CBR18 Book 3: "Silver & Blood" by Jessie Mihalik

Page count: 448 pages

Rating: 4 stars

Thank you to NetGalley and Avon for this ARC. It has not affected my opinions or my review.

About a year ago, the small village where Riela lives alone after the death of her father was threatened by a flood. Riela unlocked magical powers and managed to divert the water and save the village. Now one of the villagers has been savaged by a monster in the woods, and the mostly hostile villagers insist that she go into the forest and dispatch the monster for them. Unfortunately, Riela doesn't really have much control over her magical powers, and when she encounters a scary creature seemingly made out of tangled vines, which then divides itself into two, she's pretty convinced this is how she's going to die.

It would be a fairly short book if Riela died in the opening scenes; however, instead, she is rescued by a handsome, yet grouchy, mage and wakes up in his strange castle, where she initially can't go anywhere but where the castle feels like letting her go. While she's happy to have escaped death, Riela is upset when Garrick reveals that she is now confined to the forest. There's a magical spell that traps anyone with magical powers inside its borders, so now Riela can't return home. While Garrick claims she can stay in his magical castle (with a gorgeous library) and that he'll help her try to get better at controlling her magic, he also seems deeply suspicious of her and her motives. 

Spending more time together, Riela discovers why Garrick is so suspicious of her. He is, in fact, one of the legendary Etheri sovereigns, and because of a curse, he has been kept away from his magical realm for the last century, and now it seems like Riela might be instrumental in helping him open the gate again. Was she sent there by his enemies with sinister motives, or is she what she appears to be, an orphaned village woman with no idea how to control her magic? 

There are strong Beauty and the Beast vibes in this first part of a fantasy duology. The orphaned village maiden. The strange, magical castle in the woods (although there is no talking furniture in this one). The grouchy resident of said castle, and the maiden's inability to go back home. There is also a shapeshifting wolf, but he's the sidekick, not our hero. While the mystical, magical beings of this fantasy are called the Etheri (there's a bunch of different courts, ruled by various sovereigns), they are very fay-coded, both in their grace and viciousness. 

When I received this ARC, I thought this was the first part in a trilogy. I am very happy to discover that it's a duology instead, and according to Ms. Mihalik's website, book 2 may be coming out towards the end of 2026. There was a lot to like in this book, although the stretch where Garrick's internal monologue seems to switch between how attractive he finds Riela and how convinced he is that she is some dangerous creature sent to entrap him somehow goes on for too long. 

It's going to come as no surprise to anyone who has read fantasy in the past that there is more to Riela's identity than meets the eye, and the plot of the story is trying to figure out both how Garrick can get the magically sealed portal in his castle garden open again, so he can go back to his magical court, and why Riela's magic is so strange and she seems to be the key to getting the portal open again. 

For the most part, I liked the banter between Riela and Garrick, and I especially enjoyed Riela's disastrous attempts to get the magical castle to conjure food for her. For the first half of the book, the entire story is just Garrick and Riela, but in the second half, more supporting cast are introduced, and I liked their interactions with both Garrick and Riela. This book ends in a good place, while still making me very excited to read the second part. 

Silver & Blood comes out on January 27th, 2026. 

Judging a book by its cover: Mostly, I really love this cover, drawn by the talented Luisa Preissler (although I'm not sure why Garrick appears to have forgotten to put on his shirt. The silver embroidery on Garrick's tunic is nice, as are the tiny white flowers in Riela's hair. The castle in the background and the red roses are also cool story elements to include.

Crossposted on Cannonball Read. 

CBR17 Book 62: "The Inheritance" by Ilona Andrews

Page count: 280 pages

Rating: 4.5 stars

CBR17 Bingo: Free (swapping out Migrant)

In a world pretty much like our own, people were just going about their ordinary lives when suddenly, everything changed. Gigantic portals to some other mystical dimension began opening all over the world. It soon became clear that if the portals were left unattended for a while, hordes of horrific monsters emerged and proceeded to wreak havoc. Once specialised teams started breaching the gates, they discovered each portal contained a lot of rare and valuable minerals and resources, as well as the scary monsters, and each gate had an anchor, which, when destroyed, would collapse the gates. Humans started developing specialised talents that allowed them to help explore the gates and fight the emerging threats.

One of the people whose world changed irrevocably with the appearance of the first gates was Adaline "Ada" Moore. She had a supportive husband and two kids, but after the chaos and terror of the first invasion of monsters, her husband decided he had other places to be, and abandoned her and her children entirely. Ada is now employed by the government, and her Talent allows her to survey the various breaches for whatever resources are there, to ascertain what needs to be extracted before the gate collapses. Her talent is rare and sought-after, so she has been in hundreds of breaches over the past decade, always carefully guarded and one of the first people to be evacuated if something goes wrong.

But not this time. Going into a breach, there is an unexpected attack of monsters that the advance team didn't find and neutralise, and the man who is supposed to guard Ada panics, lets off an explosion to hide his tracks and runs away, trapping Ada, the only human survivor, in a labyrinthine cave system with no obvious exit. Her only companion is a scared tracker dog, a German Shepherd named Bear. She is granted an unexpected gift by a dying alien warrior woman, who was fighting the ruthless monsters that attacked the team. The woman basically dies in Ada's arms, but gifts Ada a mystical gemstone which sinks into Ada's forehead before the woman dies. She is told this is her "inheritance", and as she is forced to traverse the creepy and dangerous passages in the dark, Ada discovers that the gemstone has given her increased endurance, the ability to see in the near dark, as well as a wealth of knowledge about alien worlds and civilisations Ada never dreamed existed.

Ada believes herself to be abandoned, assuming everyone outside believes she died in the attack. However, she promised her children she would be home, and refuses to leave them orphaned if she has anything to say about it. Ada has no previous experience with fighting and self-defence, and Bear is only barely an adult dog. Nevertheless, they are forced to fight for their lives and level up quickly to survive. As an unexpected side effect, it turns out that eating alien monster mystery meat as your only source of protein comes with a number of new and exciting mutations that enhance Ada and her trusty dog considerably.

Of writers still alive today, Ilona Andrews are among my absolute favourites. The husband and wife writing team have written some of my favourite paranormal fantasies over the past decade and a half, and I love that some of their most creative works have begun as free episodic fiction on their website, to give their fans something diverting to read when times get tough. The Inheritance, now part one of The Breach Wars was supposed to be a novella length story, published in installments about once a week, but as is so often the case, the authors discover that they need to write more and longer to make the story complete, and we lucky readers therefore ended up with a short novel instead, and the promise of more excitement to come.

One of their strengths when writing is the characterisation, not only of their protagonists (in this case, Ada Moore, forty-something mother-of-two, and developing badass), but also the supporting cast. When people began developing Talents, some got enhanced speed, endurance and fighting abilities and are counted as combat classes. Ada's talent is that of Assessor, very much a non-combat class, but since she is one of the people who help determine what all the various goodies can be found inside the gates, she makes the companies that she is hired out to, and the government she works for, huge amounts of money, and is therefore treasured and protected. She knows the work is dangerous, but it pays extremely well, and the benefits allow her to feed and house her kids well, send them to the best schools (and the death benefits are enough to support them until adulthood, should the worst happen). While she's seen some scary things in the past, she's never been in a situation as bad as the one she finds herself in here, abandoned by people who were supposed to protect her and left for dead.

If she were alone in the world, Ada might have given up and let herself die in the breach, but she knows that her deadbeat husband won't be there for the kids, and she can't stand the thought of them being left orphaned and scared. So she ovaries up and determines to find an alternate way out of the gate, nearly dying more than once, but emerging stronger and fiercer with each near-death experience.

In the decade since the Gates started appearing and threatening the world, large organisations or guilds have been formed with both combat and non-combat Talents, specialising in killing any hostile threats inside, extracting valuable resources and collapsing anchors to neutralise the gates. Elias McFeron works for the guild that employed the team supposed to protect Ada. He's not exactly happy when he discovers the cluster f**k of incompetence that led to most of a team being left for dead inside a Gate they were responsible for, including a very experienced Assessor. The stories of the few survivors who made it out, including the guy who was supposed to sacrifice himself to protect Ada, if it came to that, are a little bit too similar and rehearsed to be believable, and they know something untoward went down. Elias and his team are so far secondary characters, and this part of the story is more of a minor subplot (somewhat fleshed out in the extended scenes added once the book was made ready for publication), but for the reader, it's nice to know that someone trustworthy and honourable out there is working to get Ada out, even if she doesn't know it herself.

I know that the audio version of this hasn't been finalised yet and will hopefully become available at some point in November. This is primarily a digital release, but print-on-demand copies can be purchased as well. While the story was being serialised on their website, the authors commissioned accompanying art, which is all included in the e-book (in colour if you have a colour screen), as well as additional art released only in the full version. So you get some really gorgeous illustrations accompanying the story. 

Judging a book by its cover: The cover art and internal illustrations in The Inheritance are all done by Candice Slater, and once again, prove that Ilona Andrews can have decent covers, as long as they are the ones commissioning it. What I especially like about this cover is that it seems to reveal new details every time I look at it. There are so many tiny details. 

Crossposted on Cannonball Read. 

CBR15 Book 28: "The Kaiju Preservation Society" by John Scalzi

Page count: 264 pages

Audio book length: 8 hrs 2 mins

Rating: 4 stars

CBR15 Bingo: Strange Worlds

15-word-review: Delivering food during the pandemic leads Jamie Gray to a monstrously exciting new career opportunity.

Longer review: During the Covid-19 pandemic, Jamie Gray is working a dead-end job as a delivery driver for the very same company he got fired from. One day, when delivering food, Jamie runs into an old acquaintance, Tom,  who remembers that Jamie's thesis was on science-fiction and therefore thinks the job opportunity that KPS, the "animal rights organisation" that Tom works for might be a good fit for Jamie. Open to do anything rather than deliver fast food, Jamie agrees and is shocked to realise that the job is a bit more unusual than Tom let on.

KPS is the Kaiju Preservation Society, and the animal rights they try to protect are those of gigantic, prehistoric monster-like creatures on an alternate Earth. The KPS crews (who all work on six-month rotations on the alternate Earth base) are the only humans there. They do their best both to preserve the kaiju, research their biology and make sure they continue to thrive (which is harder than you might think, some of them are like pandas the size of actual multi-story buildings). Of course, any organisation like this is dependent on funding both from governments and the private sector and not everyone who visits the alternate Earth to ensure their investments are paying off is as altruistic as the scientists of KPS. Soon, Jamie, with the help of several other new KPS recruits is having to risk life and limb to make sure someone doesn't cause a multi-dimensional disaster.

I listened to the audiobook narrated by Wil Wheaton, and because of this, in my head, Jamie Grey is a man. However, in the book's promo material and nowhere in the actual novel is Jamie's gender ever clearly stated. Because the book is narrated in first person, the main pronouns used by our narrator are obviously I/me, and as one of the trans members of my fantasy/sci-fi book club (this was our book pick for April) pointed out during the discussion, Scalzi has actually been very careful to make sure any reader could put themselves into Jamie's position, no matter what gender they identify with. There is another prominent supporting non-binary character with they/them pronouns, and even though I'm pretty sure that one of the other new recruits Jamie befriends is male and the other is female, I could very well be wrong about that too. It's been far too long since I actually read the book for me to remember. Either way, each of the characters we follow, primarily Jamie, and also the three friends Jamie makes, are rather non-descript and really mostly a blank slate for the reader to project their own expectations and impressions onto.

This is not a book written for the intricate characterisation of the cast, it's an adventure romp in the same vein as B-movies featuring kaiju like Godzilla, King Gidorah, Mothra and Rodan. Pacific Rim is referenced, which only seems fair. In the author's note at the end of the book, John Scalzi explains that during the pandemic, he was originally scheduled to write a big, serious epic novel and he kept trying until he eventually just had to give up. Shortly after, he apparently had the idea for this book fully formed in his head and wrote it very quickly. He describes it as a pop song. It's light, breezy, it's a popcorn flick full of big monsters and unlikely adventure and it was what his brain needed during and after the covid-19 crisis. It's a quick read, the audio book is only 8 hours. The whole book is very cinematic in its presentation. To me, that's fine - some of the members of my book club thought it was  bit too inconsequential and fluffy to really make an impact. 

Judging a book by its cover: I much prefer the UK cover of the novel with an actual kaiju in profile on the cover to the company ID-badge mock-up of the US cover. I like the electric blue and the black and the kaiju looks very happy. 

Crossposted on Cannonball Read. 

CBR15 Book 10: "The Golden Enclaves" by Naomi Novik

Page count: 416 pages

Audio book length: 14 hrs 49 mins

Rating: 5 stars

This is the concluding volume in a trilogy. It won't really work for you unless you've read the previous two books. Start with A Deadly Education. Also, this review will contain spoilers for the previous book in the series, so proceed at your own risk if you're not caught up. 

Galadriel "El" Higgins has done the impossible. She has not only made it out of the Scholomance with her entire graduating senior class, but with every other student in the school as well. Everyone is alive and safe, except for one important exception. Orion Lake, who El had only really allowed herself to accept that she loved towards the end of the school year, when it seemed like maybe their insanely ambitious plan might work after all, and who literally threw her out of the gates of the school to face an enormous mawmouth by himself. El tries to spend incredible amounts of mana to get back into the school, only to find herself cut off entirely and can't do anything but grieve.

Her mother, Gwen, is beyond happy to have her daughter back, but she's also terrified when El tells her about Orion and her improbable book of Golden Sutras. The price both Gwen and El paid for El to be able to bring the book with her out of the Scholomance has been staggering, and now they are both left to grieve their loved ones. Not that El gets a lot of time in the yurt in Wales to nurse her grief. The indomitable Liesl, the senior class valedictorian shows up and demands that El come help the London enclave fight and kill a mawmouth. El is the only one on record who has been able to ever kill one singlehandedly, and now the London enclave will be lost unless El comes and helps.

Once she's performed the disgusting and gruelling task, the London wizards are shocked to realise that not only does El not want to become a member of their enclave, she wants nothing in return for her actions than for the enclave grounds to be opened up to all the magically inclined in London, so not only the privileged enclavers get to see the glories of the grounds. Having killed the relatively small mawmouth in London and finally putting all the poor people it had consumed over the years to rest, El realises that she has to go back inside the Scholomance, to kill Patience, the gigantic mawmouth that will inevitably have consumed Orion because she can't bear the thought of him suffering inside it for all eternity. The only place she is likely to get enough mana to attempt such a feat is in Orion's home enclave, New York. Which will mean meeting and facing Orion's parents - something El's not sure she's ready for. 

Because I waited until the final book was published before reading book two, I thankfully didn't have to wait a whole year for the cliffhanger at the end of that one to be resolved. I also waited long enough to finish the series that I read multiple reviews from others that reassured me that this volume wasn't going to be a letdown. What Naomi Novik has achieved with these books is impressive. They are classed as Young Adult because the characters are still teenagers, but so many of the familiar tropes and expectations of the subgenre are cleverly subverted and some really serious themes and moral quandaries are explored over the course of the series.

As I mentioned in my review of The Last Graduate, part of what really works for me about these books is the cast of characters. I don't just like reading about El and Orion, but all of their friends and compatriots too. With each book, Novik reveals more of how her magical universe functions, and in this last book, we are finally given more insight into the enclaves and how they are formed, not to mention where the horrible (and very creatively imagined) monsters originate and why they're so drawn to wizard adolescents. 

Based on the previous two books, I wasn't really worried that Naomi Novik was going to mess up the ending of this trilogy. I'm nevertheless greatly relieved that I can now wholeheartedly recommend this whole completed series to anyone who likes clever and dark fantasy. 

Judging a book by its cover: The covers are really my least favourite part of the series, but it seems appropriate that this final volume has a pale golden colour, like the golden sutras that El treasures so much. I still wish there was a bit more to the covers than a uniform colour and some mystical symbols, though. 

Crossposted on Cannonball Read. 

CBR15 Book 7: "The Last Graduate" by Naomi Novik

Page count: 388 pages

Audio book length: 13hrs 27 mins

Rating: 5 stars

CBR Passport Challenge: Books Recommended by Friends

This is the second book in a trilogy. It doesn't really make sense if you've not read the series from the beginning. So if you're not caught up, go read A Deadly Education. It's great, I'll wait.

El and Orion are now seniors in the Scholomance, and they have absolutely no way of knowing if their very dangerous mission just before graduation to fix the furnaces worked. Did they manage to clear the graduation hall of the majority of maleficaria ahead of the former senior class' exit, or did all the graduates get horribly eaten? Is the machinery going to fail before their own graduation in a year's time, or will this be a problem for one of the classes at some point in the future?

El, who has spent her entire life as a loner, is surprised to find that she has actual friends and allies in the school and that despite having criticised Orion for a year for risking his life to save others, she is now almost daily expending a ton of magic trying to keep the freshmen students she shares a classroom with from being killed by mals. Orion, on the other hand, is getting more and more frustrated. Despite trying to hunt down mals in his spare time, there don't appear to really be any, except for all the ones coming to try to kill El, and those directly around her. 

El spends the first six months of her senior year trying to pass her exams, keep Orion from getting killed because he keeps neglecting his own studies and fend off all the vicious threats that the school seems intent on sending her way. She also can't forget that while the cleaning furnaces hopefully killed off a lot of mals pre-graduation last year, there's still a whole year for the graduation hall to fill up again, and she and her fellow seniors need to train incessantly to make sure they're in good shape to fight the monsters and make it out alive. The graduating class is much bigger than it has ever been, thanks to Orion's tireless efforts for the past three years of killing mals and rescuing people. Normally, only about half of any given year's graduates get out. Will the added numbers of seniors mean more likely survivors or just an even higher death toll come graduation day since there is no way for everyone to make it to the doors unharmed? Or is there?

I am so very glad that I waited until this trilogy was completed to read The Last Graduate. If I had been forced to wait a whole year after finishing this book to find out what happened next, I would not have handled it well. A Deadly Education was really good. A wonderfully acerbic and hostile protagonist, a great cast of supporting characters, very creative world-building, and an interesting magic system. As dangerous supernatural boarding schools go, the Scholomance is about as fiendish as I can remember reading about, and El's journey from an angry and distrustful outcast to someone with a solid set of friends and a vague hope of a better future was a delight to read. Then came this and surpassed all of my expectations, leaving me emotionally wrung out once I finished the last page. The final act of book 1 was impressive, but the final act of book 2 was on a whole other level. 

This series would not be as enjoyable and addictive if El was the only one worth reading about. Thankfully, there are so many other characters to also obsess over. Orion, who sucks at social interactions and only wants to kill monsters (he has a serious Sam Winchester energy, which does not lessen as this book goes on - you have been warned). Aadhya and Liu, who by the end of this book are pretty much ride or die for our El, and rightly so. Even Chloe, who seemed rather clueless in the last book becomes a valuable friend to our group of misfits. In this book, we are also introduced to Liesl, the valedictorian, who isn't exactly likable, but funny and kind of awesome with her extreme efficiency and abilities to problem solve that none of our other band of doomed graduates can rival. I just wanted to hug them all and keep them safe from the horrors they kept having to face and worry about.

It's really hard to review this book and attempt to remain spoiler-free. There are so many awesome things I want to gush about, but I went into this book knowing pretty much nothing except that it ended on a very unsatisfying cliffhanger, and it was such a great ride. Even though I own the book in paperback, I ended up listening to most of the book in audio, as with A Deadly Education. Anisha Dadia does an excellent job of narrating, and making the various characters feel distinct and separate for me. This time, however, once I got about 80% in, I didn't have the patience to listen any longer (even listening at x1.5, I read way faster than the narrator) and I needed to get to the end fast. 

I'm so grateful to Naomi Novik for writing these books. I really liked Uprooted and Spinning Silver, but I adore the two Scholomance books. Now that the series is completed, I can wholeheartedly recommend the series to anyone who likes clever paranormal fantasy.

Judging a book by its cover: I like the simplicity of these covers, with a plain background and some mystical sigils and stuff in gold. 

Crossposted on Cannonball Read

CBR14 Book 40: "Monstress, vol 1: Awakening" by Marjorie Liu and Sana Takeda

Page count: 202 pages

Rating: 2 stars

CBR14 Bingo: Monster (there are several monsters in this story, both humanoid and not)

Official book description:

Set in an alternate matriarchal 1900's Asia, in a richly imagined world of art deco-inflected steampunk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.

So total honesty here. This was my local fantasy/sci-fi book club pick for March. Yup, nearly eight months ago. I read the first three issues, then got incredibly distracted by something or other, I don't even remember what anymore, and just left the trade paperback lying unattended until I finally got round to finishing the book in the middle of October, because it seemed like the easiest way to complete the "Monster" bingo square. Also, I was annoyed at myself for not finishing what is basically six issues of a comic book, something I can normally get through in about an hour. 

Splitting my reading of the story this way means that I barely have any memory of what happened in the earliest issues, and my comprehension of the later issues was somewhat hampered by me just spending some time re-reading. As the blurb says, the story is set in an alternate history, in turn of the 20th Century Asia, where instead of the majority of society being ruled and controlled by men, women are in power. So far, so cool. There's clearly been some sort of horrific war, and there are humans and talking cats and strange animal/people hybrids. There seems to be an organisation of powerful women who take the shall-we-say non-standard people captive and perform horrific experiments on them. Our heroine is a young woman called Maika Halfwolf, who is now an orphan and has suffered a bunch of trauma due to the wars. She only has one arm and is the Monstress of the title because some sort of scary life-sucking monster has taken up residence inside her, and they are now battling for control. 

For those with a weak constitution or sensitivity issues, there are probably a whole host of trigger warnings in this story. I recall there being horrific violence all over the place and generally a lot of unpleasantness, which is why I put the comic down in the first place. At the same time, this series has a lot of critical acclaim and has won a bunch of very prestigious awards over the years, so I should probably go back and give the book a new chance at a later date when I'm in a better headspace. The art by Sana Takeda is next-level and so beautiful that some of the unpleasantness just gets even more visceral. However, at this juncture, the book gets only 2 stars from me, because I pretty much finished the first volume out of stubbornness and remember very few details about the story at all. 

Judging a book by its cover: Sana Takeda's art really is breathtaking. While I probably should have given this book more dedicated attention, there is no denying that the art is amazing, and this cover image is very eye-catching. 

Crossposted on Cannonball Read. 

CBR14 Book 13: "The Beast and the Bethany" by Jack Meggitt-Phillips

Page count: 256 pages

Rating: 4 stars

 

Ebenezer Tweezer is 511 years old, but you'd never know it to look at him. He lives in a great big house, surrounded by exciting treasures and artifacts and all of this is possible because of the hideous beast he keep in his attic. In return for Ebenezer feading it interesting things, the Beast gives him potions once a year that keep Ebenezer young and beautiful. It's also given him all the special things in his house. However, the Beast is greedy and grows more demanding with each passing year. It only wants to eat things it's never tried before, which in 511 years you can imagine isn't that long a list. The Beast has decided that it wants to eat a nice, juicy child, which may be a line not even Ebenezer will cross.

 

Of course, if the Beast withholds Ebenezer's potions, he'll start aging at a rapid pace, and after a day or two of feeling the effects of age creeping up on him, Ebenezer starts pondering solutions. If he were to feed a really bad child to the Beast, would that really be such a terrible thing? At first, Ebenezer tries to steal a child from the zoo, but all the children there seem terribly well protected by parents. Then he's told about the local orphanage and goes there to find a child that will do instead. However, Ebenezer isn't expecting to get so charmed by so many of the children. Then he encounters Bethany, a very surly and unpleasant little girl, and she seems to be the solution to all of his problems. Then, when Bethany actually meets the Beast, she insults it so gravely it almost refuses to even consider eating her, which would very much be counter to Ebenezer's plans.

 

He decides to take Bethany away and try to fatten her up a bit (she's terribly skinny), while also trying to persuade the Beast that Bethany is in fact exactly the sort of plump and succulent child it has demanded. Completely contrary to Ebenezer's plans, however, is how he starts to warm to her and see actual improvement in her behaviour after a few days together. The longer the two spend together, the more like friends they become, and soon, Ebenezer can no longer live with the idea of feeding Bethany to the Beast. He is aging rather rapidly, though, and the Beast really doesn't like to be told it can't have what it wants. It's up to Bethina to come up with a solution that gets rid of the Beast once and for all, so she and Ebenezer can live happily ever after.

This is delightful middle grade book which I very much look forward to my own son reading at some point in the future. I suspect readers of Roald Dahl, A Series of Unfortunate Events or fans of Despicable Me would find it very entertaining. The book is illustrated throughout with beautiful and very funny pictures by Isabelle Folath, and it was a very quick read in a month when I otherwise managed to complete very few books. I know that there is now a sequel, so I suppose I should see if my local library has a copy. I wouldn't mind spending some more time with Bethany and Ebenezer. 

Judging a book by its cover: I pretty much adore this cover. The almost neon green to draw your eye in (on my copy, the endpapers are sprayed the same lurid colour!), the fang-tastic maw and the no-nonsense little girl in the middle. I wanted to read this the first time I saw it on a library shelf.

 

Crossposted on Cannonball Read.  

#CBR13 Book 2: "Blood Heir" by Ilona Andrews

Page count: 359 pages

Rating: 4 stars

Info to new readers - while this is the first book in a new series, and as such, should be perfectly accessible to readers completely unaware of Ilona Andrews' previous books, it references A LOT of stuff that happened in the ten-book Kate Daniels series, as well as in Iron and Magic, a spin-off book of that series. I would highly recommend that you start there. 

Aurelia Ryder arrives back in Atlanta after an eight-year absence, trying to keep her presence mostly under the radar. The last time she was in the city, her name was Julie Olsen Lennart, adopted daughter of magical powerhouse Kate Daniels and the former Beast Lord of the Atlanta pack, Curran Lennart. Now there's a sinister prophecy requiring her return, but she can't see her family or let them know she's there, or Kate is destined to die. Aurelia/Julie needs to look into the grisly death of a clergyman and stop a malevolent magical force from gaining a foothold in Atlanta. 

Of course, going back to her old home means stirring up a lot of old memories, and she runs into a lot of familiar faces along the way. Julie Olsen was known and loved by many, Aurelia Ryder is an unknown entity and there are a lot of people who are curious as to her origins and reasons for suddenly appearing in Atlanta, fighting monsters, and trying to right wrongs. Thankfully, after her eight years away, Julie doesn't just have a new name, she has a different face and is quite the magical force to be reckoned with herself. She doesn't intend any harm to come to her family, even if they can't know she's protecting them.

This novel started as free snippets posted on Ilona Andrews' website because a Covid nurse e-mailed them and asked for something to read to take her mind off her gruelling work schedule. A few years back, in 2018, having finished the Kate Daniels series, the husband and wife team who make up Ilona Andrews considered doing a spin-off about Julie, Kate's adopted daughter, but were a bit bored with the world and its characters and needed a break for a while. This nurse's request seems to have made them revisit their already established paranormal fantasy world, moving the action eight years after the end of their last book, and switching to a different protagonist. A lot of the characters Aurelia/Julie interacts with and encounters over the course of the book first appeared in the Kate Daniels books, and while there is a lot of information given about the world, the magic system, the complex politics that keep it running, I suspect a reader would be a lot more comfortable having read at least some of the previous series before starting this one.

After a few months of posting partial chapters every week, when it became clear that this could actually be fashioned into a whole book fit for publication, the authors removed the free snippets and retooled the stuff they'd already written into an exciting, action-packed novel. The work they started on the website needed some major rewrites to work properly as a full book and I, for one, am happy with the wait as it seems we may be getting a whole new series out of it.

I know a lot of people found Julie a bit annoying as a supporting character in the Kate books. I never had a major problem with her, and teenagers are always difficult characters to write at the best of times. The protagonist of this book, Aurelia/Julie is a battle-hardened young woman who's been trained in both the magical and martial arts by true experts, and her involuntary physical changes have come about after long periods of pain and self-sacrifice. She loves her family and won't let any harm come to them, even if it pains her not to see her parents after a long absence. 

Aurelia/Julie has to solve a series of gruesome supernatural murders and prevent the demonic avatar of an ancient god from taking over Atlanta and claiming her in the bargain. She works with the Knights of the Order of Merciful Aid, and also has run-ins with old acquaintances from the Atlanta Pack of shapeshifters. Very unexpectedly, Julie also finds herself face to face with her old crush, Derek Gaunt, now also massively changed and back in Atlanta after years away. Now an actual honest to goodness princess and warrior in her own right, Julie believed herself to be over Derek, but every encounter they have proves to her that he's still someone who can make her far too flustered. She's sure he has no idea who Aurelia Ryder really is, though, and since the most expedient way to solve the murders seems to be working with him, she keeps finding herself in close contact with the wolf shifter, bantering and fighting.

There's a lot of set-up in this book, and it ends on a cliff hanger, so I certainly hope the authors are intending to continue this series for at least another book or two. I would obviously have liked more romance between Julie and Derek, but considering the authors dragged out Kate and Curran's courtship over two-three books, I guess it was overly optimistic that everything was going to be wrapped up with a neat little bow after just one book. 

If you're a fan of Ilona Andrews' Kate Daniels books, you are sure to enjoy this book too. It felt very comforting to be back in a world I already knew well, seeing it through the eyes of a different character. It was obviously also nice to see how life had changed for a lot of the old fan favourites from the earlier series. I pre-ordered this, and it seems to be selling well. Fingers crossed that it's the start of a series, not a rather tantalising one-off. 

Judging a book by its cover: I feel like the only time ever that Ilona Andrews gets nice cover art is when they commission it themselves. To be fair (as well as the other picture of Julie as a Princess of Shinar that the very talented Luisa Preissler drew and which is also included in the book) may be one of my favourite cover images of any paranormal fantasy book I own. Which is funny, because White Hot is probably the most eye-gougingly bad book cover of any I own. Not many authors have such a breadth of cover art. 

Crossposted on Cannonball Read.  

#CBR12 Book 84: "A Deadly Education" by Naomi Novik

Page count: 336 pages
Audio book length: 10 hrs 59 mins
Rating: 4.5 stars

Official book description:

A Deadly Education is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! 

The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. 

The problem? Her powerful dark magic might also kill all the other students. Sold yet?

This book has been described as a super-dark, female-led Harry Potter. Harry Potter goes to a boarding school and has magical powers - that's really where the similarity ends. Every single character in A Deadly Education is more interesting and well-rounded than any of those in the many books about 'Larry Porter, boy wizard' (the value brand knock-off my husband made up), and there is a lot more diversity as well. The Scholomance is a boarding school like no other, and the blurb isn't lying - it really is utterly deadly, and a large amount of the students there are not expected to survive past graduation. 

Galadriel (who goes by El - her mother is VERY hippy-dippy) is half Indian, but was rejected by her father's wealthy family due to the very sinister prophecy her grandmother proclaimed about her when they first saw El as a baby. Instead, she was raised by her mother (her father died during graduation to save El's mother, who was pregnant at the time) in a yurt in rural Wales. El's mother is all that is good and kind and self-sacrificing, so the balance of the universe has seen fit to give El dark powers that could literally destroy continents if she gave into temptation and really let herself get down with her bad side.

In this world, when magically gifted children start coming into their powers, all manner of malevolent creatures want to kill and eat them. To protect themselves, most magically adept people unite in various powerful enclaves, where they can fight off said monsters and demon-spawn. Apparently, adolescents are the tastiest, and are in so much danger outside in the real world, that a magical school was built to house them and keep the magical attacks contained to one place. There are no teachers in the Scholomance, and deadly challenges face the students every day, either from external malevolent supernatural forces, poisons or just other students trying to kill them to strengthen themselves. The graduation ceremony is literally the surviving seniors being sent through the lowest levels of the school, where all the deadliest, fiercest and hungriest monsters all dwell. If they can make it out alive, they graduate and can probably expect to go on to make a difference in the world of magic. 

Before golden boy Orion Lake came to the school, a lot more of the student body tended to die. Now, Orion has saved the lives of so many of his fellow students that a lot of the monsters that normally get fed by the unlucky kids who aren't careful or vigilant enough are getting very hungry and vastly more aggressive. El, who has never learned how to make friends, and fights every day not just to survive, but to tamp down on the school's constant encouragement for her to really embrace her evil potential, starts the book having decided she probably wants to kill Orion, but she settles for being really mean to him every chance she gets instead. Orion, who comes from a powerful New York enclave and has been used to people looking up to him and fawning over him his entire life, is puzzled by El's behaviour, but also seems to like her complete disregard of him, and a friendship begins to blossom between them. 

Over the course of the book, El starts gradually opening up and trusting a few others, as well, and seems to be making not only potential allies but actual friends for the first time in her life. She doesn't dare reveal to anyone just how powerful she is, but she tries her best to use her powers to help, rather than selfishly take care of herself, which in the end leads her, Orion, and a few others into an absolutely nerve-racking plan to try to even the odds for the soon to be graduating senior class.

While I never got past the first book of her Temeraire series (my complete disinterest in military history and campaigns won over my fondness for dragons), I have very much enjoyed her more recent fairytale-inspired fantasy novels. In this, she seems to be taking on the YA boarding school fantasy trope, but while the protagonists are teenagers, I would be wary of classifying the book as young adult. It may be too dark and violent for a lot of readers.

I suspect whether you warm to this book or not comes down to whether you can stand El as a character. She's the narrator and she's a tough nut to crack, especially in the first half of the book. A lot of the book is spent with El's internal monologue, which isn't exactly very sympathetic, at least until she starts making some friends, and it might be a bit exhausting sharing her headspace if you're not in the right mood. 

I absolutely loved this book, from the world-building, the absolutely brutal high concept of the magical school, the various monsters and dangers facing the students, and obviously the characters. El and Orion are both great, as are several of the students who El eventually befriend. My main complaint is that I wanted more romance - but I'll have to cross my fingers for more of that later in the series. Highly recommended, way more fun, creative, and inclusive than Harry Potter ever was. 

Judging a book by its cover: I really like the font and the very simple colour scheme of the novel. I like the clean lines of the illustrations, and how non-specific, yet slightly sinister and occult the design on the cover is. Depending on the edition, the background is either navy blue or black. I much prefer the black and gold to the blue and gold one. 

Crossposted on Cannonball Read. 

#CBR12 Book 49: "The Last Wish" by Andrzej Sapkowski

Page count: 360 pages

Audio book length: 10 hrs 27 mins

Rating: 3.5 stars

#CBR12 Bingo: Repeat (since I've already covered the Adaptation square)

Geralt of Rivia is a Witcher. This means he roams about the countryside, travelling from place to place, killing monsters for profit. To become a Witcher, he was taken from his family as a child, and long training, magic and special potions make him a strong, fast and highly efficient killer. Based on the stories in this collection, it seems that once, there were a lot more Witchers, now they are rare and unusual, and Geralt is often feared and reviled by the villagers who hire him to help them. 

Geralt seems to have very few friends, with the exception of the bard Dandelion. He also seems to rest up at a convent, confiding his adventures to the Mother Superior every so often (this seemed to be the framing narrative of the stories).

I have very little knowledge of or experience with the popular series of games that were adapted from this. Nor have I yet started the Netflix series, despite the fine figure of Henry 'OMGHISGL' Cavill starring as Geralt. So I cannot tell you how accurate an adaptation of the source material the show is. I've heard good things, and while I found the frame narrative of this short story collection a bit confusing, I liked the way the author took various elements of folklore and established fairy tales and gave them his own twist. The original Polish books were written in the 1990s, and I wish the portrayal of women was a bit more nuanced. I've heard that the female characters of the TV show are quite varied, interesting and complex - so that's probably a good update.  

I listened to this in audio, and because it consisted of a series of short stories, it took me a few months to get through it. The narrator is generally fine, but I didn't much care for the way he does Geralt's voice, which becomes a bit of a problem when Geralt is the main character of the stories. I found the stories interesting enough that I'll probably get round to reading the rest in the future, but I'm not feeling any immediate need. 

Judging a book by its cover: Obviously, for something that has been out for as many years as this book, published in a number of countries and languages, there are also many different covers. After the Netflix series was produced, there are also several different tie-in covers available. On mine, Geralt is in the middle of fighting some legendary beastie, possibly a dragon. It looks dynamic and exciting. 

Crossposted on Cannonball Read. 

#CBR12 Book 44: "Fire" by Kristen Cashore

Page count: 384 pages
Audio book length: 12 hrs 39 mins
Rating: 5 stars

Official book description:
It is not a peaceful time in the Dells. The young King Nash clings to his throne while rebel lords in the north and south build armies to unseat him. The mountains and forests are filled with spies and thieves and lawless men.

This is where Fire lives. With a wild, irresistible appearance and hair the color of flame, Fire is the last remaining human monster. Equally hated and adored, she has the unique ability to control minds, but she guards her power, unwilling to steal the secrets of innocent people. Especially when she has so many of her own.

Then Prince Brigan comes to bring her to King City, The royal family needs her help to uncover the plot against the king. Far away from home, Fire begins to realize there's more to her power than she ever dreamed. Her power could save the kingdom.

If only she weren't afraid of becoming the monster her father was.

I read and reviewed this back in 2010. My original review is here. I didn't remember the plot all that clearly, except that I really liked it and that it was a very unusual fantasy YA novel, with some really interesting topics being discussed. Re-reading it, I was struck at how many of the characters in the story are trying to get over some sort of trauma. Fire is desperately fighting the fear that she will become like her father, a Monster both in name and deed. Her father cared for nothing but his own petty pleasures and nearly ruined a kingdom because of his ruthless manipulations. Fire has kept herself mostly isolated and surrounded by people who can guard their thoughts against her. She understands why Prince Brigan resents and fears her, and she is exasperated and feels helpless about the attraction his brother, the current king, feels towards her. She is used to both men and women falling for her, unable to resist her strange charms.

King Nash and Prince Brigan are also dealing with traumas, having grown up in the court where their father was nothing but a puppet, and having had to fight to survive. Fire's foster father lost the ability to walk thanks to her dear old dad, and her best friend Archer, the man he is raising as his son, is the product of a brutal and malicious rape by a stranger, again due to the vengeful manipulations of Cansrel and his ability to influence the now-dead king Nax.

Yet even with so many damaged people, they step up and do their duty. Fire is scared, but can't say no to helping the king and his brother. In leaving her safe home and travelling to the capital, she risks herself in more ways than one, but also comes to know herself in an entirely new way, and falls in love along the way. The romance in this book is very slow-burn, but utterly lovely, as are many of the friendships that Fire makes throughout the book.

There is also darkness and sadness and loss as part of this book. As with Graceling, I'd forgotten how dark it got in places, and exactly how it connected the two books (this one is actually a prequel of sorts). I listened to the audiobook this time and possibly liked this book even more now than when I first read it. Highly recommended, although for it to really work, you should probably read Graceling first.

Judging a book by its cover: As with Graceling, I own the UK paperback of this. I think the lone female cover model is more suitable on this cover, with the woman portraying Fire in a flowing red dress, holding a bow, her spectacular red hair blowing in the wind. Fire does wear a beautiful gown like that at one point. She's also quite skilled with a bow. At no point are these two things in the same scene, certainly not while Fire stands on a cliff's edge with her hair swirling in the breeze.

Crossposted on Cannonball Read.

CBR4 Book 98: "Days of Blood and Starlight" by Laini Taylor

Page count: 528 pages
Rating: 4 stars
Date begun: November 6th, 2012
Date finished: November 8th, 2012

This is the second book in a trilogy, and it will contain spoilers for The Daughter of Smoke and Bone. So if you haven't read that book, skip this review, and come back when you've read both books. The review will be here when you're done, I promise.

Everyone still here, any spoilers are your own responsibility. In the previous book, Karou, teenage blue-haired artist of mysterious origins and raised by monstrous creatures, met a strikingly beautiful angel who tried to kill her on their first encounter, and then they fell in love. Akiva, the angel in question, had a history with Karou, although neither of them realised it at first. Once Akiva discovered Karou's true identity, and revealed it to her, their future together was pretty much doomed.

The Daughter of Smoke and Bone was a mystery story of star-crossed lovers, and ended on a hell of a cliffhanger. Days of Blood and Starlight can be summed up as: What if Juliet woke up in the crypt after   her days asleep, and discovered that Romeo had not killed himself when he believed her dead, but instead gone on a revenge rampage, killing her closest family, destroyed her city, and aided in the attempted genocide and enslavement of her entire people? Because that's pretty much where Karou is now. How do you forgive the man you love after something like that? How do you, if you're Akiva, ever make amends?

This book is not a love story, it's a story about defiance, and rebellion, warfare, heartbreak, disillusionment and angst. There are some brighter episodes, mainly provided by Mik and Suzanna, Karou's human friends who are adorable and hopeful and optimistic to the point of silliness, really. Even when confronted with the dangerous and painful reality of Karou's new life, Suzanna stays so perky I wanted to shake her.

Karou's existence is one of loneliness, pain and regret, working herself to near exhaustion to help what is left of the Chimera rebel against the tyrannous Seraphim. Akiva, reunited with his siblings in an elite Seraphim army unit, believes Karou to be dead (again) and knows that the things he was brought up to believe are all lies. Both races have endured a millennium of hate and warfare, and there is no end in sight. With Karou, he once dared to dream of something different, and better, but their dreams are all ashes, partially because of his own actions.

It's a huge departure from the tone and feel of the first book, and a brave thing to do with a young adult book. The vast amount of dystopian young adult fiction out there shows that Taylor isn't the only one to see that teens can take their fair share of bleakness, death and angst. While this book was bleak, I was pretty much as gripped by the story as I was by the first book, and I'm deeply impressed that Taylor explores the very real consequences of Akiva's seemingly unforgivable actions. With the trend of former villainous characters turned heroes begun with Buffy the Vampire Slayer (exactly how many people did Angelus  and Spike really kill in their years as evil vampires, and how quick was Buffy to forgive and forget all that), it's nice to see someone taking a different approach. He may have been the love of her life, but can (and should) Karou forgive the horrific things that Akiva did out of grief and rage, believing her dead forever?

It's understandable that Karou has been changed by the revelations in the previous book, but I was still sad to see her literally a cowed shadow of her former self. She is a little bit to quick to take things on surface value, and not question the situation around her, just because she feels guilty and partially responsible for the attack on the attack on the Chimera capital. Karou in Daughter of Smoke and Bone was strong, independent, brave and defiant, not so much in this book. I did like the introduction of new characters, both on the chimera and angel side of things. Akiva's siblings were an especially good addition.

Something completely different than I was expecting, but still very well written, and very engrossing, I'm now very curious to see what Taylor is planning for the final volume of her trilogy. Having written two such very different books in the series so far, and with the events set up towards the end of this story, no matter what happens, it's going to be interesting. I'm honestly not sure if she intends for all this to have a happy ending, and I have trouble seeing exactly how she'd achieve it, but I'm certain that come next year, I'll be eagerly anticipating the next book.

CBR3 Book 86: "Daugther of Smoke and Bone" by Laini Taylor (Read-a-thon 2011)

Publisher: Hodder & Stoughton
Page count: 422 pages
Rating: 5 stars
Date begun: October 23rd, 2011
Date finished: October 23rd, 2011

"Once upon a time, an angel and a devil fell in love. It did not end well."

These are the opening words of A Daughter of Smoke and Bone and from the various rave reviews I'd read from the book, I thought I had some idea what to expect from the book. I didn't. Yes, this book is paranormal fantasy, and it's certainly partly geared towards a young adult audience, but it absolutely isn't Twilight or The Vampire Diaries or Vampire Academy or Wicked Lovely or any number of other successful romantic fantasy novels for teens. It's so much more, and I'm not even sure I can do it justice in a review - but I'll try.

17-year-old Karou is an orphan, living in Prague and attending an art college. Her friends know that she's secretive, and exotic, with her bright blue hair and tattoos, and they enjoy the wonderful creatures she draws on her ever-present sketchpad and the fanciful stories she tells about the places she supposedly visits in her spare time. They don't know that all her stories are true. When not being an art student, Karou runs errands for Brimstone, the seemingly monstrous creature who raised her, together with a host of other chimaera, half humanoid, half beast beings who have always been there for her, but refuse to tell her where she's actually from. Brimstone trades teeth from humans and every sort of animal known to man for wishes that can grant pretty much anything if they're big enough, and Karou has been all over the globe (the magic door in Brimstone's shop can take her anywhere) fetching everything from elephant tusks to snake fangs for him.

Lately, when she's off on her errands, she's noticed burned handprints over the doorways she uses to get back to Brimstone. She also has an encounter with a beautiful, but terrible angel, who tries to kill her when he realizes that she works for Brimstone. Desperate to figure out what is going on, Karou tries to spy on Brimstone when he walks through another door in his chambers, and she discovers a whole other world, but before she really gets a chance to explore, Brimstone catches her and throws her out. Before she has time to go back and beg his forgiveness, one of the tiny creatures who works for him, ends up at her window, dying of burns. The doorway to Brimstone's is on fire, and Karou is cut off from the only family she has ever known. When she encounters Akiva, the vengeful angel again, she no longer knows what to think, but it seems he might hold the answers to who she really is, and what has happened to her loved ones.

There is a love story in A Daughter of Smoke and Bone, where mortal enemies are inexplicably drawn to one another, and the romance was enough to take my breath away. There is also masterful storytelling and Laini Taylor does an amazing job with the world building. It helps that Prague, the initial location for the book, is a magical place even before you introduce paranormal elements. This was the last book I read during my Read-a-thon, and you'd think I'd be tired after reading for most of a weekend, but I couldn't put the book down.

Karou is a wonderful protagonist, mysterious, independent, inquisitive, strong and brave, yet also clearly a 17-year-old, who's not always nice, but can use the small wishes she gets in Brimstone's shop for petty things, like giving a girl she's jealous of a constant mono-brow, or giving her ex-boyfriend an itch in a really inconvenient place while he's nude modelling. She also uses her wishes for silly, frivolous things like turning her hair permanently blue, or removing tattoos she got on impulse. She's searching for the truth about her origins, not really happy when Brimstone and his associates keep them from her. However, when she finally does discover the truth about who she is, and where she came from, she understands why they kept the truth from her.

I don't want to say much more about the plot, because there are several twists and turns that should be not be spoiled. Readers should be aware that the story is by no means complete, and it ends on a big and emotionally gutting cliff hanger, which when I first put the book down made me like parts of it less. However, nearly a month after finishing the book, I'm still thinking about it all the time, and wanting desperately to find out what happens next. So I'm just going to recommend the book to as many people as I know, making sure they also read the book, and can share the painful wait for the next installment with me.