Showing posts with label serial killer. Show all posts
Showing posts with label serial killer. Show all posts

Thursday, 10 September 2026

CBR18 Book 52: "Bright Young Women" by Jessica Knoll

Page count: 384 pages
Rating: 5 stars

Monthly Keyword 26: Bright
Reading the Rainbow: Yellow
CBR18 Bingo: Versus (The brave, tenacious and determined women vs the spineless and depraved serial killer

Official plot synopsis:
Tallahassee, 1978. Sorority president Pamela Schumacher wakes to a shocking scene of implausible violence and death, and is drawn into a mystifying crime that grips the nation for decades . . .

In Seattle, Tina Cannon connects her best friend's disappearance to the Tallahassee tragedy, and is convinced that a single man is responsible.

Determined to find justice, the two join forces as their search for answers leads to a final, shocking confrontation . . .

This is probably going to be my most surprising 5-star read of the year. If you had told me before I started it, that not only would I have trouble putting it down, finishing it in less than 48 hours, but that I would absolutely love it, I likely would have seriously side-eyed you. True Crime is not a genre that has ever really appealed to me. Serial killers creep me out. I find violence towards women and children incredibly distasteful and upsetting. So tremendous kudos to Jessica Knoll for writing so well that I not only devoured this book, but found myself regretting my compulsive need to check the Wikipedia entry on Ted Bundy (never named, referred to as «The Defendant» throughout the book). This book made me care deeply for the brave female protagonists, and at several points throughout, I cried. 

While I knew it was going to upset me and creep me the f*ck out, I couldn’t help myself from reading about the real events this book is based on. The fact that such a sick, sad, thoroughly mediocre man was able to keep abducting, terrorising, sexually assaulting and murdering women for so long – it didn’t seem possible. Sadly, truth is frequently a lot stranger than fiction, and most of the time, women still aren’t believed in cases like this. It was so much worse in the 1970s. 

This will very likely end up in my top 10 of the year. I tend to be very safe in my reading choices, and rarely read things that may force me out of my comfort zone. Thanks to the Monthly Keyword challenge, I decided to read this book, and I’m so glad I did. 

Crossposted on Cannonball Read. 

Tuesday, 18 March 2025

CBR17 Book 16: "Scythe & Sparrow" by Brynne Weaver

Page count: 416 pages
Audio book length: 11 hrs 36 mins
Rating: 4 stars

Buzzword Cover Challenge 25: Transportation

Doctor Fionn Kane is doing just fine in the little Nebraska town he retreated to after leaving his promising surgical career and ex-fiancee behind. He doesn't really want anything to do with the past-times of either of his brothers and is keeping his head down, running and working out when he's not working in his small medical clinic or the hospital. He also crochets. Then a beautiful woman with a severe leg injury ends up nearly unconscious on the floor of his clinic, asking him for help before she passes out. Fionn doesn't realise that despite his attempts to live a calm and uneventful life, chaos has just found him.

Rose Evans has worked at Silveria Circus for over a decade. She has a fortune telling booth, reading tarot cards for paying customers, and also rides her motorcycle every evening in death-defying stunts. She's also has a very particular interest in botany, and as the Sparrow, she has provided many a woman with the means to incapacitate or kill an abusive partner. Normally, she doesn't do any of the killing herself, but when an obviously terrified woman comes to her for a reading, and Rose is able to figure out where the family lives, she decides to take matters (and a baseball bat) into her own hands, to rid the family of their abusive husband/father. Except Rose seriously underestimates the rage and strength of the man she attacks, and ends up with a badly broken leg before she manages to jam some cocktail sticks in the guy's eye, giving her enough time to escape on her motorcycle. She locates the local clinic, desperate to find something for the pain, and passes out shortly after the handsome doctor finds her.

A circus performer with a broken leg can't do her job, so the travelling circus leaves Rose and her RV in Nebraska, planning to pick her up once she's had time to heal. On crutches, after the complicated break, Rose isn't able to mount the stairs to her RV. Fionn has a spare room in his house and surprises himself by inviting the intriguing woman to stay with him until she's had time to recover. Fionn is used to depriving himself of the things he truly desires, so staying away from Rose, his patient, should be fine, right?

Readers of the rest of Brynne Weaver's Ruinous Love trilogy, will have already met Fionn and Rose in Butcher & Blackbird (when Ronan and Sloane show up unexpectedly requiring medical help they can't really get from a hospital) and in Leather & Lark, where the final events left things looking pretty critical for Rose (spoiler: she doesn't die). Plot-wise, the events of this book start a while before Ronan and Sloane show up, and continues as a sequel to both previous books, so the readers can discover how Rose is pulled back from death's door. 

Having read the previous two books, I felt like I already had an idea of who Fionn and Rose were as characters, but it was nevertheless fun to see them more deeply developed. The reveal that Fionn crochets in his spare time, along with a bunch of small-town grannies was a very fun one. Unlike his brothers, Fionn has chosen to heal people rather than to unalive them, but he still feels immense guilt for the role he played in the demise of their abusive father, and has never felt able to confide in his brothers about this. Rose, on the other hand, seems to have quite a death toll that she facilitated by giving other women the means to be free of their abusers. It's only in this book that she decides to try to take a more active hand in murdering violent and unpleasant men, and because she is very impulsive, it rarely goes the way she plans. Poor Fionn has to get her out of trouble more than once. 

Rating the books of the trilogy, Leather & Lark is my least favourite, while Butcher & Blackbird remains my absolute favourite (none of the other books have made me that obsessed), putting Scythe & Sparrow firmly in the middle. Of the three, this is probably the book with the most mutual pining (while Ronan pines for years for Sloane, she's pretty oblivious to all of it), and our protagonists are very attracted to one another from the start, but not willing, or in some cases able, to act on it. In the last third of this book, Fionn and Rose are separated for much of it, and as a result, correspond in letters. As a result, I would probably say it's the most romantic of the three. 

This book has the same narrators as Leather & Lark and is once more a dual narration. I really like this kind of storytelling, and since the narrators also voiced Lark and Lachlan in the previous book, there is some nice continuity. 

In one of the two epilogues to this story, Ms. Weaver gives some hints towards what she's likely to be writing about next. It seems to be a spin-off of sorts from these books, and by now, I am enjoying her storytelling enough that I'll probably get the next one too.

Judging a book by its cover: I genuinely don't know why there is a scythe featured on the cover, as far as I recall, one is never used by any of the characters, protagonists or antagonists, and therefor it seems a bit unnecessary. All the other elements that we see in yellow and orange on the cover at least feature in the book at some point. 

Crossposted on Cannonball Read. 

Friday, 26 July 2024

CBR16 Book 36: "Leather & Lark" by Brynne Weaver

Page count: 400 pages
Audio book length: 12 hrs 15 mins
Rating: 3.5 stars

CBR16 Bingo: Bananas

Lark Montague and Lachlan Kane have an unfortunate first meeting, when Lark during Halloween has had an "accident" and needs a car and a body fished out of a lake. Lachlan is the man forced by his employer to come help her do this. Lachlan is in scuba gear, Lark is heavily made up in a Halloween costume. Lachlan chooses to force Lark into the car of his trunk to transport her unseen away from the incident site, not realising that Lark has intense claustrophobia. She breaks out of his trunk, and runs off. Lachlan's employer is NOT impressed, and any hopes Lachlan had of escaping his violent fixer jobs go up in smoke.

The two meet again when Lark's best friend Sloane and Lachlan's younger brother Rowan celebrate their engagement. They are initially very attracted to one another, but once Lark figures out exactly where she recognises Lachlan's voice from and confronts him about their previous encounter, any sexy time feelings they felt towards the other are as dead as one of Sloane and Rowan's serial killer victims. They try not to let their dislike show too much, as the people they care most about are about to get married, but the animosity between them is palpable.

Lark's dying aunt runs a very successful, but cut-throat cupcake empire. Apparently,  someone (they suspect a business rival) is killing off some of their associates. Lark's parents suspect Lachlan is the man doing the hits, and Lark hears them threatening not only to take out Lachlan as a defensive measure but both of his brothers as well. Lark will not let anything get in the way of Sloane's happiness, and when her aunt points out that her parents won't threaten anyone considered family, she hatches a plan. She and Lachlan will have to get married, and convince her parents that they are actually in love. 

Lark promises Lachlan that she will get him free of his capricious and demanding employer if he helps her figure out who is killing her family's business associates. As it turns out, the guilty party isn't a business rival at all, but someone who wants very bad things to happen to both Lachlan and Lark. 

While not as wonderfully compelling as Butcher & Blackbird, the first book in the Ruinous Love trilogy, Leather & Lark was still a fun read (and listen), and I feel it fits into the "Bananas" square on the CBR16 Bingo card, because there is a leather working crime fixer, a cute folk singer who happens to have a side hustle murdering sexual predators, drugged cupcakes, serial killers getting married, murder victims being turned into crafts project, you name it. There is a long list of content warnings at the start of the book, although there's a lot less squicky stuff with eyeballs in this one. 

Considering I was entirely unprepared for how much I adored the first book, this book was unlikely to live up to my expectations. It was still a fun read, but I found neither Lark, nor Lachlan as charming and interesting as Rowan or dorkily insecure as Sloane (loved their cameo appearances in this book, though). Lark's aunt was a lovely supporting character, however. I had no need to immediately re-read this one, and while I might not want to revisit it in the future, I'm still very much looking forward to the third book in the series, where we get Rose and Fhion's story. 

Judging a book by its cover: I possibly like the turquoise and black better than the hot pink and black of the previous book, but the various objects representing the protagonists are less fun. 

Crossposted on Cannonball Read

Saturday, 30 March 2024

CBR16 Book 16: "Butcher & Blackbird" by Brynne Weaver

Page count: 360 pages
Audiobook length: 8 hrs 43 mins
Rating: 5 stars

CBR16 Sweet Books: Excited (I love this book and would like everyone I know to read it, but also understand that it's very much NOT for everyone).

Spoiler warning! I will do my best to review this without major plot spoilers, but if you want to experience this book without any prior knowledge of the contents, possibly skip this review until you've read the book.

Sloane "Blackbird" Sutherland and Rowan "Butcher" Kane have a rather unusual meet cute. He finds her locked in a cage, starved and desperate, and a decomposing corpse on the floor just outside the cage door. Sloane and Rowan are both serial killers, but only murder other killers. Obviously, they don't meet a lot of people who share their unusual hobby, and once they establish that they know of each other's reputations, end up having lunch and agreeing to a friendly competition. Once a year, they'll meet up to hunt the same killer. The first to five kills gets the honour of killing a particularly infamous one. 

Rowan is smitten with Sloane from their very first meeting, and Sloane certainly finds Rowan attractive. She's just so shy, paranoid, and socially awkward that she cannot imagine what a handsome, charming, outgoing, and flirtatious man like him might see in her. So they develop a friendship, which clearly starts developing into more with each meeting, but it takes more than four years before Sloane actually dares believe that Rowan likes her as more than just a like-minded friend. Can the two of them, restless, dark-souled, murderous, and obsessive, actually make a relationship work? And will they survive long enough to enjoy a HEA? It's not like their recreational activities are risk-free. 

There is a LONG list of trigger warnings at the very start of this book. If you find eyeballs and the removal of them unpleasant, then this book is probably not for you. These people are murderers, and there are graphic depictions of both a violent and sexual nature (there's a lot of mutual pining until about 60% into the book, and then they really make up for lost time and things get very 18+ afterwards). I tend to find suspense novels stressful, I don't really like horror. I never understood the fascination a lot of people have with True Crime. This book is basically what you'd get if Hannibal had a baby with a snarky romantic comedy. It's adorable, laugh-out-loud funny, very romantic, extremely spicy, and very very gross in parts. Both protagonists kill without remorse, and experience some pretty dangerous situations over the course of their strange murder quests. Yet I absolutely adored this book. 

Sloane is so shy, dorky, and socially awkward. She literally has one friend in the entire world, no siblings, and doesn't seem to talk or interact much with her parents. Since she seems to be bad with people in general, it's no wonder that she's intimidated and a bit confused by Rowan at first. He's outgoing, gregarious, charming, and very good-looking. He seems to flirt with everyone, so for a while, it's understandable that Sloane doesn't clue into the fact that he's clearly completely obsessed with her. 

I was completely hooked by this almost instantly. I bought the audiobook in an Audible sale in early January and thought it might be a fun and unusual read for Valentine's Day this year. I started listening in the morning on my way to work and stayed up late so I could actually finish the audiobook the same day. While I don't have as much time as I used to just for reading, I do occasionally finish a book in a day. But I can't remember the last time I finished a whole audiobook the very same day I started it, even listening at x1.5 speed.

I had a major book hangover and kept thinking so much about the book and the characters that I had to just start the audiobook all over again. That level of obsession only happens every few years for me, and should tell you something about how much I loved this book. The list of content warnings for this book is on the author's website, so if any of these seem like dealbreakers to you, it's probably best to skip it. On the other hand, I also have two friends who were disappointed that the book didn't go enough into detail about the planning and actual murdering, so that's also worth bearing in mind. 

Judging a book by its cover: The neon pink and purple against the black background is eye-catching even before you see the details, like the chainsaw, cleaver, axe, and obviously all the bones. It's sort of cute and sinister at the same time, which pretty much perfectly sums up this book. 

Crossposted on Cannonball Read

Thursday, 22 January 2015

#CBR7 Book 5: "Ex Sanguine" by Tim Seeley and various artists

Page count: 110 pages
Rating: 2.5 stars

Ah, the joys of reviewing something you read in about an hour about two weeks ago and that didn't make that much of an impact. I'm sorry, but I have to once again resort to the lazy/forgetful reviewer's trick of using the Goodreads summary:

One's a natural-born killer - a remorseless hunter gleefully prowling the night for victims to quench an unnatural blood lust. The other's a vampire. His centuries of existence have left him world weary and detached, until one day his thirst i reinvigorated when the deadly and intricate work of the Sanguine Killer catches his eyes. 

Saul Adams is a vampire, whose long life means he doesn't remember anything he doesn't write down everything in a notebook he carries with him. He can turn into mist (which is convenient for getting into locked places) and he appears to actually be able to change his facial features if necessary. I really liked the detail about his memories fading.

 The big twist (which is revealed right there in the blurb) of this comic is that Saul is of course not the serial killer that the FBI are hunting. Someone is murdering people and leaving cryptic messages in code painted in the victims' blood at the crime scenes. The young female agent, whose past contains dark horrors, is convinced that there is a supernatural connection to the murders, and after they knock on Saul's door the first time, she is determined to prove his guilt.

Saul wants to track down the real killer, to see who appears to be setting him up, and ends up temporarily teaming up with the killer. Some might say there is a romantic subplot here, but I don't think there was much romance involved in a crazy serial murderer and centuries old vampire hooking up.

There were some interesting ideas about vampires and some fun plot twists (the reveal about the female agent's past was especially good), but the fact that I'm struggling to remember much about this comic less than two weeks after I read it means that even if this wasn't what appears to be a self-contained mini-series, I would be unlikely to track down any more of it. Not bad by any means, but really nothing remarkable either.

Crossposted on Cannonball Read.

Sunday, 15 June 2014

#CBR6 Book 54 + bonus novella: "Eternity in Death" and "Creation in Death" by J.D. Robb

Total page count: 467 pages
Eternity in Death - 3 stars
Creation in Death - 4.5 stars

Creation in Death is book 25 in the In Death series (and the novella precedes it, counting as 24.5) and this is possibly not the place you want to start, as a whole load of character development comes before. However, as the books are a bit like episodes in a crime procedural show, picking up with this one would be like watching a random episode of a show a few seasons in. I don't think there's any major spoilers for previous books in this review, but if you jump in at 25, you have only yourself to blame.

Eternity in Death is a novella, first included in the anthology Dead of Night. A wealthy society girl is found dead in her apartment, with two puncture wounds in her neck. Lt. Dallas and her partner Delia Peabody investigate, and all clues point to an underground horror club, where the owner is indeed purporting to be an actual vampire, with an alibi for the night in question. Pragmatic Dallas ignores all superstitious rumours and is determined to prove the guilt of the skeevy club owner.

In Creation in Death, Dallas and her crew hunt a serial killer, after a young brunette is found tortured and murdered in a public park. Carved into her torso is the time it took her to die, complete in hours, minutes and seconds. The dead woman was artfully draped on an expensive sheet, and had a silver ring placed on her left ring finger. The body signals the return of "The Groom", who nine years earlier killed four women in fifteen days, and then disappeared. Eve and Feeney, her then partner, now her friend and mentor, worked the case, and both see it as a personal failure that the killer got away.

To make the case even more personal, it becomes obvious that the victim was employed by Eve's billionaire husband Roarke, and all the products used to clean the body, as well as the sheet she was lying on was bought in stores owned by him. As the case progresses, it becomes obvious that the killer is going to target only women employed by Roarke, and he intents his fourth and final victim to be Eve herself.

Some of the In Death novels are quick, entertaining, light reads, with a fairly generic mystery of the week, usually with some subplot involving Eve and Roarke's marriage or their relationship to their friends. This book is tense and exciting, with the stakes being very high for everyone involved. As the reader also gets to see the POVs of the victims "the Groom" has captured, as well as the killer himself, you really get a feel for the case, and understand the tension in the police department to stop him. Because of the personal stakes for the investigators, tempers are also frayed, and there is quite a lot of tension between Eve and Feeney, whose roles are now reversed. She, who used to be the rookie, is now heading the investigation, and Feeney has to follow her lead.

The investigation also shows how far Eve is willing to go to bring murderers and criminals to justice. While normally unfailingly moral and law-abiding, she's not above using all the resources her husband's unimaginable wealth can provide, and in this case, she needs him more than ever. After the fairly annoying complications forced on their marriage in the last book, Innocent in Death, it was nice to see them working together more as a team. I also thought, considering the very real danger facing his wife, that Roarke kept his sometimes very annoying domineering alpha male tendencies in check, and trusted both the competency of his wife and her colleagues in keeping her safe. This is definitely one of the better books of the series, and reminded me why I enjoy them so much and keep reading.

Crossposted on Cannonball Read.