CBR18 Book 37: "Let's Make a Scene" by Laura Wood

Page count: 352 pages

Rating: 5 stars

Cynthie Taylor needs some positive publicity, fast. Once it was revealed that not only was the film director she recently broke up with married, but his wife is pregnant, former good girl Cynthie is now seen as a manipulative home wrecker (the cheating director is obviously not getting the same negative press, what with being a man and all).

Fired from a high-profile superhero movie, Cynthie may have found a new and unexpected career rescue. The writer and director of Cynthie's first-ever movie, A Lady of Quality, the one who made her a breakout star, wants to make a sequel, as in the thirteen years since it was made, it has become a cult classic on streaming, and now the funding is in place to make a follow-up. Most of the original team will be in place to make it, and filming in the UK will take Cynthie away from the most aggressive press attention. It would also mean working closely with Jack Turner-Jones again, a man Cynthie has a complicated past with. 

Thirteen years ago, Cynthie was a relatively unknown actress selected for her role in A Lady of Quality in a series of auditions. Jack Turner-Jones was the son of two acclaimed and beloved British actors, who had very high career expectations for him. He's worried she's going to ruin the whole movie with her stage fright and inexperience. Cynthie overhears him complaining to one of the directors that he wants her fired, and finds his arrogance infuriating. They start off on the wrong foot and keep getting more antagonistic as the shoot progresses. The studio execs, however, want Cynthie and Jack to pretend to be a couple to drum up publicity for the movie. So while they privately loathe each other, they not only have to pretend to fall in love in the movie they're filming, but off-screen as well. 

Now Cynthie's PR people think it would be very beneficial for her reputation if she rekindled this fake romance with Jack, which will also create advance publicity and excitement for A Lady of Quality 2. Jack Turner-Jones is up for contract negotiations for the next season of Blood/Lust, and wants to make sure his character isn't killed off. Fake dating Cynthie will raise his media profile considerably. Since the world already thinks they used to love each other back in the day, selling the relationship now should be easier. There is the added complication that the streaming service that's funding the movie wants there to be a behind-the-scenes documentary accompanying the release, so Cynthie and Jack would have to pretend to be affectionate a lot more of the time.   

Career-wise, Cynthie is now basically where Jack once hoped he would end up. She's starred in a number of prestigious films, been Oscar-nominated, won several other major acting awards, and until she was unfortunate enough to get romantically involved with a man who chose not to divulge that he was married, she was box office gold. Jack, on the other hand, is a constant disappointment to his exacting parents, being perfectly happy as an ensemble player in a supernatural TV show about vampires. 

As is the case with every fake relationship story in romance, especially because this is ALSO a second-chance romance, there's no way that Cynthie and Jack don't fall madly in love with each other. The book alternates between the present day and thirteen years ago, so the readers first get to see the older actors meeting again (and being instantly smitten with one another), but also get the whole complicated backstory of how the filming of the first movie and their fake relationship back then ended so catastrophically. 

One of my favourite things in Under Your Spell was the supporting cast of characters, like Clem's mothers and sisters, and Theo's micro-managing personal assistant. Here, Cynthie has a wonderful team of people taking care of her, including her best friend Hannah, who has been her personal assistant from the start. While Jack's parents are the absolute worst, he, too, has a lot of supportive friends, and then there's the crew of the movies, who also provide a lot of entertainment.

I literally bought this for my e-reader as soon as I finished Under Your Spell, and ended up liking it even more, possibly because a lot of different scenes in this reminded me of several of Lucy Parker's London Celebrities books, which remain some of my favourite contemporary romances. There were also references throughout to several of my favourite rom-coms, including While You Were Sleeping. Laura Wood is an author I will be eagerly searching for new releases from, based on the two books I read these last few days. If she writes another one as good as these, she may be a new auto-buy author for me.

Judging a book by its cover: This one has a much more traditional romance cover than Under Your Spell, and it gratifies me to see that the little cartoon people are actually wearing outfits as described in the book (that is so often not the case). 

Crossposted on Cannonball Read.

CBR15 Book 56: "Hook, Line and Sinker" by Tessa Bailey

Page count: 400 pages

Rating: 4 stars

Seven months ago, Hannah Bellinger left the little fishing town of Westport, Washington to go back to her life in Los Angeles. Her former socialite sister, Piper, stayed behind, happily engaged to a gruff crab fishing captain. While her sister at first mainly argued with and then fell like a ton of bricks for the gruff captain, Hannah spent quite a lot of time with his second in command, the very handsome Fox Thornton. Because of his womanizing ways, Hannah very quickly decided that no matter how good-looking and charming the man was, she was not going to become another conquest for him, but nevertheless enjoyed his company a lot. As a farewell present when she was about to return to LA, Fox left her a coveted Fleetwood Mac album that she had seen at a record expo but decided against buying for herself. Since music is as important to Hannah as breathing, the present was obviously very meaningful. She and Fox keep communicating via text messages, which both try to pretend mean less than they do, despite the fact that after a while, they communicate more with each other than anyone else in their lives. 

When in LA, Hannah works as a production assistant to an artsy film director, whom she's had a crush on for years. Since her stepfather is a very influential movie producer, she could probably have gotten a much swankier job, but Hannah wanted to work her way up the ranks honestly. Two years later, just fetching coffee and doing grunt work is getting a bit stale, though. Hannah dreams of working on movie soundtracks, but also struggles to make anyone actually notice her. She thinks of herself as a supporting character in the lives of others. Nevertheless, because she misses Westport, her sister (and if she allowed herself to admit it, Fox), she summons up the courage to pitch the fishing town as an alternate location to the film her movie director boss is currently making, since LA clearly isn't creating the correct vibe. Her absolutely lyrical descriptions of the town sell the temperamental director on the idea, and soon Hannah will be back near her sister and the man she keeps thinking about (as a friend) for an extended period.

Because this is a romance, and circumstances need to conspire to throw our potential lovers closer together, of course, Piper and Brendan, her handsome captain, can't let Hannah stay at theirs for the duration of the film shoot. No, she'll have to stay with Fox, in his spare room. But this is totally OK because they're just platonic friends, Fox won't even be there half the time because he'll be off on fishing trips, and Hannah still nurses that crush on her director, right?

Of course, once Hannah actually spends some time with Fox, she discovers not only that he actually has terrible self-esteem issues, literally seeing himself as nothing but a walking one-night stand, but that the attraction she feels towards him, and that he clearly returns is far from platonic. Fox witnessed his dad's womanising from an early age until it broke his parents up, and everyone around him, including his own parents, teachers, and others in the community seemed to believe that because he looked a lot like his dad, he was going to turn out exactly like him. This became a self-fulfilling prophecy - Fox started dating early and subscribed to the 'leave them before they leave you' attitude, never believing himself worthy of anything else or capable of change. He thinks Brendan is crazy for suggesting he take over as captain on Della Ray once Brendan's new, bigger fishing boat is completed. He makes self-deprecating jokes at his own expense and laughs at all the jokes about what an unreliable manwhore he is. 

Everyone warns him away from Hannah because she's the sister of his best friend's fiancée and someone who is clearly looking for a long-term relationship, not some brief and empty hook-up. Since Fox never really brought his female conquests to Westport, no one has really noticed that in the seven months since Hannah left, he hasn't been hooking up with anyone, being quite content with celibacy (because he's head over heels for Hannah). She, on the other hand, very quickly realises that her feelings for Sergei, her director boss, must have faded at some point. The only one whose attention she wants is Fox.

Fox's terrible self-image and how he's never even tried to break free of his man slut reputation (with one notable exception, which ended terribly and just further confirmed to him that his only worth is to give short-term sexual gratification to random ladies) is the biggest obstacle Hannah and Fox have to work through. There's also the fact that Hannah's home and work are in LA, and her stay in Westport isn't going to last longer than the film takes to complete. Fox doesn't believe himself capable of a long-term relationship, nor that he is in any way good enough for Hannah. Neither of them thinks a long-distance thing is going to work, but it might be career suicide for Hannah to move to the Pacific Northwest just as she's actually starting to make her boss notice her and consider her for a promotion. 

It Happened One Summer was cute and a very quick read. In that, Piper had the self-esteem issues and had to figure out who she really was, because no one had ever expected anything of her or believed her capable of anything except being a walking fashion plate. In this book, the esteem issues go even deeper and there is definitely more angst. Frankly, it's clear that most people have been hella judgmental and shitty to Fox, and he's let them and laughed along with it because he never thought to argue with their opinions. Because Hannah wants to show him that he has more to offer than just sex, she refuses to sleep with him for most of the book, wanting him to see that she likes him and his company, not just his looks and his body. 

Tessa Bailey seems to be a bit up and down quality-wise, with some of her books getting a lot of praise, while others seem borderline unreadable. I picked up these books because a very persuasive bookseller promised me I'd like them based on other romance titles I mentioned. I'm glad she was right, but I'm not sure I'm going to run out and get a bunch more of Bailey's books just because these two worked for me. 

Judging a book by its cover: I like how the cover artist manages to give Fox really awkward body language, while Hannah, who initially is very timid and reluctant to speak up, looks happy and confident. 

Crossposted on Cannonball Read