CBR18 Book 52: "Bright Young Women" by Jessica Knoll

Page count: 384 pages

Rating: 5 stars

Monthly Keyword 26: Bright

Reading the Rainbow: Yellow

CBR18 Bingo: Versus (The brave, tenacious and determined women vs the spineless and depraved serial killer

Official plot synopsis:

Tallahassee, 1978. Sorority president Pamela Schumacher wakes to a shocking scene of implausible violence and death, and is drawn into a mystifying crime that grips the nation for decades . . .

In Seattle, Tina Cannon connects her best friend's disappearance to the Tallahassee tragedy, and is convinced that a single man is responsible.

Determined to find justice, the two join forces as their search for answers leads to a final, shocking confrontation . . .

This is probably going to be my most surprising 5-star read of the year. If you had told me before I started it, that not only would I have trouble putting it down, finishing it in less than 48 hours, but that I would absolutely love it, I likely would have seriously side-eyed you. True Crime is not a genre that has ever really appealed to me. Serial killers creep me out. I find violence towards women and children incredibly distasteful and upsetting. So tremendous kudos to Jessica Knoll for writing so well that I not only devoured this book, but found myself regretting my compulsive need to check the Wikipedia entry on Ted Bundy (never named, referred to as «The Defendant» throughout the book). This book made me care deeply for the brave female protagonists, and at several points throughout, I cried. 

While I knew it was going to upset me and creep me the f*ck out, I couldn’t help myself from reading about the real events this book is based on. The fact that such a sick, sad, thoroughly mediocre man was able to keep abducting, terrorising, sexually assaulting and murdering women for so long – it didn’t seem possible. Sadly, truth is frequently a lot stranger than fiction, and most of the time, women still aren’t believed in cases like this. It was so much worse in the 1970s. 

This will very likely end up in my top 10 of the year. I tend to be very safe in my reading choices, and rarely read things that may force me out of my comfort zone. Thanks to the Monthly Keyword challenge, I decided to read this book, and I’m so glad I did. 

Crossposted on Cannonball Read. 

CBR18 Book 50: "The Devils" by Joe Abercrombie

Page count: 576 pages

Audio book length: 25hrs 5mins

Rating: 5 stars

Nowhere Book Bingo 26: Book rec from a friend (Ashley/Narfna loved this)

Defeat the Goblin TBR: The Rogue Book - a book with politics/intrigue/sneakery involved (this book has all three and lots of it)

CBR18 Bingo: Left (All of my fiction books are alphabetised by author, so Abercrombie comes to the very top left of the bookshelf it's placed on)

A cowardly monk. A mercenary. A vampire. A werewolf (who used to be a viking warrior). An elf. A necromancer. A knight who cannot die. An orphaned thief who is apparently a long-lost imperial princess. Add them together into a highly unlikely band of allies and watch them make their way through a war-torn alternate Europe (where the holy saviour was the daughter of God, who died on a wheel), facing all manner of dangers (not least the supposed princess's murderous cousins) to get to Troy. This book is basically a late-medieval Suicide Squad, and it is violent, at times extremely gory, constantly surprising, and wildly entertaining.

In the beginning, I wrote a list of all the major characters, so I could remember their names and something about their characters, so I could tell them all apart. The book follows eight different characters, six of whom get their own points of view. In addition, this book is set in an alternate Europe, where the crusades have been against the murderous elves, who want to kill and eat humanity. Troy still exists and is an ancient empire. The saviour is the daughter of god, and the Pope in Rome is a woman (actually a ten-year-old child). There's also been a religious schism, so in the East, all the major religious leaders are men. Street rat Alex is told by a swanky nobleman that she is, in fact, the long-lost imperial princess of Troy, and has a birthmark and one half of a medallion that seems to prove her identity. The oracles of the church confirm her identity, and The Order of the Holy Expediency (a very unusual group of individuals that the Church uses to get its dirty work done) is tasked with accompanying her through Europe to Troy, to get her coronated.

It is a very long and dangerous journey, and our unlikely band of anti-heroes face so many deadly challenges to make it towards their goal. If Alex (or Princess Alexia) actually makes it to Troy and manages to become Empress, it will be an honest-to-God miracle. Her murderous cousins, who would like the throne for themselves, and a staggering number of implausible monsters stand in her way. Luckily, Alex has monsters of her own to help her achieve her destiny. 

While I own several of Joe Abercrombie's books, this is the first of his novels that I've actually read, mainly because grimdark isn't really my favourite genre, and certainly not anything I would choose to read now that we are all living in the stupidest dystopia, and the world is burning. However, my good friend Ashley put this as her third-best book of 2025 (and she reads a LOT more than me), and since she also explains in her video why this was an exception to Abercrombie's other books, I really couldn't help myself when I saw the audiobook on sale last year. Then I saw the hardback at my local library (and decided it was a sign from the universe). I borrowed the book so I could follow along (it has illustrations, pictures of all the major characters), but listened mostly to the audiobook (it makes cycling to and from work so much more enjoyable, and I can also listen while I knit). 

I've seen enthusiasm for Steven Pacey as the narrator of the book in a few places online, but personally, it took me a while to warm to some of his narration choices. He does do a good job differentiating between the many different POV characters, and the further I got into the book, the more comfortable I got with his choices. 

I don't know exactly what I was expecting from this book, but I certainly hadn't expected it to be as laugh-out-loud funny as it was in places. I found myself reading passages out loud to my husband, mainly to explain why I kept cackling with delight while reading. If I had to pick one favourite character, it's obviously going to be Viga, the werewolf, but I grew to care deeply for every single individual in this misfit crew and was delighted to spend time with them in their strange quest through Europe. I'm now very curious as to where Abercrombie is taking the series next; the sequel has been given a release date in 2027. I have also bought my own paperback copy of the book, and hope to get it signed next year when Abercrombie is one of the guests of honour at Norcon in Oslo (along with Martha Wells, I'm so excited!). 

Judging a book by its cover: I didn't actually notice at first that the lower jawbone of the skull on the cover is, in fact, a crown, and not a jawbone at all. I think this cover is funny and creative, and it really catches your eye. 

Crossposted on Cannonball Read. 

CBR18 Book 37: "Let's Make a Scene" by Laura Wood

Page count: 352 pages

Rating: 5 stars

Cynthie Taylor needs some positive publicity, fast. Once it was revealed that not only was the film director she recently broke up with married, but his wife is pregnant, former good girl Cynthie is now seen as a manipulative home wrecker (the cheating director is obviously not getting the same negative press, what with being a man and all).

Fired from a high-profile superhero movie, Cynthie may have found a new and unexpected career rescue. The writer and director of Cynthie's first-ever movie, A Lady of Quality, the one who made her a breakout star, wants to make a sequel, as in the thirteen years since it was made, it has become a cult classic on streaming, and now the funding is in place to make a follow-up. Most of the original team will be in place to make it, and filming in the UK will take Cynthie away from the most aggressive press attention. It would also mean working closely with Jack Turner-Jones again, a man Cynthie has a complicated past with. 

Thirteen years ago, Cynthie was a relatively unknown actress selected for her role in A Lady of Quality in a series of auditions. Jack Turner-Jones was the son of two acclaimed and beloved British actors, who had very high career expectations for him. He's worried she's going to ruin the whole movie with her stage fright and inexperience. Cynthie overhears him complaining to one of the directors that he wants her fired, and finds his arrogance infuriating. They start off on the wrong foot and keep getting more antagonistic as the shoot progresses. The studio execs, however, want Cynthie and Jack to pretend to be a couple to drum up publicity for the movie. So while they privately loathe each other, they not only have to pretend to fall in love in the movie they're filming, but off-screen as well. 

Now Cynthie's PR people think it would be very beneficial for her reputation if she rekindled this fake romance with Jack, which will also create advance publicity and excitement for A Lady of Quality 2. Jack Turner-Jones is up for contract negotiations for the next season of Blood/Lust, and wants to make sure his character isn't killed off. Fake dating Cynthie will raise his media profile considerably. Since the world already thinks they used to love each other back in the day, selling the relationship now should be easier. There is the added complication that the streaming service that's funding the movie wants there to be a behind-the-scenes documentary accompanying the release, so Cynthie and Jack would have to pretend to be affectionate a lot more of the time.   

Career-wise, Cynthie is now basically where Jack once hoped he would end up. She's starred in a number of prestigious films, been Oscar-nominated, won several other major acting awards, and until she was unfortunate enough to get romantically involved with a man who chose not to divulge that he was married, she was box office gold. Jack, on the other hand, is a constant disappointment to his exacting parents, being perfectly happy as an ensemble player in a supernatural TV show about vampires. 

As is the case with every fake relationship story in romance, especially because this is ALSO a second-chance romance, there's no way that Cynthie and Jack don't fall madly in love with each other. The book alternates between the present day and thirteen years ago, so the readers first get to see the older actors meeting again (and being instantly smitten with one another), but also get the whole complicated backstory of how the filming of the first movie and their fake relationship back then ended so catastrophically. 

One of my favourite things in Under Your Spell was the supporting cast of characters, like Clem's mothers and sisters, and Theo's micro-managing personal assistant. Here, Cynthie has a wonderful team of people taking care of her, including her best friend Hannah, who has been her personal assistant from the start. While Jack's parents are the absolute worst, he, too, has a lot of supportive friends, and then there's the crew of the movies, who also provide a lot of entertainment.

I literally bought this for my e-reader as soon as I finished Under Your Spell, and ended up liking it even more, possibly because a lot of different scenes in this reminded me of several of Lucy Parker's London Celebrities books, which remain some of my favourite contemporary romances. There were also references throughout to several of my favourite rom-coms, including While You Were Sleeping. Laura Wood is an author I will be eagerly searching for new releases from, based on the two books I read these last few days. If she writes another one as good as these, she may be a new auto-buy author for me.

Judging a book by its cover: This one has a much more traditional romance cover than Under Your Spell, and it gratifies me to see that the little cartoon people are actually wearing outfits as described in the book (that is so often not the case). 

Crossposted on Cannonball Read.

CBR18 Book 31: "This Kingdom Will Not Kill Me" by Ilona Andrews

Page count: 480 pages

Audio book length: 21 hrs 34 mins

Rating: 5 stars

Buzzwords Challenge 26: This/that/these/those

Maggie wakes up one day, cold, naked and soaked to the skin in the gutter of Kair Toren, the sprawling capital city of Rellas, where her favourite fantasy novels are set. For the past decade, Maggie has read and re-read the two books in the unfinished series enough times that she knows the setting, prominent characters and the plot intimately. It's what makes it possible for her to lie in wait, trying to rob a shady minor character just so she'll have enough money to get some clothes and shelter. While she's correct about when and where the character will show up, her robbery attempt ends with her being stabbed in the gut, which leads to her next discovery. She's stuck in the world of her favourite books, and while she can be killed, she doesn't stay dead.

Maggie is well-read and knows she's in an isekai fantasy. She knows the rules of such stories, and unfortunately, she's not as lucky as most characters in those kinds of stories. Unfortunately, unlike a lot of characters in such stories, Maggie is penniless, homeless and has no connections to anyone in the story. She does, however, have an encyclopedic knowledge of the plot of the world she's been transported into, so she knows which characters may prove useful allies, and which are best avoided at all costs. She knows how major events will play out and which characters will live, or die. She also discovers that she can read, understand and speak all the various languages of Rellas. In addition, she may be immortal.

She uses her knowledge to gain some useful allies, and in a remarkably short space of time, has acquired not only a safe place to stay, but has also become responsible for two young persons whom she rescued from enslavement. She knows at what point in time she has come into the story, and as a result, knows what is going to happen to the world and several characters she cares deeply about. Maggie decides she cannot, in good conscience, let the events as they are written come to pass. She wants to try to alter the events of the books, and as a result, possibly avoid the deaths of several of her favourite characters, not to mention stop a harrowing civil war and untold bloodshed. She just needs to convince her new friends that she can be trusted, and hope that her plans don't somehow make things worse. 

I read my first Ilona Andrews novel in 2009, early enough that they'd only published three books in the Kate Daniels series. I don't actually remember at what point they became not only auto-buy for me, but pre-order as soon as possible, possibly in more than one format (I have most of their books in e-book, dead tree, Graphic Audio audio dramas and/or audiobooks, even some in fancy signed special editions). I've read everything they've ever written, usually at least two or three times, sometimes five or six. Anyone who has been reading my reviews for a while knows that I am a proud card-carrying member of the BDH (Book Devouring Horde). I only have one tattoo (so far), and one element of it is a quote from one of their books ("If the sky could dream, it would dream of dragons" from Fate's Edge, if you're curious).

So it makes me immensely happy to see them reaching a lot of new readers with this rebrand (as my friend Christian, who works at the Oslo fantasy/sci-fi/comics/nerd shop Outland, calls it). A chonky epic fantasy novel, the first in a trilogy, which was acquired by Tor in a bidding war and has been promoted widely for months before its release. While it's their biggest book to date, both in size and scope, to me, as a loyal long-time reader, it was incredibly fun to see how many of the elements from their other books were clearly found in the pages of this one. It's basically their entire writing career, fine-tuned and distilled into a new series. 

You have the clever heroine, who, in contrast to all of Andrews' other heroines, doesn't have any advanced skills or magical powers. With the exception of Audrey from Fate's Edge, I think all of their female protagonists have both extensive fighting abilities and/or powerful magic at their disposal, while Maggie mostly has her mind. In addition to her near-perfect recall of everything that happens in the books, she also proves herself to be good at planning and strategic thinking.

Family, biological or found, also plays a major part in the Andrews' books. Since Maggie has been transported from our world into a fantasy one, she starts out alone and helpless, but before long, she has a loyal band of people surrounding her, willing to risk their lives to help her when she's in trouble (and she does get into trouble). 

There is also a very slow-burn romantic subplot, but anyone expecting romantasy or high spice will be disappointed (there's literally one kiss in the whole book - but what a kiss). Maggie believes herself to be wholly unremarkable, and the authors actually deliberately avoid describing her in too much detail (although the officially commissioned fan art on their website gives the readers a pretty clear idea of what all the major players look like), but she's clearly very pretty and constantly underestimates her allure to others. By the end of the story, she has multiple men who are smitten with her, and this is just the first book of the trilogy; there may be more to come. 

As I mentioned, there are several potential love interests, but I think it's rather clear from the story who the most likely HEA for Maggie is. Some really very unpleasant villains need to be defeated, or thousands of lives, including those of many of Maggie's favourite characters, are at stake. Because this is a long book, there are multiple mini-quests along the way, and Maggie ends up in mortal peril more than once (at one point, I was saying to my husband, "She may be undying, but can she regrow body parts? She can, by the way). 

As with a lot of epic fantasy, it's clear that Maggie has more thorough knowledge of some characters than others, because she's read their POV chapters in the books. Other characters, however, are much more of a mystery to her, because she's only read ABOUT them and hence doesn't know all their thoughts, wants and motivations. This means even Maggie, with her vast knowledge of Rellas and its inhabitants, can be surprised, and we readers along with her. 

As part of their promotional campaign, Tor had two chapters a week posted on their website in advance of the publication. I resisted the urge to read them until the evening before the book was out, which was good, because the final preview chapter ends on a heck of a cliffhanger. I was lucky enough that the Tuesday the book was released was during my Easter break from school, allowing me to devote the whole day to devouring the book on my e-reader, so I would know how everything turned out. While most of Andrews' stories tend to be mostly self-contained, this has the closest to a cliffhanger ending that I think they've ever had. Then I immediately started my re-read, this time in audio, and was able to savour the story more. Kristen Sieh is an amazing narrator and really captures the voices of the various characters excellently. Re-reading the book also allowed me to see how cleverly the authors had sprinkled hints and clues throughout the story, so that while there were several excellent plot twists along the way (the biggest one, about halfway through, literally made me do whatever the reading equivalent of a double-take is), they are, in fact, honestly foreshadowed along the way. You just don't know what is foreshadowing, and what isn't. 

Because Ilona Andrews are now reaching new readers, I have also been able to fangirl out in person with more than one member of my book club about this book (and I've been able to recommend other books in their back catalogue, which is always a very happy thing for a superfan to do). The authors have assured their readers that they are hard at work writing book 2 (it's at over 180 000 words and counting), and unlike in the fictional series Maggie so adores, there WILL be a book 3. Which brings me to yet another point: this is by far their most complex book project. The authors had to, in effect, write TWO stories while they were working on this. Rellas is a fictional world in Maggie's reality, but Ilona and Gordon had to sit down and plot out all the details and world-building of Maggie's favourite books, as well as the story about Maggie that we get to read. 

From my social media algorithms, it seems like some people have such a book hangover from this book that they just keep re-reading it again and again. I should probably be thankful that I currently have so many ARCs needing my attention that I have to take a break from it. I'm confident that I will re-read it at least once more before the end of the year, though, just to tide me over until Maggie's next book comes along. 

Judging a book by its cover: I have mentioned many times that Ilona Andrews seems cursed with terrible covers. At least Tor gave them an interesting-looking one for their epic fantasy. I promise that the weird bird creature on the cover is actually relevant to the plot, although it takes a while for it to enter the story. 

Crossposted on Cannonball Read. 

CBR18 Book 7: "The Galaxy, and the Ground Within" by Becky Chambers

Page count: 325 pages

Rating: 5 stars

Monthly Keyword Challenge 26: Ground

Nowhere Book Bingo 26: A book that came out more than 4 years ago

Defeating the Goblin TBR 26: The Gizmo Book (A Sci-fi or Dystopian book)

Reading Rainbow - Indigo cover

The planet of Gora doesn't have much to recommend itself to anyone, except as a stopover for travellers to other, more interesting parts of space. Travellers can rest, refuel, eat, restock their supplies and update any permits that might be required. It's like an interstellar truck stop between big wormholes. 

The Five-Hop One-Stop is run by Ouloo, a Laru (from the description of what the Laru looked like, I imagined a Golden Retriever with longer limbs and a long, bendable neck), and her child, Tupo. Ouloo clearly takes immense pride in catering to her guests, and has made an effort to make the Five-Hop One-Stop as comfortable for as many species who travel the galaxy as possible. She's courteous, but also curious about the various lives of the visitors who come and go. 

While Ouloo is hosting three very different guests, all there mainly to refuel and restock for a brief while, there is some sort of catastrophic event that leads a lot of the satellites around the planet to crash down, meaning all travel in and out of the planet is halted, and all communications are shut down. So for five days, Ouloo, Tupo and the three guests are stranded together at the Five-Hop One-Stop. There is Speaker, an Akarak, separated from her sickly twin sister for the first time ever. The Akarak can't breathe oxygen, so they wear space suits whenever they leave their ship. Based on the description of her species, I pictured the Akarak basically like big sloths. The second traveller, who is very distressed by not being able to travel further, is Roveg, a Quelin (seemed a bit like an armoured centipede), who has a very important appointment he needs to get to, and the delays on Gora could mean he misses his chance. The final guest is Pei, an Aeluon (they communicate in colours), who readers who have read the first book in the Wayfarers series will recognise as Captain Ashby's romantic partner. 

This book has very little plot to speak of, although there are some dramatic things that happen over the course of the five days. What the reader gets is five character studies, but that's not nothing, because Becky Chambers writes so beautifully that even five people stuck in the same place and trying their best to get along (and in the case of Speaker and Roveg, not panic about the delays) is fascinating to read, and I wouldn't have minded another hundred pages or so, especially since this is the final book in the series. While this is the fourth and final book, all the books can be read independently of each other, and work perfectly well as stand-alones.

It's difficult to pinpoint exactly what made me love this book so much. The only character who has appeared in any of Chambers' books before is Pei, and there she was a secondary character, whose point of view we were never able to share her point of view, like we do here. Yet Chambers makes you care for all of them, and become invested in their lives and futures. As is pretty much always the case, this book made me smile, and it made me cry, and I didn't really want it to end. 

Chambers doesn't appear to have published anything since the Monk & Robot novellas, which came out in 2021 and 2022. I do hope she hasn't stopped writing entirely, but whatever she is doing, I hope she is enjoying it. 

Judging a book by its cover: The UK covers for these books, with the vast views of starlit skies, are all so beautiful, and the US covers for these are so very clunky and (to me) ugly. The font, the way the images are positioned, I do not care for them. Which is why I've made sure I buy the UK editions when I have the chance. 

Crossposted on Cannonball Read.

CBR17 Book 64: "The Thursday Murder Club" by Richard Osman

Page count: 382 pages

Rating: 5 stars

CBR17 Bingo: White (a book with a white cover)

In a charming retirement village somewhere in the south of England, four elderly individuals solve cold cases for fun. Retired nurse, Joyce, is the last to be inducted into "The Thursday Murder Club", as they are in need of some of her medical expertise in trying to solve their most recent case. Led by the formidable Elizabeth, who used to be a spy, aided and abetted by Ibrahim, a retired psychologist and Ron, a former trade union leader, the club used to have a fourth member, who co-founded the group with Elizabeth. Penny, a former Detective Inspector, is now in a coma, but is watched over daily by her husband and visited frequently by Elizabeth with updates about all their investigations. Joyce, who wasn't really sure she was going to settle in at Coopers Chase, happily shares her medical knowledge, and while she is clearly a very different woman from Penny, her cheerful demeanour, her excellent baking skills, and her wits make her a valuable new member of the group. 

Investigating cold cases takes a back seat to investigating an actual murder when Tony Curran, one of the developers who built Coopers Chase, is found bludgeoned to death in his home, with a photograph of some pretty shady characters left next to him. Now that he's dead, the other developer, Ian Ventham, has no one to oppose his plans to sell the retirement village and turn everything into luxury flats. He also wants to dig up the local graveyard and move all the bodies, to the horror of many of the long-time residents, whose family and friends are buried there. 

Having previously befriended Police Constable Donna de Freitas, recently transferred from London and is clearly rather bored with the routine tasks she's being given in the quiet country town. Thanks to some trickery from Elizabeth and Joyce, Donna is invited to join the murder investigation, shadowing the head investigator, DCI Chris Hudson. 

As the case progresses, it turns out that there is more than one individual with a motive to kill Tony Curran, and as often happens in these sorts of stories, his is not the only murder in need of solving by the end. 

By now, The Thursday Murder Club, published in 2020, has become a series of five novels and was recently turned into a Netflix movie with a very stacked cast. Because I didn't start reading the book until after the movie was announced, and I'd seen several trailers, my mental images of a lot of the characters matched up with their movie counterparts. For the most part, I think they cast the characters really well, with the notable exception of Pierce Brosnan, who is a very handsome man, but not even a little bit convincing as a former working-class labour rights champion. As my BFF Lydia says, Sean Bean was right there! 

Having now seen the film, I would strongly advise anyone who has read and likes (or loves) the book to skip it, because they had to cut so many corners, including several engaging subplots and change a bunch of stuff to cram it into a family-friendly Netflix film, and while it was well-acted, I was disappointed at the choices the filmmakers made. However, I suspect it's going to result in even bigger sales for Richard Osman, something I can't be disappointed about; he seems like a very clever and delightful man. 

I don't know exactly why it took me so long to read this, but I guess I should be grateful for the adaptation to finally make me pick the book up. I was pretty sure I was going to like it once I got around to it. I even gifted this and several of the sequels to my Dad some Christmases ago, based on other people's reviews, because he likes a good mystery novel. For the record, he was also disappointed by the second half of the movie. 

Despite featuring several rather grisly murders and a bunch of interconnecting mysteries, some of which go decades back, it's a very funny book, and I absolutely adore the characters. Not just our central four protagonists, either; there are so many minor supporting characters who give the story life and make it so very entertaining to read. Once I started reading, I could barely put the book down, and I also proceeded to read all the sequels over the course of a week in late August. I can't remember the last time I binge-read four books that fast. I just love hanging out with the characters and got genuinely emotional several times while reading the books. I'm very happy Osman has said he has many more adventures in store for Elizabeth, Joyce, Ibrahim and Ron (not to forget Donna, Chris, Bogdan and importing supporting players). 

Judging a book by its cover: By now, it feels like every third mystery novel you see looks like this book, but this was the book that started the trend. So many other books with simple covers and similar fonts, just because Osman's book is so awesome. 

Crossposted on Cannonball Read. 

CBR17 Book 34: "The Undercutting of Rosie and Adam" by Megan Bannen

Page count: 432 pages

Rating: 5 stars

Thanks to Netgalley and Orbit Books for this ARC. My opinions, are as always, my own.

This is the third book in the series, and as such, not the best place to start reading. This review may contain some spoilers for the previous two books in the series, and the place to begin is with The Undertaking of Hart and Mercy. 

Tanrian Marshall Rosie Fox can't die. Or at least she doesn't stay dead, because she's a demigod, daughter of the Trickster. She is 157 years old, and has died more times than she can count. Every time it happens, it tends to freak out the people around her, and it gets mighty lonely watching everyone you care about grow old and die, while you just stay the same. Rosie's most recent death, from electrocution, happened after she stuck her hand into the wiring of one of the portals that allow people from outside to cross into the magical area of Tanria. The portals keep short-circuiting, and Rosie thinks she can see a strange, shadowy vine tangling in the machinery. It's when she's trying to "investigate" this that she, once again, dies.

The trouble with the portals is serious enough that they have to call for the inventor himself, Dr. Adam Lee. Rosie remembers meeting the impeccably dressed gentleman five years ago, but doubts he'll even remember her from so long ago. Of course, a statuesque woman over six feet tall, with long rust-red hair and "eyes like garnets", is difficult to forget, and Adam Lee remembers her very well. Not that he is willing to admit this at first, he seems shy and almost stand-offish.

Because of the trouble with the portals, which all seem to be breaking down, everyone in Tanria needs to be evacuated. Due to a complicated series of events, Rosie, Dr. Adam Lee, Rosie's partner Penrose Duckers and Duckers' ex-boyfriend Zeddie Birdsall are all stuck in Tanria when the final portal breaks down. Rosie notices that the shadowy vines seem to be spreading and growing thicker on the ground. The various animals and wildlife in Tanria can also clearly see and interact with the vines, but presumably, none of the other people can see what Rosie sees. 

Now, Adam, Rosie, Duckers and Zeddie have to work together to try to get the portals working again, or risk being trapped in Tanria, potentially forever. To begin with, animal messages can cross the magical border (it's a whole complicated thing, I can't begin to explain it here) and bring messages, supplies and food from the outside, but as the vines proliferate and thicken, it gets harder and harder for even them to cross over.

Duckers is very amused to see his normally unflappable partner so taken with Dr. Lee, and teases her mercilessly. He also tries to avoid his ex-boyfriend as much as possible, which isn't easy when there's just the four of them there, and Zeddie cooks almost all the food they eat. How can Rosie even hope to have a chance with Adam when she's over a hundred years old and will possibly never die? No one would want to complicate their life with someone like her, would he?

This is the third and final book in the Hart and Mercy trilogy, and while I enjoyed the second book, The Undermining of Twyla and Frank, it didn't enchant me in the way that The Undertaking of Hart and Mercy or this one did. Exploring some more of the mythological sides of this strange and original fantasy world, the story of exuberant demigod Rosie and the reticent and lonely inventor she falls for was an utter delight to read, and I loved finding out more about the portals, how they worked, and how they came to be invented in the first place.

Penrose Duckers has been an amazing supporting character in each of the three books so far, and part of the joy of reading the series has been seeing how he has developed over time. He is young and inexperienced when he partners with Hart in the first book, he goes through a lot of personal turmoil in the second book, and in this one, set seven years after the end of book 2, he has to rethink some of his former decisions and life choices when Zeddie Birdsall comes back into his orbit (Duckers breaks up with him in book 2 because he needs space). 

With every story featuring characters who have some form of immortality or can just live a terribly long time, I find myself so grateful that I will never have to deal with something like that. While Rosie has a nice life, there are very few people who can even begin to understand how hard it is to keep dying and resurrecting, seeing friends and loved ones drift away, or grow old and die around you. She's starting to get sick of the whole thing, and the Trickster's sudden reappearance in her life, claiming he wants to be a proper father to her (after most of a lifetime of being neglectful of her and her mother), isn't making the situation any better.

A friend of mine constantly complains that there are very few tall heroines with short heroes (I'm still waiting for Ali Hazelwood to change things up in her writing and try it), so I'm going to recommend she read this book. Rosie is six-foot-five, while Dr. Adam Lee is a full foot shorter than her (five-foot-five). Duckers keeps calling him her pocket boyfriend. At one point, he stands on a little step to reach up to kiss her (it's adorable). 

This was a wonderful ending to the trilogy, and very nicely wraps up the story not just of Rosie and Adam, but pretty much all the significant characters we've met over the course of the whole series. If you liked the first two, this one is well worth the wait. 

Judging a book by its cover: I'm not a huge fan of the colour orange (even before it became irrevocably associated with THAT one), and I really don't think the shade of blue of the background patterns, and then the bright pink of the heart at the centre of the cover go well together. They all sort of clash. Nevertheless, it continues the very whimsical tradition established on the previous two covers in the series. 

Crossposted on Cannonball Read.

CBR17 Book 24: "The True Love Experiment" by Christina Lauren

Page count: 416 pages

Rating: 5 stars

StoryGraph Easy Reading Challenge 25: A book with two authors

Felicity "Fizzy" Chen loves her life and career as a romance writer. The problem is that she's suffering from a bad case of writers' block, and when she's asked about her personal life in interviews or author panels, it's not like she can confess to never actually having been in love, right? A romance writer should surely have experienced romantic love at some point? With all of her friends happily coupled up, she's also getting pretty tired of her casual dating lifestyle. 

Connor Prince is a divorced documentary film maker whose boss orders him to create a successful reality TV dating show, or he'll get fired. Losing his job would force him to move, and that would mean not seeing his daughter very often, which is an unacceptable option, in his eyes. After a run-in with Fizzy, he's pretty sure he has the perfect pitch - one of the reigning queens of romance finding her own Prince Charming. Fizzy is fairly unimpressed when she first meets him (it's clear that he has very litte understanding or respect for romance novels as a genre, and he clearly hasn't read a single one of her books), and sends him an absolutely ludicrous list of demands. He agrees to pretty much all of them, and suddenly, Fizzy is about to become a reality TV star.

Before the show can start filming, they need to locate a suitable selection of dates for Fizzy, and she has insisted that the various "romance heroes" represent many of the tropes found in the genre. She also discovers that her first impression of Connor, as a money hungry media guy couldn't be further from the truth, and as she spends more time with him during pre-production of the show, it becomes clear that no matter how many charming men the production team manage to scrounge up - her ideal man may in fact be the one whose career depends on her finding happiness with another guy. 

Fizzy was an awesome supporting character in The Soulmate Equation and while I liked that book a lot, I absolutely loved this one. Fizzy and Connor are just such great characters, both seperately and apart. We obviously get cameos from Jess, River and Juno (who happens to be good friends with Connor's daughter - he coaches their soccer team) and it's lovely to see their continued HEA as a side story. Since Juno was never an annoying plot moppet, but felt like an actual human girl, I was relieved to see that Christina Lauren continued their streak of believable and likeable tween girls in this book. Connor's ex-wife and her new boyfriend were great additions to the supporting cast, as were several fun members of the reality TV production team. 

While this is probably not a perfect romance novel for some, it just worked really well for me, which might be a bit strange, considering I've never watched a single episode of any dating show, ever. That should tell you how great this is. I saw someone on Goodreads saying that Connor is clearly based on Brett Goldstein, and that's certainly not a bad mental image to have of him. If I have to mentally cast Fizzy, it would probably be someone like Sherry Cola from Nobody Wants This, she and Fizzy seem to have the same kind of energy to me. 

Judging a book by its cover: This is fine, I guess? I like purple and red, and who doesn't like fireworks? It also doesn't feature cartoon depictions of the main characters, so I guess I'm happy they did something different.

Crossposted on Cannonball Read. 

CBR17 Book 11: "Et dukkehjem (A Doll's House)" by Henrik Ibsen

Page count: 100 pages

Rating: 5 stars

I don't know if a spoiler warning for a nearly 150-year-old play is necessary - but I will be revealing significant plot points when writing about this historical drama, so if you want to remain unspoiled, go read the play (it's only three acts, it's a relatively quick read) or watch a dramatisation, and come back when you're done. 

Nora and Torvald Helmer are a middle-class couple living in Christiania (what Oslo was named for a few centuries in the before times) in the late 1800s. They have three children, and some servants (a nanny and a parlour maid). The play takes place around Christmas and in the days following. This was a time when women didn't have any legal rights and the central conflict of this play comes about because Nora, in the past, took out a loan (forging her father's name on the contract to do so). She did it to save her husband's health but has always had to keep her illegal act a secret. Now her past is coming back to haunt her, with the man she borrowed money from, Krogstad, blackmailing her to keep his job. Nora needs to ensure Krogstad isn't fired, or he will tell her husband the truth, and the ensuing scandal could mean Torvald loses his new advantageous job as a bank manager. 

I honestly don't remember how many times I've read this play by now. I first read it in high school, with a Norwegian teacher who showed absolutely zero enthusiasm about the work, and as a result, I wasn't exactly impressed by it and remembered it as boring and pointless. Et dukkehjem/A Doll's House is now part of the curriculum in Norwegian for our tenth-graders at the school where I work and I myself have taught the play at least four times now. Unlike my high school teacher, who really just assigned us all the play to read with some accompanying work tasks (if I recall correctly), my colleagues and I read through the play act by act with the students, who take turns reading out the various parts, and we watch different dramatisations for the kids to compare and contrast. The last time I taught tenth grade, and again this time, we also showed them the first season of the Norwegian web series Skam as another comparison point, which they seemed to really like. I have no illusions that I'm instilling a great love of 19th Century realist literature in my pupils, but I'm hoping that some of them find their introduction and work with this play less off-putting than I did in school.

Suffice it to say, my opinion on this play has changed massively from my first reading of it (probably because I didn't really pay attention to it when it was one of many assigned texts). Ibsen himself claimed not to have set out to write a feminist rallying cry, but the drama remains relevant and extremely popular to this day (Ibsen remains one of the most dramatized playwrights worldwide, after Shakespeare). Nora's change from a sheltered, rather naive housewife to a woman determined to put herself first, sacrificing everything to discover who she really is, even knowing how difficult it will be is really impressive, especially given the time it was written. Torvald really is an absolutely insufferable misogynist (he's utterly odious and I had forgotten that not only does he speak to Nora appallingly, but he also mansplains why knitting is unfeminine to her friend Mrs Linde, as well), who is given several chances to redeem himself, and consistently fails at it. He sees Nora as a decorative object, a sweet plaything and constantly belittles and rebukes her if she tries to talk about anything non-frivolous. The only one who sees at least some parts of the true Nora is Doctor Rank, her husband's best friend, who would probably have made her a much better husband, had she met him first. Part of the tragedy of this play is that it's quite clear that Nora loves her idiot of a husband until his true character is finally revealed and it becomes impossible for her to lie to herself any longer. 

By the end of the play, having had it proven without a shadow of a doubt that her husband will never see her as anything but an air-headed object, Nora makes the choice to leave her family behind (it's not like she'd ever be granted custody of her children, anyway), because she cannot live the lie that she has discovered her marriage is. This was a hugely shocking finale at the time of the play's release, so much so that in Germany, Ibsen was forced to write an alternate ending, where Nora changes her mind and stays with Torvald, after all. It is rumoured that he originally considered this for the play in the first place until his wife exclaimed "Either Nora leaves, or I do." 

I cannot in good conscience rate this play any lower than 5 stars. It's a classic for a reason. I used to prefer Hedda Gabler, but the protagonist of that play is just so mean. Re-reading it yet again, I was also struck by what a massive undertaking it must be for any actress portraying Nora. In the three-act play, there is literally one short scene in the third act where Nora isn't present on stage and has most of the lines. No wonder it must be a gift of a part for an actress to play. 

Judging a book by its cover: My thin paperback copy of the play is a pleasing shade of purple, with a grumpy-looking cartoon Ibsen glowering from one side.

Crossposted on Cannonball Read. 

CBR17 Book 9: "In a Rush" by Kate Canterbary

Page count: 480 pages

Rating: 5 stars

This was an ARC sent to me by the author. My opinions are my own, and I loved the book so much that I pre-ordered a copy as soon as I'd finished reading it. 

 

Emmeline "Emme" Ahlborg catches her boyfriend, the man she was hoping was going to propose to her, in the act, sleeping with another woman (when Emme shows up on his doorstep with home-cooked food). She's devastated, and what's worse, he's a groomsman in the wedding of her best friend (to whom she's the maid of honour) so it's not like she's going to be able to avoid seeing him. Not one to cause trouble or mess with her friend's wedding plans, Emme swallows down her discomfort and hopes to find a suitable revenge date to bring to the wedding.

During a dinner with her best friend from high school, Ryan Ralston, now a hot shot professional quarterback, he listens in both horror and sympathy to her recounting the events of her break-up and makes an unusual suggestion. He reminds her of the pact they made back in high school, that if they were still single when they turned thirty, they would marry each other. Ryan just turned thirty, and Emme will be thirty in a few months. She needs a revenge date, he has an image problem and needs a wife to reassure society at large that he's a reliable and stable guy who's worth doing business with. He claims that their long friendship and history together will make the story believable, not just to the press and his business partners, but to her friends and family. What Ryan isn't telling Emme is that she's the only woman he'd ever consider marrying because he's loved her since high school, he just never had the guts to tell her. 

After some deliberation, Emme agrees to the plan, on the condition that Ryan helps find her stepsister/roommate an internship. They agree to fake date for a few months before actually marrying, to make the story more convincing. Emme has had a series of dreadful relationships and clearly isn't used to being taken care of or appreciated. Ryan, on the other hand, who finally sees his chance to win her heart (and has also listened to all her sob stories over the years) pulls out all the stops to pamper and spoil his "fake" girlfriend, at least as much as she'll let him. She refuses to move out of her cramped and ramshackle apartment and won't really accept all the gifts he tries to shower her with.

As is always the case with the fake dating/marriage of convenience trope, the lines between platonic and romantic fade gradually. In this case, the only one in Ryan's life who doesn't know that he's head over heels for her seems to be Emme herself, so one part of the couple is already hopelessly in love and just waiting for the other to reciprocate. 

I absolutely loved this book. It worked for me on every level. Emme is a great heroine who clearly deserves the world, and Ryan is just the man to give it to her. Her parents had an acrimonious divorce and both of her parents have had a series of unsuccessful relationships. Now Emme has a very supportive stepmother, but because of her mother's bitterness and vitriol, it's difficult for Emme to accept this woman's love and affection. She's estranged from her father and doesn't seem to ever have had a decent boyfriend. She works as a teacher (so of course I would love her), and is so loyal to her friends that she's willing to put up with the awkwardness of seeing her ex (and his new fiancee, the woman he cheated on her with) at a number of pre-wedding events. 

If Ryan has any flaws at all, it must be his refusal to confess his real feelings towards Emme. In every other respect, he seems to be perfect. He's a talented athlete, a good friend, a loving son and brother, and great with kids. He worships the ground Emme walks on, and wants to use all his wealth and resources to make her life better. 

This book features characters that apparently first appeared in In a Jam, and mentions characters and places from Shucked. If I'm brutally honest, this book could probably have been a bit shorter, but on the other hand, I am hard-pressed to see which bits should have been left out. This is only my third Canterbary novel ever, but I really like her writing style and am glad she has a big back catalogue I can choose from while I wait for her next book to come out. 

Judging a book by its cover: Not exactly the most exciting cover for this one. Also not entirely sure why it's showing what I'm assuming is part of a football field, since Ryan's career as a football player mostly takes place off-page, so to speak. 

Crossposted by Cannonball Read. 

CBR16 Book 64: "Obsidio" by Amie Kaufman and Jay Kristoff

Page count: 615 pages

Audio book length: 13 hrs 1 min

Rating: 5 stars

CBR16 Sweet Books: Binge

CBR16 Bingo: Celestial (set in space. I'm sure the characters observe lots of stars on their epic journeys through space)

Spoiler warning: this is the third and final book in the Illuminae Files. A lot of stuff happened in the previous two novels, and it will be impossible to review this book without referring to some significant plot points. Additionally, I don't see how this book would be a satisfying reading experience taken out of context. So if you aren't up to date, and have finished Illuminae and Gemina, skip this review until you can return unspoiled. Or you know, read it and get minor plot spoilers. It's your life, you do you.

'

Previously in these books. The evil BeiTech corporation attacked an illegal mining colony on a small ice planet called Kerenza. They also deployed some scary biological weapons with disastrous results. Only very few of the refugees who originally escaped Kerenza in various rescue ships are still alive, now doing their best to stay alive on the Hypatia. They were trying to get to the wormhole at Heimdall station, but BeiTech's evil goons arrived before them and did their best to wipe out everyone there as well, trying to cover the tracks of their evil actions. Now the Heimdall space station is no more, the wormhole is useless and the survivors from Heimdall station need to join forces to survive. Luckily, the leader of the BeiTech assassination squad had a pretty cool spaceship that they now have access to, but it wasn't really designed to hold and transport several thousand passengers.

'

Our intrepid YA heroes include Kady, Ezra, Hanna, and Nik, not to mention Nik's genius cousin Ella. Despite all the amazing feats these young people have managed to perform, a lot of the older crew members now distrust and underestimate them, which leads to conflict and frustration. They discover that there are still people alive on Kerenza and that BeiTech hasn't been able to mine enough fuel to leave the place yet, but the clock is ticking, and despite the reluctant mining crew's many attempts at sabotage and delay, soon the evil corporate overlords will have what they need to leave for good, and whatever survivors are still on Kerenza will be disposed of.

On Kerenza, we are introduced to two new young rebels to cheer for, even though Rhys is working as an engineer for BeiTech and is now forced to work with the mercenary soldiers on the planet itself. He is shocked to reunite with his old girlfriend, Asha, who also happens to be Kady Grant's cousin. After a very passionate love affair a few years back, where both of them made some questionable decisions and got involved with some unsavoury people, Asha and Rhys were forced apart. Rhys was enrolled in a military academy, and Asha was sent to live with her relatives on Kerenza. While actually a pharmacy trainee, she now works as a nurse and pathologist at the only med centre left on Kerenza, and she is also a member of the resistance trying to sabotage BeiTech's remaining operations as much as possible. She can't believe that the man she loved is now part of the evil organization who is oppressing her friends and neighbours, but obviously, there is more to the story that she knows - and it will surprise no one that Rhys isn't actually a villain.

So we have the desperate people trying to stay alive on Kerenza, and the harried survivors returning through space from Heimdall station, on a ship that may not have enough resources to get everyone safely there in time. It's clear that these brave young people have to outsmart BeiTech once and for all, and to do that, they also need to make sure that all the atrocities are documented. So in this book, we finally find out how a lot of the material we've been reading for the past two books was assembled, and we discover the identity of the snarky young tech who has been narrating all of the video files throughout.

This is the first of the books I read partially in audiobook, after recommendations from among others, my friend cheerbrarian (she also has a podcast). I don't know if I would have liked the audiobooks from the start, knowing how many different types of text are collected in the novels, but having read the other two in paperback, having this as an audiobook for when I was out and about was great. I have also gotten the audios of the previous two and can see myself using them when I want to reread in the future.

This YA series is unlike anything I've ever read before and it made me feel pretty much all the feels at some point or another. I've been scared, grossed out, I have laughed and cried. Despite all of these events clearly being told after the fact at a tribunal for the head of BeiTech industries, so it's obvious that our band of heroes will be OK in the end, I was still on the edge of my seat and scared that one or more of them wouldn't make it. It's also important to note that while our protagonists survive, these books have death counts in the multiple thousands. So many innocent (and not so innocent) people die, in all sorts of horrible and/or tragic ways, and yet you feel elated and happy at the conclusion of the trilogy, because a little core of found family is safe and well, despite everything. 

Crossposted on Cannonball Read

CBR16 Book 63: "A Taste of Gold and Iron" by Alexandra Rowland

Page count: 510 pages

Audio book length: 18 hrs 20 mins

Rating: 5 stars

CBR16 Bingo: Golden Gold in the title and gold as a pivotal part of the plot. Also pretty much all of the central characters are solid gold.

Kadou is the younger brother of the sultan of Arasht and is delighted that she's just given birth to a healthy baby, putting him further down the line of succession. Unfortunately, the baby's father, a powerful ambassador at court, believes Kadou to be jealous and a threat to both his baby niece and his sister. Nothing could be further from the truth. Unfortunately, because he confides in some of his bodyguards, who massive overreact when they believe his life is later threatened by said ambassador at a hunt. It ends with two of Kadou's bodyguards killed and his sister furious with him.

Kadou has to plead with the sultan to let him stay at court. Kadou is in serious disgrace and hates that he has disappointed his sister. He is also fighting guilt, anxiety and depression after the deaths he feels partially responsible for causing. To keep her brother out of trouble, he is given a new personal bodyguard, the very proper and exacting Evemer, who Kadou is convinced despises him. Nevertheless, Evemer takes his duties very seriously, and accompanies Kadou to dangerous parts of the city, even though he clearly disapproves of the prince's drunken binges and trying to pick fights. After a memorable occasion when the two are ambushed in an alley, and Kadou ends up being the one to save the life of his bodyguard, Evemer's opinion of his charge changes.

To get back into his sister's good graces, Kadou has promised to get to the bottom of a series of thefts that may also be connected to a ring of counterfeiters. Once he and Evemer start to investigate, it's clear that there may be a number of city officials involved in the case, not to mention the self-same ambassador who fathered the sultan's heir and is trying to ingratiate himself further at court. Kadou needs to try to figure out how the thefts and counterfeit coins are connected, why someone is trying to destabilize Arasht's economy and possibly threaten the security of his sister's reign, all the while trying really hard not to fall in love with his taciturn bodyguard.

This book has been on my TBR since it came out and now that I've finished it, I'm really annoyed that it took me so long to finally read it. I listened to about three quarters of it in audiobook, really well narrated by Casey Jones, but got impatient to see how it would end, so ended up reading the rest on my e-reader (then I went back and listened to some of the really romantic bits again, because I really liked how Jones voiced both Kadou and Evemer and wanted to hear their dialogue read to me). 

Far too often, when publishers compare a book to others that have been previously published, the books in question far too often seem to have been selected as some sort of mad lib "book x meets book y", but in this case, I didn't feel lied to about this book being similar to The Goblin Emperor by Katherine Addison. Both books are set in elaborate court settings with a reluctant royal just trying their best to do a good job, despite all sorts of personal insecurities holding them back. 

In this case, the book is set in a historical fantasy world inspired by the Ottoman Empire. The eldest child becomes sultan, whether they are male or female, and Kadou's sister is a great secondary character. She is clearly tries to be a fair and just ruler, as well as a loving sister, and sometimes those two roles are difficult to reconcile, especially after Kadou goes and gets himself involved in an embarrassing squabble with a foreign ambassador, with people getting killed in the process. I really liked that children are clearly "belong" only to the mother, who can decide whether they want to grant 'the body-father' any rights to the child at all. The ambassador who fathered the new princess and keeps trying to get all possessive, is repeatedly told that he merely provided his genetic material and that any raising of the child will be done by the sultan herself, and any male members of her family (like Kadou). This is not just the case with the rulers of the country, all men are merely body-fathers, unless the mothers choose to make them more permanent parts of their children's lives.

This is also a very diverse world, where several members of the court are non-binary, with the prounouns çe (che) and çem (chem). Kadou clearly prefers men, but is accepting of the fact that if he has to marry a woman to secure a strategic alliance that would benefit the country, he will do so. The royal family's bodyguards, or khayhalar, are seen more like extended family members than servants, and most of them are extremely well educted and go on to hold important offices in the country's bureaucracy as their careers progress. So Kadou really feels the loss of two of his khayhalar deeply, made all the worse because he is sure he contributed to their deaths. If he hadn't been overly anxious and confided in some of his khayhalar about his sister's ambassador lover, they wouldn't have overreacted when they believed him threatened, and no one would have died. 

Kadou is also suffering from strong anxiety, but believes this to be a personal weakness and that he is a coward. He occasionally suffers from panic attacks, but only one of his khayhalar know about them and has figured out how to calm him down. Evemer, who initially believes Kadou to be "careless, flighty and negligent", not to mention completely unable to take care of himself. So he is rather shocked when Kadou knocks him out with one punch after he patronizingly offers to teach the prince to fight. He's forced to entirely reevaluate his opinion once they are attacked and instead of running away while Evemer does his job and fights the assailants, Kadou, who hadn't been lying about how much self-defence he had been taught, instead stays in the alley and skilfully murders the lot of them remarkably quickly and efficiently. 

In a lot of books, I find excessive mutual pining very frustrating and keep wanting said couple to just get over themselves already. In this book, the growing attraction between Kadou and Evemer is very well done, and the reason neither of them confess their feelings or act on them is clearly explained by their difference in social standing. Kadou believes himself to be a coward, a failure and a disappointment and is far too aware that while it's a very honourable position, Evemer is still his servant. A servant whose duty it is to sacrifice themselves for their charges if necessary. Equally, once Evemer realises that his initial impressions of Kadou were wrong, he believes himself far too lowly to ever be a worthy partner for a prince.

What seems to be a fairly minor investigation into the theft of some documents, turns out to become something a lot more dangerous, not just for Kadou and Evemer, but for the sultan and her baby as well. They come to learn that someone may have turned some of the khayhalar into traitors, and the court is no longer a safe place. There is a wonderful extended sequence where the sultan, her baby girl, Kadou and some of his trusted retainers all hide out with Evemer's mother, who doesn't blink an eye at having to house such exalted company.

I absolutely loved this, and because I waited this long to read it, there is now a sequel novella, as well as another adventure novel by Rowland set in the same universe as this one. So excited to read more. 

Judging a book by its cover: Isn't this cover just the most gorgeous thing? I often don't like covers portraying characters, but this pretty much captures my mental images of Kadou and Evemer perfectly. The hair jewellry, the gorgeous embroidery of the outfits, the background. Kadou holding the coin while Evemer gazes adoringly at him. *heart eyes* In contrast, the UK edition I have, is rather dull. Just a navy cover with some flowers on it. 

Crossposted of Cannonball Read

CBR16 Book 47: "Gemina" by Amie Kaufman and Jay Kristoff

Page count: 672 pages

Rating: 5 stars

CBR16 Sweet Books: Binge

Nowhere Book Bingo: A YA novel

Smart Bitches Summer Bingo: Epistolary romance

CBR16 Bingo: Part 1 and Part 2 (the book has more than 600 pages)

This is the second book in a series, and starting with this one means a lot of stuff won't make much sense. I also don't think it's possible for me to review this book without spoiling the previous one, so if you're not up to date, start with Illuminae.

After the disastrous events, first on the mining colony of Kerenza, and then on the space fleet evacuating survivors, the only remaining ship, Hypatia, is on its way to Jump Station Heimdall, hoping for aid. BeiTech, the organisation which launched the attack on Kerenza and utilised the bioweapon which led to a plague, cannot risk word getting out about their heinous deed and therefore need to make sure that they eradicate the Hypatia. To do so, they will need to use the jump station's wormhole, and later make sure that there are no survivors on Heimdall left to reveal the truth.

Entirely unaware of BeiTech's sinister goals are two teenagers aboard the Jump Station, Hanna Donnelly and Niklas "Nik" Malikov. Hanna is the station captain's beloved and pampered daughter, Nik is part of the Malikov crime family, and Hanna's occasional drug dealer. There's clearly an attraction between them, but Hanna is in a relationship with the dashing Jackson Merrick, one of her father's officers, and consequently doesn't really have time for more than some light flirtation with Nik. Life onboard a space station surrounding a wormhole obviously isn't very exciting for either of them, but Hanna tries to pass the time by studying, parties and working out, while Nik reluctantly assists with his family's business.

Both of their lives are irrevocably changed once an elite team of BeiTech mercenaries arrive, and very rapidly take control of the station. The mercenaries start by wiping out the people who helped their ship get onboard (Nik's family) and Nik only survives because he's on his way to deliver party drugs to Hanna. Thankfully, while she's annoyed that Nik is late for their deal, Hanna is also spared from seeing her father shot in the head when the mercenaries take control of the majority of the station. Now, Hanna might seem like nothing but an airheaded, fashion-obsessed teen, but being the daughter of a military commander with a keen interest in history, she's picked up a lot of useful knowledge about strategy, tactics and how to be stealthy. Nik, meanwhile, has only one family member left alive and is determined to avenge the Malikov crew in any way he can deal hurt to the mercenaries. Unfortunately, in all the sudden danger, both Nik and his computer genious cousin Ella completely forget about the very dangerous alien parasites hatching in a secluded part of the station (long story, the drugs the Malikovs sell are derived from some truly scary creatures, who should not be left unattended and allowed to crawl through space station vents and the like). Of course, the BeiTech baddies don't know about them either.

The BeiTech kill squad need to take control of the wormhole so that a second kill team can be sent through to deal with the Hypatia. They were not expecting to be foiled by a few teenagers and a few officers having sealed themselves on the bridge of the space station. Can Hanna, Nik, and Ella with a few ragtag allies foil their enemies, warn the Hypatia, save the remaining crew and thwart BeiTech's evil schemes? (This is book 2 of 3, what do you think?)

Fans of Ezra and Kady (her dad is the chief of security on Heimdall), not to mention AIDAN, will be pleased to know that in the latter half of the book, they do appear, although they are not the focus of this story, that would be Hanna and Nik. While Kady and Ezra had a past, and many months of separation with only computer chats to make the heart grow fonder, Hanna and Nik's attraction to one another is basically put to a boil in an insanely tense and demanding situation, where they are fighting for survival, grieving loved ones and trying to find a way to help complete strangers aboard the Hypatia. 

Hanna is unbelievably badass, and Nik may seem like he's got a dangerous and ruthless past but is really just a big, tattooed cinnamon roll (who will still do what is necessary if his or others' lives are in danger, he just needs more time to process it than Hanna). Ella is more of a secondary character, but the girl is fierce, especially since she's not really able to move around except via her computer. I love all of them and am so glad that Kaufman and Kristoff had the surviving characters from Illuminae take a backseat so readers could get to know these guys as well.

I am also grateful that while the lanima (super creepy alien parasites) are scary and unpleasant, any scene involving them (including the early ones where it's explained how they incubate) was a pale shadow of all the horror with the virus rage zombies of the previous book. I really liked how the book includes the photos and call signs of all the BeiTech mercenaries, and how as the book proceeds, more and more pictures are just crossed out (they may be teenagers, but Hanna, Nik and Ella are NOT messing around). 

Having now read two of these books, I have absolutely no idea what the authors are going to come up with next, but I'm hopeful that eventually the BeiTech corporation will be brought to justice for all the horrible things it has done. Having now heard so many cool things about the audiobooks, I may do the third and final book partly in audio.

Judging a book by its cover: While the first book was all warm colours, red and orange, this one is all cold, with a cloud of something (dust? smoke?) blue over a black background. I think this entire series has a very well-done cover design, with the covers of the trilogy complementing each other so well. 

CBR16 Book 41: "Laura Dean Keeps Breaking Up with Me" by Mariko Tamaki and Rosemary Valero-O'Connell

Page count: 304 pages

Rating: 5 stars

Nowhere Books Bingo - Graphic novel

Official plot summary, because once again I have waited to long to review the book: Laura Dean, the most popular girl in high school, was Frederica Riley's dream girl: charming, confident, and SO cute. There's just one problem: Laura Dean is maybe not the greatest girlfriend.

Reeling from her latest break up, Freddy's best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it's really Laura Dean that's the problem. Maybe it's Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever. Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.

This is one of those books that I heard a lot about when it came out and bought as soon as it was available in paperback (I don't like reading comics and graphic novels digitally), then put on my bookshelf and forgot. Since we have a full floor to ceiling bookshelf dedicated entirely to comics and graphic novels, once something is shelved there, it's no longer out in the open to remind me. I probably shouldn't have waited years to read it, but at least it didn't disappoint once I got to it.

The only other graphic novel I've read by Mariko Tamaki was This One Summer, which was lovely, but had a subplot that hit a bit too close to home for me and made it a rather painful reading experience for me. This one, with its focus on (tragic) romance and friendship was more to my taste. I started reading it during a day I actually had quite a lot to do and had only intended to make a start on it, but instead ended up having to rearrange my schedule, because I once I started, I couldn't really put it down. In This One Summer, the illustrations are done by Mariko's sister Jillian, here she collaborates with Rosemary Valero-O'Connell, who captures the characters beautifully. A really good story accompanied by bad art can be enjoyed, but it's so much better when both the writing and art are both high quality.

Teenagers are often rather self-centred and selfish, caring mostly about themselves and their own issues and as such, Freddy felt very realistic. She is happy to hang out with her friends, but because she's so caught up with her own drama, she doesn't really seem to notice or care about what is happening with others. She has gotten used to her friends, including her best friend Doodle, always being there for her, listening to her and supporting her through her multiple dumpings and getting back together again with Laura Dean, but not really that Doodle and the others are clearly getting frustrated with the constant back and forth, and Freddy's complete inability to see how bad Laura Dean is for her. 

Personally, I couldn't really see what was supposed to be so great about Laura, but then I'm an asexual lady in my forties, who spends much of my working year around teenagers and their drama, so I try to live a very drama free existence the rest of the time. I shared the frustration of Freddy's friends that she would wake up and smell the toxic girlfriend sooner, but I suppose there would have been a lot less plot if the book was 'I'm sick of Laura Dean using me and stringing me along, so I'll dump her once and for all and get on with my life'. 

I think Freddy's friend Doodle was my favourite character, and I felt really bad for her, trying to support Freddy through yet another inevitable break-up with the same person, while she herself really needed a friend and support because of a complicated and sad situation of her own. The rest of the supporting cast (with the exception of Laura Dean, who is clearly the antagonist, of sorts) also added to my enjoyment of the book. 

While Freddy herself had me rolling my eyes possibly one time too many, this book in some ways reminded me of Heartstopper, because it's a story of relatable and realistic-seeming teens, many of whom are queer, including the protagonist, but it's not about awkwardly coming out, or having to struggle for acceptance among parents and friends. These teens are just allowed to be who they are, without facing hatred and bullying. I'm glad I finally read this, and will be recommending it to others looking for a quick read. 

Judging a book by its cover: The cover gives a little taste of Rosemary Valero-O'Connell's art, and while it only shows the back of Laura Dean, her jacket, posture and haircut all suggest her cool mean-girl attitude. We only get to see one eye of Freddy's, which looks a bit anxious and unsure. It's a really well-done image. 

Crossposted on Cannonball Read. 

CBR16 Book 37: "Not in Love" by Ali Hazelwood

Page count: 384 pages

Rating: 5 stars

Rue Siebert has never wanted a relationship, she's finds men to hook up with on dating apps and has a strict rule about one night only. When her latest date is interrupted by her drunken brother and the night doesn't end the way she expected, she breaks her rule and gives the guy her phone number. Nevertheless, she doesn't expect to see him again.

Unexpectedly, she sees him again as soon as the next morning, when he is part of the venture capitalist firm, which may be taking over Kline, the food science start-up where Rue and her best friend work. Rue's boss and mentor, who she really looks up to, claim that the company will be fine, but Rue is worried. She grew up with a lot of instability and uncertainty and has finally achieved financial stability and has a career she enjoys. This possible takeover is threatening all of that.

Eli Killgore and his business partners have very specific reasons for wanting to take over Kline and have worked for nearly a decade to get where they are now. What he was not expecting was seeing Rue, the mystery woman he hasn't been able to forget after their brief, interrupted date. With the power dynamics so drastically altered, Eli should put Rue out of his mind. Rue, on the other hand, keeps being warned by her mentor to stay away from all of the venture capital people, but every interaction she has with them is pleasant and all of them seem to have science backgrounds and be genuinely interested in the work that's taking place at Kline. They don't just seem like heartless capitalists, only worried about money and the bottom line.

Even though they should stay away from each other, Eli and Rue can't seem to avoid ending up close together, and even after allowing herself one night with Eli, Rue no longer seems able to stick to her 'one night only' rule, because she is as addicted to Eli's company and attention as he seems to be to hers. Whether they have any sort of long-term future together is another issue - Rue doesn't do relationships, Eli is part of a group who seems determined to destroy her boss' career.

I may have to give up on my hopes of Hazelwood ever writing a short, dumpy hero, but at least in this book, the heroine is also tall. In another break from her earlier books, the hero hasn't been broodingly pining for the heroine for years, which I also appreciate. Here we get a heroine who is used to having to fend for herself and is unused to and to begin with, incapable of being taken care of, and that is a trope that always seems to melt my heart. The hypercompetent people who do so much to stay in control and take care of everything and everyone around them (although in Rue's case, she's a rather stand-offish, introverted, and most likely neuro-divergent grump, so there aren't that many people in her life for her to take care of), and then find that special someone who only wants to be there for them and care for them. 

Eli is good at caring, he has been taking care of his younger sister since their parents died when he was a teenager and she was much younger. His life has taken a lot of unexpected turns, and he has had to work hard to get where he is now. While he and his friends are now venture capitalists, they tend to buy up failing businesses, not to destroy and gut them, but to help the business do scientifically or technologically useful things. There is a personal aspect to their interest in Kline, the company Rue works for, but it's also nice to see a nuanced portrayal of wealthy money people, instead of the usual uncaring suits who only want results, or to destroy people's livelihoods for profit.

It tends to be much easier for me to review a book I didn't much like than one I loved. I have also not made it easier for myself by waiting nearly two months after finishing this one to review it. I don't remember all the reasons I loved this book (and the main reason I haven't re-read it is that I like doing that via audiobook, and I really disliked the narrators of this one), but I'm going to try. There are some great supporting characters in this, like Eli's younger sister, Rue's best friend, Eli's business partners who are also his friends and seem close enough to be a found family for him. There's a very good dog. There's the couple cooking together (I also love this) and because Rue and Eli both seem rather overwhelmed by the attraction between them, they have this thing where they share something really negative about themselves, like the worst things they've ever done or thought, seemingly hoping they will scare the other one away. Of course, a lot of these things just expose how vulnerable they are and how difficult their lives have been up to the point where they met each other, and it was a really nice touch.

By now it's clear that no matter what Ali Hazelwood writes, I will pre-order it and probably love it. I understand why her books are not for everyone, but for me, this worked on every level and I think it may be her strongest novel yet. If you have tried Hazelwood before and disliked her writing style, I can't promise that this will change your mind, but she's clearly evolved a lot as a writer since publishing The Love Hypothesis (her weakest book, in my opinion). I will be impatiently awaiting her next book, whether it be paranormal or regular contemporary romance. 

Judging a book by its cover: Hazelwood is lucky enough to get cover artists who actually seem to depict the characters the way they are actually described in the book (certainly not a given) and they're usually portrayed in a loving embrace of some kind. I think the artist here has managed to show how besotted Eli is with Rue, while she seems a bit more restrained. In case you didn't know that Hazelwood sets most of her books in a STEM environment, the artist has also helpfully thrown in some test tubes with mysterious liquid there on the side of the couple - science! There were apparently several special editions published of this book, with various extra art and bonus features. If you go to Hazelwood's Instagram account, there are pictures of the other images, all of which are very good. 

Crossposted on Cannonball Read