Page count: 207 pages
Rating: 4 stars
From the blurb:
From New York Times bestselling author Catherynne M. Valente comes a brilliant reinvention of one of the best known fairy tales of all time. In the novella Six-Gun Snow White, Valente transports the title's heroine to a masterfully evoked Old West where Coyote is just as likely to be found as the seven dwarves.
A plain-spoken, appealing narrator relates the story of her parents - a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. With her mother's death in childbirth, so begins a heroine's tale equal parts heartbreak and strength. This girl has been born into a world with no place for a half-native, half-white child. After being hidden for years, a very wicked stepmother finally gifts her with the name Snow White, referring to the pale skin she will never have. Filled with fascinating glimpses through the fabled looking glass and a close-up look at hard living in the gritty gun-slinging West, readers will be enchanted by this story at once familiar and entirely new.
This novella is a clever retelling of the classic German fairy tale, Snow White and the Seven Dwarves. Having moved the narrative to the Old West, the girl at the centre of the story, the half-blood daughter of a Crow Native American woman and a wealthy prospector, grows up alone and unloved on her father's ranch. She entertains herself with card tricks and sharp shooting, her only companions the impersonal servants and the wild animals in the ranch menagerie.
When her father eventually remarries, it is to a beautiful young woman who takes it upon herself to civilise "Snow White", as she names her stepdaughter. Mrs H's lessons of love involve Snow performing the duties of all the female servants (all of whom were let go after the wedding), nearly drowning in icy milk baths meant to make her skin paler and various kinds of physical and emotional abuse. Having never had anyone show her any attention at all, Snow takes it all, without complaining. Her stepmother has a dark and mystical mirror, where Snow sees visions both of herself, and Mrs H's past. Eventually her stepmother gives birth to a baby boy, but only in the mirror. The child seems to grow fast and he and Snow have a strange connection.
Snow leaves the only home she's ever known, riding off to find the Crow, hoping to reunite with her mother's people. She travels through frontier towns and mining villages, defending herself against all manner of aggressions. She spends some time prospecting in a ruby mine along with seven rugged men. A ruthless Pinkerton agent trails her tirelessly, hired by her stepmother to catch her, so he can cut out her heart and bring it back to Mrs. H. Snow can be bested by no man, however, and escapes the detective with her heart intact.
Eventually arriving at a town populated by women, cast out from other places, Snow begins to find some solace and peace. The reach of her stepmother's powers are long, though, and once Snow stops running, she'll be easier to catch.
The story is told in an oddly poetical manner, narrated in a special cadence, which even when you read it seems very oral. Transposing the classic fairytale to a new setting makes you see the story in a new light. Valente certainly makes the story more feminist and diverse, highlighting how lost Snow is, never fitting into her father's world, or that of her mother. Mrs. H, Snow's stepmother isn't merely a one-dimensional villain. It is made clear that the way she treats Snow is a somewhat harsher way than she herself was treated before she got married. Mrs. H turned to witchcraft to gain power, Snow runs away instead. Only towards the end does she see the caring and nurturing side of womanhood.
This novella incorporates a lot of mythology, both Native American and Western. It plays with the reader's expectations and the well-known story tropes, re-inventing the old tale for a new time. Because the narrator imposes a sort of distance in the way the story is told, I never emotionally connected with it as much as I wanted to, but I was entertained and impressed. It's also not a very long story, so I didn't have time to get bored - which was not the case when I read Valente's twist on Russian folk tales, Deathless.
Judging a book by its cover: The Charles Vess cover for this novella is absolutely gorgeous. Snow triumphantly rearing on her loyal horse Charming. Her stepmother, Mrs H, kneeling holding up a bloody heart. The various animals and creatures of the wilderness coming in from the left, looking as if they're about to stampede over the stepmother. I pretty much love everything about this.
Crossposted on Cannonball Read.
This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Showing posts with label Catherynne M. Valente. Show all posts
Showing posts with label Catherynne M. Valente. Show all posts
Thursday, 6 October 2016
Saturday, 13 October 2012
CBR4 Book 90: "The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making" by Catherynne M. Valente
Rating: 4 stars
Date begun: August 26th, 2012
Date finished: October 7th, 2012
September is twelve, and lives in Omaha. Her father went away to war, and her mother works in a factory. One evening, when she is doing the dishes, the Green Wind shows up at her kitchen window on a flying leopard and invites her to come along on adventures to Fairyland. But while Fairyland is a delightful and magical place (naturally), all is not fun and games. The former queen, Mallow, has been replaced by the capricious Marquess, a girl not much older than September.
While on a mission to try to retrieve a very special spoon from the Marquess for some nice witches who assisted her along the way, September is sent on a quest to the woods of Autumn. If she doesn't fetch a very precious artifact for the Marquess and return in a week, the Marquess will hurt not only September's new friends and companions, the Wyverary (a wyvern whose father was a library) and the boy Saturday, but generally make the inhabitants of Fairyland suffer.
So September has no choice but to go off questing. During her adventures in Fairyland, she meets a whole host of interesting creatures (like the aforementioned witches, gnomes, a soap golem and more), she sacrifices her shadow to save a child, she faces her Death, very valiantly tries to avoid eating Fairy food, and learns all manner of important and significant lessons. Will she manage to find Queen Mallow's sword before The Marquess' time limit runs out? What will happen to her and her friends if she fails?
Clearly inspired by Victorian children's stories like Alice's Adventures in Wonderland and Peter Pan, this book is a wonderful story, which never talks down to kids, and makes me wish I had children of my own to read it to. Having read Valente's Deathless before this, I knew that she had a wonderful way with words, but the brilliant way she constructs the story in The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (surely the longest children's book title out there) took my breath away.
September is a great protagonist, impulsive and headstrong like 12-year-olds should be, and described as quite heartless (as children's hearts grow as they age) but also brave and loyal and affectionate. She's intelligent and knows quite a bit about how things must happen in stories, having read many of them herself. Her companions are also great, and I'm very much looking forward to reading the rest of the series, the second of which was published in hardback earlier this month.
Sunday, 11 March 2012
CBR4 Book 21: "Deathless" by Catherynne M. Valente
Rating: 4 stars
Date begun: February 24th, 2012
Date finished: February 26th, 2012
Marya Morevna is the fourth youngest and fourth prettiest daughter, and spends her childhood in Revolutionary Russia. In turn she sees three different birds turn into men and take her sisters away as wives. She expects the same for herself, but when her husband finally does show up, he is Koschei the Deathless. He takes her away in a car that turns into a horse at night, and feeds her and clothes her and nurses her when she gets ill, to his castle in Buyan. Yet Marya Morevna discovers that despite what he's told her, she is not Koschei's first mortal bride, and there are challenges for a mortal girl wanting to marry the Tsar of Life. Koschei's sister, Baba Yaga, sets her three tasks that she must complete, or become soup for the old witch's stock pot. And if she does succeed in the tasks, how is she to hold Koschei's interest and to convince him that she won't be faithless to him like the endless Elenas and Vasilisas that came before her, now stuck in a factory, never aging, making yarn soldiers for his endless war with his brother, the Tsar of Death?
Deathless is one of the strangest books I think I've ever read. It takes a number of themes, characters and creatures from Russian fairy tales and weaves them into a strange mix of romantic fairy tale re-imagining, feminist treatise and history lesson. Marya Morevna's relationship with Koschei is both a romance and a power struggle, set against the backdrop of Russia and later the Soviet Union in the first half of the 20th Century. I loved the fairy tale aspects of it, although readers must be warned that this is NOT a young adult book, unlike so many of the other fairy tale retellings I've come across. This book is definitely meant for grown ups (and most teenagers would probably find it rather confusing and boring).
Valente has a marvellous grasp of language, and frequently describes things poetically, without the book becoming twee and saccharine (it's often very dark and bloody things that are lyrically depicted). The first part of the book is magical and strange, probably helped by the fact that I'm not really very familiar with Russian folklore, so every new aspect that was revealed was fascinating to me. The last third of the book, where it seems to me that Valente is using Marya Morevna to make some sort of feminist statement, didn't really work as well for me, mainly because most of the characters stared acting in a way that seemed to go against the way that they'd first been established, and the whole story seemed to turn on its head, and not in a good way. The ending is very ambiguous, and I can see how some people might find it a bit off-putting. But the book is well worth reading, because the first two thirds are so excellent, and the book presents something so different from what you normally find in fantasy.
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