CBR16 Book 55: "Touch Not the Cat" by Mary Stewart

Page count: 400 pages

Rating: 3 stars

Nowhere Book Bingo: From the decade I was born (1970s)

Smart Bitches Book Bingo: Published in 2000 or earlier (first published 1976)

CBR16 Bingo: Vintage (published 48 years ago)

Briony Ashley is working in Portugal when she recieves word that her father has died, in what appears to be a hit-and-run accident. Her father didn't die instantly, but had time to ramble some strange and slightly mysterious things, among them a warning that Briony needs to be careful. She goes home to what is now her cottage, bordering Ashley Court, the large and expensive estate her father could really only keep by renting out parts of it to wealthy Americans, and letting the National Trust conduct guided tours in other parts of it. Briony is rather relieved that the estate will no longer be her responsibility, and doesn't begrudge her male cousins the inheritance at all. However, she is a bit taken aback when she discovers that several valuable artifacts have been removed from the house. Have they been stolen?

It seems to be an occasional family trait in the Ashley family, going back generations, that some of them have the "sight", that grants them premonitons, and sometimes the ability to telepathically communicate with other family members. Briony has been using this gift since she was a child, able to transmit words and emotions to another, who by now she just calls 'lover' in her mind. She doesn't know the actual identity of her secret telepathic friend, but since the "sight" only seems to be shared by other Ashleys, this 'lover' is most likely one of her three male cousins. Since Briony in time also becomes convinced that one or several of these cousins were responsible for her father's untimely death, the whole telepathic soulmate that she's never actually confirmed the identity of, but who may be a close blood relation gets a bit squicky. 

I've only read one other Mary Stewart mystery, and Madam, Will You Talk? was a lot more batshit than this. In the previous novel, in between chain-smoking from waking up to literally being in bed in the evening, the heroine thought the love interest might be a murderer stalking her through Europe. Here the potential love interest's true identity isn't revealed until about two thirds of the way through, but it's strongly implied that said person may also be a murderer, and even overlooking that, he's one of Briony's cousins. 

There was a much more convoluted plot in the previous book I read, here a lot of the plot is quite slow, and while I see what the author was trying to do with the little snippets of a story from the late 19th Century included at the end of each chapter, I don't think it worked very well and felt rather unneccessary on the whole. Because I bought a whole load of Mary Stewart mysteries in an e-book sale a while back, I'm sure I'll be reading more of them eventually. At the moment, however, I finished this book mainly because it fit into three different bingo challenges. 

Judging a book by its cover: This book came out in the 1970s and consequently has had a number of covers, some of them more baffling and crazy than the next. The cover of my edition is a fairly boring one, with a grave in the foreground and some houses from an English village in the background. Nothing here screams romantic mystery with mild paranormal elements. 

Crossposted on Cannonball Read

#CBR7 Book 112: "Joyland" by Stephen King

Page count: 288 pages
Rating: 4 stars

21-year-old college student Devin Jones gets a summer job at old-fashioned carnival and amusement park Joyland, trying to mend his broken heart, after his girlfriend left him for another. Working at Joyland, he's taught the ways of the experienced carnies, discovers his knack for entertaining children while "wearing the fur" of park mascot Howie the Hound, lays the foundation of some life-long friendships and discovers the legend of the genuinely haunted House of Horror, where a young woman in a blue dress and an alice band had her throat slit by a man she thought loved her. He also meets Mike, a seriously ill little boy with unusual abilites and Annie, Mike's sad and serious mother.

I honestly didn't know what to expect from Joyland and went into the book knowing little to nothing about the plot (which is exactly what Narfna, my book twin on the internet recommended). In my early teens I would almost compulsively take out Stephen King books from the library, reading them even though I didn't particularly like the way the horror novels affected me (I've only read Misery the one time, but it's still burned in my memory - and yes, I would have been all over the Misery books, they sound wonderfully cracktastic). At university, I read the first four books of King's Dark Tower saga, and was lucky enough to read the final books in the series only a few years later, unlike some, who waited decades for it to finish. While I was mostly disappointed with the final three, there is no denying that King is a great story teller.

This book is mostly a mystery with a hint of suspense. It's not a horror novel, but there are some supernatural elements. Mostly, it's a little slice of the early 1970s, a coming of age novel, depicting a summer in an inexperienced and heart-broken young man. It's also a quick read, which I would have blazed through if my brain hadn't been severely rattled by my untimely concussion, leaving me unable to read anything on paper or screen for about two weeks without getting a splitting headache and eventually blurred vision. The pulpy cover is lovely, and fits the story remarkably well.

Crossposted on Cannonball Read.

#CBR7 Book 72: "Populærmusikk fra Vittula"(Popular Music from Vittula) by Mikael Niemi

Page count: 224 pages
Rating: 2 stars

Matti grows up in a tiny town in the remote north of Sweden in the 1960s and 70s. The chapters in this book are more like little short stories about different aspects of his childhood and adolescence, chronicled with humour and the occasional forays into strange, magical realism-inspired fantasy sequences. The inhabitants of his town and the surrounding areas seem to be either deeply puritanically religious or Communists, not caring for the trappings of religion at all. The gruff and peculiar inhabitants are set in their ways and far too prone to alcoholism.

There's the story of Matti's near-mute best friend Niila, whose father, a lapsed preacher, is so domineering and abusive that neither of the many children of the family speak much, and Niila first learns to speak in Esperanto, through lessons he overhears on the radio in Matti's house. We hear about Matti and Niila's childhood discoveries of rock music, with the hits of Elvis Presley and the Beatles making a huge impact on their lives, inspiring them to form a band. There's the friendly rivalry of adolescent boys, and the organised warfare with airguns that the teens orchestrate in the neighbourhood. There's the summer when Matti is trying to make enough money for a guitar of his own, and engages in devious and gory rat extermination to keep the cabin of a visiting German author vermin free.

Because the book is occasionally a straight-forward coming of age narrative about boys in a rural area in the 60s and 70s, but then all of a sudden veers into some dreamlike sequence where a boy gets trapped in a furnace for a winter and starts growing roots, or there is a cross-dressing witch in the woods who can exorcise ghosts, it's hard to pinpoint what the book is actually trying to be. As such, I found the book more frustrating than satisfying. The jumps in narrative, where the story will in one chapter talk about Matti's childhood, then his teens, then back again to earlier in his life, in very strange, seemingly unconnected episodes (all with the common denomination that they're set in Vittula, where he comes from) made the book confusing and while I appreciate the writer's skill, this book just didn't really work for me.

Crossposted on Cannonball Read.

#CBR6 Book 53: "Teori og praksis" (Theory and Practice) by Nikolaj Frobenius

Page count: 295 pages
Rating: 2 stars

Nikolaj moves to a newly constructed house in a suburb in one of the counties surrounding Oslo in the early 1970s. His father is one of the architects who planned the area, and is full of dreams about the social opportunities the new affordable housing will mean for families in the area. As it turns out, most of the families who move in stick to a rigid routine of conformity and normality - their children wear the same thing, cut their hair the same way, they mow their lawns on the same day and wash their cars once a week. As the only boy in the neighbourhood with shoulder-length hair, a father who's a hippie and a mother who's Danish, Nikolaj finds it difficult to fit in. All his attempts at youthful rebellion are thwarted because his parents are fully supportive of youthful protest, defiance and voicing one's own opinion. They cheer him on rather than disapprove.

When Nikolaj's mother is killed by a hit and run driver, his life irrevocably changes. Magnus, his formerly jovial and cheerful father withdraws completely into grief and depression, forcing Nikolaj to take on the role as caretaker. His aunt and uncle take his younger brother away, leaving Nikolaj alone with the grieving widower. He barely ever goes to school and desperately seeks a way out. He finds some outlet of his own grief and frustration in punk, forming a punk band with some of his friends and starts experimenting with drugs. Initially, Magnus seems baffled by his son's love of the Sex Pistols and other punk idols, but eventually ends up almost co-opting this attempt at teenage rebellion too, even stepping in to help out on drums at one of the band's concerts. Things are bound to come to a head, and they do.

The blurb for this novel describes it as a "lying autobiography". The protagonist shares the author's name, and grew up in the same place as him in the 70s, but his father was not an architect and most of the events, while somewhat loosely based on the author's adolescence are heavily fictionalised. The book was also turned into a successful movie here in Norway in 2011 (with a cameo appearance by Johnny Rotten), the screenplay adapted by the author himself. I wrote about the adaptation from novel to movie in exam term paper, comparing and contrasting the two.

Out of the two, I absolutely preferred the movie, possibly because the film compresses most of the action to a year of Nikolaj's life, and skips most of his early childhood, where not that much actually happens, except small things that add up to set the scene for his later rift with his father. The book is also a lot more focused on how the "theory" of the social-democratic ideals of the 1970s failed spectacularly in the area where Frobenius grew up, the "practice" being that the almost forced expectation of conformity and sameness, without any proper outlets for leisure activities, except the local mall, resulting in a huge amount of disenfranchised youths turning to drugs and alcohol when trying to rebel against their middle class parents. The movie is more a portrayal of the father-son relationship with its ups and downs before and after the mother's death.

As of yet, I haven't received the resulting grade for my exam paper, so I don't know yet whether I did a good or a disappointing job on my analysis. I doubt I would have chosen to read the book if it wasn't part of my coursework, even though it's set about 20 minutes away from where I grew up in the mid-80s to 90s. Where I grew up, Rykkin (the area Frobenius grew up) had a bad reputation, and it was well known that you didn't want to go to that mall after dark, as that was where all the druggies were. Can't say that the book dispelled my youthful preconceptions.

Crossposted on Cannonball Read.