The Monthly Motif Challenge is another one hosted over on Bookmark to Blog and which I've been dipping in and out of every month. In total, I read 38 books for this challenge, more than last year.
The motifs for 2015 were:
January - Book to Movie or Audio
Read a book that has a movie or an audio based on it.
Girl, Interrupted - Susanna Kaysen
Sisterhood of the Travelling Pants - Ann Brashares
February - Award Winner
Read a book that has won recognition or a literary award.
Odinsbarn - Siri Pettersen
Dragon Bound - Thea Harrison
Will Grayson, Will Grayson - John Green and David Levithan
An Abundance of Katherines - John Green
March - Genre Jumble
Read a book in a genre you've never tried or that you are the least
familiar with.
The Life-Changing Magic of Tidying - Marie Kondô
April - Murder, Mystery and Mayhem
Read a murder/mystery book.
Against the Dark - Carolyn Crane
They Came to Bagdhad - Agatha Christie
Strangers in Death - J.D. Robb
May - Library Love
Pick a book on display at your local library.
The Boy in the Striped Pyjamas - John Boyne
June - Take a Trip
Choose a book to read that takes place in a country different to the one
you live in.
Every Breath - Ellie Marney (Australia)
Populærmusikk fra Vittula - Mikael Niemi (Sweden)
July - Standing Up
Read a book in which the main character stands up for themselves, stands
against an enemy, or stands up for something they believe in
Paper Towns - John Green
Nowhere But Here - Katie McGarry
August - Alternate reality
Read a book that's set in the future, on another planet, in another
dimension, or in an unknown world.
Magic Shifts - Ilona Andrews
The Heart of Betrayal - Mary E. Pearson
September - Furry Friends
Read a book that includes an animal either as a main character or
supporting character.
A Red-Rose Chain - Seanan McGuire
White Cat - Holly Black
Archangel's Enigma - Nalini Singh
Saga, vol 5 - Brian K. Vaughan and Fiona Staples
October - Goblins and Ghosts and Ghouls, Oh My!
Cozy mystery ghost stories, paranormal creeptastic, funky fantasy creatures - it's up to you!
Darlah - 172 Hours on the Moon - Johan Harstad
Carry On - Rainbow Rowell
Joyland - Stephen King
Nimona - Noelle Stevenson
Rat Queens - Kurtis J. Weibe and Roc Upchurch
Sorcerer to the Crown - Zen Cho
November - An Oldie but a Goodie
Pick a book published before 2000 that you've always wanted to read.
A Room with a View - E.M. Forster
Macbeth - William Shakespeare
December - That's a Wrap!
Finish a series you've been meaning to finish or read the next book in a series you started but never finished.
The Alloy of Law - Brandon Sanderson
Wallflower Gone Wild - Maya Rodale
What A Wallflower Wants - Maya Rodale
Lord Dashwood Missed Out - Tessa Dare
Magic Stars - Ilona Andrews
Season for Surrender - Theresa Romain
Wonder Woman, vol 2: Guts and Vol 3: Iron - Brian Azzarello and Cliff Chiang
The Game Plan - Kristen Callihan
This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Showing posts with label Motif 15. Show all posts
Showing posts with label Motif 15. Show all posts
Monday, 4 January 2016
Saturday, 26 December 2015
#CBR7 Book 149: "The Game Plan" by Kristen Callihan
Page count: 323 pages
Rating: 4 stars
Once again I want to thank the lovely Mrs. Julien, whose generous gift of an Amazon voucher made it possible for me to buy this book.
NFL player Ethan "Dex" Dexter is known to his friends and team mates as "the Wise One". He's quiet, observant, focused on his career and not really concerned with dating, or really all that bothered about the fact that he's still a virgin at 24. The only woman he's interested in is the bubbly and vivacious Fiona Mackenzie, sister-in-law to his best friend, who's been very vocal in the past about how she doesn't do long distance relationships or has any interest in athletes. Yet when they both find themselves visiting Grey and Ivy at the same time, he can't help himself. Alone in a club one night, desperate for her to really see him, he dares her to touch his beard, and suddenly they can barely keep their hands, or lips, off each other.
Fiona grew up with a father who started as a professional athlete and then became a sports agent. He travelled a lot in his work and slept around a whole lot while doing it. Her parents' marriage broke up as a result. She's also known as the family flake, who can never really settle down for long with anything, always changing her mind or focus. Having recently secured what she believed would be her dream job in a design firm in New York, she wants to prove to both herself and her family that she can stick with something. She's struggling with a co-worker who keeps copying her designs and trying to steal her thunder, but with her sister just having had a baby, she's allowed herself a short vacation in San Francisco. She's none to pleased to see Dex, her brother-in-law's best friend, show up in the club she's at, "baby sitting", but is surprised how affected she is by his presence.
Dex is a veritable mountain of muscle, with long hair, a thick beard and tattoos all over his arms. He's nothing like the guys Fiona tends to go for, but with his quiet intensity focused entirely on her, she can't look away. When he dares her to touch his beard, she can't help but move in to kiss him and discovers that the silent giant she barely even noticed in the past is absolutely crazy about her. He lives in New Orleans, she lives in New York. She's just starting her promising design career, he's a top player in the NFL. A long distance relationship is their only option if they want more than a brief fling, and after just a few days together in San Francisco, it's obvious to both that that's not a satisfying option.
I've really liked the first two of Kristen Callihan's Game On books, a New Adult series starting when the characters were still in college. This book takes place a few years after the first two, with the characters older and a bit more settled, but still starting out in life. For the most part, I think Callihan's writing and plotting has improved with each book, but my absolute favourite is probably still The Friend Zone, which worked for me on every level. Seeing the couple from that be supporting characters struggling to get used to a new baby was fun and I loved their reactions to Dex' baby whispering techniques.
Dex, for all that he is nothing like the men I tend to find attractive in real life (I go more for the tall, pale and gangly - like Benedict Cumberbatch or Tom Hiddleston, or my husband). I don't really like tattoos or piercings, I think man buns are ridiculous and big, burly lugs just don't really appeal that much to me. He may still be my favourite Callihan hero so far, though. Though he's lusted after Fiona for years, he's never really let on and he's never once crossed into creepy stalker territory, keeping his interest firmly in the fantasy realm. Being a popular athlete, there's no lack of women who throw themselves his way, but Ethan, who remembers being chubby growing up and completely ignored by girl and later women until he became famous, isn't interested in just some shallow hook up. The one time he got drunk and gave into peer pressure, things didn't go well and he's decided that if he can't have Fiona, he doesn't want anyone. During their previous encounters, she hasn't really shown any interest in him, but when they meet again in San Francisco, after a brief moment where she has trouble placing him, the chemistry between them is palpable. Hence he dares to hope that maybe his feelings might become requited and he makes his move.
I liked that with Fiona being very outgoing, impulsive, loquacious and forward, while Ethan was normally the quiet, retiring, contemplative and restrained, they complimented each other nicely. Fi becomes calmer and more grounded around Ethan and he becomes more talkative and takes control in his interactions with her. He understands her fears and her misgivings and tries to give her the space and time to make her own decisions. Even when it's about to break his heart, he's not about to counteract her agency. Luckily, while Fiona is terrified to abandon her current job, she's not too proud to admit when she's wrong about her initial decision about long distance relationships. When she returns to New York, convinced that there can be no future for her and Dex, she's called him to tell him her change of heart before her plane even takes off.
Of course there needs to be some conflict, and the long distance isn't enough. One of the reasons Fiona doesn't want to be involved with an athlete is that she's not happy with media attention, and when Ethan's cell phone is stolen and photos of an intimate nature are leaked, their relationship hits a crisis point. My main problem with this story line is that I refuse to believe that any public person with naughty photos or videos on their phone doesn't at least have a simple code lock on it. It's even mentioned a couple of times early in the story that he needs to sort that out. From the hacking scandals in recent years, I suspect a determined person would still be able to access the memory eventually, but it wouldn't be right out there to the taking for any unscrupulous person.
The "virgin hunt" that's launched in the media to prove that Dex has lost his virginity and the subsequent leaking of the photos was not my favourite way to drive a wedge between a couple, but for the most part, this romance is in parts funny, sweet, very sexy and it was nice to see the previous couples in the series as supporting characters. I haven't been able to discover whether there are going to be more books in the series, or if this is the concluding volume. Either way, I am determined that I will read more of her Victorian paranormals next.
Crossposted on Cannonball Read.
Rating: 4 stars
Once again I want to thank the lovely Mrs. Julien, whose generous gift of an Amazon voucher made it possible for me to buy this book.
NFL player Ethan "Dex" Dexter is known to his friends and team mates as "the Wise One". He's quiet, observant, focused on his career and not really concerned with dating, or really all that bothered about the fact that he's still a virgin at 24. The only woman he's interested in is the bubbly and vivacious Fiona Mackenzie, sister-in-law to his best friend, who's been very vocal in the past about how she doesn't do long distance relationships or has any interest in athletes. Yet when they both find themselves visiting Grey and Ivy at the same time, he can't help himself. Alone in a club one night, desperate for her to really see him, he dares her to touch his beard, and suddenly they can barely keep their hands, or lips, off each other.
Fiona grew up with a father who started as a professional athlete and then became a sports agent. He travelled a lot in his work and slept around a whole lot while doing it. Her parents' marriage broke up as a result. She's also known as the family flake, who can never really settle down for long with anything, always changing her mind or focus. Having recently secured what she believed would be her dream job in a design firm in New York, she wants to prove to both herself and her family that she can stick with something. She's struggling with a co-worker who keeps copying her designs and trying to steal her thunder, but with her sister just having had a baby, she's allowed herself a short vacation in San Francisco. She's none to pleased to see Dex, her brother-in-law's best friend, show up in the club she's at, "baby sitting", but is surprised how affected she is by his presence.
Dex is a veritable mountain of muscle, with long hair, a thick beard and tattoos all over his arms. He's nothing like the guys Fiona tends to go for, but with his quiet intensity focused entirely on her, she can't look away. When he dares her to touch his beard, she can't help but move in to kiss him and discovers that the silent giant she barely even noticed in the past is absolutely crazy about her. He lives in New Orleans, she lives in New York. She's just starting her promising design career, he's a top player in the NFL. A long distance relationship is their only option if they want more than a brief fling, and after just a few days together in San Francisco, it's obvious to both that that's not a satisfying option.
I've really liked the first two of Kristen Callihan's Game On books, a New Adult series starting when the characters were still in college. This book takes place a few years after the first two, with the characters older and a bit more settled, but still starting out in life. For the most part, I think Callihan's writing and plotting has improved with each book, but my absolute favourite is probably still The Friend Zone, which worked for me on every level. Seeing the couple from that be supporting characters struggling to get used to a new baby was fun and I loved their reactions to Dex' baby whispering techniques.
Dex, for all that he is nothing like the men I tend to find attractive in real life (I go more for the tall, pale and gangly - like Benedict Cumberbatch or Tom Hiddleston, or my husband). I don't really like tattoos or piercings, I think man buns are ridiculous and big, burly lugs just don't really appeal that much to me. He may still be my favourite Callihan hero so far, though. Though he's lusted after Fiona for years, he's never really let on and he's never once crossed into creepy stalker territory, keeping his interest firmly in the fantasy realm. Being a popular athlete, there's no lack of women who throw themselves his way, but Ethan, who remembers being chubby growing up and completely ignored by girl and later women until he became famous, isn't interested in just some shallow hook up. The one time he got drunk and gave into peer pressure, things didn't go well and he's decided that if he can't have Fiona, he doesn't want anyone. During their previous encounters, she hasn't really shown any interest in him, but when they meet again in San Francisco, after a brief moment where she has trouble placing him, the chemistry between them is palpable. Hence he dares to hope that maybe his feelings might become requited and he makes his move.
I liked that with Fiona being very outgoing, impulsive, loquacious and forward, while Ethan was normally the quiet, retiring, contemplative and restrained, they complimented each other nicely. Fi becomes calmer and more grounded around Ethan and he becomes more talkative and takes control in his interactions with her. He understands her fears and her misgivings and tries to give her the space and time to make her own decisions. Even when it's about to break his heart, he's not about to counteract her agency. Luckily, while Fiona is terrified to abandon her current job, she's not too proud to admit when she's wrong about her initial decision about long distance relationships. When she returns to New York, convinced that there can be no future for her and Dex, she's called him to tell him her change of heart before her plane even takes off.
Of course there needs to be some conflict, and the long distance isn't enough. One of the reasons Fiona doesn't want to be involved with an athlete is that she's not happy with media attention, and when Ethan's cell phone is stolen and photos of an intimate nature are leaked, their relationship hits a crisis point. My main problem with this story line is that I refuse to believe that any public person with naughty photos or videos on their phone doesn't at least have a simple code lock on it. It's even mentioned a couple of times early in the story that he needs to sort that out. From the hacking scandals in recent years, I suspect a determined person would still be able to access the memory eventually, but it wouldn't be right out there to the taking for any unscrupulous person.
The "virgin hunt" that's launched in the media to prove that Dex has lost his virginity and the subsequent leaking of the photos was not my favourite way to drive a wedge between a couple, but for the most part, this romance is in parts funny, sweet, very sexy and it was nice to see the previous couples in the series as supporting characters. I haven't been able to discover whether there are going to be more books in the series, or if this is the concluding volume. Either way, I am determined that I will read more of her Victorian paranormals next.
Crossposted on Cannonball Read.
#CBR7 Books 147-148: "Wonder Woman: Guts" and "Wonder Woman: Iron" by Brian Azzarello and Cliff Chiang
Page count: 144 pages
Rating: 4.5 stars
Wonder Woman's friend Zola is pregnant with a child of Zeus, and has been taken by Hades into the Underworld. Diana is determined to do whatever it takes to get her back, and since Hades is none too pleased about the way Wonder Woman and her friends tricked her and Poseidon, she may have to pay a heavy and lasting price in order to secure her friend's safety. She enlists the help of the divine smith, Hephaestus, for suitable arms and in the process discovers yet another family secret. While Diana tries to escape the bonds of matrimony with the ruler of Hell, there is another power struggle for the throne of Olympus. Apollo wants his father's throne and has his sister Artemis to help him. Hera is convinced that Zeus will return to protect what is his, but may be in for a nasty surprise.
Page count: 176 pages
Rating: 4 stars
Time passes differently in the Underworld, and by the time Diana makes it to Zola, she's already nearly full term in her pregnancy. Almost immediately after birth, Diana and Zola experience a terrible betrayal, as the baby is stolen away. To locate the child, it's clear that Diana will need the aid of several of her demigod siblings. Zeus' continued disappearance and the shift in power on Olympus means the reawakenings of old forces and the birth of Zola's child could have an impact on more than our world. Orion, one of the New Gods arrives to help her in her search for the baby, but clearly has his own agenda, and it's unclear whether he wants to help or harm the child. In Wonder Woman: Iron we also get a look at Diana's early years. The god of war, Ares, wants to train her into a perfect warrior, but gives her up in disgust when she eventually refuses to finish off an opponent after a battle, showing mercy instead.
I must confess, that as I read these on the same day, the plots do blend together a bit in my mind, and I'm not entirely sure what happened in each of the trade volumes. Common for both, however, is an action-packed plot full of adventure, twists and turns. Things are very rarely as they appear on a first glance or sometimes even on a second. Everyone is ready to scheme and double cross everyone else. Cliff Chiang is an excellent artist and mostly I really like his style, in both the action scenes and the more quiet moments. One exception is his depiction of Hades, as a petulant child with a sort of melty candle head. It really doesn't work for me. It's a minor niggle, however.
A bigger niggle is the introduction of Orion in the third volume. While my husband is a huge fan of Jack Kirby's New Gods and pretty much every iteration of them, I find them incredibly annoying and the only time I've not pretty much hated all of them is when Gail Simone had Big Barda in some guest appearances in Birds of Prey. So the prospect of more of them turning up in later issues is not a happy one for me. I really liked every single issue of Guts, but in Iron, there are several story lines being introduced (not just the Orion thing) that I'm not too keen on. Azzarello's portrayal of Wonder Woman, and his general take on the gods and demigods of Greek mythology is so creative and fun that I'll keep reading for at least a while longer.
Crossposted on Cannonball Read.
Rating: 4.5 stars
Wonder Woman's friend Zola is pregnant with a child of Zeus, and has been taken by Hades into the Underworld. Diana is determined to do whatever it takes to get her back, and since Hades is none too pleased about the way Wonder Woman and her friends tricked her and Poseidon, she may have to pay a heavy and lasting price in order to secure her friend's safety. She enlists the help of the divine smith, Hephaestus, for suitable arms and in the process discovers yet another family secret. While Diana tries to escape the bonds of matrimony with the ruler of Hell, there is another power struggle for the throne of Olympus. Apollo wants his father's throne and has his sister Artemis to help him. Hera is convinced that Zeus will return to protect what is his, but may be in for a nasty surprise.
Page count: 176 pages
Rating: 4 stars
Time passes differently in the Underworld, and by the time Diana makes it to Zola, she's already nearly full term in her pregnancy. Almost immediately after birth, Diana and Zola experience a terrible betrayal, as the baby is stolen away. To locate the child, it's clear that Diana will need the aid of several of her demigod siblings. Zeus' continued disappearance and the shift in power on Olympus means the reawakenings of old forces and the birth of Zola's child could have an impact on more than our world. Orion, one of the New Gods arrives to help her in her search for the baby, but clearly has his own agenda, and it's unclear whether he wants to help or harm the child. In Wonder Woman: Iron we also get a look at Diana's early years. The god of war, Ares, wants to train her into a perfect warrior, but gives her up in disgust when she eventually refuses to finish off an opponent after a battle, showing mercy instead.
I must confess, that as I read these on the same day, the plots do blend together a bit in my mind, and I'm not entirely sure what happened in each of the trade volumes. Common for both, however, is an action-packed plot full of adventure, twists and turns. Things are very rarely as they appear on a first glance or sometimes even on a second. Everyone is ready to scheme and double cross everyone else. Cliff Chiang is an excellent artist and mostly I really like his style, in both the action scenes and the more quiet moments. One exception is his depiction of Hades, as a petulant child with a sort of melty candle head. It really doesn't work for me. It's a minor niggle, however.
A bigger niggle is the introduction of Orion in the third volume. While my husband is a huge fan of Jack Kirby's New Gods and pretty much every iteration of them, I find them incredibly annoying and the only time I've not pretty much hated all of them is when Gail Simone had Big Barda in some guest appearances in Birds of Prey. So the prospect of more of them turning up in later issues is not a happy one for me. I really liked every single issue of Guts, but in Iron, there are several story lines being introduced (not just the Orion thing) that I'm not too keen on. Azzarello's portrayal of Wonder Woman, and his general take on the gods and demigods of Greek mythology is so creative and fun that I'll keep reading for at least a while longer.
Crossposted on Cannonball Read.
Labels:
#CBR7,
4 stars,
4.5 stars,
Brian Azzarello,
Cliff Chiang,
graphic novel,
Graphic Novel 15,
Greek myth,
Guts,
Iron,
Motif 15,
superhero,
TBR Pile 15,
Wonder Woman
Friday, 25 December 2015
#CBR7 Book 145: "Season for Surrender" by Theresa Romain
Page count: 352 pages
Rating: 3.5 stars
After Miss Louisa Oliver broke her betrothal to Viscount Matheson, her step-sister and former intended was subjected to quite a scandal, due to the gossipping ways of Matheson's friend, the dissolute Alexander Edgware, Lord Xavier. Matheson and Louisa's step-sister got married, and the scandal passed, but Xavier isn't really a favourite in the Oliver or Matheson family circles any more. So when Louisa, with her formidable aunt as chaperone, receives an invitation to his house party, rumoured to be quite a raucous event, she's puzzled, but intrigued and accepts. Having accepted her likely fate as a spinster, she'd nonetheless like to experience a thrill or two, and what better way to practise flirting or stealing a kiss or two than at Xavier's wild party?
Lord Xavier was orphaned at an early age and has had the wealth and freedom to do as he pleased since for as long as he can remember. Drinking, gambling, debauchery and wagering, he's done it all, but it's starting to lose some of its charm. Yet he's known to never turn down a wager, so when his malicious cousin bets him that he can't make a proper lady of good family attend his house party, no matter how shocking, and stay the full two weeks, he accepts. He had never expected his cousin to pick the bookish Miss Oliver, whose reputation he's sure his cousin intends to tarnish. He needs to make sure that nothing too shocking occurs to scare Miss Oliver away, while guarding her virtue without being too obvious about it.
Early on in the visit, Louisa overhears Xavier and his cousin speaking about the wager and realises how much is at stake about her presence there. She decides to teach both the men a lesson and pushes herself out of her comfort zone, engaging in the festivities with an enthusiasm that surprises everyone. Xavier tries to keep her from harm by distracting her with his large and comprehensive library, but finds what he most wants to do is spend as much time as possible with her there. Louisa discovers that if you're going to improve your flirting and kissing, there's no one better to practise on than a rake in want of reforming.
My biggest problem with the first book in this series was that there just wasn't enough plot to fill a full novel. At least in this story, I didn't have to feel that, but there are still slow patches. The book starts a little before the house party with the wager, but the chief portion of the story is at Xavier's country estate, with a largeish cast of characters, among them Xavier's cousin, Miss Jane Tindall, whose mother is nominally the hostess of the gathering, but seems to spend most of her time drunk or asleep. Jane appears to be the heroine of the next book in the series.
Louisa is really quite happy with the idea of staying unmarried, but at the same time she's been organising the library at her new brother-in-law's house and several months of watching the newly-weds be sickeningly happy could make anyone feel a bit down, even someone who hadn't originally been engaged to the groom. Feeling very much the third wheel, she's quite relieved to be invited to a house party, even if the host is the duplicitous Lord Xavier. It doesn't take her long into her visit to discover that he wasn't quite as dastardly as to besmirch her step-sister's reputation to one and all, but he did confide in someone he shouldn't. Used to being in the background, quietly observing everyone else, Louisa is quite the study of human nature, and is amused to discover that much of Lord Xavier's behaviour is merely a clever veneer, applied to fool those around him that he's as carefree, rakish and dissolute as his reputation claims. She becomes determined to make him reveal the person he really is, and is willing to use any means necessary.
Lord Xavier does indeed do very little without planning and forethought. He has a series of numbered expressions that he pulls out at the appropriate occasions and having been quite bored by his lifestyle for a while, he's nonetheless careful to cultivate the appearance of being the consummate rake, because he can't yet imagine what sort of a person he could be instead. A victim of his reputation, he believes it would be impossible to change now. He's very aware of how easily Miss Oliver could be ruined by mere hints at impropriety, yet cannot keep himself away from her. Initially, he tells himself it's too keep her safe, but the more time they spend together, the more obviously the attraction between them grows. He still thinks she's far too good for him, and even tries to send her away to protect her, not that it does a lot of good in the long run.
Theresa Romain remains an author who is perfectly decent, but who as of yet has not truly wowed me. I really did like this book, but I doubt that I'll particularly remember the details of the story in a month or so. Still, I keep seeing her books highly recommended, and can't seem to stop buying them in e-book sales, so I will continue to see if there is an exceptional book in her yet.
Crossposted to Cannonball Read.
Rating: 3.5 stars
After Miss Louisa Oliver broke her betrothal to Viscount Matheson, her step-sister and former intended was subjected to quite a scandal, due to the gossipping ways of Matheson's friend, the dissolute Alexander Edgware, Lord Xavier. Matheson and Louisa's step-sister got married, and the scandal passed, but Xavier isn't really a favourite in the Oliver or Matheson family circles any more. So when Louisa, with her formidable aunt as chaperone, receives an invitation to his house party, rumoured to be quite a raucous event, she's puzzled, but intrigued and accepts. Having accepted her likely fate as a spinster, she'd nonetheless like to experience a thrill or two, and what better way to practise flirting or stealing a kiss or two than at Xavier's wild party?
Lord Xavier was orphaned at an early age and has had the wealth and freedom to do as he pleased since for as long as he can remember. Drinking, gambling, debauchery and wagering, he's done it all, but it's starting to lose some of its charm. Yet he's known to never turn down a wager, so when his malicious cousin bets him that he can't make a proper lady of good family attend his house party, no matter how shocking, and stay the full two weeks, he accepts. He had never expected his cousin to pick the bookish Miss Oliver, whose reputation he's sure his cousin intends to tarnish. He needs to make sure that nothing too shocking occurs to scare Miss Oliver away, while guarding her virtue without being too obvious about it.
Early on in the visit, Louisa overhears Xavier and his cousin speaking about the wager and realises how much is at stake about her presence there. She decides to teach both the men a lesson and pushes herself out of her comfort zone, engaging in the festivities with an enthusiasm that surprises everyone. Xavier tries to keep her from harm by distracting her with his large and comprehensive library, but finds what he most wants to do is spend as much time as possible with her there. Louisa discovers that if you're going to improve your flirting and kissing, there's no one better to practise on than a rake in want of reforming.
My biggest problem with the first book in this series was that there just wasn't enough plot to fill a full novel. At least in this story, I didn't have to feel that, but there are still slow patches. The book starts a little before the house party with the wager, but the chief portion of the story is at Xavier's country estate, with a largeish cast of characters, among them Xavier's cousin, Miss Jane Tindall, whose mother is nominally the hostess of the gathering, but seems to spend most of her time drunk or asleep. Jane appears to be the heroine of the next book in the series.
Louisa is really quite happy with the idea of staying unmarried, but at the same time she's been organising the library at her new brother-in-law's house and several months of watching the newly-weds be sickeningly happy could make anyone feel a bit down, even someone who hadn't originally been engaged to the groom. Feeling very much the third wheel, she's quite relieved to be invited to a house party, even if the host is the duplicitous Lord Xavier. It doesn't take her long into her visit to discover that he wasn't quite as dastardly as to besmirch her step-sister's reputation to one and all, but he did confide in someone he shouldn't. Used to being in the background, quietly observing everyone else, Louisa is quite the study of human nature, and is amused to discover that much of Lord Xavier's behaviour is merely a clever veneer, applied to fool those around him that he's as carefree, rakish and dissolute as his reputation claims. She becomes determined to make him reveal the person he really is, and is willing to use any means necessary.
Lord Xavier does indeed do very little without planning and forethought. He has a series of numbered expressions that he pulls out at the appropriate occasions and having been quite bored by his lifestyle for a while, he's nonetheless careful to cultivate the appearance of being the consummate rake, because he can't yet imagine what sort of a person he could be instead. A victim of his reputation, he believes it would be impossible to change now. He's very aware of how easily Miss Oliver could be ruined by mere hints at impropriety, yet cannot keep himself away from her. Initially, he tells himself it's too keep her safe, but the more time they spend together, the more obviously the attraction between them grows. He still thinks she's far too good for him, and even tries to send her away to protect her, not that it does a lot of good in the long run.
Theresa Romain remains an author who is perfectly decent, but who as of yet has not truly wowed me. I really did like this book, but I doubt that I'll particularly remember the details of the story in a month or so. Still, I keep seeing her books highly recommended, and can't seem to stop buying them in e-book sales, so I will continue to see if there is an exceptional book in her yet.
Crossposted to Cannonball Read.
Wednesday, 23 December 2015
#CBR7 Books 144: "Magic Stars" by Ilona Andrews
Page count: 64 pages
Rating: 4 stars
This is a novella in the Kate Daniels universe. I would recommend that you read at least a few of the books in that series before reading this, although it would probably work relatively well on its own merits. This review may, however, contain spoilers for some of the later books in the series, so if you haven't read up to and including Magic Breaks and preferably Magic Shifts as well, proceed at your own risk. I must also add that I was granted an ARC of this novella, but did not have time to read it before it was on general release, when I also bought myself a copy. This review is in no way biased by having been given the ARC.
Derek Gaunt is a lone wolf, literally. He no longer belongs to any pack and is loyal to only a very few people. Among those are the former Beast Lord of Atlanta, Curran Lennart. So when the entire family of a weapon's smith frequented often by Curran and his Consort, Kate Daniels, is found brutally murdered and their house searched, Derek is asked to track down the killers and discover why the dirty deed was done. He prefers to work alone, and he certainly doesn't want Julie, Curran and Kate's adopted daughter, to tag along on his mission.
Yet when the two discover that the family were killed because of a highly magical artifact in their possession, one of three in fact, that the individual who sent the killers wants enough to murder again, Derek realises that he cannot continue without Julie. Able to detect all kinds of magic with her bare eyes, Julie is the only one who will be able to track the other two parts of the artifact, and lead them to the mastermind who ordered the killings in the first place. What was supposed to be a fairly simple assignment turns very dangerous and deadly far too quick and both Derek and Julie will be lucky if they make it out alive. I was surprised at how violent this story was. Possibly the shorter length of the story compressed the action sequences and made it seem more violent than the regular books.
Derek and Julie have long been fan favourites among the supporting cast in the Kate Daniels books. Initially Kate's somewhat reluctant sidekick and quite the pretty boy, Derek was nearly killed and left badly scarred after having molten silver (highly dangerous to shapeshifters) poured over his face, when trying to rescue a girl he'd fallen for. Julie was a street kid who lost her mother and got tangled up in some nasty magical business. Taken in and later adopted by Kate, she is now irrevocably bound to her by blood, after Kate was forced to purify Julie's blood with her own to save her life. After Kate in a showdown with her father laid magical claim to Atlanta, Julie has now appointed herself Kate's Herald. She is taking magic lessons from the manipulative and cunning Roland, to the great dismay of Derek, who is sure that the ancient magical powerhouse is using Julie for his own ends. Julie, on the other hand, claims they're going to need all the weapons and intel they can get against Roland, and if she can gather intelligence and maybe learn something of his weak spots while improving her magical abilities, so much the better.
In early books in the series, there were hints of both hero worship and infatuation by Julie for Derek. Their relationship in later books is often closer to exasperated cousins or even siblings, and the were-hyena Ascanio, as well as a handsome dragon creature of some sort that Julie goes to school with are also competing for Julie's affection. It was a lot of fun to see them working together as a team in this novella, and I wouldn't mind seeing them team up to fight monsters and saving each other's lives again some time.
According to Amazon, this is the first in a series called Grey Wolf, and I hope the sales and popularity is such that Ilona Andrews chooses to continue writing these spin-offs, if only as occasional interludes. As the normal Kate books are seen entirely from Kate's POV, it's always fun when the writers give us insight into other characters like this, and lets us see Kate and Curran in particular through the eyes of other characters in the series. As well as this novella, there's a whole book from Kate's best friend Andrea's POV, at least one short story about Julie and some novellas about Jim and Dali, the current Beast Lord and Lady. I know they have a lot of writing commitments, with the new Kate book, the Innkeeper Chronicles and their Hidden Legacy series, but hope that as a palate cleanser now and then, they may choose to give us more Grey Wolf stories.
Crossposted on Cannonball Read.
Rating: 4 stars
This is a novella in the Kate Daniels universe. I would recommend that you read at least a few of the books in that series before reading this, although it would probably work relatively well on its own merits. This review may, however, contain spoilers for some of the later books in the series, so if you haven't read up to and including Magic Breaks and preferably Magic Shifts as well, proceed at your own risk. I must also add that I was granted an ARC of this novella, but did not have time to read it before it was on general release, when I also bought myself a copy. This review is in no way biased by having been given the ARC.
Derek Gaunt is a lone wolf, literally. He no longer belongs to any pack and is loyal to only a very few people. Among those are the former Beast Lord of Atlanta, Curran Lennart. So when the entire family of a weapon's smith frequented often by Curran and his Consort, Kate Daniels, is found brutally murdered and their house searched, Derek is asked to track down the killers and discover why the dirty deed was done. He prefers to work alone, and he certainly doesn't want Julie, Curran and Kate's adopted daughter, to tag along on his mission.
Yet when the two discover that the family were killed because of a highly magical artifact in their possession, one of three in fact, that the individual who sent the killers wants enough to murder again, Derek realises that he cannot continue without Julie. Able to detect all kinds of magic with her bare eyes, Julie is the only one who will be able to track the other two parts of the artifact, and lead them to the mastermind who ordered the killings in the first place. What was supposed to be a fairly simple assignment turns very dangerous and deadly far too quick and both Derek and Julie will be lucky if they make it out alive. I was surprised at how violent this story was. Possibly the shorter length of the story compressed the action sequences and made it seem more violent than the regular books.
Derek and Julie have long been fan favourites among the supporting cast in the Kate Daniels books. Initially Kate's somewhat reluctant sidekick and quite the pretty boy, Derek was nearly killed and left badly scarred after having molten silver (highly dangerous to shapeshifters) poured over his face, when trying to rescue a girl he'd fallen for. Julie was a street kid who lost her mother and got tangled up in some nasty magical business. Taken in and later adopted by Kate, she is now irrevocably bound to her by blood, after Kate was forced to purify Julie's blood with her own to save her life. After Kate in a showdown with her father laid magical claim to Atlanta, Julie has now appointed herself Kate's Herald. She is taking magic lessons from the manipulative and cunning Roland, to the great dismay of Derek, who is sure that the ancient magical powerhouse is using Julie for his own ends. Julie, on the other hand, claims they're going to need all the weapons and intel they can get against Roland, and if she can gather intelligence and maybe learn something of his weak spots while improving her magical abilities, so much the better.
In early books in the series, there were hints of both hero worship and infatuation by Julie for Derek. Their relationship in later books is often closer to exasperated cousins or even siblings, and the were-hyena Ascanio, as well as a handsome dragon creature of some sort that Julie goes to school with are also competing for Julie's affection. It was a lot of fun to see them working together as a team in this novella, and I wouldn't mind seeing them team up to fight monsters and saving each other's lives again some time.
According to Amazon, this is the first in a series called Grey Wolf, and I hope the sales and popularity is such that Ilona Andrews chooses to continue writing these spin-offs, if only as occasional interludes. As the normal Kate books are seen entirely from Kate's POV, it's always fun when the writers give us insight into other characters like this, and lets us see Kate and Curran in particular through the eyes of other characters in the series. As well as this novella, there's a whole book from Kate's best friend Andrea's POV, at least one short story about Julie and some novellas about Jim and Dali, the current Beast Lord and Lady. I know they have a lot of writing commitments, with the new Kate book, the Innkeeper Chronicles and their Hidden Legacy series, but hope that as a palate cleanser now and then, they may choose to give us more Grey Wolf stories.
Crossposted on Cannonball Read.
Labels:
#CBR7,
4 stars,
Animal 15,
Grey Wolf,
Ilona Andrews,
Kate Daniels,
magic,
Magic Stars,
Motif 15,
novella,
paranormal fantasy,
Series 15,
shapeshifters,
werewolves
Tuesday, 22 December 2015
#CBR7 Book 142: "Lord Dashwood Missed Out" by Tessa Dare
Page count: 144 pages
Rating: 3.5 stars
First of all, I want to thank the ever lovely Mrs. Julien, who kindly sent me an Amazon gift card during my continued convalescence. Part of that gift card financed this story.
This novella follows four full novels and a novella, which while they're not strictly necessary to get the full impact of the story, are well worth reading. Start with A Week to Be Wicked, it's amazing!
Miss Elinora "Nora" Browning grew up next to and was taught lessons along with George Travers, Lord Dashwood. She was in love with him for years, until he humiliated her during her season and went off to explore the world without a word of farewell. Utterly dejected and heart-broken, Nora comforted herself with sherry and wrote down all her feelings in the missive Lord Ashwood Missed Out - note the clever way of disguising the identity of the cad who disappointed her, there. Speaking on behalf of all overlooked young women, encouraging them to love themselves instead and not rely on any men, her letter became published as a pamphlet and became a huge bestseller. In the little coastal town of Spindle Cove, a safe haven and retreat for all manner of unorthodox ladies and spinsters, Miss Browning is a sought-after speaker and she's on her way there when a gathering snow storm delays her. The only carriage available to her contains none other than her old neighbour, Lord Dashwood.
Having traveled the world on several expeditions, now a renowned cartographer, George is back to settle down and get married. He discovers that in his absence, Miss Browning's pamphlet has pretty much maligned his good name, and Lord Dashwood would very much like to have a word with her about that. When their carriage is overturned in the storm, and the two are stuck alone in a tiny cabin, he challenges her to show him exactly it was she claims he missed out on. Hijinks, and activities of an unclothed variety ensue, despite the no doubt freezing temperatures.
Meanwhile, in Spindle Cove, the ladies waiting for Miss Browning are worried because she hasn't shown up, and all the heroes of Ms Dare's previous Spindle Cove novels ride off to find the authoress (after making sure they leave their wives more than satisfied).
I was very much looking forward to Tessa Dare's return to Spindle Cove, and she's written at least one absolutely delightful novella in the past, so I had high hopes for this book. Sadly, in a story that isn't all that long, far too much focus is placed on the inhabitants of Spindle Cove loyal readers already know, like Bramwell and Susanna from A Night to Surrender; Colin and Minerva from A Week to Be Wicked; Thorne and Kate from A Lady at Midnight and Griff and his duchess, Pauline, from Any Duchess Will Do. It's Pauline's lending library that Nora is scheduled to visit and there is added complication because Griff, the Duke of Halford was supposed to bring sherry to the signing, and has completely forgotten to procure any. So when he has a chance to get back into his lady's good graces and possibly locate some sherry at the same time, he drags his male friends along with him to locate the missing Miss Browning. It's not that I didn't like seeing glimpses of the happy lives these characters have made for themselves, but since this novella clearly, in part, was to set up youngest Highwood sister Charlotte's future romance, we could have had a bit more focus on her, and less on past characters.
Because the action cuts between the snowbound adventures of Nora and Dash, as he's known to his friends and the Spindle Cove gang, the central romance kept getting interrupted just as it started getting interesting. I would have liked a bit more back story and motivation for both Nora and George and I live in a (normally, if not yet this year) icy and snowy country. There is just no way that icy winds and blizzard-like snow storms doesn't kill ardour right quick. Having an extended kissing and embrace sequence, while locked half-naked out of doors in icy wind - nope. Then getting all amorous in what is most likely a drafty old shepard's hut?
I can suspend my disbelief pretty far for you, Ms. Dare, see the Regency cos-players, but that's a step too far. You broke all the disbelief I have. You made me bring in Godzilla to help me make my point.
I did like both Nora and Dash as characters and can understand the motivations of both in as much as they were explained within the story. I thought the proposal scene was adorable and the grand gesture in question made me rather mushy (I blame hormones), but because I liked the main couple of this story so much, I wanted more time with them, and less with the previously established couples. I would say 4 stars for the bits with Nora and Dash, 3 stars for the bits with the old Spindle Cove characters, making it a 3.5 in total. I hope that Charlotte's book, when that finally arrives some time early in 2016 is more satisfying overall.
Crossposted on Cannonball Read.
Rating: 3.5 stars
First of all, I want to thank the ever lovely Mrs. Julien, who kindly sent me an Amazon gift card during my continued convalescence. Part of that gift card financed this story.
This novella follows four full novels and a novella, which while they're not strictly necessary to get the full impact of the story, are well worth reading. Start with A Week to Be Wicked, it's amazing!
Miss Elinora "Nora" Browning grew up next to and was taught lessons along with George Travers, Lord Dashwood. She was in love with him for years, until he humiliated her during her season and went off to explore the world without a word of farewell. Utterly dejected and heart-broken, Nora comforted herself with sherry and wrote down all her feelings in the missive Lord Ashwood Missed Out - note the clever way of disguising the identity of the cad who disappointed her, there. Speaking on behalf of all overlooked young women, encouraging them to love themselves instead and not rely on any men, her letter became published as a pamphlet and became a huge bestseller. In the little coastal town of Spindle Cove, a safe haven and retreat for all manner of unorthodox ladies and spinsters, Miss Browning is a sought-after speaker and she's on her way there when a gathering snow storm delays her. The only carriage available to her contains none other than her old neighbour, Lord Dashwood.
Having traveled the world on several expeditions, now a renowned cartographer, George is back to settle down and get married. He discovers that in his absence, Miss Browning's pamphlet has pretty much maligned his good name, and Lord Dashwood would very much like to have a word with her about that. When their carriage is overturned in the storm, and the two are stuck alone in a tiny cabin, he challenges her to show him exactly it was she claims he missed out on. Hijinks, and activities of an unclothed variety ensue, despite the no doubt freezing temperatures.
Meanwhile, in Spindle Cove, the ladies waiting for Miss Browning are worried because she hasn't shown up, and all the heroes of Ms Dare's previous Spindle Cove novels ride off to find the authoress (after making sure they leave their wives more than satisfied).
I was very much looking forward to Tessa Dare's return to Spindle Cove, and she's written at least one absolutely delightful novella in the past, so I had high hopes for this book. Sadly, in a story that isn't all that long, far too much focus is placed on the inhabitants of Spindle Cove loyal readers already know, like Bramwell and Susanna from A Night to Surrender; Colin and Minerva from A Week to Be Wicked; Thorne and Kate from A Lady at Midnight and Griff and his duchess, Pauline, from Any Duchess Will Do. It's Pauline's lending library that Nora is scheduled to visit and there is added complication because Griff, the Duke of Halford was supposed to bring sherry to the signing, and has completely forgotten to procure any. So when he has a chance to get back into his lady's good graces and possibly locate some sherry at the same time, he drags his male friends along with him to locate the missing Miss Browning. It's not that I didn't like seeing glimpses of the happy lives these characters have made for themselves, but since this novella clearly, in part, was to set up youngest Highwood sister Charlotte's future romance, we could have had a bit more focus on her, and less on past characters.
Because the action cuts between the snowbound adventures of Nora and Dash, as he's known to his friends and the Spindle Cove gang, the central romance kept getting interrupted just as it started getting interesting. I would have liked a bit more back story and motivation for both Nora and George and I live in a (normally, if not yet this year) icy and snowy country. There is just no way that icy winds and blizzard-like snow storms doesn't kill ardour right quick. Having an extended kissing and embrace sequence, while locked half-naked out of doors in icy wind - nope. Then getting all amorous in what is most likely a drafty old shepard's hut?
I can suspend my disbelief pretty far for you, Ms. Dare, see the Regency cos-players, but that's a step too far. You broke all the disbelief I have. You made me bring in Godzilla to help me make my point.
I did like both Nora and Dash as characters and can understand the motivations of both in as much as they were explained within the story. I thought the proposal scene was adorable and the grand gesture in question made me rather mushy (I blame hormones), but because I liked the main couple of this story so much, I wanted more time with them, and less with the previously established couples. I would say 4 stars for the bits with Nora and Dash, 3 stars for the bits with the old Spindle Cove characters, making it a 3.5 in total. I hope that Charlotte's book, when that finally arrives some time early in 2016 is more satisfying overall.
Crossposted on Cannonball Read.
Sunday, 20 December 2015
#CBR7 Book 139: "What a Wallflower Wants" by Maya Rodale
Page count: 384 pages
Rating: 4 stars
Miss Prudence Merriweather Payton has been dubbed "London's Least Likely to Be Caught in a Compromising Position" and after four seasons, she may be the only woman to go unmarried for so long after graduation her finishing school. No one, not even the loving aunt who raised her or her two best friends, knows that Prudence was raped at a ball early in her first season and has made very sure she's never alone with a man or considered marriage material. After all, her entire worth on the marriage market has been forcibly stripped from her. Yet now, with the upcoming anniversary ball of her finishing school, where even her two former wallflower friends have found happy marriages, she can't bear to be the only graduate left unmarried.
Taking matters into her own hands, Prudence travels to Bath and arranges a marriage of convenience to a gentleman who she knows will never expect or demand conjugal rights, as he's rather more interested in his best friend. However, on the way to his estate, where they are to be married by special licence, their stagecoach is attacked by a highwayman, and her intended pushes her out of the carriage to distract their attacker. She manages to escape, no thanks to her fiancee, without attracting the robber's attention and is left to make her way to civilisation alone.
Trudging through uncomfortable heat at first and later pouring rain, Prudence vows never to trust another man again. When she's offered a ride by a dashing and handsome man who introduces himself as John Roark, Viscount Castleton, she refuses even though she's cold, wet and tired. They nevertheless meet again at the country inn where she seeks refuge. As the torrential downpour continues for days on end, the two are trapped, along with a number of other guests, until the weather settles down. John and Prudence spend quite a lot of time in each other's company, and it doesn't take long for John to realise that someone badly hurt Prudence at some point in the past.
Roark is on his way to London with a grand business proposition which will secure not only his own future, but that of his mother and sister. He has secrets he cannot divulge and certainly isn't looking for or able to support a wife in his current situation. Yet he gets more and more smitten with the wary Miss Merriweather (she doesn't give him her full name) and when her dark past shows up unexpectedly at the inn, and she nearly suffers a repeat performance of her former attack, he doesn't even think before jumping in to defend her and pummelling her attacker.
After John beats up her rapist, saving Prudence from another nightmare scenario, she breaks down and finally tells someone about the (to her) deeply shameful secret about what happened years ago, and he comforts her, confessing that his sister once suffered the same fate as her. He is therefore fully aware of how scared and distrustful of men she must be. Even knowing that she may be scared, he proposes that they travel to London together, leaving the inn in case her attacker returns. They pose as man and wife on the road, and John's gentle treatment, understanding and patience gives Prudence hope that she may in time be able to trust another man again and possibly not recoil at being touched. But John's past is about to catch up with him too, and what will happen when Prudence discovers the secrets he's been hiding and the reasons he's in such a hurry to make it to London?
This romance deals with the aftermath of rape, and it doesn't in any way gloss over what happened to Prudence. The scene where she is attacked is graphically described, in a horrible inversion of the usual love scenes in such a book and there is no doubt that something terrible and irrevocable is done to a helpless young woman, whose life is never the same afterwards. Even now, rape is a horrible crime, but in a time when a woman's chief commodity was her virtue and she was seen as tainted goods and worthless if she lost it, rape took away any chance a woman had to make a good marriage. Prudence spends four years carefully making herself as unattractive and unobtrusive as possible, happily embracing her wallflower role, simply so she won't ever have to confess the truth about her tragic fate. When she meets a kind man who not only treats her gently but understands her pain, that is just as attractive to her as his physical beauty. Having kept her secret for so long, she's desperate to confide in someone.
John, absolutely furious about the trauma she's been through, not only beats her attacker within an inch of his life and drives him and his friend out of the inn, but insists on being allowed to show Prudence how to defend herself, as it's not fair that she go through life seeing herself only as a victim. She needs to reclaim her self worth, and his self defence lessons and the way he refuses to see her or treat her as ruined is a great help in making her start to blossom again.
The third and final of Maya Rodale's Bad Boys and Wallflowers, even with some rather melodramatic turns in the last third of the book and some pretty huge coincidences furthering the plot, this is by far the best in the series. Prudence is a lovely heroine, so strong and admirable for refusing to let her ordeal break her. John is a sensitive and understanding hero, who because of his unusual background is able to accept Prue's disgrace in a way most men in her peer group would not. I'm also not entirely sure if the ways in which the villain gets his comeuppance is historically accurate, but it felt very satisfying.
I read romances as a means of entertainment and escapism. In historical romances, I like being diverted by historical locations, pretty dresses, fancy titles and couples finding love, often across societal boundaries that are somewhat anachronistic. This book made me cry, more than once, and I'm pretty sure it wasn't just because I was pumped full of fertility hormones. Reading about a young woman having her entire future stolen from her in a savage attack is upsetting, and as Rodale points out in the afterword, many women of the past were driven to depression or suicide by such events. While other aspects of the book weren't perfect, I thought the main issue of the story and the love story between Prudence and John was very effective. Well worth checking out, as long as you're not sensitive about the darker side of the plot.
Crossposted on Cannonball Read.
Rating: 4 stars
Miss Prudence Merriweather Payton has been dubbed "London's Least Likely to Be Caught in a Compromising Position" and after four seasons, she may be the only woman to go unmarried for so long after graduation her finishing school. No one, not even the loving aunt who raised her or her two best friends, knows that Prudence was raped at a ball early in her first season and has made very sure she's never alone with a man or considered marriage material. After all, her entire worth on the marriage market has been forcibly stripped from her. Yet now, with the upcoming anniversary ball of her finishing school, where even her two former wallflower friends have found happy marriages, she can't bear to be the only graduate left unmarried.
Taking matters into her own hands, Prudence travels to Bath and arranges a marriage of convenience to a gentleman who she knows will never expect or demand conjugal rights, as he's rather more interested in his best friend. However, on the way to his estate, where they are to be married by special licence, their stagecoach is attacked by a highwayman, and her intended pushes her out of the carriage to distract their attacker. She manages to escape, no thanks to her fiancee, without attracting the robber's attention and is left to make her way to civilisation alone.
Trudging through uncomfortable heat at first and later pouring rain, Prudence vows never to trust another man again. When she's offered a ride by a dashing and handsome man who introduces himself as John Roark, Viscount Castleton, she refuses even though she's cold, wet and tired. They nevertheless meet again at the country inn where she seeks refuge. As the torrential downpour continues for days on end, the two are trapped, along with a number of other guests, until the weather settles down. John and Prudence spend quite a lot of time in each other's company, and it doesn't take long for John to realise that someone badly hurt Prudence at some point in the past.
Roark is on his way to London with a grand business proposition which will secure not only his own future, but that of his mother and sister. He has secrets he cannot divulge and certainly isn't looking for or able to support a wife in his current situation. Yet he gets more and more smitten with the wary Miss Merriweather (she doesn't give him her full name) and when her dark past shows up unexpectedly at the inn, and she nearly suffers a repeat performance of her former attack, he doesn't even think before jumping in to defend her and pummelling her attacker.
After John beats up her rapist, saving Prudence from another nightmare scenario, she breaks down and finally tells someone about the (to her) deeply shameful secret about what happened years ago, and he comforts her, confessing that his sister once suffered the same fate as her. He is therefore fully aware of how scared and distrustful of men she must be. Even knowing that she may be scared, he proposes that they travel to London together, leaving the inn in case her attacker returns. They pose as man and wife on the road, and John's gentle treatment, understanding and patience gives Prudence hope that she may in time be able to trust another man again and possibly not recoil at being touched. But John's past is about to catch up with him too, and what will happen when Prudence discovers the secrets he's been hiding and the reasons he's in such a hurry to make it to London?
This romance deals with the aftermath of rape, and it doesn't in any way gloss over what happened to Prudence. The scene where she is attacked is graphically described, in a horrible inversion of the usual love scenes in such a book and there is no doubt that something terrible and irrevocable is done to a helpless young woman, whose life is never the same afterwards. Even now, rape is a horrible crime, but in a time when a woman's chief commodity was her virtue and she was seen as tainted goods and worthless if she lost it, rape took away any chance a woman had to make a good marriage. Prudence spends four years carefully making herself as unattractive and unobtrusive as possible, happily embracing her wallflower role, simply so she won't ever have to confess the truth about her tragic fate. When she meets a kind man who not only treats her gently but understands her pain, that is just as attractive to her as his physical beauty. Having kept her secret for so long, she's desperate to confide in someone.
John, absolutely furious about the trauma she's been through, not only beats her attacker within an inch of his life and drives him and his friend out of the inn, but insists on being allowed to show Prudence how to defend herself, as it's not fair that she go through life seeing herself only as a victim. She needs to reclaim her self worth, and his self defence lessons and the way he refuses to see her or treat her as ruined is a great help in making her start to blossom again.
The third and final of Maya Rodale's Bad Boys and Wallflowers, even with some rather melodramatic turns in the last third of the book and some pretty huge coincidences furthering the plot, this is by far the best in the series. Prudence is a lovely heroine, so strong and admirable for refusing to let her ordeal break her. John is a sensitive and understanding hero, who because of his unusual background is able to accept Prue's disgrace in a way most men in her peer group would not. I'm also not entirely sure if the ways in which the villain gets his comeuppance is historically accurate, but it felt very satisfying.
I read romances as a means of entertainment and escapism. In historical romances, I like being diverted by historical locations, pretty dresses, fancy titles and couples finding love, often across societal boundaries that are somewhat anachronistic. This book made me cry, more than once, and I'm pretty sure it wasn't just because I was pumped full of fertility hormones. Reading about a young woman having her entire future stolen from her in a savage attack is upsetting, and as Rodale points out in the afterword, many women of the past were driven to depression or suicide by such events. While other aspects of the book weren't perfect, I thought the main issue of the story and the love story between Prudence and John was very effective. Well worth checking out, as long as you're not sensitive about the darker side of the plot.
Crossposted on Cannonball Read.
Wednesday, 16 December 2015
#CBR7 Book 138: "Wallflower Gone Wild" by Maya Rodale
Page count: 384 pages
Rating: 3.5 stars
Lady Olivia Archer is unmarried after four seasons on the marriage market, known as "London's Least Likely to Cause a Scandal". Everywhere she goes, her mother forces her to recount her ladylike accomplishments, such as embroidery, playing the piano, painting water colours and other deathly dull things. Olivia isn't surprised people have taken to calling her "Prissy Missy" and that at one memorable garden party, a gentleman jumped into a hedge rather than speak to her (or her mother).
One of her best friends, Lady Emma, another former wallflower, recently married a duke after a series of unusual events and is now determined to match her two besties with suitable men. Before she has time to introduce them to anyone, however, Olivia meets a handsome stranger at a ball and has a moment of true chemistry with him after their eyes meet across the room. The morning after, she is told her parents have accepted the proposal of Sir Phinneas Cole for her hand in marriage. A genius and reclusive inventor, Phin is in London to work on completing a machine with Lady Emma's husband. He wants a pretty, quiet and polite wife to help him manage his vast Yorkshire estate. He is also popularly known as "the Mad Baron".
Some years ago, all the newspapers ran stories about the tragic fire in his lab and how his first wife died under mysterious circumstances. While in finishing school, all three wallflowers read the scandalous accounts of how "the Mad Baron" stole his brother's fiancee and later likely murdered her. Because he lives in Yorkshire and never goes into society, Phin was of the naive belief that the rumours had died down. He was very wrong. It's clear that the woman he wants to marry is both afraid of him and behaving very strangely.
Olivia has concocted a plan with her friends to make Phin break off the engagement. If he wants a proper and ladylike bride, then Olivia must be everything but. She's been brought up knowing all the rules that mustn't be broken and has never stepped a toe out of line before. This has brought her nothing but scorn, ugly nicknames and now a very unwanted, possibly murderous fiancee. She starts behaving as scandalously as she can - wearing excessive amounts of makeup, getting drunk in public, dancing with rakes and scoundrels and generally trying to cause scenes (she's not very good at it).
Phin (who of course is the handsome man she met that magical night) is puzzled by the erratic behaviour of Lady Olivia. He can't deny the attraction he felt for her that first night, and even at her worst, Olivia can't come close to causing the sort of scandals his first wife inspired. The more outrageously Olivia acts, the more determined he is to go through with the marriage.
While Olivia doesn't know that Phin isn't a crazy murderer, the readers are of course privy to his POV and fully aware that he's not as dangerous as the rumours would have it. A big old science nerd, he's actually quite dreadfully clueless around women, and tries to take courtship advice from his more wordly (but moronic) friend, with the results that Olivia isn't just afraid of him, but thinks he's a dolt as well. The only thing their relationship has going for it is that first brief meeting when their glances caught across a crowded room and they shared a brief moment, until some of the catty ladies of the ton came to interrupt before anything significant could happen. The undeniable chemistry between them then is what makes Phin determined to win Olivia, and makes her unsure of whether he can be as bad as his reputation suggests.
Brought up to do only what is right and proper for a young lady, Olivia has never been given the opportunity to actually decide what she likes or wants from life, and her attempts at acting out go rather badly, because there is a reason she and her friends are dubbed "London's Least Likely". In one last-ditch attempt to rebel, Olivia goes to a masquerade, where she is rescued from a near-assault by none other than her (obviously masked) fiancee. Overwhelmed by everything that's happened since she became engaged against her will, she breaks down in his arms, and speaks honestly of her hopes and fears. Phin, to his credit, realises how dumb he has been and determines to treat his bride better, encouraging her to forge her own way and make her own choices once they are married.
He does not, however, tell her the truth behind the lurid gossip surrounding his first wife's death for quite some time, creating one of those frustrating misunderstandings that seems to be so common in romance. Of course things improve immensely between the couple once the full story is out, just in time for Olivia to injure herself badly, making Phin realise his feelings for her now that he might suddenly lose her.
Which brings me to my biggest gripe with this book. In addition to the "let's act all mad-cap and crazy to put off my fiancee" section that goes on a bit too long, this book has one of the most unbelievable deflowering scenes I've ever come across. Now, I may be extra critical, reading this book shortly after I myself fell on the ice and broke my left wrist quite badly. Nonetheless, I'm literally painfully aware of how much this hurts, and how sore and unwieldy a broken limb is, for up to a week after the injury. Even with the benefit of modern painkillers, I really didn't want to use my left arm for much of anything. Olivia breaks her ankle in an accident, yet seems perfectly able to consummate her marriage only a day or two afterwards. I don't care what superhuman erotic abilities "the Mad Baron" possesses, there is NO way that she would happily be spreading her legs and engaging in carnal acts so shortly after breaking a limb. As far as I'm aware, the most common painkiller in the Regency era would have been laudanum. Olivia would therefore either be more or less passed out in a morphine haze or in absolute agony if someone tried to move make her "open her legs".
Now, if you don't have the painful real life experience of breaking a limb fresh in your mind, this might not be a deal breaker for you. This book had a lot of potential, and I liked it better than the first book in the series, but there still wasn't anything out of the ordinary to make me consider Maya Rodale as an essential romance writer whose books I'll be looking out for or pre-ordering.
Crossposted on Cannonball Read.
Rating: 3.5 stars
Lady Olivia Archer is unmarried after four seasons on the marriage market, known as "London's Least Likely to Cause a Scandal". Everywhere she goes, her mother forces her to recount her ladylike accomplishments, such as embroidery, playing the piano, painting water colours and other deathly dull things. Olivia isn't surprised people have taken to calling her "Prissy Missy" and that at one memorable garden party, a gentleman jumped into a hedge rather than speak to her (or her mother).
One of her best friends, Lady Emma, another former wallflower, recently married a duke after a series of unusual events and is now determined to match her two besties with suitable men. Before she has time to introduce them to anyone, however, Olivia meets a handsome stranger at a ball and has a moment of true chemistry with him after their eyes meet across the room. The morning after, she is told her parents have accepted the proposal of Sir Phinneas Cole for her hand in marriage. A genius and reclusive inventor, Phin is in London to work on completing a machine with Lady Emma's husband. He wants a pretty, quiet and polite wife to help him manage his vast Yorkshire estate. He is also popularly known as "the Mad Baron".
Some years ago, all the newspapers ran stories about the tragic fire in his lab and how his first wife died under mysterious circumstances. While in finishing school, all three wallflowers read the scandalous accounts of how "the Mad Baron" stole his brother's fiancee and later likely murdered her. Because he lives in Yorkshire and never goes into society, Phin was of the naive belief that the rumours had died down. He was very wrong. It's clear that the woman he wants to marry is both afraid of him and behaving very strangely.
Olivia has concocted a plan with her friends to make Phin break off the engagement. If he wants a proper and ladylike bride, then Olivia must be everything but. She's been brought up knowing all the rules that mustn't be broken and has never stepped a toe out of line before. This has brought her nothing but scorn, ugly nicknames and now a very unwanted, possibly murderous fiancee. She starts behaving as scandalously as she can - wearing excessive amounts of makeup, getting drunk in public, dancing with rakes and scoundrels and generally trying to cause scenes (she's not very good at it).
Phin (who of course is the handsome man she met that magical night) is puzzled by the erratic behaviour of Lady Olivia. He can't deny the attraction he felt for her that first night, and even at her worst, Olivia can't come close to causing the sort of scandals his first wife inspired. The more outrageously Olivia acts, the more determined he is to go through with the marriage.
While Olivia doesn't know that Phin isn't a crazy murderer, the readers are of course privy to his POV and fully aware that he's not as dangerous as the rumours would have it. A big old science nerd, he's actually quite dreadfully clueless around women, and tries to take courtship advice from his more wordly (but moronic) friend, with the results that Olivia isn't just afraid of him, but thinks he's a dolt as well. The only thing their relationship has going for it is that first brief meeting when their glances caught across a crowded room and they shared a brief moment, until some of the catty ladies of the ton came to interrupt before anything significant could happen. The undeniable chemistry between them then is what makes Phin determined to win Olivia, and makes her unsure of whether he can be as bad as his reputation suggests.
Brought up to do only what is right and proper for a young lady, Olivia has never been given the opportunity to actually decide what she likes or wants from life, and her attempts at acting out go rather badly, because there is a reason she and her friends are dubbed "London's Least Likely". In one last-ditch attempt to rebel, Olivia goes to a masquerade, where she is rescued from a near-assault by none other than her (obviously masked) fiancee. Overwhelmed by everything that's happened since she became engaged against her will, she breaks down in his arms, and speaks honestly of her hopes and fears. Phin, to his credit, realises how dumb he has been and determines to treat his bride better, encouraging her to forge her own way and make her own choices once they are married.
He does not, however, tell her the truth behind the lurid gossip surrounding his first wife's death for quite some time, creating one of those frustrating misunderstandings that seems to be so common in romance. Of course things improve immensely between the couple once the full story is out, just in time for Olivia to injure herself badly, making Phin realise his feelings for her now that he might suddenly lose her.
Which brings me to my biggest gripe with this book. In addition to the "let's act all mad-cap and crazy to put off my fiancee" section that goes on a bit too long, this book has one of the most unbelievable deflowering scenes I've ever come across. Now, I may be extra critical, reading this book shortly after I myself fell on the ice and broke my left wrist quite badly. Nonetheless, I'm literally painfully aware of how much this hurts, and how sore and unwieldy a broken limb is, for up to a week after the injury. Even with the benefit of modern painkillers, I really didn't want to use my left arm for much of anything. Olivia breaks her ankle in an accident, yet seems perfectly able to consummate her marriage only a day or two afterwards. I don't care what superhuman erotic abilities "the Mad Baron" possesses, there is NO way that she would happily be spreading her legs and engaging in carnal acts so shortly after breaking a limb. As far as I'm aware, the most common painkiller in the Regency era would have been laudanum. Olivia would therefore either be more or less passed out in a morphine haze or in absolute agony if someone tried to move make her "open her legs".
Now, if you don't have the painful real life experience of breaking a limb fresh in your mind, this might not be a deal breaker for you. This book had a lot of potential, and I liked it better than the first book in the series, but there still wasn't anything out of the ordinary to make me consider Maya Rodale as an essential romance writer whose books I'll be looking out for or pre-ordering.
Crossposted on Cannonball Read.
Tuesday, 15 December 2015
#CBR7 Book 136: "The Alloy of Law" by Brandon Sanderson
Page count: 392 pages
Rating: 4 stars
In helping me establish some of the background for the plot of this book, here is the Goodreads summary:
In the three hundred years since the events of the Mistborn trilogy, science and technology have marched on. Scadrial is now on the verge of modernity, with railroads, electric lighting, and even the first steel-framed skyscrapers racing for the clouds.
Even with these advances, the magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands, known as the Roughs, they are crucial tools for those trying to establish order and justice.
One is Waxillium Ladrian, a rare Twinborn who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax must now put away his guns and assume the duties incumbent upon the head of a noble house - until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs.
So our hero is Wax, or the ridiculously monikered Lord Waxillium Ladrian, who has to leave his position as a lawkeeper in the Wild West-like areas of the Roughs. While he is a legend with his guns, and his Allomancy, a personal tragedy has made him wary of using his skills anymore and since propriety seems to demand that the High Lord of a noble house don't run around catching common criminals, he instead tries to figure out what to do to make the House of Ladrian slightly more solvent. The answer appears to a marriage alliance to someone with a generous dowry, and the lady Steris appears to fit the bill. Unfortunately, at their first public appearance together, she gets abducted by the Vanishers, the band of robbers/kidnappers who have been plaguing the city, stealing train loads of metals and taking women of good families as hostages.
Wax, his former partner Wayne (who is hilarious) and lady Steris' country cousin (in reality her illegitimate sister) Lady Marasi, an unobtrusive and quietly clever university student, team up to track down the Vanishers, rescue Steris and hopefully the other missing ladies as well.
It's been a fair few years since I read the original Mistborn trilogy (or any Sanderson really) and while I wouldn't recommend reading this book without first having read the other three books, I didn't feel too confused about the world building and the magic system, even though I hadn't re-read. This is partially because Sanderson has let three hundred years pass since his original trilogy, so while that was set in a sort of fantasy Renaissance, this is set in a sort of 19th Century developing technology world, with the same rules of physics and inherent magics. Sanderson is famously excellent at world building, and this series is no exception. While the book started a bit slowly and I was unsure of Wax as a protagonist, I got more engaged as his buddy Wayne showed up and they decided to actually solve some crime instead of Wax just trying and failing to be a stuffy society lord.
As a team, Wax, Wayne and Lady Marasi are a lot of fun. There is clearly romantic tension being set up between Wax and Marasi, which I'm hoping develops into something more in later books. While Wax is mourning, and believes himself to be too old for Marasi (plus there's the whole matter of him possibly entering a marriage of convenience with her rich half-sister), I have faith that she'll make him see sense. Poor Steris doesn't get to do much more than be girl hostage in this book, but despite her strange, stiff demeanour, I have faith that she too will turn out to be an interesting side character.
There are going to be two more books in this second trilogy in Sanderson's Mistborn universe. The second one is already out and the third book comes out early next year. I may wait a little while to read the second, so I can jump straight into the third without having to wait. Having taken quite a break from the books of the terrifyingly prolific Mr. Sanderson, I think I'm ready to have him wow me again.
Crossposted on Cannonball Read.
Rating: 4 stars
In helping me establish some of the background for the plot of this book, here is the Goodreads summary:
In the three hundred years since the events of the Mistborn trilogy, science and technology have marched on. Scadrial is now on the verge of modernity, with railroads, electric lighting, and even the first steel-framed skyscrapers racing for the clouds.
Even with these advances, the magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands, known as the Roughs, they are crucial tools for those trying to establish order and justice.
One is Waxillium Ladrian, a rare Twinborn who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax must now put away his guns and assume the duties incumbent upon the head of a noble house - until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs.
So our hero is Wax, or the ridiculously monikered Lord Waxillium Ladrian, who has to leave his position as a lawkeeper in the Wild West-like areas of the Roughs. While he is a legend with his guns, and his Allomancy, a personal tragedy has made him wary of using his skills anymore and since propriety seems to demand that the High Lord of a noble house don't run around catching common criminals, he instead tries to figure out what to do to make the House of Ladrian slightly more solvent. The answer appears to a marriage alliance to someone with a generous dowry, and the lady Steris appears to fit the bill. Unfortunately, at their first public appearance together, she gets abducted by the Vanishers, the band of robbers/kidnappers who have been plaguing the city, stealing train loads of metals and taking women of good families as hostages.
Wax, his former partner Wayne (who is hilarious) and lady Steris' country cousin (in reality her illegitimate sister) Lady Marasi, an unobtrusive and quietly clever university student, team up to track down the Vanishers, rescue Steris and hopefully the other missing ladies as well.
It's been a fair few years since I read the original Mistborn trilogy (or any Sanderson really) and while I wouldn't recommend reading this book without first having read the other three books, I didn't feel too confused about the world building and the magic system, even though I hadn't re-read. This is partially because Sanderson has let three hundred years pass since his original trilogy, so while that was set in a sort of fantasy Renaissance, this is set in a sort of 19th Century developing technology world, with the same rules of physics and inherent magics. Sanderson is famously excellent at world building, and this series is no exception. While the book started a bit slowly and I was unsure of Wax as a protagonist, I got more engaged as his buddy Wayne showed up and they decided to actually solve some crime instead of Wax just trying and failing to be a stuffy society lord.
As a team, Wax, Wayne and Lady Marasi are a lot of fun. There is clearly romantic tension being set up between Wax and Marasi, which I'm hoping develops into something more in later books. While Wax is mourning, and believes himself to be too old for Marasi (plus there's the whole matter of him possibly entering a marriage of convenience with her rich half-sister), I have faith that she'll make him see sense. Poor Steris doesn't get to do much more than be girl hostage in this book, but despite her strange, stiff demeanour, I have faith that she too will turn out to be an interesting side character.
There are going to be two more books in this second trilogy in Sanderson's Mistborn universe. The second one is already out and the third book comes out early next year. I may wait a little while to read the second, so I can jump straight into the third without having to wait. Having taken quite a break from the books of the terrifyingly prolific Mr. Sanderson, I think I'm ready to have him wow me again.
Crossposted on Cannonball Read.
Labels:
#CBR7,
4 stars,
Brandon Sanderson,
epic,
fantasy,
Hist Fic 15,
Lucky 15,
Many Books 15,
Mistborn,
Motif 15,
TBR Pile 15,
The Alloy of Law,
Wax and Wayne
Monday, 14 December 2015
#CBR7 Book 135: "Macbeth" by William Shakespeare
Page count: Don't know, read it online
Rating: 4 stars
Just to be clear, I am not going to include any spoiler warnings for this play, since it's somewhere between 406-416 years old (sources seem to disagree exactly when it was written). If, for some reason, you're worried about having major plot points or deaths (there's a whole bunch, guys) ruined for you, then it's probably best that you skip this review entirely.
So Macbeth or the Scottish play. Despite having English lit as my minor at university, and Scottish history as part of my major, I had never actually read the play until now. The new movie version with my future husband, Michael Fassbender, in the title role, comes out here at Christmas, so I wanted to have read the source text before going to see it. I knew most of the major plot beats, because well, I haven't lived in a cave for most of my life. The story is quite frequently referenced in pop culture. One of my favourite references may be the Lancre witches in Terry Pratchett's Discworld.
For those of you who may be fuzzy on the details (but are still here because you don't mind being spoiled about something that's 400+ years old) - Macbeth is a trusted Scottish general, whose forces have just beaten Ireland and Norway at the beginning of the play. On his way from the battlefield, accompanied by fellow general Banquo, the men come across three witches. They hail Macbeth as "thane of Glamis, thane of Cawdor and he who will be King hereafter." They also claim that Banquo's descendants will sit on the Scottish throne. The men disregard the prophecies, until they meet King Duncan, who pleased and grateful, does reward Macbeth with the thaneship of Cawdor. The previous thane was convicted of treason and will be executed.
Since two out of three parts of the witches' prophecy have come true, the ambitious Macbeth can't get their words out of his head. When he confides in his lady wife, she's pretty clear that they're going to have to off the king to ensure Macbeth becomes king of Scotland. As Duncan and his men will be staying at Macbeth's castle in Inverness, they'll have the perfect opportunity. Getting his personal guard dead drunk, Macbeth murders the king and blames Duncan's drunken bodyguards. He then has them put to death before they can deny their guilt.
To secure his place on the throne, Macbeth can't just kill the king, of course. Luckily for him, Duncan's two sons flee and can therefore be framed for the murder. Of course, Banquo heard the witches' prophecy and might suspect the truth, plus there was that pesky foretelling that Banquo's heirs would at some point take the throne. So Macbeth sends assassins after his old friend. Banquo's son escapes and Banquo's ghost shows up in the throne room to freak out his former buddy.
As he gets more unstable, unhinged and murderous, Macbeth doesn't exactly gain loyal followers. He feels slightly safer after new prophecies from the witches, claiming "no one born of woman" can harm him. He warned about Macduff, the thane of Fife, though, who was one of Duncan's loyal men. Sending assassins to murder the man's wife and entire family certainly ensures his enmity for life.
As the previously formidable and ruthless Lady Macbeth is driven completely mad with guilt and ends her life, Macbeth keep making deeply questionable choices. Macduff and Malcolm, Duncan's son and heir, gather an army to fight him. Turns out that Macduff was "from his mother's womb untimely ripped" and hence can totally kill the power mad tyrant Macbeth has become.
While I may have studied English literature, there are a lot of Shakespeare's plays I've just never gotten round to reading. Macbeth is probably the most famous of the tragedies I still had on my TBR list. The plot didn't really hold any surprises for me, but there were a lot of famous lines and quotations throughout that I hadn't realised was from this specific play.
Not just had I never read the play, I've never seen any of the film versions either. Not the Japanese Throne of Blood or Polanski's adaptation from 70s. I haven't actually read any reviews of the new adaptation, starring Fassbender as Macbeth and Marion Cotillard as his lady. I have heard that apparently they've sidelined Lady Macbeth somewhat, which seems like a moronic choice, as Lady Macbeth clearly is the coolest character in the play. Blood-thirsty, murderously ambitious and utterly ruthless, yes, but much more impressive than any of the male characters. Cinema tickets are pricy nowadays and I won't fork out to see the film in the theatres if it's only going to be of middling quality. Having finally read the play, I can at least have an educated opinion about whatever choices they've made in adapting it.
Crossposted on Cannonball Read.
Rating: 4 stars
Just to be clear, I am not going to include any spoiler warnings for this play, since it's somewhere between 406-416 years old (sources seem to disagree exactly when it was written). If, for some reason, you're worried about having major plot points or deaths (there's a whole bunch, guys) ruined for you, then it's probably best that you skip this review entirely.
So Macbeth or the Scottish play. Despite having English lit as my minor at university, and Scottish history as part of my major, I had never actually read the play until now. The new movie version with my future husband, Michael Fassbender, in the title role, comes out here at Christmas, so I wanted to have read the source text before going to see it. I knew most of the major plot beats, because well, I haven't lived in a cave for most of my life. The story is quite frequently referenced in pop culture. One of my favourite references may be the Lancre witches in Terry Pratchett's Discworld.
For those of you who may be fuzzy on the details (but are still here because you don't mind being spoiled about something that's 400+ years old) - Macbeth is a trusted Scottish general, whose forces have just beaten Ireland and Norway at the beginning of the play. On his way from the battlefield, accompanied by fellow general Banquo, the men come across three witches. They hail Macbeth as "thane of Glamis, thane of Cawdor and he who will be King hereafter." They also claim that Banquo's descendants will sit on the Scottish throne. The men disregard the prophecies, until they meet King Duncan, who pleased and grateful, does reward Macbeth with the thaneship of Cawdor. The previous thane was convicted of treason and will be executed.
Since two out of three parts of the witches' prophecy have come true, the ambitious Macbeth can't get their words out of his head. When he confides in his lady wife, she's pretty clear that they're going to have to off the king to ensure Macbeth becomes king of Scotland. As Duncan and his men will be staying at Macbeth's castle in Inverness, they'll have the perfect opportunity. Getting his personal guard dead drunk, Macbeth murders the king and blames Duncan's drunken bodyguards. He then has them put to death before they can deny their guilt.
To secure his place on the throne, Macbeth can't just kill the king, of course. Luckily for him, Duncan's two sons flee and can therefore be framed for the murder. Of course, Banquo heard the witches' prophecy and might suspect the truth, plus there was that pesky foretelling that Banquo's heirs would at some point take the throne. So Macbeth sends assassins after his old friend. Banquo's son escapes and Banquo's ghost shows up in the throne room to freak out his former buddy.
As he gets more unstable, unhinged and murderous, Macbeth doesn't exactly gain loyal followers. He feels slightly safer after new prophecies from the witches, claiming "no one born of woman" can harm him. He warned about Macduff, the thane of Fife, though, who was one of Duncan's loyal men. Sending assassins to murder the man's wife and entire family certainly ensures his enmity for life.
As the previously formidable and ruthless Lady Macbeth is driven completely mad with guilt and ends her life, Macbeth keep making deeply questionable choices. Macduff and Malcolm, Duncan's son and heir, gather an army to fight him. Turns out that Macduff was "from his mother's womb untimely ripped" and hence can totally kill the power mad tyrant Macbeth has become.
While I may have studied English literature, there are a lot of Shakespeare's plays I've just never gotten round to reading. Macbeth is probably the most famous of the tragedies I still had on my TBR list. The plot didn't really hold any surprises for me, but there were a lot of famous lines and quotations throughout that I hadn't realised was from this specific play.
Not just had I never read the play, I've never seen any of the film versions either. Not the Japanese Throne of Blood or Polanski's adaptation from 70s. I haven't actually read any reviews of the new adaptation, starring Fassbender as Macbeth and Marion Cotillard as his lady. I have heard that apparently they've sidelined Lady Macbeth somewhat, which seems like a moronic choice, as Lady Macbeth clearly is the coolest character in the play. Blood-thirsty, murderously ambitious and utterly ruthless, yes, but much more impressive than any of the male characters. Cinema tickets are pricy nowadays and I won't fork out to see the film in the theatres if it's only going to be of middling quality. Having finally read the play, I can at least have an educated opinion about whatever choices they've made in adapting it.
Crossposted on Cannonball Read.
Monday, 30 November 2015
#CBR7 Book 127: "A Room with a View" by E.M. Forster
Page count: 211 pages
Audio book length: 7 hrs 22 mins
Rating: 3.5 stars
Sometime in the first decade of the 20th Century, young Miss Lucy Honeychurch is in Florence with her older, constantly worrying cousin Charlotte Bartlett as companion and chaperone. When they discover that the rooms they've been assigned have no nice view, Lucy is disappointed. An older gentleman, Mr. Emerson, offers to trade them, as the rooms he and his son were given have lovely views. "Ladies care about that sort of thing, men do not". Miss Bartlett is worried about the impropriety of the trade, that accepting the rooms may leave them in debt to these strangers, but is convinced by other guests, and Lucy gets her view.
During her stay in Italy, Lucy discovers art and architecture and when she manages to escape the overbearing presence of her cousin, she quite enjoys herself. Luckily, Charlotte makes friends with the vaguely ridiculous lady novelist, Eleanor Lavish, so seems a bit distracted much of the time. Lucy has several encounters with the Emersons, who seem to have fairly radical notions for the time, both of social and gender equality. George, the son, seems to be of a rather gloomy and melancholy disposition, but the father is always cheerful and friendly.
While on one of her rambles, Lucy witnesses a man being stabbed to death in square, swoons and wakes up in the arms of young George Emerson. Later, during an outing in the Florentine countryside, George kisses Lucy on a hillside covered in violets, but they are interrupted by a shocked Charlotte before anything else can happen. Miss Bartless whisks her charge off to Rome before anything else untoward can happen, and Lucy and George don't see each other again.
Several months later, back in England, Lucy accepts the marriage proposal of Mr. Cecil Vyse, the third time he asks her for her hand (the first having been in Rome and the second in the Alps). Lucy's brother Freddy is none too happy about this turn of events, as he finds Cecil a stuffy and pretentious bore, but Mrs. Honeychurch is pleased for her daughter, as the Vyses are in a more rarefied social circle than the Honeychurches. Lucy's future looks set to be predictable, respectable and rather dull, with her thoughts, tastes and opinions carefully curated by her future husband. Then the Emersons unexpectedly let a house in the neighbourhood and Lucy is suddenly torn as to what she really wants.
I loved the 1985 Merchant Ivory film version of A Room with a View, with Helena Bonham Carter as Lucy, Julian Sands as George, Maggie Smith as Charlotte Bartlett and Daniel Day-Lewis at his most pompous as Cecil. At least I did when I saw it, many years ago. It's a visually stunning film and seemed ever so romantic, despite the slow pacing. I had never read the book, so when my Monthly Motif Challenge for November called for a book written before 2000, this seemed like a good opportunity. Sadly, while I'm sure it deserves its position as a literary classic and most likely brilliantly skewers the stuffy ideals of Edwardian society, I was hoping for more of a stirring romance and was quite disappointed, and bored by the book.
There are very few encounters between Lucy and George at all, and to make matters worse, later in the novel, when the kiss in Florence is discussed between Lucy and Charlotte, it seems to suggest that George only kissed Lucy on the cheek. I honestly don't see why this would cause such terrible consternation, with the event being brought up again and again over the course of the book. Charlotte just cannot leave the event well enough alone and even gossipped about it to Eleanor Lavish, who stole it and put it in her next lurid novel, also set in Italy. That a reading from said novel prompts George to kiss Lucy again, this time in a shrubbery, elicited a lot less excitement when there was the possibility that he may just have pecked her on the cheek again.
Of Lucy's suitors, Cecil is clearly the worst (in every sense of the word), although it is clear that that is exactly what Forster is going for. George isn't that much of an appealing catch either, mainly morosely slouching through beautiful Florence having to have his father plead his case for him with Lucy. He doesn't really put up that much of a spirited competition once he returns on the scene in England either, except the aforementioned shrubbery kiss and to exclaim in disgust that Lucy actually wants to marry pompous prig Cecil.
Not that Lucy is all that much to cheer for either. She's a bit wet, really. She does have the excuse of being a young woman in a time and society that didn't exactly value brains, independence or pluck in females. Her visit to Italy clearly starts her down the path of thinking for herself, until returning to England makes her believe she'd be better off just conforming. All the while, her most prominent character trait seems to be that she's a skilled pianist and her fondness for Beethoven seems to symbolise the hidden passions that might be unleashed, should only the right person come along. I only wish that Forster had shown me that George actually had anything worth stirring that passion in him.
I'm now actually afraid to go back and re-watch the film, in case I just imagined all the smouldering romance of it. I'm sure this is a very good book, but it is not at all what I was expecting, and hence I cannot rate it higher than I have. Your mileage may vary.
Crossposted on Cannonball Read.
Audio book length: 7 hrs 22 mins
Rating: 3.5 stars
Sometime in the first decade of the 20th Century, young Miss Lucy Honeychurch is in Florence with her older, constantly worrying cousin Charlotte Bartlett as companion and chaperone. When they discover that the rooms they've been assigned have no nice view, Lucy is disappointed. An older gentleman, Mr. Emerson, offers to trade them, as the rooms he and his son were given have lovely views. "Ladies care about that sort of thing, men do not". Miss Bartlett is worried about the impropriety of the trade, that accepting the rooms may leave them in debt to these strangers, but is convinced by other guests, and Lucy gets her view.
During her stay in Italy, Lucy discovers art and architecture and when she manages to escape the overbearing presence of her cousin, she quite enjoys herself. Luckily, Charlotte makes friends with the vaguely ridiculous lady novelist, Eleanor Lavish, so seems a bit distracted much of the time. Lucy has several encounters with the Emersons, who seem to have fairly radical notions for the time, both of social and gender equality. George, the son, seems to be of a rather gloomy and melancholy disposition, but the father is always cheerful and friendly.
While on one of her rambles, Lucy witnesses a man being stabbed to death in square, swoons and wakes up in the arms of young George Emerson. Later, during an outing in the Florentine countryside, George kisses Lucy on a hillside covered in violets, but they are interrupted by a shocked Charlotte before anything else can happen. Miss Bartless whisks her charge off to Rome before anything else untoward can happen, and Lucy and George don't see each other again.
Several months later, back in England, Lucy accepts the marriage proposal of Mr. Cecil Vyse, the third time he asks her for her hand (the first having been in Rome and the second in the Alps). Lucy's brother Freddy is none too happy about this turn of events, as he finds Cecil a stuffy and pretentious bore, but Mrs. Honeychurch is pleased for her daughter, as the Vyses are in a more rarefied social circle than the Honeychurches. Lucy's future looks set to be predictable, respectable and rather dull, with her thoughts, tastes and opinions carefully curated by her future husband. Then the Emersons unexpectedly let a house in the neighbourhood and Lucy is suddenly torn as to what she really wants.
I loved the 1985 Merchant Ivory film version of A Room with a View, with Helena Bonham Carter as Lucy, Julian Sands as George, Maggie Smith as Charlotte Bartlett and Daniel Day-Lewis at his most pompous as Cecil. At least I did when I saw it, many years ago. It's a visually stunning film and seemed ever so romantic, despite the slow pacing. I had never read the book, so when my Monthly Motif Challenge for November called for a book written before 2000, this seemed like a good opportunity. Sadly, while I'm sure it deserves its position as a literary classic and most likely brilliantly skewers the stuffy ideals of Edwardian society, I was hoping for more of a stirring romance and was quite disappointed, and bored by the book.
There are very few encounters between Lucy and George at all, and to make matters worse, later in the novel, when the kiss in Florence is discussed between Lucy and Charlotte, it seems to suggest that George only kissed Lucy on the cheek. I honestly don't see why this would cause such terrible consternation, with the event being brought up again and again over the course of the book. Charlotte just cannot leave the event well enough alone and even gossipped about it to Eleanor Lavish, who stole it and put it in her next lurid novel, also set in Italy. That a reading from said novel prompts George to kiss Lucy again, this time in a shrubbery, elicited a lot less excitement when there was the possibility that he may just have pecked her on the cheek again.
Of Lucy's suitors, Cecil is clearly the worst (in every sense of the word), although it is clear that that is exactly what Forster is going for. George isn't that much of an appealing catch either, mainly morosely slouching through beautiful Florence having to have his father plead his case for him with Lucy. He doesn't really put up that much of a spirited competition once he returns on the scene in England either, except the aforementioned shrubbery kiss and to exclaim in disgust that Lucy actually wants to marry pompous prig Cecil.
Not that Lucy is all that much to cheer for either. She's a bit wet, really. She does have the excuse of being a young woman in a time and society that didn't exactly value brains, independence or pluck in females. Her visit to Italy clearly starts her down the path of thinking for herself, until returning to England makes her believe she'd be better off just conforming. All the while, her most prominent character trait seems to be that she's a skilled pianist and her fondness for Beethoven seems to symbolise the hidden passions that might be unleashed, should only the right person come along. I only wish that Forster had shown me that George actually had anything worth stirring that passion in him.
I'm now actually afraid to go back and re-watch the film, in case I just imagined all the smouldering romance of it. I'm sure this is a very good book, but it is not at all what I was expecting, and hence I cannot rate it higher than I have. Your mileage may vary.
Crossposted on Cannonball Read.
Sunday, 15 November 2015
#CBR7 Books 116-117: "Rat Queens, vol 1 and 2" by Kurtis J. Weibe and Roc Upchurch
Total page count: 256 pages
Rating: 4.5 stars
Rat Queens, volume 1: Sass and Sorcery
Rat Queens, volume 2: The Far Reaching Tentacles of N'rygoth
Meet the fierce and fearsome ladies of the Rat Queens, although calling them ladies is probably to exaggerate. There's Hannah the Elven Mage, whose parents are both necromancers; Violet the Hipster Dwarven Fighter, who shaved her beard off and left her family because she wanted to brawl; Dee the Atheist Human Cleric, whose family are Cultists of the giant Squid God of N'Rygoth and last, and while least in size, by no means any less formidable, Betty the Smidgen Thief, frequently drugged to her eye balls on sugar or hallucinogens. What's a Smidgen, you ask? As far as I can tell, some sort of fantasy mix of a midget and a hobbit.
The four members of the Rat Queens are only one of the bands of adventurers/mercenaries (the others include the very Gothy Obsidian Darkness, another band of lady-dominated fighters, the Peaches, and the Four Daves (my favourite group name!)) in the town of Palisade. At the start of Sass and Sorcery, they are in the town jail, after yet another destructive bar brawl, and Sawyer, the captain of the City Watch (and occasional fuck buddy of Hannah) has an ultimatum from the Mayor for all of them. The various bands can go off and perform the quests assigned, or be banished from the town forever. The Rat Queens are told to rid a nearby cave of goblins and reluctantly agree. Turns out, the missions are traps, with each of the groups ambushed and attacked by one of the dark, ninja-like warriors from the Black Khali. Few of bands make it back intact, but the Rat Queens will not be stopped, by goblins or legendary fighters.
They try to investigate who might be behind the assassinations, but have to join forces with the other surviving adventurers to defend Palisade from a horde of vengeful goblins. Once the battle and subsequent victory celebrations are over, Dee discovers that ninja assassins may be the least of their problems, however.
In The Far Reaching Tentacles of N'Rygoth the readers are given more back story into each of the Rat Queens, and they face a much bigger threat than a horde of goblins or some Black Khali assassins. Someone has a serious grudge against Sawyer, the captain of the City Watch, and is not afraid to summon some truly dark powers to get even. Dee is visited by an individual from her past, come to tell her that the ceremonial Death Mask of the High Priest of N'Rygoth has been stolen. In the wrong hands, it can unleash murder, madness, chaos and horrible tentacled monsters in the skies. The Rat Queens and the other warriors in Palisade have to band together to fight against unspeakable horrors, before their town is completely destroyed.
Rat Queens is a great comic, full of violence, adventure, sex, humour and swearing. The protagonists are fast-talking, foul-mouthed, hard-hitting and great friends. Not only is this comic very diverse, I would be surprised if it didn't pass the Bechdel test in every issue. I was given the first volume as a Christmas present by my husband, but didn't get round to reading it until a while after volume 2 came out. I highly recommend it to anyone who likes fantasy, role-playing games, adventure or just good comics.
Crossposted on Cannonball Read.
Rating: 4.5 stars
Rat Queens, volume 1: Sass and Sorcery
Rat Queens, volume 2: The Far Reaching Tentacles of N'rygoth
Meet the fierce and fearsome ladies of the Rat Queens, although calling them ladies is probably to exaggerate. There's Hannah the Elven Mage, whose parents are both necromancers; Violet the Hipster Dwarven Fighter, who shaved her beard off and left her family because she wanted to brawl; Dee the Atheist Human Cleric, whose family are Cultists of the giant Squid God of N'Rygoth and last, and while least in size, by no means any less formidable, Betty the Smidgen Thief, frequently drugged to her eye balls on sugar or hallucinogens. What's a Smidgen, you ask? As far as I can tell, some sort of fantasy mix of a midget and a hobbit.
The four members of the Rat Queens are only one of the bands of adventurers/mercenaries (the others include the very Gothy Obsidian Darkness, another band of lady-dominated fighters, the Peaches, and the Four Daves (my favourite group name!)) in the town of Palisade. At the start of Sass and Sorcery, they are in the town jail, after yet another destructive bar brawl, and Sawyer, the captain of the City Watch (and occasional fuck buddy of Hannah) has an ultimatum from the Mayor for all of them. The various bands can go off and perform the quests assigned, or be banished from the town forever. The Rat Queens are told to rid a nearby cave of goblins and reluctantly agree. Turns out, the missions are traps, with each of the groups ambushed and attacked by one of the dark, ninja-like warriors from the Black Khali. Few of bands make it back intact, but the Rat Queens will not be stopped, by goblins or legendary fighters.
They try to investigate who might be behind the assassinations, but have to join forces with the other surviving adventurers to defend Palisade from a horde of vengeful goblins. Once the battle and subsequent victory celebrations are over, Dee discovers that ninja assassins may be the least of their problems, however.
In The Far Reaching Tentacles of N'Rygoth the readers are given more back story into each of the Rat Queens, and they face a much bigger threat than a horde of goblins or some Black Khali assassins. Someone has a serious grudge against Sawyer, the captain of the City Watch, and is not afraid to summon some truly dark powers to get even. Dee is visited by an individual from her past, come to tell her that the ceremonial Death Mask of the High Priest of N'Rygoth has been stolen. In the wrong hands, it can unleash murder, madness, chaos and horrible tentacled monsters in the skies. The Rat Queens and the other warriors in Palisade have to band together to fight against unspeakable horrors, before their town is completely destroyed.
Rat Queens is a great comic, full of violence, adventure, sex, humour and swearing. The protagonists are fast-talking, foul-mouthed, hard-hitting and great friends. Not only is this comic very diverse, I would be surprised if it didn't pass the Bechdel test in every issue. I was given the first volume as a Christmas present by my husband, but didn't get round to reading it until a while after volume 2 came out. I highly recommend it to anyone who likes fantasy, role-playing games, adventure or just good comics.
Crossposted on Cannonball Read.
Monday, 26 October 2015
#CBR7 Book 113: "Nimona" by Noelle Stevenson
Page count: 272 pages
Rating: 4.5 stars
Because I have a lot of reviews to catch up on, thanks to my clumsiness which caused my brain to get rattled and shook up, I'm once again resorting to plot summary via Goodreads:
Nimona is an impulsive young shapeshifter with a knack for villainy. Lord Ballister Blackheart is a villain with a vendetta. As sidekick and supervillain, Nimona and Lord Blackheart are about to wreak some serious havoc. Their mission: to prove to the kingdom that Sir Ambrosius Goldenloin and his buddies at the Institution of Law Enforcement and Heroics aren't the heroes everyone thinks they are.
But as small acts of mischief escalate into a vicious battle, Lord Blackheart realises that Nimona's powers are as murky and mysterious as her past. And her unpredictable wild side might be more dangerous than he's willing to admit.
Unlike a lot of other talented reviewers who have already written about this comic, I haven't read this as a web comic, or read Lumberjanes, the other comic that Noelle Stevenson co-writes and illustrates. My only real association with her was the lovely cover illustration and fan art she did for Rainbow Rowell's Fangirl. So many people raved enthusiastically about this comic, though, and I finally decided to treat myself to it during the October 2015 Read-a-thon, when I was mostly forced to resort to audiobooks due to my concussion. I was able to read graphic novels in small doses at a time, though.
Nimona is set in a fantasy kingdom where both Lord Ballister Blackheart and Sir Ambrosius Goldenloin grew up at the Institute. After Lord Blackheart lost his arm in a joust against Sir Goldenloin, he pretty naturally fell into the role of scientific-minded arch-villain and nemesis to his former friend. He's really not looking for a sidekick, but the persistent Nimona won't really take no for an answer, and it's hard to deny that her shapeshifting abilities come in handy in his attempts to uncover the Institute's unethical practices. That she easily loses control of a situation and frequently acts without thinking, causing much more damage than planned is a complication, though.
Nimona's origins and background are unknown and she doesn't take kindly to any attempts to dig into her backstory. It's clear that there are reasons for her impulse control issues and why she has a hard time trusting or forming lasting connections with people.
Both the art and the story is delightful, and I blazed through the whole volume in less than an hour. The only thing keeping me from giving it a full five stars is that I wanted a bit more closure towards the end, which I felt was unsatifyingly open-ended. I can highly recommend it, though, and will look for other things written by Ms. Stevenson in the future.
Crossposted on Cannonball Read.
Rating: 4.5 stars
Because I have a lot of reviews to catch up on, thanks to my clumsiness which caused my brain to get rattled and shook up, I'm once again resorting to plot summary via Goodreads:
Nimona is an impulsive young shapeshifter with a knack for villainy. Lord Ballister Blackheart is a villain with a vendetta. As sidekick and supervillain, Nimona and Lord Blackheart are about to wreak some serious havoc. Their mission: to prove to the kingdom that Sir Ambrosius Goldenloin and his buddies at the Institution of Law Enforcement and Heroics aren't the heroes everyone thinks they are.
But as small acts of mischief escalate into a vicious battle, Lord Blackheart realises that Nimona's powers are as murky and mysterious as her past. And her unpredictable wild side might be more dangerous than he's willing to admit.
Unlike a lot of other talented reviewers who have already written about this comic, I haven't read this as a web comic, or read Lumberjanes, the other comic that Noelle Stevenson co-writes and illustrates. My only real association with her was the lovely cover illustration and fan art she did for Rainbow Rowell's Fangirl. So many people raved enthusiastically about this comic, though, and I finally decided to treat myself to it during the October 2015 Read-a-thon, when I was mostly forced to resort to audiobooks due to my concussion. I was able to read graphic novels in small doses at a time, though.
Nimona is set in a fantasy kingdom where both Lord Ballister Blackheart and Sir Ambrosius Goldenloin grew up at the Institute. After Lord Blackheart lost his arm in a joust against Sir Goldenloin, he pretty naturally fell into the role of scientific-minded arch-villain and nemesis to his former friend. He's really not looking for a sidekick, but the persistent Nimona won't really take no for an answer, and it's hard to deny that her shapeshifting abilities come in handy in his attempts to uncover the Institute's unethical practices. That she easily loses control of a situation and frequently acts without thinking, causing much more damage than planned is a complication, though.
Nimona's origins and background are unknown and she doesn't take kindly to any attempts to dig into her backstory. It's clear that there are reasons for her impulse control issues and why she has a hard time trusting or forming lasting connections with people.
Both the art and the story is delightful, and I blazed through the whole volume in less than an hour. The only thing keeping me from giving it a full five stars is that I wanted a bit more closure towards the end, which I felt was unsatifyingly open-ended. I can highly recommend it, though, and will look for other things written by Ms. Stevenson in the future.
Crossposted on Cannonball Read.
#CBR7 Book 112: "Joyland" by Stephen King
Page count: 288 pages
Rating: 4 stars
21-year-old college student Devin Jones gets a summer job at old-fashioned carnival and amusement park Joyland, trying to mend his broken heart, after his girlfriend left him for another. Working at Joyland, he's taught the ways of the experienced carnies, discovers his knack for entertaining children while "wearing the fur" of park mascot Howie the Hound, lays the foundation of some life-long friendships and discovers the legend of the genuinely haunted House of Horror, where a young woman in a blue dress and an alice band had her throat slit by a man she thought loved her. He also meets Mike, a seriously ill little boy with unusual abilites and Annie, Mike's sad and serious mother.
I honestly didn't know what to expect from Joyland and went into the book knowing little to nothing about the plot (which is exactly what Narfna, my book twin on the internet recommended). In my early teens I would almost compulsively take out Stephen King books from the library, reading them even though I didn't particularly like the way the horror novels affected me (I've only read Misery the one time, but it's still burned in my memory - and yes, I would have been all over the Misery books, they sound wonderfully cracktastic). At university, I read the first four books of King's Dark Tower saga, and was lucky enough to read the final books in the series only a few years later, unlike some, who waited decades for it to finish. While I was mostly disappointed with the final three, there is no denying that King is a great story teller.
This book is mostly a mystery with a hint of suspense. It's not a horror novel, but there are some supernatural elements. Mostly, it's a little slice of the early 1970s, a coming of age novel, depicting a summer in an inexperienced and heart-broken young man. It's also a quick read, which I would have blazed through if my brain hadn't been severely rattled by my untimely concussion, leaving me unable to read anything on paper or screen for about two weeks without getting a splitting headache and eventually blurred vision. The pulpy cover is lovely, and fits the story remarkably well.
Crossposted on Cannonball Read.
Rating: 4 stars
21-year-old college student Devin Jones gets a summer job at old-fashioned carnival and amusement park Joyland, trying to mend his broken heart, after his girlfriend left him for another. Working at Joyland, he's taught the ways of the experienced carnies, discovers his knack for entertaining children while "wearing the fur" of park mascot Howie the Hound, lays the foundation of some life-long friendships and discovers the legend of the genuinely haunted House of Horror, where a young woman in a blue dress and an alice band had her throat slit by a man she thought loved her. He also meets Mike, a seriously ill little boy with unusual abilites and Annie, Mike's sad and serious mother.
I honestly didn't know what to expect from Joyland and went into the book knowing little to nothing about the plot (which is exactly what Narfna, my book twin on the internet recommended). In my early teens I would almost compulsively take out Stephen King books from the library, reading them even though I didn't particularly like the way the horror novels affected me (I've only read Misery the one time, but it's still burned in my memory - and yes, I would have been all over the Misery books, they sound wonderfully cracktastic). At university, I read the first four books of King's Dark Tower saga, and was lucky enough to read the final books in the series only a few years later, unlike some, who waited decades for it to finish. While I was mostly disappointed with the final three, there is no denying that King is a great story teller.
This book is mostly a mystery with a hint of suspense. It's not a horror novel, but there are some supernatural elements. Mostly, it's a little slice of the early 1970s, a coming of age novel, depicting a summer in an inexperienced and heart-broken young man. It's also a quick read, which I would have blazed through if my brain hadn't been severely rattled by my untimely concussion, leaving me unable to read anything on paper or screen for about two weeks without getting a splitting headache and eventually blurred vision. The pulpy cover is lovely, and fits the story remarkably well.
Crossposted on Cannonball Read.
Labels:
#CBR7,
1970s,
4 stars,
alphabet soup 15,
coming of age,
ghosts,
historical fiction,
Joyland,
Motif 15,
mystery,
Stephen King,
suspense,
TBR Pile 15
Sunday, 25 October 2015
#CBR7 Book 108: "Carry On" by Rainbow Rowell
Page count: 529 pages
Audio book length: 13 hrs 42 mins
Rating: 5 stars
Oh, Carry On, how do I even begin to do you justice? I'll just have to muddle through and hope for the best.
Simon Snow is an orphan, forced to spend his summers in various group homes around Britain. The rest of the school year he spends at the Watford School of Magicks, where he's just returned for his very final year (but not before having to behead a goblin trying to kill him on the way there). Simon Snow is the Chosen One of wizardkind, but most of the time, he can't even perform basic spells. He's so full of magic and barely restrained anger that when he really lets go, things explode or catch fire. Sometimes both at once. He didn't ask to be the Chosen One, destined to save all of magic from the ever-growing threat of the Insidious Humdrum, a mysterious force wearing the face of his eleven-year-old self. He knows that he's unlikely to survive their final encounter.
His best friend, Penelope Bunce, is one of the best witches at the school and she does what she can to help Simon in every way. She worries about him when they are separated for the summer, and she tries to avoid thinking about what is likely to happen after they finish school. What she most wants to do is take Simon somewhere and get a little flat, far away from magical intrigue and his inevitable showdown with the Humdrum. Not that she fancies him in any way, a fact she wishes Simon's girlfriend would understand - she just wants to take care of him, like any loyal friend would.
Simon's girlfriend is Agatha Wellbelove, the prettiest, most graceful girl at Watford. She and Simon have been going out for the past three years, and Simon always spends Christmas with her family. She doesn't really particularly like magic, and would happily go to a normal school with her normal friends, and she certainly doesn't relish the fact that she risks being collateral damage every time the Humdrum sends something horrible to endanger Simon. And then there is Baz, Simon's darkly handsome and mysterious roommate (and sometimes nemesis), who intrigues her so. Not that her parents would be happy if she dumped the Chosen One for a Tory vampire.
Simon's mentor and the headmaster at Watford, the Mage, is barely present at the school, always off somewhere looking for new magical artifacts or texts to fight the constant dangers, but when he does return, he suggests Simon may want to leave Watford, and hide away somewhere. But Simon can't do that. Everything he knows and loves is there, and if he leaves, he won't be able to keep an eye on Baz, who for mysterious reasons hasn't returned for the fall term. Just before Simon and Penelope were magically whisked away by the Humdrum at the end of last term, Simon saw Baz and Agatha holding hands in the woods. Now Baz, the pompous and devious git, hasn't even returned to Watford. Simon is convinced he's plotting against himself and the Mage, and can't seem to eat or sleep properly, combing the grounds looking for him. What sort of nemesis just leaves?
Like a lot of others, I suspect I found the Simon Snow parts of Fangirl (both the "official" Gemma T. Leslie sections, and Cath's fan fiction) the least interesting part of the book, and when I listened to the audio book during my convalescence from concussion, I frequently skipped them. Yet I was intrigued when Rainbow Rowell, one of my favourite authors, said that she couldn't get Simon and Baz out of her head, and was writing a book about them. Not her fictional author Gemma T. Leslie's version, or her fictional fan Cath's extended fan fiction, but in a very meta way, a kind of fan fiction of her own previous creations.
I tried to avoid too many interviews, as I didn't want to get spoiled, but since I've loved every single thing she'd previously written, Rainbow Rowell writing YA fantasy was going to have to be pretty awful for me not to enjoy it. It turns out I was so eager for the book, I completely failed to realise that I pre-ordered the book TWICE - once on Amazon and once on Kobobooks. Because I am getting older, I can't actually stay up until the early hours of the morning reading, and then going to work to teach the young, so I wasn't able to finish the book until the day after I got it. Once I did, I had the biggest book hangover, though. I had fairly high expectations for the book, and it surpassed every single one.
To anyone who has ever read a Harry Potter book (or not lived in an isolated cave for the past few decades, because really, who hasn't heard of the Harry Potter universe?), the influence here is very obvious. Rainbow Rowell has said that she loves Chosen One stories, and wanted to explore what it meant to BE chosen in her own book. Of course any such individual in their right mind wouldn't exactly love that their ultimate fate is probably to fight and die to save the greater good. Simon tries very hard not to think too much of his time after Watford, as he is very unlikely to survive to see it.
There are so many clever references here, some calling back to Fangirl, but also a whole host of other YA literature, most obviously Twilight. Simon spent his entire fifth year trying to prove that Baz was a vampire, and his confrontation scene with his roommate had me laughing out loud. The ever-present YA love triangle is also present, but dealt with very deftly and the romantic tension in this book was the main reason I was so frustrated I couldn't actually stay awake long enough - I wanted to get to the kissing! It was all extremely worth it, though. I don't want to reveal how many times I may have re-read the chapters where the kissing first happens, but I read a lot of romance, and YA fiction rarely takes my breath away. It was pretty swoon-worthy, and my inner 14-year-old squeed.
If you've ever enjoyed any sort of book or film or TV show, where the Chosen One constantly ends up endangering his friends and/or family, is struggling with the fate of the world and the safety of humanity on his or her shoulders, where there is a love/hate-relationship between the protagonist and the love interest, you should read this book. I was practically glowing with happiness when I completed the book, and once the doctor decreed that I wasn't allowed to do anything more taxing with my brain than listen to audiobooks, I promptly got this (a book I'd already paid for twice, mind you), just so I could experience it again. Euan Morton does a good job with all the different accents and voices, but sounds a bit too old for all the teenage characters. Since I always listen to books on x1.25 or even x1.50, that wasn't a problem for me, and I can very much recommend it as a great listen.
It's always much harder to not just gush incoherently when reviewing a book you really love. This book completely blew me away, and will without a shadow of a doubt be high on my top 10 of 2015. If this is Rainbow Rowell's first attempt at fantasy, I can't imagine what she could do if she decided to play in the genre again some time.
Crossposted on Cannonball Read.
Audio book length: 13 hrs 42 mins
Rating: 5 stars
Oh, Carry On, how do I even begin to do you justice? I'll just have to muddle through and hope for the best.
Simon Snow is an orphan, forced to spend his summers in various group homes around Britain. The rest of the school year he spends at the Watford School of Magicks, where he's just returned for his very final year (but not before having to behead a goblin trying to kill him on the way there). Simon Snow is the Chosen One of wizardkind, but most of the time, he can't even perform basic spells. He's so full of magic and barely restrained anger that when he really lets go, things explode or catch fire. Sometimes both at once. He didn't ask to be the Chosen One, destined to save all of magic from the ever-growing threat of the Insidious Humdrum, a mysterious force wearing the face of his eleven-year-old self. He knows that he's unlikely to survive their final encounter.
His best friend, Penelope Bunce, is one of the best witches at the school and she does what she can to help Simon in every way. She worries about him when they are separated for the summer, and she tries to avoid thinking about what is likely to happen after they finish school. What she most wants to do is take Simon somewhere and get a little flat, far away from magical intrigue and his inevitable showdown with the Humdrum. Not that she fancies him in any way, a fact she wishes Simon's girlfriend would understand - she just wants to take care of him, like any loyal friend would.
Simon's girlfriend is Agatha Wellbelove, the prettiest, most graceful girl at Watford. She and Simon have been going out for the past three years, and Simon always spends Christmas with her family. She doesn't really particularly like magic, and would happily go to a normal school with her normal friends, and she certainly doesn't relish the fact that she risks being collateral damage every time the Humdrum sends something horrible to endanger Simon. And then there is Baz, Simon's darkly handsome and mysterious roommate (and sometimes nemesis), who intrigues her so. Not that her parents would be happy if she dumped the Chosen One for a Tory vampire.
Simon's mentor and the headmaster at Watford, the Mage, is barely present at the school, always off somewhere looking for new magical artifacts or texts to fight the constant dangers, but when he does return, he suggests Simon may want to leave Watford, and hide away somewhere. But Simon can't do that. Everything he knows and loves is there, and if he leaves, he won't be able to keep an eye on Baz, who for mysterious reasons hasn't returned for the fall term. Just before Simon and Penelope were magically whisked away by the Humdrum at the end of last term, Simon saw Baz and Agatha holding hands in the woods. Now Baz, the pompous and devious git, hasn't even returned to Watford. Simon is convinced he's plotting against himself and the Mage, and can't seem to eat or sleep properly, combing the grounds looking for him. What sort of nemesis just leaves?
Like a lot of others, I suspect I found the Simon Snow parts of Fangirl (both the "official" Gemma T. Leslie sections, and Cath's fan fiction) the least interesting part of the book, and when I listened to the audio book during my convalescence from concussion, I frequently skipped them. Yet I was intrigued when Rainbow Rowell, one of my favourite authors, said that she couldn't get Simon and Baz out of her head, and was writing a book about them. Not her fictional author Gemma T. Leslie's version, or her fictional fan Cath's extended fan fiction, but in a very meta way, a kind of fan fiction of her own previous creations.
I tried to avoid too many interviews, as I didn't want to get spoiled, but since I've loved every single thing she'd previously written, Rainbow Rowell writing YA fantasy was going to have to be pretty awful for me not to enjoy it. It turns out I was so eager for the book, I completely failed to realise that I pre-ordered the book TWICE - once on Amazon and once on Kobobooks. Because I am getting older, I can't actually stay up until the early hours of the morning reading, and then going to work to teach the young, so I wasn't able to finish the book until the day after I got it. Once I did, I had the biggest book hangover, though. I had fairly high expectations for the book, and it surpassed every single one.
To anyone who has ever read a Harry Potter book (or not lived in an isolated cave for the past few decades, because really, who hasn't heard of the Harry Potter universe?), the influence here is very obvious. Rainbow Rowell has said that she loves Chosen One stories, and wanted to explore what it meant to BE chosen in her own book. Of course any such individual in their right mind wouldn't exactly love that their ultimate fate is probably to fight and die to save the greater good. Simon tries very hard not to think too much of his time after Watford, as he is very unlikely to survive to see it.
There are so many clever references here, some calling back to Fangirl, but also a whole host of other YA literature, most obviously Twilight. Simon spent his entire fifth year trying to prove that Baz was a vampire, and his confrontation scene with his roommate had me laughing out loud. The ever-present YA love triangle is also present, but dealt with very deftly and the romantic tension in this book was the main reason I was so frustrated I couldn't actually stay awake long enough - I wanted to get to the kissing! It was all extremely worth it, though. I don't want to reveal how many times I may have re-read the chapters where the kissing first happens, but I read a lot of romance, and YA fiction rarely takes my breath away. It was pretty swoon-worthy, and my inner 14-year-old squeed.
If you've ever enjoyed any sort of book or film or TV show, where the Chosen One constantly ends up endangering his friends and/or family, is struggling with the fate of the world and the safety of humanity on his or her shoulders, where there is a love/hate-relationship between the protagonist and the love interest, you should read this book. I was practically glowing with happiness when I completed the book, and once the doctor decreed that I wasn't allowed to do anything more taxing with my brain than listen to audiobooks, I promptly got this (a book I'd already paid for twice, mind you), just so I could experience it again. Euan Morton does a good job with all the different accents and voices, but sounds a bit too old for all the teenage characters. Since I always listen to books on x1.25 or even x1.50, that wasn't a problem for me, and I can very much recommend it as a great listen.
It's always much harder to not just gush incoherently when reviewing a book you really love. This book completely blew me away, and will without a shadow of a doubt be high on my top 10 of 2015. If this is Rainbow Rowell's first attempt at fantasy, I can't imagine what she could do if she decided to play in the genre again some time.
Crossposted on Cannonball Read.
Labels:
#CBR7,
5 stars,
Animal 15,
Carry On,
Diversity 15,
fantasy,
LGBT,
magic,
Motif 15,
Rainbow Rowell,
vampires,
Women Writers 15,
young adult
#CBR7 Book 106: "Darlah - 172 timer på månen" (172 hours on the Moon) by Johan Harstad
Page count: 376 pages
Rating: 3 stars
NASA announces a historic lottery to help fund their new lunar expedition. Teens of between the ages 14 to 18 can sign up, and three lucky someones will be selected to train with the astronauts and come along on for a trip to the Moon. There is already a moon base they can stay at, DARLAH 2, established in the early 1970s for research and observation, but never actually used, for reasons the higher ups with the right security clearance would prefer not to answer. The same goes for questions about what the fate of DARLAH 1 was. There is an old, senile man in a quiet nursing home, who used to be a maintenence worker at Area 51. He sees the news broadcasts about the lottery and the upcoming lunar expedition and something inside him is screaming in terror. No one must return to the Moon, the lunar expedition is a terrible idea! Unfortunately, his illness is far enough advanced that he can't actually voice his thoughts and fears to anyone, and explain why another mission to the Moon may be disastrous.
The three teens who are selected are Mia from Norway, who plays in an all-girl post punk rock band, mainly acts stroppy towards her well-meaning parents. The only one she seems patient and nice to is her mentally disabled younger brother. She doesn't actually want to join the lottery, and is incredibly upset when she discovers that her parents signed her up. When it turns out that she's been picked out of the millions who signed up, her band mates are the ones to persuade her to finally go.
Antoine from Paris signs up for the lottery after his girlfriend dumps him and he wants to be anywhere else. He's very interested in historical planes, and develops worrying stalkerish tendencies where he goes up to the Eiffel Tower to use the binoculars there to spy into his ex-girlfriend's bedroom window. By the time the kids have completed their NASA training, he and Mia seem to have fallen for each other.
Japanese Midori doesn't feel like she fits in with most of her peers, and spends most of her free time making costumes, hanging out with other social outcasts in the Harajuku area of Tokyo. Her biggest dream is to leave Japan, like her older sister who moved to London. When she's picked for the lottery, she hopes to be able to persuade her parents to let her stay in the US after the lunar mission.
All three teens experience mysterious and ominous events before the arrive for their training with NASA. Antoine sees a plane apparently crashing into the ocean; Midori and her parents can't seem to find the correct gate at the airport and a ghostly voice in a rest room tells Midori not to leave Japan; Mia meets a strange homeless man in Central Park with strange writing on the back on his hoodie.
Darlah, or 172 Hours on the Moon was awarded several literary prizes in 2008, when it was first published and in 2014 it was voted the best Norwegian young adult of all time by a panel of teenage readers and book journalists. The book certainly seems to appeal to a lot of the teens I teach, especially the girls (because sadly, most of the teenage boys in our school don't read unless they're forced to). One of the girls in my current class said it "made me look at reading in a completely new way" and I couldn't really refuse to read the book after an endorsement like that.
What I liked:
- The actual premise of the book
- Midori seemed like a perfectly nice character
- The NASA astronauts were cool
- Mia's family were nice (the other two teen's parents may as well not have existed for all the time the book spends on them)
- The slowly increasing tension and growing feeling of unease in the book
- The clever ways in which the book plays with genre conventions. There are a lot of fun pop culture references.
What I disliked:
- The book has a very slow start. Far too much time is spent with the teenagers before the results of the lottery are revealed, mostly dwelling on details that have nothing to do with events that become relevant later. The book would have been more engaging if it got to the point faster.
- Mia really isn't a very likable character. She appears like a spoiled, ungrateful brat and I didn't really see why her friends wanted to spend time with her or why her parents didn't just tell her to snap out of her sulk. The slow beginning of the book just emphasises these negative qualities.
- Antoine's stalker tendencies. This is another way in which the lengthy unneccessary exposition at the beginning was more detrimental than beneficial. If so much time hadn't been spent on showing Antoine and Mia as dislikable, I would have been more engaged with their budding relationship later in the book as well.
- The horror aspect of the book. I had not realised that this book was both a sci-fi AND a horror novel. The horror was very well done, but I'm a big ol' wuss and it just made me uncomfortable.
I don't want to reveal too much more about the book, because that would spoil the story and it's best to go into the book without knowing too much. I can absolutely see why this is extremely appealing to young readers, but for someone who is as easily creeped out as I am, this is just not for me.
Crossposted on Cannonball Read.
Rating: 3 stars
NASA announces a historic lottery to help fund their new lunar expedition. Teens of between the ages 14 to 18 can sign up, and three lucky someones will be selected to train with the astronauts and come along on for a trip to the Moon. There is already a moon base they can stay at, DARLAH 2, established in the early 1970s for research and observation, but never actually used, for reasons the higher ups with the right security clearance would prefer not to answer. The same goes for questions about what the fate of DARLAH 1 was. There is an old, senile man in a quiet nursing home, who used to be a maintenence worker at Area 51. He sees the news broadcasts about the lottery and the upcoming lunar expedition and something inside him is screaming in terror. No one must return to the Moon, the lunar expedition is a terrible idea! Unfortunately, his illness is far enough advanced that he can't actually voice his thoughts and fears to anyone, and explain why another mission to the Moon may be disastrous.
The three teens who are selected are Mia from Norway, who plays in an all-girl post punk rock band, mainly acts stroppy towards her well-meaning parents. The only one she seems patient and nice to is her mentally disabled younger brother. She doesn't actually want to join the lottery, and is incredibly upset when she discovers that her parents signed her up. When it turns out that she's been picked out of the millions who signed up, her band mates are the ones to persuade her to finally go.
Antoine from Paris signs up for the lottery after his girlfriend dumps him and he wants to be anywhere else. He's very interested in historical planes, and develops worrying stalkerish tendencies where he goes up to the Eiffel Tower to use the binoculars there to spy into his ex-girlfriend's bedroom window. By the time the kids have completed their NASA training, he and Mia seem to have fallen for each other.
Japanese Midori doesn't feel like she fits in with most of her peers, and spends most of her free time making costumes, hanging out with other social outcasts in the Harajuku area of Tokyo. Her biggest dream is to leave Japan, like her older sister who moved to London. When she's picked for the lottery, she hopes to be able to persuade her parents to let her stay in the US after the lunar mission.
All three teens experience mysterious and ominous events before the arrive for their training with NASA. Antoine sees a plane apparently crashing into the ocean; Midori and her parents can't seem to find the correct gate at the airport and a ghostly voice in a rest room tells Midori not to leave Japan; Mia meets a strange homeless man in Central Park with strange writing on the back on his hoodie.
Darlah, or 172 Hours on the Moon was awarded several literary prizes in 2008, when it was first published and in 2014 it was voted the best Norwegian young adult of all time by a panel of teenage readers and book journalists. The book certainly seems to appeal to a lot of the teens I teach, especially the girls (because sadly, most of the teenage boys in our school don't read unless they're forced to). One of the girls in my current class said it "made me look at reading in a completely new way" and I couldn't really refuse to read the book after an endorsement like that.
What I liked:
- The actual premise of the book
- Midori seemed like a perfectly nice character
- The NASA astronauts were cool
- Mia's family were nice (the other two teen's parents may as well not have existed for all the time the book spends on them)
- The slowly increasing tension and growing feeling of unease in the book
- The clever ways in which the book plays with genre conventions. There are a lot of fun pop culture references.
What I disliked:
- The book has a very slow start. Far too much time is spent with the teenagers before the results of the lottery are revealed, mostly dwelling on details that have nothing to do with events that become relevant later. The book would have been more engaging if it got to the point faster.
- Mia really isn't a very likable character. She appears like a spoiled, ungrateful brat and I didn't really see why her friends wanted to spend time with her or why her parents didn't just tell her to snap out of her sulk. The slow beginning of the book just emphasises these negative qualities.
- Antoine's stalker tendencies. This is another way in which the lengthy unneccessary exposition at the beginning was more detrimental than beneficial. If so much time hadn't been spent on showing Antoine and Mia as dislikable, I would have been more engaged with their budding relationship later in the book as well.
- The horror aspect of the book. I had not realised that this book was both a sci-fi AND a horror novel. The horror was very well done, but I'm a big ol' wuss and it just made me uncomfortable.
I don't want to reveal too much more about the book, because that would spoil the story and it's best to go into the book without knowing too much. I can absolutely see why this is extremely appealing to young readers, but for someone who is as easily creeped out as I am, this is just not for me.
Crossposted on Cannonball Read.
Wednesday, 30 September 2015
#CBR7 Book 103: "Saga, volume 5" by Brian K. Vaughan and Fiona Staples
Page count: 152 pages
Rating: 5 stars
Saga is my favourite comic book of the last few years and I feel like I do nothing but spend my days waiting for a new trade paperback to come out. I managed to save volume five for an unprecedented nine days from buying it until I actually read it, because I know that it'll probably be another six months at least until I get more. The writing is flawless, the art is breathtaking. The plot is never, even for a second, predictable. The six issues making up this trade had me grimacing in disgust, laughing, gasping, swearing and almost crying.
Oh, if you're not caught up yet, there may be spoilers beyond this point.
I found volume four extremely distressing, because Alanna and Marko were arguing and when fictional characters whom I love have relationship troubles, it affects me more than it probably should. Now they are separated, with Marko and Prince Robot IV having made an unexpected alliance to track down their missing children. Alanna and her mother-in-law are trying to keep Hazel safe from Dengo, the guy who kidnapped them. Elsewhere, Gwendolyn, Sophie, Lying Cat and the Brand (the Will's sister) are looking for the ingredients to a cure for the Will, the assassin sent to kill Alanna and Marko. As always, tiny Hazel narrates the story with aplomb, giving all sorts of heart-breaking foreshadowing, such as "she and her pals find what they're looking for...but at a much higher cost than expected".
If you're not already reading Saga, with all the glowing reviews out there on the internet, I honestly don't know how this is going to change your mind. It's just so good, and you're missing out if you don't give it a chance.
Crossposted on Cannonball Read.
Rating: 5 stars
Saga is my favourite comic book of the last few years and I feel like I do nothing but spend my days waiting for a new trade paperback to come out. I managed to save volume five for an unprecedented nine days from buying it until I actually read it, because I know that it'll probably be another six months at least until I get more. The writing is flawless, the art is breathtaking. The plot is never, even for a second, predictable. The six issues making up this trade had me grimacing in disgust, laughing, gasping, swearing and almost crying.
Oh, if you're not caught up yet, there may be spoilers beyond this point.
I found volume four extremely distressing, because Alanna and Marko were arguing and when fictional characters whom I love have relationship troubles, it affects me more than it probably should. Now they are separated, with Marko and Prince Robot IV having made an unexpected alliance to track down their missing children. Alanna and her mother-in-law are trying to keep Hazel safe from Dengo, the guy who kidnapped them. Elsewhere, Gwendolyn, Sophie, Lying Cat and the Brand (the Will's sister) are looking for the ingredients to a cure for the Will, the assassin sent to kill Alanna and Marko. As always, tiny Hazel narrates the story with aplomb, giving all sorts of heart-breaking foreshadowing, such as "she and her pals find what they're looking for...but at a much higher cost than expected".
If you're not already reading Saga, with all the glowing reviews out there on the internet, I honestly don't know how this is going to change your mind. It's just so good, and you're missing out if you don't give it a chance.
Crossposted on Cannonball Read.
Subscribe to:
Posts (Atom)


















