CBR18 Book 10: "The Dungeon Anarchist's Cookbook" by Matt Dinniman

Page count: 534 pages

Audio book length: 16 hrs 54 mins

Rating: 4 stars

Carl, Donut and Mongo have made it to the fourth level of the dungeon. This time, there are trains. So many trains. The game appears to have constructed a labyrinthine tangle of all of the world's underground railway systems, and there are new and strange rules to get used to. There are bounties awarded to anyone who kills any of the players in the top ten, which now include both Carl and Donut. 

There are all manner of strange monsters on the various trains and platforms, and while the stairways are apparently on clearly announced stations, most of the crawlers are on trains going to much higher stations, and no one seems to know how to get to the end stations and back to the start of the loop. Carl gets an unexpected advantage from a seemingly useless reward box, The Dungeon Anarchist's Cookbook, where countless previous crawlers have noted down their tips and tricks and useful modifications about the dungeons. He just can't let anyone know where he's suddenly getting all of his new and clever ideas.

Just as determined that he won't allow the system to break him as before, Carl manages to get more of the crawlers to cooperate and work together on this level. Of course, it also means pulling off some truly insane plans in an attempt to help as many crawlers as possible make it out alive and down to the next level. 

This book was long and dragged in places, but I still very much enjoyed it because by now I adore Carl, Donut, Mongo and poor Katia, who is really put through the wringer in this one. Let's just say her character ended up developing in all sorts of ways I was not expecting. I think she should put her foot down and refuse to wear a Mohawk, no matter what Donut suggests. 

I keep being amazed at the narration, and while I am still happy I have all the audios, I will probably be able to re-read the books on paper, since I now have the voices from the audio so completely internalised. With some books, that might be a problem. Here, it is not. 

Judging a book by its cover: I love the new cover design, and will quite possibly buy the whole series in hardback if it keeps being as good as it is now, partially because I like the design so much. However, it was also fun to see a depiction of the Mantaur that Carl and the others had to fight on the old cover, as well. 

Crossposted on Cannonball Read

CBR 18 Book 8: "Beast Business" by Ilona Andrews

Page count: 205 pages

Rating: 4 stars

Augustine Montgomery is the head of a very successful investigative agency and a deeply private man. He is an illusion Prime, who can alter his appearance at will, and there are very few people alive who know what he actually looks like. Augustine presents himself to the world as calculated, efficient, ruthless and detached. He is never swayed by emotion and has very few friends as a result. 

Diana Harrison is the Head of House Harrison and a very powerful animal mage. Like Augustine, she is seen as cold, detached and seems to care more for animals than people. Her brothers and niece are the only exceptions. She comes to Augustine because she needs help with an urgent personal matter, and she can't hire anyone from the Baylor Agency, since then her niece Matilda might discover what House Harrison has lost. 

Diana and Augustine are both deeply private and secretive, but when working together, it will be impossible for them to keep their abilities hidden. Nevertheless, a helpless baby animal has been stolen and needs to be reunited with its mother soon, or the unique tiger cub might die, and its loss would hurt both its supernatural mother and Diana, who is bonded to the mother tiger. 

Even when busy writing the second book in their new traditionally published fantasy series, Ilona Andrews (the husband and wife writing team) are generous to their devoted fans and wrote this bonus novella, set in their Hidden Legacy paranormal fantasy universe. Augustine and Diana have both appeared as supporting characters in the previous books, with some speculating that there was a romantic connection between the two. This novella confirms that the speculation was right, but it also ends on a cliffhanger of sorts, which I know left some readers frustrated and feeling cheated that they didn't get more of Augustine and Diana as an actual couple. (Yes, Des, I'm talking about you, among others). 

This Kingdom Will Not Kill Me comes out at the end of March, and for those of us not lucky enough to have been granted an ARC, it's very good to have something to distract us from the long wait. As I have said many times before, I would pay for anything Ilona Andrews publishes (frequently in more than one format) and more from the Hidden Legacy universe, especially since this also contains a bonus short story about Arabella Baylor making a new friend, which was very entertaining. 

Judging a book by its cover: Once again, proof that Ilona Andrews only gets good covers when they commission the art themselves. While I think Diana is looking a bit too much like a helpless damsel here, rather than a deadly force to be reckoned with, I really like the cover, and who doesn't love a blue baby tiger?

Crossposted on Cannonball Read 

CBR17 Book 13: "Animal Farm" by George Orwell

Page count: 95 pages

Audio book length: 3 hrs 3 mins

Rating: 4 stars

Nowhere Books Bingo 25: Banned Book

Buzzword Cover Challenge 25: Cover featuring an animal

On Manor Farm, somewhere in England, an old boar gathers all the animals in the barn and makes a powerful speech about how animals suffer at the hands of humans and should rise up and take power for themselves. Shortly after his death, the animals of Manor Farm do just that - they violently fight back when Farmer Jones and his farmhands try to control them and chase the farmer, his wife and all the other humans on the farm away. All animals will be equal, everyone will contribute to the farm to the best of their abilities, walking on two legs and using collars or human attire is forbidden, and no one will use the farmhouse anymore. The pigs manage to teach themselves to read and write and seven lofty commandments for the governing of Animal Farm are painted on the barn walls. Things seem very idyllic for the animals at first, but it doesn't take long before some of the animals take a more prominent role in the rule and governing of the farm, and as a result, decide that they deserve more than their allotted share of the resources. 

This is where I have to confess to never having read Animal Farm until this year when we're teaching it to the tenth-graders. Unlike Et dukkehjem, which I have read and taught a bunch of times, we never used this book on the curriculum before, and because I like to read for escapism and to avoid traumatic and depressing reading experiences, I've tried to stay away from George Orwell's novels. While it's not a long book, only a novella really, an allegory stuffed full of political satire isn't the easiest thing for rather sheltered Norwegian tenth-graders to process, and quite a few of our pupils are having a tough time with it. Of course, when we planned the curriculum for this year in August, none of us English teachers had any idea how much more relevant it was going to become (thanks for that, America), although the machinations of the pigs seem almost quaint compared to the geo-political nightmare taking place in the United States right now. 

I had to read up on Soviet/Russian history in the 20th Century after reading this, so as better to understand all the things the book alludes to, to then teach it to the kids. The ones who are generally interested in history and current events, seem to be getting a lot more out of the book than the others. Some of them are questioning why they have to read a book about a bunch of animals - hence the need to try to tell them the real-world events that inspired the book. It's going to be interesting to see what they think once we finish the book, it's not exactly a fun or heartwarming tale - rather than a depressing dystopian fable. 

I'm glad I read it, but it's deeply tragic that not only have we not learned anything from history and books such as this, but power-hungry despots with seemingly no grasp of actual decency are being allowed to do much worse as we speak. Poor Orwell is probably rolling in his grave. 

Judging a book by its cover: Red and black, very Communist colour scheme and the entire layout of the cover looks like a propaganda poster of some kind. The fateful windmill is front and centre, along with a slightly sinister-looking pig. There are countless editions of this book, and just as many different cover designs. I kind of like this one. 

Crossposted on Cannonball Read