CBR17 Book 11: "Et dukkehjem (A Doll's House)" by Henrik Ibsen

Page count: 100 pages

Rating: 5 stars

I don't know if a spoiler warning for a nearly 150-year-old play is necessary - but I will be revealing significant plot points when writing about this historical drama, so if you want to remain unspoiled, go read the play (it's only three acts, it's a relatively quick read) or watch a dramatisation, and come back when you're done. 

Nora and Torvald Helmer are a middle-class couple living in Christiania (what Oslo was named for a few centuries in the before times) in the late 1800s. They have three children, and some servants (a nanny and a parlour maid). The play takes place around Christmas and in the days following. This was a time when women didn't have any legal rights and the central conflict of this play comes about because Nora, in the past, took out a loan (forging her father's name on the contract to do so). She did it to save her husband's health but has always had to keep her illegal act a secret. Now her past is coming back to haunt her, with the man she borrowed money from, Krogstad, blackmailing her to keep his job. Nora needs to ensure Krogstad isn't fired, or he will tell her husband the truth, and the ensuing scandal could mean Torvald loses his new advantageous job as a bank manager. 

I honestly don't remember how many times I've read this play by now. I first read it in high school, with a Norwegian teacher who showed absolutely zero enthusiasm about the work, and as a result, I wasn't exactly impressed by it and remembered it as boring and pointless. Et dukkehjem/A Doll's House is now part of the curriculum in Norwegian for our tenth-graders at the school where I work and I myself have taught the play at least four times now. Unlike my high school teacher, who really just assigned us all the play to read with some accompanying work tasks (if I recall correctly), my colleagues and I read through the play act by act with the students, who take turns reading out the various parts, and we watch different dramatisations for the kids to compare and contrast. The last time I taught tenth grade, and again this time, we also showed them the first season of the Norwegian web series Skam as another comparison point, which they seemed to really like. I have no illusions that I'm instilling a great love of 19th Century realist literature in my pupils, but I'm hoping that some of them find their introduction and work with this play less off-putting than I did in school.

Suffice it to say, my opinion on this play has changed massively from my first reading of it (probably because I didn't really pay attention to it when it was one of many assigned texts). Ibsen himself claimed not to have set out to write a feminist rallying cry, but the drama remains relevant and extremely popular to this day (Ibsen remains one of the most dramatized playwrights worldwide, after Shakespeare). Nora's change from a sheltered, rather naive housewife to a woman determined to put herself first, sacrificing everything to discover who she really is, even knowing how difficult it will be is really impressive, especially given the time it was written. Torvald really is an absolutely insufferable misogynist (he's utterly odious and I had forgotten that not only does he speak to Nora appallingly, but he also mansplains why knitting is unfeminine to her friend Mrs Linde, as well), who is given several chances to redeem himself, and consistently fails at it. He sees Nora as a decorative object, a sweet plaything and constantly belittles and rebukes her if she tries to talk about anything non-frivolous. The only one who sees at least some parts of the true Nora is Doctor Rank, her husband's best friend, who would probably have made her a much better husband, had she met him first. Part of the tragedy of this play is that it's quite clear that Nora loves her idiot of a husband until his true character is finally revealed and it becomes impossible for her to lie to herself any longer. 

By the end of the play, having had it proven without a shadow of a doubt that her husband will never see her as anything but an air-headed object, Nora makes the choice to leave her family behind (it's not like she'd ever be granted custody of her children, anyway), because she cannot live the lie that she has discovered her marriage is. This was a hugely shocking finale at the time of the play's release, so much so that in Germany, Ibsen was forced to write an alternate ending, where Nora changes her mind and stays with Torvald, after all. It is rumoured that he originally considered this for the play in the first place until his wife exclaimed "Either Nora leaves, or I do." 

I cannot in good conscience rate this play any lower than 5 stars. It's a classic for a reason. I used to prefer Hedda Gabler, but the protagonist of that play is just so mean. Re-reading it yet again, I was also struck by what a massive undertaking it must be for any actress portraying Nora. In the three-act play, there is literally one short scene in the third act where Nora isn't present on stage and has most of the lines. No wonder it must be a gift of a part for an actress to play. 

Judging a book by its cover: My thin paperback copy of the play is a pleasing shade of purple, with a grumpy-looking cartoon Ibsen glowering from one side.

Crossposted on Cannonball Read. 

CBR16 Book 9: "The Widow of Rose House" by Diana Biller

Page count: 352 pages

Rating: 4.5 stars

Nowhere Book Bingo: Came out more than 4 years ago

CBR16 Sweet Books: New (new author)

It's 1875 and Professor Samuel Moore is doing marvellously, thanks to the many inventions he and his family are coming up with. What he really wants to do, though, is investigate and possibly prove the existence of ghosts, and to do that, he requires an introduction to the infamous Mrs. Alva Webster, a widow with a scandalous reputation. Sam doesn't really care about Mrs. Webster's apparently lurid past, he just wants to set up his instruments and investigate the old house she has purchased in upstate New York. Liefdehuis is rumoured to be haunted, possibly by multiple ghosts and he'd love a chance to make new discoveries. He does notice that Alva Webster is very beautiful, but at least initially, the science angle is the most important to him.

Alva Webster does indeed have a terrible reputation and a dead husband. All the rumours and scandalous gossip were started by her abusive husband after she took the courage to leave him once they lived in Paris. She was even looking into getting a divorce when he was killed during a robbery in Monte Carlo. Now her dream is to restore the once grand mansion, Liefdehuis, and document her process while doing so, hopefully resulting in a book on decorating and interior design. However, her odious brother-in-law is blackmailing her and the contractors she hired to start the restoration work at the house refuse to work, claiming there are ghosts there who scared them all nearly out of their wits. Samuel Moore keeps sending her letters, wanting access to the house, and eventually, she relents and lets him have access to the house, provided he promises to exorcise any ghosts he may discover as part of the process. 

Sam Moore is clearly a scientific genius, and while he's largely oblivious to social cues and what is considered polite and proper, he's also very observant and good at reading people. Having grown up in a loving family who all share a love of science and exploration, his life has been a very different one from that of Alva. The daughter of rich, but cold and status-hungry parents, she was married off to her husband (who needed a rich wife) after he seduced her when she was only 17 and who certainly didn't want anything to do with her once all the scandalous rumours reached them from across the ocean. The few times she's tried to contact them, her mother sends a harried maid out to shoo her away. She went from an emotionally abusive home to a physically abusive husband and even when she's trying to move on with her life and pick up the pieces of her tattered reputation, she's unable to forget because of her blackmailing brother-in-law. So she's naturally rather bitter and skittish, and while it's obvious that Sam finds her very attractive (he's not a man to hide his intentions or feelings), she is reluctant to get involved with anyone new.

This is set in the Gilded Age, mostly in New York, but with some flashbacks to Alva's life in Paris. While not as wealthy as her parents, Alva still has some of the fortune she came into her marriage with, but if she keeps having to pay her unscrupulous brother-in-law every month, she will struggle unless she manages to get her book finished and published. She keeps the truth from Sam as long as she can, since she's not used to having anyone to rely on or to support her.

Sam Moore is basically a big golden retriever of a man. He's tall and blond and clearly neuro-divergent in some way (most of his family seem to be, as well). Most of the time, he is accompanied by his best friend, Henry Van de Berg, a lawyer who makes sure that his patents are registered and that he and his family are paid what they are supposed to for their brilliant engineering solutions. Henry isn't exactly sure that making Mrs Webster's acquaintance is a good idea, but once Sam gets an idea in his head, he will pursue it tirelessly. So despite the potential complications of Sam's involvement in Alva Webster's life, he supports his friend. 

A novel featuring ghosts and a haunted house might be more of a paranormal fantasy. This is more of a straight historical romance with some supernatural elements. Minor spoilers, Alva's house actually IS haunted, and she and others are not imagining the horrible experiences they have with the ghost. But it's not the main focus of the story, for all that it plays an important part.

I really enjoyed this book and loved pretty much all the characters in the story. As far as I can see, Biller has written a novel about Sam's brother, but I hope she decides to give Henry a novel in the future as well. Possibly Sam's younger sister, as well. Either way, this delightful book ensures that I will check out Biller's other novels sometime later this year. 

Judging a book by its cover: Based on the cover image, I would have believed this book to be a much more straightforward historical novel. I certainly didn't expect a romance with paranormal elements. I suspect some readers picking this up would be surprised at getting a romance, while a lot of romance fans may have missed out on this one since it looks rather very different from most historical romance covers.

Crossposted on Cannonball Read

CBR14 Book 36: "Subtle Blood" by K.J. Charles

Page count: 290 pages

Rating: 5 stars

CBR14 Bingo: Scandal (the book features corruption, blackmail, kidnapping, and murder - not to mention gay people in the 1920s. Gasp!)

Spoiler warning! This is the third book in a trilogy. While you can absolutely read this book without the others, you will not get all the beautiful payoff from various earlier storylines that way. Also, this review will contain mild spoilers for earlier in the series. Start with Slippery Creatures. 

For the last few months, Lord Arthur "Kim" Secretan and Will Darling have actually been a couple, and nothing bad or dangerous has threatened them in any way. Kim has been helping Will get his bookshop in order, and seems to enjoy finding book treasures at estate sales, but it's clear that a part of him misses his cloak-and-dagger duties for the special service, and he still feels very guilty about how his engagement to Lady Phoebe dissolved. Obviously not because of anything romantic, but because revealing her father's crimes to the world and his subsequent death threw Phoebe's life into chaos. Off in Paris, launching Will's best friend Maisie's fashion line seems to be keeping her both happy and busy, though.

The peace was unlikely to last long, and when there's a brutal murder at Kim's former gentleman's club and it seems like Kim's older brother is the murderer, Kim feels obligated to try to clear his name. Kim would happily see his odious brute of an older brother hang, but if he dies, Kim would become his father's heir, and that's a fate so loathsome that he'd rather try to investigate and hopefully get his brother exonerated, even if it means having to spend time with his estranged brother and father. Obviously, the more time they spend among Kim's upper-class peers, the more out of place Will feels. Already insecure about their class differences, the murder investigation and its potential outcomes place a lot of strain on Kim and Will's relationship. Can they actually have a future together, when they come from such different worlds?

Obviously, in romances, there's supposed to be a HEA (happily ever after), yet because this is a trilogy, the previous two books in the series were more of a HFN (happy for now) conclusion. In this book, however, despite their increasingly challenging odds, Kim and Will actually get their happy ending. There's a lot of drama, intrigue, danger and near-death experiences before they get there though. 

Having now read the entire trilogy, I can fully admire how K.J. Charles has structured the story. In this final volume, so many of the plot strands left dangling are nicely tied off, and pretty much everything gets a satisfying conclusion eventually. Will obviously has no family left, his "family" such as it is consists of Kim and Maisie. Maisie is off in Paris becoming a famous fashion designer (but you can bet she and Lady Phoebe turn up when she hears of the difficulties Will and Kim are caught up in), but there have been ample hints about Kim's remaining family throughout the series. His younger brother obviously died on the battlefield during World War I, but his older brother Chingford is still very much alive and entirely oblivious to his privilege. In fact, he seems infuriated that anyone has dared accused him of a crime and has no intention of explaining himself or telling the truth about his connection to the dead man, making it seem even more likely that he's guilty. Kim's father is also an upper-class monster, although a smidge more sympathetic than his son and heir. It's very obvious why Kim has done his best to distance himself from them entirely. 

While there are a lot of uncertainties, at least on Will's side, about the future of their relationship, this book is also by far the most romantic of the trilogy. Will may be a bit intimidated by his feelings toward Kim, but the reverse is not the case. Kim loves Will and wants them to build a future together, which is why he needs to make sure he will never end up taking over his father's title and position. He may have been on the shifty and unreliable side earlier in the series, but in this story, he knows what he wants and he's not going to consider a life without Will. I was also very happy that while Maisie and Phoebe were off in France at the start of the book, they return and play a central part in the plot as well, as I love those ladies. If Charles wants to write a book about their future adventures, launching Maisie's career in Paris, I will happily buy and read the book.

I suspect, based on how much I loved this book, that I will enjoy the earlier book in the trilogy more as well. I've clearly been sleeping on Charles' authorship, despite having bought a bunch of them over the years. At least this means I can read more whenever I find the time. 

Judging a book by its cover: I keep getting distracted by the sideburns on the left-hand character, whom I assume is supposed to be Kim. Nice to see that the right-hand character, presumably Will, still has his trusty knife. 

Crossposted on Cannonball Read.