CBR17 Book 22: "Lady Knight" by Amalie Howard

Page count: 384 pages

Rating: 4 stars

Nowhere Books Bingo 25: Book by an author you've never read

Thank you to Netgalley and Joy Revolution for this ARC. My opinions are my own.

Lady Zenobia "Zia" Osborn and several of her female friends have started a secret society, calling themselves Lady Knights, and at night, they dress up as highwaymen and rob the carriages of Lady Zia's brother's rich friends. They need to collect enough money to ensure the survival of their boarding school, not to mention the orphanage next door to the school. The rents keep being raised, and if the nuns who run the orphanage can't pay, they and all the helpless children will be evicted. 

One of Lady Zia's teachers is a progressive young woman who allows her charges to read controversial literature, like Mary Wollstonecraft or Frankenstein. She also encourages the young women's intelligence and critical thinking and encourages Zia's interest in music. Despite their best efforts to disguise themselves, someone recognises Zia, and can't for the life of him figure out why the daughter of a duke would risk her life at night, robbing noblemen.

Mr. Rafi Nasser, nephew to the unscrupulous nobleman who wants to evict the orphans, also happens to be the best friend of Zia's older brother. As such, he's had plenty of opportunities to observe Zia, and he can recognise her distinctive perfume and her voice, even when she's dressed up and robbing him at gunpoint. Even when he finds out why Zia and her friends (none of them from families as rich and influential as herself) are doing their dangerous nighttime raids, he encourages her to stop, before anyone gets hurt. 

Even Zia's daytime pursuits are enough to make her father upset with her, wanting her to settle down and find a suitable husband. Rafi has a vested interest in keeping an eye on Zia, Zia needs someone her parents like as a suitor, so they agree to a fake courtship to get Zia's parents to calm down. As is always the case with fake courtships, it doesn't take very long before the feelings are all too real.

I know Amalie Howard has written a number of historical romances for adults, and this is her second one for a YA audience. While I own several of her books, including Queen Bee, the companion novel to this one (featuring Zia's brother and the woman he eventually ends up engaged to, in a YA Regency twist on The Count of Monte Cristo, if the description is to be believed), I have never actually sat down to read one of her books. So getting this ARC was a good thing because it forced me to actually commit to reading one of her books. I'm now really glad that I have a large back catalogue of her books to dive into, because this book was delightful.

While it may seem like Zia and her friends get up to all sorts of anachronistic lady shenanigans, it seems like Howard has actually done her research pretty well, although as with the Bridgerton TV series, the English nobility of Howard's fictional universe is certainly a lot more diverse than I suspect was the case in real life. Zia's formidable duchess mother is from India, and Rafi's mother is Persian. One of Zia's best friends is Asian, and there is also some very nicely done queer representation in the book, including Zia's asexual best friend, who's known her intended (also ace) husband since childhood. Representation matters, people, especially in YA books. 

Since this is a YA novel, it is a rather chaste affair. I think there was some kissing between Zia and Rafi, but nothing beyond that. Their romance was very sweet, though, and I can't wait to go back to read the story of Zia's brother and future sister-in-law. 

Judging a book by its cover: Not only does this have yet another animated cover, but it looks a bit like it was made as a colouring book template. The whole thing looks like it may be from a "Regency colouring book for adults". The couple on the cover at least look like they might be Zia and Rafi, though, so I guess that's a good thing. 

Crossposted on Cannonball Read

CBR17 Book 20: "To Steal from Thieves" by M.K. Lobb

Page count: 400 pages (DNF at 35 %)

Rating: 2.5 stars

Thank you to Netgalley and Little, Brown Books for this ARC. My opinions are my own. 

In an alternate version of Victorian London, magic exists and can be used to improve technology. It's known as alchemology, and requires the magic-user to sacrifice some blood and life force to create the magical element known as primateria. It means that alchemologists tend to have shorter lifespans, which was certainly the case with Zaria Mendoza's father. Now she's an orphan struggling to complete her father's outstanding commissions to unsavoury individuals in the London underworld. Soulsteel, the material required to create primateria is rare and expensive, and she keeps having to postpone her rent payments. If her landlord wasn't the father of her best friend, she would probably be out on the streets already.

Kane Durante has been tasked by his patron, the sinister underworld kingpin Ward, to find a particular necklace coming in on one of the boats in the port. He and his best friend, Fletcher, have been working undercover on the docks, trying to intercept the necklace before it goes on display at the Royal Exhibition at the Crystal Palace, because having to steal it from such a public place will be a nightmare. Unfortunately, neither he nor Fletcher are successful and it seems like they have no choice but to pull off a dangerous, nearly impossible heist. If Ward doesn't get his necklace, he promises to do all manner of unpleasant things to Fletcher. So a-heisting they will go.

Having fetched a magical firearm from Zaria while undercover, he decides she is essential to the success of their endeavour, and manages to persuade her to cooperate through a combination of threats and promises. Zaria desperately needs enough money to get her and her best friend Julian out of London, and if she can help Kane rob the Crystal Palace, her share of the loot will be enough for them to live comfortably and get away from the squalor that is their current lives. 

Of course, Kane and Zaria are both cynical, distrustful individuals used to relying on no one but themselves. They both plan to betray the other before the end of the heist, with no misgivings about how this could affect the other. 

Does the heist succeed? Do Kane and Zaria turn from reluctant allies who snipe flirtatiously at each other to potential lovers? Does Kane discover that his patron and boss, Ward, clearly had more to do with his parents' death than has previously been revealed?

I don't know, because I just couldn't with this book. While I thought the magic system introduced was really interesting, I really didn't care about Kane or Zaria at all. It's nice that they both have a platonic best friend they're willing to risk everything for, to the point of stupidity (it's obvious that both Jules and Fletcher would be deeply unhappy knowing how many dangerous things their friends are willing to risk for their sakes), but having spent three days forcing myself through only the first third of the book, I decided to peak ahead to see if things got more exciting further on in the book - and I still wasn't convinced. 

From what I can see, the book ends in a way that suggests at least one sequel (or the ending will be very unsatisfying), but I have absolutely no wish to read more books about these characters. Both the characters and setting felt like they were strongly inspired by Six of Crows and Crooked Kingdom by Leigh Bardugo, but unlike those books, where I pretty much gave up on food and sleep to get through the books faster, there was nothing here to hold my attention. I haven't read anything else by M.K. Lobb, so I can't say if the writing style is similar to their previous works, or something new they're trying. I'm sure this will make for an exciting heist narrative for another reader, but for me, this was a DNF. 

Judging a book by its cover: I'm guessing the necklace that dominates the centre of the cover is the item they're planning to steal. I'm not entirely sure why the cover artist chose to portray him looking like a spoiled prep school boarder, but that's just not at all how he's described in the book. The girl, who I'm guessing must be Zaria, appears to have her own wind machine since her curls are so out of control. 

Crossposted on Cannonball Read

CBR16 Book 40: "Da vi var yngre" (When we were younger) by Oliver Lovrenski

Page count: 242 pages

Rating: 4 stars

Nowhere Books Bingo: A book by a local author

Ivor and his three friends Marco, Arjan and Jonas are a tight-knit gang, their own found family. According to Ivor, school used to be easy, until he and his friends lost interest and started making money and names for themselves on the streets. Ignoring the admonition from parents, teachers, social workers and others, they live hard and fast, not really caring who they have to hurt as long as they have each other. Their way of life isn't one that leads to happy endings, however, and it's only a matter of time before tragedy strikes.

This semi-autobiographical novel, written by a 19-year-old on his phone, has been a huge success since its publication in 2023. It's won several awards, and been nominated for several more. It's a fast and relatively easy read, despite being written in a vernacular used mainly by the youths in the bigger cities, with a non-standard sentence syntax and vocabulary from a number of languages and cultures (there's a dictionary of sorts on the end papers of the book, which came in handy more than once, as I'm not as experienced with all the slang terms used here). The author writes in exactly the way a lot of people his age speak, and there is very little punctution or capitalisation in any of his many brief chapters. 

The author has in interviews confessed that by the time he was 15, he's seen several of his friends overdose, and for a while, he was honestly unsure that he would survive to see his 17th birthday, considering his drug-fueled and violent existence. In Oslo, violent crime among teenagers is on the rise, and the author says he was motivated to write his book to give more nuance to the discussion about youth gangs and crime. Basing his protagonist and other characters on himself, friends and other people in the environment in which he grew up, Lovrenski wanted to show the tightness of the bonds between these boys and the affection and loyalty between them, even as they are disappointing their family members or trying to escape foster care. 

Lovrenski has said in interviews that hopes that some of the young readers who pick up his book might recognise themselves or friends, and see that there is a way out if you work for it, and that teachers, social workers and others who work with teens might get more perspective on what it's like. Now, having turned 20, the only way he was able to get clean and stay away from his former lifestyle is by entirely cutting contact with his previous environment. He had no idea that the story he started by writing short anecdotes to himself on his phone would be picked up by a publisher in less than 24 hours, after a bidding war from several interested publishing houses, and that the book would become a huge publishing success. 

I read this in June because my co-workers and I were wondering about assigning it as a text to our 10th graders next year. Having finished it, my conclusion is that while the book is very engaging, it doesn't exactly help our pupils (many of whom struggle with reading longer texts or expressing themselves in writing) improve their own writing and it also very much glorifies drug use, violence and youth crime. While it's obvious by the end of the book that the author lived a very hard life and lost friends to overdoses and suicide, it's also not the sort of thing we necessarily need to hightlight, just in case some of the more impressionable souls decide to take inspiration from the earlier sections. It's an interesting book, though, and while I don't think we'll use the whole novel as assigned reading, it's a great example of a narrative written in a particular sociolect, and can be used to compare and contrast several other works written in the same style in the last few years.

 

Judging a book by its cover: I don't know why the publishers chose this cover design, it seems messy and a bit haphazard to me. 

Crossposted on Cannonball Read