CBR18 Book 51: "The Tainted Cup" by Robert Jackson Bennett

Page count: 410 pages

Rating: 4.5 stars

Dark Corner selection: April 2026

Nowhere Book Bingo 26: Award Winner (Hugo and World Fantasy Award 2025)

CBR18 Bingo: Map (there's a map at the start, showing the various walls to keep out the Levianthans)

Official plot synopsis (since I'm reviewing a book I finished in APRIL):

In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible.

Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities.

At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears--quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home.

Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective.

As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect.

My book club discussed this book at the end of April (we meet on the last Wednesday of every month), and my memory is not as good as it once was, so there are absolutely talking points I will have forgotten by now. I think most people enjoyed the story, but some thought it was a bit too tropey as a mystery, and had figured out a lot of the plot twists ahead of time as a result. At least half the readers were especially fascinated by the giant leviathans that appear and threaten the developed areas every so often, and our collective guess is that they may be more sentient than we are told in this first story.

The worldbuilding is very interesting, with everything technological being biologically based, rather than industrial, such as giant mushrooms cooling down a room rather than an air conditioner. The various modifications people could make to their minds and bodies were also fascinating. Our POV character, Dinios "Din" Kol, has been altered to have absolutely perfect recall. He can remember anything he observes or hears, with the help of little vials of scent. He smells the vial before he starts "recording" and will then be able to recall everything he saw, heard, smelled, and/or tasted forever afterwards, by just smelling the same scent one more time. Due to his abilities, he is highly sought when it comes to investigative work. He hides a big secret, which he is terrified of anyone discovering, especially his superior, the brilliant Ana Dolabra. 

I think it's impossible not to compare Ana to Sherlock Holmes, one of fiction's most famous and very eccentric detectives (the only one to rival him would be Hercule Poirot, I would guess). She's brilliant, strange and behaves in ways odd to absolutely everyone, including her patient and long-suffering assistant. Her mind is a steel trap, and she has any number of strange rituals and habits to make her function properly. She even plays a stringed instrument (bringing to mind Holmes' violin). There doesn't seem to be such a thing as neurodivergence in this universe, but doing a mental tally of all the various mystery books I've read, it seems likely most of the really clever sleuths are on the autism spectrum. I don't want to say that neurodivergent minds are just better at solving mysteries, but mystery fiction strongly seems to suggest it. Some of the people in my book club felt that she was more like a series of quirks in a trench coat, but she's memorable, and I'll be intrigued to see how the relationship between her and Din develops. Also, I don't think this counts as a spoiler - of course she knows exactly what Din's deep, dark secret is; he's just an idiot for realising it. 

I had thought this was the first book in a trilogy, but now it seems as if it's going to be a longer, ongoing series. I have only heard excellent things about the next books as well, and I want to spend more time in this unusual fantasy world, so I'm happy. 

Judging a book by its cover: In a lot of cases, I prefer the UK covers to books than the American ones, but in this case, the US cover is SO much nicer. The UK cover is basically just mushrooms and other plant matter (not a huge fan of mushrooms). The elegant black and gold, with the plants seeming to be creeping in from one side - this is the book I wish I had on my shelves.

Crossposted on Cannonball Read

CBR18 Book 28: "The Familiar" by Leigh Bardugo

Page count: 385 pages

Audio book length: 12 hrs 57 mins

Rating: 4 stars

Dark Corner Selection: March 2026

Defeat the Goblin TBR 26: The Bog book - A book you started, but never finished (started it in May 2025, but only made it about 30%)

Buzzword Cover Challenge 26: Metallic element

In a different version of 16th-century Spain, young Luzia Cortado works grudgingly as a scullery maid for the miserable and petty Doña Valentina. Luzia can use what she calls "small magics" to make her life easier. She can mend seams, multiply the groceries, unburn bread or reassemble broken things. She performs these little spells, learned from generations of her Jewish ancestors, by singing quietly. Luzia is a convert; she dutifully goes to Mass and hides any traces of her Jewish lineage to escape the clutches of the Inquisition. 

However, when Doña Valentina discovers Luzia's powers, she sees an opportunity to increase her social standing. She makes Luzia perform for dinner guests, and before long, powerful and ambitious men show interest in Luzia's abilities. To improve her abilities, she is put under the tutelage of the mysterious Santangel, rumoured to be immortal. 

This book, a medieval alternate history, is very different from all of Leigh Bardugo's previous books. As someone with a Master's degree in European medieval history, I was really interested in this book, yet when I first tried reading it, in 2025, I couldn't get very far into it, and eventually decided to put it down until the time was right.

This year, my book club decided to vote for most of our books of the month. When The Familiar became the book of the month for March, I figured it was a sign from the universe that now the time was right. While I made it all the way through this time, I can see why I put it down the first time. It has a very slow start, something that was also remarked on by many of the members of my book club. I did discover that had I just kept going for a few more chapters the first time, I would have finished it. 

I really liked the unusual setting for this book. I liked that it tells the story of three very different women (Luzia, Valentina, and Luzia's aunt), who are all just trying for a better life. The magic used is interesting. I agree with several of the members of my book club that the romantic subplot involving Luzia and Santangel is entirely unnecessary, and that the conclusion of it is frankly quite disturbing, if you think about the power dynamics of the whole thing. There is also a lesbian subplot introduced towards the end that was definitely a bit unexpected, and considering how much is made of the power of the Inquisition and how feared they are, it seemed unlikely that these women would have been able to safely and rather publicly make a life with one another. But that's a minor niggle. 

I hope this remains a standalone book and that Bardugo doesn't decide to write a sequel at some point. 

Judging a book by its cover: Even with the scorpion crawling out of the lacy sleeve, this cover seems more like it belongs on a historical literary fiction book. Except for the name of the author, there is really nothing that marks this out as fantasy. 

Crossposted on Cannonball Read. 

CBR18 Book 9: "How to Train Your Dragon" by Cressida Cowell

Page count: 241 pages

Rating: 4 stars

Read the Rainbow - Red

Hiccup Horrendous Haddock III may be the least intimidating Viking in several generations, which is a bit of a problem, since he's the son of the Chief, and therefore meant to lead the Hairy Hooligans when he gets older. He's skinny, puny, bookish and not even slightly intimidating, and when he has to compete in the traditional manhood trial of the tribe, and sneak into a cave to capture himself a dragon, he ends up with the smallest, least impressive dragon of the lot. Hiccup should have an advantage over the other youths when it comes to taming and getting a dragon to do his bidding - he can speak Dragonese. He can't really tell anyone about that, of course, since Dragonese has been forbidden in the Hairy Hooligans for over a hundred years. Also, Hiccup's dragon, Toothless, is stubborn and selfish and couldn't care less about listening to Hiccup.

When the day of the dragon trials finally arrives, a massive fight breaks out among all the recently tamed dragons, and in an unprecedented event, all the youths of the tribe (and their rivals) are supposed to be banished to the wilderness. However, before that can happen, the tribes are faced with a new, much bigger challenge - a very large, very hungry sea dragon has awoken and now wants to eat all the humans. How are they going to defeat something so enormous and dangerous?

I was already at university when these books came out, and I have only watched the first two movies, which are clearly VERY loosely based on this source material. So loosely that pretty much the only thing they've kept is the names of Hiccup and his dragon Toothless (who is not black, super rare and very playful), and maybe some of the vikings in the tribe. So, at least I didn't have anything spoiled for me when I picked this up to read it for a bonus book club meeting we had about dragon riders. Of course, while Hiccup discovers that it's possible to ride dragons in the first movie, nothing like that happens in the book. They mostly use the dragons to intimidate each other and to catch fish. 

Nevertheless, it was a fun book, and I think my eight-year-old son would probably enjoy it. I will probably read it to him at some point in the next year, after the husband and I are done reading him children's classics from our own childhoods. I don't see myself continuing the series for my own sake, but if the kid enjoys them, I will probably read more of them. They are short, action-packed and feature dragons? What's not to love?

Judging a book by its cover: This is a children's book, so I would have thought you'd want something more colourful and exciting to catch the eye of the potential reader. Red, red, maroon and gold is certainly a choice, but I'm not sure I would have grabbed this off a library shelf if I hadn't already known what the book was about. Hiccup also looks nothing like he's described in the book. 

Crossposted on Cannonball Read 

CBR18 Book 6: "The Empress of Salt and Fortune" by Nghi Vo

Page count: 121 pages

Rating: 4 stars

Nowhere Bingo 26: Novella

Dark Corner Selection: January 2026

Chih is a young cleric from the Singing Hills monastery who travels around the country searching for stories and history. At the shores of Lake Scarlet, Chih finds the abandoned dwelling where the former Empress In-Yo (the titular Empress of Salt and Fortune) spent her many years in exile. Chih encounters the elderly Rabbit, one of the Empress's former handmaidens, who tells Chih stories of her own past and how it intertwined with that of the Empress. 

Rabbit came to court, sold by her parents to cover up a shortfall of five baskets of dye, and while she was there, she met and became loyal to In-Yo, who came to the court from the North, uncultured and savage by the measures of the capital. Once she performed her wifely duties and had birthed the Emperor a son, she was forcefully sterilised and exiled to Lake Scarlet, where it was hoped she would die in obscurity. Rabbit accompanied her mistress, and while Chih is cataloguing the various items left behind in the house, Rabbit tells them how In-Yo slowly and meticulously, despite very few resources or allies to her name, plots her revenge and patiently, over the course of many years, plots her way back to power.

This was our January selection for the Dark Corner, my IRL book club. We usually meet on the last Wednesday of every month, but since that means that our December meeting would fall right between Christmas and New Year's, when most people are busy with family and holidays, we always do the meeting for that book in early January. As a consequence, we try to read a short book, or a novella as our January book, so everyone has time to read it before the second meeting, at the end of January. Nghi Vo has so far published six novellas about the cleric Chih from the Singing Hills, (with a seventh coming out later in 2026), many of which have won awards. The Empress of Salt and Fortune won the Hugo and Locus Awards for Best Novella in 2021, so it felt like a good choice. I keep picking them up in e-book sales, but this is my first time reading one, or anything from the author (despite owning six different things she's written). 

It feels as if the reader is deliberately kept at a remove from the story, since we read about Chih, being told the story by Rabbit, about several other people, of whom In-Yo is clearly the most important. It made it a bit difficult for me to engage with the story at first, because it's always a bit stange being two steps away from the main action, so to speak. The Empire that Chih, Rabbit and In-Yo inhabit is clearly modelled on ancient China, and there are clearly folklore and cultural references that I'm not sure I entirely grasped, but once I stuck with the story, I became very invested in the lives of Rabbit and In-Yo and hoped they would succeed in their rebellion against the Emperor. 

I liked this story enough that I will absolutely be reading more, although probably not in the next few months. I also own two of Vo's novels, that are supposed to be good, but one is a Great Gatsby retelling, so that one might not be entirely to my tastes. 

Judging a book by its cover: All the novellas in the series have this style of cover art, with rather rough drawings of animals and mythological beasts on the top, seemingly charging towards the bottom of the image, where the background is dark. I find this image rather sinister, and would worry more about the Rabbit, if it too didn't look rather unsavoury. 

Crossposted on Cannonball Read. 

CBR17 Book 66: "Sense and Sensibility" by Jane Austen

Page count: 464 pages

Audio book length: 11 hrs 25 mins

Rating: 4.5 stars

CBR17 Bingo: Black (a book with a black cover)

I had completely forgotten that I read and reviewed this book back in 2016. My original review can be found here. 

My plot summary of the more than 200-year-old novel can be found in my previous review. Nevertheless, my reading experience this time around was different enough from earlier times that I wanted to write about some of my thoughts and observations, not to mention some of the points of discussion that came up during my book club discussion about it recently.

There are some rather uneducated modern beliefs that there were no neurodivergent individuals in the past. Because there has been a sharp rise in the number of people (especially children) diagnosed with either ADHD or Autism, many believe that this is something new, and not something that has always been around, just unacknowledged by people, because they didn't have the diagnostic tools to identify it. Case in point, some now suspect Jane Austen may have been on the autism spectrum, and eagle-eyed readers claim that there is at least one autistic-coded character in each of her published novels. The reason I'm opening with this is because one of the members of my book club, who is on the autism spectrum, posited that Marianne Dashwood is clearly also neurodivergent and, over the course of the novel, forced to adapt and conform to societal pressures and learn to mask her true self. Based on my own experiences, with an autistic husband and a son with ADHD, I'm now more convinced than ever that Mr. Darcy is on the spectrum, so once this member explained her reasoning, it seems likely that she might be right about Marianne as well. 

According to her, Marianne's complete disdain for the thoughts and opinions of others, to the point where she is frequently brusque and rude at social gatherings, her inability to govern her emotions (or "sensibility") and her hyper-focused love of her own interests, at the expense of anything else, are all very autism-coded. She has difficulty with social cues, which is one of the reasons she causes a scene in public when she finally sees Willoughby again at the ball in town, after months of no contact. By the end of the book, heartbreak and prolonged illness have made her a mere shadow of her former self, and she seems to accept that she needs to be a quieter, more moderately behaved young woman.

Another thing that was strange and a bit uncomfortable when re-reading the book this time is realising that I'm now older than most of the characters. Colonel Brandon, who is frequently described as old, set in his ways and fussy, is only 35 years old! Also, it is mentioned more than once that he like wearing a flannel waistcoat, as if this is something negative, and not proof that the man dislikes the cold and likes to be comfortable. I totally defend his desire to be snug and warm. At 46, I am now older than Mrs Dashwood, the girls' widowed mother, and the character I am probably most like in social status and age is the meddling, yet ultimately kind-hearted Mrs Jennings, a matron with two grown daughters. So all I can look forward to now is trying to match-make and chaperone younger women. 

Another point of discussion was the fact that all the men in this, yes, EVEN Colonel Brandon, are kind of awful. He is the least worst, but his attraction to Marianne does seem to be based on her similarity to his doomed first love, rather than because of her own personality. And every single character, even Marianne's mother and beloved sister Elinor, seems to think that it's only right and proper that he get Marianne as his wife for being patient and pining, without really considering Marianne's agency in the slightest. Marianne seems so exhausted and dejected towards the end that she's clearly willing to go along with anything, especially if it means she will stop her family from worrying about her. He does get points for raising his dead love's illegitimate child, ignoring all the gossip that whispers that she is his child out of wedlock. 

I think it's only because of Hugh Grant's adorable puppy dog portrayal of Edward Ferrars, Elinor's love interest, that I didn't recall that he is one of the dullest people I have encountered in fiction. He is described as not particularly attractive physically, he makes absolutely no attempts to try and influence his life, and even though his mother treats him appallingly, he never stands up for himself. He's not brave enough to confess to Elinor about his secret betrothal when they first meet, and he falls in love with her; she has to find out in the worst possible way from conniving snake Lucy Steele. He doesn't even end his own unhappy engagement; he waits around until he is dumped by Lucy Steele, cast off for his own brother. If she hadn't eloped with someone else, he would just have dully suffered in silence in a dreadful marriage of unequal partners. 

Then there is Willoughby, who, one of the members in my book club feels, is actually even worse than Wickham, who is despicable and an absolute predator, but at least owns his own actions. Willoughby not only knocks up and callously abandons Brandon's ward, leaving her absolutely no way of contacting him (ghosting was WAY easier in the 1800s, you just had to move to a different part of the country and leave no forwarding address), and actually seems surprised and dismayed when his elderly aunt takes him to task for this. He never makes any concrete promises to Marianne, and when she is on her deathbed, he shows up and drunkenly rants at Elinor about how sad he is, because while he loves Marianne, he loves himself and his financial security more. He HAD to marry the extremely wealthy young heiress with 50,000 pounds a year, because true love doesn't pay for expensive horses and fancy carriages and the lifestyle to which he has become accustomed. We were all in agreement that if he lived now, he would have a podcast and be a manosphere influencer. No taking responsibility for his own careless actions and owning up to his mistakes for Willoughby. 

We also agreed that while Lucy Steele is a conniving, mean girl, if the ultimate goal for Regency women was to marry someone who could secure them for the rest of their days, she is absolutely the winner. Her constant "worried" confessions to Elinor about her secret engagement to Edward are obviously meant to taunt and torture the other woman, and she is obviously a social-climbing opportunist. She even takes all of her poor sister's money when she runs off to marry Ferrars the younger. We all hoped her boring sister ended up happily married to her doctor eventually. 

Some of the members of my book club were rather surprised at this being categorised as romance, and those of us who are long-time fans of Austen had to explain that because SOME of her novels have a strong romantic plot, it would be more accurate to classify them as social satires. Because Pride and Prejudice is so very romantic, and her most popular one, all of her books have been labelled by publishers as romance, because that sells more. This book is more a family story, and a coming of age novel, and the plot would have worked just as well if all the suitors were taken out of the equation. Marianne would certainly have been better off because of it. 

Judging a book by its cover (and illustrations): The cover I have chosen to feature is that of my older paperback edition (because it is actually mostly black, except for the lady faces). These women seem much older than 17 and 19, though. The edition I actually read, this time, was my tiny pocket-sized hardback, the 250th Anniversary Edition, which has a red and green cover, and cover illustrations inside by Hugh Thompson. While they are lovely, the pedant in me got annoyed that they are not period-appropriate. Austen's novels are famously set in the Regency era, while all the clothes and hairstyles from the illustrations were clearly from the Georgian era, several decades earlier. It's a stupid niggle, to be sure, but it annoyed me throughout. 

Crossposted on Cannonball Read.

CBR17 Book 56: " Monstrous Regiment" by Terry Pratchett

Page count: 496 pages

Rating: 4 stars

Nowhere Book Bingo 2025: A book with LGBTQIA-rep

CBR17 Bingo: Border (this book is all about a very drawn-out war with borders between the opposing countries constantly changing, depending on who's currently winning)

Spoiler warnings for a 22 year old book. I don't think I can review it well without revealing some of the more essential plot points. 

Official plot summary:

It began as a sudden strange fancy...

Polly Perks had to become a boy in a hurry. Cutting off her hair and wearing trousers was easy. Learning to fart and belch in public and walk like an ape took more time...

And now she's enlisted in the army, and searching for her lost brother.

But there's a war on. There's always a war on. And Polly and her fellow recruits are suddenly in the thick of it, without any training, and the enemy is hunting them.

All they have on their side is the most artful sergeant in the army and a vampire with a lust for coffee. Well... They have the Secret. And as they take the war to the heart of the enemy, they have to use all the resources of... the Monstrous Regiment.

Polly is a barmaid who pretends to be a boy to join the army. Not that the army has that many people fighting to join up anymore, since the war has been going on for as long as most people can remember. She discovers that you can go a long way with a pair of rolled-up socks down your trousers, spitting, and pretending to shave a lot. As she comes to discover, she is by no means the only woman who has pretended to be male to join up; in fact, as the book progresses, it turns out it may be harder to find actual men left in the armed forces.

My RL book club, the Dark Corner, picked this as our June book, vaguely recalling that it's got at least some queer themes, and would therefore be suitable reading material for Pride month. It's one of the Pratchett Discworld books that I had only read once, because I remember being a bit underwhelmed by it the first time around. Upon rereading it, it is a lot more queer than I previously remembered. We have lesbians (with a deeply tragic backstory) and there's Sergeant Jackrum, who is clearly a trans man (also obviously not the only one we encounter in the story). There is also a lot of exploration of gender in general and identity in particular throughout the book, as well as a very nuanced exploration of the futility of war and the rather surprising way in which people might find themselves lauded as war heroes.

The incomparable Sam Vimes (by now very unwillingly the Duke of Ankh) makes a brief appearance along with some familiar faces from the City Watch novels. He has been tasked with trying to negotiate a peace treaty between these two nations, who have warred over who knows what for far too long. He doesn't want to spend a minute longer being a diplomat than he absolutely has to, but it is amusing to see what his reputation is, based on rumours and hearsay. 

It was also an interesting part of our discussion to hear Trine, the woman who founded our book club, share just how much she, as a former female soldier, recognised herself in the story and how many of the storylines and characters felt extremely true to army life. As she said, Pratchett knew his stuff, and a lot of the things that might appear seemingly made up for comic effect are in fact very real, if rather ridiculous. 

I'm really glad to have been given an excuse to revisit this book, and was able to give it a higher rating than before, because while I pretty much remembered it as more or less a one-note book (see, the joke is that they are ALL women!), it turns out that I was clearly just in a bad mood when first reading it, so I didn't take the time to appreciate all the other clever stuff Pratchett explores. Being two decades older probably doesn't hurt either.

Judging a book by its cover: The colourful cover shows the positively rotund Sgt. Jackrum and a selection of "his little lads", including the troll and the vampire recruits. 

Crossposted on Cannonball Read

CBR17 Book 49: "The Change" by Kirsten Miller

Page count: 480 pages

Rating: 4.5 stars

Buzzwords Cover Challenge 25: Pattern

CBR17 Bingo: Red (A book with a red cover)

Official plot summary:

In the Long Island oceanfront community of Mattauk, three different women discover that midlife changes bring a whole new type of empowerment...

After Nessa James's husband dies and her twin daughters leave for college, she's left all alone in a trim white house not far from the ocean. In the quiet of her late forties, the former nurse begins to hear voices. It doesn't take long for Nessa to realise that the voices calling out to her belong to the dead--a gift she's inherited from her grandmother, which comes with special responsibilities.

On the cusp of 50, suave advertising director Harriett Osborne has just witnessed the implosion of her lucrative career and her marriage. She hasn't left her house in months, and from the outside, it appears as if she and her garden have both gone to seed. But Harriett's life is far from over--in fact, she's undergone a stunning and very welcome metamorphosis.

Ambitious former executive Jo Levison has spent thirty long years at war with her body. The free-floating rage and hot flashes that arrive with the beginning of menopause feel like the very last straw--until she realizes she has the ability to channel them, and finally comes into her power.

Guided by voices only Nessa can hear, the trio of women discover a teenage girl whose body was abandoned beside a remote beach. The police have written the victim off as a drug-addicted sex worker, but the women refuse to buy into the official narrative. Their investigation into the girl's murder leads to more bodies, and to the town's most exclusive and isolated enclave, a world of stupendous wealth where the rules don't apply. With their newfound powers, Jo, Nessa, and Harriett will take matters into their own hands...

This was my IRL book club's selection for April (because a murder mystery starring three witchy women seemed really appropriate in the same month as Easter (see my description of traditional Norwegian Easter pastimes here). We had a very interesting discussion about it at the end of the month, and it turned out to be a bit of a divisive book. I absolutely loved it, but I suspect that if I'd been younger when I read it (as many members of my book club are) or a man, this book might not have worked for me on as many levels as it did.

One of the things that turned out to be an issue with a lot of the readers was the difficulty in pinpointing the genre of the book. This book isn't an urban fantasy novel, even though there are seemingly supernatural elements in it. It's not a straight-up mystery/crime novel. It's not literary fiction. It's very feminist, and some of the women in the story are described by others as witches, but it doesn't fit neatly into any one category, and for some of the members, that was apparently really frustrating. I've classified it as a contemporary fiction novel with magical realism elements, and there is a mystery to be solved, but it doesn't follow the traditional genre beats of a mystery novel.

Fully in my perimenopausal era now, there were many things in this novel that I recognised almost too well. Jo's overwhelming sense of rage at everyone and everything all the time. Harriet getting to a point where she just wants to do her own thing and doesn't give a single f*ck about what anyone says about it. Nessa is probably the nicest of the three protagonists, but also the one I identified the least with. Her supernatural gift, which it's established as something that women of her family have shared for generations, seems rather horrible. Being able to see the ghosts of dead women, who need the culprits brought to justice, and just not getting peace until the issue is dealt with - it seems like a heavy burden. Thankfully, she has the two other women to assist her in avenging these helpless victims (because while it starts with one dead body, it becomes clear that she is just one in a very long line of women who have met a horrible end in the area).

The POVs of the story mostly shift between Harriet (who was pretty much a middle-aged Poison Ivy), Jo and Nessa. We also get chapters from other women's POVs, including several of the dead girls whom they are determined to get justice for. It helps the reader see these young women as actual people, not just disposable victims. There's a subplot involving a True Crime podcaster, there to delve into the case, who previously did a season on a serial killer decapitating his victims and leaving the heads as grisly trophies. When asked about it, it turns out that he can easily remember every single location a head was found, but he struggles to remember the name of a single one of the victims. Getting to see the world through the victim's eyes, even for just one chapter each, made their tragic fates so much more impactful. 

This book could be summed up as 'F*ck the Patriarchy' or 'Not all men, but almost all of them, and quite a few women who facilitate their awfulness'. Not to say that there aren't some actually good men in the story. Nessa reconnects with the former partner of her dead husband, who is a genuinely decent man and a policeman determined to help with the cases, even when it becomes clear that many of his co-workers feel differently. Jo's husband, who is out of work and working on a screenplay, may not be perfect, but he clearly loves and supports his wife, and as someone who has been with a man for 25 years now, who, because of a whole host of mental issues, depression, and the like has struggled to hold down jobs for a lot of our time together, but who is still a caring husband and father, I got rather heated in my defense of a guy a lot of other readers thought was a bit of a useless sadsack.

To me, this book about righteously angry women, who set out to right the wrongs done by privileged, spoiled and callous men, was an almost perfect read. The latter half had some pacing issues that kept me from giving it a full five stars, but I really enjoyed it when reading, and had trouble putting it down. Strongly recommended, but it may work better for you if you are a woman of a certain age, who has experienced some of the varied awfulnesses that menopause brings. 

Judging a book by its cover: I have the UK paperback edition of this book, where the cover is the black patterns on the blood red background. On some versions, I've seen more of a black border around the edges, and there's red and even a bit of violet in the colour scheme. The American cover seems to be dark blue with sinister-looking thistles on the front. Here, there's just the woman's partially obscured face, and a bee very prominently on the lower half. Both are relevant to the contents. 

Crossposted on Cannonball Read

CBR17 Book 42: "Mickey7" by Edward Ashton

Page count: 317 pages

Rating: 3.5 stars

Nowhere Books Bingo 25: Book adapted into a movie or TV show

CBR17 Bingo: Diaspora (Mickey7 and the others on his crew are colonists on a hostile planet far from their original home)

Mickey Barnes has, through some truly idiotic decisions, ended up acquiring so much gambling debt that he now has to leave the planet. Literally the only way he can do that is to go with the space expedition, which is setting off to colonise the far-off planet of Niflheim. Unfortunately, there aren't all that many spaces available, and unlike most of the geniuses and top of their fields representatives who are going, Mickey doesn't have all that many marketable skills. So he signs on as an Expendable (without even reading the paperwork all too carefully before he signs - definitely not a genius). 

Being Expendable means that whenever anything gets too dangerous for the rest of the crew, Mickey is sent to do the job. If he dies, they upload his memory to a hard drive and print him out a brand new body. So when he wakes up, he's a new person, with all the memories of the previous Mickeys (including, mostly, how all the others died - some of them REALLY horribly). 

The Mickey we first meet is, unsurprisingly, considering the title of the novel, Mickey7. Since joining the expedition, he has died and woken up in a new body seven whole times. When the reader first meets Mickey7, he is stuck at the bottom of a very deep ice cavern, and his best friend (pick better friends, Mickey) is leaving him down there to die, because it's dangerous  (and said friend isn't going to risk his own neck for the Expendable). It turns out that, existentially speaking, dying and waking up in a new body a whole bunch of times does a number on you. Because it's a fairly unique experience, he doesn't really have anyone else he can talk it over with, but suffice it to say, Mickey doesn't really enjoy dying and waking up in a new body.

Therefore, Mickey7 decides he's going to try to make it out of the ice caves and back to the colony base on his own. While doing so, he encounters one of the giant space bugs that seem to be indigenous to the world, and is briefly concerned he's going to be eaten alive. Instead, he is shocked to realise the giant bug gently carries him through the underground tunnels and deposits him outside, not too far from the base he's trying to get to. 

When Mickey7 gets back to base and goes to lie down in his bunk, he discovers that his buddy has already reported him as lost and dead, and a new copy, Mickey8 is already there, ready for duty. Due to some horrific exploitation of the cloning technique in earlier times, multiples of any person are incredibly forbidden, and if discovered, the Mickeys risk complete termination - not only will their bodies be killed and recycled, but their genetic imprint and memories will be wiped, so there will be no new ones, ever. Nevertheless, neither Mickey can determine who should be killed so the other can live, so they try to survive on the meagre rations of one person, while hiding their duplicate existence from everyone else in the colony. They also need to figure out whether the so-called monsters they're supposed to exterminate to successfully colonise Niflheim are actually sapient beings, who should be negotiated with, rather than just killed as aggressive local fauna. 

My IRL book club, the Dark Corner, had this as their book of the month in January of 2024, when we still thought the movie adaptation was going to come out in March that year. I only ever got about a quarter of the way through the book at this point before losing interest, but when the Bong Joon Ho movie was finally actually being released in early 2025, I figured it was about time I actually read the book. Even the second time, it took me a while to really get into the story, and I never really warmed up to the characters all that much.

Because of the many prejudices towards clones, religious for some, philosophical for others, most of the colonists on Niflheim avoid Mickey7, and he pretty much only has two friends. One is the idiot who left him to die down an icy crevasse (and we find out later, probably abandoned him to die on at least one other occasion), and the other is Mickey's girlfriend (who pretty much considers having two boyfriends a win-win situation when she discovers the unfortunate duplication). The colony commander is a deeply religious man who hates Mickey7 because he believes him to be an abomination; he's clearly not going to react well to the prospect of having two Mickeys running around, draining the colony's meagre resources. 

I finished this in March (yes, I am stupidly behind on my reviews again, especially because I had all those ARCs that took priority in my review queue - why do you ask?) and then never managed to get to the cinema in time to see the movie. So I can't really say how faithful the adaptation is. Since the movie is Mickey17, it seems obvious that they kill Mickey many more times in that one. I suppose I'll get round to watching it on streaming at some point, even if reviews claim it's not one of Joon Ho's best films. 

I know there's also a sequel to this, but I'm not sure I liked this enough to continue the series. 

Judging a book by its cover: I'm very glad to have the original, non-movie-tie-in cover (I hate those), although the cover image has very little to do with anything that happens in the story. I'm not sure any of the Mickeys are left alone to drift through space like that. 

Crossposted on Cannonball Read

CBR17 Books 35-41: "The Murderbot Diaries" by Martha Wells (all the novellas and short stories)

Total page count: 807 pages

My original reviews and ratings for the first four novellas can be found here.

CBR17 Bingo: Favourite (goes for the whole series, and the protagonist)

All Systems Red

Nowhere Book Bingo 25: First in a series

It's been five years since I first read The Murderbot Diaries, and it was interesting to revisit the original novella. This was selected as the January selection for my real-life book club (with the option to read the other three if people had time). While a lot of the members really enjoyed the story, it was agreed that this story is mostly set up and quite unsatisfying if you don't keep going with the series to discover more of Murderbot as a character. There were some who found Murderbot as a narrator quite annoying, while others (like me) found Murderbot's misanthropic attitude and desire to just be left alone to watch its stories deeply relatable. 

Even now, having read the whole series, I still find a lot of the supporting characters who are introduced in this story a bit confusing, and they mostly blend together for me. Doctor Mensah is an obvious exception since Murderbot respects her so much. 

The structure of the novella is also a bit wonky. It starts relatively slow, and then there's a series of dramatic events before the story ends very abruptly, possibly too quickly. 

I also feel like I should address the Apple TV adaptation of this novella, which manages to capture the tone and feel of the story while making some pretty massive changes. Quite a few of the supporting characters have been cut (the fact that it works as well as it does suggests that Wells probably didn't need the Pres Aux team to be as big as it is in the novella - no wonder I keep getting the characters confused). Skarsgård plays an excellent Murderbot, even though he's not Murderbot as I imagine it (the Murderbot in my head is female presenting, more like Gwendoline Christie as Brienne of Tarth rather than tall, handsome and Scandinavian), and I can't help but think that our favourite SecUnit's extreme social awkwardness is portrayed so well since Skarsgård is so familiar with Scandinavians and our weird introverted way of being. No one in Scandinavia likes being talked to by strangers or having FEELINGS shared all over them. 

One of my favourite things about the adaptation is the choice to have scenes from Murderbot's favourite media shown to the viewers. If I wasn't already pretty sure I'd be hooked on Sanctuary Moon, seeing the brief snippets of it on screen confirms it. There is still an episode left to go, but so far, I think the show may be dealing with the confusing end section of the story better than in the novella. Time will tell. 

Artificial Condition

Nowhere Book Bingo 25: A novella

I remembered this as one of my favourites of the novellas, and upon revisiting it, knowing how the relationship between Murderbot and ART (A**hole Research Transport) develops in later stories, it was extra satisfying to see how their friendship began. Considering Murderbot is usually the smartest individual in the room, and keeps being exasperated by the silly humans around it, it was fun to see it befriend someone who is certainly on the same level, and probably intellectually even more impressive. Reading about ART and Murderbot bonding through watching Murderbot's various shows might also have struck a particular chord with me, as that is how my husband and I met (watching shows in various friends' dorm rooms), and we still spend a lot of quality time enjoying shows together. 

Another thing I'd forgotten about this book was how quickly Murderbot, so intent on going off on adventures of its own, trying to avoid annoying emotional attachments, so quickly finds a new group of vulnerable, squishy humans it needs to protect. The humans in this story are, if possible, even more clueless in the big, ruthless corporate world than the Pres Aux team, and that is saying something. 

I'm also very relieved that Apple TV have announced that there will be a second season of Murderbot, so viewers get to watch the friendship of ART and Murderbot develop on screen. Hopefully, we'll also get glimpses of more of Murderbot's favourite shows. 

Rapport: Friendship, Solidarity, Communion, Empathy - 3.5 stars

This surprise story was announced by TOR only days before the first season of Murderbot aired, and it was launched online after the last episode aired. Considering it's chronologically set after Artificial Condition, it's not like it contains direct spoilers. 

Considering we don't actually get to meet ART again in the Murderbot universe until Network Effect, it was a really nice bonus given to the fans from Martha Wells, a story showing us ART/Perihelion with its own crew a short while after it and Murderbot part ways in the second novella. I'm a huge fan of ART/Peri, and seeing the scary transport interacting with its own crew in this story was an unexpected delight. 

Rogue Protocol

I remembered this story as the one I liked the least of the original four novellas when I first read the series. Upon a re-read, I was surprised to see how incredibly action-packed it was compared to the other novellas, and it's in this story that we really see why Murderbot may have chosen that name for itself.

Going back to the now-abandoned mining colony, where it suspected it had committed a massacre, proves to it that a large group of people got killed, but it also proves to Murderbot how right it was to disable its governor module, so it can never be made to do things like that ever again. Any murders it will be doing in the future will be to protect others, not just senseless violence at the orders of a greedy corporation. 

It's quite clear from some of the early Murderbot stories that our favourite SecUnit has some not always pleasant prejudices towards other robots, and in this story, Murderbot is forced to confront some of these. One of the reasons Murderbot felt it had to leave its favourite human, Doctor Mensah, and the Pres Aux team was because it didn't want to become someone's pet droid. Having been basically enslaved in its service with the Corporation, before it hacked its governor module and went rogue, Murderbot, even with the extremely progressive view of the members of the Pres Aux team, it just can't really believe that humans could feel towards robots as they do humans. So it's good for its personal development and continued journey towards some kind of personhood to have some of those notions disproved.

Mild spoiler warning - this is probably the novella with the most bummer ending of all of them. 

Exit Strategy

Having discovered during its wanderings, trying to find itself, that GreyCris, the evil corporation that tried to kill the Preservation Alliance crew in the first novella, has kidnapped Doctor Mensah, Murderbot (who really shouldn't have feelings for anything or anyone) feels compelled to return for a rescue mission. By now, Murderbot has met and interacted with a bunch of other human groups, and even experienced loss and something like grief, and since Doctor Mensah is its favourite human in the whole world, it can't stand by and see her endangered by GreyCris. It also becomes clear that Murderbot is ready and willing to die in the attempt to get Mensah safe.

I don't think it's a spoiler to anyone that Murderbot, the protagonist of the series, which is currently eight stories and counting (I recently heard that a new Murderbot book, Platform Decay, will be coming out in 2026 - much rejoicing) isn't actually killed here. In case anyone was worried.

Before I finally read Network Effect, this was probably my favourite Murderbot story. 

Home: Habitat, Range, Niche, Territory - 3 stars

While most of the stories in The Murderbot Diaries are obviously told from Murderbot/SecUnit's POV, this short story is set after the events of Exit Strategy. It gives us Doctor Mensah's perspective both on the events of that novella and shows us her dealing with the aftermath of what is clearly a very traumatising experience. 

Mensah is clearly a very intelligent and sensitive person, and her insights into Murderbot and the understanding she's clearly gained about it over the course of the novellas (she clearly thought a lot about everyone's favourite SecUnit even when it was away from her and busy finding its own purpose in the world). 

I didn't realise this existed when I first read the series, so I had to go back to it a bit out of continuity, but it's always nice to see the Murderbot world through some of the other characters' eyes, as well. 

Fugitive Telemetry - 4.5 stars

Buzzword Cover Challenge 25: Technology

While Murderbot isn't anyone's pet at Preservation Station, it's not entirely clear what its duties are supposed to be. Because of the rather harrowing events in Exit Strategy, Murderbot is obviously extremely protective of Doctor Mensah. Protective to the point where it's not surprising when the woman is almost relieved when a dead body shows up, so she can volunteer her SecUnit to assist in the investigation. 

Murderbot is worried that the dead body may have something to do with GreyCris, so it agrees to help determine the identity of the deceased, find out where the body was killed and how, and most importantly, why this happened. Of course, in order to do so, it needs to persuade the rather cautious members of station security to trust it (not everyone knows that Murderbot, while a rogue SecUnit, isn't a BAD SecUnit) and speak to a number of humans and other robots, not exactly something it's super well-equipped to handle. 

To my delight, Murderbot seeks the advice of Ratthi and Gurathin, some of my favourite supporting characters (the show did SO much to expand on the character of Gurathin - I liked him before, now I love him). 

Because this novella was published as the sixth in the series, but chronologically takes place as number five, I skipped it on my first read-through, because I didn't want to read it out of order. So, with the exception of Rapport, which came as a surprise to everyone, this was my last existing Murderbot story to discover. Having now read it, I'm sorry I waited so long. It was great. 

Crossposted on Cannonball Read.

CBR17 Book 18: "Tress of the Emerald Sea" by Brandon Sanderson

Page count: 479 pages

Audio book length: 12 hrs 27 mins

Rating: 4.5 stars

Buzzword Cover Challenge 25: Celestial (there is a big moon and several stars on the cover)

What if in The Princess Bride, Buttercup didn't sit at home and mourn for Westley when he was captured by pirates, but instead went off to try to rescue him? Of course, that would mean Buttercup had any agency at all in either the novel or the film, and she really doesn't. But if Buttercup was a young woman named Tress, from a barren and fairly desolate island, who washes windows at the duke's mansion and collects cups, with the only thing making her life worthwhile being her friendship with the duke's son (who pretends to be a gardener), and one day, Charlie, her best friend (who she's only recently discovered that she's also in love with) is taken away by his father to be married off (a poor window washer girl is not a suitable match for him)? Charlie promises to be so dreadfully boring to every suitable bride he meets that no one will want to marry him, and every time is rejected by another bride, he will write to her and send her another cup from his travels. 

However, after some months, the letters stop coming. Then the duke returns, but Charlie isn't with him. Charlie has been kidnapped by the Sorceress, and it doesn't seem like anyone cares except Tress. First, she needs to figure out how to get off the island (no one but the duke's family is ever allowed to leave). On the first ship she travels on, she meets a talking rat, who she takes with her when the ship is attacked by pirates. It's important to note that in this world, while there are ships and long voyages, the oceans are made up of spores that react very violently to the presence of any liquids. Very occasionally, the spore currents still for a time, and it's possible for brave, or exceedingly foolish, individuals to walk along on top of the spores. This is how Tress gets from the attacked ship onto the pirate vessel, where she gradually befriends more of the crew and works her way up in rank, despite the misgivings of the blood-thirsty pirate captain. 

Tress isn't entirely sure how she's going to help the motley crew of pirates from becoming exploited by their captain, and persuade them that they really want to assist her in travelling across the Crimson Sea to the Midnight Sea (the two most dangerous areas on the planet), and face the terrifying Socreress to rescue the boy she loves. But she knows that if she gives up, Charlie has no one coming for him, and that is unacceptable to her.

This is an adventure story with a plucky heroine, who keeps succeeding against all odds, sometimes because she just won't quit.While Tress has had a sheltered and rather uneventful life until she decides to leave the safety of her home to go off and rescue Charlie, she's not stupid, and her determination to get to him makes her face challenges that would make others quake. Occasionally, her lack of experience also makes her less afraid of dangers than she probably should be, since she just doesn't realise what the consequences of the potential threats. She's also kind-hearted and determined to help those who show her kindness along the way, even if it might delay her ultimate goal of getting to the Sorceress.

This is the first of the four secret projects that Brandon Sanderson announced that he wrote when he suddenly had a lot of extra downtime during the Pandemic. While most of us binged TV shows and perfected our sourdough loaves, Sanderson apparently wrote four entire novels, in addition to all the work he was already contracted for. The man is a machine! This led to probably the biggest Kickstarter campaign in history. Sanderson started writing this story for his wife, after wondering what The Princess Bride could have been like if the heroine wasn't just a passive player, having the plot happen to her. 

I didn't have the finances to get all four secret projects in hardback (not only did the books themselves cost quite a lot, but the shipping to Norway was incredibly expensive), so I only got Tress of the Emerald Sea and Yumi and the Nightmare Painter, because these two books were the ones that looked the prettiest and most interesting to me. I did get digital and audio copies of all the other books, though, which allowed me to listen to parts of this in audiobook as well. 

Most of Sanderson's many many novels fit into a larger fictional universe called the Cosmere. That means that a lot of his books are vaguely interconnected. Since this book fits into the Cosmere, but there are more than twenty other works that come before it, I had this grand plan last year, to do a re-read of the Sanderson novels I had read (most of them a very long time ago now) and catch up on all the ones I hadn't read, so I'd be able to properly enjoy the various secret projects, and not be confused by the references. Sadly, this failed almost at the first hurdle, when I had finished the brilliant Mistborn, and then just couldn't get past the opening chapters of The Well of Ascencion, the next book in the series. Then this got selected as the February read in The Dark Corner, my real life book club, and it became clear that I was just going to have to ignore references to events or characters from other Cosmere books. 

One such character is Hoid, who narrates the story of Tress and Charlie to us readers. He has apparently appeared in a bunch of Sanderson's novels (some of which I have read, if the wiki article I read is correct - and I don't see why it wouldn't be) in various different guises. In this book, he's a cabin boy who has been cursed by The Sorceress (who is also a character from the wider Cosmere universe) becaue of a bet. He speaks and behaves nonsensically for much of the story because of this curse. Some of the members in my bookclub found the way the story was told (Hoid frequently breaks the fourth wall and speaks directly to the reader) incredibly annoying. The 2-3 people who didn't like the book cited Hoid's storytelling style and all three felt it wanted to be Pratchett, but didn't succeed. 

Most people, however, really liked the book, and since this was our February choice, we had a very interesting discussion about whether this could be classed as a romance, or whether it was more accurately a love story. The general consensus was that Tress' love for Charlie is completely central to the plot, it's the force that drives her to change her life and leave the island, it's what keeps her going even when things seem almost impossible, and that the book wouldn't work without the love story at its centre. We also agreed that if the book had been sold to us as a great romance, we would probably have been disappointed. 

Personally, I didn't find Hoid all that annoying, and very much like when I was reading To Say Nothing of the Dog by Connie Willis, I decided to just enjoy the story on its own terms, and ignore any references that went over my head. Knowing that this was at least in part inspired by The Princess Bride (one of my favourite films, and books, I had fun seeing the many ways in which the story resembled, or subverted the plot of that story. 

As always, Sanderson's world building and approach to magic systems is fantastic, and even the ones who didn't like the book that much had to admit that the oceans of spores idea was great. If anything, there was quite a bit of grumbling because the book claimed there were twelve different kinds of spores, and we only got to learn about five of them in-story. The characters were interesting, and even the Pirate Captain, who by some could be seen as villainous, had very clear motivations and it was made obvious why she might have chosen to act as she did. Some of the bookclub members highlighted her as one of their favourite characters,

Reading Sanderson again did remind me that his writing has always worked for me, and gave me further motivation to actually continue my "Reading the Cosmere" project this year. I'm not going to try to give myself a set time limit this time, that clearly did NOT work, and he has such a big back catalogue of mostly very long books, but I do want to revisit some of the ones I read in the past, and continue the various series. The people who love Sanderson, love him SO much. I'm trying to focus on quality over quantity in my reading now, and not get freaked out if I don't get to read a set number of books per year, but rather focus on the things I read being enjoyable.

Finally, I wanted to end this review by mentioning how utterly gorgeous my Kickstarter-funded hardback is. It is illustrated throughout, with some beatiful drawings, and, as I discovered as I got further through the book, colour coded to which of the seas Tress finds herself at the time. When she travels the Emerald sea, the chapter headings and page numbers are in a beautiful green, when she travels into the Crimson sea, the colours change to red, and then to inky black when she crosses into the dreaded Midnight sea. Having such a pretty edition of the book makes the exorbitant cost of shipping sting slightly less. 

Judging a book by its cover: My hardback is a lovely, clothbound book with different textures for the patterns of the various elements of the cover. As far as I can tell, most of the editions of this book feature Tress and some varation on a giant moon on the cover, but I think this is one of the prettiest versions. 

Crossposted on Cannonball Read.