Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Monday, 18 June 2018

#CBR10 Book 45: "Hamilton: The Revolution" by Lin-Manuel Miranda and Jeremy McCarter

Page count: 285 pages
Rating: 5 stars

A quick search suggests that this book has been reviewed for Cannonball at least eight times already, so it's not like anything I say about the book is likely to be new or revolutionary (see what I did there). I don't think there was ever any doubt that I was going to love this book, considering just how much I love the musical.

I don't remember exactly when I first heard about Hamilton, but it's likely to be early in 2016 (I got this as a birthday gift that year from my best friend, and then postponed reading it until spring this year, in preparation for seeing the musical live in London). Enough people I know on the internets (it's where almost all my friends "live" now) were talking about it in such enthusiastic tones that I was curious. I discovered that the music was available on Spotify, and don't think I've been so immediately taken with a musical since I first heard Les Miserables (another musical where I'd listened to the music countless times before I actually got to see it on stage. The first time I heard it, it was the Norwegian translation - not as good as the English, but still great). I had shivers down my spine, I cried buckets, especially during the second act. I'd listened to it more times than I could count by the time the husband and I visited New York in the summer of 2016, so when I saw this book in a bookstore, there was no question it was going to go on my birthday wish list.

Yet when I finally had the beautiful hardcover, I didn't feel like starting it right away. Other things kept getting in the way, and once I secured tickets to the show in London, I made the conscious decision to wait to read it until our trip was getting closer, so the reading experience would be fresh in my mind. Of course, this spring, there's a little someone who takes up most of my time and also tends to wreck my concentration. I can get a fair bit of reading done, by either listening to audio books or holding my Kindle in one hand while nursing, but juggling a big hardback book and turning pages while also half-wrestling a rapidly growing infant (he's getting squirmier by the day) on my lap isn't the easiest. So I would usually get a few chapters read at a time while he was sleeping or being entertained by his father. I also listened to the cast recording on Spotify several times while reading the book, following along with the annotated lyrics for the songs included at the end of each chapter. In the end, I read the last two chapters the evening before we flew to London, once we were done packing, because the wee one was refusing to go to sleep. While reading a big hardback while nursing isn't ideal, it can be done and I was determined to get the book finished before we left.

Hamilton: An American Musical is a wonderful musical. It's a great show and seeing it on stage in London was a dream come true. While I pretty had all the lyrics memorised, seeing the actual staging and character interactions just blew me away. I was crying on and off throughout the entire show, much more so than when I just listen to it (and It's Quiet Uptown and Who Lives, Who Dies, Who Tells Your Story never fails to have me in tears). Having the back story of how the show came to be, with all the work and loving labour that went into it probably made it an even better experience.

It's a beautiful book, with so many behind the scenes pictures and I can't imagine any fan of the show wouldn't get a lot out of reading this book.

Judging a book by its cover: The cover of my hardback is very simple, with the now pretty iconic image promoting the musical at the centre. The background colour is chosen to bring to mind old paper or parchment, I suspect (the pages of the hardback are the same, it's lovely). Simple, yet elegant. I don't think they needed a flashy cover design for this book to sell.

Crossposted on Cannonball Read.

Sunday, 29 November 2015

#CBR7 Book 125: "Step Aside, Pops: A Hark! A Vagrant Collection" by Kate Beaton

Page count: 166 pages
Rating: 4 stars

When preparing to write this review, I got quite a surprise. I searched in the archives on my blog and on Goodreads to find my review of the first Hark! A Vagrant book and discovered that not only had I not reviewed it at any point, but I hadn't even entered it as read on Goodreads. I have absolutely no idea why, as I got the first book back in 2011 and was extremely happy that Kate Beaton was finally collecting some of her amazing comics in book form. As a bonus, the book included new strips, never before published on her website! The book was a clear five star read for me - I have no idea why I never got round to blogging about it. Back then I was more selective about what I reviewed for my Cannonball, but still - how could I not have spread the word about the genius that is Kate Beaton?

For those who don't know, Ms Beaton is a Canadian web comic creator with a background in history. She frequently takes history or literature as inspiration for her very funny comics, drawn in a simplistic style. One of her most popular creations, the little fat pony, is now the star of its own book and you can also get little plush versions of it (just in case anyone was wondering what I'd like for Christmas).

In her first book, highlights include Dude Watching with the Brontës:

Some lovely commentary on Jane Eyre:
 The always delightful 15th Century peasant comics:
And these great panels in a series about Bram Stoker's Dracula:





If you like any of these, you are likely to be a fan of Kate Beaton. The new book is much of the same, but some of the material didn't work as well for me. I still laughed a lot, but there were a few too many topics that didn't really feel as interesting to me. Which is still to say that it's a great collection of comics and I don't for a second regret getting the book in hardcover. I just wish there were more true classics, like this one: 



Check out her website, check out her books. She's clever and witty and deserves a large readership.

Crossposted on Cannonball Read.

Sunday, 11 March 2012

CBR4 Book 21: "Deathless" by Catherynne M. Valente

Page count: 352 pages
Rating: 4 stars
Date begun: February 24th, 2012
Date finished: February 26th, 2012

Marya Morevna is the fourth youngest and fourth prettiest daughter, and spends her childhood in Revolutionary Russia. In turn she sees three different birds turn into men and take her sisters away as wives. She expects the same for herself, but when her husband finally does show up, he is Koschei the Deathless. He takes her away in a car that turns into a horse at night, and feeds her and clothes her and nurses her when she gets ill, to his castle in Buyan. Yet Marya Morevna discovers that despite what he's told her, she is not Koschei's first mortal bride, and there are challenges for a mortal girl wanting to marry the Tsar of Life. Koschei's sister, Baba Yaga, sets her three tasks that she must complete, or become soup for the old witch's stock pot. And if she does succeed in the tasks, how is she to hold Koschei's interest and to convince him that she won't be faithless to him like the endless Elenas and Vasilisas that came before her, now stuck in a factory, never aging, making yarn soldiers for his endless war with his brother, the Tsar of Death?

Deathless is one of the strangest books I think I've ever read. It takes a number of themes, characters and creatures from Russian fairy tales and weaves them into a strange mix of romantic fairy tale re-imagining, feminist treatise and history lesson. Marya Morevna's relationship with Koschei is both a romance and a power struggle, set against the backdrop of Russia and later the Soviet Union in the first half of the 20th Century. I loved the fairy tale aspects of it, although readers must be warned that this is NOT a young adult book, unlike so many of the other fairy tale retellings I've come across. This book is definitely meant for grown ups (and most teenagers would probably find it rather confusing and boring).

Valente has a marvellous grasp of language, and frequently describes things poetically, without the book becoming twee and saccharine (it's often very dark and bloody things that are lyrically depicted). The first part of the book is magical and strange, probably helped by the fact that I'm not really very familiar with Russian folklore, so every new aspect that was revealed was fascinating to me. The last third of the book, where it seems to me that Valente is using Marya Morevna to make some sort of feminist statement, didn't really work as well for me, mainly because most of the characters stared acting in a way that seemed to go against the way that they'd first been established, and the whole story seemed to turn on its head, and not in a good way. The ending is very ambiguous, and I can see how some people might find it a bit off-putting. But the book is well worth reading, because the first two thirds are so excellent, and the book presents something so different from what you normally find in fantasy.