CBR18 Book 19: "Marry Me by Midnight" by Felicia Grossman

Page count: 352 pages

Rating: 4 stars

Nowhere Book Bingo 26: A book that takes place outside of the US

Monthly Keyword Challenge 26: Midnight

Defeat the Goblin TBR 26: The Locket Book - a romance or a book with a lot of yearning

Reading Rainbow - Blue cover

Isabelle Lira wants to take charge of her deceased father's business, but is hindered from doing so both because she is a woman and because the Jewish community she lives in finds it unacceptable. So she must find a husband who will not object to her controlling her family's interests, and who won't be cruel, abusive or who will take advantage of her and her wealth. In order to find a suitable match, she is arranging three festival events, where all eligible Jewish men are invited. 

Aaron Ellenberg is certainly not one of these eligible suitors. He works as a custodian for the synagogue, having failed to learn anything useful in a number of apprenticeships. He is about as lowly a member of the Jewish community in London as you can get, but he's handsome, polite, and unfailingly kind to the elderly, children and animals, down to even the rats and mice. He is known to everyone, yet not really noticed much. Isabelle offers to pay him to be her spy at the festivals; she needs him to observe her various matrimonial candidates and report back to her whether they might be men she could consider as suitors. 

Of course, every time they meet to talk, sparks fly. Their chemistry is undeniable, and while he may be far too lowly for Isabelle to consider him as a possible candidate, she feels safe and comfortable around him, as well as tingly in all the right places. Aaron, meanwhile, is baffled that such a beautiful, wealthy woman is even giving him the time of day, and with the money he will make helping her, he might be able to emigrate to America to make a new life for himself.

Marry Me by Midnight is the first of Felicia Grossman's fairy tale retellings, set in the Jewish community in London's East End. This book is a Cinderella retelling, with Isabelle being the prince to be wooed at a series of balls, while Aaron is our lowly scullery boy (of sorts). This story has adorable animal friends, an unexpected fairy godmother, and various fancy outfits to allow our hero to go to the ball. 

While I have read a lot of historical novels, I am not really familiar with the Jewish enclave of London during the Victorian era, so this book gave me some new and interesting insight, while also putting a spin on a familiar tale. Isabelle and Aaron are a lovely pairing who banter and yearn for each other, and eventually decide to act on their attraction (in some cases, in locations that seem somewhat exposed). The course of true love needs some obstacles in its way, and in this case, there is someone who seems determined to stop Aaron from finding his happy ending with Isabelle, using violence if necessary. 

There are three books so far in this series, and I know that the next one features one of the men who might have ended up as one of Isabelle's suitors, had she not pretty much had eyes only for Aaron from the start. The third one appears to be about Isabelle's friend, who is medically trained and works as a midwife, and both these books also really appeal to me, so this will certainly not be the only of Ms. Grossman's books that I read. 

Judging a book by its cover: While the exact scene depicted on the cover doesn't take place (because, really, why would they be dancing on the stairs?), it captures some of the book's magical atmosphere. The many shades of blue are lovely, and the couple on the cover seem to be really besotted with one another. 

Crossposted on Cannonball Read.

#CBR9 Book 79: "The Duchess Deal" by Tessa Dare

Page count: 389 pages
Rating: 4.5 stars

Miss Emma Gladstone was a respectable clergyman's daughter until a foolish indiscretion made her father condemn her and forced her to walk all the way to London during the winter. She lost a toe. Now she's making a living as a seamstress, but will be fired if she doesn't get paid for the extravagant and somewhat excessive gown she created for Annabelle Worthing, until recently betrothed to the Duke of Ashbury. To make sure she's taken notice of, she dons the over the top gown and visits the reclusive Duke in person to demand her money.

George Pembrooke, the Duke of Ashbury, known as Ash to the few friends he has left, was badly scarred in the Napoleonic wars. One side of his face and much of his upper body is ravaged by burn scars and the results of the army surgeons trying to save his life. With his engagement to Miss Worthing dissolved, he still needs to find a suitable wife to give him an heir. He takes his duties seriously and refuses to surrender his people and properties to his dissolute cousin. He's taken by surprise by the forthright Miss Gladstone and impulsively proposes marriage to her. She believes he is jesting with her and obviously refuses, but once he's settled on the idea, he decides that only she will do.

Once Emma realises that the Duke of Ashbury is entirely serious, she accepts, because she would be a fool not to. Becoming a duchess isn't a chance any woman should pass up, even if the duke is a self-loathing, brooding and rather imperious sort of man. While the scars are obviously impossible to ignore, Emma nevertheless finds Ash very attractive and suspects that she may find making an heir with him rather enjoyable. Ash has certain terms for the marriage. 1) They will be husband and wife at night only. 2) No lights or kissing. 3) No questions about his scars and 4) Once Emma is pregnant with is heir, Ash will send her to an estate in the country and she will never have to share his bed again. Miss Palmer, one of Emma's high-born customers at the modiste is pregnant, and terrified to tell her father. As Emma knows all too well how devastating parental disapproval can be, she promises to help, and if she gets pregnant quickly, she'll be able to invite Miss Palmer to come stay with her in the countryside until the babies are born, with no one being the wiser.

Of course, Emma refuses to live in an entirely emotionless marriage. She insists that she and Ash have dinner together every night and she refuses to take him too seriously. She brings a feral tomcat with her when she arrives, and Breeches, as she names the beast, proceeds to terrorise the household. Refusing to call her husband by his given name, George (it was also her father's name), Ash or the formal Duke, she proceeds to try every endearment and pet name under the sun, in order to tease him. She tries to keep herself from falling too deeply for her husband, not wanting to get hurt, but the meddlesome servants of the Duke's household do whatever they can to constantly throw the Duke and the Duchess together, desperate for them to fall in love, so Ashbury will lighten up a bit and stop making their lives more difficult with his brooding and self-pity.

Elyse over on Smart Bitches, Trashy Books described this book as "a fairytale Regency that blends Beauty and the Beast and Cinderella and Batman". She's not wrong! This book has all of those elements. The Cinderella element is obviously the seamstress becoming a duchess. Tessa Dare has a previous romance with a huge gap in social status between the couple, when she has a barmaid marrying a duke in Any Duchess Will Do. That book is also excellent and one of my favourites of her back catalogue. Without wanting to spoil too much, the Batman subplot comes into the story because cranky and brooding Ash tends to wander the London streets at night rather than allow himself to sleep next to his wife, and will frequently beat up muggers and other ne'er-do-wells who try to attack him or others to channel some of his aggression. There's even a lovably young lad who insists on becoming his loyal sidekick.

This is the first book in a new series for Dare, entitled Girl Meets Duke. As well as befriending and doing her best to help Miss Palmer, Emma also makes the acquaintance of four eccentric young ladies on the other side of the square, many of whom I suspect will be heroines in future adventures. Before this book came out, I was in really a rather serious reading slump. I had only finished ONE single book in all of August, as well as re-reading one. With The Duchess Deal, I could barely put the book down. I read until far too late into the night, making me seriously sleep-deprived at work the next day, and spent every available minute I had to spare reading more. I finished the book in less than twelve hours and was so thoroughly delighted and entertained by it.

Tessa Dare tends to have a lot of rather frivolous and unlikely plot elements in her historical romances, and I can understand that for some readers, some of the seeming anachronisms and silliness can get a bit much. I thought this was her best book in years and absolutely loved it. The 'Beast of Mayfair' storyline went on for a bit longer than I would have liked, and Ash really did take way too long to realise how lucky he was to have Emma, but I also loved that he only swore in Shakespearean quotes and the bit where his long-suffering butler, Khan, finally has enough and loses his temper was worth the price of admission alone. I highly recommend this book for anyone who wants a quick, fun and diverting read. Even Mrs. Julien, who has previously occasionally found Tessa Dare's books to be too silly for her, liked this one a lot. I'm already looking forward to the next in the series.

Judging a book by its cover: I really can't remember which side of Ash is horribly scarred, but based on this cover image, it really can't be his left side, or there have been some serious omissions from the cover designer. I don't hate the cover, but I'm not sure I personally would have chosen what looks like a soft-focus stock photo from a slightly raunchy wedding shoot as the cover for a Regency romance. The dress the woman is wearing is far too modern for the time period, you can't just put the male model in a poofy shirt and expect that to be enough to signal "period clothing".

Crossposted on Cannonball Read.

#CBR5 Book 67. "Ella Enchanted" by Gail Carson Levine

Page count: 240 pages
Rating: 4 stars

Ella lives in a fairytale world, where there are ogres, giants, fairies and magic. When she is born, poor Ella is given the gift of obedience by a very misguided fairy, who refuses to take it back, even after the appalled pleading of Ella's mother and fairy godmother. Lucinda the Fairy is of the opinion that this is a wonderful gift to bestow on a child, and so Ella grows up having to obey any direct order given to her, and knowing that if someone were to ask her to chop off her own head, she'd have to obey. Luckily, the only ones who actually know the truth about Ella's "gift" are her mother, and the loyal cook. Ella also learns to be creative in the ways in which she obeys any orders. If asked to fetch something, she might throw it at the person, or when asked to hold something, she might march around with the object, forcing the other person to follow her around in order to get to it.

Then Ella's beloved mother gets sick, and dies. Her father, a merchant, is barely ever around. When he is home, he's worried that Ella's manners and accomplishments aren't necessarily all those a young lady should possess, and against Ella's wishes, he sends her off to finishing school, with the odious daughters of a friend. On the way there, Hattie, the eldest of the two girls, discovers that Ella, however reluctant, has to do exactly what she's told, and she exploits this as much as she can. Olive, the younger, and much stupider sister, is not let in on the "game". Because of her "gift", Ella actually becomes quite accomplished at "finishing". She has to obey orders, and most of the teachers there speak in nothing else. She also makes a good friend, and keeps in touch with Mandy (the cook and her fairy godmother) and others she cares about, including Prince Charmant, through the pages of a magical book.

Ella is desperate to have her birthday curse broken, and when she discovers that Lucinda loves weddings and christenings, she runs away from school to find the fairy at a giants' wedding across the kingdom. On the way, she has several adventures, including nearly being eaten by ogres. After the wedding, her father declares that he's completely broke, and either he or Ella will have to marry someone wealthy. As Ella is only fifteen, it ends up being her father, who marries Hattie and Olive's horrid mother. Once the bride discovers that Ella's father is a pauper, and Ella's father goes off to trade as far away from his new family as possible, she forces Ella to be a servant, and Hattie and Olive make sure that Ella get the most menial and horrible chores in the house. The only thing keeping Ella's spirits up, is her correspondence with Prince Char - but because of her terrible "gift", she could never marry a prince, she could put him and the kingdom in far too much danger. She becomes even more determined to get her curse broken.

I first heard about this book years ago, but never read it. I then saw the film, starring Anne Hathaway, never realising that there are only the tiniest of similarities between the story of the book, and the plot of the film. If you are one of the people not terribly impressed with the movie (which let's face it, is not exactly one of Hathaway's finest), and has discounted the book because of it, do yourself a favour and find a copy as soon as possible. It's a delightful book, and such a creative retelling of the Cinderella tale. There are no tiny animals helping with dress making, nor any birds pecking out the stepsister's eyes (seriously, Grimm's original fairy tales can scar a child for life!), but there are glass slippers, and a coach made from a pumpkin, and evil stepsisters, and a very charming prince, who likes Ella just the way she is, and doesn't at all want her all "finished" at school. Ella is spirited, and clever and brave, and a wonderful role model to young girls. Much better than any Disney princess I can think of.

#CBR5 Book 8: "Cinderella's Secret Diary: Lost" by Ron Vitale

Page count: 197 pages
Rating: 2 stars

We all know the story of Cinderella, right? Stepmother, evil step-sisters, forced to work as a lowly servant, Fairy Godmother, magical shoes and dress, meets the Prince at the ball, falls in insta-love, loses shoe, Prince finds her again thanks to magical shoe only fitting her of all the girls in all the land, and then they live happily ever after. Like that...or possibly not.

What if some years into their marriage, the Prince is more interested in hunting, carousing, flirting with other ladies and sowing his wild oats? The Queen, his mother is unhappy about the lack of heirs being conceived  and while Cinderella (actually name Sophia) is a princess, she is constantly lonely and frequently reminded of her lowly background. She dreams of re-kindling that first spark of love with her husband, and also wants to go to Paris and see the world.

This book is set in the 1700s, around the time of Napoleon's rise to power. Cinderella writes almost daily in her diary, pouring out her woes and hoping that her Fairy Godmother will return and make her life a better place again. The Queen agrees to send her and her companion Clarissa to France, to see a witch who might help Cinderella conceive an heir, and they stay in a chateau outside Paris with Josephine (yup, that one, Napoleon's wife). There's a handsome young nobleman named Henri who catches both the ladies' eye, and talk of magic and witchcraft and a Silver Fox who is also King of the Faeries, and mysteries surrounding the death of Cinderella's mother.

When I read the synopsis for the book, this seemed to be right up my alley. I'm a huge fan of most things even vaguely fairy tale related, and love a good reinterpretation of fairy tales and myths. A sequel of sorts to Cinderella grounding it in actual history? Sounds cool. Unfortunately, I thought the first half of the book was a tedious drag, and the second half (once the identity of the Fairy Godmother's been revealed) was a confusing mess. I see what the author was trying to do, and I suspect he's trying to empower Cinderella to make her own choices and show how strong and independent she is. Unfortunately, I think she mostly came across as a sad-sack whiner, painfully naive and downright stupid a lot of the time. She kept refusing to heed the warnings of those around her, she made countless incredibly foolish decisions and as the whole book is written in first person diary entries from her POV, you don't really get a handle of any of the other characters in any great depth.

I thought her initial actions in France were foolish in the extreme, and while she shows some courage and bravery in choosing a harder path once she's forced to make certain choices, I still didn't like her all that much, as she kept blundering into new and dangerous situations due to her complete lack of common sense and thought to the consequences of her actions. The only reason I'm giving this two stars is because some of the ideas in this book were good, and could probably have turned out ok, I just really didn't like the execution of them much. I spent far more time being bored or frustrated when reading this book than impressed and liking it, which is a shame, because the premise was very intriguing.

Disclaimer! I was given a free copy of this book in return for reviewing it. Thanks to Ron Vitale, but based on this, I'm not sure I'll be trying any more of your books. 

CBR9 Book 39: "Princess of Glass" by Jessica Day George

Publisher: Bloomsbury
Page count: 272 pages
Rating: 4 stars
Date begun: May 3rd, 2011
Date finished: May 4th, 2011

Princess of Glass is a sequel of possibly accompanying novel to Jessica Day George's Princess of the Midnight Ball. This review may therefore contain mild spoilers for that book, and anyone wanting to avoid said spoilers, should skip this review and read that book first.

Poppy, one of the twelve princesses from the country of Westfalin (Germany) has been sent to one of the neighbouring countries on a diplomatic exchange. She keeps being invited to balls, but due to a life-time of having to dance nightly due to a now broken curse, she prefers gambling at card tables instead. She is still having recurring nightmares about the years she and her sisters had to dance at the court of the evil King-under-Stone, and misses her family. She enjoys making new friends, though, especially her growing closeness with another visiting royal, Prince Christian of the Danelaw (unsurprisingly, Denmark), yet even he can't tempt her into actually dancing.

During one of the many royal balls arranged in Prince Christian's honour, a mysterious and beautiful young lady appears, dressed impeccably, covered in jewels and wearing delicate glass shoes, charming all the men. Yet she seems especially determined to monopolize as many dances as possible with Christian. Poppy recognizes the enigmatic Lady Ella as Ellen, the extremely clumsy maid in the household where she's staying. Ellen is the orphaned daughter of a local nobleman, forced into domestic service after her father lost all his money and had to sell off his estate. There is clearly magic involved with Ellen's sudden make-over, and Poppy suspects there is something sinister behind Ellen's godmother's determination that she marry Prince Christian. She will need to figure out what magical influence this so-called Fairy Godmother wields, and how to break it.

Princess of Glass is another delightful fairy tale retelling, this time a very interesting twist on Cinderella. Based on this, and her previous novels, I will absolutely be on the lookout for any others she writes, whether they're about other Westfalian princesses or something entirely different.