CBR17 Book 4: "Kvit Norsk Mann" (White Norwegian Man) by Brynjulf Jung Tjønn

Page count: 93 pages

Rating: 4 stars

Nowhere Bingo 2025: A poetry collection

The author of this poetry collection was adopted from South Korea by a childless Norwegian couple when he was three years old. Throughout this rather short, but very impactful poetry collection, he writes about his constant feeling of exclusion and lack of belonging. As a child of Asian descent in a small western Norwegian village surrounded by white people, he obviously stood out among the other children. Adopted by farmers to take over their farm when they grew old, he turned out to be entirely unfit for the task, with his grass allergy, lactose intolerance and breaking out into a rash every time he touched the wool of the sheep on the farm. Many of the poems deal with his feelings of inadequacy because he was brought to Norway from the other side of the world, named for his grandfather and unable to continue the long family tradition of farming. 

Even as an adult, he never really feels like he fits in, as despite him growing up in Norway, people keep asking him "Where are you really from?", confusing his identity with other Asian people, side-eyeing his relationship with his white girlfriend (then wife). He writes absolutely heart-breaking poems referencing three young Norwegians with a non-white background (two of them adopted like him) who died in racially motivated killings. He doesn't feel like he properly fits in in Norway, but has no actual connection to Korea either. 

Back in 2021, I read a short essay collection by a woman whose mother is Norwegian and whose father is Gambian. While reading these poems, I kept being reminded of the short and brutally honest ways in which Lundestad Joof shared the difficulties she keeps facing as a biracial woman in Norway. Both authors explore the difficulties of being non-white in an almost overwhelmingly white country, which for all its progressive views, excellent social benefits and efforts towards inclusivity, still has a long way to go before the majority of the population gets over its often very unintentional racism. 

Since I'm currently teaching 10th graders, I am absolutely going to have them compare and contrast some of these texts, hopefully giving them more perspectives on contemporary life for a lot of minorities in Norway. If I'm lucky, some of them might even come up with some clever stuff to impress whomever is grading their final exams in a few months. 

Judging a book by its cover: The cover is very stark and simple, with a black background and only the title of the book and the name of the author featured. In class, the students had to discuss the colour choices here: the title "Kvit Norsk Mann" is in yellow - the colour the author describes himself as in several of the poems, while the name of the author is in white - the colour the author claims he always aspired to be growing up. I doubt these colour choices are coincidental. 

Crossposted on Cannonball Read

CBR15 Book 57: "Network Effect" by Martha Wells

Page count: 345 pages

Rating: 4.5 stars

CBR15 Bingo: Take the Skies 

Murderbot is away from Dr. Mensah, the person it likes the most (although it would never admit this to anyone, or itself), in order to guard a research party (which includes Mensah's daughter). The group is attacked and sucked through a wormhole, and Murderbot is really very annoyed about the sudden upheaval. When it turns out that the abduction may in fact have something to do with an old friend of Murderbot (not that it acknowledges friends, as such), things immediately get more complicated. If Murderbot could choose, it would spend all its time watching videos and not involving itself in anything complicated involving feelings, but when its humans, or the entity it cares the most for in the universe, are threatened, Murderbot will act, with immediate and drastic measures. 

It was a long hiatus, but as soon as I picked up this first full-length novel about our favourite misanthropic SecUnit, I wondered why it had taken me so long to return to the world of Murderbot. While this book was a bit slow to start, once the action starts, it pretty much doesn't let up until the end. Murderbot, who is learning to become an individual of its own, has to deal a lot with pesky feelings in this book. While there is a bit of a misunderstanding between Murderbot and Mensah's kid (I could look up the name, but I'm not going to), about how they feel towards one another, Murderbot is clearly very protective, and the teen at one point refers to Murderbot as "Third Mom" - which incidentally totally justifies the feeling I've always had that if Murderbot did have a gender, it would be female. It's in the text, people!

Being abducted by creepy-looking possible aliens and eventually being reunited with ART, and then deciding to assist in recovering ART's missing crew leads to all manner of complications. It feels strange to describe the relationship between a very powerful AI and an android, neither of whom should be able to feel any emotions at all, as romantic, but there were scenes in this that hit me straight in the feels. Murderbot's humans clearly recognise that there is something special between them, and the way both of them are ready to kill the heck out of anyone who threatens the safety of the other is rather swoon-worthy. 

I would not recommend anyone start with this novel without having read at least All Systems Red and Artificial Condition to get the necessary backstory (but the other two novellas are also great, so why would you skip them?). It takes a lot for me to like sci-fi, but I absolutely love these. The only reason I'm not rating this 5 stars is that having just read Lessons in Chemistry and Folk med Ångest, both books which made me feel even more, and this doesn't feel like it really reached the same level (I wanted more schmoopy emotions between Murderbot and ART). Upon a re-read, I will probably change the rating to a full 5. 

The benefit of having waited as long as I have is that there's only about a month to wait for the release of the next novel, and while I wait, I have another novella (sadly set earlier than this, because I REALLY want to see where this goes next) to comfort myself with. 

Judging a book by its cover: The cover is nicely atmospheric, with Murderbot out on either a space station or a spaceship, with another one hovering above it. All the Murderbot stories have excellent covers, this is no exception. 

Crossposted on Cannonball Read

#CBR11 Book 55: "A Closed and Common Orbit" by Becky Chambers

Page count: 512 pages
Rating: 4 stars

#CBR11 Bingo: Cannonballer Says (recommended by Carriejay, faintingviolet, emmalita, dAvid, tillie, badkittyuno and Narfna, among others)

Official book description:
Lovelace was once merely a ship's artificial intelligence. When she wakes up in an new body, following a total system shut-down and reboot, she has no memory of what came before. As Lovelace learns to negotiate the universe and discover who she is, she makes friends with Pepper, an excitable engineer, who's determined to help her learn and grow.

Together, Pepper and Lovey will discover that no matter how vast space is, two people can fill it together.

Last year, for Cannonball Bingo, I chose one of the books that had been on my TBR for several years, Becky Chambers' The Long Way to a Small Angry Planet. When trying to decide on my book for the "Cannonballer Says" square for this year's Bingo, it seemed fitting to read the second book in the Wayfarer series. This book isn't so much a sequel, as it is a companion novel set in the same universe, sort of involving one of the characters we met in that book. 

Lovelace, who was the near-sentient A.I (artificial intelligence) on board the Wayfarer, finds herself housed no longer on board a space ship, but in an artificial body, made to look and sound completely human. Due to a series of unfortunate events, leading to a complete systems reboot, Lovelace no longer remembers being the consciousness who wanted a physical body, and instead finds herself confused and unmoored, helped away from the spaceship that was once her home by Pepper, an engineer and mechanic who promises to help her.

Lovelace renames herself Sidra and is brought to the home that Pepper shares with Blue, her artist partner (I think he's her boyfriend, but they may just be platonic life mates - the story really doesn't focus on that aspect of their relationship). A.I.s are not considered sentient individuals with rights and feelings, and it's highly illegal to do what the techs aboard the Wayfarer did, in trying to put Lovelace in a body. So if anyone finds out the truth about Sidra, Pepper and Blue could face serious trouble, and Sidra would probably just find herself shut down permanently.

Sidra struggles with the limitations of her new body and in trying to figure out who she is, and what she wants from her life. She gradually gets more outgoing and adventurous, makes at least one friend who isn't Pepper or Blue and starts to come to terms with her new "humanity".

 In alternating chapters to Sidra's story, we follow Pepper's life  in flashback from she was a young clone, enslaved on a backwater planet, who escapes the life of servitude and ignorance she was born into, befriending and in effect being raised by an A.I, and the struggle she has to educate herself, find enough scrap material on the industrial waste planet she finds herself on, fix up the space shuttle containing her A.I. parent to a degree where they can actually leave and make a better life for themselves somewhere else in the universe. 

I'm not entirely sure what I was expecting from this book, but it was very different indeed from The Long Way to a Small, Angry Planet. This book was a lot more introspective, and a lot of the plot is concerned with forging new identities and struggling to make a place for oneself in the world, rather than with an exciting space journey. The first third or so of the book felt a bit slow, and I wasn't all that interested in the early chapters about tiny Pepper (who was one of many Janes back then), but in the second half of the book, I was hooked enough that I didn't want to stop reading, be it the chapters about Sidra or Jane/Pepper. 

I can see why Becky Chambers' books are so very popular. I'm glad I still have one more in her Wayfarers series to read before I'm caught up with her back catalogue.

Judging a book by its cover: The books in this series all come with two different cover versions. One has a big, clunky, ugly font that takes up much of the front page of the book and completely ruins the effect (although really does get across what the title of the books are, I guess). The other covers are these stunning skyscapes with a couple of individuals in silhouette and the most amazing star and light shows dominating the images. My e-book versions all have the covers I prefer, and I genuinely can't understand why there is such a massive difference in tone and design. Who would want the big, ugly font covers when they could have such beauty and simple elegance?

Crossposted on Cannonball Read. 

#CBR6 Book 16: "Innsirkling" (Encirclement) by Carl Frode Tiller

Page count: 285 pages
Rating: 2 stars

David has lost his memory. A news paper notice appears, asking people whether they know him and encouraging friends and acquaintances to write to him, to help him restore his memories. In this book, we get to read the letters of three of the people who write to him, as well as read about their current lives. As we read their stories and letters to David, more of his identity is revealed, but much more so, the identity of the letter writers.

The first third of the book introduces us to Jon, an aspiring musician with an ailing mother and a fraught rivalry with his only brother. He doesn't have the heart to tell his mother, who never had faith that he would make it as a professional bassist, that he quit his band in the middle of their tour. He feels like a constant failure, not helped by the fact that he recently broke up with his long term girlfriend, who his mother keeps hoping he'll get back together with. Then he discovers that his brother and sister-in-law are about to adopt a child, fulfilling his mother's dreams of becoming a grandmother, and he seems to lose it completely.

The second third features Arvid, David's stepfather, who sees the newspaper notice while in hospital, trying to come to terms with the fact that he's going to die of cancer. The opportunity to reconnect with his stepson through the letters gives the former priest renewed faith in the God he felt abandoned by, and brings him new hope.

The last third is about Silje, a middle aged woman going having marital troubles, considering divorce and trying to come to terms with the death of her overbearing mother. She keeps picking fights with her husband, and can't seem to help making her situation worse than it already is.

The letters focus on the friendship between Jon, David and Silje, and give three very different accounts of the relationship dynamic of the three. In Jon's letters, Silje is mostly on the periphery, while he and David share a secret and experimental homosexual relationship, while discovering existential philosophy, art, literature and being as pretentious and different from the other teenagers in their little town as possible. In Arvid's letters, we see his deep love for David's mother and his wish to be a good father figure for the boy. He observes that there was an unhealthy power dynamic in the group, with David and Silje frequently goading the insecure and impressionable Jon into doing things he would otherwise never have done. Silje's letters paint her as David's girlfriend, with Jon the slightly clueless and melodramatic third wheel. Who is really showing us, and David, the truth about the past?

This book was awarded the Brage Prize in 2007, an award that since 1992 has aimed to recognise significant works of contemporary Norwegian literature. It has an interesting premise, with themes of identity being explored though its somewhat unusual structure. Because the reader gets to see the three letter writers in the present, as well as reading their accounts of the past, and all three people give very different versions of David's teenage years, it raises questions about which of the narrators are actually reliable.

While the unusual structure and idea makes the book interesting, I didn't really like the book much, because I couldn't really stand Jon and Silje. Their present lives were uninteresting to me, and they were so clearly mainly the cause of their own misfortunes. I also found their stories unconvincing. The only character I found sympathetic was Arvid, the stepfather, and while I'm sure his version of his personal life with David's mother might be coloured more favourably towards him as an understanding husband and sensitive and caring stepfather, I don't see what he would gain from portraying the relationship between the three friends in anything but a true light.

I was also frustrated by the fact that all these three people were supposed to be writing to help this David remember who he was, and managed to make the letters and their accounts all about themselves. Which is probably the author's way of showing that even when supposed  to try to help another, human nature is inevitably selfish and narcissistic.

Crossposted on Cannonball Read.