#CBR13 Book 39: "Paper Girls, vol 1" by Brian K. Vaughn and Cliff Chiang

Page count: 144 pages

Rating: 3.5 stars

CBR13 Bingo: Gateway

It's just after Halloween 1988, and four 12-year-old newspaper delivery girls have a very unusual night, full of surprises, peril, and unexpected occurrences.

I went into Paper Girls knowing literally nothing about it except that it was written by Brian K. Vaughan and illustrated by Cliff Chiang, both artists whose work I've liked in the past. Did I know it was set in the late 1980s? Nope. Did I know the protagonists were pre-teens? Big old no. Had I given the title or contents much thought? No, again. I'd just heard a lot of people say it was good, and when the first volume was on offer at my local nerd emporium (where I get pretty much all of my comics, dead tree fantasy and/or sci-fi books, Funko Pops, pop culture-inspired tat and tabletop wargaming paraphernalia for the husband), I picked it up and decided to read it this summer.

I have a turbulent relationship with the creative works of Brian K. Vaughan. I read and mostly enjoyed a lot of his Y: the Last Man, until he made some choices, especially regarding the fate of one of my favourite characters in the final volume that I still have not forgiven him for. He also wrote that absolutely rubbish lions of Baghdad zoo comic, which I literally threw across the room in exasperation. However, he then earned a LOT of forgiveness for Saga, although the jury is out on how much trouble he's in at the moment since the title is STILL on hiatus and my charitable thoughts towards him could go either way, depending on how the series continues (those of you who have read Saga, vol 9 know what I'm referring to). So I was a bit wary about picking up a new title from him.

I've enjoyed Cliff Chiang's art in both Brian Azzarello's run on Wonder Woman and in Ms. Marvel. He still does good work here. 

Volume 1 collects the first six issues of Paper Girls, which I read in an afternoon in mid-July (yes, that is how far behind on reviews I am right now - go corona brain crossed with depression! No initiative at all here). I enjoyed what I read, but was also massively confused, as I honestly had no preconceptions about what I'd be reading, but I certainly hadn't expected a sort of Stranger Things crossed with The X-Files. There is a lot of set-up in these six issues, much of it very muddled, and while I'm sure it will all become more clear once I read more (because I was hooked enough that I will pick up at least the following two volumes to give it a chance), as of now, I didn't really think I could rate this any higher than I have. I thought it fit well into the Gateway square, as it was my gateway into this new comics universe. 

Judging a book by its cover: See, I don't think the girls on this cover look 12! One of them is smoking, for heaven's sake! Yes, yes, I know a whole bunch of individuals started smoking early in the olden days, but I still wasn't expecting this foursome of tough-looking young ladies to be as young as they are. So possibly Cliff Chiang's cover art could have been more clear? Possibly I just needed to do the bare minimum of research about the comic before picking it up? Anyways, I blame this cover for being surprised at how young our protagonists are. 

Crossposted on Cannonball Read. 

#CBR7 Books 147-148: "Wonder Woman: Guts" and "Wonder Woman: Iron" by Brian Azzarello and Cliff Chiang

Page count: 144 pages
Rating: 4.5 stars

Wonder Woman's friend Zola is pregnant with a child of Zeus, and has been taken by Hades into the Underworld. Diana is determined to do whatever it takes to get her back, and since Hades is none too pleased about the way Wonder Woman and her friends tricked her and Poseidon, she may have to pay a heavy and lasting price in order to secure her friend's safety. She enlists the help of the divine smith, Hephaestus, for suitable arms and in the process discovers yet another family secret. While Diana tries to escape the bonds of matrimony with the ruler of Hell, there is another power struggle for the throne of Olympus. Apollo wants his father's throne and has his sister Artemis to help him. Hera is convinced that Zeus will return to protect what is his, but may be in for a nasty surprise.

Page count: 176 pages
Rating: 4 stars

Time passes differently in the Underworld, and by the time Diana makes it to Zola, she's already nearly full term in her pregnancy. Almost immediately after birth, Diana and Zola experience a terrible betrayal, as the baby is stolen away. To locate the child, it's clear that Diana will need the aid of several of her demigod siblings. Zeus' continued disappearance and the shift in power on Olympus means the reawakenings of old forces and the birth of Zola's child could have an impact on more than our world. Orion, one of the New Gods arrives to help her in her search for the baby, but clearly has his own agenda, and it's unclear whether he wants to help or harm the child. In Wonder Woman: Iron we also get a look at Diana's early years. The god of war, Ares, wants to train her into a perfect warrior, but gives her up in disgust when she eventually refuses to finish off an opponent after a battle, showing mercy instead.

I must confess, that as I read these on the same day, the plots do blend together a bit in my mind, and I'm not entirely sure what happened in each of the trade volumes. Common for both, however, is an action-packed plot full of adventure, twists and turns. Things are very rarely as they appear on a first glance or sometimes even on a second. Everyone is ready to scheme and double cross everyone else. Cliff Chiang is an excellent artist and mostly I really like his style, in both the action scenes and the more quiet moments. One exception is his depiction of Hades, as a petulant child with a sort of melty candle head. It really doesn't work for me. It's a minor niggle, however.

A bigger niggle is the introduction of Orion in the third volume. While my husband is a huge fan of Jack Kirby's New Gods and pretty much every iteration of them, I find them incredibly annoying and the only time I've not pretty much hated all of them is when Gail Simone had Big Barda in some guest appearances in Birds of Prey. So the prospect of more of them turning up in later issues is not a happy one for me. I really liked every single issue of Guts, but in Iron, there are several story lines being introduced (not just the Orion thing) that I'm not too keen on. Azzarello's portrayal of Wonder Woman, and his general take on the gods and demigods of Greek mythology is so creative and fun that I'll keep reading for at least a while longer.

Crossposted on Cannonball Read.

#CBR5 Book 91. "Wonder Woman: Blood" by Brian Azzarello, Cliff Chiang and Tony Akins

Page count: 160 pages
Rating: 4 stars

After DC pressed the big cosmic reset button AGAIN, quite a lot of their superhero titles no longer exist, and others have pretty much been rebooted from scratch. Generally uninterested in these "new" interpretations, I've been avoiding DC (the first new issue of Catwoman were especially atrocious, really beyond awful), but my husband picked up Azzarello's reboot of Wonder Woman and strongly recommended I give it a chance. I always liked the character, but figured that when even Gail Simone (whose Birds of Prey and Secret Six comics I loved) couldn't really get her right, it was unlikely that anyone would. I was wrong, though. Azzarello's take is fresh, and interesting, and Wonder Woman herself is as awesome as she should be.

A young woman shows up in Wonder Woman's bedroom, sent by Hermes. She needs protection against the supernatural assassins sent by Hera, as she carries one of Zeus' children. Wonder Woman refuses to let the girl be killed, and takes her to be protected among the Amazons, even though she herself has always been an outcast there. While on Themiscyra, Hera's sinister daughter Strife shows up, trying to cause, well...strife. Diana discovers the secret to her own origin, she was not sculpted in clay by her mother, as she always believed. The truth of her parentage is going to change everything for Wonder Woman and the other Amazons.

Diana, Princess of the Amazons, kicks all kinds of ass in these first 6 issues of the reboot. The art is great, well done without ever becoming gratuitous (which is sadly often the case in superhero comics about female characters). There's a several page scene in the first issue, where Wonder Woman is clearly naked in her bedroom, getting dressed after the unexpected arrival of Zeus' most recent baby mama, yet there are no pointless tits and ass shots and it's never played for titillation. There have apparently also been criticism that Diana is very violent in this, rather than an emissary for peace, as she's often been in the past. But Diana is an Amazon, and possibly the only superhero in the DC Universe who can rival Superman and Batman for awesomeness. She's a supernatural warrior, and it seems strange to me to complain about a story where she's allowed to act as the warrior woman she is. Highly recommended, I'm looking forward to reading more from this creative team.