CBR16 Book 66: "Fourth Wing" by Rebecca Yarros

Page count: 561 pages

Rating: 3.5 stars

CBR16 Bingo: Smash (romantasy - I want it on record that I hate this term, by the way)

Since this has been a huge success and had lots of attention on the TikToks and the like, I'm not even sure if I need to give much of a plot summary, but here goes:

All her life, Violet Sorrengail has wanted to become a Scribe, like her father. However, her mother, a commanding general of the army of Navarre (the fictional country this is set in) will not accept that any child of hers become anything but a dragon rider. Violet's older sister is a dragon rider, Violet's older brother was a dragon rider (until he tragically died), and so Violet also has to join the most insanely dangerous quadrant of the Basgiath war college, even though she's only had about six months since her mother ordered her to change her mind, and she's disabled to boot, so weaker and much more breakable than most of the ruthless candidates surrounding her. 

Violet survives the perilous first task (apparently more than sixty people died before even getting into the college - is that really a good way to run a school?) and now has to stay alive in a literally lethally competitive environment. The lucky first years who survive, may be lucky enough to bond with a dragon and be granted exciting magical powers as a result. Violet has to use all her cunning and guile to survive among her more vicious peers, and there are a lot of people who want her dead, including the imposing Xaden Riorson, son of the man her mother personally executed after a failed rebellion. He and a number of other young family members of rebels are at the school because enrolling (and most likely being killed) was the only option given to them to ensure their survival. 

Violet does make friends, and surprising everyone, survives long enough to get a chance at bonding a dragon. Once that ordeal is over (and she's once again nearly killed), it becomes impossible for her to avoid Xaden any longer, since their dragons are mated, and that means that if something happens to either of them, the other one dies because of the bond bestowed by their dragons. So that's fun. Of course, Xaden might hate her mum, but he is undeniably very hot. Despite having every reason for wanting her dead and having lots of opportunities to get her killed, Xaden instead seems amused by Violet, even sparring with her and challenging her - it's all very confusing.

There is danger facing the borders of Navarre, and fewer dragon riders every year to deal with it. It becomes clear during Violet's first year at Basgiath that the country's leadership are hiding things and downplaying the seriousness of the attacks on border villages. Will Violet survive her first year at war college only to find herself thrust into an actual war?

For quite a while, I was usure about reading Fourth Wing because of all the hype on TikTok. Colleen Hoover is beloved on BookTok, and what little I tried of one of her books quickly made it clear that those books are not for me. So I was a bit sceptical. Then my friend Ashley read it last year and made this fun video about the experience. Generally, if Ashley likes a book, I will too (there are exceptions, but they are usually hard sci-fi or horror books).

While I don't think Rebecca Yarros and her dragon romantasy has gotten lots of readers hooked, even the ones who don't tend to read speculative fiction, I don't think she's anywhere near Twilight-levels of popularity and obsession. Because I myself was deeply hooked on the Twilight saga back in the day, and you still can't entirely convince me that the pages of those books weren't laced with crack, removing all critical faculties of the reader and making them impossible to put down. 

Did Fourth Wing hook me as powerfully? No, but I can absolutely see why it's become so popular. I also see why it's been widely criticised, because there are aspects of the world building that just do not make a lick of sense. Violet is a better heroine than Bella Swan, mainly because she has some agency, and the plot doesn't just happen to her. But she's also clearly extra super speshul and manages things no one seems to have done before - for why? Who knows? The plot requires it to be that way. Of course there is a love triangle, because these books seem to always have to have one. There's Violet, our plucky heroine, there's Dain, her childhood best friend, who has pretty thoroughly friend-zoned her their entire life, but now seems convinced (despite repeated proof of the opposite) that Violet is too fragile and weak to survive to become a dragon rider, and keeps wanting to smuggle her into the Scribe's quarter. No points for guessing who candidate number three is - if there is a dark, brooding, probably dangerous dude, who your entire surviving family has warned you to stay away from, that's clearly going to be the one guy who's bones you really want to jump. Xaden also gets major points for never underestimating Violet, and instead of coddling her, encourages her to get better, stronger and sneakier. 

While Twilight is YA and Stephanie Meyer is a Mormon who's all about no hanky-panky before marriage  (and let's not forget, if you do have sex, you'll get immediately pregnant with a lifeforce-sucking parasite and literally die giving birth to it), Fourth Wing is aimed at a somewhat older audience, and by the time Violet makes up her mind about which third of the love triangle she prefers (I'm sure you couldn't possibly guess who she picks), there are some pretty graphic sex scenes. Encindiary, one might say. As someone who read a whole lot of smut as a teenager, I don't see a problem with YA readers reading these (or Sarah J Maas or a bunch of other books that seem to be shelved in the YA sections of bookstores despite dealing with much heavier themes). But some people might be shocked, so fair warning. 

As well as having a central premise that just does not make sense Seriously, why kill off most of your promising young people - some of them before they've even made it INTO the school? If your country is fighting a decades-long war, you are going to want as many able-bodied fighters as possible. So only the best can become dragon riders? Fair enough, but why do pretty much all challenges have to be succeed or die? Why not have the ones who fail challenges moved to one of the other three sections of the war college, possibly to start at the bottom, but at least given a chance to be a valuable member of the fighting force. It's quite clear that once the first-years bond with a dragon and start trying to ride on them, a whole bunch of them die anyway. Why kill off  the majority of them before they get to that point and natural selection apparently kicks in? It's maddening, people!

This is my real life bookclub's pick for November, and I'm very much looking forward to the discussion. I hope a whole bunch of people show up, and I suspect there will be many spirited opinions. I'm also glad I waited long enough to read this that third and final book in the series is just around the corner. It's being released in January, so I think I'll wait for December to read book 2 (which I have heard is extremely slow-going in the first half, but gets better towards the end). I'm also glad I liked it because my friend Des took my book to a convention and got it signed and personalised by Rebecca Yarros, so it would suck if I hated it. 

Judging a book by its cover: Despite this book only coming out in 2023, it already seems to have a huge amount of alternate covers, most of them in black and gold. While the hardback is golden with black patterns, I prefer my paperback in matte black, with the pattern in gold and white. Much prettier. 

Crossposted on Cannonballl Read

CBR16 Book 65: "The Mimicking of Known Successes" by Malka Older

Page count: 169 pages

Rating: 3 stars

CBR16 Bingo: Earth Day (while this novella is set off-Earth, a lot of the plot involves conservation efforts to try to reintroduce healthy biodiversity on Earth)

Mossa is investigating the mysterious disappearance, most likely a suicide, on one of the human colonies on Jupiter. Mossa discovers that the missing man worked at the colony's university, where conveniently for her and her further investigation, Mossa's ex-girlfriend is a scholar working with others to try to recreate the ecosystems of Earth before it collapsed.

Pleiti is surprised to see Mossa, but flattered that she wants assistance. Mossa presents as very likely neuro divergent, very focused and usually rather unconcerned about the feelings and reactions of those around her. She's a dedicated and experienced investigator, but digging into the case with the help of Pleiti just keeps making things more confusing, and strange. Will Mossa be able to solve the puzzling case, and might she have a new chance with Pleiti, after breaking it off with her so many years ago?

I think there was too much sci-fi here, and not enough of the mystery to grab me. Mossa and Pleiti were fine as characters, but I was never really invested in the case they were working together on, nor did I really care about the world-building, although the colonies on Jupiter sounded pretty neat. I didn't hate this story, but considering it's a novella of less than 200 pages, it shouldn't have taken me three days to finish. I just didn't feel compelled to keep reading, because the story and characters were merely OK. To others, this might be a great read, but I really wasn't feeling it. At least it allowed me to complete my Earth Day square on the bingo card, which means I have actually completed the whole card, and the bonus square. Before I thought of this novella, which I have owned in e-book for a while now, I was probably just going to skip this square altogether. So I don't regret reading it, I just don't think I'll revisit it, or remember the plot too well a couple of months from now.

Judging a book by its cover: While the book itself left me merely whelmed, I really like the cover. The reds and oranges of the background, the tiny sci-fi details in the background and only a silhouette to give an impression of what the characters look like. 

Crossposted on Cannonball Read

CBR16 Book 64: "Obsidio" by Amie Kaufman and Jay Kristoff

Page count: 615 pages

Audio book length: 13 hrs 1 min

Rating: 5 stars

CBR16 Sweet Books: Binge

CBR16 Bingo: Celestial (set in space. I'm sure the characters observe lots of stars on their epic journeys through space)

Spoiler warning: this is the third and final book in the Illuminae Files. A lot of stuff happened in the previous two novels, and it will be impossible to review this book without referring to some significant plot points. Additionally, I don't see how this book would be a satisfying reading experience taken out of context. So if you aren't up to date, and have finished Illuminae and Gemina, skip this review until you can return unspoiled. Or you know, read it and get minor plot spoilers. It's your life, you do you.

'

Previously in these books. The evil BeiTech corporation attacked an illegal mining colony on a small ice planet called Kerenza. They also deployed some scary biological weapons with disastrous results. Only very few of the refugees who originally escaped Kerenza in various rescue ships are still alive, now doing their best to stay alive on the Hypatia. They were trying to get to the wormhole at Heimdall station, but BeiTech's evil goons arrived before them and did their best to wipe out everyone there as well, trying to cover the tracks of their evil actions. Now the Heimdall space station is no more, the wormhole is useless and the survivors from Heimdall station need to join forces to survive. Luckily, the leader of the BeiTech assassination squad had a pretty cool spaceship that they now have access to, but it wasn't really designed to hold and transport several thousand passengers.

'

Our intrepid YA heroes include Kady, Ezra, Hanna, and Nik, not to mention Nik's genius cousin Ella. Despite all the amazing feats these young people have managed to perform, a lot of the older crew members now distrust and underestimate them, which leads to conflict and frustration. They discover that there are still people alive on Kerenza and that BeiTech hasn't been able to mine enough fuel to leave the place yet, but the clock is ticking, and despite the reluctant mining crew's many attempts at sabotage and delay, soon the evil corporate overlords will have what they need to leave for good, and whatever survivors are still on Kerenza will be disposed of.

On Kerenza, we are introduced to two new young rebels to cheer for, even though Rhys is working as an engineer for BeiTech and is now forced to work with the mercenary soldiers on the planet itself. He is shocked to reunite with his old girlfriend, Asha, who also happens to be Kady Grant's cousin. After a very passionate love affair a few years back, where both of them made some questionable decisions and got involved with some unsavoury people, Asha and Rhys were forced apart. Rhys was enrolled in a military academy, and Asha was sent to live with her relatives on Kerenza. While actually a pharmacy trainee, she now works as a nurse and pathologist at the only med centre left on Kerenza, and she is also a member of the resistance trying to sabotage BeiTech's remaining operations as much as possible. She can't believe that the man she loved is now part of the evil organization who is oppressing her friends and neighbours, but obviously, there is more to the story that she knows - and it will surprise no one that Rhys isn't actually a villain.

So we have the desperate people trying to stay alive on Kerenza, and the harried survivors returning through space from Heimdall station, on a ship that may not have enough resources to get everyone safely there in time. It's clear that these brave young people have to outsmart BeiTech once and for all, and to do that, they also need to make sure that all the atrocities are documented. So in this book, we finally find out how a lot of the material we've been reading for the past two books was assembled, and we discover the identity of the snarky young tech who has been narrating all of the video files throughout.

This is the first of the books I read partially in audiobook, after recommendations from among others, my friend cheerbrarian (she also has a podcast). I don't know if I would have liked the audiobooks from the start, knowing how many different types of text are collected in the novels, but having read the other two in paperback, having this as an audiobook for when I was out and about was great. I have also gotten the audios of the previous two and can see myself using them when I want to reread in the future.

This YA series is unlike anything I've ever read before and it made me feel pretty much all the feels at some point or another. I've been scared, grossed out, I have laughed and cried. Despite all of these events clearly being told after the fact at a tribunal for the head of BeiTech industries, so it's obvious that our band of heroes will be OK in the end, I was still on the edge of my seat and scared that one or more of them wouldn't make it. It's also important to note that while our protagonists survive, these books have death counts in the multiple thousands. So many innocent (and not so innocent) people die, in all sorts of horrible and/or tragic ways, and yet you feel elated and happy at the conclusion of the trilogy, because a little core of found family is safe and well, despite everything. 

Crossposted on Cannonball Read

CBR16 Book 63: "A Taste of Gold and Iron" by Alexandra Rowland

Page count: 510 pages

Audio book length: 18 hrs 20 mins

Rating: 5 stars

CBR16 Bingo: Golden Gold in the title and gold as a pivotal part of the plot. Also pretty much all of the central characters are solid gold.

Kadou is the younger brother of the sultan of Arasht and is delighted that she's just given birth to a healthy baby, putting him further down the line of succession. Unfortunately, the baby's father, a powerful ambassador at court, believes Kadou to be jealous and a threat to both his baby niece and his sister. Nothing could be further from the truth. Unfortunately, because he confides in some of his bodyguards, who massive overreact when they believe his life is later threatened by said ambassador at a hunt. It ends with two of Kadou's bodyguards killed and his sister furious with him.

Kadou has to plead with the sultan to let him stay at court. Kadou is in serious disgrace and hates that he has disappointed his sister. He is also fighting guilt, anxiety and depression after the deaths he feels partially responsible for causing. To keep her brother out of trouble, he is given a new personal bodyguard, the very proper and exacting Evemer, who Kadou is convinced despises him. Nevertheless, Evemer takes his duties very seriously, and accompanies Kadou to dangerous parts of the city, even though he clearly disapproves of the prince's drunken binges and trying to pick fights. After a memorable occasion when the two are ambushed in an alley, and Kadou ends up being the one to save the life of his bodyguard, Evemer's opinion of his charge changes.

To get back into his sister's good graces, Kadou has promised to get to the bottom of a series of thefts that may also be connected to a ring of counterfeiters. Once he and Evemer start to investigate, it's clear that there may be a number of city officials involved in the case, not to mention the self-same ambassador who fathered the sultan's heir and is trying to ingratiate himself further at court. Kadou needs to try to figure out how the thefts and counterfeit coins are connected, why someone is trying to destabilize Arasht's economy and possibly threaten the security of his sister's reign, all the while trying really hard not to fall in love with his taciturn bodyguard.

This book has been on my TBR since it came out and now that I've finished it, I'm really annoyed that it took me so long to finally read it. I listened to about three quarters of it in audiobook, really well narrated by Casey Jones, but got impatient to see how it would end, so ended up reading the rest on my e-reader (then I went back and listened to some of the really romantic bits again, because I really liked how Jones voiced both Kadou and Evemer and wanted to hear their dialogue read to me). 

Far too often, when publishers compare a book to others that have been previously published, the books in question far too often seem to have been selected as some sort of mad lib "book x meets book y", but in this case, I didn't feel lied to about this book being similar to The Goblin Emperor by Katherine Addison. Both books are set in elaborate court settings with a reluctant royal just trying their best to do a good job, despite all sorts of personal insecurities holding them back. 

In this case, the book is set in a historical fantasy world inspired by the Ottoman Empire. The eldest child becomes sultan, whether they are male or female, and Kadou's sister is a great secondary character. She is clearly tries to be a fair and just ruler, as well as a loving sister, and sometimes those two roles are difficult to reconcile, especially after Kadou goes and gets himself involved in an embarrassing squabble with a foreign ambassador, with people getting killed in the process. I really liked that children are clearly "belong" only to the mother, who can decide whether they want to grant 'the body-father' any rights to the child at all. The ambassador who fathered the new princess and keeps trying to get all possessive, is repeatedly told that he merely provided his genetic material and that any raising of the child will be done by the sultan herself, and any male members of her family (like Kadou). This is not just the case with the rulers of the country, all men are merely body-fathers, unless the mothers choose to make them more permanent parts of their children's lives.

This is also a very diverse world, where several members of the court are non-binary, with the prounouns çe (che) and çem (chem). Kadou clearly prefers men, but is accepting of the fact that if he has to marry a woman to secure a strategic alliance that would benefit the country, he will do so. The royal family's bodyguards, or khayhalar, are seen more like extended family members than servants, and most of them are extremely well educted and go on to hold important offices in the country's bureaucracy as their careers progress. So Kadou really feels the loss of two of his khayhalar deeply, made all the worse because he is sure he contributed to their deaths. If he hadn't been overly anxious and confided in some of his khayhalar about his sister's ambassador lover, they wouldn't have overreacted when they believed him threatened, and no one would have died. 

Kadou is also suffering from strong anxiety, but believes this to be a personal weakness and that he is a coward. He occasionally suffers from panic attacks, but only one of his khayhalar know about them and has figured out how to calm him down. Evemer, who initially believes Kadou to be "careless, flighty and negligent", not to mention completely unable to take care of himself. So he is rather shocked when Kadou knocks him out with one punch after he patronizingly offers to teach the prince to fight. He's forced to entirely reevaluate his opinion once they are attacked and instead of running away while Evemer does his job and fights the assailants, Kadou, who hadn't been lying about how much self-defence he had been taught, instead stays in the alley and skilfully murders the lot of them remarkably quickly and efficiently. 

In a lot of books, I find excessive mutual pining very frustrating and keep wanting said couple to just get over themselves already. In this book, the growing attraction between Kadou and Evemer is very well done, and the reason neither of them confess their feelings or act on them is clearly explained by their difference in social standing. Kadou believes himself to be a coward, a failure and a disappointment and is far too aware that while it's a very honourable position, Evemer is still his servant. A servant whose duty it is to sacrifice themselves for their charges if necessary. Equally, once Evemer realises that his initial impressions of Kadou were wrong, he believes himself far too lowly to ever be a worthy partner for a prince.

What seems to be a fairly minor investigation into the theft of some documents, turns out to become something a lot more dangerous, not just for Kadou and Evemer, but for the sultan and her baby as well. They come to learn that someone may have turned some of the khayhalar into traitors, and the court is no longer a safe place. There is a wonderful extended sequence where the sultan, her baby girl, Kadou and some of his trusted retainers all hide out with Evemer's mother, who doesn't blink an eye at having to house such exalted company.

I absolutely loved this, and because I waited this long to read it, there is now a sequel novella, as well as another adventure novel by Rowland set in the same universe as this one. So excited to read more. 

Judging a book by its cover: Isn't this cover just the most gorgeous thing? I often don't like covers portraying characters, but this pretty much captures my mental images of Kadou and Evemer perfectly. The hair jewellry, the gorgeous embroidery of the outfits, the background. Kadou holding the coin while Evemer gazes adoringly at him. *heart eyes* In contrast, the UK edition I have, is rather dull. Just a navy cover with some flowers on it. 

Crossposted of Cannonball Read

CBR16 Book 62: "A Sorceress Comes to Call" by T. Kingfisher

Page count: 400 pages

Rating: 4.5 stars

CBR16 Bingo: Dun Dun (From pretty much the first chapter, where Cordelia is "made obedient" there is a creeping sense of dread all the way through this novel)

Cordelia knows her mother isn't like other mothers. Other mothers can't take over your limbs and puppet you, or force you to stay still and motionless for hours or days on end. Other mothers permit doors that can be closed in the house and let their daughters have friends. Other mothers don't have a magical horse who spies on the daughter when they are out on rides. Cordelia's mother wants her to marry a rich man, and to launch her daughter properly into society, Cordelia's mother needs a rich husband who can provide her with the lifestyle she requires, and then conveniently disappear. 

Cordelia's mother, Evangeline, has found a suitable candidate, a middle-aged country squire who she now just needs to charm sufficiently for him to propose marriage to her. She can't enchant him, because all magical spells are dissolved once the wedding takes place (it involves water, wine, salt and holy ground). Fortunately for her (certainly not anyone else), Evangeline is beautiful and enticing and more than manipulative even without using magic. What she had not taken account of when plotting, was suspicious relatives. 

The squire's spinster sister, Hester, recognises Doom (as she without fail refers to Evangeline) the second she arrives on their doorstep, and she has no intention of letting her brother fall into her clutches. Hester is initially unsure whether Cordelia is her mother's creature and will take Doom's side, but after observing some of their interactions and speaking to the servants (Cordelia sometimes goes to sleep hidden in a wardrobe), she concludes that the girl will also need to be rescued from her ambitious and merciless mother.

I see lots of people saying that this is a dark fantasy set in the Regency era, but I really didn't see a lot of traces of a specific time period in the story. It could just as easily be set in some generic historical fantasy past. I have only read two books by T. Kingfisher previously, but even What Moves the Dead, which had me uncomfortable throughout, really kept me turning pages just to see what would happen next. Nettle & Bone was one of my favourite books of 2023. It also features a sinister threat and a sense of dread throughout, but in A Sorceress Comes to Call, the feeling of discomfort and unease begins in the very first chapter and doesn't really let up until the very end, because Cordelia's mother really is that unpleasant and so clearly extremely dangerous, and you really don't want her to cause harm to anyone, let alone the protagonists, Cordelia and Hester.

It should also be mentioned that this has some elements reminiscent of the fairy tale of The Goose Girl, but not enough that it feels right to call this a fairy tale retelling. The horse Falada certainly plays a very different role in this book than in the original fairy story. 

Cordelia has never known kindness or affection, and having seen her mother do terrible things in the past, she knows the Squire and Hester are in danger, but she's afraid to talk to anyone. She knows that the tale of her mother's magical powers will most likely not be believed, and she fears she will be seen as her mother's accomplice. Luckily, Hester is an observant and clever woman, who takes Cordelia under her wing and listens to her, even when what she says appears preposterous. In an attempt to slow down Doom's seduction attempts somewhat, Hester invites a number of close family friends for a house party, to ensure that the Squire is never entirely alone with the scheming sorceress. 

Cordelia and Hester are both such likeable protagonists. By letting the readers share the POV of Cordelia, Doom's traumatised young daughter, Kingfisher is able to show first-hand just how terrifying her mother really is. Giving Hester, a wise middle-aged woman the other POV gives the readers hope that there may be some way to thwart Doom's plans and hopefully give Cordelia a safer future. 

Hester loves her brother but is by no means blind to his weaknesses. She knows that if she doesn't act quickly, Doom will have charmed herself into marriage with her brother, and after that, it's unlikely that either Hester or her brother will live for very long. Hester also regrets some of the choices of her past, which means she gave up on love and marriage of her own, and now she is older and has a bad knee and feels she would only be a burden to a potential husband. Thankfully, someone disagrees with this (there is a minor romantic subplot that I found very sweet). 

I don't think Kingfisher's full on horror books are for me, because her suspense books are frankly more than unnerving enough. Luckily, I have a large back catalogue to choose from, and likely many good reading experiences in my future.

Crossposted on Cannonball Read

CBR16 Book 61: "System Collapse" by Martha Wells

Page count: 256 pages

Rating: 4 stars

CBR16 Bingo: Rage (The Murderbot Diaries are all the rage all over the bookish internet, in addition, there's a lot of rage-inducing behaviour from the evil corporation in the book)

Spoiler warning! This is book 7 in the series, and absolutely not the place to start reading. This book will not make as much sense if it's your first encounter with Murderbot. You should have read at least All Systems Red, Artificial Condition and the previous novel, Network Effect to have the requisite backstory for this book. It's actually impossible for me to review this without mentioning what happened in Network Effect.

Murderbot is not OK. Murderbot cannot entirely trust its own instincts and reflexes anymore. That makes it very difficult for Murderbot to do its job, which is to provide security for its crew, who are currently working together with the crew of the Perihelion (better known as ART to its friends) to protect the rights of the colonists already living on planet they discovered in the last book. Unfortunately, the Barish-Estranza corporation wants the planet and its resources and has sent additional ships and SecUnits to try to persuade the colonists to sign contracts for "rescue and protection", which would in effect mean they would be signing away their lives to Barish-Estranza, being stuck labouring for them for the rest of their natural lives to pay for said "rescue and protection".

The fact that there are multiple groups of colonists living on the planet, spread out in different factions, further complicates the job of our intrepid good guys. Murderbot has to accompany some of its and ARTs crews to a remote location on the planet to inform a separate faction of colonists about the sinister motives of the Barish-Estranza representatives, who seem like they come offering safety, relocation and transportation to a new home. Because of [redacted] Murderbot is worried it might lose control, but in the end, it turns out that Murderbot's previous work to disconnect itself from its Control Module, not to mention its tremendous knowledge of entertainment and media is what might sway the colonists away from the tempting, but duplicitous offers of the Barish-Estranza corporation. 

None of the instalments of the Murderbot Diaries are bad, but after all the action and emotional developments of Network Effect this book felt a lot more like a filler episode before more significant plot hopefully happens in future stories. It was nice to see Murderbot's people and ARTs crew interacting and getting along, and I was especially impressed with the solution our ragtag crew came up with to thwart the nefarious corporation. I had a good time reading this, but I doubt it's one I'm going to be re-reading a lot.

Crossposted on Cannonball Read

CBR16 Book 60: "The Beast Takes a Bride" by Julie Anne Long

Page count: 384 pages

Rating: 3.75 stars

Disclaimer: This was an ARC from NetGalley. It hasn't affected my opinions in any way

Spoiler warning - this review will contain some discussion of plot points I found difficult, so you may want to skip some parts of it until you've read the book

Alexandra Bellamy has been taking care of her father and her siblings since her mother died. She has no dowry to speak of and knows her father has massive gambling debts. So when her father announces that the impressive and formidable war hero, Colonel Magnus Brightwall, will not only clear his debts, but pay an additional five thousand pounds for her hand in marriage, she doesn't really have any choice but to accept the offer. Unfortunately, only hours after the ceremony, Magnus witnesses something that makes him convinced his wife has betrayed him, and instead of taking Alexandra with him on his diplomatic posting to Spain, he leaves her in his townhouse in London, with barely any communication between them. 

Their reunion five years later takes place in Newgate prison, where Alexandra has unfortunately found herself imprisoned after being involved in hijinks involving her impulsive cousin, an angry duke and possibly a stolen carriage. Magnus shows up to fetch her, but instead of taking her to the house she's lived in alone for the past five years, he takes her to The Grand Palace of the Thames, where they will stay while he's preparing to sell the townhouse. There are already all sort of rumours swirling because of Magnus and Alexandra's long separation, and now, with this new scandal, Magnus is worried about his reputation. So he's made a plan (without at any point consulting his wife about her thoughts on the matter). 

So Alexandra is basically told that they will appear together in public for enough social events to convince the public that their marriage is strong and loving and clearly gossiping about them is wrong and uncouth. Then Magnus will sell the townhouse, and ship Alexandra off to America, where as long as she agrees to this scheme, she will have a house of her own and a generous allowance. If she says no, he'll cut her off entirely, and she'll be forced to live with one of her siblings, entirely dependent on their charity.

One of my friends put this book down halfway because she was so annoyed at Magnus and the completely outrageous way he treats Alexandra in the beginning, because of his pride and insecurities. She needed me to finish the book and convince me that it was worth finishing and reassure her that she wasn't going to have a rage aneurysm because of Magnus' continued mistreatment of his lovely wife. I question the opinions of readers who feel that Magnus' early behaviour is entirely within reason, and he's correct in treating Alexandra the way he does. I'm a member of Julie Anne Long's fan group on Facebook, and amusingly, on release day (this Tuesday), someone posted a very well-written AITA from Magnus' point of view. Unsurprisingly, most people agreed that he was an A. 

So what was it that kept me from throwing this book across the room (metaphorically, I would never risk my beloved e-readers in such a way) in a fit of rage? It is to Julie Anne Long's credit that she manages to write so well that even when I want to thump him, I also have some sympathy with Magnus. Because get to see what both Alexandra and Magnus are experiencing and thinking, the reader is first of all very aware of the remorse that Alexandra feels about her impulsive actions that led to her being immediately estranged from her husband, but also how conflicted Magnus feels. My main gripe with the story is that while the reader gets insight into his insecurities and tormented thoughts about his wife and his marriage, he never really shares them with his wife. 

PLOT SPOILERS IN THE NEXT BIT:

While the man we meet in the present day of the novel is the impressive Colonel Magnus Brightwell, known for his heroic actions during the Napoleonic war (he even nearly died saving the Duke of Valkirk's life on the battlefield), for most of his life, Magnus has been unwanted and tolerated on sufferance. He was found on the doorstep of a Yorkshire manor house and spent his early life working the worst possible jobs of the household to earn his keep. Because of his rough appearance, he was given the nickname "Beast" early on, and it seems to have stuck with him. No one showed him any affection or kindness, so when he eventually learned to shoot, and won a marksman competition as a teenager, he spent the prize money buying himself a comission to the army, where he rose in the ranks and earned respect and acclaim he'd always dreamed of. So the dude has a chip on his shoulder, and a whole host of insecurities, fair enough.

However, for far too much of the book, Magnus (despite claiming to have been in love with her since the first time he saw her) doesn't seem to see Alexandra as a person, a woman with wants and needs and dreams of her own. He was taken in not only by her beauty, but her kindness, charm and unfailing loyalty to her family, but because he was so convinced of his own worthlessness and couldn't possible imagine her actually accepting his suit if she was given any sort of choic, he manipulated the situation so she literally had no choice but to accept him. If she refused him, her family would be destitute. He didn't care about what her life had been like before he literally bought himself a pretty wife. Having not really had any conversations of note with said wife before they married, Magnus had no idea that she had comforted herself with a deeply innocent and chaste infatuation with her brother's tutors for some months before she ever even met Magnus. Both parties were extremely aware that they would never be together, and the romance was never going to end in marriage between a poor scholar and a viscount's daughter. 

Alexandra broke it off as soon as she agreed to marry Magnus, but a few hours after the wedding, she sees her former suitor at the garden gate (where they used to meet and chat - never anything more than that) and he kisses her goodbye. The thing that so upsets Magnus is seeing that for a brief moment, Alexandra doesn't fight back, but lets herself enjoy her first kiss. His sense of betrayal at seeing her chastely say farewell to someone who had offered her solace for a few months is deeply misguided. Not even when Alexandra is entirely honest about the situation, and apologises for her misstep and for having hurt Magnus, is he able to listen to her or understand her. He goes off in a snit to be a diplomat in Spain, leaving his wife to languish alone and rejected in his town house in London. She's the one who has to contend with the rumours and malicious whispers about why they aren't living together, and she has to keep herself and her behaviour above reproach in respect of his precious reputation. The one night she throws caution to the wind and does something ill-advised with her cousin, she ends up arrested. Even when Magnus realises how judgmental he's been, he never actually apologises for his actions and his harsh and cold treatment of Alexandra. Where he could have had an open and honest conversation with his wife, and owned up to being a judgy asshole, he instead manipulates the situation once more, to make it possible for her to "choose him" this time around. Which she does. 

Magnus doesn't think he could ever get a beautiful and accomplished woman like Alexandra by honest means, and since all his life he has had to strategise and scheme to reach his goals, he does the same to get himself a wife. He just never seems to properly acknowledge that this was wrong and that Alexandra deserved so much better. Not better than him, because he is clearly not a bad person, just a proud and prickly one, but she deserved respect, an actual choice and a proper and grovelling apology for having had those choices taken away from her, and then being super harshly judged for saying goodbye to a part of her past and innocently responding to being kissed. She didn't even initiate the kiss, she just allowed it to happen and didn't forcefully push away the young man who kissed her. She never denied what she did, and she was deeply and honestly apologetic immediately after the fact, knowing that what she did was unfortunate and clearly hurtful to Magnus. The fact that he in return never apologises properly to her for his mistreatment of her, both five years ago and early on in the present, left a sour taste in my mouth that keeps me from giving this book a full four stars. 

Pride is clearly a major theme in the story. At one point, Alexandra mentions that she's reading Pride and Prejudice by Jane Austen (I was going to get all snippy about how it was published "by a lady" - but this book seems to be set five years after the end of the Napoleonic wars, at which point Ms. Austen had been dead for a few years, and the true identity of the author would have been revealed, so snippiness retracted). I suppose the reader is supposed to draw parallells between Mr. Darcy and Magnus, but while Mr. Darcy initially delivers one of the worst proposals in literary history, he then takes great strides to change, broaden his horizons and makes efforts to be less proud and imperious before he proposes to Elizabeth once more. Magnus just buys himself a wife and seems upset when it is revealed that she had a past and lived a (very innocent) life before she ever met him. 

END SPOILERS

One of the things I enjoy about The Palace of Rogues series is that it's a bit like a long running TV show. Instead of a "mystery of the week", we get a "romance of the week", which introduces new characters and plot beats for a while, but we also get to spend time with recurring characters we've come to know and love. I've seen some reviews complain that they thought the hijinks of the supporting characters took up too much space and detracted from the main romance, but I disagree. If it hadn't been for the delightful other guests at the Grand Palace on the Thames, not to mention ditzy housemaid Dot and handsome footman Ben Pike's slowly developing feelings for one another, I would have rated the book even lower. This is the first time I've rated a book 3.75 stars, and my annoyance at never getting a proper grovelling scene from Magnus is balanced out by several laugh out loud moments involving other residents at the boarding house, not to mention the delightful sequence where Mr. Delacorte takes our protagonists and Dot to a late-night donkey race. 

The previous book in the series, My Season of Scandal, is my favourite Julie Anne Long book since my all-time favourite, most beloved What I Did for a Duke. The previous one before that, To Tame a Wild Rogue, was also delightful and a five-star read for me (if a lower five-star than My Season of Scandal). They can't all be winners. I'm still very happy I was granted an ARC of this (thank you, Netgalley!) and am happy that the series is clearly continuing for a while yet. 

Judging a book by its cover: I have mentioned before that I find a lot of the covers of this series just plain bad. Thankfully, this is one of the better ones. I feel the cover artist could have made more of an effort not to make Magnus' trousers look like blue jeans, but I guess we can't have everything. Alexandra looks pretty much as described in the book, and the shade of lilac she's wearing is lovely. 

Rating the Palace of Rogues series

1. My Season of Scandal - 5 stars

2. To Tame a Wild Rogue - 5 stars

3. After Dark with the Duke - 4 stars

4. Lady Derring Takes a Lover - 4 stars

5. The Beast Takes A Bride - 3.75 stars

6. You Were Made to Be Mine - 3.5 stars

7. Angel in a Devil's Arms - 3.5 stars

8. I'm Only Wicked with You - 3 stars

Crossposted on Cannonball Read