CBR17 Book 24: "The True Love Experiment" by Christina Lauren

Page count: 416 pages

Rating: 5 stars

StoryGraph Easy Reading Challenge 25: A book with two authors

Felicity "Fizzy" Chen loves her life and career as a romance writer. The problem is that she's suffering from a bad case of writers' block, and when she's asked about her personal life in interviews or author panels, it's not like she can confess to never actually having been in love, right? A romance writer should surely have experienced romantic love at some point? With all of her friends happily coupled up, she's also getting pretty tired of her casual dating lifestyle. 

Connor Prince is a divorced documentary film maker whose boss orders him to create a successful reality TV dating show, or he'll get fired. Losing his job would force him to move, and that would mean not seeing his daughter very often, which is an unacceptable option, in his eyes. After a run-in with Fizzy, he's pretty sure he has the perfect pitch - one of the reigning queens of romance finding her own Prince Charming. Fizzy is fairly unimpressed when she first meets him (it's clear that he has very litte understanding or respect for romance novels as a genre, and he clearly hasn't read a single one of her books), and sends him an absolutely ludicrous list of demands. He agrees to pretty much all of them, and suddenly, Fizzy is about to become a reality TV star.

Before the show can start filming, they need to locate a suitable selection of dates for Fizzy, and she has insisted that the various "romance heroes" represent many of the tropes found in the genre. She also discovers that her first impression of Connor, as a money hungry media guy couldn't be further from the truth, and as she spends more time with him during pre-production of the show, it becomes clear that no matter how many charming men the production team manage to scrounge up - her ideal man may in fact be the one whose career depends on her finding happiness with another guy. 

Fizzy was an awesome supporting character in The Soulmate Equation and while I liked that book a lot, I absolutely loved this one. Fizzy and Connor are just such great characters, both seperately and apart. We obviously get cameos from Jess, River and Juno (who happens to be good friends with Connor's daughter - he coaches their soccer team) and it's lovely to see their continued HEA as a side story. Since Juno was never an annoying plot moppet, but felt like an actual human girl, I was relieved to see that Christina Lauren continued their streak of believable and likeable tween girls in this book. Connor's ex-wife and her new boyfriend were great additions to the supporting cast, as were several fun members of the reality TV production team. 

While this is probably not a perfect romance novel for some, it just worked really well for me, which might be a bit strange, considering I've never watched a single episode of any dating show, ever. That should tell you how great this is. I saw someone on Goodreads saying that Connor is clearly based on Brett Goldstein, and that's certainly not a bad mental image to have of him. If I have to mentally cast Fizzy, it would probably be someone like Sherry Cola from Nobody Wants This, she and Fizzy seem to have the same kind of energy to me. 

Judging a book by its cover: This is fine, I guess? I like purple and red, and who doesn't like fireworks? It also doesn't feature cartoon depictions of the main characters, so I guess I'm happy they did something different.

Crossposted on Cannonball Read. 

CBR17 Book 23: "The Soulmate Equation" by Christina Lauren

Page count: 368 pages

Rating: 4.5 stars

StoryGraph Easy Reading Challenge 25: A book with two authors

Jess Davis is a single mom who tries to make ends meet doing freelance statistics work, mostly working at a local coffee shop, with her best friend writing her romance novels right next to her. She lives in a small apartment on the ground floor of the apartment building her grandparents manage, and they help her raise her daughter, just as they raised her after her irresponsible mother gave up on Jess. 

While Jess very much enjoys listening to her best friend Fizzy recount her many and varied dating encounters, Jess herself has lived through enough abandonment to want to risk herself on the dating market. Especially because she wants to shield her beloved daughter from getting attached to someone and suffering the same feelings of disappointment as Jess. However, once Fizzy hears about GeneticAlly, a new matchmaking app using DNA results to find their users their perfect matches, she insists that they both try it out - after all, Jess believes in statistics, is she going to deny a chance for science to find her a possible partner?

Shortly after Jess submits her DNA sample, she is contacted by the founders of GeneticAlly. It seems Jess' sample showed a 98% compatibility with someone. Not only is that the highest match the company has ever seen, but her match is one of the company's founders, Dr. River Peña, a very handsome geneticist. River comes into the same coffee shop, where Jess and Fizzy work, at the exact same time every day, ordering exactly the same thing. In her previous encounters with the scientist, Jess has determined that he is stubborn, arrogant and unpleasant. He cannot possibly be her soulmate, no matter what the numbers say. 

GeneticAlly really could use some good publicity before the company goes live, and they are willing to pay Jess to go on a few dates with River, take part in some interviews and keep an open mind about getting to know him. As Jess is pretty strapped for money, she doesn't really feel like she can refuse their generous offer. Of course, as soon as the two of them start actually seeing each other regularly, relaxing and spending more time together, Jess discovers her first impressions of River might have been wrong, and starts wondering if science might have found her perfect match.

I've read a lot of Christina Lauren's romances over the years. It's been a long time since I enjoyed one of their books as much as this one. The set-up for the romance is interesting, and likeable protagonists who are both very good at their jobs also help make this book a winner. In addition, the supporting cast is all pretty great, from Jess' BFF Fizzy, her grandparents and even her daughter, who actually seems like a realistic (if possibly a bit precocious) child, not just an annoying plot moppet. 

There is a third act complication which splits our lovers up for a bit, but unlike in a lot of novels, it didn't seem crammed in just to add to the drama, and there's a very satisfactory grovelling scene by one of the protagonists before they happily reunite. The author duo's books can vary in quality, but if you have enjoyed some of their books in the past, I would absolutely recommend this. I thought it was one of their best ones so far. 

Judging a book by its cover: A romance cover that doesn't feature cutesy cartoon people? How unusual. As a matter of fact, the UK covers for these books do feature cartoony people, and it's one of the reasons I dislike them more. The cartoon style is not to my taste, and the colour choices are odd. So I'm happy my book comes with this cover. 

Crossposted on Cannonball Read

CBR17 Book 22: "Lady Knight" by Amalie Howard

Page count: 384 pages

Rating: 4 stars

Nowhere Books Bingo 25: Book by an author you've never read

Thank you to Netgalley and Joy Revolution for this ARC. My opinions are my own.

Lady Zenobia "Zia" Osborn and several of her female friends have started a secret society, calling themselves Lady Knights, and at night, they dress up as highwaymen and rob the carriages of Lady Zia's brother's rich friends. They need to collect enough money to ensure the survival of their boarding school, not to mention the orphanage next door to the school. The rents keep being raised, and if the nuns who run the orphanage can't pay, they and all the helpless children will be evicted. 

One of Lady Zia's teachers is a progressive young woman who allows her charges to read controversial literature, like Mary Wollstonecraft or Frankenstein. She also encourages the young women's intelligence and critical thinking and encourages Zia's interest in music. Despite their best efforts to disguise themselves, someone recognises Zia, and can't for the life of him figure out why the daughter of a duke would risk her life at night, robbing noblemen.

Mr. Rafi Nasser, nephew to the unscrupulous nobleman who wants to evict the orphans, also happens to be the best friend of Zia's older brother. As such, he's had plenty of opportunities to observe Zia, and he can recognise her distinctive perfume and her voice, even when she's dressed up and robbing him at gunpoint. Even when he finds out why Zia and her friends (none of them from families as rich and influential as herself) are doing their dangerous nighttime raids, he encourages her to stop, before anyone gets hurt. 

Even Zia's daytime pursuits are enough to make her father upset with her, wanting her to settle down and find a suitable husband. Rafi has a vested interest in keeping an eye on Zia, Zia needs someone her parents like as a suitor, so they agree to a fake courtship to get Zia's parents to calm down. As is always the case with fake courtships, it doesn't take very long before the feelings are all too real.

I know Amalie Howard has written a number of historical romances for adults, and this is her second one for a YA audience. While I own several of her books, including Queen Bee, the companion novel to this one (featuring Zia's brother and the woman he eventually ends up engaged to, in a YA Regency twist on The Count of Monte Cristo, if the description is to be believed), I have never actually sat down to read one of her books. So getting this ARC was a good thing because it forced me to actually commit to reading one of her books. I'm now really glad that I have a large back catalogue of her books to dive into, because this book was delightful.

While it may seem like Zia and her friends get up to all sorts of anachronistic lady shenanigans, it seems like Howard has actually done her research pretty well, although as with the Bridgerton TV series, the English nobility of Howard's fictional universe is certainly a lot more diverse than I suspect was the case in real life. Zia's formidable duchess mother is from India, and Rafi's mother is Persian. One of Zia's best friends is Asian, and there is also some very nicely done queer representation in the book, including Zia's asexual best friend, who's known her intended (also ace) husband since childhood. Representation matters, people, especially in YA books. 

Since this is a YA novel, it is a rather chaste affair. I think there was some kissing between Zia and Rafi, but nothing beyond that. Their romance was very sweet, though, and I can't wait to go back to read the story of Zia's brother and future sister-in-law. 

Judging a book by its cover: Not only does this have yet another animated cover, but it looks a bit like it was made as a colouring book template. The whole thing looks like it may be from a "Regency colouring book for adults". The couple on the cover at least look like they might be Zia and Rafi, though, so I guess that's a good thing. 

Crossposted on Cannonball Read

CBR17 Book 21: "A Duke Never Tells" by Suzanne Enoch

Page count: 352 pages

Rating: 3.5 stars

Thank you to Netgalley and Bramble for this ARC. My opinions are my own. 

Lady Margaret "Meg" Pinwell is about to start her first season when her father announces that he's spoken to his old friend, the Duke of Earnhurst, and secured her a coveted match with said duke's son and heir. Before Meg has a chance to even go to London and have any fun during the Season, the Duke promptly dies, and forces Meg into a year of mourning, since she is now affianced with the new duke. 

A year later, with absolutely no contact from the man she is contracted to marry, Meg is unsurprisingly a bit fed up. A missive to her parents assures them that the new Duke still intends to honour the agreement and Meg will become a duchess without ever even having been to London. The new Duke is rumoured to be quite the rake, with a reputation for gambling, carousing and womanising before his father's death. He didn't even show up to his own father's funeral. Meg asks her aunt Clara (her mother's younger sister) for advice, and they think up a scheme, where they will go to the ducal country estate, pretending to be ladies on the way to London, touring country estates. With Meg disguised as Clara's impoverished companion, they will hopefully get the chance to ask the duke's staff about him, so Meg can get a clearer idea of whether she wants to marry this man at all.

Unbeknownst to Meg and Clara, James Clay, the current Duke of Earnhurst is in fact residing at his country estate, arguing with Elliot Riniken, his father's former (now his) estate management about how his irresponsible behaviour has led to the estate being an overgrown mess, with a manor house that's falling apart. Water leaks have led to several holes in the ceiling, the library is partially covered in mould, and most of the staff have run off to get new positions, with the former butler having stolen a lot of the more valuable silver. The reason the estate is in such a dreadful state is that the former Duke wanted his son to return home, and face his responsibilities for a few years before his death. Both men were incredibly stubborn, James refused, while his father just gave up on any and all upkeep of the house or surroundings, because he decided it was up to his son to fix things. Now they're about to host a wedding in six weeks, and Rinikin can't authorise any repairs until the new duke signs off on them. James seems mostly happy to drink himself into a stupor. 

Since there are barely any servants left on the premises, the duke himself opens the door when Clara, not actually a noblewoman but the younger sister of a woman who has married an earl, arrives, disguised as a highborn lady, Lady Sophronia, accompanied by her paid companion, Mabel (Meg). Having recently raided the wine cellar, James thinks it will be a great idea to claim he is the butler of the estate, and he takes the two ladies into the duke's office, claiming that Mr Riniken is the duke. Riniken, a former army officer, is a good ten years older than James, so the two ladies are quite shocked by his appearance, not to mention the ramshackle state of the building, and the fact one of the only servants they can see appears to be drunk in the middle of the day. 

Since the ladies are pretending to tour country houses, they agree to go on a tour of the premises (in some of the rooms that aren't actively dangerous to enter), but they've not been there long before Meg tumbles down half a staircase, due to a rotten bannister, and injures her foot badly. The doctor proclaims that she needs complete rest for at least one week, probably two, and suddenly James' practical joke will need to be maintained for the duration of the ladies' stay, lest gossip spread to London that the new Duke of Earnhurst is a drunken madman who pretends to be a butler to visitors. 

Four people, lying about their true identities, two of them also about the reason they're even at the estate in the first place, are stuck in a house that's falling apart, forced into close proximity while maintaining an increasingly more elaborate deception. Since Meg/Mabel is forced to stay bedridden for a lot of the stay, Clara/Sophronia spends a lot of time trying to get to know the "Duke" better, so they can find evidence to present to Meg's parents for why the match must be broken. Finding herself gradually falling for the man she believes is her beloved niece's intended isn't exactly ideal. Rinikin, on his part, is fighting his attraction to what he believes to be a woman of a much higher status than himself. James, seemingly the world's worst butler, would also be a deeply inappropriate match for Lady Margaret Pinwell, or even Mabel the ladies' companion - but they also can't seem to stop being drawn to one another, kissing whenever the opportunity arises.

In your standard romance novel, you sometimes get romances featuring the mistaken identity trope. Well, in this book, not only do you get two romances for the price of one, but you get mistaken identity times four. Not only that, but you get multiple POVs. Not only do the readers get to see the story through Meg, Clara, James and Elliot's eyes, but there are a few chapters from the POV of James' very supercilious and long-suffering valet. 

It's been years since I read a romance by Suzanne Enoch, and this was quite different from any historical romance I've read before. Sometimes you have secondary romances taking place in the background while our protagonists find their HEAs, but in this book, there are four protagonists and both romances come with a number of complications, getting more and more farcical as the story progresses. 

While we are given reasons for why James Clay has been completely ignoring his responsibilities for years, causing his country estate to deteriorate so badly, they just seemed rather insignificant in the grand scheme of things. His father was too hard on him, he seemed to always prefer the opinions of Rinikin and treated him as a replacement son (at least in the eyes of James). Because of the weird power struggle between the former duke and his son, most of the staff went without wages and were forced to find jobs elsewhere. Rinikin is at his wits' end trying to keep the business side of the dukedom afloat. It's not until a beautiful woman is badly hurt falling down the stairs that James seems to see that the house is a wreck and he needs to do something to fix it. Not only does he authorise Rinikin to handle craftsmen to come to repair it, but he does a lot of the physical labour himself, especially when it comes to restoring the gardens (this also seemed rather out of character for a privileged nobleman). 

Obviously, everything works out fine in the end, with everyone's true identities being revealed in plenty of time for a double wedding and HEAs all over the place. This was a fun enough book, but I think four people running around lying about their identities was a bit too much for me. I don't mind a light-hearted romp, but there were a bit too many complications for me to be likely to want to reread this in the future. 

Judging a book by its cover: While I'm delighted to see something other than yet another cartoony cover on a romance novel, I'm not sure that this is a great improvement. The hot pink, the lurid green, the teal of the cover model's cravat. It's all a bit of an eyesore. The guy's smirk isn't exactly helping, either. 

Crossposted on Cannonball Read

CBR17 Book 20: "To Steal from Thieves" by M.K. Lobb

Page count: 400 pages (DNF at 35 %)

Rating: 2.5 stars

Thank you to Netgalley and Little, Brown Books for this ARC. My opinions are my own. 

In an alternate version of Victorian London, magic exists and can be used to improve technology. It's known as alchemology, and requires the magic-user to sacrifice some blood and life force to create the magical element known as primateria. It means that alchemologists tend to have shorter lifespans, which was certainly the case with Zaria Mendoza's father. Now she's an orphan struggling to complete her father's outstanding commissions to unsavoury individuals in the London underworld. Soulsteel, the material required to create primateria is rare and expensive, and she keeps having to postpone her rent payments. If her landlord wasn't the father of her best friend, she would probably be out on the streets already.

Kane Durante has been tasked by his patron, the sinister underworld kingpin Ward, to find a particular necklace coming in on one of the boats in the port. He and his best friend, Fletcher, have been working undercover on the docks, trying to intercept the necklace before it goes on display at the Royal Exhibition at the Crystal Palace, because having to steal it from such a public place will be a nightmare. Unfortunately, neither he nor Fletcher are successful and it seems like they have no choice but to pull off a dangerous, nearly impossible heist. If Ward doesn't get his necklace, he promises to do all manner of unpleasant things to Fletcher. So a-heisting they will go.

Having fetched a magical firearm from Zaria while undercover, he decides she is essential to the success of their endeavour, and manages to persuade her to cooperate through a combination of threats and promises. Zaria desperately needs enough money to get her and her best friend Julian out of London, and if she can help Kane rob the Crystal Palace, her share of the loot will be enough for them to live comfortably and get away from the squalor that is their current lives. 

Of course, Kane and Zaria are both cynical, distrustful individuals used to relying on no one but themselves. They both plan to betray the other before the end of the heist, with no misgivings about how this could affect the other. 

Does the heist succeed? Do Kane and Zaria turn from reluctant allies who snipe flirtatiously at each other to potential lovers? Does Kane discover that his patron and boss, Ward, clearly had more to do with his parents' death than has previously been revealed?

I don't know, because I just couldn't with this book. While I thought the magic system introduced was really interesting, I really didn't care about Kane or Zaria at all. It's nice that they both have a platonic best friend they're willing to risk everything for, to the point of stupidity (it's obvious that both Jules and Fletcher would be deeply unhappy knowing how many dangerous things their friends are willing to risk for their sakes), but having spent three days forcing myself through only the first third of the book, I decided to peak ahead to see if things got more exciting further on in the book - and I still wasn't convinced. 

From what I can see, the book ends in a way that suggests at least one sequel (or the ending will be very unsatisfying), but I have absolutely no wish to read more books about these characters. Both the characters and setting felt like they were strongly inspired by Six of Crows and Crooked Kingdom by Leigh Bardugo, but unlike those books, where I pretty much gave up on food and sleep to get through the books faster, there was nothing here to hold my attention. I haven't read anything else by M.K. Lobb, so I can't say if the writing style is similar to their previous works, or something new they're trying. I'm sure this will make for an exciting heist narrative for another reader, but for me, this was a DNF. 

Judging a book by its cover: I'm guessing the necklace that dominates the centre of the cover is the item they're planning to steal. I'm not entirely sure why the cover artist chose to portray him looking like a spoiled prep school boarder, but that's just not at all how he's described in the book. The girl, who I'm guessing must be Zaria, appears to have her own wind machine since her curls are so out of control. 

Crossposted on Cannonball Read

CBR17 Book 19: "Love at First Flight" by Janine Amesta

Page count: 257 pages

Rating: 4 stars

Nowhere Books Bingo 2025: Book Dedicated to a Parent

Thank you to Janine Amesta for granting me this ARC. It has not influenced my review, my opinions are my own. Thank you also, Emmalita, who tipped me off about this author. 

Selah Moreno's beloved stepfather always wanted to be an airline pilot, but couldn't become one for a number of reasons. So he flew hot air balloons instead. Selah trains to become a pilot instead, but when her father unexpectedly dies, and her mother and younger sisters need help, she puts her dream of flying planes on hold to take over the air balloon business. Things are not made easier when she discovers that the man she idolised made several unwise financial decisions shortly before his death. Now the family business is in serious trouble.

Selah meets the handsome park ranger Dex Westerly when he books a hot air balloon ride to propose to his influencer girlfriend. The proposal does not go well, and when the balloon lands at the end, some unexpected complications result in Selah landing on top of the humiliated man, in what would otherwise possibly have been quite an interesting embrace. When Selah and Dex next meet, he's still processing his failed relationship, but the spark that was obvious when they first met is still there. Selah doesn't have the time or inclination to become anyone's rebound girlfriend, but the park ranger is handsome and they keep running into each other. She also finds his unusual roommate, Harper, a rescued crow, amusing.

Dex and Selah agree to work together to try to raise money for a wildlife rescue program in the park. It will also help raise the profile of the Moreno family's air balloon business, which really needs more customers. The initial event is a hit, and soon, thanks to a social media post by Selah's sister which goes viral, a lot of people think that there is a budding romance between Selah and Dex, and they get more than one enquiry from the media to appear on air.

Selah has been bottling up her emotions about her father's passing since his death since she has had to be the one keeping the business afloat and supporting her mother and sisters. Nevertheless, she has made no attempt to hide that she plans to go off to be an airline pilot as soon as she can find someone suitable to help her family with the business, and her 'one foot out the door' attitude is really impacting her relationship with her sisters. 

Dex is dealing with the aftermath of his rather humiliating breakup but discovers that he doesn't really miss the woman he was trying to propose to. He is sad that he won't have a chance to build the life with her that he had been envisioning (without really ever considering her wants or wishes at the time, she clearly did not want cosy domesticity with a dude whose half-tame crow shows up to cause chaos pretty much daily). Having grown up with very distant and rather cold parents, he's drawn not just to the vibrant Selah, but her loving and affectionate family as well. 

The main complications in this story are caused by Selah being so set on fulfilling her stepfather's lost dream of flying airplanes, that she won't let herself ever consider a different future for herself. Her mother is still struggling with coping without her husband, and her sisters feel like she is rejecting them and their family by planning to leave the second she gets the chance. This also means she's unwilling to really commit fully to her relationship with Dex, even though the man is clearly a treasure, telling herself that it's only a temporary, rebound relationship anyway.

Thankfully, as is always the case in romance, they find their happy ending. Harper was a cool and unusual animal companion, clearly not actually a pet, but a discerning (she didn't like Dex' ex much, but clearly loves Selah) and amusing presence in the story. After losing my own mother two years ago, the exploration of grief in books always hits me a bit differently than it used to, but there was nothing too triggering here. 

Selah's relationship with her sisters and mother was very well done, I thought. Her youngest sister comes across as rather irresponsible and bratty at first, but Amesta takes the time to make the reader (and Selah) understand why she has been acting the way she has, and the sisters find a deeper understanding of each other over the course of the book. I'm very excited to see her sisters find their own happy endings in the coming books, and will absolutely be checking out the author's previous romance novels. 

Crossposted on Cannonball Read

CBR17 Book 18: "Tress of the Emerald Sea" by Brandon Sanderson

Page count: 479 pages

Audio book length: 12 hrs 27 mins

Rating: 4.5 stars

Buzzword Cover Challenge 25: Celestial (there is a big moon and several stars on the cover)

What if in The Princess Bride, Buttercup didn't sit at home and mourn for Westley when he was captured by pirates, but instead went off to try to rescue him? Of course, that would mean Buttercup had any agency at all in either the novel or the film, and she really doesn't. But if Buttercup was a young woman named Tress, from a barren and fairly desolate island, who washes windows at the duke's mansion and collects cups, with the only thing making her life worthwhile being her friendship with the duke's son (who pretends to be a gardener), and one day, Charlie, her best friend (who she's only recently discovered that she's also in love with) is taken away by his father to be married off (a poor window washer girl is not a suitable match for him)? Charlie promises to be so dreadfully boring to every suitable bride he meets that no one will want to marry him, and every time is rejected by another bride, he will write to her and send her another cup from his travels. 

However, after some months, the letters stop coming. Then the duke returns, but Charlie isn't with him. Charlie has been kidnapped by the Sorceress, and it doesn't seem like anyone cares except Tress. First, she needs to figure out how to get off the island (no one but the duke's family is ever allowed to leave). On the first ship she travels on, she meets a talking rat, who she takes with her when the ship is attacked by pirates. It's important to note that in this world, while there are ships and long voyages, the oceans are made up of spores that react very violently to the presence of any liquids. Very occasionally, the spore currents still for a time, and it's possible for brave, or exceedingly foolish, individuals to walk along on top of the spores. This is how Tress gets from the attacked ship onto the pirate vessel, where she gradually befriends more of the crew and works her way up in rank, despite the misgivings of the blood-thirsty pirate captain. 

Tress isn't entirely sure how she's going to help the motley crew of pirates from becoming exploited by their captain, and persuade them that they really want to assist her in travelling across the Crimson Sea to the Midnight Sea (the two most dangerous areas on the planet), and face the terrifying Socreress to rescue the boy she loves. But she knows that if she gives up, Charlie has no one coming for him, and that is unacceptable to her.

This is an adventure story with a plucky heroine, who keeps succeeding against all odds, sometimes because she just won't quit.While Tress has had a sheltered and rather uneventful life until she decides to leave the safety of her home to go off and rescue Charlie, she's not stupid, and her determination to get to him makes her face challenges that would make others quake. Occasionally, her lack of experience also makes her less afraid of dangers than she probably should be, since she just doesn't realise what the consequences of the potential threats. She's also kind-hearted and determined to help those who show her kindness along the way, even if it might delay her ultimate goal of getting to the Sorceress.

This is the first of the four secret projects that Brandon Sanderson announced that he wrote when he suddenly had a lot of extra downtime during the Pandemic. While most of us binged TV shows and perfected our sourdough loaves, Sanderson apparently wrote four entire novels, in addition to all the work he was already contracted for. The man is a machine! This led to probably the biggest Kickstarter campaign in history. Sanderson started writing this story for his wife, after wondering what The Princess Bride could have been like if the heroine wasn't just a passive player, having the plot happen to her. 

I didn't have the finances to get all four secret projects in hardback (not only did the books themselves cost quite a lot, but the shipping to Norway was incredibly expensive), so I only got Tress of the Emerald Sea and Yumi and the Nightmare Painter, because these two books were the ones that looked the prettiest and most interesting to me. I did get digital and audio copies of all the other books, though, which allowed me to listen to parts of this in audiobook as well. 

Most of Sanderson's many many novels fit into a larger fictional universe called the Cosmere. That means that a lot of his books are vaguely interconnected. Since this book fits into the Cosmere, but there are more than twenty other works that come before it, I had this grand plan last year, to do a re-read of the Sanderson novels I had read (most of them a very long time ago now) and catch up on all the ones I hadn't read, so I'd be able to properly enjoy the various secret projects, and not be confused by the references. Sadly, this failed almost at the first hurdle, when I had finished the brilliant Mistborn, and then just couldn't get past the opening chapters of The Well of Ascencion, the next book in the series. Then this got selected as the February read in The Dark Corner, my real life book club, and it became clear that I was just going to have to ignore references to events or characters from other Cosmere books. 

One such character is Hoid, who narrates the story of Tress and Charlie to us readers. He has apparently appeared in a bunch of Sanderson's novels (some of which I have read, if the wiki article I read is correct - and I don't see why it wouldn't be) in various different guises. In this book, he's a cabin boy who has been cursed by The Sorceress (who is also a character from the wider Cosmere universe) becaue of a bet. He speaks and behaves nonsensically for much of the story because of this curse. Some of the members in my bookclub found the way the story was told (Hoid frequently breaks the fourth wall and speaks directly to the reader) incredibly annoying. The 2-3 people who didn't like the book cited Hoid's storytelling style and all three felt it wanted to be Pratchett, but didn't succeed. 

Most people, however, really liked the book, and since this was our February choice, we had a very interesting discussion about whether this could be classed as a romance, or whether it was more accurately a love story. The general consensus was that Tress' love for Charlie is completely central to the plot, it's the force that drives her to change her life and leave the island, it's what keeps her going even when things seem almost impossible, and that the book wouldn't work without the love story at its centre. We also agreed that if the book had been sold to us as a great romance, we would probably have been disappointed. 

Personally, I didn't find Hoid all that annoying, and very much like when I was reading To Say Nothing of the Dog by Connie Willis, I decided to just enjoy the story on its own terms, and ignore any references that went over my head. Knowing that this was at least in part inspired by The Princess Bride (one of my favourite films, and books, I had fun seeing the many ways in which the story resembled, or subverted the plot of that story. 

As always, Sanderson's world building and approach to magic systems is fantastic, and even the ones who didn't like the book that much had to admit that the oceans of spores idea was great. If anything, there was quite a bit of grumbling because the book claimed there were twelve different kinds of spores, and we only got to learn about five of them in-story. The characters were interesting, and even the Pirate Captain, who by some could be seen as villainous, had very clear motivations and it was made obvious why she might have chosen to act as she did. Some of the bookclub members highlighted her as one of their favourite characters,

Reading Sanderson again did remind me that his writing has always worked for me, and gave me further motivation to actually continue my "Reading the Cosmere" project this year. I'm not going to try to give myself a set time limit this time, that clearly did NOT work, and he has such a big back catalogue of mostly very long books, but I do want to revisit some of the ones I read in the past, and continue the various series. The people who love Sanderson, love him SO much. I'm trying to focus on quality over quantity in my reading now, and not get freaked out if I don't get to read a set number of books per year, but rather focus on the things I read being enjoyable.

Finally, I wanted to end this review by mentioning how utterly gorgeous my Kickstarter-funded hardback is. It is illustrated throughout, with some beatiful drawings, and, as I discovered as I got further through the book, colour coded to which of the seas Tress finds herself at the time. When she travels the Emerald sea, the chapter headings and page numbers are in a beautiful green, when she travels into the Crimson sea, the colours change to red, and then to inky black when she crosses into the dreaded Midnight sea. Having such a pretty edition of the book makes the exorbitant cost of shipping sting slightly less. 

Judging a book by its cover: My hardback is a lovely, clothbound book with different textures for the patterns of the various elements of the cover. As far as I can tell, most of the editions of this book feature Tress and some varation on a giant moon on the cover, but I think this is one of the prettiest versions. 

Crossposted on Cannonball Read.

CBR17 Book 17: "The Wedding Party" by Jasmine Guillory

Page count: 352 pages

Rating: 4 stars

Buzzword Title Challenge 25: Event

Buzzword Cover Challenge 25: Food or drink

Maddie and Theo are both best friends with Alexa (from The Wedding Date). Despite what the blurb tries to tell you, they are not enemies, they just dislike each other because of some unfortunate first impressions. Maddie thinks Theo is a pompous nerd who looks down on her for her career choice, while Theo thinks Maddie is shallow, fashion-obsessed and mean. After a night out, they drunkenly kiss each other and end up having sex, and very soon they are hooking up every chance they get (including making really bad excuses to see each other). They don't want anyone to find out about it, however, because they don't want Alexa to start match-making while she's busy planning her own wedding. Both agree that it's a temporary thing that will come to a natural end once Alexa's wedding is over, and they stop having to spend so much time together (they are both in the wedding party).

Both characters are absolute idiots when it comes to being honest with themselves about their feelings, and neither of them wants to confess their growing affection for the other, scared that because of their initial antipathy, the other one will reject them. So they keep spending their evenings together, eating SO MUCH takeaway pizza (seriously, it's ridiculous) and ending up in bed together. They are sure they are being very sneaky and that no one suspects a thing, when in fact, every single person who spends time with them (including Alexa) is fully aware of what is going on, and just waiting for them to mutually realise that they are perfect for one another. 

This was a fun read and reminded me that there are a bunch of books in this series that I own, but haven't ever got around to reading. This is why reading challenges are good - they force me to look through my TBR and my many, many owned, but unread books to rediscover stuff I bought years and years ago and completely forgot because there are always so many other shiny books out there to distract me. 

Judging a book by its cover: I really wish they'd used black for the whole title, instead of yellow for part of it, since the yellow against the bright purple background is much harder to read this way. Otherwise, it's a fairly unobjectionable cover. It features the protagonists drinking champagne, so I could use it for my reading challenge. 

Crossposted on Cannonball Read

CBR17 Book 16: "Scythe & Sparrow" by Brynne Weaver

Page count: 416 pages

Audio book length: 11 hrs 36 mins

Rating: 4 stars

Buzzword Cover Challenge 25: Transportation

Doctor Fionn Kane is doing just fine in the little Nebraska town he retreated to after leaving his promising surgical career and ex-fiancee behind. He doesn't really want anything to do with the past-times of either of his brothers and is keeping his head down, running and working out when he's not working in his small medical clinic or the hospital. He also crochets. Then a beautiful woman with a severe leg injury ends up nearly unconscious on the floor of his clinic, asking him for help before she passes out. Fionn doesn't realise that despite his attempts to live a calm and uneventful life, chaos has just found him.

Rose Evans has worked at Silveria Circus for over a decade. She has a fortune telling booth, reading tarot cards for paying customers, and also rides her motorcycle every evening in death-defying stunts. She's also has a very particular interest in botany, and as the Sparrow, she has provided many a woman with the means to incapacitate or kill an abusive partner. Normally, she doesn't do any of the killing herself, but when an obviously terrified woman comes to her for a reading, and Rose is able to figure out where the family lives, she decides to take matters (and a baseball bat) into her own hands, to rid the family of their abusive husband/father. Except Rose seriously underestimates the rage and strength of the man she attacks, and ends up with a badly broken leg before she manages to jam some cocktail sticks in the guy's eye, giving her enough time to escape on her motorcycle. She locates the local clinic, desperate to find something for the pain, and passes out shortly after the handsome doctor finds her.

A circus performer with a broken leg can't do her job, so the travelling circus leaves Rose and her RV in Nebraska, planning to pick her up once she's had time to heal. On crutches, after the complicated break, Rose isn't able to mount the stairs to her RV. Fionn has a spare room in his house and surprises himself by inviting the intriguing woman to stay with him until she's had time to recover. Fionn is used to depriving himself of the things he truly desires, so staying away from Rose, his patient, should be fine, right?

Readers of the rest of Brynne Weaver's Ruinous Love trilogy, will have already met Fionn and Rose in Butcher & Blackbird (when Ronan and Sloane show up unexpectedly requiring medical help they can't really get from a hospital) and in Leather & Lark, where the final events left things looking pretty critical for Rose (spoiler: she doesn't die). Plot-wise, the events of this book start a while before Ronan and Sloane show up, and continues as a sequel to both previous books, so the readers can discover how Rose is pulled back from death's door. 

Having read the previous two books, I felt like I already had an idea of who Fionn and Rose were as characters, but it was nevertheless fun to see them more deeply developed. The reveal that Fionn crochets in his spare time, along with a bunch of small-town grannies was a very fun one. Unlike his brothers, Fionn has chosen to heal people rather than to unalive them, but he still feels immense guilt for the role he played in the demise of their abusive father, and has never felt able to confide in his brothers about this. Rose, on the other hand, seems to have quite a death toll that she facilitated by giving other women the means to be free of their abusers. It's only in this book that she decides to try to take a more active hand in murdering violent and unpleasant men, and because she is very impulsive, it rarely goes the way she plans. Poor Fionn has to get her out of trouble more than once. 

Rating the books of the trilogy, Leather & Lark is my least favourite, while Butcher & Blackbird remains my absolute favourite (none of the other books have made me that obsessed), putting Scythe & Sparrow firmly in the middle. Of the three, this is probably the book with the most mutual pining (while Ronan pines for years for Sloane, she's pretty oblivious to all of it), and our protagonists are very attracted to one another from the start, but not willing, or in some cases able, to act on it. In the last third of this book, Fionn and Rose are separated for much of it, and as a result, correspond in letters. As a result, I would probably say it's the most romantic of the three. 

This book has the same narrators as Leather & Lark and is once more a dual narration. I really like this kind of storytelling, and since the narrators also voiced Lark and Lachlan in the previous book, there is some nice continuity. 

In one of the two epilogues to this story, Ms. Weaver gives some hints towards what she's likely to be writing about next. It seems to be a spin-off of sorts from these books, and by now, I am enjoying her storytelling enough that I'll probably get the next one too.

Judging a book by its cover: I genuinely don't know why there is a scythe featured on the cover, as far as I recall, one is never used by any of the characters, protagonists or antagonists, and therefor it seems a bit unnecessary. All the other elements that we see in yellow and orange on the cover at least feature in the book at some point. 

Crossposted on Cannonball Read. 

CBR17 Book 15: "The King's Messenger" by Susanna Kearsley

Page count: 512 pages

Rating: 4 stars

StoryGraph Easy Reading Challenge 2025: All Alone - Read a stand-alone book

Thanks to NetGalley and Sourcebooks Landmark for this ARC. My opinions are my own. 

It is 1613 and Prince Henry, James I's eldest son and heir has tragically died. Rumours whisper that it might not have been by natural causes. Queen Anna is distraught, and King James is determined to punish the guilty. 

Andrew Logan is one of the king's messengers and he's tasked with going to Scotland to apprehend Sir David Moray, Prince Henry's closest companion, and bring him safely to London to face 'trial'. Logan will not be travelling alone, along for the journey will also be an experienced scribe, Lawrence Westaway, who will write down anything that Moray says or does during the trip. Because Lawrence is elderly and of ill health, Westaway's daughter Phoebe will also accompany them. Complicating matters somewhat is the secret Logan needs to keep from everyone around him. He has the Second Sight, and can occasionally catch glimpses of things that will happen. In a time where the least unusual behaviour could have you accused of witchcraft, Logan dares not tell Phoebe that he can see her father's poor health will shortly lead to his death. 

While the queen is mourning her son, she doesn't necessarily believe Sir David is responsible for his death. She wants him brought safely to her so she can speak with him, Logan's orders are to bring him directly to the king. Logan suspects that by arresting Moray, he may be complicit in the man's demise. It doesn't help matters that Logan and Phoebe don't exactly get along. She believes him to be a brutish and uncivilised man, swayed by the words of others in her acquaintance. He believes her to be a judgemental snob who has coldly rejected any of his overtures of friendship since they were younger. 

The journey from Edinburgh to London is long, however, and the travellers spend a lot of time in each other's company. Logan arrests Sir David as his ship from France arrives in the port in Leith, and on their return journey to London, the group are also joined by a young stablehand who idolises Logan and wants to become a royal messenger like him. Sir David is obviously grieving the loss of Prince Henry deeply and it becomes obvious to everyone in the group almost immediately that he is an innocent man, and that taking him to London would be to commit an act of injustice. Their return to London will also be dangerous, as one of Sir David's Scottish kinsmen is pursuing them with a large band of his soldiers, determined to spirit his cousin away to safety.

Searching my blog, it turns out I haven't actually read a single of Kearsley's novels since 2014 when I finished The Firebird. It surprised me that it's been so long, I remember the ones I read quite well and liked all three. She writes very well-researched and engaging historical fiction, sometimes with a light supernatural element, such as Andrew Logan's occasional glimpses into the future in this book. Based on the plot descriptions of this book online, I was expecting more of a suspense book, possibly something involving espionage - which is not the case. In some ways, it's a road trip novel, only the mode of transportation is horses, and it takes a considerable amount of time riding from Edinburgh to London, even when keeping a brisk pace because rebellious Scotsmen are in pursuit. I actually preferred this quieter story to the one I thought would be happening, so in my case, it worked out fine.

In several of the Kearsley books I read in the past, there are two parallell storylines, one set in the past, one in the present day. Here, it's all in the early 1600s, chiefly 1613, but several of the POV characters, like Sir David and Queen Anna have flashbacks to previous events, mostly concerning Prince Henry. There is absolutely romantic tension between Logan and Phoebe, but it's not exactly a sweeping love story that dominates the plot. It becomes clear to the reader (who gets to read the POV of both characters) that a lot of their mutual distrust and animosity comes from misunderstandings early on in their acquaintance (and in Phoebe's case, that she's listened to people who spread malicious gossip, some of which is clearly untrue). 

I was also worried, when I realised how much of this book deals with grief of losing a son (Sir David may not have fathered Prince Henry, but he cleary loved the young man as a son, probably much more than King James ever did), which since I became a mother is one of my biggest nightmares. Sir David and Queen Anna's flashbacks were sad, but thankfully there was nothing to emotionally destroy me.

The King's Messenger is out this week in the US. In the rest of the world, it's apparently been out since August 2024, so there are already lots of readers out there that share my view on the quality of this book. It was a lovely read, and made me determined to check out more of Kearsley's back catalogue before another decade passes.

Crossposted on Cannonball Read. 

CBR17 Book 14 : "Two Friends in Marriage" by Jackie Lau

Page count: 233 pages

Rating: 3 stars

Disclaimer! This was an ARC sent to me by the author. My opinions are my own. 

During the Covid pandemic, it becomes very obvious to both Evan Mok and his friend Jane Yin how lonely they both are and how much they wish they had someone to share their lives with. They agree that if they are both still single after Jane's thirty-third birthday, they will get married and buy a house together. By the time Jane's birthday has passed, neither of them is in a romantic relationship, and both have pretty much given up on finding long-term happiness with anyone. So sticking to their pact seems like a good idea.

They pretend that they have been dating for a while, to avoid awkward questions from Evan's family. Jane doesn't really expect any questions from her side of the family. Her mother died of cancer when she was little (by turning thirty-three, Jane has now lived longer than her mother ever did), and once her father remarried, he seemed to entirely lose interest in Jane and her life. He claims he's too busy to make it to the wedding and she doesn't have much of a connection to her stepmother or younger half-siblings. So one of the benefits to Jane in marrying Evan is that she will actually have in-laws who seem to care. 

Once they find a house they like, their quiet life together seems to be going very well. Of course, it wouldn't be a proper marriage of convenience story if the two didn't start catching feelings for one another. Evan is bisexual and Jane is one of the friends he's known the longest. He never felt any attraction towards her before they got married and moved in together, but now he keeps having to fight feelings he's sure his quiet wife can't return. Jane, for her part, is asexual and has been happily celibate for nearly a decade. So she's even more surprised when she starts having pants feelings for her husband. Both are worried that they are going to hurt/upset/freak out their significant other by confessing these feelings - oh noes!

I don't think I've read a single Jackie Lau book that I didn't at least in parts enjoy, but some of her books are absolutely less to my taste than others. This is the third book in the Weddings with the Moks series (only one sibling left to pair up, now) and it's fine, but nothing more. While I like Evan's parents (this is now the third book where they have appeared), I didn't really connect with Evan or Jane, and as a result, I didn't really care what happened to them. There was nothing really drawing me into the story, and if this hadn't been an ARC that I felt a responsibility to finish and review, I possibly would have DNF'd it. 

It probably doesn't help that a couple of weeks before reading this, I read another "marriage pact" romance that worked for me on every single level, and which I had trouble putting down. In a Rush by Kate Canterbary had characters I adored, a great supporting cast, and a storyline that engaged me and kept me wanting to spend more time with them. Evan and Jane are both very aware that they're not very exciting people, and that seems to come across in the writing. Obviously, perfectly ordinary people deserve romance and their happy endings too, I just needed something more from this book to keep me entertained. 

I'm still looking forward to the final book in the series, hopefully Mok brother number 4's romance will be more to my tastes.

CBR17 Book 13: "Animal Farm" by George Orwell

Page count: 95 pages

Audio book length: 3 hrs 3 mins

Rating: 4 stars

Nowhere Books Bingo 25: Banned Book

Buzzword Cover Challenge 25: Cover featuring an animal

On Manor Farm, somewhere in England, an old boar gathers all the animals in the barn and makes a powerful speech about how animals suffer at the hands of humans and should rise up and take power for themselves. Shortly after his death, the animals of Manor Farm do just that - they violently fight back when Farmer Jones and his farmhands try to control them and chase the farmer, his wife and all the other humans on the farm away. All animals will be equal, everyone will contribute to the farm to the best of their abilities, walking on two legs and using collars or human attire is forbidden, and no one will use the farmhouse anymore. The pigs manage to teach themselves to read and write and seven lofty commandments for the governing of Animal Farm are painted on the barn walls. Things seem very idyllic for the animals at first, but it doesn't take long before some of the animals take a more prominent role in the rule and governing of the farm, and as a result, decide that they deserve more than their allotted share of the resources. 

This is where I have to confess to never having read Animal Farm until this year when we're teaching it to the tenth-graders. Unlike Et dukkehjem, which I have read and taught a bunch of times, we never used this book on the curriculum before, and because I like to read for escapism and to avoid traumatic and depressing reading experiences, I've tried to stay away from George Orwell's novels. While it's not a long book, only a novella really, an allegory stuffed full of political satire isn't the easiest thing for rather sheltered Norwegian tenth-graders to process, and quite a few of our pupils are having a tough time with it. Of course, when we planned the curriculum for this year in August, none of us English teachers had any idea how much more relevant it was going to become (thanks for that, America), although the machinations of the pigs seem almost quaint compared to the geo-political nightmare taking place in the United States right now. 

I had to read up on Soviet/Russian history in the 20th Century after reading this, so as better to understand all the things the book alludes to, to then teach it to the kids. The ones who are generally interested in history and current events, seem to be getting a lot more out of the book than the others. Some of them are questioning why they have to read a book about a bunch of animals - hence the need to try to tell them the real-world events that inspired the book. It's going to be interesting to see what they think once we finish the book, it's not exactly a fun or heartwarming tale - rather than a depressing dystopian fable. 

I'm glad I read it, but it's deeply tragic that not only have we not learned anything from history and books such as this, but power-hungry despots with seemingly no grasp of actual decency are being allowed to do much worse as we speak. Poor Orwell is probably rolling in his grave. 

Judging a book by its cover: Red and black, very Communist colour scheme and the entire layout of the cover looks like a propaganda poster of some kind. The fateful windmill is front and centre, along with a slightly sinister-looking pig. There are countless editions of this book, and just as many different cover designs. I kind of like this one. 

Crossposted on Cannonball Read

CBR17 Book 12: "Deep End" by Ali Hazelwood

Page count: 464 pages

Rating: 4.5 stars

Buzzword Title Challenge 25: Water words

Warning! Mild spoilers for some plot points later in the review. 

Scarlett Vandermeer is struggling, both with her academic subjects at Stanford and her diving. While physically fully recovered from a bad accident a year ago, Scarlett has a block that prevents her from even attempting the type of dive that had her hospitalised and having to go through several surgeries to fix her broken body. She needs to get her grades up if she wants to get into med school, and she has reluctantly agreed to go to therapy to see if she can get past the mental block that is hindering her diving but doesn't really feel as if it's working. 

Lucas Blomquist is a world champion swimmer and has won multiple Olympic medals. He's one of Stanford's top aquatic athletes and the loyal boyfriend of Scarlett's diving teammate Penelope. When Lucas and Penelope quietly break up, however, Penelope drunkenly suggests that Lucas and Scarlett hook up, because "they're into the same thing", BDSM. While Lucas is apparently a great, loyal and caring boyfriend, sexually he and Penelope just aren't compatible, because Pen isn't into kink at all. Scarlett, however, is. After a few weeks of extreme awkwardness around both Pen and Lucas, she and Lucas actually communicate and discover that their kinks seem to be extremely well-matched. Scarlett is wary about starting anything with her friend's ex, but once she and Lucas spend more time together, she can't really help herself, and they agree on a mutually beneficial arrangement. 

For reasons known best to herself, Pen doesn't really want to publically break up with Lucas, so Scarlett and Lucas can't really be public with their hook-ups. Soon they are nevertheless spending a lot of time together, working for the same professor on a biology project, and getting more and more obsessed with one another. Scarlett's history with PTSD and her self-esteem issues make it difficult for her to trust anyone. Her growing friendship with Penelope also makes her unsure about her relationship with Lucas, are they really as over each other as they claim?

I understand that Ali Hazelwood's books aren't for everyone and that her writing style can be annoying. By now, it's becoming obvious that to me, her writing works perfectly for me, and with each new thing she publishes, I like her even more. I also love that as she becomes more successful as a writer, she publishes stories she's clearly wanted to write for a long time. She gets criticised for writing the same story over and over, and yes, she does have a tendency to feature huge, hulking guys and vulnerable petite heroines. Would I love for her to have a towering, Amazonian heroine and a short king hero in the future? Absolutely. But she's been changing up her formula more and more. In the last two years, she's written YA, and paranormal romance (book 2 is out in October!) and exploration of kink is getting more prominent in some of her books. I've seen some people say this is her best book to date, but I still think I prefer Not in Love and Love, Theoretically. Part of that is because Scarlett and Lucas both felt so young (this is definitely New Adult) and part of it is because of Penelope. 

Over on Threads, the algorithm has clearly realised that I like Ali Hazelwood, so I see a lot of posts about her writing, especially this new book. Penelope is clearly a divisive character, and without spoiling too much, her actions towards the end of the book are objectively shitty towards both Scarlett and Lucas. A lot of people seem to think that what she does is unforgivable and to some, her mere presence in the book, apparently ruined it for them. I liked that Hazelwood introduced a close female friendship between two characters who were both rather messed up (Scarlett and Penelope both have their issues), and as a result, mistakes were eventually made. 

I think that over the course of the story, some of Penelope's demands on both Scarlett and Lucas' time were a bit unreasonable, and personally, I would have told her to bugger off occasionally, but as they are written, that is not something Scarlett or Lucas would do. Scarlett's choice to eventually forgive Penelope is one of the things that made me like this book more. Female characters so easily fall into archetypes. The bitchy, sabotaging ex is such a stereotype in a lot of romances. Penelope is so much more than that. She is genuinely a great and supportive friend to Scarlett. She's happy that Scarlett and Lucas find a connection she wasn't able to have with him. When a series of events mean that her life is less than great, she says and does some pretty awful things. Does that mean that she's an utterly irredeemable character? Once again, these characters are young. They are in their early 20s, only starting out in life. I respect and like Hazelwood more for including a complicated friendship dynamic in the book and for letting Penelope be more multi-faceted than the standard jealous ex-girlfriend trope.

Scarlett is another of Hazelwood's vulnerable and skittish heroines. Because she used to be effortlessly good at a lot of things, like professional diving and academia, it's very difficult for her to adapt to life becoming more challenging. She has PTSD from the behaviour of her emotionally abusive and controlling father, which makes her very uneasy around most men. She has a great relationship with her stepmother, who is an important part of the great supporting cast of this novel. Scarlett doesn't really believe she deserves good things, so in her mind, her relationship with her perfect boyfriend specimen Lucas Blomquist is never going to be a lasting thing. Their hook-ups are only supposed to be temporary, and as she keeps catching deeper feelings, she struggles to accept them and own up to them.

Thankfully, Lucas really does seem to be the perfect man, almost annoyingly so. I really would have liked for him to have some sort of flaw, but no, he's understanding, and supportive, if a bit of a perfectionist, and from the descriptions of him, he looks like a mix between Alexander Skarsgård and Michael Phelps. I don't think Hazelwood has written a single book where the hero doesn't fall first, and that is also the case here. Because Lucas is also more emotionally mature, he is able to acknowledge his own feelings, while patiently waiting for Scarlett to catch up, giving her time and space to join him in being head over heels.

Lucas is also Swedish. The previous time I read a novel with a Swedish protagonist, Olivia Dade's Ship Wrecked, one recurring term of endearment drove me nuts and it annoyed me enough that I couldn't rate the book more than 4 stars. In this, there are some uses of Swedish, but they are actually accurate and suitable for the situation, so I wasn't bothered by them. The way Hazelwood describes Lucas and his brothers and the place they come from felt authentic to me as a Scandinavian. I suspect that the audiobook will be harder for me to get through, though, unless they have an actual Swede narrating Lucas' parts. 

As far as I can tell, not in any way being into kinky stuff (happily Asexual and celibate, over here), all the BDSM stuff covered in this book, from Lucas and Scarlett's lists when they compare what they are into, and throughout their relationship, is very respectfully and accurately described. The spice level seems to be getting a bit higher with each new Hazelwood, but I still think that a lot of readers would find this relatively mild, comparatively speaking. It's certainly not anything like, say, Christina Lauren's early romances (they've gone a lot more tame now) or anything by Kit Rocha, or Katee Robert. 

Judging a book by its cover: If my Threads feed is anything to go by, a lot of people have been clutching their pearls over the level of spice/smut in this book. With a cover like this, what are you expecting? Those are clearly not the hands of people who are just waving at each other. Personally, I love that there are no people on the cover, that way I'm free to picture the characters exactly as I want inside my head. 

Crossposted on Cannonball Read

CBR17 Book 11: "Et dukkehjem (A Doll's House)" by Henrik Ibsen

Page count: 100 pages

Rating: 5 stars

I don't know if a spoiler warning for a nearly 150-year-old play is necessary - but I will be revealing significant plot points when writing about this historical drama, so if you want to remain unspoiled, go read the play (it's only three acts, it's a relatively quick read) or watch a dramatisation, and come back when you're done. 

Nora and Torvald Helmer are a middle-class couple living in Christiania (what Oslo was named for a few centuries in the before times) in the late 1800s. They have three children, and some servants (a nanny and a parlour maid). The play takes place around Christmas and in the days following. This was a time when women didn't have any legal rights and the central conflict of this play comes about because Nora, in the past, took out a loan (forging her father's name on the contract to do so). She did it to save her husband's health but has always had to keep her illegal act a secret. Now her past is coming back to haunt her, with the man she borrowed money from, Krogstad, blackmailing her to keep his job. Nora needs to ensure Krogstad isn't fired, or he will tell her husband the truth, and the ensuing scandal could mean Torvald loses his new advantageous job as a bank manager. 

I honestly don't remember how many times I've read this play by now. I first read it in high school, with a Norwegian teacher who showed absolutely zero enthusiasm about the work, and as a result, I wasn't exactly impressed by it and remembered it as boring and pointless. Et dukkehjem/A Doll's House is now part of the curriculum in Norwegian for our tenth-graders at the school where I work and I myself have taught the play at least four times now. Unlike my high school teacher, who really just assigned us all the play to read with some accompanying work tasks (if I recall correctly), my colleagues and I read through the play act by act with the students, who take turns reading out the various parts, and we watch different dramatisations for the kids to compare and contrast. The last time I taught tenth grade, and again this time, we also showed them the first season of the Norwegian web series Skam as another comparison point, which they seemed to really like. I have no illusions that I'm instilling a great love of 19th Century realist literature in my pupils, but I'm hoping that some of them find their introduction and work with this play less off-putting than I did in school.

Suffice it to say, my opinion on this play has changed massively from my first reading of it (probably because I didn't really pay attention to it when it was one of many assigned texts). Ibsen himself claimed not to have set out to write a feminist rallying cry, but the drama remains relevant and extremely popular to this day (Ibsen remains one of the most dramatized playwrights worldwide, after Shakespeare). Nora's change from a sheltered, rather naive housewife to a woman determined to put herself first, sacrificing everything to discover who she really is, even knowing how difficult it will be is really impressive, especially given the time it was written. Torvald really is an absolutely insufferable misogynist (he's utterly odious and I had forgotten that not only does he speak to Nora appallingly, but he also mansplains why knitting is unfeminine to her friend Mrs Linde, as well), who is given several chances to redeem himself, and consistently fails at it. He sees Nora as a decorative object, a sweet plaything and constantly belittles and rebukes her if she tries to talk about anything non-frivolous. The only one who sees at least some parts of the true Nora is Doctor Rank, her husband's best friend, who would probably have made her a much better husband, had she met him first. Part of the tragedy of this play is that it's quite clear that Nora loves her idiot of a husband until his true character is finally revealed and it becomes impossible for her to lie to herself any longer. 

By the end of the play, having had it proven without a shadow of a doubt that her husband will never see her as anything but an air-headed object, Nora makes the choice to leave her family behind (it's not like she'd ever be granted custody of her children, anyway), because she cannot live the lie that she has discovered her marriage is. This was a hugely shocking finale at the time of the play's release, so much so that in Germany, Ibsen was forced to write an alternate ending, where Nora changes her mind and stays with Torvald, after all. It is rumoured that he originally considered this for the play in the first place until his wife exclaimed "Either Nora leaves, or I do." 

I cannot in good conscience rate this play any lower than 5 stars. It's a classic for a reason. I used to prefer Hedda Gabler, but the protagonist of that play is just so mean. Re-reading it yet again, I was also struck by what a massive undertaking it must be for any actress portraying Nora. In the three-act play, there is literally one short scene in the third act where Nora isn't present on stage and has most of the lines. No wonder it must be a gift of a part for an actress to play. 

Judging a book by its cover: My thin paperback copy of the play is a pleasing shade of purple, with a grumpy-looking cartoon Ibsen glowering from one side.

Crossposted on Cannonball Read. 

CBR17 Book 10: "Emily Wilde's Compendium of Lost Tales" by Heather Fawcett

Page count: 368 pages

Rating: 4 stars

Nowhere Books Bingo 2025: A fantasy book by a female author

Buzzword Cover Challenge 2025: Contains books

Spoiler warning! This is book 3 in the series and not the best place to start reading. This book will contain spoilers for the previous books in the series. Start at the beginning, with Emily Wilde's Encyclopedia of Faeries. 

Intrepid professor of dryadology (faerie scholar) Emily Wilde is facing her most challenging adventure yet - reclaiming the rather terrifying faerie kingdom of Silva Lupi, where her former academic rival, now impending husband, Wendell Bambleby (not his faerie name) is the rightful king. Emily loves Wendell, and doesn't regret her decision to marry him, but isn't entirely sure about becoming queen of a merciless and dangerous faerie realm. Nevertheless, the project offers up unique opportunities to further her research and writing, and Wendell has worked for so long to get back to his home. 

His wicked stepmother, who killed most of Wendell's family and stole the throne, has vanished. Emily successfully poisoned her towards the end of the previous book, but the lady isn't entirely dead yet, and has in addition managed to use her magical connection to the land to place a deadly curse on Silva Lupi, which keeps poisoning larger and larger areas. Emily's research suggests that the only way to break the curse is either to find and kill the former queen or for Wendell to sacrifice his life for the realm. Obviously, the latter option isn't very appealing to either of them. 

I'm not going to lie, I have been waiting for this book pretty much since I closed the covers to Emily Wilde's Map of the Otherlands, the previous book in the series. Our Emily has come such a long way since she was trying (and failing) to communicate with the sceptical villagers in Ljosland. Now she has a number of friends, family members and allies to assist her in her quest to free Wendell and his kingdom from the quest left by his stepmother. While she loves Wendell, seeing him fully embrace his faerie powers and the changes that brings takes some adjustments. She also struggles with the idea of herself as queen, a role she feels wholly unfit for. 

Did this book live up to my expectations? Not entirely, but after finishing the book, I see that my expectations of the story were unlikely to ever be satisfied. I had been hoping for more romance between Wendell and Emily, but the romantic subplot of these books has always been light, and I'm not sure why I didn't expect Wendell to be sidelined in the plot for much of the book, while Emily did what she's best at, researching and investigating folklore and faerie stories, and then of course, throwing herself into ridiculously dangerous situations to save the people she cares about. This was a very fitting and adventurous chapter in Emily's story, I shouldn't have suddenly expected the series to go down paths with more romance. Not to say there isn't romance here - some of Wendell's romantic gestures towards Emily are absolutely lovely (and show how very well he knows his grumpy intended). Emily, on her side, literally challenges death for his sake. 

As far as I'm aware, this is the third and final book in the Emily Wilde trilogy, and it's a very fitting end for Emily and Wendell. Fawcett nevertheless leaves the ending open-ended enough that she will be able to return to this imaginative world at some point in the future, should she choose to do so. 

Judging a book by its cover: Yet again, I think the UK cover is much prettier than the US one, although I wish it wasn't quite so pink. It also looks deceptively cute and quirky, considering how dark some of the themes explored in the book are. I'm not sure this cover entirely sells the story. Then again, I also hope people don't start a series with book 3, so even with the pastel pink cover, most readers know that Emily's adventures can go dark places. 

Crossposted on Cannonball Read

CBR17 Book 9: "In a Rush" by Kate Canterbary

Page count: 480 pages

Rating: 5 stars

This was an ARC sent to me by the author. My opinions are my own, and I loved the book so much that I pre-ordered a copy as soon as I'd finished reading it. 

 

Emmeline "Emme" Ahlborg catches her boyfriend, the man she was hoping was going to propose to her, in the act, sleeping with another woman (when Emme shows up on his doorstep with home-cooked food). She's devastated, and what's worse, he's a groomsman in the wedding of her best friend (to whom she's the maid of honour) so it's not like she's going to be able to avoid seeing him. Not one to cause trouble or mess with her friend's wedding plans, Emme swallows down her discomfort and hopes to find a suitable revenge date to bring to the wedding.

During a dinner with her best friend from high school, Ryan Ralston, now a hot shot professional quarterback, he listens in both horror and sympathy to her recounting the events of her break-up and makes an unusual suggestion. He reminds her of the pact they made back in high school, that if they were still single when they turned thirty, they would marry each other. Ryan just turned thirty, and Emme will be thirty in a few months. She needs a revenge date, he has an image problem and needs a wife to reassure society at large that he's a reliable and stable guy who's worth doing business with. He claims that their long friendship and history together will make the story believable, not just to the press and his business partners, but to her friends and family. What Ryan isn't telling Emme is that she's the only woman he'd ever consider marrying because he's loved her since high school, he just never had the guts to tell her. 

After some deliberation, Emme agrees to the plan, on the condition that Ryan helps find her stepsister/roommate an internship. They agree to fake date for a few months before actually marrying, to make the story more convincing. Emme has had a series of dreadful relationships and clearly isn't used to being taken care of or appreciated. Ryan, on the other hand, who finally sees his chance to win her heart (and has also listened to all her sob stories over the years) pulls out all the stops to pamper and spoil his "fake" girlfriend, at least as much as she'll let him. She refuses to move out of her cramped and ramshackle apartment and won't really accept all the gifts he tries to shower her with.

As is always the case with the fake dating/marriage of convenience trope, the lines between platonic and romantic fade gradually. In this case, the only one in Ryan's life who doesn't know that he's head over heels for her seems to be Emme herself, so one part of the couple is already hopelessly in love and just waiting for the other to reciprocate. 

I absolutely loved this book. It worked for me on every level. Emme is a great heroine who clearly deserves the world, and Ryan is just the man to give it to her. Her parents had an acrimonious divorce and both of her parents have had a series of unsuccessful relationships. Now Emme has a very supportive stepmother, but because of her mother's bitterness and vitriol, it's difficult for Emme to accept this woman's love and affection. She's estranged from her father and doesn't seem to ever have had a decent boyfriend. She works as a teacher (so of course I would love her), and is so loyal to her friends that she's willing to put up with the awkwardness of seeing her ex (and his new fiancee, the woman he cheated on her with) at a number of pre-wedding events. 

If Ryan has any flaws at all, it must be his refusal to confess his real feelings towards Emme. In every other respect, he seems to be perfect. He's a talented athlete, a good friend, a loving son and brother, and great with kids. He worships the ground Emme walks on, and wants to use all his wealth and resources to make her life better. 

This book features characters that apparently first appeared in In a Jam, and mentions characters and places from Shucked. If I'm brutally honest, this book could probably have been a bit shorter, but on the other hand, I am hard-pressed to see which bits should have been left out. This is only my third Canterbary novel ever, but I really like her writing style and am glad she has a big back catalogue I can choose from while I wait for her next book to come out. 

Judging a book by its cover: Not exactly the most exciting cover for this one. Also not entirely sure why it's showing what I'm assuming is part of a football field, since Ryan's career as a football player mostly takes place off-page, so to speak. 

Crossposted by Cannonball Read.