CBR17 Book 57: "Ladies in Hating" by Alexandra Vasti

Page count: 345 pages

Rating: 4 stars

Thank you to St. Martin's Press and Netgalley for this ARC. My opinions are my own. 

Lady Georgiana Cleeve was disowned by her father when she announced that she was the author of several popular novels, and has lived alone with her mother ever since, cut off from all contact with her brothers, convinced that the scandal she brought on herself and her family would irrevocably tarnish the reputations of anyone connected to her. She is selling well and her books are popular, but for the last few years, she has noticed a number of worrying similarities between her own books and those of another lady novelist, who also writes Gothic romances. Could the preposterously named Lady Darling be plagiarising Georgina? And if so, how is she getting her information?

Georgina becomes obsessed with unmasking this mysterious rival, and eventually resorts to hiding in the bushes outside Belvoir Library, which distributes for both of them. She is shocked to discover that not only is Lady Darling someone she recognises, but someone she shares a past with. Catriona Rose Lacey is the daughter of a butler who worked for Georgina's family, but was suddenly fired and banished from the estate by Georgina's imperious father. She hasn't seen Catriona for over a decade, but seeing her again reawakens feelings that Georgina had almost forgotten existed. 

When confronted by the furious Georgina, Catriona fervently denies all her claims of plagiarism. While she read some of Georgina's early novels, she's been so busy writing and building her own career for the past few years that she's not had time to read anything at all. Cat writes to support herself, her cousin and her teenage brother, who now has a position as a clerk. For many years, after her father died, it was only the money Cat could bring in, from her writing and working in a pie shop, that kept the family from starving. Unlike what Georgina fears, Cat doesn't really hold a grudge against Georgina's father for firing her father and sending them packing, but that obviously takes some time to be revealed.

Since this is a romance, obviously, the two women can't stop thinking of each other, even when they are annoyed and consider the other a rival. Despite their attempts to avoid each other, they keep being thrown together, and once they end up literally trapped together in a crumbling Gothic mansion, which may or may not be actually haunted, their forced proximity leads to them eventually going from mutual pining to actually snogging (and eventually more). 

Cat and her family are worried that she's going to get her heart broken, mostly because of the big class difference between the two women. They aren't aware that Lady Georgina was cut off entirely by her father, and even after his death, has refused to contact her brothers for fear that they will reject her. Because of her father's treatment of her, she's convinced that she will lead anyone close to her to be tarnished by her scandal and ostracised by society, so she keeps herself entirely isolated, which, of course, is very destructive in the long run. 

This is a fairly slow-burn romance, and there is a fair amount of angst from Georgina, which keeps her from being able to fully open up to Cat or accept affection from anyone. There's a lot of fun shenanigans in the dilapidated mansion they spend a bunch of time in, and it's never entirely clear whether the place is actually haunted, or whether this is more the vivid imagination of the two women. 

This is the third and final novel in the Belvoir's Library series, but it works fine as a stand-alone novel. You don't need to have read any of the previous two, but for the curious, it's fun to see Lady Georgina as a supporting character in Ne'er Duke Well (where she avoids marriage proposals by pretending to be the most vacuous of airheads) and in Earl Crush, where she is a very supportive and entertaining friend to the heroine. She was a great supporting character in both of these previous novels, which is why I'm glad she got a romance of her own. It seems that Iris, another supporting character in these novels, is going to be denied her happy ending, since Ms. Vasti didn't get to continue the series to a fourth book. I am nevertheless very excited to see what she writes next. 

Judging a book by its cover: While I'm not exactly super fond of the various shades of pink of the cover, the cover image shows a fun and rather dramatic scene in the novel (where our two heroines are trying to escape the Gothic ruins they find themselves trapped in). I especially like the inclusion of Georgina's fluffy dog, (Francis) Bacon, in all his derpy glory.

Crossposted on Cannonball Read. 

CBR16 Book 9: "The Widow of Rose House" by Diana Biller

Page count: 352 pages

Rating: 4.5 stars

Nowhere Book Bingo: Came out more than 4 years ago

CBR16 Sweet Books: New (new author)

It's 1875 and Professor Samuel Moore is doing marvellously, thanks to the many inventions he and his family are coming up with. What he really wants to do, though, is investigate and possibly prove the existence of ghosts, and to do that, he requires an introduction to the infamous Mrs. Alva Webster, a widow with a scandalous reputation. Sam doesn't really care about Mrs. Webster's apparently lurid past, he just wants to set up his instruments and investigate the old house she has purchased in upstate New York. Liefdehuis is rumoured to be haunted, possibly by multiple ghosts and he'd love a chance to make new discoveries. He does notice that Alva Webster is very beautiful, but at least initially, the science angle is the most important to him.

Alva Webster does indeed have a terrible reputation and a dead husband. All the rumours and scandalous gossip were started by her abusive husband after she took the courage to leave him once they lived in Paris. She was even looking into getting a divorce when he was killed during a robbery in Monte Carlo. Now her dream is to restore the once grand mansion, Liefdehuis, and document her process while doing so, hopefully resulting in a book on decorating and interior design. However, her odious brother-in-law is blackmailing her and the contractors she hired to start the restoration work at the house refuse to work, claiming there are ghosts there who scared them all nearly out of their wits. Samuel Moore keeps sending her letters, wanting access to the house, and eventually, she relents and lets him have access to the house, provided he promises to exorcise any ghosts he may discover as part of the process. 

Sam Moore is clearly a scientific genius, and while he's largely oblivious to social cues and what is considered polite and proper, he's also very observant and good at reading people. Having grown up in a loving family who all share a love of science and exploration, his life has been a very different one from that of Alva. The daughter of rich, but cold and status-hungry parents, she was married off to her husband (who needed a rich wife) after he seduced her when she was only 17 and who certainly didn't want anything to do with her once all the scandalous rumours reached them from across the ocean. The few times she's tried to contact them, her mother sends a harried maid out to shoo her away. She went from an emotionally abusive home to a physically abusive husband and even when she's trying to move on with her life and pick up the pieces of her tattered reputation, she's unable to forget because of her blackmailing brother-in-law. So she's naturally rather bitter and skittish, and while it's obvious that Sam finds her very attractive (he's not a man to hide his intentions or feelings), she is reluctant to get involved with anyone new.

This is set in the Gilded Age, mostly in New York, but with some flashbacks to Alva's life in Paris. While not as wealthy as her parents, Alva still has some of the fortune she came into her marriage with, but if she keeps having to pay her unscrupulous brother-in-law every month, she will struggle unless she manages to get her book finished and published. She keeps the truth from Sam as long as she can, since she's not used to having anyone to rely on or to support her.

Sam Moore is basically a big golden retriever of a man. He's tall and blond and clearly neuro-divergent in some way (most of his family seem to be, as well). Most of the time, he is accompanied by his best friend, Henry Van de Berg, a lawyer who makes sure that his patents are registered and that he and his family are paid what they are supposed to for their brilliant engineering solutions. Henry isn't exactly sure that making Mrs Webster's acquaintance is a good idea, but once Sam gets an idea in his head, he will pursue it tirelessly. So despite the potential complications of Sam's involvement in Alva Webster's life, he supports his friend. 

A novel featuring ghosts and a haunted house might be more of a paranormal fantasy. This is more of a straight historical romance with some supernatural elements. Minor spoilers, Alva's house actually IS haunted, and she and others are not imagining the horrible experiences they have with the ghost. But it's not the main focus of the story, for all that it plays an important part.

I really enjoyed this book and loved pretty much all the characters in the story. As far as I can see, Biller has written a novel about Sam's brother, but I hope she decides to give Henry a novel in the future as well. Possibly Sam's younger sister, as well. Either way, this delightful book ensures that I will check out Biller's other novels sometime later this year. 

Judging a book by its cover: Based on the cover image, I would have believed this book to be a much more straightforward historical novel. I certainly didn't expect a romance with paranormal elements. I suspect some readers picking this up would be surprised at getting a romance, while a lot of romance fans may have missed out on this one since it looks rather very different from most historical romance covers.

Crossposted on Cannonball Read

#CBR7 Book 70: "Heroes Are My Weakness" by Susan Elizabeth Phillips

Page count: 384 pages
Rating: 3 stars

In this clearly Gothic novel-inspired contemporary romance, unemployed and down on her luck Annie Hewitt has to spend the next sixty days in a small cottage on a remote island on the coast of Maine, because of complicated arrangement in her recently deceased mother's will. Her closest neighbour just so happens to be Theo Harp, famous horror writer and her stepbrother for a time when they were teens. As a teenager, Annie had a big crush on Theo, but he was unpredictable and at turns kind and cruel, eventually turning her crush to terror. Now he's a widower, alone in the house up the road, trying to write his next novel. Has he changed, or is he still as scary as he was as a teen?

Annie's vow to stay as far away from Theo as possible is complicated by the fact that his housekeeper is her old friend Jaycee has injured her leg and is afraid she'll get fired if she's unable to keep up her duties while Theo is writing. So Annie steps in to help her, slowly befriending Livia, Jaycee's little girl, rendered mute after the traumatic incident where her father died. Having made a living as a ventriloquist, making educational puppet shows for children, Annie is able to use her puppets to gain the trust of the child.

Annie hasn't been long on the island before all sorts of creepy shit starts happening. She's initially convinced that Theo is to blame, but has her theories disproved rather quickly. Someone is threatening her, and trying to drive her off the island, but it's not Theo, who she finds even more attractive as a grown man than she ever did as a teenager. Is Theo the tragic romantic hero Annie has been waiting for her entire life, or is he the villain she believed him to be when they were teens together?

The first third of this book would have had me throwing the book against the wall if I owned it in a physical copy. Not willing to damage my precious e-reader, no matter how frustrating a book gets, I persevered, based mainly on Mrs. Julien's assurances that the book was enjoyable. Having read my fair share of Gothic novels, I also had strong suspicions of where the plot was going to go very early on, so be prepared for the fact that the plot isn't exactly surprising, if you, like me, used to inhale Gothic fiction as entertainment as a teen.

Annie, who was extremely slappable and twee as heck in the first part of the book, with her internal conversations with her own ventriloquist's puppets (which were almost deal-breakers in themselves, oh my God, puppets are creepy) got better as the plot developed, and it was clear that her mother did quite a number on her and her back story with Theo was explored, showing how right she was to be rather wary of him.

Theo wasn't exactly doing himself any favours in the hero department either. He first appears dressed in period costume, caressing a duelling pistol and acting sketchy as all get-out. He also doesn't really work very hard to dispel Annie's fears that he actually was a teenage psychopath (SPOILER! She may have been wrong about that). They're stuck on a tiny, snow-covered island, and neither has any real alternatives in the romance department. Of course they end up together.

As any Gothic hero worth his salt, Theo has a number of issues from his past bothering him. He doesn't have a crazy wife in the attic (although there are revealing secrets up there), and he's probably not as volatile and psycho as Annie initially believed, but both he and Annie could clearly benefit from quite a bit of counselling.

While the plot was fairly predictable, and I really disliked the first third, the book got a lot better in the second half because Theo and Annie decided to work together to figure out who's trying to drive her off the island, and Annie really does have a very nice character development over the course of the book. Her interactions with Livia were especially good and as plot moppets go, the child really was quite engaging. If you like Gothic novels, pretty much all the tropes are here and gently tweaked. There's a nice local community and the plot resolves in a very sweet way - but I wish it could have been achieved without the help of ventriloquist's puppets.

Crossposted on Cannonball Read.

#CBR6 Book 112: "Frankenstein" by Mary Shelley

Page count: 269 pages
Audio book length: 8 hrs 35 min
Rating: 3 stars

I refuse to spoilertag anything in this review, because people, this book is nearly 200 years old. You've had ample time to read this book, if anything in my review spoils it for you, on your own head be it. 

 Captain Robert Walton writes letters to his sister Margaret, recounting his journey to the North Pole in a quest for scientific fame. He writes of the strange and charismatic man they rescue in the wilderness, a Victor Frankenstein. Through Walton's letters, we also get Frankenstein's tale of terrible hubris, as well as the story within the story of the creature Frankenstein in his arrogance created and abandoned to ultimately wreak havoc.

The son of a rich and loving parents, Victor Frankenstein is able to pursue his dreams as a student of science and natural philosophy. He goes to Ingolstadt in Germany and becomes obsessed with the idea of reanimating dead matter. He labours for years with his theories and eventually creates a disfigured giant cobbled together of all sort of scavenged corpses and manages to infuse the creature with life. He's so horrified by its yellow skin and ghastly visage that he runs away from the flat where he conducted his experiments and promptly has a nervous breakdown.

Being a scientific genius doesn't go so well for Victor Frankenstein. The creature he created and then ran away from is a sentient being, not all too pleased that its creator made it into such a terrifying monster. The creature longs for companionship and friendship, but has been met with only shrieks of terror and rejection whereever it goes. Victor meets the creature again, after becoming convinced it murdered his younger brother and allowed an innocent woman to hang for the crime (he's not wrong). The monster has taught himself to speak and reason and rails at his creator for basically giving him life he never asked for and then abanoning him to a life of loneliness and despair. He demands that Victor make him a companion, as he, like all living creatures is entitled to a mate and happiness.

Victor goes off into the wilds of Scotland to create a bride for the monster, but is so plagued by guilt because of the actions of his first creation that he cannot go through with it. He destroys the female he was making, causing the creature to appear and swear his vengeance. Suffice to say, things don't go well for Frankenstein, or most of his extended family and he eventually ends up nearly frozen to death in the Arctic telling his story to an explorer.

Frankenstein was not what I expected, mainly because most of my impressions come from pop culture references and my knowledge of movies (none of which I've actually seen). I was pretty sure there wasn't going to be a a mob with pitchforks trying to kill anyone, or a hunchbacked servant with a lisp or Victor Frankenstein triumphantly exclaiming: "It's alive!" but I wasn't expecting to feel so much sympathy with the creature, who really is dealt a very shitty hand. It goes on quite the murderous rampage throughout the book, which isn't exactly a nice thing to do, but I feel that Victor bears at least half, if not more of the blame, as he is the one who imbued a freakish patchwork of corpseparts with life and then ran away, forcing the creature to fend for itself. If you're an awful and neglectful parent, you don't get to turn around and be upset when your child turns out less than stellar in the morals department.

While I didn't exactly love the book, it was very interesting to me, and I am in awe of young Mary Shelley who started the book when she was 18. On a dare. Really, that girl was wicked talented. Her Frankenstein is so much more of a lasting classic than the poetry of her then much more famous husband and still inspires people today. One of the reasons I wanted to read the book was so that I could finally start watching Frankenstein, M.D, from the creators of The Lizzie Bennet Diaries and Emma Approved. I love getting my classics retold in YouTube video form, it seems. I wasn't expecting such a sophisticated book. The story within a story within a story narrative, the philosophical and moral quandries that are discussed throughout the the book, the genuine horror of the situation - girl is a genius. The book is frequently described as the first science fiction novel, and it's certainly a very good creaping horror story. Having read up on her on Wikipedia before writing this review, I also had no idea just how awesome a lady Mary Shelley seems to have been, and how scandalous her relationship with Percy Shelley actually was.

I will leave you with this webcomic by the extremely talented Kate Beaton:

Crossposted on Cannonball Read.

CBR4 Book 91: "Dreaming of Amelia" by Jaclyn Moriarty

Page count: 592 pages
Rating: 4 stars
Date begun: October 4th, 2012
Date finished: October 11th, 2012

This is the fourth (and as far, as I know, final) Ashbury/Brookfield novel. It can be read completely independently of the others, but as many of the characters in this book were introduced in previous books in the series, it may be more enjoyable if you've read at least Finding Cassie Crazy and/or Becoming Bindy Mackenzie, where several of the characters in this book were first introduced.

Like all the previous novels in this series, the book is entirely epistolary, telling the story of the graduating year of high school at the posh Ashbury high. Two new scholarship students have been accepted to the school, Riley and Amelia, and no one seems to know who they are or where they come from, only that they are a couple, and enigmatic and glamorous doesn't begin to describe them.

Told through the exam essay accounts of Riley, the girls Emily and Lydia (both introduced in Finding Cassie Crazy), their friend Toby (introduced in Becoming Bindy Mackenzie), various meeting transcripts from the scholarship committee, and the occasional blog entry, we are given the story of how Riley and Amelia arrived at Ashbury, how they at first seemed completely unwilling to engage in anything, but slowly revealed themselves to be brilliant at swimming, various academic subjects, drama and music.

As always, Moriarty captures the voices of the various teenagers brilliantly, as well as those of the adults in the books. I'm truly sorry that this is the last of the books, as I'd grown so very fond of these characters, and would've loved to read more about them, and Riley and Amelia, who I only got to spend time with in this book.

Though the cover of the book is bright and pastel-coloured, don't let it fool you. This is also a Gothic novel, complete with hidden rooms, dark and mysterious pasts, drama, jealousy, deception and manipulation, unhappy love affairs, self-serving plots, and of course, ghosts. The American title of this book is The Ghosts of Ashbury High, and the students writing exam papers all have to write with reference to the Gothic fiction they have read during the term.

As Emily begins her paper: "Lighting struck! There was a howling of wind, as if wolves roamed about, howlingly. Thunder crashed! Lightning struck again. 

It was the first day of year 12. I had set out that morning with trepidation. I did not, in all honesty, see a crow, a raven, or any other black bird on the way to school that day. And yet! I was trepidatious."

It therefore fits perfectly into the R.I.P VII challenge, and is probably my favourite of all the books I've read for the challenge so far. Highly recommended to everyone.

CBR2 Book 36: "The Dead Travel Fast" by Deanna Raybourn

Publisher: Mira
Page count: 400 pages
Rating: 3 stars
Date begun: March 17th, 2010
Date finished: March 18th, 2010

I absolutely adore Deanna Raybourn's three previous books: Silent in the Grave, Silent in the Sanctuary and Silent on the Moor. They are Victorian mystery novels with a romantic subplot, and delight me immensely. So when I heard that Raybourn had a completely stand-alone book out, inspired by Gothic novels and set in Transylvania, I had to put it on my pre-order list immediately.

The book arrived about a week back, and I'm assuming the big-busted lady on the cover is supposed to be the heroine, Theodora. When her grandfather dies, Theodora Lestrange saves her brother-in-law the trouble of having to decide what to do with his spinster, authoress sister-in-law by declaring that she will travel to Transylvania, to attend the wedding of her old school-friend Cosmina. Theodora has written some mystery stories and made a bit of money, and is sure that the evocative surroundings of her friend's exotic home will be the perfect place to write her full-length novel. She ignores the protests of her sister, brother-in-law and publisher/would-be fiance, packs up her meager belongings, and leaves Edinburgh to set off on her adventure.

Theodora's friend Cosmina is a poor relative of the Draculescu family, and was sent to school in Germany by her kindly aunt. Once Theodora arrives in Transylvania, she discovers that the Draculescus live in an imposing castle, towering on an inaccessible cliff. She is welcomed by an overjoyed Cosmina, the sickly, but benevolent Dowager Countess and the Count Dragulescu himself, Cosmina's intended. Theodora is instantly drawn to the handsome and imperious Count, but tries to ignore her attraction, as he is to be married to her friend. She is determined she will only observe him to use him to model a character in her novel. But when it is revealed, shortly after her arrival that the Count and Cosmina are not getting married after all, Theodora has a difficult time staying away from him.

Transylvania is a place full of ghost stories and superstitions. It is believed that several of the men of the village run off and become wolves in the woods around the full moon. There are whispered rumours about strigoi, or vampires, who haunt the Draculescu castle. Theodora is a practical and pragmatic person, who at first refuses to believe in the stories, but when a maid servant is found in the castle, with puncture wounds on her breast, apparently drained of blood, events start to take a more sinister turn, and it becomes more difficult for her to disbelieve the fantastic tales. The Count is mysterious, pale, brooding and mostly nocturnal. Could he really be a vampire?

While The Dead Travel Fast was an enjoyable read, it did not quite live up to the expectations I had, created because of the excellence of Raybourn's previous three novels. It was nice to read a self-contained story, though, which comes to a definite end - no pesky year-long waits for sequels. Theodora is a good protagonist, well-educated thanks to her scholar grandfather, determined to make her own way in the world with her writing, yet not anachronistically free-spirited or forward-thinking for her time, as is sometimes the case with historical heroines.

The book is told in first person, meaning we never get to see Andrei (the Count), or any of the other characters' points of view. It helps keep the events more mysterious and suspenseful, but does mean the reader does not really get a very good insight into why Andrei should be so very attractive to Theodora, or why we should care about whether she will end up with him in the end, unsuitably matched though they may be. I didn't dislike the book, and think it's nice when author's occasionally try to go different ways in their writing, but would like Ms. Raybourn to hurry up and write/publish the fourth Lady Julia/Brisbane book soon, now, please.