CBR17 Book 52: "Problematic Summer Romance" by Ali Hazelwood

Page count: 416 pages

Rating: 4 stars

Nowhere Book Bingo 2025: A book set on vacation

Official plot summary (because it's better than anything I could come up with):

Maya Killgore is twenty-three and still in the process of figuring out her life.

Conor Harkness is thirty-eight, and Maya cannot stop thinking about him.

It’s such a cliché, it almost makes her heart implode: older man and younger woman; successful biotech guy and struggling grad student; brother’s best friend and the girl he never even knew existed. As Conor loves to remind her, the power dynamic is too imbalanced. Any relationship between them would be problematic in too many ways to count, and Maya should just get over him. After all, he has made it clear that he wants her gone from his life.

But not everything is as it seems—and clichés sometimes become plot twists.

When Maya’s brother decides to get married in Taormina, she and Conor end up stuck together in a romantic Sicilian villa for over a week. There, on the beautiful Ionian coast, between ancient ruins, delicious foods, and natural caves, Maya realizes that Conor might be hiding something from her. And as the destination wedding begins to erupt out of control, she decides that a summer fling might be just what she needs—even if it’s a problematic one.

Maya and Conor were both secondary, supporting characters in Not in Love, one of my favourite Hazelwood books to date. So when I realised that not only was Hazelwood in 2025 generously blessing her readers with Deep End, and later this year, the sequel to her paranormal romance, Bride, but a third romance, and an unexpected follow-up to a book I love, I was beside myself with joy. Itty bitty spoiler - there is, in fact, a cameo of Scarlett and Lucas from Deep End in this book, because Ali Hazelwood loves her readers and knows we eat that sh*t up. 

This book came out at the end of May, and as far as I can tell, Hazelwood did very little promo for it, compared to some of her other releases. Nevertheless, it ended up becoming a bestseller because her readers are now legion, and who can resist an age gap romance with a title like this one? Nature even helped out a little bit, with a volcanic eruption on Mount Etna about a week after the book's release (if you have read the book, you know why this is relevant). 

An age gap romance can be a tricky proposition, but as soon as I worked out that the actual age gap was only 15 years, and Maya was fully adult the first time she really considered Conor in any romantic way whatsoever, I frankly couldn't see what all the fuss was about. One of my favourite romance novels of all time, What I Did for a Duke by Julie Anne Long, has a bigger age gap between the protagonists. It's not like the age difference between Maya and Conor is anything like that between so many ageing male celebrities and their child brides who are young enough to be their granddaughters. And it's not like the potentially squicky issue isn't addressed right there in the title of the novel.

This book alternates between the present day, with Rue and Eli's rapidly approaching nuptials in Cicily (although there is a string of complications long enough for anyone to wonder if their wedding is cursed), where things are awkward and tense between Maya and Conor. Interspersed among these chapters are ones set a few years in the past, when the seeds of their romance were sown, so to speak, while Maya was a student in Edinburgh and Conor showed up unexpectedly to help her.

Was this one of Hazelwood's best novels? No, but neither was it one of her worst (I don't actually think she has any bad ones, just great and slightly less great ones). Getting to see Rue and Eli again was a happy bonus, and while you don't need to have read their romance to fully get this book, it is probably an even more satisfying read if you have. It also made me really want to visit the south of Italy and/or Sicily. The setting and the food described seemed amazing. 

Judging a book by its cover: So many of Hazelwood's covers feature the main characters in some sort of embrace. Much as I think many of them are very cute, I love this one so much more. It perfectly captures both the holiday vibe in the book, as well as gives you an impression of both protagonists, even though you can only see their legs. 

Crossposted on Cannonball Read

CBR16 Book 37: "Not in Love" by Ali Hazelwood

Page count: 384 pages

Rating: 5 stars

Rue Siebert has never wanted a relationship, she's finds men to hook up with on dating apps and has a strict rule about one night only. When her latest date is interrupted by her drunken brother and the night doesn't end the way she expected, she breaks her rule and gives the guy her phone number. Nevertheless, she doesn't expect to see him again.

Unexpectedly, she sees him again as soon as the next morning, when he is part of the venture capitalist firm, which may be taking over Kline, the food science start-up where Rue and her best friend work. Rue's boss and mentor, who she really looks up to, claim that the company will be fine, but Rue is worried. She grew up with a lot of instability and uncertainty and has finally achieved financial stability and has a career she enjoys. This possible takeover is threatening all of that.

Eli Killgore and his business partners have very specific reasons for wanting to take over Kline and have worked for nearly a decade to get where they are now. What he was not expecting was seeing Rue, the mystery woman he hasn't been able to forget after their brief, interrupted date. With the power dynamics so drastically altered, Eli should put Rue out of his mind. Rue, on the other hand, keeps being warned by her mentor to stay away from all of the venture capital people, but every interaction she has with them is pleasant and all of them seem to have science backgrounds and be genuinely interested in the work that's taking place at Kline. They don't just seem like heartless capitalists, only worried about money and the bottom line.

Even though they should stay away from each other, Eli and Rue can't seem to avoid ending up close together, and even after allowing herself one night with Eli, Rue no longer seems able to stick to her 'one night only' rule, because she is as addicted to Eli's company and attention as he seems to be to hers. Whether they have any sort of long-term future together is another issue - Rue doesn't do relationships, Eli is part of a group who seems determined to destroy her boss' career.

I may have to give up on my hopes of Hazelwood ever writing a short, dumpy hero, but at least in this book, the heroine is also tall. In another break from her earlier books, the hero hasn't been broodingly pining for the heroine for years, which I also appreciate. Here we get a heroine who is used to having to fend for herself and is unused to and to begin with, incapable of being taken care of, and that is a trope that always seems to melt my heart. The hypercompetent people who do so much to stay in control and take care of everything and everyone around them (although in Rue's case, she's a rather stand-offish, introverted, and most likely neuro-divergent grump, so there aren't that many people in her life for her to take care of), and then find that special someone who only wants to be there for them and care for them. 

Eli is good at caring, he has been taking care of his younger sister since their parents died when he was a teenager and she was much younger. His life has taken a lot of unexpected turns, and he has had to work hard to get where he is now. While he and his friends are now venture capitalists, they tend to buy up failing businesses, not to destroy and gut them, but to help the business do scientifically or technologically useful things. There is a personal aspect to their interest in Kline, the company Rue works for, but it's also nice to see a nuanced portrayal of wealthy money people, instead of the usual uncaring suits who only want results, or to destroy people's livelihoods for profit.

It tends to be much easier for me to review a book I didn't much like than one I loved. I have also not made it easier for myself by waiting nearly two months after finishing this one to review it. I don't remember all the reasons I loved this book (and the main reason I haven't re-read it is that I like doing that via audiobook, and I really disliked the narrators of this one), but I'm going to try. There are some great supporting characters in this, like Eli's younger sister, Rue's best friend, Eli's business partners who are also his friends and seem close enough to be a found family for him. There's a very good dog. There's the couple cooking together (I also love this) and because Rue and Eli both seem rather overwhelmed by the attraction between them, they have this thing where they share something really negative about themselves, like the worst things they've ever done or thought, seemingly hoping they will scare the other one away. Of course, a lot of these things just expose how vulnerable they are and how difficult their lives have been up to the point where they met each other, and it was a really nice touch.

By now it's clear that no matter what Ali Hazelwood writes, I will pre-order it and probably love it. I understand why her books are not for everyone, but for me, this worked on every level and I think it may be her strongest novel yet. If you have tried Hazelwood before and disliked her writing style, I can't promise that this will change your mind, but she's clearly evolved a lot as a writer since publishing The Love Hypothesis (her weakest book, in my opinion). I will be impatiently awaiting her next book, whether it be paranormal or regular contemporary romance. 

Judging a book by its cover: Hazelwood is lucky enough to get cover artists who actually seem to depict the characters the way they are actually described in the book (certainly not a given) and they're usually portrayed in a loving embrace of some kind. I think the artist here has managed to show how besotted Eli is with Rue, while she seems a bit more restrained. In case you didn't know that Hazelwood sets most of her books in a STEM environment, the artist has also helpfully thrown in some test tubes with mysterious liquid there on the side of the couple - science! There were apparently several special editions published of this book, with various extra art and bonus features. If you go to Hazelwood's Instagram account, there are pictures of the other images, all of which are very good. 

Crossposted on Cannonball Read