CBR16 Book 61: "System Collapse" by Martha Wells

Page count: 256 pages

Rating: 4 stars

CBR16 Bingo: Rage (The Murderbot Diaries are all the rage all over the bookish internet, in addition, there's a lot of rage-inducing behaviour from the evil corporation in the book)

Spoiler warning! This is book 7 in the series, and absolutely not the place to start reading. This book will not make as much sense if it's your first encounter with Murderbot. You should have read at least All Systems Red, Artificial Condition and the previous novel, Network Effect to have the requisite backstory for this book. It's actually impossible for me to review this without mentioning what happened in Network Effect.

Murderbot is not OK. Murderbot cannot entirely trust its own instincts and reflexes anymore. That makes it very difficult for Murderbot to do its job, which is to provide security for its crew, who are currently working together with the crew of the Perihelion (better known as ART to its friends) to protect the rights of the colonists already living on planet they discovered in the last book. Unfortunately, the Barish-Estranza corporation wants the planet and its resources and has sent additional ships and SecUnits to try to persuade the colonists to sign contracts for "rescue and protection", which would in effect mean they would be signing away their lives to Barish-Estranza, being stuck labouring for them for the rest of their natural lives to pay for said "rescue and protection".

The fact that there are multiple groups of colonists living on the planet, spread out in different factions, further complicates the job of our intrepid good guys. Murderbot has to accompany some of its and ARTs crews to a remote location on the planet to inform a separate faction of colonists about the sinister motives of the Barish-Estranza representatives, who seem like they come offering safety, relocation and transportation to a new home. Because of [redacted] Murderbot is worried it might lose control, but in the end, it turns out that Murderbot's previous work to disconnect itself from its Control Module, not to mention its tremendous knowledge of entertainment and media is what might sway the colonists away from the tempting, but duplicitous offers of the Barish-Estranza corporation. 

None of the instalments of the Murderbot Diaries are bad, but after all the action and emotional developments of Network Effect this book felt a lot more like a filler episode before more significant plot hopefully happens in future stories. It was nice to see Murderbot's people and ARTs crew interacting and getting along, and I was especially impressed with the solution our ragtag crew came up with to thwart the nefarious corporation. I had a good time reading this, but I doubt it's one I'm going to be re-reading a lot.

Crossposted on Cannonball Read

CBR15 Book 61: "Class Act" by Jerry Craft

Page count: 249 pages

Rating: 4 stars

Drew Ellis goes to the prestigious Riverdale Academy Day School, but unlike a lot of his more privileged classmates, he feels like he has to work way harder and he still might not get the same opportunities that they do. While a lot of his fellow students live in enormous mansions, Drew lives alone with his grandmother (who has to work almost constantly to provide for him). He also knows that no matter how good his grades are or which school he attends, most people are only going to see the colour of his skin. Of course, his friends Jordan and Liam have their own problems to deal with.

This is a companion novel to New Kid, which I haven't read. The good news is that you don't need to have read that book to enjoy this one, but I suspect I would have gotten even more out of this if I'd also read the first book in the series.

For our Cannonball Book Club in October, we continued last year's success of banned books, this time focusing on graphic novels. I had already read the other two we selected, This One Summer by Mariko and Jillian Tamaki and Gender Queer by Maia Kokabe, so this was the only one left for me to read. Thankfully the Oslo public library had a copy, so I was able to read it before our online discussion and Zoom meeting.

This is very highly rated on Goodreads, and I liked it a lot. I'm very much not the intended target audience, and had I been younger, I might have rated it even higher. As always when we read banned books, I am utterly baffled as to why anyone would think this was a bad thing for young people to read. This shows a very nuanced portrayal of several young individuals from very different family backgrounds and how they all, even when they might seem to have no worries, might not have perfect lives. What a terrible thing for tweens to read, apparently.

Judging a book by its cover: Craft is an excellent artist, and shows inside the comic that he's capable of drawing in a number of styles. I really like the playful cover, with some of the characters being juggled, along with the demands and responsibilities Drew faces daily. 

Crossposted on Cannonball Read

CBR15 Book 51: "All Boys Aren't Blue" by George M. Johnson

Page count: 320 pages

Rating: 4 stars

CBR15 Bingo: Queer Lives

In July, the Forever Young Adult Reading Challenge prompt was Banned Books. Since All Boys Aren't Blue was the second most banned book in America during the 2021-2022 school year, only beaten by Gender Queer, and I'd had the book on my digital bookshelf for a while, it felt like a suitable book to choose. This book was also one of the book club selections last year for the Cannonball book club, when we did banned books (this year we did banned graphic novels) and I never got round to reading it back then. But now I have.

All Books Aren't Blue is a memoir aimed at young adult readers, written by queer activist George M. Johnson (they/them). The book is about growing up Black and queer, and always feeling different but not having the words to express it. Johnson wanted to give black and queer youths growing up now more of a vocabulary to talk about their own experiences. Johnson said in an interview with NPR that although the book has been banned or challenged by more than 26 school districts, it still has more defenders than detractors, and he doesn't regret writing the book. They say that "students have publicly said on record that works like mine have saved their lives, works like mine have helped them name their abusers, works like mine have helped them come to terms with who they are and feel validated in the fact that there is somebody else that exists in the world like them,"

I am a white, middle-aged, cis-gendered woman, so the experiences Johnson writes about in this memoir were entirely different from anything I experienced growing up in a privileged middle-class family in Norway. I am deeply grateful that books like this exist, so youths in similar situations to Johnson, black and/or queer, can see that they are not alone out there. I am grateful that I can learn and expand my own understanding of the lives of others because it's only through being open and interested that we continue to grow and improve as people. I am glad that there are still a lot more parents,  educators, and/or librarians out there working to get this book out to young people than there are trying to repress and ban this book. 

Judging a book by its cover: The beautiful flower crown that Johnson is wearing on the illustrated cover of this book feels very joyful, and it certainly caught my eye and made me read more about it the first time I saw it. 

Crossposted on Cannonball Read. 

CBR15 Book 41: "Never Been Kissed" by Timothy Janovsky

Page count: 334 pages

Rating: 3 stars

CBR15 Bingo: Hold Steady (Wren is in quite a rut at the start of the book)

Official book description:

Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Feeling nostalgic on the eve of his birthday, he sends emails to all the boys he (ahem) loved before he came out. Morning brings the inevitable Oh God What Did I Do?, but he brushes that panic aside. Why stress about it? None of his could-have-beens are actually going to read the emails, much less respond. Right?

Enter Derick Haverford, Wren's #1 pre-coming-out-crush and his drive-in theater's new social media intern. Everyone claims he's coasting on cinematic good looks and his father's connections, but Wren has always known there's much more to Derick than meets the eye. Too bad he doesn't feel the same way about the infamous almost-kiss that once rocked Wren's world.

Whatever. Wren's no longer a closeted teenager; he can survive this. But as their hazy summer becomes consumed with a special project that may just save the struggling drive-in for good, Wren and Derick are drawn ever closer...and maybe, finally, Wren's dream of a perfect-kiss-before-the-credits is within reach.

A feel-good summer LGBTQIA+ New Adult RomCom, perfect for fans of Red White & Royal Blue, Boyfriend Material, and What If It's Us.

I feel quite bad for authors whose publishers keep trying to sell their books based on what's been popular and sold lots already. Now, I haven't read What If It's Us yet, so I can't speak for this one, but pretty much the ONLY similarity between this book and Red, White & Royal Blue or Boyfriend Material is that it features a romance between two men. I adore the aforementioned books, they are both five-star comfort re-reads for me. I'm sorry to say that this book is nowhere near as witty, heart-warming, or entertaining as those books. Had I read the wildly misleading publisher boast before I picked up this book? No, because I tend to ignore stuff like that (cause it's ALWAYS lies) - but if I had, I would have been even more disappointed. 

I'm making it sound like this book was awful, it was not. The fourth of our  Hot Fun in the Summertime Book Club selection for June, I finished this a few hours before the Zoom chat was about to start. I had never heard of the author or title before I picked up the book, but one of my favourite things about book clubs, both the Cannonball one, and my RL fantasy/sci-fi/speculative fiction book club is that I am challenged to read books I wouldn't necessarily choose myself, and I have frequently found myself really enjoying books I would otherwise probably never have picked up, and discovering new authors. For the Cannon Book Club in June, I really liked two of the books (the ones I read way before the selection was even made, Highly Suspicious and Unfairly Cute and Georgie, All Along). This, and our cozy mystery, Arsenic and Adobo, were both fine, but I'm not exactly feeling motivated to run out and seek out more books by the authors. 

Our protagonist, Wren, is a bit of a sadsack at the start of the book, honestly. He seems insecure and aimless, the only thing he cares about is the drive-in where he works during the summer.  He's been promoted to assistant manager but keeps letting his personal life distract him from his duties, and letting both his crush on Derick and his friendship with his room-mate cause problems for him, and his boss. Wren doesn't seem to know what he wants to do with his life, and until he gets very drunk one evening, he has never had the courage to confess his feelings for any of his crushes. Then he impulsively sends out the e-mails he once wrote to each of the people he fancied (so far, so very To All the Boys I've Loved Before, except Derrick Haverford sure ain't no Peter Kavinsky). Because it wouldn't be much of a book if it ended there, of course, the universe conspires to have Derrick working at the drive-in with Wren all summer.

I didn't really engage with either Wren or Derrick or care much about their romance. My favourite character was the cranky old lady whose cult movie Wren was obsessed with. Do I remember her name? Nope. Can I be bothered to look it up? Also nope. 

This book was fine, but in no way knocked my socks off, and now, months later, I remember very little of it. I don't rule out other Timothy Janovsky books in the future, though.

Judging a book by its cover: A lot of the cartoony covers are getting rather generic, and I think this one is especially non-descript. The cars make sense since the plot is centred around a drive-in. I just don't think I'd ever have picked this book up if it hadn't been selected for book club. 

Crossposted on Cannonball Read. 

CBR15 Book 40: "Arsenic and Adobo" by Mia P. Manansala

Page count: 336 pages

Rating: 3 stars

CBR15 Bingo: Edibles (this book features both a lot of food and quite a few drugs)

Lila Macapagal used to live in Chicago and dreamed of opening her own restaurant, but both her business and relationship failed miserably. She's back in her hometown, helping to run her tita (aunt) Rosie run the family restaurant, where they serve Philipino food. Unfortunately, Lila's ex-boyfriend is a food critic and seems determined to come back, again and again, to sample the food and write scathing things about the food and service. Only this time, he collapses at the table and has to be rushed to hospital, where he dies sometime later. Shortly after, the police are at the restaurant and while searching the premises, they also find a bag in Lila's locker containing a large amount of drugs. Now she's not only the main suspect in the murder of her ex-boyfriend but the police think she's a drug kingpin. 

Lila is determined to clear her name and with the help of her barista BFF, said bestie's lawyer brother, and the big network of aunties who seem to know everything about everyone in town, she begins to investigate. Her tita's restaurant will stay closed until her name is cleared, not to mention that Lila risks a long time in prison if she can't find the actual murderer.

The topic for this June's Cannon Book Club was Fun in the Summertime. Three romances and one cozy mystery were selected. This was the cozy mystery. I got it in an e-book sale in July 2022, so it seemed like a good choice to read since I'd already read two of the romances suggested earlier this year. Once upon a time, I used to read a lot of mysteries, cozy and otherwise, but now it seems like I only have the patience for historical mysteries with romantic subplots, featuring Victorian ladies. Sadly, this book didn't really tempt me into continuing the series (book 4 is out in October), as I found the book rather underwhelming, and comments from other members of the book club (who have read some of the sequels) suggest that the writing doesn't really improve. So this is probably my one and only Manansala book.

One of the problems with the book is that Lila, the protagonist, is rather insufferable, and she certainly seems terrible at investigating. She keeps ignoring clues and connections she discovers while investigating, and seems to finally find the culprit more through luck than anything else (I had figured out the guilty party at least three hints earlier, not that Lila seemed to notice any of them). She's completely oblivious to the wants and wishes of her loyal best friend (who wants her to stay in town and open an establishment together), and she's judgmental about her hometown (despite the fact that she didn't really hack it in Chicago either). She seems to love her aunt and her large extended family of "aunties" and cousins and kind of resent them. It's completely baffling to me that she attracts the romantic interest of not one, but two handsome and talented professional men. It doesn't help that I'm instantly wary of love triangles in mysteries, having stuck longer than I should have with Janet Evanovich's Stephanie Plum series (just become a thruple already, or better yet, have Joe and Ranger settle down together and dump Stephanie entirely). 

The book's redeeming feature is its focus on Philipino food and culture, which I really didn't know much about. There's a very helpful glossary (with a pronunciation guide) at the front of the book. The book certainly made me curious about Philipino food (there's a lot of cooking) and the author has helpfully included recipes at the back of the book (not sure I can get ube in Norway, though). 

Judging a book by its cover: While the book was rather underwhelming, the cover is very cute. I like the bright colours and the presence of the tiny sausage dog (not that anyone working in food service would let a dog into the kitchen). 

Crossposted on Cannonball Read. 

CBR15 Book 35: "Gender Queer" by Maia Kokabe

Page count: 240 pages

Rating: 5 stars

CBR15 Bingo: Picture This (can also be used for Queer Lives)

Official book description:

In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.

Despite this being a pretty obvious pick to read during Pride month, I actually finished Gender Queer in May. I got it from the library and was going to save it for June. I was just curious and started reading a few pages. After about four pages, I didn't put the book down until I was finished. I am cis-gendered and straight, so for me, a lot of this was just learning to understand about someone else's experiences. I'm also asexual, though, and know how long it took me to discover that this was an actual thing and not just that I was some sort of aberration, so I can understand both why this was a difficult book for Kokabe to write and illustrate, but also why it felt important for em to share eir experiences, so that others in eir situation (or similar ones) could see that they are not alone out there. 

The internet tells me that in 2023, this book has been banned from shelves in more American states than any other book, because of its subject matter, and illustrations. The book deals with Kokabe's journey exploring eir gender and sexuality, and because the memoir is graphic, there are also pictures. I didn't think anything was particularly graphic or shocking, and some of the topics explored, like body dysphoria and discomfort with periods or gynecological exams, I suspect would be just as applicable to a lot of cis-gendered people as trans-gendered or non-binary individuals. 

The deeply puritanical and backward thinking of people who ban or challenge books never fails to surprise and depress me. I'm assuming that the justification for wanting this removed from shelves is that it might turn kids gay, or non-binary or something? I'm in my early forties and it wasn't until my mid-thirties that I even knew that asexuality was something that existed. I know how uncomfortable I felt until I realised that this was an actual orientation, and not just me being weird. Questioning one's gender identity and not feeling comfortable in one's body must be a million times worse. Books like this, which can show teens and adults that there are others out there that feel the same are hugely important and can change and even save lives. So this book should not be banned. It should probably be taught in schools, at least for older teens and college students. Only a day or two after finishing the library copy I had borrowed, I went out and bought a copy for myself, so I can lend it to friends. That's how important I think this book is. 

I applaud Kokabe's bravery, and reading about eir intense discomfort of being referred to as a 'young lady' or having people use the wrong pronouns has made me try to be better about using more neutral pronouns with the students I teach because you never know which of them might not be comfortable being lumped in with other cis-gendered, binary classmates. I am sorry to say that I still need to work on remembering not to misgender my non-binary and/or trans-gendered friends on occasion, but I am trying to be more sensitive to these issues. 

Judging a book by its cover: I really like both covers of this book, the one on the original edition and the one on the hardback special edition. Both covers feature two versions of Kokabe, one a more youthful and innocent depiction, the other an older, more reflective one. E is a very good artist, and subsequently, the cover illustrations are evocative and tell a story in their own right. 

Crossposted on Cannonball Read. 

CBR14 Book 16: "Last Night at the Telegraph Club" by Malinda Lo

Page count: 415 pages

Rating: 3.5 stars

 

Official book description:

Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.

America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father--despite his hard-won citizenship--Lily and Kath risk everything to let their love see the light of day.

 

This book turned out to be something very different from what I was expecting, and I'm still not sure if I would have rated it higher and it would have taken me less than almost a month to finish it if it came along at a different time. It certainly keeps appearing on all sorts of "Must Read" lists, and seems both critically acclaimed and highly rated by regular readers. The book description tells us that it's going to be the forbidden love story of two young women in 1950s San Francisco, but while the book also features a Chinese American woman gradually realising that she's falling for one of her classmates, and them sneaking out at night to visit a lesbian bar, it seems almost like a subplot. Lily's identity as a lesbian is a lot less focused on than her place as a Chinese American, bound between personal wishes and desires, and the duty to her family and community, growing up in a paranoid society where the government is in a panic, hunting Communists everywhere. 

Lily's father is a respected doctor, but he nevertheless has his papers taken away because he refuses to confirm or deny one way or another that one of his patients is a Communist. Lily's mother is a nurse, deeply concerned with propriety and making sure that their family's reputation is spotless. Lily's Chinese American friends all only seem interested in dresses, older boys, and dating, while she wants to study advanced math and science and dreams of becoming an engineer, and maybe even going to space one day. The only other girl in her advanced math class, Catholic Kath Miller wants to be a mechanic and a pilot, not exactly your traditional career path for a young woman in the 1950s either. Lily initially strikes up the friendship with Cath because they are the only two girls in their class, but it's revealed late in the book that Cath was aware of and taken with Lily long before they actually became friends, and later more.

This was the Cannonball Book Club book for May, when the theme was AAPI (Asian American and Pacific Islander) writers. We had a vote to decide on the book, and this was my first choice, exactly because I had read and heard so much about it, and thanks yet again to e-book sales, I already had the book on my e-reader. As it turned out, the rather slow start and the somewhat tense subject matter (minority protagonist with a traditional family has homosexual stirrings) meant that when we had out Zoom book club meeting, every single reader had peaked ahead to the ending to see whether it ended in misery or not. If this was a YA romance, that would not be necessary, but the romantic subplot takes second place in Lily's coming of age narrative. Her discovering who she is, what she stands for and who she wants to be going forward is the centre plot of the book. 

In the post scripts at the end of the book, the author mentions that this was a very personal book to her, and it's obvious both from the postscripts and the story that she'd done a ton of research. So much of the research she's done is felt in the writing, to the point that if time travel is ever invented and I happen to end up in 1950s Chinatown in San Francisco, I'll be able to find my way around just fine entirely based on the descriptions in this book. Obviously, part of the joy of reading historical fiction is experiencing another time and place, but here, it did feel a bit as if the author also wanted to make sure that every single piece of historical trivia she'd discovered ended up on the page somehow, a bit to the detriment of the flow of the story. 

This may also be one of those YA books where reading it as an adult becomes a very different experience, because I personally, and pretty much all the others who were reading this for Cannonball book club agreed that the flashback chapters featuring the older characters, Lily's father, mother and aunt, were absolutely fascinating and we wanted more of their stories. So Malinda Lo could probably have a loyal following of fans buying her book about Chinese immigrants to America in the 1950s, as well. The chapters giving us insight into the older generations' lives and perhaps especially what their hopes and expectations had been in contrast to where they ended up were fascinating. 

This is my first book by Malinda Lo. I know she's written several fairy tale retellings with LGBTQ-themes, as well, so I'm sure it will not be the last of her books that I try.

Judging a book by its cover: The absolutely gorgeous cover of this book is one of the first things that drew me to it. It captures the scene and place of the story so perfectly and the contrast between the dark San Francisco streets and the bright neon signs, not to mention the one lamp post illuminating our two lovers is so pretty. I could easily have this cover as a poster for my wall. 

 

Crossposted on Cannonball Read. 

#CBR13 Book 27: "Ghost Squad" by Claribel A. Ortega

Page count: 288 pages

Audio book length: 5 hrs 31 mins

Rating: 4 stars

Lucely (pronounced Lu-sell-i, at least by the audio book narrator) Luna may be living alone with her father (her mother left them when Lucely was little) but due to an unusual family legacy, she's able to see the presence of all the family's departed members. Her father, who once had the gift, can only see them as fireflies but accepts that they're there and cooks massive meals to provide for all the extended members who keep Lucely company. The family spirits are all tied to the large tree in the family's backyard, so when a member of the bank comes and announces that if Lucely's dad can't cover his mortgage payments any longer, the family will be evicted, it doesn't just mean potential homelessness for Luna and her dad, but they'll be separated from the family spirits forever. 

Lucely really needs to figure out a way for her father's failing ghost tour business to get more customers and she and her best friend Syd are trying to wrack their brains. Halloween is coming up, and something sinister is brewing in the little town of St. Augustine, where they live. Lucely's grandmother delivers a very ominous warning to her granddaughter and then seems to fade away, her firefly lazy and lethargic. Lucely and Syd rummage through the secret collection of Syd's very alive and formidable grandmother, Babette (rumoured to be an actual witch). They find a spell that they hope will make Lucely's grandmother come back, but it turns out to be something a lot more sinister, and soon the girls are forced to come clean to Babette and enlist her help, and that of her cat Chunk, to reverse the spell and send the malevolent ghosts back where they came from - otherwise the town will be overrun on Halloween.

One of my goals for my seven-week-long summer vacation was that I was going to get on top of my massive review backlog. Now, here we are, with me starting work again tomorrow morning, reviewing books I read in the middle of May. I'm generally trying really hard to focus on the many things my husband and I have achieved during the holiday, while also both struggling with depression, corona-induced cabin fever, and the challenge of constantly entertaining and responsibly raising a boisterous three-year-old. So, not couning this one, there are still fifteen reviews left for me to do before I catch up. My memory of the finer plot points of this middle grade adventure novel, which I read as part of the CBR Book Club this spring, Young at Heart. 

I'm obviously not the main target audience for this book, but every time I read children's or middle grade books, I am struck by how much more diverse and imaginative they are than most of the ones I remember from my own adolescence. The official book description for this book tries to sell it as a sort of mix of Coco meets Ghostbusters, which as is often the case with these quick pitches is at least halfway misleading. There are a lot of Latinx family vibes in the story, absolutely, and there is absolutely a supernatural element, but the Ghostbusters side of the pitch is more accurate, if those busting the ghosts are two determined girls, an over-weight cat and a grandmother with a lot of arcane knowledge.

Family is a huge focus in the story. The Lunas may only have two living members, but the various ghost relatives who show up to support Lucely in different ways (even willing to risk their afterlife to fight bad ghosts with her) are great. We don't see much of her overworked father, but he clearly cares a lot about her. There's also the family you choose, Lucely's best friend Syd, and Babette, who not only has a house full of cats (all named for characters from The Goonies), but also may or may not be an actual dyed in the wool witch.

This book was fast-paced, adventurous and suitably creepy, I'm sure I would absolutely have adored it if I read it in my tweens. Almarie Guerra does a very good job with the narration, and I shall keep a look-out for her on future audio books.

Judging a book by its cover: I don't have a lot to say about this, except I love the art style and the depiction of the girls, not to mention Chunk, in all their (don't remember what gender the cat is) overweight glory. 

Crossposted on Cannonball Read. 

#CBR13 Book 26: "The Hitchhiker's Guide to the Galaxy" by Douglas Adams

Page count: 208 pages

Audio book length: 5 hrs 51 mins

Rating: 3.5 stars

CBR13 Bingo: Machinery (space ships, the guide, Marvin - a lot of examples)

Arthur Dent wakes up one morning to discover his house is about to be bulldozed. He's very upset about it and goes to lie down in front of one of the bulldozers, so it can't knock down his house, but is interrupted by his friend Ford Prefect, who has some very important things to tell him, and very little time left to do so.

It turns out Ford Prefect is an alien who's been stuck on Earth for much longer than planned, but he's just gotten news that a large fleet of spaceships are coming to destroy the planet, and he plans to hitch a ride with one of the ships. Would Arthur like to come along? If he stays, certain death is guaranteed. Soon, a very befuddled Arthur is on board a Vogon ship, learning about aliens, Babelfish, why you should always travel with a towel, as well as The Hitchhiker's Guide to the Galaxy, a small electronic record of everything cool and important there is to know about the universe.

Through a very strange coincidence, Ford and Arthur later find themselves onboard the most expensive ship in the galaxy, stolen by the charming, ne'er-do-well and current president of the galaxy, Zaphod Beeblebrox, accompanied by the lovely Trillian (born Tricia McMillan and someone Arthur once tried to pick up at a party). The ship is run by a probability engine and onboard is also Marvin, a paranoid and very depressed (and depressing) android. How did all these people come to be aboard the same ship, and why did Zaphod steal it in the first place?

The Hitchhiker's Guide to the Galaxy was published in 1979 and is therefore only a few months younger than I am. It coincidentally means it (and I, who will probably have to do some sort of book-themed birthday party) turns 42 this year, which is pretty significant to anyone who has read the book. Frankly, because of the internet, I suspect a lot of people who have never encountered any version of this story (there's been an radio comedy, this novel, a BBC TV series, a stage show, a comic book, a computer game and the incredibly disappointing movie adaptation starring Martin Freeman, Sam Rockwell, Zooey Deschanel and Yasiin Bey) know that 42 is the answer to "life, the Universe and everything", without really knowing why exactly that is. 

This was one of the selections for the most recent CBR Book Clubs, Young at Heart. I can't actually remember how old I was when I first discovered Hitchhiker's, but I am pretty sure it was some time in secondary school, most likely 9th grade - so I was probably about 14, but may have been as young as 13. I don't really think I was all that proficient in reading in English before that (I was one of these strange children who never had to be told by a teacher or otherwise knowledgable grown-up that it's good to read in a foreign language when you're trying to improve your skills and vocabulary, I just nerdily figured it out for myself). Off I went to our local library and to begin with, I read children's books I'd already read in Norwegian (like Roald Dahl and the like), before graduating to more advanced book. FYI, Agatha Christie, whose books I devoured as a tween and teen, are terrible "learner's books" in English. She did not simplify her language one jot. 

I think it was one of the boys in my class who saw that I read a lot of fantasy who asked if I'd ever read Douglas Adams. I had not, but sought out the books (the first Norwegian translation of the book is AWFUL, I believe there is a much better one now that captures the wit and cleverness of the original) and was quickly won over. While thinking back to my early reading, in Norwegian and Swedish, and later English, I can think of so many different books and series that can be classified as fantasy, but I really think Douglas Adams' strange, creative, and very funny series (which sadly diminishes in quality sharply after book 3) was among the first sci-fi books I read. 

Having read the books, I later also watched the TV series and listened to the radio show. My husband still maintains that the audio show is the best, I can't remember enough details to confirm or deny. Nevertheless, when I first read these books, I loved them, and they were unlike anything I'd ever read before. Now, revisiting the first book at least 25 years later, it doesn't really impress me as much. Although the audio version I listened to was excellently narrated by Stephen Fry, I kept getting distracted by how often Adams uses adjectives like 'mind-boggling' and while the book will have been very revolutionary in 1979, we now basically all carry devices way more powerful and useful than The Hitchhiker's Guide to the Galaxy in our pockets (as far as I could tell from the novel, the guide can't be used as a camera, music player, GPS or all-round entertainment device). Although, true story, for at least some of my early Nokia phones, when they had start-up screen messages, mine said "Don't Panic". So Adams' influence is strong. 

I'm glad I discovered and read the book in the early 1990s. I'm not sure it would impress a teenager reading it for the first time today as much. 

Judging a book by its cover: Obviously, a book that's been out for over forty years has had a large variety of covers. The one that accompanied my audio version was very similar to the one I have on my own bookshelf, which is in an omnibus edition collecting all five Douglas novels (I know there was a sixth novel post-humously completed by Eion Colfer, I choose to ignore that). I like the bubble letters and the grinning green alien. 

Crossposted on Cannonball Read

#CBR12 Book 80: "The Glass Hotel" by Emily St. John Mandel

Page count: 302 pages

Rating: 3 stars

Official book description:

Vincent is a bartender at the Hotel Caiette, a five-star glass and cedar palace on an island in British Columbia. Jonathan Alkaitis works in finance and owns the hotel. When he passes Vincent his card with a tip, it's the beginning of their life together. That same day, Vincent's half-brother, Paul, scrawls a note on the windowed wall of the hotel: "Why don't you swallow broken glass." Leon Prevant, a shipping executive for a company called Neptune Logistics, sees the note from the hotel bar and is shaken to his core. Thirteen years later Vincent mysteriously disappears from the deck of the Neptune Cumberland. Weaving together the lives of these characters, The Glass Hotel moves between the ship, the skyscrapers of Manhattan, and the wilderness of northern Vancouver Island, painting a breathtaking picture of greed and guilt, fantasy and delusion, art and the ghosts of our pasts.

Expectations are funny things. I didn't think I'd like Station Eleven, back when we first read it for Cannonball Book Club back in 2015 and was surprised to discover that I absolutely loved it. That feeling was only strengthened and reinforced when I re-read it earlier this year (so strange to read it during an actual global pandemic) for our Spring book club. So while the description of The Glass Hotel made it generally seem like very much not my sort of thing, I was willing to give the book and the author my benefit of the doubt, because I really hadn't thought that a science fiction book about a global pandemic taking out most of the world's population, and the aftermath of that event would have been a book I'd end up loving and recommending to people for years either. 

Sadly, however, with The Glass Hotel, my fears were correct, and the book didn't really do much for me. It doesn't help that the older I get and the more of the world's ugly and greedy underbelly I see, the more I start agreeing with my husband's views of "eat the rich", or more accurately, "round up all the rich and string them from lampposts". So a book where one of the central plot points involved a ponzi scheme where people got rich by exploiting others did not sit well with me, and unlike in Station Eleven, I failed to really connect with or care about any of the characters much. The author's writing sill and excellent way with words kept me turning pages to see what would happen, but throughout the whole novel, there seemed to be a deliberate distance created between the characters and the reader, which didn't exactly help.

One of the things I did really like about the book were the hints that this was set in an alternate universe/timeline to Station Eleven, where the Georgia flu didn't become the thing that killed off nearly the entire population. Some of the characters from the previous novels appear in cameos here, alive and well because they never caught the deadly disease. 

I've seen this book on a number of "Best of 2020" lists, so I'm clearly not in a majority by thinking that the book was ok but not much more. I don't regret the time I spent reading it, and book club discussions are always better the more people have read and have opinions about the book, but I'm not going to be recommending this to people in the same way as I did the author's previous novel. 

Judging a book by its cover: I'm a big fan of the colours purple and teal, so it's nice that those are prominent on the cover. The whole cover image has a slightly surreal, dreamlike quality to it, with a small, forested island seemingly floating in a colourful void. Some of the book's important scenes take place in a remote hotel on a small island, and I guess the image evokes the sort of remoteness and loneliness that a lot of the book's characters grapple with. 

Crossposted on Cannonball Read. 

#CBR12 Book 56: "I Hope You Get This Message" by Farah Naz Rishi

Page count: 432 pages
Rating: 4 stars

Official book description:

Seven days. Seven days. The Earth might end in seven days.

When news stations start reporting that Earth has been contacted by a planet named Alma, the world is abuzz with rumors that the alien entity is giving mankind only few days to live before they hit the kill switch on civilization.

For high school truant Jesse Hewitt, though, nothing has ever felt permanent. Not the guys he hooks up with. Not the jobs his underpaid mom works so hard to hold down. Life has dealt him one bad blow after another — so what does it matter if it all ends now? Cate Collins, on the other hand, is desperate to use this time to find the father she’s never met, the man she grew up hearing wild stories about, most of which she didn’t believe. And then there’s Adeem Khan. While coding and computer programming have always come easily to him, forgiveness doesn’t. He can’t seem to forgive his sister for leaving, even though it’s his last chance.

With only seven days to face their truths and right their wrongs, Jesse, Cate, and Adeem’s paths collide even as their worlds are pulled apart.

This was yet another of the book club suggestion for our June CBR book club, with the theme The Future is Queer. I had nothing to go on except the book description but thought it sounded interesting and the short chapters and multiple POVs made it a relatively quick read. 

So the premise of this book is that it turns out Earth and all the people and creatures living on it is basically some big science experiment for a bunch of aliens, who now deem the project a failure (mostly because humans have bollocksed things up pretty badly at this point) and want to basically press the big red destruct button which will end all human life on the planet. However, the proper procedure has to be followed, and there are those who are for full-scale destruction of the humans and those that feel it would be unethical and wrong. So they send a message that Earth has seven days to get its affairs in order, so to speak, before the final verdict will be delivered.

Naturally, not everyone believes in the aliens, but the vast majority of people do and naturally start panicking. We follow three teenagers in the week that leads up to the final decision. Jesse lives in Roswell, New Mexico and decides to help his struggling single mother get enough money to pay their bills by setting up a fancy-looking device and claiming he can send messages to the aliens. The people flocking to Roswell seem more than willing to pay, even the ones who suspect it's most likely a hoax. Cate is forced to watch her schizophrenic mother turn herself over to the authorities to be committed and decides to go looking for her missing father. Along the way, she starts travelling with Adeem, a young man looking for his sister, who left without leaving any forwarding address after coming out to the family as gay.

A lot happens over the course of the seven days with each of the three characters. While Jesse's story is more separate, Cate and Adeem go on quite the road trip together, getting into increasingly worse trouble until they manage to reach their mutual destination, Roswell, and eventually also interact with Jesse. Obviously, for a story where each of the protagonists (as well as everyone around them) are forced to contemplate their own mortality and the very short time they may have left, there is also a lot of introspection and internal development for each of them. 

Of the two new books I read for June's book club, this was probably the one I liked the best (I would rate The Long Way to a Small, Angry Planet - yet another of the selections, which I read back in 2018, highest of all). So far, this appears to be the author's only novel, but I shall keep my eye out for anything new she releases. 

Judging a book by its cover: I like to be able to use my imagination when picturing the characters in the books I read. So having all three protagonists portrayed on the cover art, especially because I don't really think they match what I have in my mind's eye, is a bit distracting. I did like them all sort of randomly posed on a big radio antenna (radio plays a big part in the story), with a cityscape in the background, though. 

Crossposted on Cannonball Read.

#CBR12 Book 51: "The Disasters" by M.K. England

Page count: 368 pages

Rating: 3.5 stars

#CBR12 Bingo: Violet

All Nax Hall has ever dreamed of is going Ellis Station Academy and qualifying as a pilot. Unfortunately, he fails his entrance exam and is sent packing after less than twenty-four hours. Sharing his fate are Rion, Case and Zee, and while they're all waiting for their one-way shuttle back to Earth, they are witness to a terrorist attack on the space station. The four teens manage to steal themselves a small shuttle and narrowly escape getting killed by the attackers. While they know that jumping their space ship into one of the new colony worlds means they can never return home, they have no other choice if they want to escape being exploded.

After crash-landing their shuttle on al-Rihla, one of Earth's earliest colony planets, the four runaways decide that they need to contact the authorities and warn them about the attack on the Academy. They quickly discover, however, that individuals on board the station were clearly working with the terrorists, have covered up the extent of the attack, and blamed what damages couldn't be hidden on Nax and his new crew, who after all, stole a space shuttle and did an unauthorised jump through space. All channels of communication to Earth are cut off, there is no way for our young fuck-ups to warn anyone about anything. They also only barely avoid getting arrested, helped by the mysterious Asra, who wants to help them, in return for some assistance with a heist - they need to steal another space shuttle and take her with them when they fly off-planet. 

The five young fugitives come to realise that the terrorists' plot is much wider-ranging than just taking over Ellis Station Academy. They only have a limited amount of time to track down help and try to save multiple colony planets from being destroyed. 

This was one of the four books selected for Cannonball Book Club's June meeting - The Future is Queer. There's a bunch of LGBTQIA-representation here, as well as representation of other kinds. Nax is bi, Rion is gay, Zee is trans. Nax and Asra (as well as their families) are Muslim. This was a fun book once it got going properly, but I'm not giving it more than 3.5 stars because I wish we'd had a bit more backstory and characterisation given to Rion, Case and Zee, and it took me quite a while to really get into the book (even with the action-packed start). I picked it up and put it down multiple times in the first few chapters. Once they all agree on their exciting space heist and the subsequent rescue mission, I read through the rest of the book quite quickly.

Nax has a complicated relationship with his parents and older brother. Asra's family situation is also very complicated. I wish I could tell you more about the others, but that wasn't really covered, which is one of the things I would have liked MORE of. 

Still, this is England's debut novel and I'm sure she's going to improve in time. It wasn't a bad book, it just could have been even better with a few improvements. 

Judging a book by its cover: Purple is my favourite colour, so I'm in no way complaining about the choice of background colour here. I just think that maybe the cover could have been a bit more elaborate than a space helmet with some spray paint on it. It's a bit too minimalist for my tastes. 

Crossposted on Cannonball Read. 

#CBR12 Book 27: "Station Eleven" by Emily St. John Mandel

Page count: 352 pages
Rating: 5 stars

Official book description:
DAY ONE
The Georgia Flu explodes over the surface of the earth like a neutron bomb.
News reports put the mortality rate at over 99%.

WEEK TWO
Civilization has crumbled.

YEAR TWENTY
A band of actors and musicians called the Travelling Symphony move through their territories performing concerts and Shakespeare to the settlements that have grown up there. Twenty years after the pandemic, life feels relatively safe.

But now a new danger looms, and he threatens the hopeful world every survivor has tried to rebuild.

STATION ELEVEN
Moving backwards and forwards in time, from the glittering years just before the collapse to the strange and altered world that exists twenty years after, Station Eleven charts the unexpected twists of fate that connect six people: famous actor Arthur Leander; Jeevan - warned about the flu just in time; Arthur's first wife Miranda; Arthur's oldest friend Clark; Kirsten, a young actress with the Travelling Symphony; and the mysterious and self-proclaimed 'prophet'.

Thrilling, unique and deeply moving, this is a beautiful novel that asks questions about art and fame and about the relationships that sustain us through anything - even the end of the world. 

This was our very first Cannonball Book Club pick back in 2015, and I read and reviewed the book back then too. My original review can be found here. It took me a while back then to decide that I actually wanted to read the book for myself, and I'm not going to lie, re-reading it while a pandemic swept from Asia towards Europe and the USA, was making me a bit nervous. Looking back at the dates when I re-read this book, it was exactly during the time when Norway literally shut down, when the most drastic measures in post-World War II society were implemented, all over the course of a few days. I began my re-read of this on the 12th of March, on my way to work. By the afternoon, we'd been told that the nurseries, schools and universities, not to mention pretty much all major businesses, would be closed until further notice, and everyone was encouraged to just remain indoors, in a kind of pre-quarantine.

Of course, I'm reviewing the book some three months later, and while the pandemic is currently under control in certain parts of the world, it's still spreading wildly and terrifyingly fast in other parts of the globe. While I would love to believe the hopeful views on humanity and survival that are explored in this novel, the current news cycle shows that most people are short-sighted, egotistical, self-centred and careless. It's boring and difficult, not to mention very inconvenient to shelter in place and stay away from people for months. It's much nicer if you can just go about your business instead.  It's hot and uncomfortable to wear a mask to protect others, so a whole bunch of people are just not going to do that, despite all the factual evidence that we could massively halt the spread of the virus if everyone (especially the ones who don't feel sick, but may be asymptomatic carriers) just wore a face mask, washed their hands a lot and tried to keep their distance when out and about.

Station Eleven is a science fiction novel, it's set in a post-apocalyptic society, but it is nevertheless a hopeful and uplifting read. I don't think Emily St. John Mandel would dream of the situations that Covid-19 has created world-wide back when she wrote her book, and as I said, right now, the things that seem the most far fetched and fictional to me, are how well the "Fifteen years later" societies are managing. Of course, we're currently in the middle of "Year One" of this scenario, so perhaps, in the future, when a terrifyingly tragic percentage of the population has died (even if it's not 99%, like in this book), people will again focus mainly on re-building communities and re-discovering art and beauty and togetherness.

This wasn't supposed to be quite such a depressing whinge about how bafflingly selfish a lot of people currently are, but rather a review of my re-read of the book. In my mind, I'd built up the bits I disliked, with the 'Prophet', into a much larger part of the story. So much of the book looks back on the lives of a lot of the people before the Georgia flu hit and subsequently make us care when they are either killed by the flu themselves or lose other loved ones from the illness. It's still a wonderful book, and I'm glad we revisited it for Book Club.

Judging a book by its cover: I own three copies of this book. An e-book copy, an Audible audiobook and the UK paperback copy, which I was gifted in a Cannonball Book Exchange. This is the cover of the paperback I have, which seems extra timely now that an actual pandemic is sweeping the world and we saw that in places where people were forced to isolate during the lockdown, wild animals really did end up roaming the urban streets, undisturbed by people. So the deer facing the reader among the high rises of a city doesn't seem as strange as it may have once done. It doesn't take long for nature to start reclaiming the space we take up.

Crossposted on Cannonball Read.

#CBR11 Book 59: "A Study in Scarlet" by Sir Arthur Conan Doyle

Page count: 124 pages
Rating: 3.5 stars

#CBR11 Book Club: Classics

Spoiler Warning! There WILL be mild spoilers for the plot of this story (which is from 1887, so you know, if you wanted to know the details, you've had enough time to look them up or just read the damn story). This is also the Cannonball Book Club selection for August, so I'm going to assume that most people who are interested in participating will read the book before then. If, however, you have NOT read the book yet, maybe skip this review until you have done the required reading. Proceed at your own risk.

So, for those, who like me, have never actually read A Study in Scarlet (I know I'm not the only one), a brief summary of the plot: Doctor John Watson is injured on service in Afghanistan and honourably discharged with a pension. Because he doesn't have a ton of money to live on, he requires someone to share a lodging with. A friend introduces him to the rather peculiar Sherlock Holmes, who for all his strange interests seems to be a perfectly fine living companion.

It turns out that Mr Holmes is a consulting detective, and will solve cases for people using the method of deduction. He usually only needs to hear the particulars of a case from the people who come to see him to solve their little problems, and this is how he supports himself. He is very proud of his intellect and proves to Watson that his methods are sound. Watson accompanies Holmes when he is approached by the police in a strange murder case.

A man has been found in an abandoned building. There is blood on the floor, but none of it is from the victim. The victim has not been robbed, he has all his money and valuables and there is even a woman's wedding band by the corpse. There are no signs of a struggle, but in a different room of the house from where the corpse was found, someone has scrawled "Rache" on the wall in blood. The two detectives on the case each have different theories. Holmes is smugly certain that he will solve the mystery easily for them, yet the two policemen will get all the credit from the authorities and public.

Within three days of first visiting the scene of the crime, Holmes has proven to Watson that his methods work brilliantly, and the murderer is in police custody (after having been lured to Watson and Holmes' lodgings). Watson, furious that his friend will not get proper credit, decides to write down and publish their adventure.

When we voted for book club this time, I voted for Jane Eyre. It came second, and this won out instead. I have never actually read any of the original Sherlock Holmes stories, and I don't even entirely know why. I love Victorian-set novels featuring lady sleuths, I tend to very much enjoy the modern TV and movie adaptations about one of the most famous literary detectives of all time, and I have even read a number of modern YA retellings. Yet, I seem to have convinced myself that the original source material would be dull and probably rather objectionable, owing to the sexism, racism, the belief in the superiority of the British Empire and so forth.

As it turns out, I was both correct and incorrect in my assumptions. For much of this story, I was a lot more entertained than I was expecting to be. While I have not seen the first episode of the BBC Sherlock series, A Study in Pink, for many years (the one starring Cumberbatch and Freeman), I have seen it enough times that I remembered the major plot beats. It was fun to see what the modern adaptation had chosen to keep from the source material, and which things were entirely different.

I will say that I actually thought the motive of the murderer was WAY better in A Study in Scarlet than in Moffatt's modernised TV adaptation. Can't really say that I was super happy about the fridging of a young lady (I am never going to be), but you have to respect the drive, tenacity and determination of a guy who is so sworn to vengeance and retribution that he spends the next twenty years of his life, and chases the guilty over quite a lot of two continents, refusing to give up, even when his own health is at risk. The method and elaborate staging of the crime scene, especially of the first murder, is also very well done.

What I didn't like so much was the incredibly clunky change of pace in the second half of the novel, when our intrepid investigators have in fact caught their man, and the novel decides to take the reader on an extended, slow and not all that interesting flash back to America, containing a rather ludicrous and false portrayal of Mormonism. It seems that Conan Doyle later in life admitted that he had been misled about the Church of the Latter-Day Saints, and he may also have issued an apology, but to a modern reader, it still smacks of poor research and unfortunate sensationalism (which is exactly the sort of thing I was worried about when reading something written by a man in the late 19th Century - their views were certainly not progressive or open-minded).

I don't think the structure of the book benefits from having an extended and drawn-out flashback for five out of the book's fourteen chapters, just as the story is getting really exciting. Especially when so much of what is relayed in those chapter is just patently false misinformation about a religious faith not that many of the readers in the United Kingdom necessarily knew all that much about at the time of the book's publication. Having a bit of the murderer's back story explored helps to understand his motive, but we didn't need a full third of the book devoted to this, one chapter would have been more than enough.

In the end, I was pleasantly surprised by this reading experience. It also doesn't hurt that the winning book for book club ended up being about a quarter of the length of the book I voted for. While it would have been nice to have an excuse to re-read Jane Eyre again, I'm not at all sorry I was finally pushed out of my comfort zone to read this - and I may in fact seek out some of the shorter (and hopefully slightly better structured Sherlock Holmes stories) in the future.

After reading this, it's was also amusing to discover that while neither of the Guy Ritchie movies (with Robert Downey Jr as Holmes and Jude Law as Watson) are based directly on the Conan Doyle stories, Downey Jr's portrayal of the detective may be the closest to what Holmes is like in the source material. Both he and Cumberbatch's characters spend a fair amount of time deducing, something Johnny Lee Miller's Holmes from what the husband and I have dubbed The Adventures of Mr. Elementary and Joan (because it really is more of a mystery of the week procedural with private detectives rather than a plausible adaptation of Sherlock Holmes - no one spends any time deducing, and they just do a lot of actual investigating). Reading this did make me want to catch up on the recent seasons that we're behind on, which isn't a bad thing, in itself.

Judging a book by its cover: Since it was originally published in the late 19th Century, this book has had a wide variety of covers over the years. This is from one of the Penguin editions, and features magnifying glasses and measuring tapes, both of which Sherlock Holmes frequently employs during his thorough searches of crime scenes.

Crossposted on Cannonball Read.

#CBR10 Book 97: "Between the Bridge and the River" by Craig Ferguson

Page count: 348 pages
Rating: 2 stars

#CBR10Bingo: #CannonBookclub

I voted for this book in the most recent Book Club poll because Craig Ferguson's autobiography is hugely enjoyable and one of the best ones I've read/listened to (I have the audiobook, narrated by Ferguson himself), and as a result, I was curious and excited at the chance to read a work of fiction by him. Unlike some who have already reviewed this book (by now quite a few, I'm yet again behind on my reviews), I didn't really watch a lot of Ferguson's stuff as a late night host (although I've seen quite a few fun interviews he's done on YouTube and the song he did about Doctor Who). I'm not sure exactly what I was expected from the book (the blurb is not very informative), but it certainly wasn't what I actually got.

This book was a completely different reading experience from most things I've read (and as long time followers of my blog know, I read quite a lot). It's a whole bunch of things, all of them weird and strange, none of them particularly enjoyable. There's a road trip element, there's magical realism, surrealism, there's various literary allusions (to Dante's Divine Comedy, among other things). It's a satire covering celebrity culture, organised religion and cults, the media and there's a whole load of swearing, other coarse language and violence. Sadly, the only characters Ferguson sees fit to develop in any way are all male, women are all given short shrift, but if they're lucky they escape being sexually violated and/or murdered. There is so much misogyny, sexism, homophobia (there may have been transphobia too, I'm not going back to check) and racism in this book. Ferguson seems obsessed with sex and/or violence and while I'm sure he intended it as edgy and provocative, wanting to shock the reader - it all just comes across as needlessly vulgar and quite sad.

I struggled to get into the book, not really caring for any of the various male protagonists, but once I got a ways into the book, I kept going mainly out of morbid curiosity as to how Ferguson was going to tie everything together (and in the vain hopes that the book would eventually get better). While taking part in the book club discussion, I discovered that this book was initially intended to be the first part in a series. While I stubbornly read this book to the end (and don't blame any of the readers who had to put it down partway through), I most certainly would not have read a sequel.

I said in my review of The Dud Avocado that the late AlabamaPink and I certainly appear to have a vastly different taste in books. This book just confirmed it, and I must admit, if we're doing Book Bingo again next year (which I REALLY hope we do), I hope that we aren't forced to read any more of the books she got through during her painfully cut-short year of reviewing. At least, since I am lucky enough to have access to my American BFF's New York library login, I was able to get this as a loan, and didn't have to pay money for it. I suspect my review would be a lot angrier if I'd have to part with money to read this.

Judging a book by its cover: The book was in parts disgusting, boring or just very, very odd - the cover is simply boring. I'm not entirely sure what it's supposed to be showing - someone falling over and looking up at their hand and foot while doing so? It's not great, but then, neither is this book, so if it keeps people away from it - bonus?

Crossposted on Cannonball Read.

#CBR Book 48: "Kindred" by Octavia E. Butler

Page count: 304 pages
Rating: 5 stars

In what must be the most frightening birthday surprise ever, on Dana's 26th birthday, as she is moving into a new house with her husband Kevin, she suddenly feels dizzy and gets transported away from her safe and familiar surroundings in 1976. She comes to in the woods by a river, where a boy is in the process of drowning. Dana reacts instinctively and wades into the water, rescuing the boy. Faced with the boy's hysterical mother, and more terrifyingly, the boy's angry father, who points a rifle at her, Dana is suddenly back with her husband. She might have believed that she hallucinated the whole thing, except she's wet and muddy and bruised after being pummelled by the boy's hysterical mother.

It doesn't take long before it happens again. Now Dana is transported into an old house, and has to put out a fire in some curtains. While it's barely been a few hours for Dana in 1976, the boy she rescued in the river has clearly aged a few years. Not only that, he lives in the early 19th Century, in Maryland, long before slavery was abolished. While the boy, Rufus, gets increasingly older with each new encounter, barely any time passes in Dana's present between each new and terrifying time jump. She's unable to relax and enjoy her life, never sure when she may be suddenly dragged back through time. She begins keeping supplies with her in a bag, tied to her body, and her visits in the past seem to last longer with each new encounter.

At first Dana, who is a young black woman, cannot understand what connects her to this white man, but as she learns more about him and where he's from, she figures out that he must be one of her ancestors and something inexplicable is drawing her to him every time he is in danger. She needs to make sure he stays alive long enough to father the girl who will pass on Dana's family line. With each consecutive stay in the past, Dana's own life is further endangered, and there is the very real and scary possibility that she might die, trying to ensure that she ever gets born in the first place.

Kindred was the June 2018 CBR book club selection, one of the most highly rated books in the history of the site (I suspect its average rating has gone up even more now, with more people reading or re-reading it). My copy was given to me during the CBR gift exchange last year, and I was very excited when it was picked for the book club. I've long wanted to read something by Octavia E. Butler, and this, while nominally science fiction, seemed a lot more like historical fiction with a twist to me. Readers of my reviews know that while I do occasionally find the odd sci-fi book that I really enjoy, it's still one of the genres I keep having to challenge myself to keep trying and more often than not, it doesn't entirely work. But historical fiction with some time travel - that's pretty much Outlander. In addition, I am always aware that I should read more diversely. I'm a middle class white woman, I need to read books by individuals from different cultural, racial and religious background than my own.

While I didn't classify it as such in my tags, this book could clearly have been tagged as suspense. Dana's initial jump into the past is quick and doesn't get too scary, but with each subsequent encounter between her and Rufus, the stakes get higher. By the second visit, Dana figures out that it's danger to Rufus that makes him call her to him in the past, but it takes her a bit longer to understand that it's danger to herself that sends her back forward to her own time. Interestingly, as she spends more time in the past and gets accustomed to the brutality then, it takes more and more to send her home, as she comes to learn just how resilient her body actually is.

It's never explained how Dana comes to be jumped through time, but she learns quickly that whatever she touches at the time is sent back with her and in one particularly dramatic incident, her husband Kevin is sent back with her. Because Kevin is white, everyone in the past (many of whom are not entirely sure what to think of Dana, who is certainly not like the other downtrodden black people - most of whom are slaves - and her strange comings and goings, appearing to barely age) believes him to be Dana's owner. While the idea upsets and disgusts both of them, they figure that it's just easier to go with that story than try to explain their real relationship. Shockingly, Dana is transported back to 1976 without Kevin and while their separation is "only" eight days for her, more than five years have passed for him when she returns. Because the whole story is told from Dana's point of view, we don't learn too much of what Kevin experienced in that long and no doubt harrowing separation.

Dana is an educated and enlightened woman in 1976. Both she and her husband are writers and think they are fairly well informed about history and slavery. Yet Dana quickly discovers that reading about her enslaved ancestors and observing, and in parts, living as a slave is something completely different. Then there's the horrible fact that she needs to ensure that Rufus lives long enough to father the child who will continue the line down to Dana herself. The woman who is to birth the child starts out as a free woman, Alice, who loves someone else, yet Dana needs to pretty much support the enslavement and subjugation of this woman, to ensure that she herself will be born in the future. It's an unthinkable dilemma and naturally does a number on her.

I couldn't quite read this book in one sitting, but every time I picked it up, I found myself reading for longer than I should because I just had to find out what scary and unthinkable thing was going to happen next. Dana is a very engaging protagonist and each of her involuntary visits to the past are contained in separate chapters. Neither she nor the reader knows how long it will be until she's called back and that provides extra impetus to keep reading. Dana's experiences in the past, observing slavery firsthand and coming to both understand and feel personally the effects it had on people, the sad corruption of Rufus (from a little boy who is friends with black children, both enslaved and free to a selfish, petty man who will willingly enslave one of the companions of his childhood) - it all affected me on a deep level. I understand now why this is such an acclaimed book, both among critics and readers in general. I will absolutely be trying more of Ms Butler's books in the future.

Judging a book by its cover: This is the cover of my paperback and as always, books done in black, white and red are very striking and eye catching. There's the hands reaching across the cover, one man's and one woman's. Do they belong to Dana and Kevin? Or Dana and Rufus? Or Rufus and Alice? Alice and her husband's? There are several possibilities. There's the white links, evoking chains. I like the cover a lot.

Crossposted on Cannonball Read.

#CBR10 Book 13: "A Wrinkle in Time" by Madeleine L'Engle

Page count: 247 pages
Audio book length: 6 hrs 26 mins
Rating: 3.5 stars

I read this book for the first time back in October 2012. My review from back then can be found here. Back then, I rated the book 4 stars and from my write-up, I really appeared to enjoy it.

The first Cannonball Read Book Club of the year was a discussion of this book, since the star-studded movie version, directed by Ava DuVernay will be in cinemas any day now. From the trailers and promotional material, the movie looks like it's going to be visually stunning, and DuVernay has also chosen to make Meg bi-racial, played by newcomer Storm Reid, with the lovely Gugu Mbatha-Raw and best Chris (Pine) playing her father. This book has been a very important novel for a lot of generations of children growing up, by added diversity in the cast, it will now hopefully provide important role models for children of colour (especially girls), by allowing them to recognise themselves in Meg.

I don't know if it was the audio version I listened to this time (I didn't like the way Hope Davis, the narrator, did some of the voices) or whether it was because last time I read the book, I glommed it over just a few hours, while this time, it took me a few days to get though the book, but I liked it somewhat less than I appeared to have done last time. I know that quite a few of the Cannonballers had a hard time getting through, or with enjoying the book. Maybe that coloured my view this time?

When it comes to the "core cast", I think the introduction of Calvin and his obvious infatuation with Meg (despite the fact that they are in different years in school and seem to barely know each other socially) was a bit sudden. This could absolutely have been given more of a build-up, but the storytelling in the whole novel is rather sparse and lacking in detail. The book transitions from one scene/place to another very fast, and I generally feel that there could have been quite a bit more elaboration in the book.

Charles Wallace, Meg's little brother, is a little bit too "other" and while I don't seem to have had any objections to him on my first read, I found him a bit too precocious and quite a bit off-putting this time around. The scene at the end where Meg rescues him from the It is excellent, though.

Meg, our main protagonist, is a rather prickly young woman, and I can see why that would make her unlikable to some. I don't mind her crankiness and occasional rudeness, it frankly feels natural under the circumstances, with the situation she finds herself in. Feeling like an outsider in school, constantly worrying about her mother, questioning the disappearance and long absence of her father. If she'd been mild-mannered and meek and constantly pleasant, that would have felt a lot more wrong.

On revisiting the book, both the strong religious overtones and the very obvious anti-Communist propaganda bothered me. I was speaking to my best friend, who read the book as a girl and never connected with it very much. She grew up in a Christian family, going to Church every Sunday, and still found the “God” bits overly preachy. As someone living in a socialist country, having Communism portrayed as “the ultimate evil” felt really uncomfortable to me. It was a portrayal very much lacking in nuance, understandable due to the political climate when the book was written, but heavy-handed nevertheless.

I really do think the film looks very promising. Of course, now that I have a baby, I'm forced to hope that the Oslo Cinema's offer the movie as a early afternoon baby-friendly screening, otherwise I'll have to wait until it comes out on blu-ray.

Judging a book by its cover: This book really has had so many different covers over the years (some of them profoundly creepy). My favourite might be the 50th anniversary one - this is not it. My book has this cover, with the dark star-studded sky in the middle, and various details from the contents of the book around the edges. The Mrs W, the children's visits to several of the alien planets. It's certainly one of the more child-friendly of the many covers, I think.

Crossposted on Cannonball Read.

#CBR9 Book 60: "Life Moves Pretty Fast: The Lessons We Learned from Eighties Movies" by Hadley Freeman

Page count: 352 pages
Rating: 3 stars

It's been about a month since I finished this, and I've long since had to return my copy to the library, so Goodreads is going to have to help me here:

From Vogue contributor and Guardian columnist Hadley Freeman, a personalized guide to eighties movies that describes why they changed movie-making forever - featuring exclusive interviews with the producers, directors, writers and stars of the best cult classics.

In Life Moves Pretty Fast, Hadley puts her obsessive movie geekery to good use, detailing the decade's key players, genres, and tropes. She looks back on a cinematic world in which bankers are invariably evil, where children are always wiser than adults, where science is embraced with an intense enthusiasm, and the future viewed with giddy excitement. And, she considers how the changes between movies then and movies today say so much about society's changing expectations of women, young people, and art - and explains why Pretty in Pink should be put on school syllabuses immediately.

From how John Hughes described Molly Ringwald, to how the friendship between Dan Ackroyd and John Belushi influenced the evolution of comedy, and how Eddie Murphy made America believe that race could be transcended, this is a "highly personal, witty love letter to eighties movies, but also an intellectually vigorous, well-researched take on the changing times of the film industry." (The Guardian)

This was the most recent book club entry in the Cannonball Book Club, where the theme was movie related non-fiction. It wasn't the book I voted for, but book clubs are all about expanding ones horizons and reading things you wouldn't necessarily pick yourself, so I downloaded it from the library and started reading. Sadly, on the day of the actual book club discussion, I was feeling unwell, and not really able to take part as much as I would have liked. Of course, now it's been over a month since I finished the book, and while I kept thinking I should take notes to remember my opinions, that didn't really happen. So this review is going to be rather rambling, as I try to articulate what I thought and felt while reading it.

The first essay, about Dirty Dancing and sexuality on film, especially that of women, was really fascinating to me. While I straight up disagree with Freeman on a lot of points she makes in the book, it was really interesting to read about this movie (a film I only saw when I was closer to twenty than in my teens, and therefore never really saw the swoon-worthiness of the film, unlike many of my contemporaries). Having read Freeman's essay, I'd like to rewatch the movie, looking at its portrayal of female agency and the like. Freeman makes several points in the book in various essays about how "women's movies" don't really get made anymore, and I sadly think she's right. Unless movies can appeal to a wide range of demographics, they are unlikely to be greenlit now.

Like Freeman, I grew up in the eighties and nineties, but I didn't consume movies the way she clearly did. While I love watching movies and agree with her on the greatness of so many films, I was almost first and foremost a reader, and would therefore rarely obsessively watch the same movies again and again. As I mentioned above, she makes a lot of good points, but I never really felt that "Lessons we learned from eighties movies" was really what this book was about. If the book had been called "one film geek's opinions on eighties movies", it would have been a much more accurate title, but I suspect she'd have had a harder time getting the book published.

Because I didn't take notes, I can't really remember which bits of the book annoyed me the most. This isn't the best of reviews, so many other, more eloquent Cannonballers have reviewed the book already over on the group blog. I'm not regretting that I read the book, and it made me very eager to go seek out some of the eighties classics I've never seen, but unlike some pop culture non-fiction I've read, I'm unlikely to ever revisit this one.

Judging a book by its cover: My main gripe with the cover is the subtitle: The lessons we learned from eighties movies, because I really don't think Freeman manages to fully commit to her "thesis statement" so to speak. In so many cases, she just talks, very subjectively, about what she thinks of these movies, without there being any obvious "lessons learned" at all. The cover design, evoking old VHS tapes and their many colourful covers is a nice touch, though. Having grown up in the 1980s, just like Freeman, the cover was a good little piece of nostalgia.

Crossposted on Cannonball Read.