Wrapping up ALL the rest of the Reading Challenges I did in 2015

If I include the Cannonball Read (and I really think I should), I signed up for and completed 25 separate challenges last year. I have not counted the regular Goodreads or BookLikes reading challenges, which I think of as just a tally for how much I've read at any given time of the year.

Last year, I spent a really long time, meticulously listing and linking every single book for every single challenge, which is really rather pointless for a lot of said challenges, when I've collected all the books for each challenge on separate shelves in Goodreads. The separate posts for the ones that I feel require detailed lists with links are now up. Here are all the rest.

The Alphabet Soup Challenge 2015, hosted by dollycas - Completed on the 20th of November

What an Animal VIII, hosted by Socrates' Book Reviews - I signed up for 13 or more books, and had the challenge completed by April 3rd. In total, I read 42 books that fit into this category.

Finishing the Series, also hosted by Socrates' Book Reviews - I signed up for the highest level - four or more series, completed by January 31st. In total, I finished 23 series, reading 48 books.

Historical Fiction Reading Challenge, hosted by Passages to the Past. I signed up for the highest level, 50 or more books and completed it on the 16th of November. In the end, I read 68 books for this one.

The 2015 TBR List Challenge, hosted by Bookish. I signed up for the highest level, 50 or more books and completed it by the 14th of September. I ended up reading 90 books. I don't want to know how many I added to the TBR pile over the course of the year, though.

The I Dare You to Challenge, hosted by the All Challenges All the Time group on Goodreads. I completed as much as I could by December 13th.

The Graphic Novel/Manga Challenge, hosted here. I signed up for the lowest level (12-24) and still only managed to complete 13 by New Year's Eve. So I completed it, but only in the nick of time.

The Women Challenge, hosted by Peek a Book, is probably meant for people who don't read primarily female authors. I signed up for the highest level, 20 or more books written by female authors, and decided I would never count the same author twice on the list. I had completed the challenge by the 26th of March and went on to read books by 77 different female authors in 2015.

The Dive Into Diversity challenge, hosted by Rather Be Reading, asked people to read more diversely. I signed up for 20 books initially, and completed the challenge by the 28th of July. In total, I went on to read 42 books that fit the categories, and I will try to read more diversely in the coming year too.

The New Author challenge, hosted by Literary Escapism was basically to try as many new authors as possible. I signed up for an initial goal of 15, which I'd completed by March 29th. I ended up discovering works by 46 new authors over the course of the year.

For the Historical Romance challenge, hosted by Herding Cats and Burning Soup, I signed up for 48 books, which in previous years wouldn't have been all that difficult. But this year, I read a lot more in other genres, and so didn't complete the challenge until the 11th of December. In the end, I managed to complete 52 books by the end of the year.

For my NetGalley/Edelweiss challenge, hosted by Falling For YA, I signed up to read at least 10 books. I had completed that by the 17th of April, but didn't do so well the rest of the year, reading only 12 books in total from my NetGalley ARCs. Going to try to be better this year.

The Let Me Count the Ways challenge, hosted here, was really all about reading a set amount of pages. I signed up for the highest level - over 10000 pages, and had completed it by March the 1st.

There was the RIP X challenge, running only in September and October, hosted by the Estella Society. I completed it by the 28th of September.

You Read How Many Books? was hosted by Book Dragon's Lair, and I signed up for 100 books (because occasionally I like to set myself achievable goals). I completed it on the 28th of September and went on to read 159 books that counted for the challenge.

Last, but not least, I signed up for the Reading Challenge Addict, for the highest level (16+ entered and completed). I think I more than covered that.

#CBR7 Book 155: "Girl Genius, vol 1: Agatha Heterodyne and the Beetleburg Clank" by Phil & Kaja Foglio

Page count: 96 pages
Rating: 3.5 stars

Agatha Clay (although I'm going to assume that this is an assumed name, since she has another one in the TITLE of the book) is one of those diligent students, who no matter how much she wants to suceed just can't seem to. She's almost constantly late, she can't really seem to make her inventions work and she's a laughing stock at the Transylvania Polygnostic University. To make matters work, during a weird electrical incident in town, she's robbed and her precious locket, with the only pictures she has of her parents is stolen. A locket pretty much anyone in authority over her is appalled is missing.

When the clearly powerful Baron Wulfenbach arrives at the University to inspect their progress, it turns out the headmaster, Beetle, may have been conducting unlicenced experiments and there's somewhat of a change in power. Agatha is expelled from the university and explains everything about her bad day to her guardians, who announce that they need to pack everything and leave town as soon as possible when they hear the news that Wulfenbach is in town, and Agatha's lost her locket. Her uncle, who left to go adventuring and has been gone for eleven years was very clear on the fact that she should never take it off. Likely because it acts as some sort of dampener of Agatha's inherent "spark", which only the greatest of scientists seem to have. Wulfenbach's son and heir suspect she may be more than she appears.

Girl Genius is a Steampunk YA adventure series, that can be read online, but a few years back, I picked up the first volume mainly on the strong recommendation of Patrick Rothfuss. I then put it on my shelf and promptly forgot about it, but needed a twelfth comic to complete my last reading challenge this year, and it seemed like a good time to finally read it. It's difficult to ascertain much about the characters from the short volume I just read, but I'm sure it can't hurt for young women to have a scientifically minded young heroine to cheer for, even if she does seem to have been given clumsiness and tardiness as her chief characteristics so far. I'm not entirly sure yet whether Wulfenbach is an antagonist or potential ally and I suppose his son could be a love interest of some sort. At least he seems clever, which is a good quality to aim for in a partner.

As the first volume barely starts the story, with some of the plot and action being quite confusing, it wasn't exactly the best reading experience I've had this year, but the comic has potential and I like that I can make up my mind about whether I like more or not by reading it for free online, and then buy the volumes afterwards if I decide I want to support the authors. At least I got another book knocked off my already scarily big TBR shelf.

Crossposted on Cannonball Read.

#CBR7 Book 154: "Sex Criminals, vol 1: One Weird Trick" by Matt Fraction and Chip Zdarsky

Page count: 128 pages
Rating: 4 stars

What did I just read? This comic certainly is completely different from anything I've experienced before. So the first time Suzie masturbates and orgasms, it literally makes time freeze. She's not sure if it's like that for everyone and having no one to ask, and limited resources to figure things out, she's a bit lost. Then she meets Jon at a party and is surprised to discover that it's exactly the same for him. They've always believed themselves to be alone, and now, when they've found each other, they become a bit addicted to exploring the range of their "powers".

The library where Suzie works is being closed down by the bank and Jon suggests that they use their unusual ability to stop time and rob banks. Just small amounts every time, slowly getting enough to save the library. Suzie's reluctant at first, but sadness and desperation to save her beloved library makes her change her mind. Only, Suzie and Jon aren't the only ones with unusual power, their activities have been noticed and there are people close on their tail.

While the book starts on a quite depressing beat, with Suzie explaining how her father was killed and her childhood wasn't exactly a barrel of laughs, most of the comic is actually very funny. Filthy and NSFW and probably not for kids, but laugh out loud funny and creative, with a rather unique concept and very likable characters. Volume 1 collects the first five issues, where we are introduced to Suzie and Jon and learn how they both came to discover their strange superpowers. Being a huge fan and frequenter of libraries and a passionate book lover, I can't really fault Jon's plan of robbing banks to prevent the closure of one. And his job at the bank does indeed seem pretty sucky, even if I don't exactly agree with some of his coping strategies.

Issue 5 ends at a pretty dramatic point and I'm very eager to get the next volume and see what happens next. My husband and everyone else who's recommended this comic were absolutely correct. Matt Fraction's writing is hilarious and Chip Zdarsky's art fits perfectly. I will be reading more of this in the coming year.

Crossposted on Cannonball Read.

#CBR7 Book 153: "Daredevil: Born Again" by Frank Miller and David Mazzucchelli

Page count: 176 pages
Rating: 4 stars

Like so many others, I was a huge fan of the first season of the Netflix series Daredevil. I decided that the time had come to look at some source material. 

In what could easily become season three of the series, Karen Page, Matt Murdock's former legal secretary and ex-girlfriend is down on her luck in Mexico. After a failed porn career, she's now a heroin junkie and she sells Matt's secret identity as Daredevil for her next fix. The name falls into criminal mastermind Kingpin's hands and over the course of six months, he sets out to completely destroy Murdock's life. His rent and utility bills turn out not to have been paid for months, his girlfriend Glori breaks up with him because he never has time for her anymore, he's accused of criminal misconduct and faces a grand jury trial. While the diligent efforts of his best friend Foggy keep him out of prison, he loses the right to practise law. As more and more things go horribly wrong, the more Matt's paranoia plays up and his mind slowly unravels. When Glori moves in with Foggy after her apartment's been trashed (Matt doesn't know that part), he's convinced even his best friend and his girl are against him. Only when his home is blown up, does he figure out that Kingpin's behind everything. All this - the first issue, guys.

Matt vows revenge, but is in a pretty bad state. He tries to kill Kingpin and fails miserably. He ends up in the East River, left for dead, framed for even more crimes he didn't commit. Matt, however, is tough and doesn't die. There is no corpse found, and Kingpin starts to worry. Afraid for her life because she's now hunted by Kingpin's assassins and feeling dreadful about betraying Matt, Karen laboriously makes her way back to New York City. Foggy and Glori grow closer, worried about the whereabouts, sanity and safety of Matt. Reporter Ben Urich works to clear Murdock's name and is nearly scared silent by the terrible reach of the Kingpin. Once again, the crime lord overplays his hand and loses control of the situation.

There is so much plot and action packed into the seven issues collected in Born Again, so much darkness, grimness, violence and pain. Frank Miller returned for a guest run in the middle of the standard Daredevil run, took all the toys out of the metaphorical toy box and didn't so much put them back where they were when he started, as blow up the entire box and leave the toys scattered and broken all over the place. I don't envy whomever was left to follow his limited guest run. It's not exactly easy comfort reading, but it's undeniably very good and there's no wonder this is one of the definitive Daredevil stories. Frank Miller was a heck of a writer before he went completely cray cray. I really wish his frequent misogyny hadn't reared its ugly head with the treatment of Karen Page. Not really surprised, because I've read Miller comics before, but I wish the character hadn't been degraded to the degree she is. Matt's current squeeze, who dumps him at the start of the story seems to move on to Foggy real quick as well, which I'm sure Miller just feels is illustrative of the fickleness of women.

Published in the late 1980s, the art by David Mazzucchelli (who also worked with Miller on the seminal Batman: Year One), isn't entirely to my taste and the colouring especially is quite dated. Having fallen so completely for Charlie Cox' portrayal of Matt Murdock in the Netflix series, I just couldn't reconcile myself with Matt being ginger here.

I'd love to see some of this play out in the TV show's later seasons (although there would have to be some changes, considering choices they've already made). The action packed climax would be especially interesting and opens for the intriguing possibility of cross-over with the cinematic universe that would be spectacular. Alas, I doubt that bit'll ever happen.

Crossposted on Cannonball Read.

#CBR7 Book 152: "Longbourn" by Jo Baker

Page count: 352 pages
Rating: 4 stars

Quick question - can you give me the name of a single servant in Pride and Prejudice? Despite having read the book multiple times and having just finished the audio version of the book, I certainly couldn't do it. Jo Baker has taken the classic novel and imagined what the lives of the invisible people behind the scenes, so to speak. The very essential people who wash the mud out of Lizzie's petticoats after she's been walking the countryside, who help the Bennett sisters do their hair, make the beds, empty the chamber pots, sweep the floors, cook the food, tend the horses, open the doors, run errands no matter the state of the weather, carry messages back and forth and make life so much easier for the main cast of Pride and Prejudice.

There's the housekeeper, Mrs. Hill; her husband, the butler; the maids Sarah and Mary (who because the middle daughter of the family is also a Mary is forever called Polly instead). There's also the mysterious and newly hired footman, James. Their lives' work is to make things as comfortable and effortless for the family they serve, but they have hopes and dreams and pasts of their own. Sarah, orphaned at an early age and taken into the household after a stay in the poor house, especially dreams of travelling and seeing the country, not content to be a servant her entire life. She's suspicious of James, the ruffian who showed up from nowhere and was suddenly hired on as a footman. All the other servants seem to adore him, and Mrs. Hill dotes on him, but Sarah's sure he's lying about his past and is determined to figure out what he's hiding. Both James and Mrs. Hill are concerned when Sarah seems to form an attachment with one of Mr. Bingley's handsome and exotically dark-skinned footmen.

The servants, like everyone else, hope the elder Bennett sisters will make good matches, and worry when Lizzie spurns Mr. Collins, who after all will be their new master at some point in the future. They all think it would have been easier if he married a Bennett daughter, but can see he should have set his sights on Miss Mary, who was a much more suitable match for him.

While the Bennett women and all their acquaintances seem charmed by the dashing Mr. Wickham, the servants are not so easily fooled by his looks and easy charm. They recognise a predator when they see one and when he shows a very worrying interest in little Polly, James forgets all his hard-earned instincts to keep his head down and steps in to protect her. Wickham shows just how dangerous he can be and causes great upheaval in the household. Both Sarah and Mrs. Hill are shattered by the aftermath.

The book is divided into three parts, and the third part is the one that's the most removed from the main plot of the source novel. In this part we discover more of Mrs. Hill's past, her connection to James the footman and why he wished to keep his past hidden from everyone. It offered a perspective on the Regency period you certainly don't see in the romance novels, not just because it concerns the lives of the working classes, but because it's easy to forget when reading about balls and dresses and courting that the Napoleonic wars were also raging at the time. While so many romances are populated by officers back AFTER the Napoleonic wars, with varying degrees of PTSD, they rarely show any of the realities of the actual fighting, and certainly not what it would have been like for the foot soldiers. Longbourn, however, doesn't shy away from such unpleasantness.

This book is a very interesting take on what I think of as "literary fan fiction". I really liked the different interpretations of the already known characters from the beloved novel, as well as a fascinating look at all those servants who get completely forgotten about, but were oh so necessary for the wheels of society to turn. At first, I was worried I'd find the book boring, but I pretty much raced through it, just as invested in the lower born protagonists that I was reading about Lizzie and her sisters finding love.

I'm not entirely sure I liked some of the choices Baker made in the book, however, and wish that Mrs. Hill's past could have been handled differently. I did like that Baker continued the story past the pages of the original, with glimpses of Lizzie's life as Mrs. Darcy and showed what life might be like for a maid at Pemberley. I can't really fault Sarah for the choices she eventually made, although I doubt I would have chosen the same if I were in her situation. There have been several very favourable Cannonball reviews of this in the past, I'm glad I finally got round to reading it.

Crossposted on Cannonball Read.

#CBR7 Books 147-148: "Wonder Woman: Guts" and "Wonder Woman: Iron" by Brian Azzarello and Cliff Chiang

Page count: 144 pages
Rating: 4.5 stars

Wonder Woman's friend Zola is pregnant with a child of Zeus, and has been taken by Hades into the Underworld. Diana is determined to do whatever it takes to get her back, and since Hades is none too pleased about the way Wonder Woman and her friends tricked her and Poseidon, she may have to pay a heavy and lasting price in order to secure her friend's safety. She enlists the help of the divine smith, Hephaestus, for suitable arms and in the process discovers yet another family secret. While Diana tries to escape the bonds of matrimony with the ruler of Hell, there is another power struggle for the throne of Olympus. Apollo wants his father's throne and has his sister Artemis to help him. Hera is convinced that Zeus will return to protect what is his, but may be in for a nasty surprise.

Page count: 176 pages
Rating: 4 stars

Time passes differently in the Underworld, and by the time Diana makes it to Zola, she's already nearly full term in her pregnancy. Almost immediately after birth, Diana and Zola experience a terrible betrayal, as the baby is stolen away. To locate the child, it's clear that Diana will need the aid of several of her demigod siblings. Zeus' continued disappearance and the shift in power on Olympus means the reawakenings of old forces and the birth of Zola's child could have an impact on more than our world. Orion, one of the New Gods arrives to help her in her search for the baby, but clearly has his own agenda, and it's unclear whether he wants to help or harm the child. In Wonder Woman: Iron we also get a look at Diana's early years. The god of war, Ares, wants to train her into a perfect warrior, but gives her up in disgust when she eventually refuses to finish off an opponent after a battle, showing mercy instead.

I must confess, that as I read these on the same day, the plots do blend together a bit in my mind, and I'm not entirely sure what happened in each of the trade volumes. Common for both, however, is an action-packed plot full of adventure, twists and turns. Things are very rarely as they appear on a first glance or sometimes even on a second. Everyone is ready to scheme and double cross everyone else. Cliff Chiang is an excellent artist and mostly I really like his style, in both the action scenes and the more quiet moments. One exception is his depiction of Hades, as a petulant child with a sort of melty candle head. It really doesn't work for me. It's a minor niggle, however.

A bigger niggle is the introduction of Orion in the third volume. While my husband is a huge fan of Jack Kirby's New Gods and pretty much every iteration of them, I find them incredibly annoying and the only time I've not pretty much hated all of them is when Gail Simone had Big Barda in some guest appearances in Birds of Prey. So the prospect of more of them turning up in later issues is not a happy one for me. I really liked every single issue of Guts, but in Iron, there are several story lines being introduced (not just the Orion thing) that I'm not too keen on. Azzarello's portrayal of Wonder Woman, and his general take on the gods and demigods of Greek mythology is so creative and fun that I'll keep reading for at least a while longer.

Crossposted on Cannonball Read.

#CBR7 Book 146: "Ms Marvel, vol 1: No Normal" by G. Willow Wilson and Adrian Alphona

Page count: 120 pages
Rating: 4 stars

Kamala Khan is a pretty ordinary geeky teenager from Jersey City, until she's suddenly given the extraordinary powers of the superhero Ms. Marvel. She's both excited and confused. Can a Muslim girl even be a superhero? She certainly feels that the outfit could be a bit less revealing. How is she going to combine the responsibilities of fighting crime, rescuing people and righting wrongs if she also has to worry about obeying her parents and keeping cerfew?

Before she's even entirely aware what she's doing, she uses her powers to save a class mate. The press catches wind of it, and soon everyone is wondering about the identity of the new Ms. Marvel. After trying to rescue her friend Bruno from a botched convenience store robbery, he discovers her new secret identity and promises to help her in any way he can. There's some hints about a sinister new villain, but as this trade only collects the first five volumes, it's mainly an origin story.

I really liked Kamala and while I've seen a lot of people claim that all the other characters are stereotypes, I'm not sure I agree. I would assume that since G. Willow Wilson herself is a Muslim, she's a bit more sensitive to the cultural stereotypes than some other authors might be. I work with teenagers from many religions, and thought most of the teen characters rang true. Stereotypes are built on generalities, but a lot of girls of Pakistani descent DO have protective parents. Their brothers are traditionally allowed a lot more freedom and it can be a tricky thing to have a foot in two cultures.

The comic is fun, but not perfect. I'm still not entirely sure how or why Kamala actually got her superpowers, that bit was a bit vague. I am assuming that the supporting cast will be fleshed out as necessary in future issues and that readers will also discover the motivations of the villain. I don't know a whole lot about the Marvel comics universe, having only really watched the films, but am unsure if this is the comic that will really make me more familiar with the whole of it. I supect it will mainly focus on Kamala's adventures in Jersey City. The series certainly seems more diverse in its representation than a lot of comics, and is clearly aimed more at a middle grade to YA audience. It's still refreshing to see a comic about a young woman that doesn't play up the physical aspect or overly sexualise her. I liked the writing and the art, and will be looking for the next volume soon.

Crossposted on Cannonball Read.

#CBR7 Book 145: "Season for Surrender" by Theresa Romain

Page count: 352 pages
Rating: 3.5 stars

After Miss Louisa Oliver broke her betrothal to Viscount Matheson, her step-sister and former intended was subjected to quite a scandal, due to the gossipping ways of Matheson's friend, the dissolute Alexander Edgware, Lord Xavier. Matheson and Louisa's step-sister got married, and the scandal passed, but Xavier isn't really a favourite in the Oliver or Matheson family circles any more. So when Louisa, with her formidable aunt as chaperone,  receives an invitation to his house party, rumoured to be quite a raucous event, she's puzzled, but intrigued and accepts. Having accepted her likely fate as a spinster, she'd nonetheless like to experience a thrill or two, and what better way to practise flirting or stealing a kiss or two than at Xavier's wild party?

Lord Xavier was orphaned at an early age and has had the wealth and freedom to do as he pleased since for as long as he can remember. Drinking, gambling, debauchery and wagering, he's done it all, but it's starting to lose some of its charm. Yet he's known to never turn down a wager, so when his malicious cousin bets him that he can't make a proper lady of good family attend his house party, no matter how shocking, and stay the full two weeks, he accepts. He had never expected his cousin to pick the bookish Miss Oliver, whose reputation he's sure his cousin intends to tarnish. He needs to make sure that nothing too shocking occurs to scare Miss Oliver away, while guarding her virtue without being too obvious about it.

Early on in the visit, Louisa overhears Xavier and his cousin speaking about the wager and realises how much is at stake about her presence there. She decides to teach both the men a lesson and pushes herself out of her comfort zone, engaging in the festivities with an enthusiasm that surprises everyone. Xavier tries to keep her from harm by distracting her with his large and comprehensive library, but finds what he most wants to do is spend as much time as possible with her there. Louisa discovers that if you're going to improve your flirting and kissing, there's no one better to practise on than a rake in want of reforming.

My biggest problem with the first book in this series was that there just wasn't enough plot to fill a full novel. At least in this story, I didn't have to feel that, but there are still slow patches. The book starts a little before the house party with the wager, but the chief portion of the story is at Xavier's country estate, with a largeish cast of characters, among them Xavier's cousin, Miss Jane Tindall, whose mother is nominally the hostess of the gathering, but seems to spend most of her time drunk or asleep. Jane appears to be the heroine of the next book in the series.

Louisa is really quite happy with the idea of staying unmarried, but at the same time she's been organising the library at her new brother-in-law's house and several months of watching the newly-weds be sickeningly happy could make anyone feel a bit down, even someone who hadn't originally been engaged to the groom. Feeling very much the third wheel, she's quite relieved to be invited to a house party, even if the host is the duplicitous Lord Xavier. It doesn't take her long into her visit to discover that he wasn't quite as dastardly as to besmirch her step-sister's reputation to one and all, but he did confide in someone he shouldn't. Used to being in the background, quietly observing everyone else, Louisa is quite the study of human nature, and is amused to discover that much of Lord Xavier's behaviour is merely a clever veneer, applied to fool those around him that he's as carefree, rakish and dissolute as his reputation claims. She becomes determined to make him reveal the person he really is, and is willing to use any means necessary.

Lord Xavier does indeed do very little without planning and forethought. He has a series of numbered expressions that he pulls out at the appropriate occasions and having been quite bored by his lifestyle for a while, he's nonetheless careful to cultivate the appearance of being the consummate rake, because he can't yet imagine what sort of a person he could be instead. A victim of his reputation, he believes it would be impossible to change now. He's very aware of how easily Miss Oliver could be ruined by mere hints at impropriety, yet cannot keep himself away from her. Initially, he tells himself it's too keep her safe, but the more time they spend together, the more obviously the attraction between them grows. He still thinks she's far too good for him, and even tries to send her away to protect her, not that it does a lot of good in the long run.

Theresa Romain remains an author who is perfectly decent, but who as of yet has not truly wowed me. I really did like this book, but I doubt that I'll particularly remember the details of the story in a month or so. Still, I keep seeing her books highly recommended, and can't seem to stop buying them in e-book sales, so I will continue to see if there is an exceptional book in her yet.

Crossposted to Cannonball Read.

#CBR7 Book 143: "Season for Temptation" by Theresa Romain

Page count: 368 pages
Rating: 3 stars

James, Viscount Matheson has newly come into the title and wishes to marry a suitable young lady as quickly as possible, seeing as his sister, now widowed, was embroiled in a terrible scandal due to her philandering husband and a very public scene with a mistress before he died. Matheson's mother wishes him to restore the family reputation. So he is very pleased when he meets the quiet and pleasant Miss Louisa Oliver in the library at a society ball. Proposing to her after but a short acquaintance, he goes to see her family and is then introduced to Louisa's vivacious and lively step-sister, Julia Herington. After just a short time, James begins to fear he may have proposed too soon.

Miss Louisa Oliver hated being out in society and felt that she really couldn't turn down the proposal of a Viscount, even though she's honestly not sure she's ready for marriage yet, if ever. All she really wants to do is stay at home with her family, reading and organising the library. Julia is overjoyed that her sister has made such a good match, and even more so once she actually meets James. She knows that her sister hates attention and scrutiny, but believes that James' wit and enthusiasm may bring Louisa out of her shell a bit more. She hopes she may one day meet a man as nice and agreeable as he.

Louisa manages to persuade James to postpone the wedding until Julia has had her season, and the two sisters go to London accompanied by a fearsome widowed aunt as chaperone. Of course James and Julia pine hopelessly for one another, all the while hiding their true feelings from Louisa, whom they both care very much for, each other and the world in general. Louisa, for her part, keeps having misgivings about getting married, getting more and more determined to break off the engagement the longer she has to spend in society. Will James be able to finally declare his love for the right sister?

This book was far too long for what was really a very simple plot. I'm pretty sure it could have been covered in a novella. Honourable and kind peer of the realm contracts betrothal with one sister, falls madly in love with the other. She returns his feelings, the first sister doesn't really mind, as she doesn't love him and didn't really want to get married after all. His mother, who is a meddlesome shrew, try to complicate matters to separate them, is not successful.

There's quite a lot of time spent in libraries, which I don't exactly mind, because Louisa loves books and the organising of them, which I can thoroughly respect. She is shy, socially awkward, yet perfectly behaved. She knows that she may never make a match as good as a viscount, so can't really refuse a proposal, even though she feels nothing more than a general regard for Matheson. She's pretty much the polar opposite of her step-sister who is impulsive, exuberant, frequently speaks before she thinks and seems unable to be still for a second. The major complication here are that James and Julia are too honourable to do anything to hurt Louisa or act on their attraction towards each other (although they both tell themselves that they're just imagining the kind attentions of the other because of their infatuation).

One thing the book cannot be criticised for is the romance progressing too quickly. Several months, if not nearly a year passes over the course of the book. There are tours of James' estate, that he's modernising. At one point, Julia turns her ankle and is convalescent for six weeks. Then there's her season, which seems to be well under way. The problem is just that nothing much interesting happens. Louisa tries to solicit James help in finding a respectable suitor for Julia. He seethes with jealousy and tries to sabotage the search while on the surface being forced to play along.

The characters are perfectly pleasant, the story (if it were shorter) is diverting. It just dragged on. Romain is a good writer and uses chapter titles very amusingly. I was still waiting for the end to be in sight and for them to just "get on with it!" I'd heard many good things about this series on Smart Bitches, Trashy Books and Dear Author, but based on the first book, I hope the sequels are snappier and have more plot or I'm not going to be able to get through them.

Crossposted on Cannonball Read.

#CBR7 Book 140: "Diary of an Accidental Wallflower" by Jennifer McQuiston

Page count: 384 pages
Rating: 4 stars

Lady Clare Westmore is pretty certain that she's well on her way of securing the affection of Mr. Charles Alban, the next Duke of Harrington. Every sign seems to suggest that with just a bit more time with him, he will propose marriage by the end of the season. When she manages to sprain her ankle violently, she still insists on going to the evening's ball, as passing up a chance to dance with Mr. Alban is unthinkable. However, the pain is such that she can barely stand, and she ends up in the corner with the wallflowers, shocked to discover that her so- called best friend dances and flirts with the duke's heir instead. She's rather rude to the young man who approaches her, assuring her that he is a physician, wanting to treat her injured leg. Dr Daniel Merial nonetheless manages to persuade her that he can help her, so Clare limps to the library in search of her mother, who's there as her chaperone. She receives her second shock of the evening when she finds her mother in the arms of a young man.

Mortified, Clare mainly allows Dr. Merial to examine her ankle, hoping that his doctor-patient confidentiality will prevent him from gossipping about her mother to anyone. She's extremely upset when he concludes that she will need to stay at home, resting her ankle for the next six weeks. That will completely ruin her chances with Mr. Alban! One of the most popular girls of the season is suddenly taken completely out of the running, and with the time she's left to spend at home, Clare is also forced to consider the many things that are clearly disastrously wrong in her parents' marriage.

While she's actually a very intelligent and well-informed young lady, Clare has created the perfect image for society of a carefree, slightly flighty beauty, perfectly behaved, dressed and with friends who have all the right connections. She despairs of the wild manners of her young brother and unconventional and spirited sister, who is due to debut in society soon. Once she's home bound, her siblings admit that they strongly dislike the persona she's created and she is forced to acknowledge the duplicity and fickleness of her so-called society friends.

Dr Daniel Merial came to London to perfect a device to administer anaesthesia, and when he's not working in the hospital or attending the dying Lady Austerly, he works on experiments at night, trying to make it work. He is in desperate need of other rich clients as his pay at the hospital isn't enough to fund his invention. So he's quite glad to be asked back to treat the cranky Miss Westmore, as he really does need the money. The more time they spend together, the harder it becomes for him to keep a professional distance. That her younger siblings both adore him as well and are eager for him to visit, makes it even harder for him to stay away.

The longer Clare is away from the cut-throat world of the season, the more confused she becomes about what she really wants. Mr. Alban comes to visit her, but they have none of the chemistry that sizzles between her and Dr. Merial. Yet Clare is the daughter of a viscount and though Daniel is a very promising young physician, whose invention, if he manages to complete it, could make him substantial amounts of money, there is no denying that there is a big social divide between them. As Clare discovers more of her parents' marital troubles, she understands that there are several secrets being kept, that if they were to be revealed, could mean complete social ruin for not only herself, but her siblings. Securing a marriage with a future duke could be the best solution to all their problems.

This is the first book I've ever read by Jennifer McQuiston, and I really liked her take on a high born heroine and commoner hero. Daniel Merial is a great hero, and he's determined to revolutionise medicine not out of desire to make himself wealthy, but to save as many lives as possible. He's an idealist, but also realises the necessity to make enough money to make ends meet. Although Lady Austerly pays well, he's also genuinely concerned about her, considering her a friend and he despairs at her continuing insistence on throwing social events, even at the risk of her already ailing health. He initially tries to keep a professional distance from Clare, but when she keeps going on about her wishes of a future match with Mr. Alban, he gets irrationally jealous and realises his feelings for her.

It's not actually all that common that marital problems are addressed in romance, even among secondary characters. I therefore felt that the growing rift and distress suffered by Clare's parents was an interesting addition to an already slightly unusual book. Add to that her younger siblings, who were both socially unprepared for their future duties, without getting too annoyingly quirky (although the tomboy sister occasionally comes close), who make a fun and believable supporting cast. Clare is a good heroine, initially blinded as to what she needs to make her truly happy by what she has been raised to believe she should aim for.

I got this book in an e-book sale after seeing it recommended on some romance blog or other. I will absolutely be seeking out more of her books.

Crossposted on Cannonball Read.

#CBR7 Book 139: "What a Wallflower Wants" by Maya Rodale

Page count: 384 pages
Rating: 4 stars

Miss Prudence Merriweather Payton has been dubbed "London's Least Likely to Be Caught in a Compromising Position" and after four seasons, she may be the only woman to go unmarried for so long after graduation her finishing school. No one, not even the loving aunt who raised her or her two best friends, knows that Prudence was raped at a ball early in her first season and has made very sure she's never alone with a man or considered marriage material. After all, her entire worth on the marriage market has been forcibly stripped from her. Yet now, with the upcoming anniversary ball of her finishing school, where even her two former wallflower friends have found happy marriages, she can't bear to be the only graduate left unmarried.

Taking matters into her own hands, Prudence travels to Bath and arranges a marriage of convenience to a gentleman who she knows will never expect or demand conjugal rights, as he's rather more interested in his best friend. However, on the way to his estate, where they are to be married by special licence, their stagecoach is attacked by a highwayman, and her intended pushes her out of the carriage to distract their attacker. She manages to escape, no thanks to her fiancee, without attracting the robber's attention and is left to make her way to civilisation alone.

Trudging through uncomfortable heat at first and later pouring rain, Prudence vows never to trust another man again. When she's offered a ride by a dashing and handsome man who introduces himself as John Roark, Viscount Castleton, she refuses even though she's cold, wet and tired. They nevertheless meet again at the country inn where she seeks refuge. As the torrential downpour continues for days on end, the two are trapped, along with a number of other guests, until the weather settles down. John and Prudence spend quite a lot of time in each other's company, and it doesn't take long for John to realise that someone badly hurt Prudence at some point in the past.

Roark is on his way to London with a grand business proposition which will secure not only his own future, but that of his mother and sister. He has secrets he cannot divulge and certainly isn't looking for or able to support a wife in his current situation. Yet he gets more and more smitten with the wary Miss Merriweather (she doesn't give him her full name) and when her dark past shows up unexpectedly at the inn, and she nearly suffers a repeat performance of her former attack, he doesn't even think before jumping in to defend her and pummelling her attacker.

After John beats up her rapist, saving Prudence from another nightmare scenario, she breaks down and finally tells someone about the (to her) deeply shameful secret about what happened years ago, and he comforts her, confessing that his sister once suffered the same fate as her. He is therefore fully aware of how scared and distrustful of men she must be. Even knowing that she may be scared, he proposes that they travel to London together, leaving the inn in case her attacker returns. They pose as man and wife on the road, and John's gentle treatment, understanding and patience gives Prudence hope that she may in time be able to trust another man again and possibly not recoil at being touched. But John's past is about to catch up with him too, and what will happen when Prudence discovers the secrets he's been hiding and the reasons he's in such a hurry to make it to London?

This romance deals with the aftermath of rape, and it doesn't in any way gloss over what happened to Prudence. The scene where she is attacked is graphically described, in a horrible inversion of the usual love scenes in such a book and there is no doubt that something terrible and irrevocable is done to a helpless young woman, whose life is never the same afterwards. Even now, rape is a horrible crime, but in a time when a woman's chief commodity was her virtue and she was seen as tainted goods and worthless if she lost it, rape took away any chance a woman had to make a good marriage. Prudence spends four years carefully making herself as unattractive and unobtrusive as possible, happily embracing her wallflower role, simply so she won't ever have to confess the truth about her tragic fate. When she meets a kind man who not only treats her gently but understands her pain, that is just as attractive to her as his physical beauty. Having kept her secret for so long, she's desperate to confide in someone.

John, absolutely furious about the trauma she's been through, not only beats her attacker within an inch of his life and drives him and his friend out of the inn, but insists on being allowed to show Prudence how to defend herself, as it's not fair that she go through life seeing herself only as a victim. She needs to reclaim her self worth, and his self defence lessons and the way he refuses to see her or treat her as ruined is a great help in making her start to blossom again.

The third and final of Maya Rodale's Bad Boys and Wallflowers, even with some rather melodramatic turns in the last third of the book and some pretty huge coincidences furthering the plot, this is by far the best in the series. Prudence is a lovely heroine, so strong and admirable for refusing to let her ordeal break her. John is a sensitive and understanding hero, who because of his unusual background is able to accept Prue's disgrace in a way most men in her peer group would not. I'm also not entirely sure if the ways in which the villain gets his comeuppance is historically accurate, but it felt very satisfying.

I read romances as a means of entertainment and escapism. In historical romances, I like being diverted by historical locations, pretty dresses, fancy titles and couples finding love, often across societal boundaries that are somewhat anachronistic. This book made me cry, more than once, and I'm pretty sure it wasn't just because I was pumped full of fertility hormones. Reading about a young woman having her entire future stolen from her in a savage attack is upsetting, and as Rodale points out in the afterword, many women of the past were driven to depression or suicide by such events. While other aspects of the book weren't perfect, I thought the main issue of the story and the love story between Prudence and John was very effective. Well worth checking out, as long as you're not sensitive about the darker side of the plot.

Crossposted on Cannonball Read.

#CBR7 Book 138: "Wallflower Gone Wild" by Maya Rodale

Page count: 384 pages
Rating: 3.5 stars

Lady Olivia Archer is unmarried after four seasons on the marriage market, known as "London's Least Likely to Cause a Scandal". Everywhere she goes, her mother forces her to recount her ladylike accomplishments, such as embroidery, playing the piano, painting water colours and other deathly dull things. Olivia isn't surprised people have taken to calling her "Prissy Missy" and that at one memorable garden party, a gentleman jumped into a hedge rather than speak to her (or her mother).

One of her best friends, Lady Emma, another former wallflower, recently married a duke after a series of unusual events and is now determined to match her two besties with suitable men.  Before she has time to introduce them to anyone, however, Olivia meets a handsome stranger at a ball and has a moment of true chemistry with him after their eyes meet across the room. The morning after, she is told her parents have accepted the proposal of Sir Phinneas Cole for her hand in marriage. A genius and reclusive inventor, Phin is in London to work on completing a machine with Lady Emma's husband. He wants a pretty, quiet and polite wife to help him manage his vast Yorkshire estate. He is also popularly known as "the Mad Baron".

Some years ago, all the newspapers ran stories about the tragic fire in his lab and how his first wife died under mysterious circumstances. While in finishing school, all three wallflowers read the scandalous accounts of how "the Mad Baron" stole his brother's fiancee and later likely murdered her. Because he lives in Yorkshire and never goes into society, Phin was of the naive belief that the rumours had died down. He was very wrong. It's clear that the woman he wants to marry is both afraid of him and behaving very strangely.

Olivia has concocted a plan with her friends to make Phin break off the engagement. If he wants a proper and ladylike bride, then Olivia must be everything but. She's been brought up knowing all the rules that mustn't be broken and has never stepped a toe out of line before. This has brought her nothing but scorn, ugly nicknames and now a very unwanted, possibly murderous fiancee. She starts behaving as scandalously as she can - wearing excessive amounts of makeup, getting drunk in public, dancing with rakes and scoundrels and generally trying to cause scenes (she's not very good at it).

Phin (who of course is the handsome man she met that magical night) is puzzled by the erratic behaviour of Lady Olivia. He can't deny the attraction he felt for her that first night, and even at her worst, Olivia can't come close to causing the sort of scandals his first wife inspired. The more outrageously Olivia acts, the more determined he is to go through with the marriage.

While Olivia doesn't know that Phin isn't a crazy murderer, the readers are of course privy to his POV and fully aware that he's not as dangerous as the rumours would have it. A big old science nerd, he's actually quite dreadfully clueless around women, and tries to take courtship advice from his more wordly (but moronic) friend, with the results that Olivia isn't just afraid of him, but thinks he's a dolt as well. The only thing their relationship has going for it is that first brief meeting when their glances caught across a crowded room and they shared a brief moment, until some of the catty ladies of the ton came to interrupt before anything significant could happen. The undeniable chemistry between them then is what makes Phin determined to win Olivia, and makes her unsure of whether he can be as bad as his reputation suggests.

Brought up to do only what is right and proper for a young lady, Olivia has never been given the opportunity to actually decide what she likes or wants from life, and her attempts at acting out go rather badly, because there is a reason she and her friends are dubbed "London's Least Likely". In one last-ditch attempt to rebel, Olivia goes to a masquerade, where she is rescued from a near-assault by none other than her (obviously masked) fiancee. Overwhelmed by everything that's happened since she became engaged against her will, she breaks down in his arms, and speaks honestly of her hopes and fears. Phin, to his credit, realises how dumb he has been and determines to treat his bride better, encouraging her to forge her own way and make her own choices once they are married.

He does not, however, tell her the truth behind the lurid gossip surrounding his first wife's death for quite some time, creating one of those frustrating misunderstandings that seems to be so common in romance. Of course things improve immensely between the couple once the full story is out, just in time for Olivia to injure herself badly, making Phin realise his feelings for her now that he might suddenly lose her.

Which brings me to my biggest gripe with this book. In addition to the "let's act all mad-cap and crazy to put off my fiancee" section that goes on a bit too long, this book has one of the most unbelievable deflowering scenes I've ever come across. Now, I may be extra critical, reading this book shortly after I myself fell on the ice and broke my left wrist quite badly. Nonetheless, I'm literally painfully aware of how much this hurts, and how sore and unwieldy a broken limb is, for up to a week after the injury. Even with the benefit of modern painkillers, I really didn't want to use my left arm for much of anything. Olivia breaks her ankle in an accident, yet seems perfectly able to consummate her marriage only a day or two afterwards. I don't care what superhuman erotic abilities "the Mad Baron" possesses, there is NO way that she would happily be spreading her legs and engaging in carnal acts so shortly after breaking a limb. As far as I'm aware, the most common painkiller in the Regency era would have been laudanum. Olivia would therefore either be more or less passed out in a morphine haze or in absolute agony if someone tried to move make her "open her legs".

Now, if you don't have the painful real life experience of breaking a limb fresh in your mind, this might not be a deal breaker for you. This book had a lot of potential, and I liked it better than the first book in the series, but there still wasn't anything out of the ordinary to make me consider Maya Rodale as an essential romance writer whose books I'll be looking out for or pre-ordering.

Crossposted on Cannonball Read.

#CBR7 Book 137: "Winning the Wallflower" by Eloisa James

Page count: 100 pages
Rating: 4 stars

Miss Lucy Towerton is very tall and until she inherited a fortune from a distant aunt, she was a wallflower without many promising prospects. So when Cyrus Ravensthorpe - handsome, rich, yet with some unfortunate family connections (his mother, the daughter of a duke, ran away to marry his father, the family solicitor) proposed marriage to her, she could hardly believe her luck. Now her mother wants her to break off their betrothal so she can catch herself a more suitable husband, possibly even Mr. Raventhorpe's cousin, the Duke of Pole. Lucy doesn't actually want to marry anyone else, and contrives a plan to be caught in a compromising position with her intended.

Cyrus Ravensthorpe is a man with a plan, a very carefully detailed plan that will ensure that his family regain the position in society they lost when his mother created a scandal by running off to Gretna Green after falling in love with his father. He has worked extremely hard to make himself a fortune, and proposed to Miss Lucy Towerton because 1) She was the daughter of a baronet, 2) Had a spotless reputation and 3) As a wallflower of several seasons, it wasn't like her family were going to turn down the offer. Now he arrives at a ball to discover that his fiancee is likely to throw him over, as she's come into a fortune of her own. She no longer needs the money he can offer her. Being so scrupulously careful to avoid anything that smacks of unseemly passion or inappropriate desires, Cyrus made sure he arranged the betrothal with Lucy's father and paid her the expected calls, but hasn't actually really paid any attention to the lady, until he may be losing her.

Lucy, emboldened by her new prospects, has been thinking about her fiancee's strange and restrained behaviour and confronts him (pretending to all others that she intends to break it off with him, so they'll be left alone). Discovering that she's only one of many steps in his plan to secure respectability and position, and doesn't know the faintest thing about her, she jilts him, not to please her ambitious mama, but because she's come to the realisation that she can do better. Finally seeing Lucy properly for the first time since they met, Cyrus realises that she's completely right to break the betrothal, but becomes determined to her back, with a proper courtship this time.

This novella is part of Eloisa James' Fairy Tales series, where the author takes famous fairy tales and writes historical romance versions of them. I don't actually think this novella fits with a specific tale and mostly serves as a fun interlude. It introduces Olivia Lytton, the heroine of The Duke is Mine, which Goodreads assures me I read back in August of 2012, but which I never reviewed and can barely remember. Olivia is Lucy's best friend, and the one who convinces her that she needs to fight to keep Cyrus if she actually likes him.

Eloisa James' writing can be a bit hit and miss, but she's got a clever way with words, and this little story is a fun take on the woman who learns to stand up for herself and demand what she deserves, plus the stuffy, proper hero with hidden passionate depths who is completely taken aback when he's suddenly overwhelmed by unexpected feelings. While Cyrus' motivations were very understandable, he was clearly a screaming bore before Lucy snogged the cravat off him and he realised he was going to do some pretty impressive grovelling to get back into her good graces.

Romance is usually written by women, for women about women and it's stories like this, about women taking control of their lives and destinies, speaking up about what they want, no matter what the conventions and consequences that are part of what makes the genre so enjoyable. Because it's novella length, it's a quick and fun read. There are some developments mentioned in the epilogue which I'm unsure of are historically accurate, but I really didn't care enough to bother checking whether Ms. James was taking anachronistic liberties or not. Despite that, this novella is absolutely recommended.

Crossposted on Cannonball Read.

#CBR7 Book 136: "The Alloy of Law" by Brandon Sanderson

Page count: 392 pages
Rating: 4 stars

In helping me establish some of the background for the plot of this book, here is the Goodreads summary:

In the three hundred years since the events of the Mistborn trilogy, science and technology have marched on. Scadrial is now on the verge of modernity, with railroads, electric lighting, and even the first steel-framed skyscrapers racing for the clouds. 

Even with these advances, the magics of Allomancy and Feruchemy continue to play a role in this reborn world. Out in the frontier lands, known as the Roughs, they are crucial tools for those trying to establish order and justice.

One is Waxillium Ladrian, a rare Twinborn who can Push on metals with his Allomancy and use Feruchemy to become lighter or heavier at will. After twenty years in the Roughs, Wax must now put away his guns and assume the duties incumbent upon the head of a noble house - until he learns the hard way that the mansions and elegant tree-lined streets of the city can be even more dangerous than the dusty plains of the Roughs. 

So our hero is Wax, or the ridiculously monikered Lord Waxillium Ladrian, who has to leave his position as a lawkeeper in the Wild West-like areas of the Roughs. While he is a legend with his guns, and his Allomancy, a personal tragedy has made him wary of using his skills anymore and since propriety seems to demand that the High Lord of a noble house don't run around catching common criminals, he instead tries to figure out what to do to make the House of Ladrian slightly more solvent. The answer appears to a marriage alliance to someone with a generous dowry, and the lady Steris appears to fit the bill. Unfortunately, at their first public appearance together,  she gets abducted by the Vanishers, the band of robbers/kidnappers who have been plaguing the city, stealing train loads of metals and taking women of good families as hostages.

Wax, his former partner Wayne (who is hilarious) and lady Steris' country cousin (in reality her illegitimate sister) Lady Marasi, an unobtrusive and quietly clever university student, team up to track down the Vanishers, rescue Steris and hopefully the other missing ladies as well.

It's been a fair few years since I read the original Mistborn trilogy (or any Sanderson really) and while I wouldn't recommend reading this book without first having read the other three books, I didn't feel too confused about the world building and the magic system, even though I hadn't re-read. This is partially because Sanderson has let three hundred years pass since his original trilogy, so while that was set in a sort of fantasy Renaissance, this is set in a sort of 19th Century developing technology world, with the same rules of physics and inherent magics. Sanderson is famously excellent at world building, and this series is no exception. While the book started a bit slowly and I was unsure of Wax as a protagonist, I got more engaged as his buddy Wayne showed up and they decided to actually solve some crime instead of Wax just trying and failing to be a stuffy society lord.

As a team, Wax, Wayne and Lady Marasi are a lot of fun. There is clearly romantic tension being set up between Wax and Marasi, which I'm hoping develops into something more in later books. While Wax is mourning, and believes himself to be too old for Marasi (plus there's the whole matter of him possibly entering a marriage of convenience with her rich half-sister), I have faith that she'll make him see sense. Poor Steris doesn't get to do much more than be girl hostage in this book, but despite her strange, stiff demeanour, I have faith that she too will turn out to be an interesting side character.

There are going to be two more books in this second trilogy in Sanderson's Mistborn universe. The second one is already out and the third book comes out early next year. I may wait a little while to read the second, so I can jump straight into the third without having to wait. Having taken quite a break from the books of the terrifyingly prolific Mr. Sanderson, I think I'm ready to have him wow me again.

Crossposted on Cannonball Read.

#CBR7 Book 135: "Macbeth" by William Shakespeare

Page count: Don't know, read it online
Rating: 4 stars

Just to be clear, I am not going to include any spoiler warnings for this play, since it's somewhere between 406-416 years old (sources seem to disagree exactly when it was written). If, for some reason, you're worried about having major plot points or deaths (there's a whole bunch, guys) ruined for you, then it's probably best that you skip this review entirely.

So Macbeth or the Scottish play. Despite having English lit as my minor at university, and Scottish history as part of my major, I had never actually read the play until now. The new movie version with my future husband, Michael Fassbender, in the title role, comes out here at Christmas, so I wanted to have read the source text before going to see it. I knew most of the major plot beats, because well, I haven't lived in a cave for most of my life. The story is quite frequently referenced in pop culture. One of my favourite references may be the Lancre witches in Terry Pratchett's Discworld.

For those of you who may be fuzzy on the details (but are still here because you don't mind being spoiled about something that's 400+ years old) - Macbeth is a trusted Scottish general, whose forces have just beaten Ireland and Norway at the beginning of the play. On his way from the battlefield, accompanied by fellow general Banquo, the men come across three witches. They hail Macbeth as "thane of Glamis, thane of Cawdor and he who will be King hereafter." They also claim that Banquo's descendants will sit on the Scottish throne. The men disregard the prophecies, until they meet King Duncan, who pleased and grateful, does reward Macbeth with the thaneship of Cawdor. The previous thane was convicted of treason and will be executed.

Since two out of three parts of the witches' prophecy have come true, the ambitious Macbeth can't get their words out of his head. When he confides in his lady wife, she's pretty clear that they're going to have to off the king to ensure Macbeth becomes king of Scotland. As Duncan and his men will be staying at Macbeth's castle in Inverness, they'll have the perfect opportunity. Getting his personal guard dead drunk, Macbeth murders the king and blames Duncan's drunken bodyguards. He then has them put to death before they can deny their guilt.

To secure his place on the throne, Macbeth can't just kill the king, of course. Luckily for him, Duncan's two sons flee and can therefore be framed for the murder. Of course, Banquo heard the witches' prophecy and might suspect the truth, plus there was that pesky foretelling that Banquo's heirs would at some point take the throne. So Macbeth sends assassins after his old friend. Banquo's son escapes and Banquo's ghost shows up in the throne room to freak out his former buddy.

As he gets more unstable, unhinged and murderous, Macbeth doesn't exactly gain loyal followers. He feels slightly safer after new prophecies from the witches, claiming "no one born of woman" can harm him. He warned about Macduff, the thane of Fife, though, who was one of Duncan's loyal men. Sending assassins to murder the man's wife and entire family certainly ensures his enmity for life.

As the previously formidable and ruthless Lady Macbeth is driven completely mad with guilt and ends her life, Macbeth keep making deeply questionable choices. Macduff and Malcolm, Duncan's son and heir, gather an army to fight him. Turns out that Macduff was "from his mother's womb untimely ripped" and hence can totally kill the power mad tyrant Macbeth has become.

While I may have studied English literature, there are a lot of Shakespeare's plays I've just never gotten round to reading. Macbeth is probably the most famous of the tragedies I still had on my TBR list. The plot didn't really hold any surprises for me, but there were a lot of famous lines and quotations throughout that I hadn't realised was from this specific play.

Not just had I never read the play, I've never seen any of the film versions either. Not the Japanese Throne of Blood or Polanski's adaptation from 70s. I haven't actually read any reviews of the new adaptation, starring Fassbender as Macbeth and Marion Cotillard as his lady. I have heard that apparently they've sidelined Lady Macbeth somewhat, which seems like a moronic choice, as Lady Macbeth clearly is the coolest character in the play. Blood-thirsty, murderously ambitious and utterly ruthless, yes, but much more impressive than any of the male characters. Cinema tickets are pricy nowadays and I won't fork out to see the film in the theatres if it's only going to be of middling quality. Having finally read the play, I can at least have an educated opinion about whatever choices they've made in adapting it.

Crossposted on Cannonball Read.

#CBR7 Book 134: "The Game and the Governess" by Kate Noble

Page count: 424 pages
Rating: 3 stars

At seventeen, Miss Sophie Baker is looking forward to her debut in society. She's only a few months away from graduating from a prestigious ladies' academy and her future looks bright. Then her father dies suddenly, destitute after having been swindled by a con man. Sophie's whole world changes and instead of a season and balls and pretty dresses, she's left to fend for herself, making a living as a governess. She blames the Earl of Ashby for her change in circumstance, as it was his former business manager who swindled her father. Had the Earl publicly denounced the man instead of just firing him, Sophie's father would never have lost everything they owned.

Five years later, having successfully saved up nearly enough to achieve her dreams of going to America to join her cousins, Sophie comes face to face with the Earl of Ashby. She just doesn't realise that he's not the man she thinks he is. Lord Edward Granville, the aforementioned Earl of Ashby, known to his friends as "Lucky Ned" has entered into a wager with his secretary, John Turner. For a period of two weeks, Ned has agreed to switch places with his secretary, to prove that his overall luck, popularity and success with the ladies, especially, has nothing to do with his wealth and title, but just his looks, charm and the luck that always seems to make him come out on top.

Turner proposed the wager both because he wanted to cut his pompous and oblivious employer down to size a bit. If he wins, he gets five thousand pounds to save his family's failing mill. If he loses, Ned will not only be even more insufferable, as he'll have been proven right, but he'll lose the mill once and for all. Trading places, Ned has to make a woman of gentle birth (no low-born and easily coerced servants allowed) fall in love with him and present him with a clear token of her affection. Ned thinks it's going to be a piece of cake and is also looking forward to showing the stuffy Turner that life as the Earl isn't always as care free and easy as it looks to be.

Despite the house they're staying in being full of eligible women, Ned is chagrined to realise that when people think he's a mere secretary, the same affable behaviour that normally has him welcomed with opened arms, is seen as overly familiar and inappropriate. While he may have spent his first twelve years in genteel poverty before becoming the former Earl's heir, he's gotten very used to his easy life of privilege. The only woman who will even give him a second glance is the governess, Miss Turner, and even with her, he has to work much harder than he ever has before to impress her. He has no idea that she blames him for her downfall in life, and by the time he discovers the truth, he's already fallen in love with her. Can the Earl of Ashby become a decent and likable human being over the course of two weeks and also convince a woman who has every right to hate him that she should spend the rest of her life with him?

While there was a lot of potential in this book, the romance feels more like a secondary plot than the main event. So much time is spent establishing the relationship between John Turner and Ned Granville and setting up the wager. Ned and Sophie don't even really speak until nearly halfway through the book. Then there's the fact that Ned, initially, really is a bit of an ass. He clearly needs to walk a mile or two in someone less fortunate's shoes and wake up and smell his privilege, and to be fair to Ms. Noble, he goes through a lot of changes over the course of the book. By the end, he's a pretty decent romance hero and has a lot more understanding for the position he put his friend Turner in.

While Ned is a bit of a douche-canoe initially, and Turner is frankly a bit of a bore, who spends quite some time trying to sabotage things for his friend, because he so desperately needs to win the wager to get the money to save his mill, Sophie is great and I am upset that so much of the book focuses on the friendly frenemy relationship of the dudes, when there is a lovely, strong, clever heroine, who despite the misfortunes she's suffered, has retained the ability to keep positive and choosing to see the silver lining rather than the clouds. While she was deeply upset with Ashby initially, five years later she has proved to herself that she's a resilient, self-sufficient woman. She's good with children, she's managed to make nearly enough money to achieve her dreams and she's really not looking for a man to complete her or "take her away" from her life of drudgery. She delivers a righteous slap to Ned when he kisses her the first time, having just presumes she wants him, and verbally berates him in the strongest terms.

There is a lot of good stuff in the book, and I'm sad that I can't rate it higher, but in a romance, I really do want the interaction between the hero and heroine to be the most prominent story line and it just didn't feel like that was the case here. So far, Kate Noble hasn't done anything that I actively hate, and I'm willing to give her a lot of slack for being a co-writer on my beloved Lizzie Bennet Diaries. I still have quite a few of her books from various book sales, but am not going to buy any more until I've found one that I can really fully recommend without several reservations.

Crossposted on Cannonball Read.

#CBR7 Book 133: "Hex Hall" by Rachel Hawkins

Page count: 337 pages
Rating: 3 stars

Sophie Mercer is a witch and because of the various bad incidents her magic has gotten her mixed up in, she and her mum have moved a lot during her lifetime. After Sophie seriously misjudges the oomph of a love spell at her current high school's prom, and there is a huge scene, Sophie's normally absentee father, a European warlock of some kind, gets involved. Sophie is sent off to a boarding school. On a remote island, where she will stay until she graduates at 18.

Hex Hall, as it's known among the kids there, is a magical reform school where wayward witches, shapeshifters and faeries are sent until they come of age. As an attempt at greater inclusion, there is currently also a vampire attending the school. Jenna the vampire also just happens to be Sophie's new roommate. After Jenna's former roommate ended up dead under mysterious  and suspicious circumstances (with two little holes in her neck) the year before, Jenna is pretty much feared and/or shunned by the whole school. Sophie doesn't want to jump to conclusions, however.

Before her first week is up, Sophie and Jenna are starting to bond; a trio of powerful Mean Girl witches want Sophie to join their coven so they can maximise their power (and are NOT pleased to get no for an answer); Sophie has detention for the rest of the term and an inconvenient crush on the most popular boy in school. She also learns that her father is in fact the head of the Order that sent most of the kids to Hex Hall, and as a result, he (and his daughter) are not really popular. Sophie is rumoured to be just as powerful as him, but having grown up around normal humans, never interacting with other magically abled, things that others consider child's play are completely new to her. She finds the most basic spells incredibly challenging and on top of that, she has to try to survive magical high school intrigue.

Sophie refuses to join the crusade against Jenna, which gets more intense after another girl is attacked, with Jenna having been one of the last to interact with her. Sophie wants to solve the mystery behind the attack and get good enough at magic that she can tell the coven to stuff it. At least she gets to spend lots of quality time with Archer (her crush) during their detention sessions. Now if she could only make him forget about Elodie, his current girlfriend and her nemesis.

Hex Hall is fairly highly rated on Goodreads and when I saw it cheaply in an e-book sale, it seemed a fun enough read. As an added bonus, the X in the title would allow me to finish my Alphabet Soup challenge for the year. It's a fairly generic YA paranormal fantasy, where the usual high school intrigues are made a bit more interesting as there is magic, witches, ghosts, various shapeshifters, faeries and possibly an evil demon on the loose.

Sophia is a likable, snarky, independently-minded heroine. She doesn't really fit in with any of the popular kids and has a tendency to speak before she thinks. This sometimes backfires badly. Despite her disgust at being a cliche, she can't help but fall for the ridiculously handsome Archer Cross, and the more time she spends around him, discovering that he's actually smart, funny and kind, as well as well-liked around the whole school doesn't help. His only flaw is dating Elodie, the head of the coven, whose main goals seem to be to recruit Sophie to enhance the coven's power and to get Jenna expelled from the school.

There are some fun ideas here - Lord Byron being a vampire sentenced to teach at the school. Detention is being forced to catalogue magical artifacts, that move to a new area every day, in a huge creepy basement. Supernatural teens who can't keep under the radar being sent to magical reform school at a remote location.

I also like that Elodie, Sophia's initial nemesis and the Regina George of the coven, turned out to be a bit more multi-faceted than she seemed at first. I liked Sophia's fish out of water experience. The friendship between Jenna and Sophie was also a nice feature, and the revelation that Jenna was gay made sense without just seeming like a "insert token LGBT character here for diversity" thing.

I didn't really care about the many shadowy groups who are out there trying to destroy the supernatural, although it's clear from the synopsis of the next book (and to anyone who's ever read a narrative) that they'll play a more significant part in the sequels. Sophia turning out to be the only child of the head warlock, with a legacy of super special power was a bit too convenient.

Not sure I got invested enough in this world and the characters to bother reading the sequels any time soon. I won't rule it out if I find them at a decent price in a book sale, but I doubt I'll be seeking them out in the immediate future. The book didn't stand out enough for that.

Crossposted on Cannonball Read.

#CBR7 Book 132: "The Likeness" by Tana French

Page count: 553 pages
Audio book length: 22 hrs 30 mins
Rating: 4 stars

After a murder investigation that completely destroyed her relationship with her detective partner and best friend, Dublin murder detective Cassie Maddox moved to the Domestic Violence unit and took up target shooting to deal with her feelings of anxiety. She's therefore surprised when her boyfriend, Sam O'Neill calls her from a murder site, and asks her to come meet him, but to make sure she wears sunglasses and a hat or some such, to disguise her appearance a bit.

Once Cassie sees the victim, she understands not only why Sam sounded so shaken on the phone, but why he wanted her to come down in person. The murder victim looks exactly like Cassie, and her ID claims that she is "Alexandra Madison". This is impossible, as Alexandra "Lexi" Madison was a fake identity Cassie and her boss created from scratch for an undercover drug case Cassie was part of several years ago. The dead young woman could be Cassie's identical twin, only Cassie is an only child, with no knowledge of any family connection that could explain the similarities.

Her former boss from Undercover, Frank Mackay is also on the scene, bursting with excitement because of the crazy idea he's concocted. He wants to use Cassie's uncanny resemblance to the murder victim to go undercover, pretending to be "Lexi" and try to ferret out who the killer is by interacting with all the people in the victim's life. He wants to tell everyone that Lexi Madison survived her stabbing and has been comatose, giving Cassie time to study the victim carefully. Then he wants her to move in with Lexi's house mates, go to her classes and basically pretend to be her for a few weeks to see what comes up. Hopefully the killer will be so rattled, they reveal themselves in some way.

Sam is absolutely appalled. Cassie initially refuses, but Frank is relentless and uses every bit of his former hold on Cassie to cajole, lure and entice her. He's extremely observant and knows Cassie well, seeing how miserable she is in the DV unit and suspects there may be aspects to her last murder case she hadn't yet processed. Here she has another shot at helping to solve a murder, from a completely different angle. After the murder investigation (not being presented as such to the suspects) still has no leads after several days, Cassie agrees to go undercover.

Having studied every piece of information they have on the victim, including very convenient cell phone videos, Cassie is able to learn the woman's inflections, mannerisms and habits and can also study how "Lexi" interacted with her house mates. The police have let the house mates (still among the primary suspects, despite water tight alibis) know that Lexi has short term amnesia, to help Cassie cover up any initial glitches when she is living among them.

Wired for sound and armed, Cassie is sent to the big house in the Irish countryside where the woman calling herself Lexi lived with four friends - Daniel, Abby, Rafe and Justin. She needs to convince these four highly intelligent young academics, who knew Lexi better than anyone, that Lexi isn't dead, she's just been in a coma after a savage knife attack. Neither O'Neill nor Mackay trust the house mates, for all that their stories all match up. They believe one or several of the friends may have been Lexi's murderer.

As days and then weeks tick by, Cassie's cover, although in danger a few times, seems to be holding. She settles more firmly in Lexi's skin, forgetting for a while about her past difficulties, her quarrels with Sam and her dreary job in DV. Lexi's friends are a strange bunch, fiercely loyal to each other and very stand-offish to outsiders. They are like family to one another, quite content to exist without interacting very much with anyone outside their little clique.

For a time, Cassie allows herself to almost forget her role as a detective and her duty, but I was never able to distance myself from the gigantic lie the police were feeding these people. Believing their dear friend almost died, then came back to them, they were all in for such a crushing blow when the truth came out. Four young intellectuals, so determined to forge their own path. Spending their evenings and weekends redoing the old house, or reading, discussing or playing cards. No TV or computers or smart phone apps. Lexi's phone seemed to have been used as a video camera, but none of the group liked using computers or only modern technology. There's something both incredibly pretentious and quite admirable about that.

As with In the Woods, this book is more about exploring psychology and questions around identity and personality than a straight up murder mystery. The plot demands a pretty serious suspension of disbelief; that based on nothing but medical records, photos, files and some phone videos, Cassie was so good at impersonating another person that not one of the four people who knew her best caught onto her being an impostor. That's after the massive coincidence that the murdered woman looked exactly like Cassie, down to height, build, hair colour, facial features, even hands and teeth AND had assumed her abandoned undercover identity. Because the story entertained me, and Cassie was one of my favourite characters in the previous book, I was willing to go along with it.

Of course, Cassie as a supporting character, seen through the eyes of her best friend (the books are all first person) is different from Cassie as the protagonist, having gone through some tough stuff in the last six months. French's protagonists aren't really all that nice, they are flawed in many ways. That's what makes them seem so real. I had real trouble with some of the choices and decisions made by Rob in the last book, I didn't always agree with Cassie in this one. But I still liked her more. While I don't love these books as much as Narfna/Ashley does, I am enjoying them a lot, and the audio narration for this one was truly excellent. I will be reading more of these in the new year.

Crossposted on Cannonball Read.