion, they are now working on some sort of weapon that turns bluebloods crazy with bloodlust, slaughtering everyone near them. Rosalind is as determined to stop these rogue revolutionaries as Lynch.
Lynch is the nephew of one of the ruling Dukes on the Echelon council, but was cast off by his family when he refused to fight his cousin in a duel for the rights to be the Duke's heir. Instead he founded the Nighthawks, non-noble bluebloods trained to police the city, solve crimes and bring criminals to justice. What Lynch fears most of all is losing control, and he keeps himself in check, never drinking more than the minimum required amount of blood, never letting himself get emotionally involved. So when Mercury gets under his skin so very quickly, it awakens needs in him he'd almost let himself believe he didn't have. He knows he can never have Mercury, but his newly awakened emotions draw him towards his impudent new secretary, a lovely widow who seems determined to drive him to distraction, even as she tidies up his private life.
Less involved in the larger politics of this world, and more on investigation and police work, My Lady Quicksilver may be my favourite book in the series so far. By now, all the pieces of the world building are firmly in place and McMaster can just let her characters play. The opposites attract story at the centre of this book is delightful. Rosalind is an outlaw, Lynch an officer of the law. She's all about temptation, sensuality and fun, he's all about control, order and work. Neither wants to fall for the other, but they are helpless to control their emotions.
As well as Lynch and Rosalind's romance, I very much liked the supporting cast of Nighthawks in this book. Family is very important in these books, and Rosalind's relationship with her brothers and with her werwulfen friend also adds depth and complexity to the world. Teased in this book, and coming up in the next one, is the romance between two of Lynch's most trusted lieutenants, Garret Reed and one of the few blue blood women, Perry Lowell. I very much liked their banter in this one and hope their book is as satisfying as this one.
Crossposted on Cannonball Read.
Sunday, 20 September 2015
#CBR7 Book 96: "Archangel's Shadows" by Nalini Singh
Page count: 384 pages
Rating: 4 stars
This is book 7 in an ongoing series, and as such, not the place to start reading. This review will contain some spoilers for the previous books in the series, because it's impossible not to mention some of the things that have happened before this book began. The first book in the series is Angels' Blood and I highly recommend it.
After the devestating attacks on New York, archangel Raphael and his consort Elena are trying to re-group, rebuild and calm the population. When a dessicated body is found, it looks like it was killed in a way reminiscent of how Lijuan, the insane archangel who tried to destroy New York, Raphael and his people, would drain her victims completely of life force to gain strength. Releasing the news of the body would only cause panic, so the death needs to be investigated with subtlety and stealth. Ashwini, one of Elena's old Guild Hunter colleagues is recovering from a near-fatal cut she sustained during the battle and is eager and willing to do some investigating. Like all Guild Hunters, Ashwini is a skilled tracker and can handle herself in a fight. She's also gifted and sometimes haunted with the ability to sense the secrets, memories and experiences of those she touches, often suffering terrible nightmares after just brushing against someone by accident. With older immortals, like some of the angels or vampires in the city, she doesn't even need to touch, their mere presence is enough to trigger her visions.
One of the few people who doesn't affect her in such a way is Janvier, the centuries old Cajun vampire who has sometimes been her target, but more often her ally. He has wanted Ashwini since the first time he saw her, and as the years have passed and they have sparred, flirted and co-operated more frequently, his feelings for her have only grown. She keeps him at a distance, but after she nearly died in the battle for New York, Janvier is determined to never leave her side. He knows that there are secrets in her past that make her reluctant to take their relationship to the next level, but having lived for centuries, he's not averse to waiting a while for her to make up her mind. Now they need to track down the monster who slowly tortured and murdered a young woman, making sure her killer doesn't hurt anyone else.
Unlike in most of the books in this series, Ashwini and Janvier already know each other well by the start of the book. Their first encounter involved Ashwini having to hunt down the vampire, who had gone rogue from his angel master and him leading her on a merry chase through the bayou of Louisiana. Over the course of the series, Janvier has gone to work for Raphael, the archangel of New York and he and Ashwini are allies rather than antagonists. There has always been strong attraction and sexual tension between them, but due to her abilities, Ashwini keeps herself from getting too close to anyone. While Janvier is one of the individuals she can be around, and who seems to actually keep her grounded, she can't bring herself to actually initiate a relationship with him, as there are secrets in her past that make it impossible for her to commit to anyone.
Janvier loves Ashwini and is none too happy that she nearly died recently. He wants to spend the rest of his immortal life with her, but due to the effect of older immortals on her abilities, Ashwini hates the idea of being turned into a vampire. She's worried it will amplify her powers, causing her to go insane from the sensory input. So she keeps flirting with Janvier, but taking it no further. Her near-death experience and the tender care that her Cajun took of her while she was recovering makes her want to tell him the full truth about why they can't be toghether. She's just terrified that the truth will drive him away forever.
While a lot of the previous books in the series (especially the ones focused primarily on Raphael and Elena) have driven the story arc forward, this is a quieter book, with a murder investigation in its centre. While trying to negotiate the new status of their relationship, Janvier and Ashwini try to identify the withered husk of a woman they found in a dumpster, so they can narrow down the suspects and discover who murdered her. Because the way she was killed is so similar to Lijuan's power, the Tower is very determined to track the guilty party quickly. As they keep investigating, it seems the murder of the young woman might be connected to a strange new drug that causes uncontrollable blood lust among the vampires in the city. All signs point to someone further trying to destabilize Raphael's territory, making his subjects feel unsafe.
There have been some hit and miss books in the series, but the last few, this included, I have very much enjoyed. I liked that Ash and her Cajun already knew each other well and that they just needed to figure out a way to really be together, without any of the drama of falling in love and acknowledging their new feelings. There is a big, established supporting cast in these books, including Raphael and Elena, and the vampires and angels that make up Raphael's most loyal followers, the Seven. Now several of them have spouses of their own, and it's clear that Naasir, the most feral and mysterious of all of them is ready to find a special someone of his own. I like that Elena is so determined to discover what he is, which seems to be some sort of cat shapeshifter/vamprire hybrid. I'm very much looking forward to discovering the truth behind his origins and who his intended turns out to be.
Crossposted on Cannonball Read.
Rating: 4 stars
This is book 7 in an ongoing series, and as such, not the place to start reading. This review will contain some spoilers for the previous books in the series, because it's impossible not to mention some of the things that have happened before this book began. The first book in the series is Angels' Blood and I highly recommend it.
After the devestating attacks on New York, archangel Raphael and his consort Elena are trying to re-group, rebuild and calm the population. When a dessicated body is found, it looks like it was killed in a way reminiscent of how Lijuan, the insane archangel who tried to destroy New York, Raphael and his people, would drain her victims completely of life force to gain strength. Releasing the news of the body would only cause panic, so the death needs to be investigated with subtlety and stealth. Ashwini, one of Elena's old Guild Hunter colleagues is recovering from a near-fatal cut she sustained during the battle and is eager and willing to do some investigating. Like all Guild Hunters, Ashwini is a skilled tracker and can handle herself in a fight. She's also gifted and sometimes haunted with the ability to sense the secrets, memories and experiences of those she touches, often suffering terrible nightmares after just brushing against someone by accident. With older immortals, like some of the angels or vampires in the city, she doesn't even need to touch, their mere presence is enough to trigger her visions.
One of the few people who doesn't affect her in such a way is Janvier, the centuries old Cajun vampire who has sometimes been her target, but more often her ally. He has wanted Ashwini since the first time he saw her, and as the years have passed and they have sparred, flirted and co-operated more frequently, his feelings for her have only grown. She keeps him at a distance, but after she nearly died in the battle for New York, Janvier is determined to never leave her side. He knows that there are secrets in her past that make her reluctant to take their relationship to the next level, but having lived for centuries, he's not averse to waiting a while for her to make up her mind. Now they need to track down the monster who slowly tortured and murdered a young woman, making sure her killer doesn't hurt anyone else.
Unlike in most of the books in this series, Ashwini and Janvier already know each other well by the start of the book. Their first encounter involved Ashwini having to hunt down the vampire, who had gone rogue from his angel master and him leading her on a merry chase through the bayou of Louisiana. Over the course of the series, Janvier has gone to work for Raphael, the archangel of New York and he and Ashwini are allies rather than antagonists. There has always been strong attraction and sexual tension between them, but due to her abilities, Ashwini keeps herself from getting too close to anyone. While Janvier is one of the individuals she can be around, and who seems to actually keep her grounded, she can't bring herself to actually initiate a relationship with him, as there are secrets in her past that make it impossible for her to commit to anyone.
Janvier loves Ashwini and is none too happy that she nearly died recently. He wants to spend the rest of his immortal life with her, but due to the effect of older immortals on her abilities, Ashwini hates the idea of being turned into a vampire. She's worried it will amplify her powers, causing her to go insane from the sensory input. So she keeps flirting with Janvier, but taking it no further. Her near-death experience and the tender care that her Cajun took of her while she was recovering makes her want to tell him the full truth about why they can't be toghether. She's just terrified that the truth will drive him away forever.
While a lot of the previous books in the series (especially the ones focused primarily on Raphael and Elena) have driven the story arc forward, this is a quieter book, with a murder investigation in its centre. While trying to negotiate the new status of their relationship, Janvier and Ashwini try to identify the withered husk of a woman they found in a dumpster, so they can narrow down the suspects and discover who murdered her. Because the way she was killed is so similar to Lijuan's power, the Tower is very determined to track the guilty party quickly. As they keep investigating, it seems the murder of the young woman might be connected to a strange new drug that causes uncontrollable blood lust among the vampires in the city. All signs point to someone further trying to destabilize Raphael's territory, making his subjects feel unsafe.
There have been some hit and miss books in the series, but the last few, this included, I have very much enjoyed. I liked that Ash and her Cajun already knew each other well and that they just needed to figure out a way to really be together, without any of the drama of falling in love and acknowledging their new feelings. There is a big, established supporting cast in these books, including Raphael and Elena, and the vampires and angels that make up Raphael's most loyal followers, the Seven. Now several of them have spouses of their own, and it's clear that Naasir, the most feral and mysterious of all of them is ready to find a special someone of his own. I like that Elena is so determined to discover what he is, which seems to be some sort of cat shapeshifter/vamprire hybrid. I'm very much looking forward to discovering the truth behind his origins and who his intended turns out to be.
Crossposted on Cannonball Read.
#CBR7 Book 95: "Dark Wild Night" by Christina Lauren
Page count: 352 pages
Rating: 4.5 stars
Lorelei "Lola" Castle and Oliver Lore got married in Las Vegas, as did their friends Ansel and Mia and Finn and Harlow. While their friends were busy getting physical all over their hotel suites, Lola and Oliver walked for hours along the strip talking, not even holding hands. By the time Lola plucked up the courage to ask if they should get their own hotel room, Oliver had concluded that Lola wasn't a one night stand kind of a girl, and rejected the offer as kindly as possible. They got an annullment, then became the very best of friends, as Oliver opened a comic book shop in San Diego just as Lola's first comic book "Razor Fish" hit the market and became a huge success.
With the other two drunken impulse marriages having become a very real thing and their friends a tight-knit group, it's obvious to absolutely everyone, including Oliver's employee not-Joe (I'm assuming his real name will be revealed at some point) that Oliver and Lola are absolutely gaga for one another. When Lola's bestselling comic book is optioned for a three part megabudget action franchise and Oliver is the first person she tells, not one of the two women she's known since primary school, she starts to realise that he's become a bit more than just her best bud.
Lola's terrified that her wierd obsessive working habits are going to be off putting to Oliver, as it has been to guys she's dated in the past. Her mother left Lola and her father after Lola's dad came back from Afghanistan with PTSD, which has left Lola with some pretty deep-seated abandoment issues. As long as Oliver is firmly in the friend category, she won't have to be so worried about losing him.
Oliver, of course, has no intention of going anywhere at all. Having spent months patiently and calmly observing Lola in all aspects of her life, he knows her every habit and is mad about her anyway. All he wants is a chance to take care of her and love her the way she deserves. He's not about to let her handle smarmy Hollywood writers and executives on her own. While he's worried about their friendship changing, he also can't keep his feelings secret any longer.
The previous two romances in this series were extremely quick and satisfying reads and I love the friendship that has been set up between all the different characters. When I realised that the third book would feature geeks; (very physically attractive people, but geeks nonetheless) a tall, dark, handsome Australian who runs a comic shop and pretty, independent comic book creator, plus it was a friends to lovers story, I was all aflutter. My expectations were already pretty high, after having devoured the first two books a couple of weeks ago. So I'm glad I discovered these books when I did. At least I didn't have a super long wait ahead of me.
My expectations, while very high, were pretty much all met. My only niggle with this book, which is keeping it from a full five stars is that Lola acts really very stupidly for parts of the book. Oliver is pretty much the perfect guy and while she has a lot of issues, she should have come to her senses sooner and not tortured him so much. Apart from that, I loved it. The supporting cast are all great, the story entertaining, the unresolved sexual tension in the first half of the book is extremely well done, proloning the moment when the protagonists actually take the plunge and do it already.
The next book isn't out until February 2016, but I'm figuring it must be about Lola's roommate London, who is the only currently single female in the group. I suspect I'll be reading the Beautiful Bastard series as well to tide me over, as these women write really compulsively readable romance.
Crossposted on Cannonball Read.
Rating: 4.5 stars
Lorelei "Lola" Castle and Oliver Lore got married in Las Vegas, as did their friends Ansel and Mia and Finn and Harlow. While their friends were busy getting physical all over their hotel suites, Lola and Oliver walked for hours along the strip talking, not even holding hands. By the time Lola plucked up the courage to ask if they should get their own hotel room, Oliver had concluded that Lola wasn't a one night stand kind of a girl, and rejected the offer as kindly as possible. They got an annullment, then became the very best of friends, as Oliver opened a comic book shop in San Diego just as Lola's first comic book "Razor Fish" hit the market and became a huge success.
With the other two drunken impulse marriages having become a very real thing and their friends a tight-knit group, it's obvious to absolutely everyone, including Oliver's employee not-Joe (I'm assuming his real name will be revealed at some point) that Oliver and Lola are absolutely gaga for one another. When Lola's bestselling comic book is optioned for a three part megabudget action franchise and Oliver is the first person she tells, not one of the two women she's known since primary school, she starts to realise that he's become a bit more than just her best bud.
Lola's terrified that her wierd obsessive working habits are going to be off putting to Oliver, as it has been to guys she's dated in the past. Her mother left Lola and her father after Lola's dad came back from Afghanistan with PTSD, which has left Lola with some pretty deep-seated abandoment issues. As long as Oliver is firmly in the friend category, she won't have to be so worried about losing him.
Oliver, of course, has no intention of going anywhere at all. Having spent months patiently and calmly observing Lola in all aspects of her life, he knows her every habit and is mad about her anyway. All he wants is a chance to take care of her and love her the way she deserves. He's not about to let her handle smarmy Hollywood writers and executives on her own. While he's worried about their friendship changing, he also can't keep his feelings secret any longer.
The previous two romances in this series were extremely quick and satisfying reads and I love the friendship that has been set up between all the different characters. When I realised that the third book would feature geeks; (very physically attractive people, but geeks nonetheless) a tall, dark, handsome Australian who runs a comic shop and pretty, independent comic book creator, plus it was a friends to lovers story, I was all aflutter. My expectations were already pretty high, after having devoured the first two books a couple of weeks ago. So I'm glad I discovered these books when I did. At least I didn't have a super long wait ahead of me.
My expectations, while very high, were pretty much all met. My only niggle with this book, which is keeping it from a full five stars is that Lola acts really very stupidly for parts of the book. Oliver is pretty much the perfect guy and while she has a lot of issues, she should have come to her senses sooner and not tortured him so much. Apart from that, I loved it. The supporting cast are all great, the story entertaining, the unresolved sexual tension in the first half of the book is extremely well done, proloning the moment when the protagonists actually take the plunge and do it already.
The next book isn't out until February 2016, but I'm figuring it must be about Lola's roommate London, who is the only currently single female in the group. I suspect I'll be reading the Beautiful Bastard series as well to tide me over, as these women write really compulsively readable romance.
Crossposted on Cannonball Read.
#CBR7 Book 94: "Black Heart" by Holly Black
Page count: 304 pages
Rating: 4 stars
This is book 3 of a trilogy. This review, and even the book summary, is likely to contain spoilers for previous books in the series. Skip this until you're caught up.
In the third and final volume of Holly Black's Curse Worker trilogy, Cassel has forced his older brother Barron into working for the Feds, and he's loving every minute of it, as he's able to use his memory working to get a whole load of cool fringe benefits. Cassel can't be officially recruited by them yet, as he's not 18, but the deal is that once he's finished his final year of school, he'll come work for them too. Now he's mainly using his practise missions to spy on Lila, the girl he loves and who pretty much hates him after the emotion work his mother forced on her wore off. Lila Zacharov is following in her father's footsteps, having quit school and become a gangster in training.
Having not seen or heard from his mother in a while, Cassel discovers that Lila's father has her under house arrest for stealing and fencing his most prized possession, the resurrection diamond, a stone believed to have belonged to Rasputin, and whose owner can never be killed. He's been wearing a fake for years, but would like the original returned, and Cassel has no choice but to agree to try to locate it. Anything to be nearer to Lila, who lives in the same flat where his mother is now imprisoned.
The Feds need Cassel's help in neutralising a senator, who after emotion work was performed on him by a number of individuals, including Cassel's mother, has become dangerously unstable. He keeps proposing mandatory testing of all citizens, wanting those who are proven to be workers fired from their jobs, and in some extreme cases, imprisoned. As the government also employs magically gifted workers, it's very much in their interest that the sentator is taken out of the equation. They want Cassel to change him into a dog, who they can keep contained. Every instinct Cassel has says this is a trap, and his brother's snooping confirms it.
There is also a fairly boring subplot involving a school friend of Cassel's, hiring him and his roommate Sam to help her retrieve some photographs she's being blackmailed for. I thought the whole plot dragged quite a bit. It felt like it, as well as the extensive relationship drama between Sam and his girlfriend Daneca had been inserted mainly as padding, because Cassel's two main story lines - his doomed love for Lila and his moral quandary about transforming the senator, weren't enough to fill out the book.
What I really like about this whole series is that it's mostly a contemporary fiction series, with just a slight magical twist. The various worker powers are interesting to me, as are the implications of what such powers and the fear of them would do to a society. The books explore prejudice, fear and discrimination in an interesting way, and there is a tremendous range of morality in the various characters. There is very little right or wrong, just a whole lot of grey areas. Cassel isn't a very nice person, and has a lot of bad stuff in his past and present, but he keeps trying to protect the people he cares about and protect them as best he can. Sometimes he has to break the law to do that, but he doesn't want to become worse than he already is. He's killed people, but only because his brothers used him and made him forget it. He's caused a lot of pain to people he cares about, especially Lila, and so desperately wants to make up for it.
I found Barron's slight redemptive arc in this last book both promising and with the reveal of the picture on his phone, and what Cassel did with it, a bit heart-breaking. Barron has clearly been a sociopathic dick for much of the books, but you do get the sense that the brothers love each other despite all that. Their relationship with each other, and their mother, is very dysfunctional. I like their grandfather though, he's a nice guy, for all that he's been a mob assassin for much of his life.
I liked Cassel's solution to the dilemma he faced, and the tension in the aftermath, where his smart-arse ways were suddenly not enough to get him out of a bind. It was nice to see that the trust he'd learned to put in others over the course of the series paid off and that by the end of the series, things were seeming to look up for him. I said in my review for Red Glove that this would make an interesting TV show - a sort of paranormal Sopranos for young adults. Cast it with hot young things and it would probably do really well on the CW.
Crossposted on Cannonball Read.
Rating: 4 stars
This is book 3 of a trilogy. This review, and even the book summary, is likely to contain spoilers for previous books in the series. Skip this until you're caught up.
In the third and final volume of Holly Black's Curse Worker trilogy, Cassel has forced his older brother Barron into working for the Feds, and he's loving every minute of it, as he's able to use his memory working to get a whole load of cool fringe benefits. Cassel can't be officially recruited by them yet, as he's not 18, but the deal is that once he's finished his final year of school, he'll come work for them too. Now he's mainly using his practise missions to spy on Lila, the girl he loves and who pretty much hates him after the emotion work his mother forced on her wore off. Lila Zacharov is following in her father's footsteps, having quit school and become a gangster in training.
Having not seen or heard from his mother in a while, Cassel discovers that Lila's father has her under house arrest for stealing and fencing his most prized possession, the resurrection diamond, a stone believed to have belonged to Rasputin, and whose owner can never be killed. He's been wearing a fake for years, but would like the original returned, and Cassel has no choice but to agree to try to locate it. Anything to be nearer to Lila, who lives in the same flat where his mother is now imprisoned.
The Feds need Cassel's help in neutralising a senator, who after emotion work was performed on him by a number of individuals, including Cassel's mother, has become dangerously unstable. He keeps proposing mandatory testing of all citizens, wanting those who are proven to be workers fired from their jobs, and in some extreme cases, imprisoned. As the government also employs magically gifted workers, it's very much in their interest that the sentator is taken out of the equation. They want Cassel to change him into a dog, who they can keep contained. Every instinct Cassel has says this is a trap, and his brother's snooping confirms it.
There is also a fairly boring subplot involving a school friend of Cassel's, hiring him and his roommate Sam to help her retrieve some photographs she's being blackmailed for. I thought the whole plot dragged quite a bit. It felt like it, as well as the extensive relationship drama between Sam and his girlfriend Daneca had been inserted mainly as padding, because Cassel's two main story lines - his doomed love for Lila and his moral quandary about transforming the senator, weren't enough to fill out the book.
What I really like about this whole series is that it's mostly a contemporary fiction series, with just a slight magical twist. The various worker powers are interesting to me, as are the implications of what such powers and the fear of them would do to a society. The books explore prejudice, fear and discrimination in an interesting way, and there is a tremendous range of morality in the various characters. There is very little right or wrong, just a whole lot of grey areas. Cassel isn't a very nice person, and has a lot of bad stuff in his past and present, but he keeps trying to protect the people he cares about and protect them as best he can. Sometimes he has to break the law to do that, but he doesn't want to become worse than he already is. He's killed people, but only because his brothers used him and made him forget it. He's caused a lot of pain to people he cares about, especially Lila, and so desperately wants to make up for it.
I found Barron's slight redemptive arc in this last book both promising and with the reveal of the picture on his phone, and what Cassel did with it, a bit heart-breaking. Barron has clearly been a sociopathic dick for much of the books, but you do get the sense that the brothers love each other despite all that. Their relationship with each other, and their mother, is very dysfunctional. I like their grandfather though, he's a nice guy, for all that he's been a mob assassin for much of his life.
I liked Cassel's solution to the dilemma he faced, and the tension in the aftermath, where his smart-arse ways were suddenly not enough to get him out of a bind. It was nice to see that the trust he'd learned to put in others over the course of the series paid off and that by the end of the series, things were seeming to look up for him. I said in my review for Red Glove that this would make an interesting TV show - a sort of paranormal Sopranos for young adults. Cast it with hot young things and it would probably do really well on the CW.
Crossposted on Cannonball Read.
#CBR7 Book 93: "Red Glove" by Holly Black
Page count: 336 pages
Rating: 4 stars
This is the second book in a trilogy, and as such not the best place to start. This review will contain some spoilers for book one, because it's impossible to write about this book without talking about things that were revealed in the first one. So if you are new to these Holly Black books, go find White Cat - that's where to begin the trilogy.
Cassel Sharpe lives in a world where a select percentage of the population have certain gifts. People who, if they touch your skin with theirs, can alter your luck or prospects, manipulate or delete your memories, alter or change your emotions, break your bones or heal your illnesses. Some can even kill. In the United States, there is heavy legislation against what is known as such curse working. Everyone has to wear gloves, because you never know who might be a curse worker, manipulating you in some way. Because curse working is mainly seen as a bad thing (despite the fact that the majority of workers mainly use their powers to bring good luck or can heal the sick and injured), those who discover they are gifted with such powers keep it very secret, or go on to join organised crime, because all the major crime bosses are curse workers.
On the flip side of having a cool superpower, there is the blowback. Every time a worker uses his or her abilities, they get a reaction. Physical workers who use their powers to hurt or heal get sick themselves, emotion workers get very emotionally unstable, death workers actually lose body parts and memory workers lose their own memories.
Cassel believed he was the only one in his family of grifters and curse workers not gifted. His mother can completely change people's emotions, his older brother Phillip could break people's bones, his middle brother Barron can completely rewrite or delete people's memories and his grandfather is a death worker. Cassel himself is one of the rarest of workers, he can transform items or people, alter their appearances or even change them into animals or inanimate objects. His mother and brothers wanted to keep him unaware of his gifts until he got older, so his brother Barron started changing his memories, making him think he was just a regular human. Over the course of the first book, Cassel discovers that his brothers kept rewriting his memories, using his transformation abilities for their own ends.
After Phillip and Barrons tried to move up in the world by trying to assassinate Zacharov, the local curse worker crime boss, Cassel made a deal that saved their lives, but led to the death of Zacharov's nephew Anton. Because of all the blowback from his memory cursing, Barron's memory is a bit like Swiss cheese, and he has to surround himself with photographs, notebooks, post-it notes and note cards to remind himself of who he is and what his memories are. Cassel has used his forgery skills to make Barron believe they don't hate each other, and go for pizza every fortnight. Their mother is out of jail, and to "thank" Cassel, manipulated Lila, Zacharov's only daughter, into being madly in love with him. Now the girl Cassel has always loved and feels horrible about betraying (I don't want to reveal how, as it's very spoilery) is attending his school, watching him like a love-sick puppy and he can't touch her, as she's effectively given a really long-lasting roofie.
To add to Cassel's difficulties, he is approached by Federal agents who tell him his brother Phillip has been murdered. The security footage show a hooded woman entering his building, wearing long red gloves. They believe Phillip's death may be the last in a string of disappearances connected to the Zacharov crime family, and want Cassel's help in solving the crimes. Looking at the pictures of the missing men, Cassel is worried he knows exactly what happened to them. Cassel is pretty much stuck between a rock and a hard place. He doesn't really want to actively work for Zacharov, but can't exactly turn around and work for the government either, as that would be seen as a betrayal of everything he comes from, and could lead to the death of Barron, his mother and likely Cassel himself.
Luckily, over the course of the first book, Cassel discovered he has friends he can really confide in and trust. His roommate Sam, who is a special effects wizard and Sam's girlfriend Daneca, who is very passionate about protecting worker rights, helped him prevent his brothers' misguided assassination attempt of Zacharov. They are now his most important allies. Cassel's grandfather is also firmly on his side, with no illusions about his various family members, but as he's been part of the Zacharov crime family and lost four fingers because of death curses he's performed in the line of duty, so Cassel doesn't feel he can tell him the full truth. He needs to use all the tricks he's learned as a grifter to hold both sides off until he figures out how he can work out what is best for himself.
I first read White Cat, the first book in the series about five years ago, and it didn't really make much of an impact on me. Then one of my friends read the whole series and rated them so highly, saying he actually wanted to see a paranormal TV series based on them, and I figured I really should give them another try. When re-reading the first book, I liked it better this time and many of the problems I had with Cassel as a protagonist come from the fact that he's such a introverted loner. Once he starts opening up and making friends, he becomes a lot more relatable and I cared more about what happened to him. Which is good, because there is a more engaging plot in the first book than in this one. I was still interested in seeing where the story was going and how Cassel was going to play both sides against each other. My friend is right, this would make a very cool TV show.
Crossposted on Cannonball Read.
Rating: 4 stars
This is the second book in a trilogy, and as such not the best place to start. This review will contain some spoilers for book one, because it's impossible to write about this book without talking about things that were revealed in the first one. So if you are new to these Holly Black books, go find White Cat - that's where to begin the trilogy.
Cassel Sharpe lives in a world where a select percentage of the population have certain gifts. People who, if they touch your skin with theirs, can alter your luck or prospects, manipulate or delete your memories, alter or change your emotions, break your bones or heal your illnesses. Some can even kill. In the United States, there is heavy legislation against what is known as such curse working. Everyone has to wear gloves, because you never know who might be a curse worker, manipulating you in some way. Because curse working is mainly seen as a bad thing (despite the fact that the majority of workers mainly use their powers to bring good luck or can heal the sick and injured), those who discover they are gifted with such powers keep it very secret, or go on to join organised crime, because all the major crime bosses are curse workers.
On the flip side of having a cool superpower, there is the blowback. Every time a worker uses his or her abilities, they get a reaction. Physical workers who use their powers to hurt or heal get sick themselves, emotion workers get very emotionally unstable, death workers actually lose body parts and memory workers lose their own memories.
Cassel believed he was the only one in his family of grifters and curse workers not gifted. His mother can completely change people's emotions, his older brother Phillip could break people's bones, his middle brother Barron can completely rewrite or delete people's memories and his grandfather is a death worker. Cassel himself is one of the rarest of workers, he can transform items or people, alter their appearances or even change them into animals or inanimate objects. His mother and brothers wanted to keep him unaware of his gifts until he got older, so his brother Barron started changing his memories, making him think he was just a regular human. Over the course of the first book, Cassel discovers that his brothers kept rewriting his memories, using his transformation abilities for their own ends.
After Phillip and Barrons tried to move up in the world by trying to assassinate Zacharov, the local curse worker crime boss, Cassel made a deal that saved their lives, but led to the death of Zacharov's nephew Anton. Because of all the blowback from his memory cursing, Barron's memory is a bit like Swiss cheese, and he has to surround himself with photographs, notebooks, post-it notes and note cards to remind himself of who he is and what his memories are. Cassel has used his forgery skills to make Barron believe they don't hate each other, and go for pizza every fortnight. Their mother is out of jail, and to "thank" Cassel, manipulated Lila, Zacharov's only daughter, into being madly in love with him. Now the girl Cassel has always loved and feels horrible about betraying (I don't want to reveal how, as it's very spoilery) is attending his school, watching him like a love-sick puppy and he can't touch her, as she's effectively given a really long-lasting roofie.
To add to Cassel's difficulties, he is approached by Federal agents who tell him his brother Phillip has been murdered. The security footage show a hooded woman entering his building, wearing long red gloves. They believe Phillip's death may be the last in a string of disappearances connected to the Zacharov crime family, and want Cassel's help in solving the crimes. Looking at the pictures of the missing men, Cassel is worried he knows exactly what happened to them. Cassel is pretty much stuck between a rock and a hard place. He doesn't really want to actively work for Zacharov, but can't exactly turn around and work for the government either, as that would be seen as a betrayal of everything he comes from, and could lead to the death of Barron, his mother and likely Cassel himself.
Luckily, over the course of the first book, Cassel discovered he has friends he can really confide in and trust. His roommate Sam, who is a special effects wizard and Sam's girlfriend Daneca, who is very passionate about protecting worker rights, helped him prevent his brothers' misguided assassination attempt of Zacharov. They are now his most important allies. Cassel's grandfather is also firmly on his side, with no illusions about his various family members, but as he's been part of the Zacharov crime family and lost four fingers because of death curses he's performed in the line of duty, so Cassel doesn't feel he can tell him the full truth. He needs to use all the tricks he's learned as a grifter to hold both sides off until he figures out how he can work out what is best for himself.
I first read White Cat, the first book in the series about five years ago, and it didn't really make much of an impact on me. Then one of my friends read the whole series and rated them so highly, saying he actually wanted to see a paranormal TV series based on them, and I figured I really should give them another try. When re-reading the first book, I liked it better this time and many of the problems I had with Cassel as a protagonist come from the fact that he's such a introverted loner. Once he starts opening up and making friends, he becomes a lot more relatable and I cared more about what happened to him. Which is good, because there is a more engaging plot in the first book than in this one. I was still interested in seeing where the story was going and how Cassel was going to play both sides against each other. My friend is right, this would make a very cool TV show.
Crossposted on Cannonball Read.
Monday, 14 September 2015
#CBR7 Book 91: "A Red-Rose Chain" by Seanan McGuire
Page count: 368 pages
Rating: 4 stars
This is book 9 in the October Daye series. Standard disclaimers about spoilers if you're not caught up. Book one, Rosemary and Rue, is the place to start if this series is entirely new to you. It's also the September 2015 pick for the Vaginal Fantasy book club.
Just as October "Toby" Daye, changeling knight and hero of multiple faerie kingdoms seems to be catching a break, having things go her way for a change, there are unexpected developments in the court of queen Arden Windermere and Toby is sent as an ambassador to the neighbouring kingdom of Silences (located in Portland), with only three days to prevent a war. King Rhys of the Silences was given his throne by the former Queen of the Mists, who was ousted when Toby discovered she was an impostor and located Arden Windermere to take her rightful place on the throne. It's safe to say that he's unlikely to be very receptive to Toby's entreaties of peace, especially since he is also rumoured to hate and revile changelings.
While the Toby of old might have thrown herself into danger by herself, now Toby has friends, allies and a fiancee who isn't about to let her leave his side if he can help it. Toby travels to the Silences with the King of Cats, her squire Quentin, her adopted sister May, her pet rose goblin and Walther, a former resident of the Silences. While they think they are prepared for anything, what they find when they arrive is worse than they had even imagined and it's clear that their three days are not going to simple or peaceful ones. Toby is facing an enemy from her past she was hoping never to see again, and is going to have to use all her wits and allies to get out of the Silences alive.
It wouldn't be a very exciting Toby Daye book if all Toby did was sit around, flirting with Tybalt and planning her future wedding, bantering with Quentin and May and generally just going about her daily chores. Her sudden promotion to diplomat startles her, but as the Silences' declaration of war was to shoot queen Windermere's seneschal with elf shot (meaning he will sleep for a hundred years), and the new queen is young and new to the throne, there really aren't that many people around her she can trust and Toby has already proven her worth with a number of heroic deeds. Besides, it quickly becomes clear that our favourite changeling knight isn't being sent to negotiate so much as cause a distraction and stall as much as possible, while the kingdom of the Mists can prepare for imminent attack.
It's always fun to see the world of a beloved series expanding and while the Silences is clearly a faerie kingdom where there is a whole lot of badness and wrong going on, it was also interesting to see how it was being run and had been run in the past. Walther, Toby's alchemist friend, turns out to have ties to the former royal family, who were put out of commission when King Rhys took power. He really doesn't want to return there, preferring to stay at Berkeley to teach chemistry and working towards his tenure, but he can't really refuse a direct request from his friend either.
While I found the first couple of books in this series a bit slow going (I liked them a lot better when re-reading the series a few years back), I have been pretty much hooked since I was a third into book three, and for the last four years (maybe five now), I've been counting the days from when I finish one book until the next is released. It's one of my favourite series, both because of the interesting mix of paranormal and real world ideas, combined with an excellent protagonist and a wonderful supporting cast. The previous book in the series was one of those game-changer books that finished off a lot of plot threads and revealed a whole load of things that had been hinted at for years. This book is relatively quiet in comparison, but still a very good read. As in most urban fantasy, there is a good range of diverse and complex female characters, but there McGuire is very good at representation with regards to different sexual preferences and identities, without it being made any kind of special issue of. In this, there was even a trans-gender character, which isn't something I think I've come across in paranormal fantasy before.
Since I have to wait another year for Toby Daye 10, I really should check out McGuire's InCryptid series, which I've also heard very good things about.
Crossposted on Cannonball Read.
Rating: 4 stars
This is book 9 in the October Daye series. Standard disclaimers about spoilers if you're not caught up. Book one, Rosemary and Rue, is the place to start if this series is entirely new to you. It's also the September 2015 pick for the Vaginal Fantasy book club.
Just as October "Toby" Daye, changeling knight and hero of multiple faerie kingdoms seems to be catching a break, having things go her way for a change, there are unexpected developments in the court of queen Arden Windermere and Toby is sent as an ambassador to the neighbouring kingdom of Silences (located in Portland), with only three days to prevent a war. King Rhys of the Silences was given his throne by the former Queen of the Mists, who was ousted when Toby discovered she was an impostor and located Arden Windermere to take her rightful place on the throne. It's safe to say that he's unlikely to be very receptive to Toby's entreaties of peace, especially since he is also rumoured to hate and revile changelings.
While the Toby of old might have thrown herself into danger by herself, now Toby has friends, allies and a fiancee who isn't about to let her leave his side if he can help it. Toby travels to the Silences with the King of Cats, her squire Quentin, her adopted sister May, her pet rose goblin and Walther, a former resident of the Silences. While they think they are prepared for anything, what they find when they arrive is worse than they had even imagined and it's clear that their three days are not going to simple or peaceful ones. Toby is facing an enemy from her past she was hoping never to see again, and is going to have to use all her wits and allies to get out of the Silences alive.
It wouldn't be a very exciting Toby Daye book if all Toby did was sit around, flirting with Tybalt and planning her future wedding, bantering with Quentin and May and generally just going about her daily chores. Her sudden promotion to diplomat startles her, but as the Silences' declaration of war was to shoot queen Windermere's seneschal with elf shot (meaning he will sleep for a hundred years), and the new queen is young and new to the throne, there really aren't that many people around her she can trust and Toby has already proven her worth with a number of heroic deeds. Besides, it quickly becomes clear that our favourite changeling knight isn't being sent to negotiate so much as cause a distraction and stall as much as possible, while the kingdom of the Mists can prepare for imminent attack.
It's always fun to see the world of a beloved series expanding and while the Silences is clearly a faerie kingdom where there is a whole lot of badness and wrong going on, it was also interesting to see how it was being run and had been run in the past. Walther, Toby's alchemist friend, turns out to have ties to the former royal family, who were put out of commission when King Rhys took power. He really doesn't want to return there, preferring to stay at Berkeley to teach chemistry and working towards his tenure, but he can't really refuse a direct request from his friend either.
While I found the first couple of books in this series a bit slow going (I liked them a lot better when re-reading the series a few years back), I have been pretty much hooked since I was a third into book three, and for the last four years (maybe five now), I've been counting the days from when I finish one book until the next is released. It's one of my favourite series, both because of the interesting mix of paranormal and real world ideas, combined with an excellent protagonist and a wonderful supporting cast. The previous book in the series was one of those game-changer books that finished off a lot of plot threads and revealed a whole load of things that had been hinted at for years. This book is relatively quiet in comparison, but still a very good read. As in most urban fantasy, there is a good range of diverse and complex female characters, but there McGuire is very good at representation with regards to different sexual preferences and identities, without it being made any kind of special issue of. In this, there was even a trans-gender character, which isn't something I think I've come across in paranormal fantasy before.
Since I have to wait another year for Toby Daye 10, I really should check out McGuire's InCryptid series, which I've also heard very good things about.
Crossposted on Cannonball Read.
#CBR7 Book 90: "Dirty Rowdy Thing" by Christina Lauren
Page count: 352 pages
Rating: 4 stars
Like their friends Mia and Ansel, Harlow Vega and Finn Roberts had a wild, unforgettable night together in Vegas, where they drunkenly got married. Unlike their friends, Harlow and Finn got an annulment the very next morning. While the sex was amazing, neither of them are entirely sure they even like each other. With the exception of a brief impulsive weekend, when Harlow turned up at Finn's house in Canada wearing nothing but a trench coat, where they spent their whole time together hooking up, they've barely seen each other.
Now their friend Oliver is fulfilling his dream of opening a comic book store, and Finn and Harlow find themselves in each other's company a lot more often. Harlow, who is normally the one who takes care of everyone and everything, solving and fixing any problem thrown at her, has received some very bad news about a family member and is in a new and vulnerable place because of it. Finn, who has been running his family's fishing business since he was a teenager is in California to talk to some investors, as he and his brothers may be unable to run their business successfully without help anymore. Both are used to being in control and the new state of affairs is deeply unsettling to them. What starts out as casual hook-ups to blow off some steam quickly evolves into something a lot more significant.
As far as I can tell, in most of Christina Lauren's books, there is alternating narration from the hero and heroine. Sweet Filthy Boy, the first book in the series, only had Mia's POV throughout the book, this one changes between Harlow and Finn. I liked that a lot more, because seeing both sides of a romance as its developing always feels more satisfying. On the surface, Finn and Harlow could not be more different. Finn is from a small town in Canada, having helped out with or personally run his family's fishing business since he was a boy. He's big and very strong, and not the most emotionally forthcoming, having been surrounded only by men since his mother died when he was a young teen. Harlow is the beautiful eldest daughter of a famous movie star and a successful cinematographer. She works as an unpaid intern about twelve hours a week and thanks to a very generous trust fund, doesn't really need to work at all if she doesn't want to. While Finn initially sees her as a vapid socialite, he quickly discovers that there are a lot more layers to Harlow when he actually spends some time with her.
Like in the previous book, the relationship between the protagonists starts out as purely physical, with Harlow and Finn finding release from their worries in each other. My major complaint with Sweet Filthy Boy was that I felt cheated out of the emotional development between the characters, because all that was described, not just mentioned in passing, was the sex. Possibly because we get the story from both Harlow and Finn's POVs, more time is also spent on their feelings, which gradually change as they keep seeking each other out. In this book, the final quarter, where the big misunderstanding is introduced, is less well handled than in the previous book, but overall, I think I still prefer this one. Not enough to give it another half a star, but possibly quarter of one (I'm not going to start doing quarter stars, that way madness lies).
While Harlow was a secondary character who mainly talked to Mia on the phone in the previous book, although her impulsive visit to Canada was mentioned, there is more time spent in this book on the setup for the next one. Mia and Harlow's third friend, Lola, who also got married in Vegas, but never so much as kissed her husband, Oliver, is spending a lot of time in his comic book store and it's quite clear that while they may just have spent their night in Vegas talking, he is head over heels in love with his ex-wife, patiently waiting for her to notice him, while supporting her in her increasingly successful career as a comic book artist. Just the fact that the next book is going to be about a hot Australian bespectacled, blond guy who runs a comic book store (I'm basically picturing Chris Hemsworth in that photo from the new Ghostbusters movie) and a female comic book artist fills me with so much glee. Their book is out shortly, and I can't wait to read it.
Crossposted on Cannonball Read.
Rating: 4 stars
Like their friends Mia and Ansel, Harlow Vega and Finn Roberts had a wild, unforgettable night together in Vegas, where they drunkenly got married. Unlike their friends, Harlow and Finn got an annulment the very next morning. While the sex was amazing, neither of them are entirely sure they even like each other. With the exception of a brief impulsive weekend, when Harlow turned up at Finn's house in Canada wearing nothing but a trench coat, where they spent their whole time together hooking up, they've barely seen each other.
Now their friend Oliver is fulfilling his dream of opening a comic book store, and Finn and Harlow find themselves in each other's company a lot more often. Harlow, who is normally the one who takes care of everyone and everything, solving and fixing any problem thrown at her, has received some very bad news about a family member and is in a new and vulnerable place because of it. Finn, who has been running his family's fishing business since he was a teenager is in California to talk to some investors, as he and his brothers may be unable to run their business successfully without help anymore. Both are used to being in control and the new state of affairs is deeply unsettling to them. What starts out as casual hook-ups to blow off some steam quickly evolves into something a lot more significant.
As far as I can tell, in most of Christina Lauren's books, there is alternating narration from the hero and heroine. Sweet Filthy Boy, the first book in the series, only had Mia's POV throughout the book, this one changes between Harlow and Finn. I liked that a lot more, because seeing both sides of a romance as its developing always feels more satisfying. On the surface, Finn and Harlow could not be more different. Finn is from a small town in Canada, having helped out with or personally run his family's fishing business since he was a boy. He's big and very strong, and not the most emotionally forthcoming, having been surrounded only by men since his mother died when he was a young teen. Harlow is the beautiful eldest daughter of a famous movie star and a successful cinematographer. She works as an unpaid intern about twelve hours a week and thanks to a very generous trust fund, doesn't really need to work at all if she doesn't want to. While Finn initially sees her as a vapid socialite, he quickly discovers that there are a lot more layers to Harlow when he actually spends some time with her.
Like in the previous book, the relationship between the protagonists starts out as purely physical, with Harlow and Finn finding release from their worries in each other. My major complaint with Sweet Filthy Boy was that I felt cheated out of the emotional development between the characters, because all that was described, not just mentioned in passing, was the sex. Possibly because we get the story from both Harlow and Finn's POVs, more time is also spent on their feelings, which gradually change as they keep seeking each other out. In this book, the final quarter, where the big misunderstanding is introduced, is less well handled than in the previous book, but overall, I think I still prefer this one. Not enough to give it another half a star, but possibly quarter of one (I'm not going to start doing quarter stars, that way madness lies).
While Harlow was a secondary character who mainly talked to Mia on the phone in the previous book, although her impulsive visit to Canada was mentioned, there is more time spent in this book on the setup for the next one. Mia and Harlow's third friend, Lola, who also got married in Vegas, but never so much as kissed her husband, Oliver, is spending a lot of time in his comic book store and it's quite clear that while they may just have spent their night in Vegas talking, he is head over heels in love with his ex-wife, patiently waiting for her to notice him, while supporting her in her increasingly successful career as a comic book artist. Just the fact that the next book is going to be about a hot Australian bespectacled, blond guy who runs a comic book store (I'm basically picturing Chris Hemsworth in that photo from the new Ghostbusters movie) and a female comic book artist fills me with so much glee. Their book is out shortly, and I can't wait to read it.
Crossposted on Cannonball Read.
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