Page count: 199 pages
Rating: 4.5 stars
Rising star and current darling of London's West End, Elaine "Lainie" Graham has to pretend to be passionately in love with and kiss her ex-boyfriend Will Farmer every evening and sometimes for matinee performances. While none of her family really liked him, she was still shocked and upset when she discovered he was cheating on her - by seeing it splashed on the front page of the tabloid news media. Now she's pretty much sworn off men for a while and is none too amused when the theatre management want her to pretend to be an item with her other cast mate, Richard Troy, playboy billionaire method actor, who is in serious need of an image makeover. After a few too many negative stories, Richard's publicity team and the theatre's manager feel that the audiences and media might look more kindly upon him if they believed he was in love with Lainie. Lainie would benefit from the added publicity to aid her career, and they'd make a very generous donation to her favourite charity.
Lainie reluctantly agrees and has to start appearing in public with a man she finds arrogant, rude and insufferable. Their first kiss, staged for the cameras, is an absolute disaster. Richard is independently wealthy and became an actor mainly to piss off his father. There is no denying his great talent, but he's also condescending, elitist and quite a snob. He has a hell of a temper and while many of the stories in the press have been exaggerated, he's really not a very pleasant man, and it's quite clear that he's never really bothered to notice Lainie, despite the fact that they've been working together for some time. Lainie refuses to take him seriously. Although she respects and admires his undeniable skill as an actor, she goes through with the charade to make money for her cancer charity and isn't really expecting to enjoy herself or change her mind about Richard as a person.
Of course the modern take on the "marriage of convenience" turns into mutual attraction and romance, while very encouragingly not ending with Lainie's love for Richard turning him into a soft, fluffy bunny who never has an unkind word for anyone. I found Will, Lainie's ex a lot more insufferable than Richard and his continued attempts at trying to win Lainie back got really tiresome very quickly. I also really liked that while Richard had a pretty awful family background, this is not used to in any way excuse his personality or the way he behaves. It's just another aspect of his character. He's rude and condescending because he believes himself to be better than most people, not because his parents didn't love him enough.
Lainie is a delight and I loved her to pieces. She's not stick thin and refuses to give up eating just to fit into some sort of idealised media image of what women should look like. I liked her interactions with her family, especially her mum, and the explanation for why she's so passionate about charity work. I loved the scene at the talk show, where the host is trying to make something of the fact that Lainie may be serial dating her co-stars and is brutally cut down and called on her hypocritical line of questioning. I think it was one of the other Cannonballers who reviewed this book who said they pictured her as Christina Hendricks, which was pretty much the perfect mental image for me and how I too cast her in my head.
It was fun to see a romance set partly in the theatre, and I liked the behind the scenes look at the play they were in (a play I would probably have happily paid money to see performed, it sounded pretty cool). I liked that while the author is from New Zealand, the romance is set in London, with British terms and expressions. Almost all the contemporary romance I read is American, so I don't get the comfortable British slang I got used to when living in the UK for six years. Towards the end of the book, while I get why there had to be the big complication that drove Lainie and Richard apart for a while, I'm not sure I agree that the book needed the extra dramatic bit with the characters being put in mortal peril for them to realise their feelings for one another. It didn't detract too much from the delight of the general plot though. This book also features the heroine being sick at one point and the hero helping to nurse her back to health, a story beat I've discovered I am extremely partial to.
I can absolutely see why this book was so highly recommended over on Smart Bitches, Trashy Books and has already had several very positive reviews over on the Cannonball Read. This is Lucy Parker's debut novel, so sadly I won't be able to track down other books she's written. I will be keeping an eye out for her name and buying anything else she releases, because this was a really fun read and a very pleasant start to my romance reading year.
This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Showing posts with label Women Writers 15. Show all posts
Showing posts with label Women Writers 15. Show all posts
Friday, 22 January 2016
Monday, 4 January 2016
Wrapping up ALL the rest of the Reading Challenges I did in 2015
If I include the Cannonball Read (and I really think I should), I signed up for and completed 25 separate challenges last year. I have not counted the regular Goodreads or BookLikes reading challenges, which I think of as just a tally for how much I've read at any given time of the year.
Last year, I spent a really long time, meticulously listing and linking every single book for every single challenge, which is really rather pointless for a lot of said challenges, when I've collected all the books for each challenge on separate shelves in Goodreads. The separate posts for the ones that I feel require detailed lists with links are now up. Here are all the rest.
The Alphabet Soup Challenge 2015, hosted by dollycas - Completed on the 20th of November
What an Animal VIII, hosted by Socrates' Book Reviews - I signed up for 13 or more books, and had the challenge completed by April 3rd. In total, I read 42 books that fit into this category.
Finishing the Series, also hosted by Socrates' Book Reviews - I signed up for the highest level - four or more series, completed by January 31st. In total, I finished 23 series, reading 48 books.
Historical Fiction Reading Challenge, hosted by Passages to the Past. I signed up for the highest level, 50 or more books and completed it on the 16th of November. In the end, I read 68 books for this one.
The 2015 TBR List Challenge, hosted by Bookish. I signed up for the highest level, 50 or more books and completed it by the 14th of September. I ended up reading 90 books. I don't want to know how many I added to the TBR pile over the course of the year, though.
The I Dare You to Challenge, hosted by the All Challenges All the Time group on Goodreads. I completed as much as I could by December 13th.
The Graphic Novel/Manga Challenge, hosted here. I signed up for the lowest level (12-24) and still only managed to complete 13 by New Year's Eve. So I completed it, but only in the nick of time.
The Women Challenge, hosted by Peek a Book, is probably meant for people who don't read primarily female authors. I signed up for the highest level, 20 or more books written by female authors, and decided I would never count the same author twice on the list. I had completed the challenge by the 26th of March and went on to read books by 77 different female authors in 2015.
The Dive Into Diversity challenge, hosted by Rather Be Reading, asked people to read more diversely. I signed up for 20 books initially, and completed the challenge by the 28th of July. In total, I went on to read 42 books that fit the categories, and I will try to read more diversely in the coming year too.
The New Author challenge, hosted by Literary Escapism was basically to try as many new authors as possible. I signed up for an initial goal of 15, which I'd completed by March 29th. I ended up discovering works by 46 new authors over the course of the year.
For the Historical Romance challenge, hosted by Herding Cats and Burning Soup, I signed up for 48 books, which in previous years wouldn't have been all that difficult. But this year, I read a lot more in other genres, and so didn't complete the challenge until the 11th of December. In the end, I managed to complete 52 books by the end of the year.
For my NetGalley/Edelweiss challenge, hosted by Falling For YA, I signed up to read at least 10 books. I had completed that by the 17th of April, but didn't do so well the rest of the year, reading only 12 books in total from my NetGalley ARCs. Going to try to be better this year.
The Let Me Count the Ways challenge, hosted here, was really all about reading a set amount of pages. I signed up for the highest level - over 10000 pages, and had completed it by March the 1st.
There was the RIP X challenge, running only in September and October, hosted by the Estella Society. I completed it by the 28th of September.
You Read How Many Books? was hosted by Book Dragon's Lair, and I signed up for 100 books (because occasionally I like to set myself achievable goals). I completed it on the 28th of September and went on to read 159 books that counted for the challenge.
Last, but not least, I signed up for the Reading Challenge Addict, for the highest level (16+ entered and completed). I think I more than covered that.
Last year, I spent a really long time, meticulously listing and linking every single book for every single challenge, which is really rather pointless for a lot of said challenges, when I've collected all the books for each challenge on separate shelves in Goodreads. The separate posts for the ones that I feel require detailed lists with links are now up. Here are all the rest.
The Alphabet Soup Challenge 2015, hosted by dollycas - Completed on the 20th of November
What an Animal VIII, hosted by Socrates' Book Reviews - I signed up for 13 or more books, and had the challenge completed by April 3rd. In total, I read 42 books that fit into this category.
Finishing the Series, also hosted by Socrates' Book Reviews - I signed up for the highest level - four or more series, completed by January 31st. In total, I finished 23 series, reading 48 books.
Historical Fiction Reading Challenge, hosted by Passages to the Past. I signed up for the highest level, 50 or more books and completed it on the 16th of November. In the end, I read 68 books for this one.
The 2015 TBR List Challenge, hosted by Bookish. I signed up for the highest level, 50 or more books and completed it by the 14th of September. I ended up reading 90 books. I don't want to know how many I added to the TBR pile over the course of the year, though.
The I Dare You to Challenge, hosted by the All Challenges All the Time group on Goodreads. I completed as much as I could by December 13th.
The Graphic Novel/Manga Challenge, hosted here. I signed up for the lowest level (12-24) and still only managed to complete 13 by New Year's Eve. So I completed it, but only in the nick of time.
The Women Challenge, hosted by Peek a Book, is probably meant for people who don't read primarily female authors. I signed up for the highest level, 20 or more books written by female authors, and decided I would never count the same author twice on the list. I had completed the challenge by the 26th of March and went on to read books by 77 different female authors in 2015.
The Dive Into Diversity challenge, hosted by Rather Be Reading, asked people to read more diversely. I signed up for 20 books initially, and completed the challenge by the 28th of July. In total, I went on to read 42 books that fit the categories, and I will try to read more diversely in the coming year too.
The New Author challenge, hosted by Literary Escapism was basically to try as many new authors as possible. I signed up for an initial goal of 15, which I'd completed by March 29th. I ended up discovering works by 46 new authors over the course of the year.
For the Historical Romance challenge, hosted by Herding Cats and Burning Soup, I signed up for 48 books, which in previous years wouldn't have been all that difficult. But this year, I read a lot more in other genres, and so didn't complete the challenge until the 11th of December. In the end, I managed to complete 52 books by the end of the year.
For my NetGalley/Edelweiss challenge, hosted by Falling For YA, I signed up to read at least 10 books. I had completed that by the 17th of April, but didn't do so well the rest of the year, reading only 12 books in total from my NetGalley ARCs. Going to try to be better this year.
The Let Me Count the Ways challenge, hosted here, was really all about reading a set amount of pages. I signed up for the highest level - over 10000 pages, and had completed it by March the 1st.
There was the RIP X challenge, running only in September and October, hosted by the Estella Society. I completed it by the 28th of September.
You Read How Many Books? was hosted by Book Dragon's Lair, and I signed up for 100 books (because occasionally I like to set myself achievable goals). I completed it on the 28th of September and went on to read 159 books that counted for the challenge.
Last, but not least, I signed up for the Reading Challenge Addict, for the highest level (16+ entered and completed). I think I more than covered that.
Thursday, 31 December 2015
#CBR7 Book 156: "The Rogue Not Taken" by Sarah MacLean
Page count: 432 pages
Rating: 4 stars
Lady Sophie Talbot is the youngest daughter of a coal miner who it's rumoured won his Earldom in a card game with the Prince Regent. Sophie was quite happy growing up in a little village in Cumbria, dreaming of marrying the baker's boy and one day running her own bookshop. Moving to London and becoming part of the ton was never her dream, and unlike her sisters, who seem to clamber to outdo each other with regards to being seen and being scandalous, she'd rather stay in the background and read. While she hates that the gossip papers have dubbed them all "the soiled S's" (all their names start with S) and the way they speculate about how her eldest sister landed a duke, she's also fiercely loyal to her family and when she finds her ducal brother-in-law in a compromising situation with a woman most certainly not her pregnant sister, she loses her temper and shoves him in a fish pond. In front of everyone in polite society. Lady Sophie, the quiet one, just caused the biggest scandal of the season.
Wanting to get away as quickly as possible, she tries to persuade the scoundrelly Marquess of Eversley, popularly known as "King" to let her ride along in his carriage back to the city. She believes she may be able to blackmail him, as she caught him climbing out a window and holds his boot hostage, but he just abandons it and her, rushing away. Desperate to be gone, Sophie instead bribes his footman into giving her his livery and stows away on his carriage, only to realise far too late that it's not going back to London, it's going north. Eversley has recieved news that his father may be at death's door and cannot resist a final chance to tell his father he is never getting married and fathering heirs.
Strangely, despite being in ill-fitting livery, barely anyone but King actually recognises that Sophie isn't a boy, despite the fact that she's still wearing silk slippers (the footman's boots didn't fit). He's convinced she's trying to snare herself a husband by being caught in a compromising position with him, but she denies this vehemently and does her best to get far away from him as quickly as possible. Using undeniable cleverness to best Eversley, she manages to get coach fare north, she's decided to go back to her home village of Mossband to realise her dreams, never to return to the capital. But the coach is stopped by highwaymen, Sophie throws herself in front of a pistol shot to rescue a young urchin, and despite telling himself repeatedly that he wants nothing to do with Sophie Talbot, King has to go searching for a doctor so he's not left with a dead earl's daughter on his hands.
Sophie and King (the reveal of his real name is excellent) pretty much loathe each other at first sight. He believes her to be a title-hunting social climber, she thinks he embodies all the things she hates most about the aristocracy. He can seduce soon to be married women and escape half-dressed out a window without anyone raising so much as an eyebrow while she was publically shunned for trying to defend her sister's honour. He's rich, handsome, arrogant and keeps saying exactly the wrong thing, sometimes directly insulting Sophie, but much of the time doing so without even meaning to. They both keep trying to remind themselves how annoying they find the other person, as they are clearly extremely attracted to one another.
In many ways, this book reminded me of A Week to Be Wicked, probably my favourite Tessa Dare novels, and one of my favourite romances ever. There's a road trip element, there is a lot of spirited banter, the couple have sizzling chemistry and they keep having mishap after mishap, while stuck on the road together. Both the heroes are uncomfortable travelling in small, dark, enclosed coaches. Both the heroines are highly intelligent, bookish, overlooked by everone and clearly super awesome. This book has daddy issues, gunshot wounds, occasional plot moppets (who were mostly sweet rather than annoying), assumed names, a pretend engagement, some pretty sexy times in both a carriage and a hedge maze, allusions to Greek mythology and hero, who while incredibly skilled at putting his foot in his mouth, eventually fully acknowledges what a first class idiot he's been and grovels very satisfyingly. He's not wrong about Sophie being far too good for him, but he shows signs of improvement towards the end and he's certainly not selfish in the bedroom department, which is an definite plus in a romance hero.
At least until I re-read One Good Earl Deserves a Lover, this is among my favourite Sarah Macleans and Sophie is certainly one of my favourite heroines. I do have niggles about the plot (King could have been slightly less insulting all the time, the conflict with his father could have been very easily solved if they actually just had a CONVERSATION), but they are not enough to ruin the happy glow of such a fun romance. After the most recent Milan was a let-down, I'm glad that I got to end the year on such a high note, making this the book that completed my triple Cannonball.
Crossposted on Cannonball Read.
Rating: 4 stars
Lady Sophie Talbot is the youngest daughter of a coal miner who it's rumoured won his Earldom in a card game with the Prince Regent. Sophie was quite happy growing up in a little village in Cumbria, dreaming of marrying the baker's boy and one day running her own bookshop. Moving to London and becoming part of the ton was never her dream, and unlike her sisters, who seem to clamber to outdo each other with regards to being seen and being scandalous, she'd rather stay in the background and read. While she hates that the gossip papers have dubbed them all "the soiled S's" (all their names start with S) and the way they speculate about how her eldest sister landed a duke, she's also fiercely loyal to her family and when she finds her ducal brother-in-law in a compromising situation with a woman most certainly not her pregnant sister, she loses her temper and shoves him in a fish pond. In front of everyone in polite society. Lady Sophie, the quiet one, just caused the biggest scandal of the season.
Wanting to get away as quickly as possible, she tries to persuade the scoundrelly Marquess of Eversley, popularly known as "King" to let her ride along in his carriage back to the city. She believes she may be able to blackmail him, as she caught him climbing out a window and holds his boot hostage, but he just abandons it and her, rushing away. Desperate to be gone, Sophie instead bribes his footman into giving her his livery and stows away on his carriage, only to realise far too late that it's not going back to London, it's going north. Eversley has recieved news that his father may be at death's door and cannot resist a final chance to tell his father he is never getting married and fathering heirs.
Strangely, despite being in ill-fitting livery, barely anyone but King actually recognises that Sophie isn't a boy, despite the fact that she's still wearing silk slippers (the footman's boots didn't fit). He's convinced she's trying to snare herself a husband by being caught in a compromising position with him, but she denies this vehemently and does her best to get far away from him as quickly as possible. Using undeniable cleverness to best Eversley, she manages to get coach fare north, she's decided to go back to her home village of Mossband to realise her dreams, never to return to the capital. But the coach is stopped by highwaymen, Sophie throws herself in front of a pistol shot to rescue a young urchin, and despite telling himself repeatedly that he wants nothing to do with Sophie Talbot, King has to go searching for a doctor so he's not left with a dead earl's daughter on his hands.
Sophie and King (the reveal of his real name is excellent) pretty much loathe each other at first sight. He believes her to be a title-hunting social climber, she thinks he embodies all the things she hates most about the aristocracy. He can seduce soon to be married women and escape half-dressed out a window without anyone raising so much as an eyebrow while she was publically shunned for trying to defend her sister's honour. He's rich, handsome, arrogant and keeps saying exactly the wrong thing, sometimes directly insulting Sophie, but much of the time doing so without even meaning to. They both keep trying to remind themselves how annoying they find the other person, as they are clearly extremely attracted to one another.
In many ways, this book reminded me of A Week to Be Wicked, probably my favourite Tessa Dare novels, and one of my favourite romances ever. There's a road trip element, there is a lot of spirited banter, the couple have sizzling chemistry and they keep having mishap after mishap, while stuck on the road together. Both the heroes are uncomfortable travelling in small, dark, enclosed coaches. Both the heroines are highly intelligent, bookish, overlooked by everone and clearly super awesome. This book has daddy issues, gunshot wounds, occasional plot moppets (who were mostly sweet rather than annoying), assumed names, a pretend engagement, some pretty sexy times in both a carriage and a hedge maze, allusions to Greek mythology and hero, who while incredibly skilled at putting his foot in his mouth, eventually fully acknowledges what a first class idiot he's been and grovels very satisfyingly. He's not wrong about Sophie being far too good for him, but he shows signs of improvement towards the end and he's certainly not selfish in the bedroom department, which is an definite plus in a romance hero.
At least until I re-read One Good Earl Deserves a Lover, this is among my favourite Sarah Macleans and Sophie is certainly one of my favourite heroines. I do have niggles about the plot (King could have been slightly less insulting all the time, the conflict with his father could have been very easily solved if they actually just had a CONVERSATION), but they are not enough to ruin the happy glow of such a fun romance. After the most recent Milan was a let-down, I'm glad that I got to end the year on such a high note, making this the book that completed my triple Cannonball.
Crossposted on Cannonball Read.
#CBR7 Book 152: "Longbourn" by Jo Baker
Page count: 352 pages
Rating: 4 stars
Quick question - can you give me the name of a single servant in Pride and Prejudice? Despite having read the book multiple times and having just finished the audio version of the book, I certainly couldn't do it. Jo Baker has taken the classic novel and imagined what the lives of the invisible people behind the scenes, so to speak. The very essential people who wash the mud out of Lizzie's petticoats after she's been walking the countryside, who help the Bennett sisters do their hair, make the beds, empty the chamber pots, sweep the floors, cook the food, tend the horses, open the doors, run errands no matter the state of the weather, carry messages back and forth and make life so much easier for the main cast of Pride and Prejudice.
There's the housekeeper, Mrs. Hill; her husband, the butler; the maids Sarah and Mary (who because the middle daughter of the family is also a Mary is forever called Polly instead). There's also the mysterious and newly hired footman, James. Their lives' work is to make things as comfortable and effortless for the family they serve, but they have hopes and dreams and pasts of their own. Sarah, orphaned at an early age and taken into the household after a stay in the poor house, especially dreams of travelling and seeing the country, not content to be a servant her entire life. She's suspicious of James, the ruffian who showed up from nowhere and was suddenly hired on as a footman. All the other servants seem to adore him, and Mrs. Hill dotes on him, but Sarah's sure he's lying about his past and is determined to figure out what he's hiding. Both James and Mrs. Hill are concerned when Sarah seems to form an attachment with one of Mr. Bingley's handsome and exotically dark-skinned footmen.
The servants, like everyone else, hope the elder Bennett sisters will make good matches, and worry when Lizzie spurns Mr. Collins, who after all will be their new master at some point in the future. They all think it would have been easier if he married a Bennett daughter, but can see he should have set his sights on Miss Mary, who was a much more suitable match for him.
While the Bennett women and all their acquaintances seem charmed by the dashing Mr. Wickham, the servants are not so easily fooled by his looks and easy charm. They recognise a predator when they see one and when he shows a very worrying interest in little Polly, James forgets all his hard-earned instincts to keep his head down and steps in to protect her. Wickham shows just how dangerous he can be and causes great upheaval in the household. Both Sarah and Mrs. Hill are shattered by the aftermath.
The book is divided into three parts, and the third part is the one that's the most removed from the main plot of the source novel. In this part we discover more of Mrs. Hill's past, her connection to James the footman and why he wished to keep his past hidden from everyone. It offered a perspective on the Regency period you certainly don't see in the romance novels, not just because it concerns the lives of the working classes, but because it's easy to forget when reading about balls and dresses and courting that the Napoleonic wars were also raging at the time. While so many romances are populated by officers back AFTER the Napoleonic wars, with varying degrees of PTSD, they rarely show any of the realities of the actual fighting, and certainly not what it would have been like for the foot soldiers. Longbourn, however, doesn't shy away from such unpleasantness.
This book is a very interesting take on what I think of as "literary fan fiction". I really liked the different interpretations of the already known characters from the beloved novel, as well as a fascinating look at all those servants who get completely forgotten about, but were oh so necessary for the wheels of society to turn. At first, I was worried I'd find the book boring, but I pretty much raced through it, just as invested in the lower born protagonists that I was reading about Lizzie and her sisters finding love.
I'm not entirely sure I liked some of the choices Baker made in the book, however, and wish that Mrs. Hill's past could have been handled differently. I did like that Baker continued the story past the pages of the original, with glimpses of Lizzie's life as Mrs. Darcy and showed what life might be like for a maid at Pemberley. I can't really fault Sarah for the choices she eventually made, although I doubt I would have chosen the same if I were in her situation. There have been several very favourable Cannonball reviews of this in the past, I'm glad I finally got round to reading it.
Crossposted on Cannonball Read.
Rating: 4 stars
Quick question - can you give me the name of a single servant in Pride and Prejudice? Despite having read the book multiple times and having just finished the audio version of the book, I certainly couldn't do it. Jo Baker has taken the classic novel and imagined what the lives of the invisible people behind the scenes, so to speak. The very essential people who wash the mud out of Lizzie's petticoats after she's been walking the countryside, who help the Bennett sisters do their hair, make the beds, empty the chamber pots, sweep the floors, cook the food, tend the horses, open the doors, run errands no matter the state of the weather, carry messages back and forth and make life so much easier for the main cast of Pride and Prejudice.
There's the housekeeper, Mrs. Hill; her husband, the butler; the maids Sarah and Mary (who because the middle daughter of the family is also a Mary is forever called Polly instead). There's also the mysterious and newly hired footman, James. Their lives' work is to make things as comfortable and effortless for the family they serve, but they have hopes and dreams and pasts of their own. Sarah, orphaned at an early age and taken into the household after a stay in the poor house, especially dreams of travelling and seeing the country, not content to be a servant her entire life. She's suspicious of James, the ruffian who showed up from nowhere and was suddenly hired on as a footman. All the other servants seem to adore him, and Mrs. Hill dotes on him, but Sarah's sure he's lying about his past and is determined to figure out what he's hiding. Both James and Mrs. Hill are concerned when Sarah seems to form an attachment with one of Mr. Bingley's handsome and exotically dark-skinned footmen.
The servants, like everyone else, hope the elder Bennett sisters will make good matches, and worry when Lizzie spurns Mr. Collins, who after all will be their new master at some point in the future. They all think it would have been easier if he married a Bennett daughter, but can see he should have set his sights on Miss Mary, who was a much more suitable match for him.
While the Bennett women and all their acquaintances seem charmed by the dashing Mr. Wickham, the servants are not so easily fooled by his looks and easy charm. They recognise a predator when they see one and when he shows a very worrying interest in little Polly, James forgets all his hard-earned instincts to keep his head down and steps in to protect her. Wickham shows just how dangerous he can be and causes great upheaval in the household. Both Sarah and Mrs. Hill are shattered by the aftermath.
The book is divided into three parts, and the third part is the one that's the most removed from the main plot of the source novel. In this part we discover more of Mrs. Hill's past, her connection to James the footman and why he wished to keep his past hidden from everyone. It offered a perspective on the Regency period you certainly don't see in the romance novels, not just because it concerns the lives of the working classes, but because it's easy to forget when reading about balls and dresses and courting that the Napoleonic wars were also raging at the time. While so many romances are populated by officers back AFTER the Napoleonic wars, with varying degrees of PTSD, they rarely show any of the realities of the actual fighting, and certainly not what it would have been like for the foot soldiers. Longbourn, however, doesn't shy away from such unpleasantness.
This book is a very interesting take on what I think of as "literary fan fiction". I really liked the different interpretations of the already known characters from the beloved novel, as well as a fascinating look at all those servants who get completely forgotten about, but were oh so necessary for the wheels of society to turn. At first, I was worried I'd find the book boring, but I pretty much raced through it, just as invested in the lower born protagonists that I was reading about Lizzie and her sisters finding love.
I'm not entirely sure I liked some of the choices Baker made in the book, however, and wish that Mrs. Hill's past could have been handled differently. I did like that Baker continued the story past the pages of the original, with glimpses of Lizzie's life as Mrs. Darcy and showed what life might be like for a maid at Pemberley. I can't really fault Sarah for the choices she eventually made, although I doubt I would have chosen the same if I were in her situation. There have been several very favourable Cannonball reviews of this in the past, I'm glad I finally got round to reading it.
Crossposted on Cannonball Read.
#CBR7 Book 151: "Pride and Prejudice" by Jane Austen
Page count: 334 pages
Audio book length: 11 hrs 35 mins
Rating: 5 stars
Is there anyone, from barely discovered tribes in the South American rainforests, to nomadic tribes on the Mongolian steppes, who doesn't actually know the gist of the plot of this book? Just in case there are any people who have lived in a barren cave their entire life, I will attempt to summarise it the major plot beats.
Jane and Lizzie are the two eldest, prettiest and most sensible of the five Bennett sisters. Their mother is a silly and easily upset woman who wants nothing more than to see her daughters happily married. Their father would seem to mainly want to be left alone with his books (a household full of women, I can symphatize). There's also the stuffy Mary, and the boy-crazy youngest sisters, Kitty and Lydia. A rich and handsome young gentleman, Mr Bingley, moves to the area, and Mrs. Bennett is determined that he will fall in love with one of her girls. After he meets Jane, that seems very likely to happen, but after some promising encounters, the majority of the Bennett family make a dreadful spectacle of themselves at a ball and before anyone is even cured of their hangover, Bingley's two spiteful and snobbish sisters and haughty and supercilious friend, Mr. Darcy have convinced him that he imagined Jane's affection and persuaded him to return to London. Lizzie's none too surprised as she pretty much loathed Darcy at first sight.
Meanwhile Lizzie upsets her mother by refusing the proposal of the family's distant cousin, Mr Collins, who will one day inherit their house. He marries her spinster friend Charlotte Lucas instead. After some months of getting used to her friend choosing security and a home of her own at the price of being married to someone quite ridiculous, Lizzie comes to accept her friend's choice and goes to visit her at her new home. Here she runs into Mr. Darcy again and over the course of her six week long visit, she sees him quite a few times. She likes his cousin quite a bit, but is shocked speechless when Mr. Darcy proposes marriage towards the end of her stay there. He confesses that he does so against his better judgement and that he thinks her family are beneath him, but he loves her enough to overlook their difference in station. Lizzie, having recently discovered the truth behind his spiriting away Bingley and breaking Jane's heart, as well as believing Darcy financially ruined a childhood friend, wastes no time telling the man exactly how appalled she is and tells him to stuff his proposal. He's offended, but writes her a comprehensive letter explaining his side of the story with regards to the accusations she flings at him, and once Lizzie calms down sufficiently, she starts to wonder if she's owes the man an apology.
Six months later, when travelling in Derbyshire with her aunt and uncle, Lizzie meets Mr. Darcy again, here at his magnificent estate, Pemberley. He's like a changed man, amiable, generous to a fault, complimentary and insisting he wants to introduce Lizzie and her relatives to his younger sister. Having had time to think and consider everything she learned in the letter carefully, Lizzie's heart is already more receptive towards Darcy when a terrible scandal is revealed, involving the youngest Bennett sister. Any happiness with the proper and respectable Darcy seems sure to be doomed - just as Lizzie was considering telling him her feelings had changed.
I've read Pride and Prejudice countless times, first in Norwegian, later in English. I fondly remember waiting eagerly along with my mother for every new episode of the 1995 mini series, that for a very long time type cast Colin Firth as the romantic lead in all sorts of things, as he was the perfect Mr. Darcy. When I don't have time to watch the six hour mini series, the 2005 movie version starring Kiera Knightley and Matthew McFadyen will do nicely as well. I adored the modernised YouTube version made around the book's 200th anniversary, and the spin off book resulting from it. I still return to the original every few years though and each time I rediscover little bits that I'd forgotten in Ms. Austen's brilliant romance, which as well as having several satisfying happy endings, is a very clever social satire, using the eternally unmarried parson's daughter's observations of the people around her and the situations of ladies very much in her social sphere. While Austen has written many memorable book, this was the first of hers I read and it remains my absolute favourite.
The new Audible audio version, narrated by Rosamund Pike, who played Jane in the 2005 movie version, is excellent. Ms. Pike has a lovely voice and manages to differentiate between the huge cast of characters with pretty distinctive voices for everyone, mostly to great success. It was a perfectly soothing and comforting listen in the hustle and bustle of the pre-Chistmas weeks. All the characters are so familiar to me, and having the book to listen to while running errands and trying to finish the last of the shopping made several stressful tasks go easier. If you've never allowed yourself the pleasure of reading Pride and Prejudice, you should consider the audio version for an extra treat. If you already know and love the book, get the audio, as I can't imagine a version that could be better.
Crossposted on Cannonball Read.
Audio book length: 11 hrs 35 mins
Rating: 5 stars
Is there anyone, from barely discovered tribes in the South American rainforests, to nomadic tribes on the Mongolian steppes, who doesn't actually know the gist of the plot of this book? Just in case there are any people who have lived in a barren cave their entire life, I will attempt to summarise it the major plot beats.
Jane and Lizzie are the two eldest, prettiest and most sensible of the five Bennett sisters. Their mother is a silly and easily upset woman who wants nothing more than to see her daughters happily married. Their father would seem to mainly want to be left alone with his books (a household full of women, I can symphatize). There's also the stuffy Mary, and the boy-crazy youngest sisters, Kitty and Lydia. A rich and handsome young gentleman, Mr Bingley, moves to the area, and Mrs. Bennett is determined that he will fall in love with one of her girls. After he meets Jane, that seems very likely to happen, but after some promising encounters, the majority of the Bennett family make a dreadful spectacle of themselves at a ball and before anyone is even cured of their hangover, Bingley's two spiteful and snobbish sisters and haughty and supercilious friend, Mr. Darcy have convinced him that he imagined Jane's affection and persuaded him to return to London. Lizzie's none too surprised as she pretty much loathed Darcy at first sight.
Meanwhile Lizzie upsets her mother by refusing the proposal of the family's distant cousin, Mr Collins, who will one day inherit their house. He marries her spinster friend Charlotte Lucas instead. After some months of getting used to her friend choosing security and a home of her own at the price of being married to someone quite ridiculous, Lizzie comes to accept her friend's choice and goes to visit her at her new home. Here she runs into Mr. Darcy again and over the course of her six week long visit, she sees him quite a few times. She likes his cousin quite a bit, but is shocked speechless when Mr. Darcy proposes marriage towards the end of her stay there. He confesses that he does so against his better judgement and that he thinks her family are beneath him, but he loves her enough to overlook their difference in station. Lizzie, having recently discovered the truth behind his spiriting away Bingley and breaking Jane's heart, as well as believing Darcy financially ruined a childhood friend, wastes no time telling the man exactly how appalled she is and tells him to stuff his proposal. He's offended, but writes her a comprehensive letter explaining his side of the story with regards to the accusations she flings at him, and once Lizzie calms down sufficiently, she starts to wonder if she's owes the man an apology.
Six months later, when travelling in Derbyshire with her aunt and uncle, Lizzie meets Mr. Darcy again, here at his magnificent estate, Pemberley. He's like a changed man, amiable, generous to a fault, complimentary and insisting he wants to introduce Lizzie and her relatives to his younger sister. Having had time to think and consider everything she learned in the letter carefully, Lizzie's heart is already more receptive towards Darcy when a terrible scandal is revealed, involving the youngest Bennett sister. Any happiness with the proper and respectable Darcy seems sure to be doomed - just as Lizzie was considering telling him her feelings had changed.
I've read Pride and Prejudice countless times, first in Norwegian, later in English. I fondly remember waiting eagerly along with my mother for every new episode of the 1995 mini series, that for a very long time type cast Colin Firth as the romantic lead in all sorts of things, as he was the perfect Mr. Darcy. When I don't have time to watch the six hour mini series, the 2005 movie version starring Kiera Knightley and Matthew McFadyen will do nicely as well. I adored the modernised YouTube version made around the book's 200th anniversary, and the spin off book resulting from it. I still return to the original every few years though and each time I rediscover little bits that I'd forgotten in Ms. Austen's brilliant romance, which as well as having several satisfying happy endings, is a very clever social satire, using the eternally unmarried parson's daughter's observations of the people around her and the situations of ladies very much in her social sphere. While Austen has written many memorable book, this was the first of hers I read and it remains my absolute favourite.
The new Audible audio version, narrated by Rosamund Pike, who played Jane in the 2005 movie version, is excellent. Ms. Pike has a lovely voice and manages to differentiate between the huge cast of characters with pretty distinctive voices for everyone, mostly to great success. It was a perfectly soothing and comforting listen in the hustle and bustle of the pre-Chistmas weeks. All the characters are so familiar to me, and having the book to listen to while running errands and trying to finish the last of the shopping made several stressful tasks go easier. If you've never allowed yourself the pleasure of reading Pride and Prejudice, you should consider the audio version for an extra treat. If you already know and love the book, get the audio, as I can't imagine a version that could be better.
Crossposted on Cannonball Read.
Saturday, 26 December 2015
#CBR7 Book 146: "Ms Marvel, vol 1: No Normal" by G. Willow Wilson and Adrian Alphona
Page count: 120 pages
Rating: 4 stars
Kamala Khan is a pretty ordinary geeky teenager from Jersey City, until she's suddenly given the extraordinary powers of the superhero Ms. Marvel. She's both excited and confused. Can a Muslim girl even be a superhero? She certainly feels that the outfit could be a bit less revealing. How is she going to combine the responsibilities of fighting crime, rescuing people and righting wrongs if she also has to worry about obeying her parents and keeping cerfew?
Before she's even entirely aware what she's doing, she uses her powers to save a class mate. The press catches wind of it, and soon everyone is wondering about the identity of the new Ms. Marvel. After trying to rescue her friend Bruno from a botched convenience store robbery, he discovers her new secret identity and promises to help her in any way he can. There's some hints about a sinister new villain, but as this trade only collects the first five volumes, it's mainly an origin story.
I really liked Kamala and while I've seen a lot of people claim that all the other characters are stereotypes, I'm not sure I agree. I would assume that since G. Willow Wilson herself is a Muslim, she's a bit more sensitive to the cultural stereotypes than some other authors might be. I work with teenagers from many religions, and thought most of the teen characters rang true. Stereotypes are built on generalities, but a lot of girls of Pakistani descent DO have protective parents. Their brothers are traditionally allowed a lot more freedom and it can be a tricky thing to have a foot in two cultures.
The comic is fun, but not perfect. I'm still not entirely sure how or why Kamala actually got her superpowers, that bit was a bit vague. I am assuming that the supporting cast will be fleshed out as necessary in future issues and that readers will also discover the motivations of the villain. I don't know a whole lot about the Marvel comics universe, having only really watched the films, but am unsure if this is the comic that will really make me more familiar with the whole of it. I supect it will mainly focus on Kamala's adventures in Jersey City. The series certainly seems more diverse in its representation than a lot of comics, and is clearly aimed more at a middle grade to YA audience. It's still refreshing to see a comic about a young woman that doesn't play up the physical aspect or overly sexualise her. I liked the writing and the art, and will be looking for the next volume soon.
Crossposted on Cannonball Read.
Rating: 4 stars
Kamala Khan is a pretty ordinary geeky teenager from Jersey City, until she's suddenly given the extraordinary powers of the superhero Ms. Marvel. She's both excited and confused. Can a Muslim girl even be a superhero? She certainly feels that the outfit could be a bit less revealing. How is she going to combine the responsibilities of fighting crime, rescuing people and righting wrongs if she also has to worry about obeying her parents and keeping cerfew?
Before she's even entirely aware what she's doing, she uses her powers to save a class mate. The press catches wind of it, and soon everyone is wondering about the identity of the new Ms. Marvel. After trying to rescue her friend Bruno from a botched convenience store robbery, he discovers her new secret identity and promises to help her in any way he can. There's some hints about a sinister new villain, but as this trade only collects the first five volumes, it's mainly an origin story.
I really liked Kamala and while I've seen a lot of people claim that all the other characters are stereotypes, I'm not sure I agree. I would assume that since G. Willow Wilson herself is a Muslim, she's a bit more sensitive to the cultural stereotypes than some other authors might be. I work with teenagers from many religions, and thought most of the teen characters rang true. Stereotypes are built on generalities, but a lot of girls of Pakistani descent DO have protective parents. Their brothers are traditionally allowed a lot more freedom and it can be a tricky thing to have a foot in two cultures.
The comic is fun, but not perfect. I'm still not entirely sure how or why Kamala actually got her superpowers, that bit was a bit vague. I am assuming that the supporting cast will be fleshed out as necessary in future issues and that readers will also discover the motivations of the villain. I don't know a whole lot about the Marvel comics universe, having only really watched the films, but am unsure if this is the comic that will really make me more familiar with the whole of it. I supect it will mainly focus on Kamala's adventures in Jersey City. The series certainly seems more diverse in its representation than a lot of comics, and is clearly aimed more at a middle grade to YA audience. It's still refreshing to see a comic about a young woman that doesn't play up the physical aspect or overly sexualise her. I liked the writing and the art, and will be looking for the next volume soon.
Crossposted on Cannonball Read.
Wednesday, 23 December 2015
#CBR7 Book 143: "Season for Temptation" by Theresa Romain
Page count: 368 pages
Rating: 3 stars
James, Viscount Matheson has newly come into the title and wishes to marry a suitable young lady as quickly as possible, seeing as his sister, now widowed, was embroiled in a terrible scandal due to her philandering husband and a very public scene with a mistress before he died. Matheson's mother wishes him to restore the family reputation. So he is very pleased when he meets the quiet and pleasant Miss Louisa Oliver in the library at a society ball. Proposing to her after but a short acquaintance, he goes to see her family and is then introduced to Louisa's vivacious and lively step-sister, Julia Herington. After just a short time, James begins to fear he may have proposed too soon.
Miss Louisa Oliver hated being out in society and felt that she really couldn't turn down the proposal of a Viscount, even though she's honestly not sure she's ready for marriage yet, if ever. All she really wants to do is stay at home with her family, reading and organising the library. Julia is overjoyed that her sister has made such a good match, and even more so once she actually meets James. She knows that her sister hates attention and scrutiny, but believes that James' wit and enthusiasm may bring Louisa out of her shell a bit more. She hopes she may one day meet a man as nice and agreeable as he.
Louisa manages to persuade James to postpone the wedding until Julia has had her season, and the two sisters go to London accompanied by a fearsome widowed aunt as chaperone. Of course James and Julia pine hopelessly for one another, all the while hiding their true feelings from Louisa, whom they both care very much for, each other and the world in general. Louisa, for her part, keeps having misgivings about getting married, getting more and more determined to break off the engagement the longer she has to spend in society. Will James be able to finally declare his love for the right sister?
This book was far too long for what was really a very simple plot. I'm pretty sure it could have been covered in a novella. Honourable and kind peer of the realm contracts betrothal with one sister, falls madly in love with the other. She returns his feelings, the first sister doesn't really mind, as she doesn't love him and didn't really want to get married after all. His mother, who is a meddlesome shrew, try to complicate matters to separate them, is not successful.
There's quite a lot of time spent in libraries, which I don't exactly mind, because Louisa loves books and the organising of them, which I can thoroughly respect. She is shy, socially awkward, yet perfectly behaved. She knows that she may never make a match as good as a viscount, so can't really refuse a proposal, even though she feels nothing more than a general regard for Matheson. She's pretty much the polar opposite of her step-sister who is impulsive, exuberant, frequently speaks before she thinks and seems unable to be still for a second. The major complication here are that James and Julia are too honourable to do anything to hurt Louisa or act on their attraction towards each other (although they both tell themselves that they're just imagining the kind attentions of the other because of their infatuation).
One thing the book cannot be criticised for is the romance progressing too quickly. Several months, if not nearly a year passes over the course of the book. There are tours of James' estate, that he's modernising. At one point, Julia turns her ankle and is convalescent for six weeks. Then there's her season, which seems to be well under way. The problem is just that nothing much interesting happens. Louisa tries to solicit James help in finding a respectable suitor for Julia. He seethes with jealousy and tries to sabotage the search while on the surface being forced to play along.
The characters are perfectly pleasant, the story (if it were shorter) is diverting. It just dragged on. Romain is a good writer and uses chapter titles very amusingly. I was still waiting for the end to be in sight and for them to just "get on with it!" I'd heard many good things about this series on Smart Bitches, Trashy Books and Dear Author, but based on the first book, I hope the sequels are snappier and have more plot or I'm not going to be able to get through them.
Crossposted on Cannonball Read.
Rating: 3 stars
James, Viscount Matheson has newly come into the title and wishes to marry a suitable young lady as quickly as possible, seeing as his sister, now widowed, was embroiled in a terrible scandal due to her philandering husband and a very public scene with a mistress before he died. Matheson's mother wishes him to restore the family reputation. So he is very pleased when he meets the quiet and pleasant Miss Louisa Oliver in the library at a society ball. Proposing to her after but a short acquaintance, he goes to see her family and is then introduced to Louisa's vivacious and lively step-sister, Julia Herington. After just a short time, James begins to fear he may have proposed too soon.
Miss Louisa Oliver hated being out in society and felt that she really couldn't turn down the proposal of a Viscount, even though she's honestly not sure she's ready for marriage yet, if ever. All she really wants to do is stay at home with her family, reading and organising the library. Julia is overjoyed that her sister has made such a good match, and even more so once she actually meets James. She knows that her sister hates attention and scrutiny, but believes that James' wit and enthusiasm may bring Louisa out of her shell a bit more. She hopes she may one day meet a man as nice and agreeable as he.
Louisa manages to persuade James to postpone the wedding until Julia has had her season, and the two sisters go to London accompanied by a fearsome widowed aunt as chaperone. Of course James and Julia pine hopelessly for one another, all the while hiding their true feelings from Louisa, whom they both care very much for, each other and the world in general. Louisa, for her part, keeps having misgivings about getting married, getting more and more determined to break off the engagement the longer she has to spend in society. Will James be able to finally declare his love for the right sister?
This book was far too long for what was really a very simple plot. I'm pretty sure it could have been covered in a novella. Honourable and kind peer of the realm contracts betrothal with one sister, falls madly in love with the other. She returns his feelings, the first sister doesn't really mind, as she doesn't love him and didn't really want to get married after all. His mother, who is a meddlesome shrew, try to complicate matters to separate them, is not successful.
There's quite a lot of time spent in libraries, which I don't exactly mind, because Louisa loves books and the organising of them, which I can thoroughly respect. She is shy, socially awkward, yet perfectly behaved. She knows that she may never make a match as good as a viscount, so can't really refuse a proposal, even though she feels nothing more than a general regard for Matheson. She's pretty much the polar opposite of her step-sister who is impulsive, exuberant, frequently speaks before she thinks and seems unable to be still for a second. The major complication here are that James and Julia are too honourable to do anything to hurt Louisa or act on their attraction towards each other (although they both tell themselves that they're just imagining the kind attentions of the other because of their infatuation).
One thing the book cannot be criticised for is the romance progressing too quickly. Several months, if not nearly a year passes over the course of the book. There are tours of James' estate, that he's modernising. At one point, Julia turns her ankle and is convalescent for six weeks. Then there's her season, which seems to be well under way. The problem is just that nothing much interesting happens. Louisa tries to solicit James help in finding a respectable suitor for Julia. He seethes with jealousy and tries to sabotage the search while on the surface being forced to play along.
The characters are perfectly pleasant, the story (if it were shorter) is diverting. It just dragged on. Romain is a good writer and uses chapter titles very amusingly. I was still waiting for the end to be in sight and for them to just "get on with it!" I'd heard many good things about this series on Smart Bitches, Trashy Books and Dear Author, but based on the first book, I hope the sequels are snappier and have more plot or I'm not going to be able to get through them.
Crossposted on Cannonball Read.
Monday, 21 December 2015
#CBR7 Book 140: "Diary of an Accidental Wallflower" by Jennifer McQuiston
Page count: 384 pages
Rating: 4 stars
Lady Clare Westmore is pretty certain that she's well on her way of securing the affection of Mr. Charles Alban, the next Duke of Harrington. Every sign seems to suggest that with just a bit more time with him, he will propose marriage by the end of the season. When she manages to sprain her ankle violently, she still insists on going to the evening's ball, as passing up a chance to dance with Mr. Alban is unthinkable. However, the pain is such that she can barely stand, and she ends up in the corner with the wallflowers, shocked to discover that her so- called best friend dances and flirts with the duke's heir instead. She's rather rude to the young man who approaches her, assuring her that he is a physician, wanting to treat her injured leg. Dr Daniel Merial nonetheless manages to persuade her that he can help her, so Clare limps to the library in search of her mother, who's there as her chaperone. She receives her second shock of the evening when she finds her mother in the arms of a young man.
Mortified, Clare mainly allows Dr. Merial to examine her ankle, hoping that his doctor-patient confidentiality will prevent him from gossipping about her mother to anyone. She's extremely upset when he concludes that she will need to stay at home, resting her ankle for the next six weeks. That will completely ruin her chances with Mr. Alban! One of the most popular girls of the season is suddenly taken completely out of the running, and with the time she's left to spend at home, Clare is also forced to consider the many things that are clearly disastrously wrong in her parents' marriage.
While she's actually a very intelligent and well-informed young lady, Clare has created the perfect image for society of a carefree, slightly flighty beauty, perfectly behaved, dressed and with friends who have all the right connections. She despairs of the wild manners of her young brother and unconventional and spirited sister, who is due to debut in society soon. Once she's home bound, her siblings admit that they strongly dislike the persona she's created and she is forced to acknowledge the duplicity and fickleness of her so-called society friends.
Dr Daniel Merial came to London to perfect a device to administer anaesthesia, and when he's not working in the hospital or attending the dying Lady Austerly, he works on experiments at night, trying to make it work. He is in desperate need of other rich clients as his pay at the hospital isn't enough to fund his invention. So he's quite glad to be asked back to treat the cranky Miss Westmore, as he really does need the money. The more time they spend together, the harder it becomes for him to keep a professional distance. That her younger siblings both adore him as well and are eager for him to visit, makes it even harder for him to stay away.
The longer Clare is away from the cut-throat world of the season, the more confused she becomes about what she really wants. Mr. Alban comes to visit her, but they have none of the chemistry that sizzles between her and Dr. Merial. Yet Clare is the daughter of a viscount and though Daniel is a very promising young physician, whose invention, if he manages to complete it, could make him substantial amounts of money, there is no denying that there is a big social divide between them. As Clare discovers more of her parents' marital troubles, she understands that there are several secrets being kept, that if they were to be revealed, could mean complete social ruin for not only herself, but her siblings. Securing a marriage with a future duke could be the best solution to all their problems.
This is the first book I've ever read by Jennifer McQuiston, and I really liked her take on a high born heroine and commoner hero. Daniel Merial is a great hero, and he's determined to revolutionise medicine not out of desire to make himself wealthy, but to save as many lives as possible. He's an idealist, but also realises the necessity to make enough money to make ends meet. Although Lady Austerly pays well, he's also genuinely concerned about her, considering her a friend and he despairs at her continuing insistence on throwing social events, even at the risk of her already ailing health. He initially tries to keep a professional distance from Clare, but when she keeps going on about her wishes of a future match with Mr. Alban, he gets irrationally jealous and realises his feelings for her.
It's not actually all that common that marital problems are addressed in romance, even among secondary characters. I therefore felt that the growing rift and distress suffered by Clare's parents was an interesting addition to an already slightly unusual book. Add to that her younger siblings, who were both socially unprepared for their future duties, without getting too annoyingly quirky (although the tomboy sister occasionally comes close), who make a fun and believable supporting cast. Clare is a good heroine, initially blinded as to what she needs to make her truly happy by what she has been raised to believe she should aim for.
I got this book in an e-book sale after seeing it recommended on some romance blog or other. I will absolutely be seeking out more of her books.
Crossposted on Cannonball Read.
Rating: 4 stars
Lady Clare Westmore is pretty certain that she's well on her way of securing the affection of Mr. Charles Alban, the next Duke of Harrington. Every sign seems to suggest that with just a bit more time with him, he will propose marriage by the end of the season. When she manages to sprain her ankle violently, she still insists on going to the evening's ball, as passing up a chance to dance with Mr. Alban is unthinkable. However, the pain is such that she can barely stand, and she ends up in the corner with the wallflowers, shocked to discover that her so- called best friend dances and flirts with the duke's heir instead. She's rather rude to the young man who approaches her, assuring her that he is a physician, wanting to treat her injured leg. Dr Daniel Merial nonetheless manages to persuade her that he can help her, so Clare limps to the library in search of her mother, who's there as her chaperone. She receives her second shock of the evening when she finds her mother in the arms of a young man.
Mortified, Clare mainly allows Dr. Merial to examine her ankle, hoping that his doctor-patient confidentiality will prevent him from gossipping about her mother to anyone. She's extremely upset when he concludes that she will need to stay at home, resting her ankle for the next six weeks. That will completely ruin her chances with Mr. Alban! One of the most popular girls of the season is suddenly taken completely out of the running, and with the time she's left to spend at home, Clare is also forced to consider the many things that are clearly disastrously wrong in her parents' marriage.
While she's actually a very intelligent and well-informed young lady, Clare has created the perfect image for society of a carefree, slightly flighty beauty, perfectly behaved, dressed and with friends who have all the right connections. She despairs of the wild manners of her young brother and unconventional and spirited sister, who is due to debut in society soon. Once she's home bound, her siblings admit that they strongly dislike the persona she's created and she is forced to acknowledge the duplicity and fickleness of her so-called society friends.
Dr Daniel Merial came to London to perfect a device to administer anaesthesia, and when he's not working in the hospital or attending the dying Lady Austerly, he works on experiments at night, trying to make it work. He is in desperate need of other rich clients as his pay at the hospital isn't enough to fund his invention. So he's quite glad to be asked back to treat the cranky Miss Westmore, as he really does need the money. The more time they spend together, the harder it becomes for him to keep a professional distance. That her younger siblings both adore him as well and are eager for him to visit, makes it even harder for him to stay away.
The longer Clare is away from the cut-throat world of the season, the more confused she becomes about what she really wants. Mr. Alban comes to visit her, but they have none of the chemistry that sizzles between her and Dr. Merial. Yet Clare is the daughter of a viscount and though Daniel is a very promising young physician, whose invention, if he manages to complete it, could make him substantial amounts of money, there is no denying that there is a big social divide between them. As Clare discovers more of her parents' marital troubles, she understands that there are several secrets being kept, that if they were to be revealed, could mean complete social ruin for not only herself, but her siblings. Securing a marriage with a future duke could be the best solution to all their problems.
This is the first book I've ever read by Jennifer McQuiston, and I really liked her take on a high born heroine and commoner hero. Daniel Merial is a great hero, and he's determined to revolutionise medicine not out of desire to make himself wealthy, but to save as many lives as possible. He's an idealist, but also realises the necessity to make enough money to make ends meet. Although Lady Austerly pays well, he's also genuinely concerned about her, considering her a friend and he despairs at her continuing insistence on throwing social events, even at the risk of her already ailing health. He initially tries to keep a professional distance from Clare, but when she keeps going on about her wishes of a future match with Mr. Alban, he gets irrationally jealous and realises his feelings for her.
It's not actually all that common that marital problems are addressed in romance, even among secondary characters. I therefore felt that the growing rift and distress suffered by Clare's parents was an interesting addition to an already slightly unusual book. Add to that her younger siblings, who were both socially unprepared for their future duties, without getting too annoyingly quirky (although the tomboy sister occasionally comes close), who make a fun and believable supporting cast. Clare is a good heroine, initially blinded as to what she needs to make her truly happy by what she has been raised to believe she should aim for.
I got this book in an e-book sale after seeing it recommended on some romance blog or other. I will absolutely be seeking out more of her books.
Crossposted on Cannonball Read.
Wednesday, 16 December 2015
#CBR7 Book 138: "Wallflower Gone Wild" by Maya Rodale
Page count: 384 pages
Rating: 3.5 stars
Lady Olivia Archer is unmarried after four seasons on the marriage market, known as "London's Least Likely to Cause a Scandal". Everywhere she goes, her mother forces her to recount her ladylike accomplishments, such as embroidery, playing the piano, painting water colours and other deathly dull things. Olivia isn't surprised people have taken to calling her "Prissy Missy" and that at one memorable garden party, a gentleman jumped into a hedge rather than speak to her (or her mother).
One of her best friends, Lady Emma, another former wallflower, recently married a duke after a series of unusual events and is now determined to match her two besties with suitable men. Before she has time to introduce them to anyone, however, Olivia meets a handsome stranger at a ball and has a moment of true chemistry with him after their eyes meet across the room. The morning after, she is told her parents have accepted the proposal of Sir Phinneas Cole for her hand in marriage. A genius and reclusive inventor, Phin is in London to work on completing a machine with Lady Emma's husband. He wants a pretty, quiet and polite wife to help him manage his vast Yorkshire estate. He is also popularly known as "the Mad Baron".
Some years ago, all the newspapers ran stories about the tragic fire in his lab and how his first wife died under mysterious circumstances. While in finishing school, all three wallflowers read the scandalous accounts of how "the Mad Baron" stole his brother's fiancee and later likely murdered her. Because he lives in Yorkshire and never goes into society, Phin was of the naive belief that the rumours had died down. He was very wrong. It's clear that the woman he wants to marry is both afraid of him and behaving very strangely.
Olivia has concocted a plan with her friends to make Phin break off the engagement. If he wants a proper and ladylike bride, then Olivia must be everything but. She's been brought up knowing all the rules that mustn't be broken and has never stepped a toe out of line before. This has brought her nothing but scorn, ugly nicknames and now a very unwanted, possibly murderous fiancee. She starts behaving as scandalously as she can - wearing excessive amounts of makeup, getting drunk in public, dancing with rakes and scoundrels and generally trying to cause scenes (she's not very good at it).
Phin (who of course is the handsome man she met that magical night) is puzzled by the erratic behaviour of Lady Olivia. He can't deny the attraction he felt for her that first night, and even at her worst, Olivia can't come close to causing the sort of scandals his first wife inspired. The more outrageously Olivia acts, the more determined he is to go through with the marriage.
While Olivia doesn't know that Phin isn't a crazy murderer, the readers are of course privy to his POV and fully aware that he's not as dangerous as the rumours would have it. A big old science nerd, he's actually quite dreadfully clueless around women, and tries to take courtship advice from his more wordly (but moronic) friend, with the results that Olivia isn't just afraid of him, but thinks he's a dolt as well. The only thing their relationship has going for it is that first brief meeting when their glances caught across a crowded room and they shared a brief moment, until some of the catty ladies of the ton came to interrupt before anything significant could happen. The undeniable chemistry between them then is what makes Phin determined to win Olivia, and makes her unsure of whether he can be as bad as his reputation suggests.
Brought up to do only what is right and proper for a young lady, Olivia has never been given the opportunity to actually decide what she likes or wants from life, and her attempts at acting out go rather badly, because there is a reason she and her friends are dubbed "London's Least Likely". In one last-ditch attempt to rebel, Olivia goes to a masquerade, where she is rescued from a near-assault by none other than her (obviously masked) fiancee. Overwhelmed by everything that's happened since she became engaged against her will, she breaks down in his arms, and speaks honestly of her hopes and fears. Phin, to his credit, realises how dumb he has been and determines to treat his bride better, encouraging her to forge her own way and make her own choices once they are married.
He does not, however, tell her the truth behind the lurid gossip surrounding his first wife's death for quite some time, creating one of those frustrating misunderstandings that seems to be so common in romance. Of course things improve immensely between the couple once the full story is out, just in time for Olivia to injure herself badly, making Phin realise his feelings for her now that he might suddenly lose her.
Which brings me to my biggest gripe with this book. In addition to the "let's act all mad-cap and crazy to put off my fiancee" section that goes on a bit too long, this book has one of the most unbelievable deflowering scenes I've ever come across. Now, I may be extra critical, reading this book shortly after I myself fell on the ice and broke my left wrist quite badly. Nonetheless, I'm literally painfully aware of how much this hurts, and how sore and unwieldy a broken limb is, for up to a week after the injury. Even with the benefit of modern painkillers, I really didn't want to use my left arm for much of anything. Olivia breaks her ankle in an accident, yet seems perfectly able to consummate her marriage only a day or two afterwards. I don't care what superhuman erotic abilities "the Mad Baron" possesses, there is NO way that she would happily be spreading her legs and engaging in carnal acts so shortly after breaking a limb. As far as I'm aware, the most common painkiller in the Regency era would have been laudanum. Olivia would therefore either be more or less passed out in a morphine haze or in absolute agony if someone tried to move make her "open her legs".
Now, if you don't have the painful real life experience of breaking a limb fresh in your mind, this might not be a deal breaker for you. This book had a lot of potential, and I liked it better than the first book in the series, but there still wasn't anything out of the ordinary to make me consider Maya Rodale as an essential romance writer whose books I'll be looking out for or pre-ordering.
Crossposted on Cannonball Read.
Rating: 3.5 stars
Lady Olivia Archer is unmarried after four seasons on the marriage market, known as "London's Least Likely to Cause a Scandal". Everywhere she goes, her mother forces her to recount her ladylike accomplishments, such as embroidery, playing the piano, painting water colours and other deathly dull things. Olivia isn't surprised people have taken to calling her "Prissy Missy" and that at one memorable garden party, a gentleman jumped into a hedge rather than speak to her (or her mother).
One of her best friends, Lady Emma, another former wallflower, recently married a duke after a series of unusual events and is now determined to match her two besties with suitable men. Before she has time to introduce them to anyone, however, Olivia meets a handsome stranger at a ball and has a moment of true chemistry with him after their eyes meet across the room. The morning after, she is told her parents have accepted the proposal of Sir Phinneas Cole for her hand in marriage. A genius and reclusive inventor, Phin is in London to work on completing a machine with Lady Emma's husband. He wants a pretty, quiet and polite wife to help him manage his vast Yorkshire estate. He is also popularly known as "the Mad Baron".
Some years ago, all the newspapers ran stories about the tragic fire in his lab and how his first wife died under mysterious circumstances. While in finishing school, all three wallflowers read the scandalous accounts of how "the Mad Baron" stole his brother's fiancee and later likely murdered her. Because he lives in Yorkshire and never goes into society, Phin was of the naive belief that the rumours had died down. He was very wrong. It's clear that the woman he wants to marry is both afraid of him and behaving very strangely.
Olivia has concocted a plan with her friends to make Phin break off the engagement. If he wants a proper and ladylike bride, then Olivia must be everything but. She's been brought up knowing all the rules that mustn't be broken and has never stepped a toe out of line before. This has brought her nothing but scorn, ugly nicknames and now a very unwanted, possibly murderous fiancee. She starts behaving as scandalously as she can - wearing excessive amounts of makeup, getting drunk in public, dancing with rakes and scoundrels and generally trying to cause scenes (she's not very good at it).
Phin (who of course is the handsome man she met that magical night) is puzzled by the erratic behaviour of Lady Olivia. He can't deny the attraction he felt for her that first night, and even at her worst, Olivia can't come close to causing the sort of scandals his first wife inspired. The more outrageously Olivia acts, the more determined he is to go through with the marriage.
While Olivia doesn't know that Phin isn't a crazy murderer, the readers are of course privy to his POV and fully aware that he's not as dangerous as the rumours would have it. A big old science nerd, he's actually quite dreadfully clueless around women, and tries to take courtship advice from his more wordly (but moronic) friend, with the results that Olivia isn't just afraid of him, but thinks he's a dolt as well. The only thing their relationship has going for it is that first brief meeting when their glances caught across a crowded room and they shared a brief moment, until some of the catty ladies of the ton came to interrupt before anything significant could happen. The undeniable chemistry between them then is what makes Phin determined to win Olivia, and makes her unsure of whether he can be as bad as his reputation suggests.
Brought up to do only what is right and proper for a young lady, Olivia has never been given the opportunity to actually decide what she likes or wants from life, and her attempts at acting out go rather badly, because there is a reason she and her friends are dubbed "London's Least Likely". In one last-ditch attempt to rebel, Olivia goes to a masquerade, where she is rescued from a near-assault by none other than her (obviously masked) fiancee. Overwhelmed by everything that's happened since she became engaged against her will, she breaks down in his arms, and speaks honestly of her hopes and fears. Phin, to his credit, realises how dumb he has been and determines to treat his bride better, encouraging her to forge her own way and make her own choices once they are married.
He does not, however, tell her the truth behind the lurid gossip surrounding his first wife's death for quite some time, creating one of those frustrating misunderstandings that seems to be so common in romance. Of course things improve immensely between the couple once the full story is out, just in time for Olivia to injure herself badly, making Phin realise his feelings for her now that he might suddenly lose her.
Which brings me to my biggest gripe with this book. In addition to the "let's act all mad-cap and crazy to put off my fiancee" section that goes on a bit too long, this book has one of the most unbelievable deflowering scenes I've ever come across. Now, I may be extra critical, reading this book shortly after I myself fell on the ice and broke my left wrist quite badly. Nonetheless, I'm literally painfully aware of how much this hurts, and how sore and unwieldy a broken limb is, for up to a week after the injury. Even with the benefit of modern painkillers, I really didn't want to use my left arm for much of anything. Olivia breaks her ankle in an accident, yet seems perfectly able to consummate her marriage only a day or two afterwards. I don't care what superhuman erotic abilities "the Mad Baron" possesses, there is NO way that she would happily be spreading her legs and engaging in carnal acts so shortly after breaking a limb. As far as I'm aware, the most common painkiller in the Regency era would have been laudanum. Olivia would therefore either be more or less passed out in a morphine haze or in absolute agony if someone tried to move make her "open her legs".
Now, if you don't have the painful real life experience of breaking a limb fresh in your mind, this might not be a deal breaker for you. This book had a lot of potential, and I liked it better than the first book in the series, but there still wasn't anything out of the ordinary to make me consider Maya Rodale as an essential romance writer whose books I'll be looking out for or pre-ordering.
Crossposted on Cannonball Read.
Thursday, 10 December 2015
#CBR7 Book 133: "Hex Hall" by Rachel Hawkins
Page count: 337 pages
Rating: 3 stars
Sophie Mercer is a witch and because of the various bad incidents her magic has gotten her mixed up in, she and her mum have moved a lot during her lifetime. After Sophie seriously misjudges the oomph of a love spell at her current high school's prom, and there is a huge scene, Sophie's normally absentee father, a European warlock of some kind, gets involved. Sophie is sent off to a boarding school. On a remote island, where she will stay until she graduates at 18.
Hex Hall, as it's known among the kids there, is a magical reform school where wayward witches, shapeshifters and faeries are sent until they come of age. As an attempt at greater inclusion, there is currently also a vampire attending the school. Jenna the vampire also just happens to be Sophie's new roommate. After Jenna's former roommate ended up dead under mysterious and suspicious circumstances (with two little holes in her neck) the year before, Jenna is pretty much feared and/or shunned by the whole school. Sophie doesn't want to jump to conclusions, however.
Before her first week is up, Sophie and Jenna are starting to bond; a trio of powerful Mean Girl witches want Sophie to join their coven so they can maximise their power (and are NOT pleased to get no for an answer); Sophie has detention for the rest of the term and an inconvenient crush on the most popular boy in school. She also learns that her father is in fact the head of the Order that sent most of the kids to Hex Hall, and as a result, he (and his daughter) are not really popular. Sophie is rumoured to be just as powerful as him, but having grown up around normal humans, never interacting with other magically abled, things that others consider child's play are completely new to her. She finds the most basic spells incredibly challenging and on top of that, she has to try to survive magical high school intrigue.
Sophie refuses to join the crusade against Jenna, which gets more intense after another girl is attacked, with Jenna having been one of the last to interact with her. Sophie wants to solve the mystery behind the attack and get good enough at magic that she can tell the coven to stuff it. At least she gets to spend lots of quality time with Archer (her crush) during their detention sessions. Now if she could only make him forget about Elodie, his current girlfriend and her nemesis.
Hex Hall is fairly highly rated on Goodreads and when I saw it cheaply in an e-book sale, it seemed a fun enough read. As an added bonus, the X in the title would allow me to finish my Alphabet Soup challenge for the year. It's a fairly generic YA paranormal fantasy, where the usual high school intrigues are made a bit more interesting as there is magic, witches, ghosts, various shapeshifters, faeries and possibly an evil demon on the loose.
Sophia is a likable, snarky, independently-minded heroine. She doesn't really fit in with any of the popular kids and has a tendency to speak before she thinks. This sometimes backfires badly. Despite her disgust at being a cliche, she can't help but fall for the ridiculously handsome Archer Cross, and the more time she spends around him, discovering that he's actually smart, funny and kind, as well as well-liked around the whole school doesn't help. His only flaw is dating Elodie, the head of the coven, whose main goals seem to be to recruit Sophie to enhance the coven's power and to get Jenna expelled from the school.
There are some fun ideas here - Lord Byron being a vampire sentenced to teach at the school. Detention is being forced to catalogue magical artifacts, that move to a new area every day, in a huge creepy basement. Supernatural teens who can't keep under the radar being sent to magical reform school at a remote location.
I also like that Elodie, Sophia's initial nemesis and the Regina George of the coven, turned out to be a bit more multi-faceted than she seemed at first. I liked Sophia's fish out of water experience. The friendship between Jenna and Sophie was also a nice feature, and the revelation that Jenna was gay made sense without just seeming like a "insert token LGBT character here for diversity" thing.
I didn't really care about the many shadowy groups who are out there trying to destroy the supernatural, although it's clear from the synopsis of the next book (and to anyone who's ever read a narrative) that they'll play a more significant part in the sequels. Sophia turning out to be the only child of the head warlock, with a legacy of super special power was a bit too convenient.
Not sure I got invested enough in this world and the characters to bother reading the sequels any time soon. I won't rule it out if I find them at a decent price in a book sale, but I doubt I'll be seeking them out in the immediate future. The book didn't stand out enough for that.
Crossposted on Cannonball Read.
Rating: 3 stars
Sophie Mercer is a witch and because of the various bad incidents her magic has gotten her mixed up in, she and her mum have moved a lot during her lifetime. After Sophie seriously misjudges the oomph of a love spell at her current high school's prom, and there is a huge scene, Sophie's normally absentee father, a European warlock of some kind, gets involved. Sophie is sent off to a boarding school. On a remote island, where she will stay until she graduates at 18.
Hex Hall, as it's known among the kids there, is a magical reform school where wayward witches, shapeshifters and faeries are sent until they come of age. As an attempt at greater inclusion, there is currently also a vampire attending the school. Jenna the vampire also just happens to be Sophie's new roommate. After Jenna's former roommate ended up dead under mysterious and suspicious circumstances (with two little holes in her neck) the year before, Jenna is pretty much feared and/or shunned by the whole school. Sophie doesn't want to jump to conclusions, however.
Before her first week is up, Sophie and Jenna are starting to bond; a trio of powerful Mean Girl witches want Sophie to join their coven so they can maximise their power (and are NOT pleased to get no for an answer); Sophie has detention for the rest of the term and an inconvenient crush on the most popular boy in school. She also learns that her father is in fact the head of the Order that sent most of the kids to Hex Hall, and as a result, he (and his daughter) are not really popular. Sophie is rumoured to be just as powerful as him, but having grown up around normal humans, never interacting with other magically abled, things that others consider child's play are completely new to her. She finds the most basic spells incredibly challenging and on top of that, she has to try to survive magical high school intrigue.
Sophie refuses to join the crusade against Jenna, which gets more intense after another girl is attacked, with Jenna having been one of the last to interact with her. Sophie wants to solve the mystery behind the attack and get good enough at magic that she can tell the coven to stuff it. At least she gets to spend lots of quality time with Archer (her crush) during their detention sessions. Now if she could only make him forget about Elodie, his current girlfriend and her nemesis.
Hex Hall is fairly highly rated on Goodreads and when I saw it cheaply in an e-book sale, it seemed a fun enough read. As an added bonus, the X in the title would allow me to finish my Alphabet Soup challenge for the year. It's a fairly generic YA paranormal fantasy, where the usual high school intrigues are made a bit more interesting as there is magic, witches, ghosts, various shapeshifters, faeries and possibly an evil demon on the loose.
Sophia is a likable, snarky, independently-minded heroine. She doesn't really fit in with any of the popular kids and has a tendency to speak before she thinks. This sometimes backfires badly. Despite her disgust at being a cliche, she can't help but fall for the ridiculously handsome Archer Cross, and the more time she spends around him, discovering that he's actually smart, funny and kind, as well as well-liked around the whole school doesn't help. His only flaw is dating Elodie, the head of the coven, whose main goals seem to be to recruit Sophie to enhance the coven's power and to get Jenna expelled from the school.
There are some fun ideas here - Lord Byron being a vampire sentenced to teach at the school. Detention is being forced to catalogue magical artifacts, that move to a new area every day, in a huge creepy basement. Supernatural teens who can't keep under the radar being sent to magical reform school at a remote location.
I also like that Elodie, Sophia's initial nemesis and the Regina George of the coven, turned out to be a bit more multi-faceted than she seemed at first. I liked Sophia's fish out of water experience. The friendship between Jenna and Sophie was also a nice feature, and the revelation that Jenna was gay made sense without just seeming like a "insert token LGBT character here for diversity" thing.
I didn't really care about the many shadowy groups who are out there trying to destroy the supernatural, although it's clear from the synopsis of the next book (and to anyone who's ever read a narrative) that they'll play a more significant part in the sequels. Sophia turning out to be the only child of the head warlock, with a legacy of super special power was a bit too convenient.
Not sure I got invested enough in this world and the characters to bother reading the sequels any time soon. I won't rule it out if I find them at a decent price in a book sale, but I doubt I'll be seeking them out in the immediate future. The book didn't stand out enough for that.
Crossposted on Cannonball Read.
Thursday, 3 December 2015
#CBR7 Book 131: "A Kiss in the Dark" by Kimberly Logan
Page count: 384 pages
Rating: 1.5 stars
Warning! There will be spoilers for the plot in this review - because I have to pick apart the mediocre plot to fully get my scathe on.
Lord Tristan Knight has come into the Earl of Ellington after his estranged father died unexpectedly in a carriage accident. As the late Earl blamed his son for the death of Lady Ellington, stabbed to death by an East End bandit, Tristan has been absent for a long time. His younger sister Emily was left alone with a grieving, neglectful father and after the return of her brother has tried to act out and scare away a series of governesses in an attempt to make her brother notice her. When she finally runs away, Tristan realises he's been very dumb.
After traces of Lady Emily's belongings are found in Tothill Fields, the same area where their mother was murdered years ago, Tristan becomes desperate. His butler recommends he seek out the aid of Lady Deidre Wilks, the notorious Viscountess Rotherby, who is known for her charitable acts in the area. When Tristan turns up on her doorstep, Deidre recognises him instantly. She was the pickpocket who lured Lady Ellington down the alley where she was murdered, and she's convinced Tristan has come to bring her to justice. Instead he convinces her to aid him in the search for his sister. Together they comb the slums for the runaway, fighting their instant attraction to one another as they grow ever closer.
Dear readers, this really wasn't a very good book. It sadly wasn't a bad enough book to really be entertaining either, and as it fit into nearly all my reading challenges in one go, there was no way I wasn't going to finish it. Apparently it's Kimberly Logan's debut novel, and as I doubt I could write a whole book, I don't want to be too dismissive here, but people, it's a very sad example of a historical romance.
First of all, Ms. Logan is extremely keen to let the reader know that Tristan and his sister Emily, like their mother before them, have violet eyes. Not blue, but a purply violet. This is mentioned twenty-one times over the course of the book (I went back and searched, because, really). Also, Deidre has strawberry-scented hair (this is only mentioned four times, however).
There is a whole lot of tell, don't show in this book and mostly very clumsy exposition. Luckily, when Lady Emily runs away, shortly after she is eye-witness to the criminal gang boss who unbeknownst to her also murdered her mother stabbing a dude to death, she is rescued one of a gang of kind-hearted pickpockets, the same ones Deidre reads stories to and tries to save from a life of crime by donating food and blankets to. All of them seem uncharacteristically rosy-cheeked, perky and optimistic for orphaned children who mostly have to steal to survive, with the notable exception of Jack, the bad seed, who is sullen, mean, untrustworthy, but allowed to stay with them until he resorts to attempted rape. Then he's driven off, without any of the boys cottoning on to the fact that he'll clearly sell their location and that of their foundling Earl's daughter out to the dastardly villain who's combing the area for her.
Lady Emily, despite being raised in a perfectly nice townhouse and while neglected by her father, not really used to a life of any sort of hardship, has no trouble settling into the drafty, dilapidated hovel the pickpockets stay in, helping with the cleaning, flirting with their young leader and learning pickpocketing right along side the others. Even when Deidre and Tristan show up looking for her, the boys lie about having seen her, because clearly a young noblewoman is much better off living with a bunch of orphan thieves than with her worried brother.
Deidre, once an orphaned pickpocket herself, picked the pocket of Viscount Rotherby and was pretty much adopted by him. Taught to speak, walk, dress and behave like a lady, she eventually married her patron because he was worried how she'd survive once he died. His servants have stayed on in her house and been nothing but supportive of this pickpocket street urchin who is now her mistress. There are all manner of unsavoury rumours about her, but Lady Rotherby is in fact, that wonderful creature amongst romance heroines, the virginal widow.
For all that Tristan darkly imagines the woman he lusted after from pretty much the moment he met her in the arms of a man old enough to be her father, Deidre is of course untouched and inexperienced. Sure, one of her best friend's is a prostitute, but she's never seen a naked man before she does the deed with Tristan. Naturally, despite her inexperience, they both climax simultaneously - and Deidre is hard pressed to imagine how sex could possibly have been better, had Tristan known in advance that she was a virgin. He claims he wanted more time to prepare her, but apart from some time spent giving attention to her boobs, there is no sign of anything like oral sex or fingering, to you know, give her pleasure without his penis being involved. During their first passionate encounter, there was also this description, that stood out to me as I honestly can't even: "It was as if they had been made for each other, two halves of a whole that had been made one."
Neither Tristan nor Deidre really have a lot of interesting character traits. Tristan is very tall, has violet eyes and feels haunted by seeing his mother stabbed to death in front of him (sadly, he doesn't become the Regency version of Batman, that would have been the best plot development!). Deidre, despite her lowly origins, has become the perfect lady, who spends most of her days doing charity works in the East End slum she grew up in, all the while ignoring what society gossips say about her. They both spend an unseemly amount of time thinking about boning each other when they should be worried about the safety of a young girl lost in a very rough part of London. Of course, she's the luckiest little girl that ever was, taken in by friendly Disney pickpockets rather than kidnapped and sold into sexual slavery or something similarly seedy.
Apparently Ms. Logan also wrote a sequel, where a grown Lady Emily is reunited with Peter, the head of the cheerful band of pickpockets who rescue her, now a Bow Street Runner. I have absolutely no wish to read this book, or anything ales that Ms. Logan has written. Her writing may have improved after her debut, but based on this, I'm not giving her another try any time soon.
Crossposted on Cannonball Read.
Rating: 1.5 stars
Warning! There will be spoilers for the plot in this review - because I have to pick apart the mediocre plot to fully get my scathe on.
Lord Tristan Knight has come into the Earl of Ellington after his estranged father died unexpectedly in a carriage accident. As the late Earl blamed his son for the death of Lady Ellington, stabbed to death by an East End bandit, Tristan has been absent for a long time. His younger sister Emily was left alone with a grieving, neglectful father and after the return of her brother has tried to act out and scare away a series of governesses in an attempt to make her brother notice her. When she finally runs away, Tristan realises he's been very dumb.
After traces of Lady Emily's belongings are found in Tothill Fields, the same area where their mother was murdered years ago, Tristan becomes desperate. His butler recommends he seek out the aid of Lady Deidre Wilks, the notorious Viscountess Rotherby, who is known for her charitable acts in the area. When Tristan turns up on her doorstep, Deidre recognises him instantly. She was the pickpocket who lured Lady Ellington down the alley where she was murdered, and she's convinced Tristan has come to bring her to justice. Instead he convinces her to aid him in the search for his sister. Together they comb the slums for the runaway, fighting their instant attraction to one another as they grow ever closer.
Dear readers, this really wasn't a very good book. It sadly wasn't a bad enough book to really be entertaining either, and as it fit into nearly all my reading challenges in one go, there was no way I wasn't going to finish it. Apparently it's Kimberly Logan's debut novel, and as I doubt I could write a whole book, I don't want to be too dismissive here, but people, it's a very sad example of a historical romance.
First of all, Ms. Logan is extremely keen to let the reader know that Tristan and his sister Emily, like their mother before them, have violet eyes. Not blue, but a purply violet. This is mentioned twenty-one times over the course of the book (I went back and searched, because, really). Also, Deidre has strawberry-scented hair (this is only mentioned four times, however).
There is a whole lot of tell, don't show in this book and mostly very clumsy exposition. Luckily, when Lady Emily runs away, shortly after she is eye-witness to the criminal gang boss who unbeknownst to her also murdered her mother stabbing a dude to death, she is rescued one of a gang of kind-hearted pickpockets, the same ones Deidre reads stories to and tries to save from a life of crime by donating food and blankets to. All of them seem uncharacteristically rosy-cheeked, perky and optimistic for orphaned children who mostly have to steal to survive, with the notable exception of Jack, the bad seed, who is sullen, mean, untrustworthy, but allowed to stay with them until he resorts to attempted rape. Then he's driven off, without any of the boys cottoning on to the fact that he'll clearly sell their location and that of their foundling Earl's daughter out to the dastardly villain who's combing the area for her.
Lady Emily, despite being raised in a perfectly nice townhouse and while neglected by her father, not really used to a life of any sort of hardship, has no trouble settling into the drafty, dilapidated hovel the pickpockets stay in, helping with the cleaning, flirting with their young leader and learning pickpocketing right along side the others. Even when Deidre and Tristan show up looking for her, the boys lie about having seen her, because clearly a young noblewoman is much better off living with a bunch of orphan thieves than with her worried brother.
Deidre, once an orphaned pickpocket herself, picked the pocket of Viscount Rotherby and was pretty much adopted by him. Taught to speak, walk, dress and behave like a lady, she eventually married her patron because he was worried how she'd survive once he died. His servants have stayed on in her house and been nothing but supportive of this pickpocket street urchin who is now her mistress. There are all manner of unsavoury rumours about her, but Lady Rotherby is in fact, that wonderful creature amongst romance heroines, the virginal widow.
For all that Tristan darkly imagines the woman he lusted after from pretty much the moment he met her in the arms of a man old enough to be her father, Deidre is of course untouched and inexperienced. Sure, one of her best friend's is a prostitute, but she's never seen a naked man before she does the deed with Tristan. Naturally, despite her inexperience, they both climax simultaneously - and Deidre is hard pressed to imagine how sex could possibly have been better, had Tristan known in advance that she was a virgin. He claims he wanted more time to prepare her, but apart from some time spent giving attention to her boobs, there is no sign of anything like oral sex or fingering, to you know, give her pleasure without his penis being involved. During their first passionate encounter, there was also this description, that stood out to me as I honestly can't even: "It was as if they had been made for each other, two halves of a whole that had been made one."
Neither Tristan nor Deidre really have a lot of interesting character traits. Tristan is very tall, has violet eyes and feels haunted by seeing his mother stabbed to death in front of him (sadly, he doesn't become the Regency version of Batman, that would have been the best plot development!). Deidre, despite her lowly origins, has become the perfect lady, who spends most of her days doing charity works in the East End slum she grew up in, all the while ignoring what society gossips say about her. They both spend an unseemly amount of time thinking about boning each other when they should be worried about the safety of a young girl lost in a very rough part of London. Of course, she's the luckiest little girl that ever was, taken in by friendly Disney pickpockets rather than kidnapped and sold into sexual slavery or something similarly seedy.
Apparently Ms. Logan also wrote a sequel, where a grown Lady Emily is reunited with Peter, the head of the cheerful band of pickpockets who rescue her, now a Bow Street Runner. I have absolutely no wish to read this book, or anything ales that Ms. Logan has written. Her writing may have improved after her debut, but based on this, I'm not giving her another try any time soon.
Crossposted on Cannonball Read.
#CBR7 Book 129: "Winter" by Marissa Meyer
Page count: 824 pages
Rating: 3.5 stars
WARNING! This review WILL contain spoilers for earlier books in the series. Do NOT keep reading this review if you're not caught up, having read all three previous books! There are also some minor spoilers for this book, but if you skip my list of dislikes, you'll avoid them.
Winter was one of the books I was most anticipating in the second half of 2015. Marissa Meyer's retellings of Grimm fairy tales with a clever YA sci-fi dystopian twist just kept getting better with every book. I was extremely pleasantly surprised by the first book in the series, Cinder, where Cinderella is a cyborg mechanic who falls for the son of the emperor, and turns out to be the long lost, believed to be dead princess of the moon. In book 2, Scarlet, we meet our Red Riding Hood, French farm girl Scarlet Benoit, looking for her missing grandmother. She meets Cinder, now an international fugitive on the run with spaceship captain Carswell Thorne. Scarlet also falls for a biologically augmented Lunar super soldier, her Wolf and they both join in Cinder's seemingly impossible quest to reclaim her throne. In book 3, the little band of rebels liberate the evil Lunar queen's secret weapon, tech genius Cress (our Rapunzel) from a spy satellite orbiting Earth. Cress and a blinded Thorne have to traverse the desert together to reunite with the others, and Cress' initial crush on the captain, based on fantasies she made up when alone on her satellite, become actual infatuation as she spends more time with him.
When Winter begins, Cinder has prevented Queen Levana's wedding to Emperor Kai by kidnapping him. He is working with Cinder and the others on a plan to depose Levana and restore Cinder (or Selene - her birth name), but the rebels have also lost someone dear to them. Scarlet has been taken prisoner by Lunar soldiers and the gang don't know if she's alive or dead. She's actually being held captive in the zoo in the Lunar capital, kept alive by the kindness of princess Winter, Levana's stepdaughter.
Winter is our Snow White, "fairest of them all" on Luna, despite, or possibly because of the scars marring her cheek (forced on her by her jealous stepmother). Winter is the only Lunar who refuses to use her gift to manipulate the minds and perceptions of others, never using glamour or trying to influence actions, and as a result, she is slowly going insane. She has moments of lucidity and is clearly quite clever, but also episodes where she has to focus to hold it together, as she vividly feels herself turning to ice and shattering or sees the palace walls running with blood. More alarming than your run of the mill panic attack. The daughter of a palace guard, Winter became a reluctant member of palace royalty when her father married Levana. Crazy or not, she's forced to be present in the throne room every time her stepmother sentences anyone, making herself seem unaffected by the bloody spectacle.
Winter is terrified that Levana will execute Jacin, the royal guard she grew up with and has loved pretty much always (Winter, not Levana obvs.). Jacin is accused of treason and siding with Cinder and the other rebels, but manages to convince the queen that he was spying on them after he reveals some very incriminating information about them. He is punished, then re-instated as a royal guard, given the task to personally guard Winter (and make sure she is kept under control and from making scenes in public).
Kai is returned to his home in the next level of the plan to topple Levana and restore Cinder as Luna's rightful queen. He convinces Levana to move the wedding to Luna, allowing his ship to smuggle Cinder and her crew along. Of course, everything starts going pretty seriously wrong shortly after the ship lands in the Lunar capital and Cinder and several of friends are separated. Kai is taken into house arrest, safe at least until after the wedding, as Levana isn't going to let the chance of becoming Empress pass her by. Trying to quash the rebellion of her niece, Levana gets more and more frustrated with Winter's continued popularity amongst the common people.
She gets one of her chief goons to propose marriage to the princess, who is shocked and creeped out and refuses, thus sealing her death sentence. Levana demands that Jacin prove his loyalty once and for all by murdering Winter, claiming that at least he will make sure it's quick and painless. Jacin manipulates security footage so it looks like he stabs Winter, but instead frees Scarlet and makes her promise that she will take Winter to safety, joining Cinder and the gang, currently hiding out in a remote mining settlement.
Thus Jacin and Winter get irrevocably connected with Cinder and her rebellion and from there on out, they become supporting characters in a book which has so many characters and plot lines to keep track of. Cinder's plan to convince the populace of Luna that she is the long-lost princess Selene, incite a revolution, dethroning Levana and becoming the rightful ruler is poorly thought through, to say the least and for much of the book, it seems like pure luck that they get anywhere at all, rather than brutally mowed down by Levana's security troops.
I really liked the first three books in this series and had such high hopes for this book. Generally I found this book a disappointment. Here's why:
Crossposted on Cannonball Read.
Rating: 3.5 stars
WARNING! This review WILL contain spoilers for earlier books in the series. Do NOT keep reading this review if you're not caught up, having read all three previous books! There are also some minor spoilers for this book, but if you skip my list of dislikes, you'll avoid them.
Winter was one of the books I was most anticipating in the second half of 2015. Marissa Meyer's retellings of Grimm fairy tales with a clever YA sci-fi dystopian twist just kept getting better with every book. I was extremely pleasantly surprised by the first book in the series, Cinder, where Cinderella is a cyborg mechanic who falls for the son of the emperor, and turns out to be the long lost, believed to be dead princess of the moon. In book 2, Scarlet, we meet our Red Riding Hood, French farm girl Scarlet Benoit, looking for her missing grandmother. She meets Cinder, now an international fugitive on the run with spaceship captain Carswell Thorne. Scarlet also falls for a biologically augmented Lunar super soldier, her Wolf and they both join in Cinder's seemingly impossible quest to reclaim her throne. In book 3, the little band of rebels liberate the evil Lunar queen's secret weapon, tech genius Cress (our Rapunzel) from a spy satellite orbiting Earth. Cress and a blinded Thorne have to traverse the desert together to reunite with the others, and Cress' initial crush on the captain, based on fantasies she made up when alone on her satellite, become actual infatuation as she spends more time with him.
When Winter begins, Cinder has prevented Queen Levana's wedding to Emperor Kai by kidnapping him. He is working with Cinder and the others on a plan to depose Levana and restore Cinder (or Selene - her birth name), but the rebels have also lost someone dear to them. Scarlet has been taken prisoner by Lunar soldiers and the gang don't know if she's alive or dead. She's actually being held captive in the zoo in the Lunar capital, kept alive by the kindness of princess Winter, Levana's stepdaughter.
Winter is our Snow White, "fairest of them all" on Luna, despite, or possibly because of the scars marring her cheek (forced on her by her jealous stepmother). Winter is the only Lunar who refuses to use her gift to manipulate the minds and perceptions of others, never using glamour or trying to influence actions, and as a result, she is slowly going insane. She has moments of lucidity and is clearly quite clever, but also episodes where she has to focus to hold it together, as she vividly feels herself turning to ice and shattering or sees the palace walls running with blood. More alarming than your run of the mill panic attack. The daughter of a palace guard, Winter became a reluctant member of palace royalty when her father married Levana. Crazy or not, she's forced to be present in the throne room every time her stepmother sentences anyone, making herself seem unaffected by the bloody spectacle.
Winter is terrified that Levana will execute Jacin, the royal guard she grew up with and has loved pretty much always (Winter, not Levana obvs.). Jacin is accused of treason and siding with Cinder and the other rebels, but manages to convince the queen that he was spying on them after he reveals some very incriminating information about them. He is punished, then re-instated as a royal guard, given the task to personally guard Winter (and make sure she is kept under control and from making scenes in public).
Kai is returned to his home in the next level of the plan to topple Levana and restore Cinder as Luna's rightful queen. He convinces Levana to move the wedding to Luna, allowing his ship to smuggle Cinder and her crew along. Of course, everything starts going pretty seriously wrong shortly after the ship lands in the Lunar capital and Cinder and several of friends are separated. Kai is taken into house arrest, safe at least until after the wedding, as Levana isn't going to let the chance of becoming Empress pass her by. Trying to quash the rebellion of her niece, Levana gets more and more frustrated with Winter's continued popularity amongst the common people.
She gets one of her chief goons to propose marriage to the princess, who is shocked and creeped out and refuses, thus sealing her death sentence. Levana demands that Jacin prove his loyalty once and for all by murdering Winter, claiming that at least he will make sure it's quick and painless. Jacin manipulates security footage so it looks like he stabs Winter, but instead frees Scarlet and makes her promise that she will take Winter to safety, joining Cinder and the gang, currently hiding out in a remote mining settlement.
Thus Jacin and Winter get irrevocably connected with Cinder and her rebellion and from there on out, they become supporting characters in a book which has so many characters and plot lines to keep track of. Cinder's plan to convince the populace of Luna that she is the long-lost princess Selene, incite a revolution, dethroning Levana and becoming the rightful ruler is poorly thought through, to say the least and for much of the book, it seems like pure luck that they get anywhere at all, rather than brutally mowed down by Levana's security troops.
I really liked the first three books in this series and had such high hopes for this book. Generally I found this book a disappointment. Here's why:
- At more than 800 pages, it's more than twice the length of the first book in the series. Yet so much of what happens in it feels rushed, confusing and chaotic. There is far too much plot crammed into this book - making it a very hectic read.
- In previous books, the action has taken place on Earth or in space, for the most part. This is the first book where the plot is mostly set on Luna. Lunar society, with an artificially created and extravagant capital, full of dolled-up nobility without any sort of social conscience, and the many remote provinces full of oppressed commoners creating resources for the capital - it all got very Hunger Games-y.
- Just as Cinder's rebellion felt a bit like Mockingjay. So much of it felt like things I'd read before, elsewhere, which is sad, because in the previous three books, that has not been the case.
- In the previous two books, while the newly introduced characters were woven into the larger framework of Cinder's story, they've still had a chance to shine, and Meyer has successfully re-imagined three different fairy tales. Winter and Jacin, who should have had their chance to shine in this book, are almost buried in all the other stuff that happens. This is a great shame, as Winter seems like a delightful character and her interactions with Jacin, as well as their whole relationship, is pretty much solid gold.
- Cress, who I loved in her own book, spends much of this one being terribly self-conscious and annoyingly insecure, mooning over Thorne in a really frustrating way.
- The climax of the book got incredibly confusing. There is too much repetition of the same things over and over again (one or more of our characters are in peril, probably manipulated by a Lunar into attacking one of the others, situation gets resolved - rinse -repeat)
- Wolf's capture and the alterations made (don't want to say more and spoil things) seem like they are very easily worked around. If they are, why was his capture such a big deal?
- Levana - just not scary enough. She has utterly terrifying power, yet seems tedious most of the time. For complete and utter mind control done right, see Kilgrave in Netflix and Marvel's Jessica Jones. That's how scary mind control should be. Why isn't it here?
- I'm also not at all keen on the way Cinder and the others felt that the video of Levana without her glamour should be the thing that really helped them incite rebellion. Surely there are a lot worse accusations that could have been levelled at Levana to get support from the common people, rather than just expose what she looks like under her glamour?
- Finally getting Winter's story and all the clever sci-fi-twisting of the Snow White fairy tale. I also really like that Winter is dark-skinned, adding further to the diversity of the series.
- Winter and Jacin are super adorable. I didn't like Jacin much in previous books, when he was being used as an antagonist, but he is wonderful whenever he is around or thinking about his princess.
- Seeing more of Luna and discovering where Wolf came from was nice.
- All the cool fairy tale twists reminds me how creative and clever Meyer can be.
- It was certainly a roller-coaster of a read. Soo many cliff-hangers.
Crossposted on Cannonball Read.
Monday, 30 November 2015
#CBR7 Book 128: "Wicked Intentions" by Elizabeth Hoyt
Page count: 392 pages
Rating: 4 stars
St. Giles in the 1730s was one of the most impoverished areas of London. Widowed Mrs. Temperance Dews runs a children's home for orphaned and foundling children, with the help of her younger brother, Winter Makepeace, who also tutors the boys until they're old enough to apprentice out. Caring for nearly 30 children between infancy and nine is hard, thankless work and the siblings have trouble making ends meet. They're in arrears on their rent and facing eviction at any moment.
So when the mysterious Lazarus Huntingdon (this book certainly wins for most original protagonist names), Lord Caire, breaks into her tiny and shabby sitting room to propose a bargain, Temperance doesn't really have much choice but to accept. Lord Caire is looking for a murderer (although he doesn't tell her that right away) and no one knows the nook sand crannies of St. Giles like Mrs. Dews. He wants to pay her to be his guide and in return, he agrees to introduce her into high society, so she can find a rich patron for the children's home. He also promises to pay their expenses until she finds a patron.
Lord Caire's quest for his mistress' murderer (who was really gruesomely killed) proves to be a lot more dangerous than expected, and after several murder attempts and new murder victims turning up, he's reluctant to bring Temperance with him. At the same time, his searches through St. Giles give him an excuse to spend more time with her. A jaded, thoroughly debauched man, Lazarus hasn't really felt attracted to anyone before, but the saintly, near-puritanical widow draws him inexplicably and he wants to tempt her into giving up her carefully maintained control. Even more appealing to him is her reaction every time he tries to tempt her. Temperance Dews clearly has deep passion hidden inside and Lord Caire wants to be the one to draw it to the surface.
Wicked Intentions is the second part of last year's Cannonball gift exchange from Beth Ellen, who told me in the accompanying card that this was one of her favourite romances. I was a bit wary, as I have tried to read Elizabeth Hoyt in the past (she keeps being raved about on various romance sites) and her books have at best left me mildly entertained. I'd even read another book in the Maiden Lane series before, involving Temperance and Winter's younger sister, Silence and I just didn't care about the characters, their eventual HEA or the plot at all. I hadn't realised that the start of Silence's eventual romance with river pirate Mickey O'Connor is in this book. Sadly, the whole subplot concerning Silence, her stuffy idiot of a husband and ruiner of marriages and women's reputations, Mickey O'Connor, left me completely cold and deducts points from my total rating. Without that whole mess, which left a bad taste in my mouth (and I seem to recall, was one of the reasons I just couldn't believe their eventual romance), I pretty much would have loved everything about this book.
At four stars, this is still the most enjoyable Hoyt book I've read to date. Interestingly, a cold, calculating alpha hero who forces his initial attentions on the heroine and a dutiful, repressed heroine who believes that enjoying sex will lead straight to perdition usually wouldn't work for me. However, the reasons why Temperance believes her very passionate urges are so sinful aren't just due to the societal mores of the day or her clearly religious upbringing. Her selfless and long-suffering work at the children's home isn't from entirely altruistic reasons either. Temperance is by no means perfect, which just adds to her appeal. She knows her brother desperately needs her help at the home, but she dreams of something more. She's sometimes selfish ad careless and forgets the many worries of her little sister, for instance. I liked that she refused to be intimidated by Lord Caire, negotiating a very good bargain for herself and the home and how, while she initially resisted and tried to be virtuous, once she gave into her sexual attraction, she really gave in. While Lazarus is clearly the one who initiates their first kisses, he mostly tempts her with words and never forces her to do anything she's not ready for or comfortable with.
Lord Caire, so very striking with long hair gone prematurely silver because of something in his past, is a known libertine and pervert and claims never to have loved anyone, except perhaps his little sister, who died when they were children. He is estranged from his mother (who also has prematurely greying hair) and very few friends. Not unexpectedly, he barely saw his aristocratic parents as a child, raised by nannies, tutors and eventually sent away to school. More unusually, Lazarus isn't just extremely cold and closed off emotionally, being touched brings him physical and mental pain. When he initiates contact, it's fine, but anyone else causes him anguish. He wants to track down his mistress' killer, not because he loved the woman and wants to avenge her, but because it seems like the right thing to do. It's always enjoyable following a jaded hero go through an emotional awakening and Lazarus is no exception.
Early on in the book, there are mainly kisses, but Lazarus does his very best to tempt Temperance off the straight and narrow with a lot of dirty talk. Once they finally give into their passion, there is quite a lot of "insert funky bass line here", but I was bothered in all the love scenes by the early assertions from everyone around Lazarus admonishing him for his wicked ways and his prodigious experience with ladies of negotiable affections. Since he never seems to have been using any sort of protection (while not very effective, it existed, even back then) and he seems to me to have been a walking, talking incubator of venereal disease. A man so fond of sleeping with whores would most likely have both the pox and syphilis, and probably a whole slew of other things. This definitely left me worried in the smexy scenes, but not enough to seriously ruin my enjoyment of the book.
The next book in the series is about Lady Hero Batten, the daughter and sister of a duke, who seemed charming and fun in her brief appearances in this book (and very interesting in the teaser chapter at the back). I may actually give Ms. Hoyt another chance. Thank you again, Beth Ellen!
Crossposted on Cannonball Read.
Rating: 4 stars
St. Giles in the 1730s was one of the most impoverished areas of London. Widowed Mrs. Temperance Dews runs a children's home for orphaned and foundling children, with the help of her younger brother, Winter Makepeace, who also tutors the boys until they're old enough to apprentice out. Caring for nearly 30 children between infancy and nine is hard, thankless work and the siblings have trouble making ends meet. They're in arrears on their rent and facing eviction at any moment.
So when the mysterious Lazarus Huntingdon (this book certainly wins for most original protagonist names), Lord Caire, breaks into her tiny and shabby sitting room to propose a bargain, Temperance doesn't really have much choice but to accept. Lord Caire is looking for a murderer (although he doesn't tell her that right away) and no one knows the nook sand crannies of St. Giles like Mrs. Dews. He wants to pay her to be his guide and in return, he agrees to introduce her into high society, so she can find a rich patron for the children's home. He also promises to pay their expenses until she finds a patron.
Lord Caire's quest for his mistress' murderer (who was really gruesomely killed) proves to be a lot more dangerous than expected, and after several murder attempts and new murder victims turning up, he's reluctant to bring Temperance with him. At the same time, his searches through St. Giles give him an excuse to spend more time with her. A jaded, thoroughly debauched man, Lazarus hasn't really felt attracted to anyone before, but the saintly, near-puritanical widow draws him inexplicably and he wants to tempt her into giving up her carefully maintained control. Even more appealing to him is her reaction every time he tries to tempt her. Temperance Dews clearly has deep passion hidden inside and Lord Caire wants to be the one to draw it to the surface.
Wicked Intentions is the second part of last year's Cannonball gift exchange from Beth Ellen, who told me in the accompanying card that this was one of her favourite romances. I was a bit wary, as I have tried to read Elizabeth Hoyt in the past (she keeps being raved about on various romance sites) and her books have at best left me mildly entertained. I'd even read another book in the Maiden Lane series before, involving Temperance and Winter's younger sister, Silence and I just didn't care about the characters, their eventual HEA or the plot at all. I hadn't realised that the start of Silence's eventual romance with river pirate Mickey O'Connor is in this book. Sadly, the whole subplot concerning Silence, her stuffy idiot of a husband and ruiner of marriages and women's reputations, Mickey O'Connor, left me completely cold and deducts points from my total rating. Without that whole mess, which left a bad taste in my mouth (and I seem to recall, was one of the reasons I just couldn't believe their eventual romance), I pretty much would have loved everything about this book.
At four stars, this is still the most enjoyable Hoyt book I've read to date. Interestingly, a cold, calculating alpha hero who forces his initial attentions on the heroine and a dutiful, repressed heroine who believes that enjoying sex will lead straight to perdition usually wouldn't work for me. However, the reasons why Temperance believes her very passionate urges are so sinful aren't just due to the societal mores of the day or her clearly religious upbringing. Her selfless and long-suffering work at the children's home isn't from entirely altruistic reasons either. Temperance is by no means perfect, which just adds to her appeal. She knows her brother desperately needs her help at the home, but she dreams of something more. She's sometimes selfish ad careless and forgets the many worries of her little sister, for instance. I liked that she refused to be intimidated by Lord Caire, negotiating a very good bargain for herself and the home and how, while she initially resisted and tried to be virtuous, once she gave into her sexual attraction, she really gave in. While Lazarus is clearly the one who initiates their first kisses, he mostly tempts her with words and never forces her to do anything she's not ready for or comfortable with.
Lord Caire, so very striking with long hair gone prematurely silver because of something in his past, is a known libertine and pervert and claims never to have loved anyone, except perhaps his little sister, who died when they were children. He is estranged from his mother (who also has prematurely greying hair) and very few friends. Not unexpectedly, he barely saw his aristocratic parents as a child, raised by nannies, tutors and eventually sent away to school. More unusually, Lazarus isn't just extremely cold and closed off emotionally, being touched brings him physical and mental pain. When he initiates contact, it's fine, but anyone else causes him anguish. He wants to track down his mistress' killer, not because he loved the woman and wants to avenge her, but because it seems like the right thing to do. It's always enjoyable following a jaded hero go through an emotional awakening and Lazarus is no exception.
Early on in the book, there are mainly kisses, but Lazarus does his very best to tempt Temperance off the straight and narrow with a lot of dirty talk. Once they finally give into their passion, there is quite a lot of "insert funky bass line here", but I was bothered in all the love scenes by the early assertions from everyone around Lazarus admonishing him for his wicked ways and his prodigious experience with ladies of negotiable affections. Since he never seems to have been using any sort of protection (while not very effective, it existed, even back then) and he seems to me to have been a walking, talking incubator of venereal disease. A man so fond of sleeping with whores would most likely have both the pox and syphilis, and probably a whole slew of other things. This definitely left me worried in the smexy scenes, but not enough to seriously ruin my enjoyment of the book.
The next book in the series is about Lady Hero Batten, the daughter and sister of a duke, who seemed charming and fun in her brief appearances in this book (and very interesting in the teaser chapter at the back). I may actually give Ms. Hoyt another chance. Thank you again, Beth Ellen!
Crossposted on Cannonball Read.
#CBR7 Book 126: "In the Woods" by Tana French
Page count: 592 pages
Audio book length: 20 hrs 23 mins
Rating: 4 stars
This book, which is quite long (longest audio book I've listened to to date) gives the readers two mysteries for the price of one. Back in 1984, three 12-year-olds went missing in the wood of a Dublin suburb. Search parties eventually found one of them, Adam Ryan, clutching a tree trunk in catatonic terror, several rips at the back of his t-shirt and his shoes filled with blood. His two friends, however, were gone without a trace. Adam didn't remember anything since entering the wood in the afternoon.
Twenty years later, Adam Ryan goes by his middle name, Robert, and is a murder detective on the Dublin Murder Squad. He keeps his past secret from his colleagues, with the exception of his partner and best friend, Cassie Maddox. He still doesn't remember anything from that fateful day, and prefers to keep it that way. Rob and Cassie find themselves as the primary investigators of the murder of a young girl, found beaten, strangled and left on a sacrificial altar at an archaeological site in Rob's old home town. The case, when they start investigating, bears a lot of parallels to the disappearance of Rob's two best friends, but despite this, Rob insists on keeping his connection to the earlier case secret from his colleagues and claims he's fine to continue investigating the murder.
The case turns out to be a tricky one. Katy, the young victim, was a talented ballet dancer, about to go off to the Ballet Academy on a full scholarship. Her abilities had garnered a lot of press attention - could she have been killed by a crazed fan or a paedophile? Katy's father had received threatening phone calls due to his involvement with the "Move the Motorway" campaign, trying to protect the archaeological remains from a scheduled motorway expansion. Ryan and Maddox also get seriously off vibes from Katy's family, with Katy's twin Jessica being nearly catatonic, the older sister Rosalind strangely anxious and overprotective, the mother being nearly indifferent and the father with clear anger issues.
As the investigation progresses, Ryan is forced to delve into his past, gradually uncovering snippets of memory as he walks the streets and countryside of his old home. Can Katy's murder shed a light on the unsolved mystery of his friends' disappearance? Will Ryan crack under the stress he's experiencing, before either case is solved?
I rarely read mystery novels anymore, but my book twin on the internet Narfna/Ashley loves Tana French's books so much and recommended the audios when I got concussed. While I don't think I loved the book quite as much, it was an entertaining read, and Steven Crossley, the narrator, does a really good job. The reason I can't unreservedly love the book is partly due to the length. This is a police procedural, which really does go into minute detail about all the aspects of a murder investigation. Sometimes I think maybe too much time was spent on investigating things that went nowhere.
My main gripe with the book is the protagonist, Rob himself. I was deeply uncomfortable with his decision not to tell his superiors about his connection to the old case. As the investigation went on and he started going more and more off the rails, I also felt he should have been astute enough to step back and stop seriously jeopardising the whole case. He started making some bad choices and kept going making worse and worse ones. I loved his friendship with Cassie and absolutely hated where his breakdown caused them to end up. Because I spent quite a lot of the book wanting to shout at or punch Rob in the face, it was difficult for me to entirely care if either of the cases actually got solved.
I really liked that the book wasn't mainly a who-dunnit, that so much of it was a psychological study. For anyone who wants clear-cut, set in stone answers, this book is probably going to be deeply frustrating. I can very much believe that there isn't always an easy answer in real life murder cases, though, so I didn't really mind that aspect. I loved Cassie, and really liked Sam O'Neill, the other detective who helps investigate the case. I was really intrigued by where the case ended up going, but Rob's poor lack of judgement kept me from more than just liking this book. The next book in the series is apparently all about Cassie, though, so I will be getting that one just to spend more time with her.
Crossposted on Cannonball Read.
Audio book length: 20 hrs 23 mins
Rating: 4 stars
This book, which is quite long (longest audio book I've listened to to date) gives the readers two mysteries for the price of one. Back in 1984, three 12-year-olds went missing in the wood of a Dublin suburb. Search parties eventually found one of them, Adam Ryan, clutching a tree trunk in catatonic terror, several rips at the back of his t-shirt and his shoes filled with blood. His two friends, however, were gone without a trace. Adam didn't remember anything since entering the wood in the afternoon.
Twenty years later, Adam Ryan goes by his middle name, Robert, and is a murder detective on the Dublin Murder Squad. He keeps his past secret from his colleagues, with the exception of his partner and best friend, Cassie Maddox. He still doesn't remember anything from that fateful day, and prefers to keep it that way. Rob and Cassie find themselves as the primary investigators of the murder of a young girl, found beaten, strangled and left on a sacrificial altar at an archaeological site in Rob's old home town. The case, when they start investigating, bears a lot of parallels to the disappearance of Rob's two best friends, but despite this, Rob insists on keeping his connection to the earlier case secret from his colleagues and claims he's fine to continue investigating the murder.
The case turns out to be a tricky one. Katy, the young victim, was a talented ballet dancer, about to go off to the Ballet Academy on a full scholarship. Her abilities had garnered a lot of press attention - could she have been killed by a crazed fan or a paedophile? Katy's father had received threatening phone calls due to his involvement with the "Move the Motorway" campaign, trying to protect the archaeological remains from a scheduled motorway expansion. Ryan and Maddox also get seriously off vibes from Katy's family, with Katy's twin Jessica being nearly catatonic, the older sister Rosalind strangely anxious and overprotective, the mother being nearly indifferent and the father with clear anger issues.
As the investigation progresses, Ryan is forced to delve into his past, gradually uncovering snippets of memory as he walks the streets and countryside of his old home. Can Katy's murder shed a light on the unsolved mystery of his friends' disappearance? Will Ryan crack under the stress he's experiencing, before either case is solved?
I rarely read mystery novels anymore, but my book twin on the internet Narfna/Ashley loves Tana French's books so much and recommended the audios when I got concussed. While I don't think I loved the book quite as much, it was an entertaining read, and Steven Crossley, the narrator, does a really good job. The reason I can't unreservedly love the book is partly due to the length. This is a police procedural, which really does go into minute detail about all the aspects of a murder investigation. Sometimes I think maybe too much time was spent on investigating things that went nowhere.
My main gripe with the book is the protagonist, Rob himself. I was deeply uncomfortable with his decision not to tell his superiors about his connection to the old case. As the investigation went on and he started going more and more off the rails, I also felt he should have been astute enough to step back and stop seriously jeopardising the whole case. He started making some bad choices and kept going making worse and worse ones. I loved his friendship with Cassie and absolutely hated where his breakdown caused them to end up. Because I spent quite a lot of the book wanting to shout at or punch Rob in the face, it was difficult for me to entirely care if either of the cases actually got solved.
I really liked that the book wasn't mainly a who-dunnit, that so much of it was a psychological study. For anyone who wants clear-cut, set in stone answers, this book is probably going to be deeply frustrating. I can very much believe that there isn't always an easy answer in real life murder cases, though, so I didn't really mind that aspect. I loved Cassie, and really liked Sam O'Neill, the other detective who helps investigate the case. I was really intrigued by where the case ended up going, but Rob's poor lack of judgement kept me from more than just liking this book. The next book in the series is apparently all about Cassie, though, so I will be getting that one just to spend more time with her.
Crossposted on Cannonball Read.
Sunday, 29 November 2015
#CBR7 Book 125: "Step Aside, Pops: A Hark! A Vagrant Collection" by Kate Beaton
Page count: 166 pages
Rating: 4 stars
When preparing to write this review, I got quite a surprise. I searched in the archives on my blog and on Goodreads to find my review of the first Hark! A Vagrant book and discovered that not only had I not reviewed it at any point, but I hadn't even entered it as read on Goodreads. I have absolutely no idea why, as I got the first book back in 2011 and was extremely happy that Kate Beaton was finally collecting some of her amazing comics in book form. As a bonus, the book included new strips, never before published on her website! The book was a clear five star read for me - I have no idea why I never got round to blogging about it. Back then I was more selective about what I reviewed for my Cannonball, but still - how could I not have spread the word about the genius that is Kate Beaton?
For those who don't know, Ms Beaton is a Canadian web comic creator with a background in history. She frequently takes history or literature as inspiration for her very funny comics, drawn in a simplistic style. One of her most popular creations, the little fat pony, is now the star of its own book and you can also get little plush versions of it (just in case anyone was wondering what I'd like for Christmas).
In her first book, highlights include Dude Watching with the Brontës:
Some lovely commentary on Jane Eyre:
The always delightful 15th Century peasant comics:
And these great panels in a series about Bram Stoker's Dracula:
If you like any of these, you are likely to be a fan of Kate Beaton. The new book is much of the same, but some of the material didn't work as well for me. I still laughed a lot, but there were a few too many topics that didn't really feel as interesting to me. Which is still to say that it's a great collection of comics and I don't for a second regret getting the book in hardcover. I just wish there were more true classics, like this one:
Check out her website, check out her books. She's clever and witty and deserves a large readership.
Crossposted on Cannonball Read.
Rating: 4 stars
When preparing to write this review, I got quite a surprise. I searched in the archives on my blog and on Goodreads to find my review of the first Hark! A Vagrant book and discovered that not only had I not reviewed it at any point, but I hadn't even entered it as read on Goodreads. I have absolutely no idea why, as I got the first book back in 2011 and was extremely happy that Kate Beaton was finally collecting some of her amazing comics in book form. As a bonus, the book included new strips, never before published on her website! The book was a clear five star read for me - I have no idea why I never got round to blogging about it. Back then I was more selective about what I reviewed for my Cannonball, but still - how could I not have spread the word about the genius that is Kate Beaton?
For those who don't know, Ms Beaton is a Canadian web comic creator with a background in history. She frequently takes history or literature as inspiration for her very funny comics, drawn in a simplistic style. One of her most popular creations, the little fat pony, is now the star of its own book and you can also get little plush versions of it (just in case anyone was wondering what I'd like for Christmas).
In her first book, highlights include Dude Watching with the Brontës:
Some lovely commentary on Jane Eyre:
The always delightful 15th Century peasant comics:
And these great panels in a series about Bram Stoker's Dracula:
If you like any of these, you are likely to be a fan of Kate Beaton. The new book is much of the same, but some of the material didn't work as well for me. I still laughed a lot, but there were a few too many topics that didn't really feel as interesting to me. Which is still to say that it's a great collection of comics and I don't for a second regret getting the book in hardcover. I just wish there were more true classics, like this one:
Check out her website, check out her books. She's clever and witty and deserves a large readership.
Crossposted on Cannonball Read.
Labels:
#CBR7,
4 stars,
funny,
Graphic Novel 15,
history,
Kate Beaton,
literature,
Many Books 15,
web comic,
Women Writers 15
Monday, 16 November 2015
#CBR7 Book 121: "Cold-Hearted Rake" by Lisa Kleypas
Page count: 384 pages
Rating: 3.5 stars
Devon Ravenel, along with his younger brother West, are the last of a long line of rakish Ravenels. When their cousin, who neither of the brothers could stand dies, Devon unexpectedly inherits an earldom and the accompanying town house, estate and lands. The brothers show up to survey the inheritance when they discover that their cousin had only been married for three days when he managed to get himself thrown off a high-spirited horse in a fit of the legendary Ravenel temper. He left behind a beautiful widow and three younger sisters, who due to Victorian mourning conventions have barely seen anyone but servants for years.
While the estate is quite rich in land, the former earls also left quite a chunk of debt and no modernisation has been done for decades. Devon wants to sell off as much as he can, but Kathleen, his cousin's temperamental widow, is appalled that he would abandon his duties and leave all the people depending on him to fend for themselves. She feels he should step up and take responsibility for his new title, estate and dependants and as he falls madly in lust with her the minute they first start arguing, Devon changes his mind and decides to try to save the lands instead. Anything to spend more time with Kathleen, helping her out of her mourning attire and into his bed.
He enlists the aid of his drunken younger brother, who conveniently turns out to have quite the knack for estate management. He convinces Kathleen to stay on as a companion and tutor of sorts to his young cousins, the serene and bookish Lady Helen and the rambunctious and imaginative twins Cassandra and Pandora. As previously mentioned, Devon wants to seduce Kathleen, but her Catholic scruples and her guilt at what she believes was her culpability in the death of her husband makes her remarkably resistant to his rakish charms.
Cold-Hearted Rake is Lisa Kleypas' first historical romance in five years. The book, which is clearly setting up for a new series, had a lot of people very excited and there were a lot of expectations that needed to be met. Unlike the esteemed Mrs. Julien, whose eloquence on the romance genre puts my humble reviewing efforts to shame, I haven't read the entirety of Ms. Kleypas' historical back catalogue, and I tend to rate quite a few other historical authors higher in my general estimation. Yet there is no denying that Ms. Kleypas is one of the greats and has written some wonderful classics. She's also very good at writing entertaining scoundrels.
Devon seems a pretty typical Kleypas hero. He is handsome and rakish, and initially quite selfish and careless, mainly concerned with his own interests and how he can ruthlessly further them. Of course, taking on his new responsibilities, trying to woo Kathleen and taking care of his female cousins brings about a change in him, making him a gentler, more caring man. He's sworn off marriage for life, but can't get Kathleen out of his mind. They spend a lot of time in spirited banter, both by written correspondence and in person.
Kathleen has, sadly, been brought up to believe that a woman shouldn't really feel any lustful feelings whatsoever. Her brief marriage was SPOILER! never consummated because her husband was a drunken oaf, and what did have time to happen have given her nightmares. There is so much Catholic guilt in her character, and I didn't like it.
One reason this book isn't as satisfying a romance as I think a lot of people were hoping for is that it's as concerned with setting up the whole new series as it is with Devon and Kathleen's romance. There is the beginning redemption of West, there is the beginning of the romance between Lady Helen and Devon's Welsh department store owner friend, Mr. Winterborne and there is getting to know the twins. I'm hoping that later books in the series will be more focused on just one couple at a time. Finally, a note on the cover. I'm assuming the lady on the cover is meant to be Kathleen. As the lady in question is in heavy mourning throughout the whole story, depicting her in a frothy pink dress is just all kinds of wrong.
Crossposted on Cannonball Read.
Rating: 3.5 stars
Devon Ravenel, along with his younger brother West, are the last of a long line of rakish Ravenels. When their cousin, who neither of the brothers could stand dies, Devon unexpectedly inherits an earldom and the accompanying town house, estate and lands. The brothers show up to survey the inheritance when they discover that their cousin had only been married for three days when he managed to get himself thrown off a high-spirited horse in a fit of the legendary Ravenel temper. He left behind a beautiful widow and three younger sisters, who due to Victorian mourning conventions have barely seen anyone but servants for years.
While the estate is quite rich in land, the former earls also left quite a chunk of debt and no modernisation has been done for decades. Devon wants to sell off as much as he can, but Kathleen, his cousin's temperamental widow, is appalled that he would abandon his duties and leave all the people depending on him to fend for themselves. She feels he should step up and take responsibility for his new title, estate and dependants and as he falls madly in lust with her the minute they first start arguing, Devon changes his mind and decides to try to save the lands instead. Anything to spend more time with Kathleen, helping her out of her mourning attire and into his bed.
He enlists the aid of his drunken younger brother, who conveniently turns out to have quite the knack for estate management. He convinces Kathleen to stay on as a companion and tutor of sorts to his young cousins, the serene and bookish Lady Helen and the rambunctious and imaginative twins Cassandra and Pandora. As previously mentioned, Devon wants to seduce Kathleen, but her Catholic scruples and her guilt at what she believes was her culpability in the death of her husband makes her remarkably resistant to his rakish charms.
Cold-Hearted Rake is Lisa Kleypas' first historical romance in five years. The book, which is clearly setting up for a new series, had a lot of people very excited and there were a lot of expectations that needed to be met. Unlike the esteemed Mrs. Julien, whose eloquence on the romance genre puts my humble reviewing efforts to shame, I haven't read the entirety of Ms. Kleypas' historical back catalogue, and I tend to rate quite a few other historical authors higher in my general estimation. Yet there is no denying that Ms. Kleypas is one of the greats and has written some wonderful classics. She's also very good at writing entertaining scoundrels.
Devon seems a pretty typical Kleypas hero. He is handsome and rakish, and initially quite selfish and careless, mainly concerned with his own interests and how he can ruthlessly further them. Of course, taking on his new responsibilities, trying to woo Kathleen and taking care of his female cousins brings about a change in him, making him a gentler, more caring man. He's sworn off marriage for life, but can't get Kathleen out of his mind. They spend a lot of time in spirited banter, both by written correspondence and in person.
Kathleen has, sadly, been brought up to believe that a woman shouldn't really feel any lustful feelings whatsoever. Her brief marriage was SPOILER! never consummated because her husband was a drunken oaf, and what did have time to happen have given her nightmares. There is so much Catholic guilt in her character, and I didn't like it.
One reason this book isn't as satisfying a romance as I think a lot of people were hoping for is that it's as concerned with setting up the whole new series as it is with Devon and Kathleen's romance. There is the beginning redemption of West, there is the beginning of the romance between Lady Helen and Devon's Welsh department store owner friend, Mr. Winterborne and there is getting to know the twins. I'm hoping that later books in the series will be more focused on just one couple at a time. Finally, a note on the cover. I'm assuming the lady on the cover is meant to be Kathleen. As the lady in question is in heavy mourning throughout the whole story, depicting her in a frothy pink dress is just all kinds of wrong.
Crossposted on Cannonball Read.
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