Page count: 207 pages
Rating: 4.5 stars
Official book description:
"Good morning. Do NOT get stuck in the comments section of life today. Make, do, create the things. Let others tussle it out. Vamos!"
Before he inspired the world with Hamilton and was catapulted to international fame, Lin-Manuel Miranda was inspiring his Twitter followers with words of encouragement at the beginning and end of each day. He wrote these original sayings, aphorisms, and poetry for himself as much as for others. But as Miranda's audience grew, these messages took on a life on their own. Now, at the request of countless fans, Miranda has gathered the best of his daily greetings into a beautiful collection illustrated by acclaimed artist (and fellow Twitter favorite) Jonny Sun. Full of comfort and motivation, Gmorning, Gnight! is a touchstone for anyone looking for a lift.
I see on Goodreads that some people absolutely loved and adored this book, while others felt it was a cheap and underwhelming effort from Miranda, trying to cash in further on his fame. I think I'm much more in the former category, and as someone who has followed Miranda on Twitter for a long time, and have enjoyed his inspirational little tweets in "real time", I was very excited when I learned that many of them were to be collected in a book.
It may also be that I was reading through these during a stressful and emotionally exhausting period in my life, but a lot of these little poems truly spoke to me and made me feel so much better. I'm not lying when I say that I cried more than once when reading, just as I smiled. Some of these sayings may be trite and simple, but I believe the intention behind them is to help, to support, to inspire and to cheer up and for me, they more often than not made me feel better and motivated and inspired, rather than annoyed, as some people seem to have gotten. Miranda seems to me as a person who works really hard to try to stay positive, even when the world around us is doing its damnedest to wear us down. These little Twitter verses is one of the ways in which he fights the gloom, and I'm thankful for that.
Some of the illustrations in the book are better than others. With the simple black and white line drawings, it would probably work as a colouring book, as well, if one wanted to use it as such.
Judging a book by its cover: This book has a relatively simple cover, it's one of the illustrations made by Jonny Sun for one of the tweets collected in the book. I like his drawing style. It's very clear and no-nonsense.
Crossposted on Cannonball Read.
This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Saturday, 28 December 2019
#CBR11 Book 94: "Suddenly Last Summer" by Sarah Morgan
Page count: 384 pages
Rating: 3 stars
Official book description:
Fiery French chef Élise Philippe is having a seriously bad day. Not only have the opening day plans for her beloved café fallen apart, but Sean O'Neil is back in town, and looking more delectable than ever. Last summer, they shared an electrifying night together…and the memories have Élise really struggling to stick to her one-night-only rule! Her head knows that eventually Sean will be leaving, so all she can do is try to ignore her heart before she spontaneously combusts with lust.
Being back in Vermont—even temporarily—is surgeon Sean O'Neil's worst nightmare. For Sean, returning home to the Snow Crystal Resort means being forced to confront the reasons and the guilt he feels about rejecting his family's rural lifestyle years ago. But discovering that Élise has settled in Vermont and still sets his blood racing is a very welcome distraction! Thinking he can persuade her into a replay of last summer is tempting, but remembering how good they are together is going to make walking away more difficult than he could imagine…
Seeing the way his grandfather treats him and talks to him when he comes back to the family resort, I'm not all that surprised that doctor Sean prefers to stay in Boston, being a sought after playboy surgeon. When his grandfather has a heart attack, however, he obviously does the right thing and comes rushing home to help out. He discovers that his brother has done a pretty good job of turning business at the Snow Crystal Resort around and that while customers aren't flocking to the place, they're not about to have to file for bankruptcy either. Now his brother's beautiful French chef is in a tizzy because the wooden deck around her lakeside cafe won't be finished in time for the grand opening, and the resort and the O'Neil family could suffer financially as a result.
Élise feels like she owes everything she has to the O'Neil family and is eternally grateful that Jackson O'Neil hired her when she was at her lowest point, and that his family have welcomed her with open arms and treats her as one of their own. She's willing to do absolutely everything for them, and the new cafe was going to be the money spinner that would attact even more guests to the Snow Crystal Resort. That the grand opening might have to be cancelled or even postponed is unthinkable to her, even if she has to accept the help of handsome doctor Sean in order to get the deck ready on time. She and Sean shared a passionate night together a year ago, but Élise has a bad track record with romance, and does not intend to ever be in a relationship again. Thankfully, Sean doesn't seem like the long term commitment kind.
Except, once he's forced to stay around in Vermont while his grandfather recuperates and keeps seeking out Élise, as the sparks flying between them are just as hot as the previous summer, Sean begins to think that maybe he has been a bit hasty in his choice to stay in Boston all the time. That Élise just wants something casual makes him all the more determined to win her over and convince her that she may want to give love and romance a second chance.
For those who would like a heads up about such things, I should warn that there is a history of physical and emotional abuse in Élise's past, which is why she's so incredibly determined never to make herself vulnerable to a man ever again. I think it's dealt with pretty well, and Sean recovers pretty well after being a bit of a clueless idiot about his lady love, not to mention the bullheadedness of his grandfather initially.
This was neither a bad, nor a particularly memorable book. I enjoyed it while I read it, but am not sure I have a desperate need to seek out any of the two other books in the series to find out how the romantic prospects of the other two O'Neil brothers work out. To be fair, this is the middle book, so I already know who Jackson ends up with (but I'm not sure I care the exact hows or whys of why they got together). Of the Sarah Morgan books I've read in the past, I enjoyed her New York-set From Manhattan with Love series more.
Judging a book by its cover: This is a pretty generic contemporary romance cover, in my opinion. There's nothing particularly wrong with it, and the cover models more or less fit the description of the protagonists, but there's nothing super appealing about it either.
Crossposted on Cannonball Read.
Rating: 3 stars
Official book description:
Fiery French chef Élise Philippe is having a seriously bad day. Not only have the opening day plans for her beloved café fallen apart, but Sean O'Neil is back in town, and looking more delectable than ever. Last summer, they shared an electrifying night together…and the memories have Élise really struggling to stick to her one-night-only rule! Her head knows that eventually Sean will be leaving, so all she can do is try to ignore her heart before she spontaneously combusts with lust.
Being back in Vermont—even temporarily—is surgeon Sean O'Neil's worst nightmare. For Sean, returning home to the Snow Crystal Resort means being forced to confront the reasons and the guilt he feels about rejecting his family's rural lifestyle years ago. But discovering that Élise has settled in Vermont and still sets his blood racing is a very welcome distraction! Thinking he can persuade her into a replay of last summer is tempting, but remembering how good they are together is going to make walking away more difficult than he could imagine…
Seeing the way his grandfather treats him and talks to him when he comes back to the family resort, I'm not all that surprised that doctor Sean prefers to stay in Boston, being a sought after playboy surgeon. When his grandfather has a heart attack, however, he obviously does the right thing and comes rushing home to help out. He discovers that his brother has done a pretty good job of turning business at the Snow Crystal Resort around and that while customers aren't flocking to the place, they're not about to have to file for bankruptcy either. Now his brother's beautiful French chef is in a tizzy because the wooden deck around her lakeside cafe won't be finished in time for the grand opening, and the resort and the O'Neil family could suffer financially as a result.
Élise feels like she owes everything she has to the O'Neil family and is eternally grateful that Jackson O'Neil hired her when she was at her lowest point, and that his family have welcomed her with open arms and treats her as one of their own. She's willing to do absolutely everything for them, and the new cafe was going to be the money spinner that would attact even more guests to the Snow Crystal Resort. That the grand opening might have to be cancelled or even postponed is unthinkable to her, even if she has to accept the help of handsome doctor Sean in order to get the deck ready on time. She and Sean shared a passionate night together a year ago, but Élise has a bad track record with romance, and does not intend to ever be in a relationship again. Thankfully, Sean doesn't seem like the long term commitment kind.
Except, once he's forced to stay around in Vermont while his grandfather recuperates and keeps seeking out Élise, as the sparks flying between them are just as hot as the previous summer, Sean begins to think that maybe he has been a bit hasty in his choice to stay in Boston all the time. That Élise just wants something casual makes him all the more determined to win her over and convince her that she may want to give love and romance a second chance.
For those who would like a heads up about such things, I should warn that there is a history of physical and emotional abuse in Élise's past, which is why she's so incredibly determined never to make herself vulnerable to a man ever again. I think it's dealt with pretty well, and Sean recovers pretty well after being a bit of a clueless idiot about his lady love, not to mention the bullheadedness of his grandfather initially.
This was neither a bad, nor a particularly memorable book. I enjoyed it while I read it, but am not sure I have a desperate need to seek out any of the two other books in the series to find out how the romantic prospects of the other two O'Neil brothers work out. To be fair, this is the middle book, so I already know who Jackson ends up with (but I'm not sure I care the exact hows or whys of why they got together). Of the Sarah Morgan books I've read in the past, I enjoyed her New York-set From Manhattan with Love series more.
Judging a book by its cover: This is a pretty generic contemporary romance cover, in my opinion. There's nothing particularly wrong with it, and the cover models more or less fit the description of the protagonists, but there's nothing super appealing about it either.
Crossposted on Cannonball Read.
Friday, 27 December 2019
#CBR11 Book 93: "Headliners" by Lucy Parker
Page count: 400 pages
Rating: 4 stars
Disclaimer! I received this as an ARC from NetGalley, but this has in no way influenced my review.
While this works fine as a standalone contemporary romance, both characters and some of the events that complicate their relationship early on are introduced in The Austen Playbook, which I can also heartily recommend.
Official book description:
He might be the sexiest man in London, according to his fan site (which he definitely writes himself), but he’s also the most arrogant man she’s ever met.
She might have the longest legs he’s ever seen, but she also has the sharpest tongue.
For years, rival TV presenters Sabrina Carlton and Nick Davenport have traded barbs on their respective shows. The public can’t get enough of their feud, but after Nick airs Sabrina’s family scandals to all of Britain, the gloves are off. They can barely be in the same room together—but these longtime enemies are about to become the unlikeliest of cohosts.
With their reputations on the rocks, Sabrina and Nick have one last chance to save their careers. If they can resurrect a sinking morning show, they’ll still have a future in television. But with ratings at an all-time low and a Christmas Eve deadline to win back the nation’s favor, the clock is ticking—and someone on their staff doesn’t want them to succeed.
Small mishaps on set start adding up, and Sabrina and Nick find themselves—quelle horreur—working together to hunt down the saboteur…and discovering they might have more in common than they thought. When a fiery encounter is caught on camera, the public is convinced that the reluctant cohosts are secretly lusting after one another.
The public might not be wrong.
Their chemistry has always been explosive, but with hate turning to love, the stakes are rising and everything is on the line. Neither is sure if they can trust these new feelings…or if they’ll still have a job in the New Year.
To say that I was eager to get my hands on this ARC is an understatement. I renewed the site once or twice a day, checking whether I'd been granted a copy. Of course, about the point when I was starting to give up hope and stopped checking, I received an e-mail confirming I was one of the lucky ones to get this book early. Lucy Parker is one of the few authors writing, in any genre, who has the honour of being not only on my auto-buy list, but one of the few who deserves the very coveted pre-order treatment. So even before I was granted a copy of this, I had paid money for it, because all of Parker's previous four novels have proven excellent reads, and I was pretty sure this would be too.
While Sabrina and Nick may initially detest each other, they are also professionals, who do the jobs they are hired to and don't let their animosity for their closest co-worker get in the way of doing their very best. Of course, neither of them are stupid, either, and it doesn't take them long at all to figure out that there is someone trying to sabotage the show. They're unsure of whether the guilty party has it in for one or both of them, but once they join forces to try to flush the culprit out, they also end up spending a lot more time together, and all that passionate dislike starts turning into something a bit more affectionate.
For those readers who have read The Austen Playbook, there are cameos from Freddy, Griff, Charlie and some of the Carlton sisters' friends who we were introduced to in that book. The two sisters are still really close, and Nick's thoughtless behaviour taking advantage of the Carlton family's scandals affected both of them, and pretty much ruined his long friendship with Griff. So obviously Sabrina takes her sister's opinions into consideration when her feelings towards Nick start to change.
Sadly, there is also a re-appearance of Sabrina's douchy movie star ex-boyfriend, and I was deeply grateful that there didn't appear to be any jealousy drama to complicate the plot, and that his appearance was relatively brief. I'm a little bit worried that movie-ex is going to feature as a hero in one of Parker's future books, but at the same time, she's written enough of my keeper shelf novels by now that if that's a choice she ends up making, I will probably end up loving him as much as I do Richard, Luc, Leo, Griff and now Nick.
It was going to take a lot for me not to like this book. I've never rated a Lucy Parker novel lower than four stars, this features enemies to lovers (one of my favourite tropes), while also displaying a lot of competency porn. Both Sabrina and Nick are amazing at their jobs and work really hard for the things they've achieved. The book gives fun insight into the behind the scenes bustle of a popular talk show and there's an amusing minor subplot where both Sabrina and Nick have to scramble to secure a horrible electronic toy, the most sought after present of the Christmas season, for a child they care for.
All I can say is that if you've enjoyed any of Parker's former novels, you will absolutely like this one too and should consider pre-ordering it. I still think The Austen Playbook is my absolute favourite, followed by Pretty Face in second place, but this may edge out Act Like It for third (because it doesn't have that slightly shaky last act with the overly dramatic building collapse). The book will be on general release on Janurary 20th, 2020.
Judging a book by its cover: While I think Act Like It still has my absolute favourite of Lucy Parker's book covers, this comes in at a close second. There is such utter joy on both of the cover model's faces and the background and lights is magical and romantic. They seem utterly besotted with one another, which is exactly what you want from a romance cover.
Rating: 4 stars
Disclaimer! I received this as an ARC from NetGalley, but this has in no way influenced my review.
While this works fine as a standalone contemporary romance, both characters and some of the events that complicate their relationship early on are introduced in The Austen Playbook, which I can also heartily recommend.
Official book description:
He might be the sexiest man in London, according to his fan site (which he definitely writes himself), but he’s also the most arrogant man she’s ever met.
She might have the longest legs he’s ever seen, but she also has the sharpest tongue.
For years, rival TV presenters Sabrina Carlton and Nick Davenport have traded barbs on their respective shows. The public can’t get enough of their feud, but after Nick airs Sabrina’s family scandals to all of Britain, the gloves are off. They can barely be in the same room together—but these longtime enemies are about to become the unlikeliest of cohosts.
With their reputations on the rocks, Sabrina and Nick have one last chance to save their careers. If they can resurrect a sinking morning show, they’ll still have a future in television. But with ratings at an all-time low and a Christmas Eve deadline to win back the nation’s favor, the clock is ticking—and someone on their staff doesn’t want them to succeed.
Small mishaps on set start adding up, and Sabrina and Nick find themselves—quelle horreur—working together to hunt down the saboteur…and discovering they might have more in common than they thought. When a fiery encounter is caught on camera, the public is convinced that the reluctant cohosts are secretly lusting after one another.
The public might not be wrong.
Their chemistry has always been explosive, but with hate turning to love, the stakes are rising and everything is on the line. Neither is sure if they can trust these new feelings…or if they’ll still have a job in the New Year.
To say that I was eager to get my hands on this ARC is an understatement. I renewed the site once or twice a day, checking whether I'd been granted a copy. Of course, about the point when I was starting to give up hope and stopped checking, I received an e-mail confirming I was one of the lucky ones to get this book early. Lucy Parker is one of the few authors writing, in any genre, who has the honour of being not only on my auto-buy list, but one of the few who deserves the very coveted pre-order treatment. So even before I was granted a copy of this, I had paid money for it, because all of Parker's previous four novels have proven excellent reads, and I was pretty sure this would be too.
While Sabrina and Nick may initially detest each other, they are also professionals, who do the jobs they are hired to and don't let their animosity for their closest co-worker get in the way of doing their very best. Of course, neither of them are stupid, either, and it doesn't take them long at all to figure out that there is someone trying to sabotage the show. They're unsure of whether the guilty party has it in for one or both of them, but once they join forces to try to flush the culprit out, they also end up spending a lot more time together, and all that passionate dislike starts turning into something a bit more affectionate.
For those readers who have read The Austen Playbook, there are cameos from Freddy, Griff, Charlie and some of the Carlton sisters' friends who we were introduced to in that book. The two sisters are still really close, and Nick's thoughtless behaviour taking advantage of the Carlton family's scandals affected both of them, and pretty much ruined his long friendship with Griff. So obviously Sabrina takes her sister's opinions into consideration when her feelings towards Nick start to change.
Sadly, there is also a re-appearance of Sabrina's douchy movie star ex-boyfriend, and I was deeply grateful that there didn't appear to be any jealousy drama to complicate the plot, and that his appearance was relatively brief. I'm a little bit worried that movie-ex is going to feature as a hero in one of Parker's future books, but at the same time, she's written enough of my keeper shelf novels by now that if that's a choice she ends up making, I will probably end up loving him as much as I do Richard, Luc, Leo, Griff and now Nick.
It was going to take a lot for me not to like this book. I've never rated a Lucy Parker novel lower than four stars, this features enemies to lovers (one of my favourite tropes), while also displaying a lot of competency porn. Both Sabrina and Nick are amazing at their jobs and work really hard for the things they've achieved. The book gives fun insight into the behind the scenes bustle of a popular talk show and there's an amusing minor subplot where both Sabrina and Nick have to scramble to secure a horrible electronic toy, the most sought after present of the Christmas season, for a child they care for.
All I can say is that if you've enjoyed any of Parker's former novels, you will absolutely like this one too and should consider pre-ordering it. I still think The Austen Playbook is my absolute favourite, followed by Pretty Face in second place, but this may edge out Act Like It for third (because it doesn't have that slightly shaky last act with the overly dramatic building collapse). The book will be on general release on Janurary 20th, 2020.
Judging a book by its cover: While I think Act Like It still has my absolute favourite of Lucy Parker's book covers, this comes in at a close second. There is such utter joy on both of the cover model's faces and the background and lights is magical and romantic. They seem utterly besotted with one another, which is exactly what you want from a romance cover.
Labels:
#CBR11,
#NetGalley,
4 stars,
ARC,
contemporary romance,
Headliners,
London Celebrity,
Lucy Parker,
mystery
Thursday, 26 December 2019
#CBR11 Book 92: "The Queen of Nothing" by Holly Black
Page count: 300 pages
Rating: 4 stars
Spoiler warning! This is the third and final book in the Folk of the Air trilogy. Don't read this review if you haven't read the previous two book, it's impossible to review the story without mentioning events from earlier. If you want to start the series at the beginning (since the series is completed now), The Cruel Prince is the first book.
Official book description:
"He will be destruction of the crown and the ruination of the throne."
Power is much easier to acquire than it is to hold onto. Jude learned this lesson when she released her control over the wicked king, Cardan, in exchange for immeasurable power.
Now as the exiled mortal Queen of Faerie, Jude is powerless and left reeling from Cardan’s betrayal. She bides her time determined to reclaim everything he took from her. Opportunity arrives in the form of her deceptive twin sister, Taryn, whose mortal life is in peril.
Jude must risk venturing back into the treacherous Faerie Court, and confront her lingering feelings for Cardan, if she wishes to save her sister. But Elfhame is not as she left it. War is brewing. As Jude slips deep within enemy lines she becomes ensnared in the conflict’s bloody politics.
And, when a dormant yet powerful curse is unleashed, panic spreads throughout the land, forcing her to choose between her ambition and her humanity…
Jude is going stir crazy exiled from the Faerie Realm and while she claims to hate Cardan for his actions and betrayal of her, she also can't stop thinking about him constantly. She spends most of her time hiring herself out to fae who are living in the human realm, and foolhardy as ever, nearly gets herself killed fighting an exiled faerie general. As she's patching up her wounds, her duplicitous twin sister Taryn comes to see her, confessing that she's now a widow, having killed the spiteful Locke and begging Jude to sneak into Faerie, and appear at the tribunal masquerading as Taryn. Jude is immune to faerie glamour and can lie to her heart's content. She can pretend to be Taryn and deny all wrong-doing, thus clearing her sister's name.
Of course, nothing is ever easy. When Jude shows up at the Faerie Court, dressed and made up as her sister, she might fool everyone else, but not the king himself, who would know his mortal bride whatever she wears. When they are alone in his chambers, Cardan tries to explain his plan and why he actually exiled Jude, but before he is able to set the record straight, Jude (as Taryn) is "rescued" by some of the stolen forces now loyal to her foster father Madoc and taken far away from the Court, to Madoc's rebel camp. Jude goes from the possible frying pan into the fire, surrounded by all sides by people loyal to the man bent on usurping Cardan, and as a result, Jude herself, from the Throne of Faerie.
Forced to keep impersonating her gentler, more lady-like sister in the presence of the people who raised them, Jude realises she needs to escape before her deception is discovered. If Madoc discovers that she is actually married to Cardan, he won't hesitate to use that as leverage in his attempts to usurp the throne. Of course, still angry at the way Jude once betrayed him to put Cardan on the throne in the first place, Madoc may not even wait to question Jude, but just kill her instantly. While plotting her escape, Cardan is once more never far from Jude's thoughts, she sure spends a whole lot of time obsessing over someone she claims to hate and despise.
This is by far the shortest volume of the trilogy, and I can't help but think that Holly Black may have hurried to finish it before it was entirely ready. Considering the deeply problematic and antagonistic relationship between Cardan and Jude in the first book, which certainly developed into something more interesting in the second, she really could have given the readers a bit more time with the characters actually together, selling Cardan's personal growth and literal change of heart towards the girl he tormented so cruelly for so long. I can absolutely believe that two people who hate each other intensely and with good reason can become passionate lovers (it's a popular trope for a reason), but it's nice when you get to see proof of the relationship changing, not just get it presented to you as a finished process. Cardan's declaration of love is really rather swoon-inducing, but I would still have liked some more time with him and Jude together and talking, not constantly separated by the plot, apparently having fallen for one another and forgiving and forgetting the past while pining for the other.
The curse that complicates matters is pretty cool, but may have been solved a little bit too quickly and easily. This book is nearly a hundred pages shorter than the first book in the series, and as someone who really loves Holly Black's twisted visions of faerieland and the dark romances she creates, I could have done with a standard length novel as the conclusion this series.
Judging a book by its cover: I think all the books in this trilogy have had fitting and gorgeous covers, but this final one is my favourite of the lot. All the elements on the cover fit perfectly (can't really explain why without spoiling important parts of the plot) and the use of the various colours and items to draw the eyes - this is one of my favourite covers of the year.
Crossposted on Cannonball Read.
Rating: 4 stars
Spoiler warning! This is the third and final book in the Folk of the Air trilogy. Don't read this review if you haven't read the previous two book, it's impossible to review the story without mentioning events from earlier. If you want to start the series at the beginning (since the series is completed now), The Cruel Prince is the first book.
Official book description:
"He will be destruction of the crown and the ruination of the throne."
Power is much easier to acquire than it is to hold onto. Jude learned this lesson when she released her control over the wicked king, Cardan, in exchange for immeasurable power.
Now as the exiled mortal Queen of Faerie, Jude is powerless and left reeling from Cardan’s betrayal. She bides her time determined to reclaim everything he took from her. Opportunity arrives in the form of her deceptive twin sister, Taryn, whose mortal life is in peril.
Jude must risk venturing back into the treacherous Faerie Court, and confront her lingering feelings for Cardan, if she wishes to save her sister. But Elfhame is not as she left it. War is brewing. As Jude slips deep within enemy lines she becomes ensnared in the conflict’s bloody politics.
And, when a dormant yet powerful curse is unleashed, panic spreads throughout the land, forcing her to choose between her ambition and her humanity…
Jude is going stir crazy exiled from the Faerie Realm and while she claims to hate Cardan for his actions and betrayal of her, she also can't stop thinking about him constantly. She spends most of her time hiring herself out to fae who are living in the human realm, and foolhardy as ever, nearly gets herself killed fighting an exiled faerie general. As she's patching up her wounds, her duplicitous twin sister Taryn comes to see her, confessing that she's now a widow, having killed the spiteful Locke and begging Jude to sneak into Faerie, and appear at the tribunal masquerading as Taryn. Jude is immune to faerie glamour and can lie to her heart's content. She can pretend to be Taryn and deny all wrong-doing, thus clearing her sister's name.
Of course, nothing is ever easy. When Jude shows up at the Faerie Court, dressed and made up as her sister, she might fool everyone else, but not the king himself, who would know his mortal bride whatever she wears. When they are alone in his chambers, Cardan tries to explain his plan and why he actually exiled Jude, but before he is able to set the record straight, Jude (as Taryn) is "rescued" by some of the stolen forces now loyal to her foster father Madoc and taken far away from the Court, to Madoc's rebel camp. Jude goes from the possible frying pan into the fire, surrounded by all sides by people loyal to the man bent on usurping Cardan, and as a result, Jude herself, from the Throne of Faerie.
Forced to keep impersonating her gentler, more lady-like sister in the presence of the people who raised them, Jude realises she needs to escape before her deception is discovered. If Madoc discovers that she is actually married to Cardan, he won't hesitate to use that as leverage in his attempts to usurp the throne. Of course, still angry at the way Jude once betrayed him to put Cardan on the throne in the first place, Madoc may not even wait to question Jude, but just kill her instantly. While plotting her escape, Cardan is once more never far from Jude's thoughts, she sure spends a whole lot of time obsessing over someone she claims to hate and despise.
This is by far the shortest volume of the trilogy, and I can't help but think that Holly Black may have hurried to finish it before it was entirely ready. Considering the deeply problematic and antagonistic relationship between Cardan and Jude in the first book, which certainly developed into something more interesting in the second, she really could have given the readers a bit more time with the characters actually together, selling Cardan's personal growth and literal change of heart towards the girl he tormented so cruelly for so long. I can absolutely believe that two people who hate each other intensely and with good reason can become passionate lovers (it's a popular trope for a reason), but it's nice when you get to see proof of the relationship changing, not just get it presented to you as a finished process. Cardan's declaration of love is really rather swoon-inducing, but I would still have liked some more time with him and Jude together and talking, not constantly separated by the plot, apparently having fallen for one another and forgiving and forgetting the past while pining for the other.
The curse that complicates matters is pretty cool, but may have been solved a little bit too quickly and easily. This book is nearly a hundred pages shorter than the first book in the series, and as someone who really loves Holly Black's twisted visions of faerieland and the dark romances she creates, I could have done with a standard length novel as the conclusion this series.
Judging a book by its cover: I think all the books in this trilogy have had fitting and gorgeous covers, but this final one is my favourite of the lot. All the elements on the cover fit perfectly (can't really explain why without spoiling important parts of the plot) and the use of the various colours and items to draw the eyes - this is one of my favourite covers of the year.
Crossposted on Cannonball Read.
#CBR11 Book 91: "Emergency Contact" by Mary H.K. Choi
Page count: 400 pages
Rating: 4 stars
Official book description:
For Penny Lee, high school was a total nonevent. Her friends were okay, her grades were fine, and while she’d somehow landed a boyfriend, they never managed to know much about each other. Now Penny is heading to college in Austin, Texas, to learn how to become a writer. It’s seventy-nine miles and a zillion light years away from everything she can’t wait to leave behind.
Sam’s stuck. Literally, figuratively, emotionally, financially. He works at a café and sleeps there too, on a mattress on the floor of an empty storage room upstairs. He knows that this is the god-awful chapter of his life that will serve as inspiration for when he’s a famous movie director but right this second the seventeen bucks in his checking account and his dying laptop are really testing him.
When Sam and Penny cross paths it’s less meet-cute and more a collision of unbearable awkwardness. Still, they swap numbers and stay in touch—via text—and soon become digitally inseparable, sharing their deepest anxieties and secret dreams without the humiliating weirdness of having to, you know, see each other.
This is recommended for fans of Rainbow Rowell's Eleanor & Park and Jenny Han's To All the Boys I Loved Before. I can sort of understand the first comparison, as with Rowell's book, this is told in alternating chapter from Penny and Sam's points of view. The book also has a similar feel to some of Rowell's books, which is one of the highest compliments I can pay an author. I'm guessing the comparison to Jenny Han is because both are written by young women of Asian descent and there are young women of Asian descent in the books? As I wasn't exactly a massive fan of Han's admittedly very popular YA novel (I much prefer the film adaptation), I think it's nice if anyone who liked it picks up this book based on the comparison, because they'll get to read what I consider a much more entertaining book.
While both Sam and Penny are fun characters to figuratively hang out with, I must admit that both of them also annoyed me quite a lot at times, and I do not agree with the way they treated certain members of their families (close or extended - I don't want to go into detail because that would spoil the story). Penny really is far too quick to judge and pigeon hole those around her, and probably gets on so well with Sam via text message precisely because they get to know one another without spending actual time together. If they did, it seems as if Penny would have harshly judged him too quickly as well, and there would never have been any friendship, then romance, to get excited about.
Did the fact that Penny and Sam annoyed me in any way ruin or cause problems for my reading experience? No. In fact, because they felt complicated and multi-faceted and flawed, with the potential and need to develop and grow, just like actual young college age people do, I think I enjoyed the book more. This was apparently Choi's debut novel, and I will be excited to see what she writes next.
Judging a book by its cover: I think this cover is absolutely lovely and the characters are so well represented. The rose background and the gold font also fit, considering Penny uses a rose gold phone to communicate with Sam.
Crossposted on Cannonball Read.
Rating: 4 stars
Official book description:
For Penny Lee, high school was a total nonevent. Her friends were okay, her grades were fine, and while she’d somehow landed a boyfriend, they never managed to know much about each other. Now Penny is heading to college in Austin, Texas, to learn how to become a writer. It’s seventy-nine miles and a zillion light years away from everything she can’t wait to leave behind.
Sam’s stuck. Literally, figuratively, emotionally, financially. He works at a café and sleeps there too, on a mattress on the floor of an empty storage room upstairs. He knows that this is the god-awful chapter of his life that will serve as inspiration for when he’s a famous movie director but right this second the seventeen bucks in his checking account and his dying laptop are really testing him.
When Sam and Penny cross paths it’s less meet-cute and more a collision of unbearable awkwardness. Still, they swap numbers and stay in touch—via text—and soon become digitally inseparable, sharing their deepest anxieties and secret dreams without the humiliating weirdness of having to, you know, see each other.
This is recommended for fans of Rainbow Rowell's Eleanor & Park and Jenny Han's To All the Boys I Loved Before. I can sort of understand the first comparison, as with Rowell's book, this is told in alternating chapter from Penny and Sam's points of view. The book also has a similar feel to some of Rowell's books, which is one of the highest compliments I can pay an author. I'm guessing the comparison to Jenny Han is because both are written by young women of Asian descent and there are young women of Asian descent in the books? As I wasn't exactly a massive fan of Han's admittedly very popular YA novel (I much prefer the film adaptation), I think it's nice if anyone who liked it picks up this book based on the comparison, because they'll get to read what I consider a much more entertaining book.
While both Sam and Penny are fun characters to figuratively hang out with, I must admit that both of them also annoyed me quite a lot at times, and I do not agree with the way they treated certain members of their families (close or extended - I don't want to go into detail because that would spoil the story). Penny really is far too quick to judge and pigeon hole those around her, and probably gets on so well with Sam via text message precisely because they get to know one another without spending actual time together. If they did, it seems as if Penny would have harshly judged him too quickly as well, and there would never have been any friendship, then romance, to get excited about.
Did the fact that Penny and Sam annoyed me in any way ruin or cause problems for my reading experience? No. In fact, because they felt complicated and multi-faceted and flawed, with the potential and need to develop and grow, just like actual young college age people do, I think I enjoyed the book more. This was apparently Choi's debut novel, and I will be excited to see what she writes next.
Judging a book by its cover: I think this cover is absolutely lovely and the characters are so well represented. The rose background and the gold font also fit, considering Penny uses a rose gold phone to communicate with Sam.
Crossposted on Cannonball Read.
Labels:
#CBR11,
4 stars,
contemporary romance,
Emergency Contact,
Mary HK Choi,
New Adult
Sunday, 22 December 2019
#CBR11 Book 90: "The Flatshare" by Beth O'Leary
Page count: 336 pages
Rating: 4 stars
Official book description:
Tiffy Moore and Leon Twomey each have a problem and need a quick fix.
Tiffy’s been dumped by her cheating boyfriend and urgently needs a new flat. But earning minimum wage at a quirky publishing house means that her choices are limited in London.
Leon, a palliative care nurse, is more concerned with other people’s welfare than his own. Along with working night shifts looking after the terminally ill, his sole focus is on raising money to fight his brother’s unfair imprisonment.
Leon has a flat that he only uses 9 to 5. Tiffy works 9 to 5 and needs a place to sleep. The solution to their problems? To share a bed of course...
As Leon and Tiffy’s unusual arrangement becomes a reality, they start to connect through Post-It notes left for each other around the flat.
Can true love blossom even in the unlikeliest of situations?
Can true love blossom even if you never see one another?
Or does true love blossom when you are least expecting it?
This is one of those books that I saw on a lot of "Must Read" lists earlier this year, and I will not be surprised if it's on quite a few of the best of the year lists for various review sites either. As contemporary romances go, it has an unusual premise. The two protagonists don't even end up in the same room together until more than halfway through the book (and what a scene it is!). Initially, Leon has a girlfriend, not that he seems all that into her. She's the one who insists on handling all the rental stuff with Tiffy, not entirely comfortable with her boyfriend sharing not just his flat, but his actual bedroom and bed (Tiffy and Leon agree to sleep on separate sides of the bed). The agreement is also that Leon stays with his girlfriend during the weekends, so Tiffy can have the flat.
Tiffy has a toxic ex-boyfriend, Justin, and two extremely supportive best friends, Mo and Gerty. They both clearly utterly hated Justin and are willing to help her with money if it means she has a safe place to stay. Tiffy doesn't exactly make a lot of money in the first place, and has even less, since her ex is insisting she pay him back a bunch of money as well. Hence she ends up with the rather unusual rental arrangement, while merrily going about her job, trying not to think about her former boyfriend (although he does seem to pop up now and again, in all sorts of strange coincidences). It takes Tiffy months and months to realise just how controlling, manipulative, emotionally abusive and gas lighting Justin was, and she falls apart a bit when she finally does start remembering all the things her brain conveniently shut away.
While Leon's girlfriend seems to be impatiently waiting for him to resign himself to the fact that his brother Richie is in prison now, and won't be getting out, so he can work less and spend more time with her. Once Leon realises that she doesn't, in fact, believe that Richie was wrongfully accused, that's pretty much it for their relationship. He still keeps finding other places to stay during the weekends, though, so Tiffy can have the flat.
In contrast, Tiffy is wholly convinced of Richie's innocence, having spoken to him early in her stay in the flat, and later having corresponded with him. She convinces one of her two BFFs, a very successful criminal lawyer, to look into the case, which seems to have been pretty badly mismanaged by
While the two roommates never meet, they draw conclusions about the other based on what they find around the flat, and they keep leaving Post-It notes (at first one or two, soon a whole load) to communicate. As the months pass, they have long conversations via Post-It. They get to know each other's likes and dislikes and become friends, even though they've never met. Then, once they finally do, there is definitely a spark there, but Tiffy has a lot of emotional healing left to do, and Leon has far too much experience with toxic relationships thanks to his mother's dating history to try anything with a woman who's fully ready.
This was a fast read for me, and while it had some pacing issues, the alternate chapters from Tiffy and Leon's points of view allow the reader to get to know them both really well. The conceit of their communicating via Post-Its makes it almost strange when you realise how long they go without actually meeting face to face.
While the emotional abuse story line, complete with gas lighting and manipulation seemed entirely believable, as did Tiffy's gradual realisation of what she'd gone through, I'm not sure I found Justin's increasingly more crazy antics towards the end of the book all that convincing. This felt like an overly complicated way to create extra tension in Tiffy and Leon's beginning romantic relationship and I did not care for it.
I really haven't read all that many romances that fully entertained me and that I would wholeheartedly recommend this year, but I really liked this book, and will be keeping an eye out for whatever Beth O'Leary does next. Fingers crossed she becomes another Lucy Parker.
Judging a book by its cover: There seems to be a growing trend in cutesy cartoony romance covers at the moment. I like this one because it doesn't feel cartoony or overly cute, but rather elegant. If anything, the painted characters feel almost too simplistic. I'm not sure I would have picked it up in a bookstore based on the cover alone.
Crossposted on Cannonball Read.
Rating: 4 stars
Official book description:
Tiffy Moore and Leon Twomey each have a problem and need a quick fix.
Tiffy’s been dumped by her cheating boyfriend and urgently needs a new flat. But earning minimum wage at a quirky publishing house means that her choices are limited in London.
Leon, a palliative care nurse, is more concerned with other people’s welfare than his own. Along with working night shifts looking after the terminally ill, his sole focus is on raising money to fight his brother’s unfair imprisonment.
Leon has a flat that he only uses 9 to 5. Tiffy works 9 to 5 and needs a place to sleep. The solution to their problems? To share a bed of course...
As Leon and Tiffy’s unusual arrangement becomes a reality, they start to connect through Post-It notes left for each other around the flat.
Can true love blossom even in the unlikeliest of situations?
Can true love blossom even if you never see one another?
Or does true love blossom when you are least expecting it?
This is one of those books that I saw on a lot of "Must Read" lists earlier this year, and I will not be surprised if it's on quite a few of the best of the year lists for various review sites either. As contemporary romances go, it has an unusual premise. The two protagonists don't even end up in the same room together until more than halfway through the book (and what a scene it is!). Initially, Leon has a girlfriend, not that he seems all that into her. She's the one who insists on handling all the rental stuff with Tiffy, not entirely comfortable with her boyfriend sharing not just his flat, but his actual bedroom and bed (Tiffy and Leon agree to sleep on separate sides of the bed). The agreement is also that Leon stays with his girlfriend during the weekends, so Tiffy can have the flat.
Tiffy has a toxic ex-boyfriend, Justin, and two extremely supportive best friends, Mo and Gerty. They both clearly utterly hated Justin and are willing to help her with money if it means she has a safe place to stay. Tiffy doesn't exactly make a lot of money in the first place, and has even less, since her ex is insisting she pay him back a bunch of money as well. Hence she ends up with the rather unusual rental arrangement, while merrily going about her job, trying not to think about her former boyfriend (although he does seem to pop up now and again, in all sorts of strange coincidences). It takes Tiffy months and months to realise just how controlling, manipulative, emotionally abusive and gas lighting Justin was, and she falls apart a bit when she finally does start remembering all the things her brain conveniently shut away.
While Leon's girlfriend seems to be impatiently waiting for him to resign himself to the fact that his brother Richie is in prison now, and won't be getting out, so he can work less and spend more time with her. Once Leon realises that she doesn't, in fact, believe that Richie was wrongfully accused, that's pretty much it for their relationship. He still keeps finding other places to stay during the weekends, though, so Tiffy can have the flat.
In contrast, Tiffy is wholly convinced of Richie's innocence, having spoken to him early in her stay in the flat, and later having corresponded with him. She convinces one of her two BFFs, a very successful criminal lawyer, to look into the case, which seems to have been pretty badly mismanaged by
While the two roommates never meet, they draw conclusions about the other based on what they find around the flat, and they keep leaving Post-It notes (at first one or two, soon a whole load) to communicate. As the months pass, they have long conversations via Post-It. They get to know each other's likes and dislikes and become friends, even though they've never met. Then, once they finally do, there is definitely a spark there, but Tiffy has a lot of emotional healing left to do, and Leon has far too much experience with toxic relationships thanks to his mother's dating history to try anything with a woman who's fully ready.
This was a fast read for me, and while it had some pacing issues, the alternate chapters from Tiffy and Leon's points of view allow the reader to get to know them both really well. The conceit of their communicating via Post-Its makes it almost strange when you realise how long they go without actually meeting face to face.
While the emotional abuse story line, complete with gas lighting and manipulation seemed entirely believable, as did Tiffy's gradual realisation of what she'd gone through, I'm not sure I found Justin's increasingly more crazy antics towards the end of the book all that convincing. This felt like an overly complicated way to create extra tension in Tiffy and Leon's beginning romantic relationship and I did not care for it.
I really haven't read all that many romances that fully entertained me and that I would wholeheartedly recommend this year, but I really liked this book, and will be keeping an eye out for whatever Beth O'Leary does next. Fingers crossed she becomes another Lucy Parker.
Judging a book by its cover: There seems to be a growing trend in cutesy cartoony romance covers at the moment. I like this one because it doesn't feel cartoony or overly cute, but rather elegant. If anything, the painted characters feel almost too simplistic. I'm not sure I would have picked it up in a bookstore based on the cover alone.
Crossposted on Cannonball Read.
Sunday, 15 December 2019
#CBR11 Book 89: "Milk and Honey" by Rupi Kaur
Page count: 208 pages
Rating: 4 stars
Official book description:
milk and honey is a
collection of poetry about
love
loss
trauma
abuse
healing
and femininity
it is split into four chapters
each chapter serves a different purpose
deals with a different pain
heals a different heartache
milk and honey takes readers through
a journey of the most bitter moments in the life
and finds sweetness in them
because there is sweetness everywhere
if you are just willing to look
Poetry is just one of those genres I don't really read, at all. So when the Diversify Your Reading Challenge asked me to read one or more collections of poetry in November, I was initially a bit stumped. However, one of my keywords in my Monthly Keyword Challenge (so many reading challenges, you guys!) for November was food, and this poetry collection, which is very highly rated on Goodreads, by a woman of colour I had actually heard of even before I picked up the book, fit perfectly.
Obviously, this was a very quick read. I have to be honest, and say that in the first section, which deals with sexual abuse and trauma, I mostly skimmed the poems to get through quickly, because I do not have the mental head space to deal with that right now. The other sections were nowhere near as traumatic, and some of the poems are absolutely lovely.
I can see on Goodreads that while some people have found the contents of the book rather trite and cliched and simple, a whopping 49% have rated the collection a full 5 stars. I would not quite go that far with effusive praise, but as I said, poetry just really isn't a genre that tends to do much for me. I'm glad this reading challenge made me open up to something new, but I still don't see myself reading a lot of verse in the years to come.
Judging a book by its cover: It's not exactly the most exciting of covers, but the bees make you think of honey, which is, after all, highly relevant to the title. The illustrations on the cover are in the same simple style as the ones throughout the volume, accompanying the poetry.
Crossposted on Cannonball Read.
Rating: 4 stars
Official book description:
milk and honey is a
collection of poetry about
love
loss
trauma
abuse
healing
and femininity
it is split into four chapters
each chapter serves a different purpose
deals with a different pain
heals a different heartache
milk and honey takes readers through
a journey of the most bitter moments in the life
and finds sweetness in them
because there is sweetness everywhere
if you are just willing to look
Poetry is just one of those genres I don't really read, at all. So when the Diversify Your Reading Challenge asked me to read one or more collections of poetry in November, I was initially a bit stumped. However, one of my keywords in my Monthly Keyword Challenge (so many reading challenges, you guys!) for November was food, and this poetry collection, which is very highly rated on Goodreads, by a woman of colour I had actually heard of even before I picked up the book, fit perfectly.
Obviously, this was a very quick read. I have to be honest, and say that in the first section, which deals with sexual abuse and trauma, I mostly skimmed the poems to get through quickly, because I do not have the mental head space to deal with that right now. The other sections were nowhere near as traumatic, and some of the poems are absolutely lovely.
I can see on Goodreads that while some people have found the contents of the book rather trite and cliched and simple, a whopping 49% have rated the collection a full 5 stars. I would not quite go that far with effusive praise, but as I said, poetry just really isn't a genre that tends to do much for me. I'm glad this reading challenge made me open up to something new, but I still don't see myself reading a lot of verse in the years to come.
Judging a book by its cover: It's not exactly the most exciting of covers, but the bees make you think of honey, which is, after all, highly relevant to the title. The illustrations on the cover are in the same simple style as the ones throughout the volume, accompanying the poetry.
Crossposted on Cannonball Read.
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