Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts

Friday, 22 October 2021

#CBR13 Book 43: "The King of Attolia" by Megan Whalen Turner

Page count: 432 pages
Audio book length: 10 hrs 23 mins
Rating: 4.5 stars

CBR13 Bingo: Landscape

Costis is one of the Attolian guards, fiercely loyal to his beloved (if fearsome) queen and skeptical and disdainful of his so-called king, the former Thief of Eddis, who through trickery and guile ended up married to their queen. Nevertheless, when he foolishly loses his temper and ends up striking the king in the face, he's mortified and expects to be sent home in disgrace if he's lucky, executed if he
's unlucky. Yet the strange, new young king surprises everyone, by demanding that Costis become one of his retainers, somehow the most humiliating fate of all to the soldier. 

No longer a soldier, clearly the odd one out among the king's other noble retainers, Costis is miserable. Many of his duties just involve tagging along after the king, practicing incredibly basic weapons drills with him and generally just wondering how his life took such an unfortunate turn. It's obvious to everyone with eyes in their head that the king's retainers despise him just as much as the soldiers and while they perform their duties, they keep showing their disrespect by bringing him inappropriate outfits, bringing him food that he's unable to eat unaided and generally making snide remarks to the king's face, and outright semi-treasonous remarks when they think no one is listening. 

Yet the queen doesn't seem like she's suffering some politically advantageous marriage of convenience, and the Eddisian ambassador talks to and about the king not as if he's the petulant, lazy, and vain young man he seems to be. Costis has begun to understand that not everything is as it appears with the former Eddisian king of Attolia and that his strange behaviour is calculated to a degree. He doesn't realise just how much until there is an assassination attempt on the one-handed king, who despite showing only rudimentary weapons skills in the public practice sessions, takes out three assassins unassisted while left alone in the palace gardens. In the second half of the book, Costis (and most other people who had been seriously underestimating the king) comes to discover just what a clever and patient strategist Eugenides actually is. 

I read the first three books in what is now known as The Queen's Thief series back in 2012. My reviews for The Thief and The Queen of Attolia are from back then. So while this is the second time I read The King of Attolia, I don't seem to have reviewed it the last time around. I was unable to find out who narrated the audios I listened to back in 2012, but I can say that I much preferred Steve West's narration. 

While there are a lot of very simplistic and rather shallow examples of YA fantasy out there, there are also some really great books that in no way underestimate the intelligence and cleverness of their readers. These books keep subverting the readers' expectations and there are twists and turns and all manner of political machinations. While the pacing can seem slow in places, especially in the first half of this book, where Costis is still angry and confused (and the readers see everything from his POV), Whalen Turner always rewards the readers' patience and all the subtle groundwork being laid in the first half of the books tend to pay off spectacularly in terms of third and fourth act revelations. By this third book in the series, the author has also established an increasing recurring cast in the books - including Eugenides, Helen, Irene and several others who I enjoy "spending time" with. I'm really looking forward to either my nephews or my son being old enough to enjoy these books, so I can relive them through someone else's eyes. 

Judging a book by its cover: While the new covers for the series don't match the early books I own (isn't that always the case with series that take ages to be completed?), I am really very fond of these simple, yet elegant covers, almost like dioramas of some kind. All the audiobooks I now own have these covers, so that will have to comfort me since my paperbacks are never going to match up now unless I get rid of the first four books and replace them all with the new covers. 

Crossposted on Cannonball Read

Thursday, 23 February 2017

#CBR9 Book 13: "Norse Mythology" by Neil Gaiman

Page count: 304 pages
Audio book length: 6hrs 29 mins
Rating: 4.5 stars

When it was announced that Neil Gaiman was doing a book of Norse myths, I was, not to put to fine a point on it, giddy with excitement. I've always been a mythology fangirl. I love the Greek and Roman myths, the Egyptians, but as I am Scandinavian, the Norse myths are obviously among the ones I grew up reading, even as a young child. I had several books of the Danish comic book Valhalla, so I knew several of the stories before I even knew they were the ancient myths of my people.

In the introduction to this book, Neil Gaiman says that his first encounter with the Norse gods were through the works of Jack Kirby in the Marvel universe. Mr. Gaiman has of course featured several members of the Norse pantheon in several of his own works, like the epic Sandman series or his very popular American Gods. He also says that the Norse myths are probably the ones that we know the least about and where many of the stories have gotten lost, as no one felt they were worth keeping alive. I appreciate him commenting on the fact that the goddesses of Norse mythology have gotten the shortest shrift of all. There are not all that many stories that survive about the Norse gods at all, and history being what it is, clearly no one felt that the goddesses were all that important (except of course that everyone seems to want to marry Freya - she is clearly the greatest prize to be won).

I got the audio book, because Neil Gaiman's a wonderful narrator whose voice I find incredibly soothing. Having him tell me the myths of my people, vaguely fictionalised to work better as stories was lovely, and I kept forcing myself to stop between stories, as I didn't want the book to end. While I was familiar with a lot of these tales from my childhood and mythology obsessed teenage years, there were also stories I hadn't heard or read before. The one where Loki steals the hair of the Lady Sif, Thor's wife, and has to figure out a clever way to replace it, ending up with the Norse gods getting possession of their greatest treasures, while Loki nearly loses his head in the bargain was a new one. As was the one about Kvasir and the mead of poetry.

Loki, Thor and Odin feature the most prominently in these stories. Loki is the trickster who pretty much always causes, but generally also sorts out all the various incidents that befall the gods. It's strange how he is accepted as one of them, but also constantly stands apart, the literal father of their eventual downfall. I enjoyed these stories a lot, but really do wish the women had been a bit more prominent. By making a faithful retelling, Gaiman couldn't give the ladies a bigger role than they already have, but especially the treatment of Loki's poor wife towards the end of the stories (after he's done something so nefarious that even the gods can't stand by and let him have his way anymore) is heartless in the extreme, and it left a bad taste in my mouth. So I can't give a full five stars.

For anyone who already likes Gaiman's writing, or is interested in learning more about the Norse pantheon, this is a must have book. It's not exactly very long, because there aren't all that many stories. I had a wonderful time listening to this book and will no doubt revisit this book many times over the years, to remind myself of the myths of my people.

Judging a book by its cover: It's not exactly a very fancy cover, as these things go, but it doesn't really need to be either. A dark, possibly slightly star-spangled background, with Thor's legendary hammer, Mjoenir, at the centre. I especially enjoy the shorter handle now that I've heard the story of how the hammer came to be made in the first place. Neil Gaiman doesn't need a fancy cover on his book of Norse myths. Either it's going to be something you get, no matter what the cover design, or it's probably going to be a book you pass by, no matter what exciting things they put on the cover.

Crossposted on Cannonball Read.

Monday, 26 October 2015

#CBR7 Book 111: "American Gods: The Tenth Anniversary Edition" by Neil Gaiman

Page count: 656 pages
Audio book length: 19hrs 39 mins (Full cast edition)
Rating: 4 stars

Shadow is serving time in prison, patiently keeping his head down and counting the days until his release. He longs to get home to Laura, his travel agent wife and passes the time learning coin tricks and dreaming of what they will do together once he's out of jail.

Only a few days before he's due to be released, Shadow is told that Laura was killed in a car accident, along with Shadow's best friend Robbie, whom Laura was apparently having an affair with. As Robbie was supposed to give Shadow a job once he got out, there is suddenly no longer anything for Shadow to return home to. All his dreams for the future are shattered in one fell swoop. Hence, when he meets the mysterious and enigmatic Mr. Wednesday on the way to Laura's funeral and is offered a job, there is nothing to keep him from accepting.

The job as Mr. Wednesday's driver, body guard and general helper is quite a lot different from what Shadow was expecting. Travelling across America, they meet up with a large group of strange and eccentric individuals. There is a storm brewing, a reckoning to be had. There is going to be a war, between the gods of the old worlds and the gods of the new America. They all need attention and belief to thrive and Mr. Wednesday is rounding up as much support as he can for the old gods. What is Shadow's role in all of it? Why won't Laura's ghost leave him alone? What will happen when the storm finally breaks?

American Gods was first released in 2000, and I own the hardback of the original edition, which I read way back when it was new. To celebrate the tenth anniversary of the book, a deluxe edition with ten thousand extra words (an author's preferred version) was released, initially in a very limited print run, and later given wide release. I kept thinking I wanted to re-read the book, but with so many shiny books out there, I just never got round to it.

Then it was announced that Starz had the development rights and that Bryan Fuller, visionary show runner of great shows like Dead Like Me, Pushing Daisies and most recently, the stunning and incomparable Hannibal is set to turn it into a series, and my motivation for re-visiting the book increased. I got the Full Cast edition of the audiobook on Audible some time before I clumsily fell on my way home from work and concussed myself, but stuck with nothing to do but listen to things and knit, I got through the last two thirds of the audio in about a day.

In this book, Englishman Neil Gaiman explores America, the country of immigrants, and what has made the country it is today. In between the main story of Shadow and Mr. Wednesday and their road trips to recruit more old and nearly forgotten deities around the country, there are little "Coming to America" chapters, highlighting the many different and diverse groups of people who came to the continent, from the very first nomads who crossed the land bridge in the north of Alaska, to the Norsemen, the slaves, the immigrants in the 17th, 18th and 19th Centuries, all bringing the beliefs of their former homelands with them.

It's a sprawling book, with great scope and ambition. While Mr. Wednesday is a secretive character who keeps his cards extremely close to his chest, Shadow himself is quite a cipher. As the book progresses, we discover more about why he was in prison, and what in his past may have brought him to the attention of Mr. Wednesday in the first place. It's been so long since I read the book that I didn't remember many of the finer details of the plot at all, and certainly not the major revelations in the climax of the book. So while this was a re-read, it was more like discovering the book again. I still think Mr. Gaiman is at his best when he writes shorter fiction, be it the single issues of his magnificent graphic novel Sandman, his short stories or his books for children. American Gods is probably still his most impressive novel for grown-ups, though, and I'm very much looking forward to what it's going to look like on screen.

Crossposted on Cannonball Read.