Page count: 321 pages
Rating: 4 stars
Lucien Rosier grew up in a very tight knit group of cousins, with a strong sense of family. So when at eighteen, he discovered that he was in fact illegitimate, and not actually a Rosier, he ran away and joined the French Foreign Legion, where he crafted himself a new identity and support network of fellow soldiers. Fifteen years later, a determined woman has managed to locate him and figure out who he once used to be. His great-aunt wants to give him a legacy and his cousin is getting married. Can Lucien return to his childhood home or is the past lost forever?
Elena Lyon always looked up to Lucien Rosier growing up. He once saved her from bullies, and growing up in a long line of foster homes, few of them very good, she saw her fair share of unsavoury and untrustworthy men. One of the exceptions is Antoine Vallier, who was in the foster care system with her. They did their best to protect one another. Now Antoine seems determined to protect her from Lucien - who he believes will break Elena's heart worse than any of her former foster experiences did.
All Elena ever wanted was a stable family to love her. She needs Lucien to see that no matter what his DNA might say, all the Rosiers, who he grew up among, are his true family and he'd be absolutely mad to give them up a second time. There was no rescue for Elena growing up, so she wants it for Lucien instead. Yet he seems determined not to give up his life in the Foreign Legion. Of course she can't help but fall even harder for Lucien than when she was a teen, but can she give up the home and stability she has painstakingly built for herself to be a soldier's wife?
Family is a central concept in this novel. Lucien, the hero, fled into the Foreign Legion and created a new kind of family for himself when he discovered that the man he believed to be his father was in fact not. His loss has been strongly felt among the remaining Rosiers in the south of France, and while they may not technically be his family by blood, he is clearly the only one who seems to have a problem accepting this. When he finally does return for a family wedding, his grandfather and cousins embrace him with open arms and do their best to try to figure out ways in which he can return to the fold once more.
Elena Lyon had a troubled childhood. Her grandmother was one of several Jewish children rescued from the Nazis by the patriarch of the Rosier family, along with his step-sister. She had a daughter, Elena's mother, but committed suicide, which in turn negatively impacted on Elena's mother's life. When Elena was young, she would end up in foster care when her mother was too strung out on drugs to take care of her. She would return intermittently to her mother, but never for very long. Some of the foster families were good, some were dreadful. Elena has suffered a lot of abuse, mostly emotional, but occasionally also physical. She loves her mother, but their relationship is strained. She sees Antoine Vallier as the closest thing she has to a brother, but it's not entirely clear if he views her with less than fraternal feelings. He's got some kind of complicated history with the Rosiers, and seems especially jealous of Lucien.
Her entire life, Elena has tried to be the most agreeable and lovable, so she would find a permanent home, only to find herself abandoned again and again. She tried to get a degree studying her Jewish ancestry, only to find it to emotionally wrenching. Now she works as a curator at one of the perfume museums in Grasse, when she's doesn't work on special assignments to locate missing heirs for the Rosier's great-aunt. Having already tracked down several young ladies (who each ended up with handsome Rosier cousins in earlier books), her last job involves tracking down Lucien and trying to lure him home.
There is an instant attraction between Lucien and Elena. In Elena's case, it's not all that surprising, since she had a crush on him as a teenager and idolised him after he rescued her from some bullies. While they have sizzling chemistry, their differing backgrounds make a relationship difficult. Even after Lucien begins to realise that the family he thought he lost was there all along, just waiting for him to return, he has a strong sense of honour and loyalty to his men in the Foreign Legion and can't really picture himself in any other life than that of a soldier. Elena has carefully constructed a cozy and comfortable life for herself in Grasse. She has a job she loves and quite a few friends, and has already spent a lifetime desperately trying to find love and security, trying her best to change to adapt to what she thought others wanted of her. Her future dreams and plans just don't seem compatible with those of Lucien, and one of them will have to change their hopes and expectations if they are to find happiness together.
This is the fourth in Florand's La Vie en Roses series, set in the flowering valleys of the south of France. Early in the book, Damien and Jess from A Wish Upon Jasmine get married, and there are also appearances by the other male cousins who have already found their happy endings. They are all ridiculously happy to have Lucien back in their midst, and frankly rather baffled that he felt the need to run away and disappear so completely for so long. While I suspect the book works fine as a stand alone, long time readers of Florand's books will probably enjoy it even more, as it builds on themes set up earlier in the series.
While Elena and Lucien's romance is obviously central, Antoine Vallier plays an important supporting role, and not really as the third in a love triangle. He has appeared in all the earlier books in his role as the eccentric Rosier great-aunt, Colette Delatour's attorney and it's clear that there is something complicated in his relationship to the Rosiers. In this book, that comes more to the fore front, and it's strongly implied that he is a long lost relation of some sort. If I am not mistaken, one of the future books in the series will be about him and will no doubt reveal his connection to the rest of the perfume producing family.
In August, about a month before this book was released, Laura Florand declared on her blog that she would be taking an extended break from writing and publishing, because since her career took off in 2012 with The Chocolate Thief, she's been publishing about two books a year without any breaks and she is understandably quite in need of some rest and relaxation. I know her brand of romantic escapism doesn't work for every romance reader, but I find her books (with very few exceptions) to be delightful and always look forward to her new releases. So it makes me sad that I have to wait for new books by her, yet it's not like I haven't waited for more than six years for some authors to produce new books (Patrick Rothfuss and George R.R. Martin, I'm looking at you). So I hope Ms. Florand enjoys her well-earned writing break and will just have to comfort myself by re-reading some of my favourites of her books until she's ready to give us more hunky French men and the women who love them.
Judging a book by its cover: There seems to be little to no cover continuity when it comes to the books in this series. Since Once Upon a Rose came out in early 2015, there have been at least three different styles of covers, none of which match up all that well. The previous book in the series, A Crown of Bitter Orange, was published in early January, and at least these two books seem to match each other (not that I'm wildly enthused about either cover). The couple kissing in the top half of the picture just seem so incredibly staged. At least here the lavender is actually appropriate to the plot (as opposed to on the last cover, where they really should have incorporated orange blossoms instead).
Crossposted on Cannonball Read.
This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Showing posts with label Laura Florand. Show all posts
Showing posts with label Laura Florand. Show all posts
Monday, 23 October 2017
Tuesday, 18 April 2017
#CBR9 Book 34: "Trust Me" by Laura Florand
Page count: 274 pages
Rating: 3.5 stars
This is the third book in a trilogy, and while you can read each of these books completely independently of each other, this book references an pretty significant event in the previous book, Chase Me, and readers who want more details may want to check that book out first (it's also the better romance of the two). Be aware that I spoil part of the plot of that one in the very first paragraph of this review, though.
Lina Farah has had to fight her entire life, to prove her worth and make it in a deeply competitive business. At the age of 26, she is the top pastry chef at a two star Michelin restaurant and she can hold her own against anyone who wants to go up against her. When a Muslim extremist cousin of hers attacks the restaurant where she and her best friends work and try to kill them all, Lina didn't hesitate to defend her loved ones. Throwing the liquid nitrogen she was working with at the terrorists, she helped make sure that no one was lethally hurt and the guilty parties were brought to justice quickly. Now she's been questioned by not only the police, but a number of French and American security operatives. As a Muslim woman, with a family connection to the main terrorist, Lina is worried that they may suspect her as well. Why else would one of the burly special ops guys take it upon himself to follow her around, observing her every move?
Seeing her very best friend (and said friend's new lover) injured and hospitalised, while she herself escaped unscathed, is not easy for Lina, and with their restaurant closed, she's going a bit stir crazy. She's working on ice sculpting with a chain saw to work off stress, but most of the time ends up decapitating the ice dragons she's trying to create. She has always been proud of her resilience and self-sufficiency, now she is scared of every shadow and sudden noise. Having a silent, six-foot, be-freckled ginger escort, who may or may not be trying to prove she has terrorist leanings, is not making her rest easier.
Special forces operative Jake Adams has been a soldier for a long time, and seen some pretty scary situations. He first laid eyes on Lina Farah when the woman acted with grace under (literal gun-) fire and threw liquid nitrogen at her cousin. As all the restaurant staff now get security escorts for the next six months, in case they draw the ire of other extremists, he takes it upon himself to guard Lina. Having never really stayed in one place for very long, and having seen first-hand more than once what a secret agent life like his can do to long-term relationships, he's never really had more than causal hook-ups and for a long time, he enjoyed himself a lot. Now, after all these years, Jake is getting ready for something more serious and permanent, and so when Lina approaches him and proposes a short-term hook-up to help her deal with her PTSD, he is actually rather hurt, having wanted to be more than used for his body with this formidable woman that he's so come to admire.
There is very little outside conflict in this book, just Lina having to deal with the aftermath of the brutal attack that left her physically unharmed, but deeply emotionally scarred. She hates being afraid and unable to sleep through the night. She hates seeing her best friend in a hospital bed and tries to deal with her fears by beating them into submission, and by creating new and wonderful dessert creations for Violette, Chase and the assorted special ops guys in Chase and Jake's crew, who all seem to congregate at the hospital every day.
Jake, while he's a big and capable soldier, who as an army sniper has dealt death to countless people all over the world, in missions he can't ever tell anyone about, is clearly a protector, and more of a beta hero than an alpha. While Chase was all loud, brash self-confidence and macho bravado in the previous book, Jake is a much more quiet and laid-back guy. He's also a lot more insecure on how to actually approach a woman he cares about, in large part because he's used to women throwing themselves at him and his team mates every time they go out - he's never had to work to impress someone. Now that he's mightily sick of one-night stands and being used for his hot body, he wants to connect with Lina, and he's at a bit of a loss as to how to do it. That Lina herself is adamant that she prefers "shy, nerdy guys" doesn't help, nor does the fact that most of Jake's team mates do their best to charm Lina as well, at least until he makes it very clear that he's not just flirting, but deadly serious about her.
While there is a lot to like in this book, it's also a bit slow and much of the early part of the book, before Lina and Jake really start to communicate properly with each other is rather frustrating. I liked the second part of the book a lot better, and I am very glad that Florand chose to have a Muslim heroine, making her strong, capable, intelligent and driven, as diversity and representation is so very important and I can't recall coming across all that many Muslim heroines (or heroes, for that matter) in my books.
I continue to enjoy Florand's contemporaries and while this isn't one of her best books, she's still more than entertaining enough that I don't regret my pre-order of this. There's still a whole bunch of Chase and Jake's team mates who can find love in future books and I look forward to their stories (especially if they involve food in some way - Florand writes about food and cooking in a marvellous way). I always want to re-visit Paris and eat myself sick when I've finished one of these novels. TL, DR - not one of her top efforts, but very enjoyable nonetheless and extra points for a Muslim heroine.
Judging a book by its cover: I know that Laura Florand self-publishes these, but still think she could have found a better stock photo to use for the cover. While at one point in the story, Lina does wear a hat to go out, this whole silly, dragging it into her eyes fits badly with the contents of the book, giving a much more light-hearted and frivolous impression than the story warrants. I also don't think the cover model appears much like the descriptions of Lina in the book.
Crossposted on Cannonball Read
Rating: 3.5 stars
This is the third book in a trilogy, and while you can read each of these books completely independently of each other, this book references an pretty significant event in the previous book, Chase Me, and readers who want more details may want to check that book out first (it's also the better romance of the two). Be aware that I spoil part of the plot of that one in the very first paragraph of this review, though.
Lina Farah has had to fight her entire life, to prove her worth and make it in a deeply competitive business. At the age of 26, she is the top pastry chef at a two star Michelin restaurant and she can hold her own against anyone who wants to go up against her. When a Muslim extremist cousin of hers attacks the restaurant where she and her best friends work and try to kill them all, Lina didn't hesitate to defend her loved ones. Throwing the liquid nitrogen she was working with at the terrorists, she helped make sure that no one was lethally hurt and the guilty parties were brought to justice quickly. Now she's been questioned by not only the police, but a number of French and American security operatives. As a Muslim woman, with a family connection to the main terrorist, Lina is worried that they may suspect her as well. Why else would one of the burly special ops guys take it upon himself to follow her around, observing her every move?
Seeing her very best friend (and said friend's new lover) injured and hospitalised, while she herself escaped unscathed, is not easy for Lina, and with their restaurant closed, she's going a bit stir crazy. She's working on ice sculpting with a chain saw to work off stress, but most of the time ends up decapitating the ice dragons she's trying to create. She has always been proud of her resilience and self-sufficiency, now she is scared of every shadow and sudden noise. Having a silent, six-foot, be-freckled ginger escort, who may or may not be trying to prove she has terrorist leanings, is not making her rest easier.
Special forces operative Jake Adams has been a soldier for a long time, and seen some pretty scary situations. He first laid eyes on Lina Farah when the woman acted with grace under (literal gun-) fire and threw liquid nitrogen at her cousin. As all the restaurant staff now get security escorts for the next six months, in case they draw the ire of other extremists, he takes it upon himself to guard Lina. Having never really stayed in one place for very long, and having seen first-hand more than once what a secret agent life like his can do to long-term relationships, he's never really had more than causal hook-ups and for a long time, he enjoyed himself a lot. Now, after all these years, Jake is getting ready for something more serious and permanent, and so when Lina approaches him and proposes a short-term hook-up to help her deal with her PTSD, he is actually rather hurt, having wanted to be more than used for his body with this formidable woman that he's so come to admire.
There is very little outside conflict in this book, just Lina having to deal with the aftermath of the brutal attack that left her physically unharmed, but deeply emotionally scarred. She hates being afraid and unable to sleep through the night. She hates seeing her best friend in a hospital bed and tries to deal with her fears by beating them into submission, and by creating new and wonderful dessert creations for Violette, Chase and the assorted special ops guys in Chase and Jake's crew, who all seem to congregate at the hospital every day.
Jake, while he's a big and capable soldier, who as an army sniper has dealt death to countless people all over the world, in missions he can't ever tell anyone about, is clearly a protector, and more of a beta hero than an alpha. While Chase was all loud, brash self-confidence and macho bravado in the previous book, Jake is a much more quiet and laid-back guy. He's also a lot more insecure on how to actually approach a woman he cares about, in large part because he's used to women throwing themselves at him and his team mates every time they go out - he's never had to work to impress someone. Now that he's mightily sick of one-night stands and being used for his hot body, he wants to connect with Lina, and he's at a bit of a loss as to how to do it. That Lina herself is adamant that she prefers "shy, nerdy guys" doesn't help, nor does the fact that most of Jake's team mates do their best to charm Lina as well, at least until he makes it very clear that he's not just flirting, but deadly serious about her.
While there is a lot to like in this book, it's also a bit slow and much of the early part of the book, before Lina and Jake really start to communicate properly with each other is rather frustrating. I liked the second part of the book a lot better, and I am very glad that Florand chose to have a Muslim heroine, making her strong, capable, intelligent and driven, as diversity and representation is so very important and I can't recall coming across all that many Muslim heroines (or heroes, for that matter) in my books.
I continue to enjoy Florand's contemporaries and while this isn't one of her best books, she's still more than entertaining enough that I don't regret my pre-order of this. There's still a whole bunch of Chase and Jake's team mates who can find love in future books and I look forward to their stories (especially if they involve food in some way - Florand writes about food and cooking in a marvellous way). I always want to re-visit Paris and eat myself sick when I've finished one of these novels. TL, DR - not one of her top efforts, but very enjoyable nonetheless and extra points for a Muslim heroine.
Judging a book by its cover: I know that Laura Florand self-publishes these, but still think she could have found a better stock photo to use for the cover. While at one point in the story, Lina does wear a hat to go out, this whole silly, dragging it into her eyes fits badly with the contents of the book, giving a much more light-hearted and frivolous impression than the story warrants. I also don't think the cover model appears much like the descriptions of Lina in the book.
Crossposted on Cannonball Read
Labels:
#CBR9,
3.5 stars,
contemporary romance,
food,
Laura Florand,
Paris,
Paris Nights,
PTSD,
Trust Me
Tuesday, 31 January 2017
#CBR9 Book 7: "A Crown of Bitter Orange" by Laura Florand
Page count: 323 pages
Rating: 4 stars
Malorie Monsard returns to the south of France, where she grew up, having left on a hike after finishing high school and made enough money in Paris to put herself through business school. Having felt like an outcast while growing up, due to the legacy of her great-grandfather who betrayed resistance members to the Gestapo, and a narcissistic father who would manipulate her, her mother, her sisters and her grandmother, and charm, lie and steal his way until he finally met an unglamourous end in a car accident with another woman. After the women of the Monsard family left and scattered across the globe, Malorie's grandmother remained and tried to keep up what little remained of the family's once great fragrance business. Now she has died, Malorie is in charge of the inheritance, forcing her to return to her brittle roots. Will she sell off the near-dead family business or make a go of it in a town she's wary about returning to?
Tristan Rosier is the youngest of five male cousins and always felt it was his job to see to the emotional well-being of all his family. He grew up with Malorie, having been placed next to the quiet, studious girl all the way through school as this seemed to be the only thing that could somewhat calm his own irrepressible, energetic and impulsive self. Nursing a crush on her since childhood, Tristan never could figure out why Malorie was the only woman who would never give him the time of day. Growing up with war hero relatives, privileged and loved constantly, Tristan nonetheless deeply felt the loss of his two oldest cousins who went off to join the armed forces, and Malorie, who simply never returned from her post graduation hike.
When he met her again a few years ago in New York, he was trying to pitch his most extravagant and brilliant perfume to the company where she worked, and she used her cold, logical accounting skills to ruin his dream. Now she is back in Grasse, and Tristan wants to do everything in his power to make sure she decides to stay around. He'll help her restore the Monsard perfume house to its former glory, he'll offer up his perfumes and heart on a plate, if only she'll notice how much he adores her and decide to stay.
Tristan and Malorie may be the same age, but they are also in many way a study of opposites. Tristan had a loving, supportive family, a proud family legacy, and while he may have suffered from something like ADHD while in school, when working with fragrances and creating world-class perfumes, he's an unsurpassed genius, making his family's company millions every year. Handsome, charming and confident, he always tried to gain Malorie's attention, but when she seemed to always ignore him and treat him with indifference, he would happily flirt with any of the other many girls in school. While being the youngest cousin has earned him his fair share of taunting and rough-housing from the older ones, and he deeply felt the sting when his cousins Raoul (who later returned) and Lucien (as of yet unaccounted for, he joined the Foreign Legion) left the village, and then Malorie took the chance to get the hell out of dodge as soon as she graduated from high school. While he's deeply proud of her for making the connections needed to get herself a job and put herself through business school, he's always been sad that she never said goodbye, and left just as he intended to declare his feelings for her.
Malorie, on the other hand, grew up ashamed, knowing that while the Rosier patriarch and his step-sister were Resistance heroes, her great-grandfather sold out one of their allies to the Gestapo, and her grandmother was left a pregnant, teenage scandal in the village. That her son, Malorie's father, grew up to be the most selfish, self-centred user imaginable was also the Monsard's misfortune. While Malorie's grandmother struggled to keep the once great pre-war perfume house of Monsard from completely collapsing, her father would steal whatever valuables weren't nailed down and sell to support his extravagant habits. He would manipulate his mother, his wife and his daughters and leave them all wary and distrustful of charming, glib men. Both amused and exasperated by Tristan as they grew up, Malorie was very aware that while on the surface he might resemble her father, he was really nothing like him. She was nonetheless not going to fall for his flirting, shoring up her heart and making sure she never revealed any of her infatuation to him, instead having to watch him flirt with everyone else in school (not realising that every time he clumsily knocked over her books, or squeezed down next to her or insisted on sitting next to her in school, it was to get her undivided attention).
At twenty-nine, Tristan is a passionate, creative genius - a fragrance-creating artist who makes best-selling perfumes for fragrance houses world-wide. Malorie is a top rate accountant, using her financial skills and logic to work herself into a very prominent position at a New York-based perfume house. When her grandmother dies, she returns to Grasse, the town she grew up in, and faces the memories of her childhood and mourns for the loving woman all of them (her mother, her sisters and herself) left behind, who worked tirelessly to retain something of the Monsard family legacy, even if it was just a small soap and perfume shop. Living in her grandmother's old house, in a garden of bitter orange trees, Malorie realises how little she appreciated her grandmother, who is now lost to her. Malorie and her sisters have twenty percent of the stocks of the Monard family business, and she needs to make some difficult decisions about what she wants to do with her future.
She's both amused and confused by Tristan's attentions, not to mention the scrutiny she faces from the various critical members of his family. While Tristan is now trying to convince her of his long-lasting devotion, she cannot believe that this handsome, brilliant man, who has always had women fall at her feet, isn't just trying to finally seduce "the one that got away". But as Tristan really starts pitching woo, and his entire family seems to be taking her measure to see if she can possibly be good enough for him, she starts to realise that he might in fact be serious, and his feelings for her may be more than just lustful.
Malorie is a great character and she's clearly not had an easy life of it. Tristan is an adorable puppydog of a man, but he did occasionally get on my nerves with his complete lack of empathy for the lives of others, considering the incredibly privileged life he himself has led. He, unlike many of his other family members, who seem perfectly capable of understanding why Malorie may be wary and insecure, cannot seem to understand why Malorie can't just get over her past and be happy about her future. He also insists on keeping a secret from her for the longest time, despite advice from pretty much literally every other member in his family, and seems absolutely baffled when the situation blows up in his face. Luckily, he doesn't take long to realise that he's been an idiot, and grovels appropriately.
While her Amour et Chocolat books were set in Paris with arrogant chocolate and pastry-creating geniuses, Laura Florand's books in Provence, with a large extended family involved in perfume creation is possibly even more comforting to me. I wasn't entirely wild on the previous book in the series, A Wish Upon Jasmine, the first book, Once Upon a Rose, is lovely and well worth checking out. In that one, there are several references to Goldilocks and the three bears, here the fairy tale references are to Sleeping Beauty and Snow White. I know some CBR romance readers recently have expressed an inability to tolerate Florand's more alphahole and arrogant heroes - I would recommend they try this or the first book in the series for slightly more sensitive beta heroes. I'm already looking forward to what's in store for the rest of the cousins.
Judging a book by its cover: OK, this cover drives me nuts with annoyance. I absolutely loathe generic covers that are clearly designed by someone who hasn't read or has any idea of what the content of the book are. Neither of the people on the cover look ANYTHING like the descriptions of Tristan or Malorie, and at the bottom there's a huge field of lavender, when the whole point of this book is ORANGE BLOSSOMS! I think lavender may be mentioned in one sentence in passing over the entire course of the book. How hard would it have been to find a stock photo of orange blossoms, people (I found one in a ten second Google search!), and a couple who at least nominally matched the descriptions of the protagonists? Grrr!
Crossposted on Cannonball Read.
Rating: 4 stars
Malorie Monsard returns to the south of France, where she grew up, having left on a hike after finishing high school and made enough money in Paris to put herself through business school. Having felt like an outcast while growing up, due to the legacy of her great-grandfather who betrayed resistance members to the Gestapo, and a narcissistic father who would manipulate her, her mother, her sisters and her grandmother, and charm, lie and steal his way until he finally met an unglamourous end in a car accident with another woman. After the women of the Monsard family left and scattered across the globe, Malorie's grandmother remained and tried to keep up what little remained of the family's once great fragrance business. Now she has died, Malorie is in charge of the inheritance, forcing her to return to her brittle roots. Will she sell off the near-dead family business or make a go of it in a town she's wary about returning to?
Tristan Rosier is the youngest of five male cousins and always felt it was his job to see to the emotional well-being of all his family. He grew up with Malorie, having been placed next to the quiet, studious girl all the way through school as this seemed to be the only thing that could somewhat calm his own irrepressible, energetic and impulsive self. Nursing a crush on her since childhood, Tristan never could figure out why Malorie was the only woman who would never give him the time of day. Growing up with war hero relatives, privileged and loved constantly, Tristan nonetheless deeply felt the loss of his two oldest cousins who went off to join the armed forces, and Malorie, who simply never returned from her post graduation hike.
When he met her again a few years ago in New York, he was trying to pitch his most extravagant and brilliant perfume to the company where she worked, and she used her cold, logical accounting skills to ruin his dream. Now she is back in Grasse, and Tristan wants to do everything in his power to make sure she decides to stay around. He'll help her restore the Monsard perfume house to its former glory, he'll offer up his perfumes and heart on a plate, if only she'll notice how much he adores her and decide to stay.
Tristan and Malorie may be the same age, but they are also in many way a study of opposites. Tristan had a loving, supportive family, a proud family legacy, and while he may have suffered from something like ADHD while in school, when working with fragrances and creating world-class perfumes, he's an unsurpassed genius, making his family's company millions every year. Handsome, charming and confident, he always tried to gain Malorie's attention, but when she seemed to always ignore him and treat him with indifference, he would happily flirt with any of the other many girls in school. While being the youngest cousin has earned him his fair share of taunting and rough-housing from the older ones, and he deeply felt the sting when his cousins Raoul (who later returned) and Lucien (as of yet unaccounted for, he joined the Foreign Legion) left the village, and then Malorie took the chance to get the hell out of dodge as soon as she graduated from high school. While he's deeply proud of her for making the connections needed to get herself a job and put herself through business school, he's always been sad that she never said goodbye, and left just as he intended to declare his feelings for her.
Malorie, on the other hand, grew up ashamed, knowing that while the Rosier patriarch and his step-sister were Resistance heroes, her great-grandfather sold out one of their allies to the Gestapo, and her grandmother was left a pregnant, teenage scandal in the village. That her son, Malorie's father, grew up to be the most selfish, self-centred user imaginable was also the Monsard's misfortune. While Malorie's grandmother struggled to keep the once great pre-war perfume house of Monsard from completely collapsing, her father would steal whatever valuables weren't nailed down and sell to support his extravagant habits. He would manipulate his mother, his wife and his daughters and leave them all wary and distrustful of charming, glib men. Both amused and exasperated by Tristan as they grew up, Malorie was very aware that while on the surface he might resemble her father, he was really nothing like him. She was nonetheless not going to fall for his flirting, shoring up her heart and making sure she never revealed any of her infatuation to him, instead having to watch him flirt with everyone else in school (not realising that every time he clumsily knocked over her books, or squeezed down next to her or insisted on sitting next to her in school, it was to get her undivided attention).
At twenty-nine, Tristan is a passionate, creative genius - a fragrance-creating artist who makes best-selling perfumes for fragrance houses world-wide. Malorie is a top rate accountant, using her financial skills and logic to work herself into a very prominent position at a New York-based perfume house. When her grandmother dies, she returns to Grasse, the town she grew up in, and faces the memories of her childhood and mourns for the loving woman all of them (her mother, her sisters and herself) left behind, who worked tirelessly to retain something of the Monsard family legacy, even if it was just a small soap and perfume shop. Living in her grandmother's old house, in a garden of bitter orange trees, Malorie realises how little she appreciated her grandmother, who is now lost to her. Malorie and her sisters have twenty percent of the stocks of the Monard family business, and she needs to make some difficult decisions about what she wants to do with her future.
She's both amused and confused by Tristan's attentions, not to mention the scrutiny she faces from the various critical members of his family. While Tristan is now trying to convince her of his long-lasting devotion, she cannot believe that this handsome, brilliant man, who has always had women fall at her feet, isn't just trying to finally seduce "the one that got away". But as Tristan really starts pitching woo, and his entire family seems to be taking her measure to see if she can possibly be good enough for him, she starts to realise that he might in fact be serious, and his feelings for her may be more than just lustful.
Malorie is a great character and she's clearly not had an easy life of it. Tristan is an adorable puppydog of a man, but he did occasionally get on my nerves with his complete lack of empathy for the lives of others, considering the incredibly privileged life he himself has led. He, unlike many of his other family members, who seem perfectly capable of understanding why Malorie may be wary and insecure, cannot seem to understand why Malorie can't just get over her past and be happy about her future. He also insists on keeping a secret from her for the longest time, despite advice from pretty much literally every other member in his family, and seems absolutely baffled when the situation blows up in his face. Luckily, he doesn't take long to realise that he's been an idiot, and grovels appropriately.
While her Amour et Chocolat books were set in Paris with arrogant chocolate and pastry-creating geniuses, Laura Florand's books in Provence, with a large extended family involved in perfume creation is possibly even more comforting to me. I wasn't entirely wild on the previous book in the series, A Wish Upon Jasmine, the first book, Once Upon a Rose, is lovely and well worth checking out. In that one, there are several references to Goldilocks and the three bears, here the fairy tale references are to Sleeping Beauty and Snow White. I know some CBR romance readers recently have expressed an inability to tolerate Florand's more alphahole and arrogant heroes - I would recommend they try this or the first book in the series for slightly more sensitive beta heroes. I'm already looking forward to what's in store for the rest of the cousins.
Judging a book by its cover: OK, this cover drives me nuts with annoyance. I absolutely loathe generic covers that are clearly designed by someone who hasn't read or has any idea of what the content of the book are. Neither of the people on the cover look ANYTHING like the descriptions of Tristan or Malorie, and at the bottom there's a huge field of lavender, when the whole point of this book is ORANGE BLOSSOMS! I think lavender may be mentioned in one sentence in passing over the entire course of the book. How hard would it have been to find a stock photo of orange blossoms, people (I found one in a ten second Google search!), and a couple who at least nominally matched the descriptions of the protagonists? Grrr! Crossposted on Cannonball Read.
Sunday, 17 April 2016
#CBR8 Book 42: "Chase Me" by Laura Florand
Page count: 246 pages
Rating: 4 stars
Violette Lenoir is twenty-eight and a two-star Michelin chef in her own restaurant. Don't worry if you don't remember that, you will be reminded at least five times over the course of the narrative. Of course, she has every right to be proud, having worked her ass off in kitchens since she was fifteen, fighting sexism and discrimination every step of the way to prove herself. When a stranger breaks into her restaurant late at night, as she's about to leave, she's not intimidated in the slightest, and doesn't hesitate to show him that she can take care of herself.
Chase Smith (very much not his real name) is on a black-ops counter-terrorism mission in Paris. They suspect that someone may be planning a ricin attack, using Violette's restaurant and he needs to investigate how easy it would be for a stranger to get access to the kitchens, as well as distract the stunning blonde who's throwing knives at him. It's pretty much love at first sight for Chase, and he feels extremely bad about the fact that to save her life and that of countless others, he and his team will most likely ruin her life, at least short term. Because when Violette shows up to work after taking the fast-talking and very handsome American "security consultant" home for what she planned to be a one night stand, she discovers that someone has shut it down, claiming a salmonella outbreak originated there.
Violette's reputation, already shaky as a young female chef in a severely male-dominated and cut-throat profession, is possibly destroyed forever, and she KNOWS that the mysterious Chase had something to do with it. So when she meets him again, she punches him, promptly fracturing her hand in the process. Chase feels extremely guilty about his operation shutting down her restaurant (not that it wasn't absolutely necessary to save lives), and what is worse, he can't breathe a word about it, having to continue the fiction about being a private security consultant, even though they both know it's untrue. After a hell of a meet-cute, their fledgling relationship has a hell of a complication to work through on the road to their HEA.
Violette and Chase are both extremely skilled at what they do. Both are completely devoted to their chosen careers, to the point where any romantic relationships they've attempted in the past have never made it past the initial first dates. Violette is used to men being put off by her self-confidence, long work hours, her need to be in control and frankly, intimidated by (and possibly jealous of) her success. Chase is a black-ops soldier, used to shipping off for months on end, working on missions he can't tell even those closest to him about, in areas where people are most likely trying to kill him and his friends. He puts his life on the line to keep people safe and even when he's on leave, he's used to living a double life. He's a very dangerous man, which doesn't mean that he doesn't want a partner to share his life with at some point, maybe even children.
Chase actually proposes marriage to Violette the first evening they meet, after she's thrown not one, but two knives towards him. Violette is a passionate woman, who will frequently fling things at Chase when she's provoked, knowing full well that he can handle it, while he finds it adorable and tries to rile her up as often as possible. Understanding very quickly that Violette enjoys being in a temper, he keeps saying and doing outrageous things just to see how she'll react. He's physically so much bigger and stronger than her, but never uses it to dominate or threaten her. Being a soldier, he's used to compartmentalising his emotions, having to shut certain parts off when he's on a mission, possibly needing to kill people. Nonetheless, with each new encounter with Violette, he feels the softer sides of his emotions leaking out.
Florand writes excellent banter, and at her best, she writes such entertaining romances. It's always fun reading about people who are extremely good at what they do. Confidence and skill is attractive and I like that both Violette and Chase are very secure in their own skins and supremely certain that they are bad-asses in their own fields, without becoming overbearing or insufferably arrogant about it. This book was initially meant to be a lot more frothy, but took on a darker note after the various terrorist attacks in Paris and other parts of Europe in the last six months. The counter-terrorism plot was supposed to be more in the background than it is now, but I don't think the added levels of real-world relevance in any way damages the story.
More often than not, I really enjoy Florand's books and there is more than enough sequel-bait set up over the course of this story. Florand has promised that Violette's friend Lena, as well as several of Chase's army buddies will have stories of their own in future books. So that's something to look forward to.
Judging a book by its cover: The cover here isn't particularly remarkable. The Eiffel Tower features in the background, because how else would you possibly know the book was set in Paris? To be fair, there is in fact a scene in the book that involves Vi and Chase looking at the Tower, so it's not entirely out of place. The woman on the cover is attractive and blond, so fits the description of Violette. Both her boots and jacket are leather, which again fits with the contents of the book. As romance covers go, it's not particularly exciting, but it's certainly not as egregiously bad as they sometimes are either.
Crossposted on Cannonball Read.
Rating: 4 stars
Violette Lenoir is twenty-eight and a two-star Michelin chef in her own restaurant. Don't worry if you don't remember that, you will be reminded at least five times over the course of the narrative. Of course, she has every right to be proud, having worked her ass off in kitchens since she was fifteen, fighting sexism and discrimination every step of the way to prove herself. When a stranger breaks into her restaurant late at night, as she's about to leave, she's not intimidated in the slightest, and doesn't hesitate to show him that she can take care of herself.
Chase Smith (very much not his real name) is on a black-ops counter-terrorism mission in Paris. They suspect that someone may be planning a ricin attack, using Violette's restaurant and he needs to investigate how easy it would be for a stranger to get access to the kitchens, as well as distract the stunning blonde who's throwing knives at him. It's pretty much love at first sight for Chase, and he feels extremely bad about the fact that to save her life and that of countless others, he and his team will most likely ruin her life, at least short term. Because when Violette shows up to work after taking the fast-talking and very handsome American "security consultant" home for what she planned to be a one night stand, she discovers that someone has shut it down, claiming a salmonella outbreak originated there.
Violette's reputation, already shaky as a young female chef in a severely male-dominated and cut-throat profession, is possibly destroyed forever, and she KNOWS that the mysterious Chase had something to do with it. So when she meets him again, she punches him, promptly fracturing her hand in the process. Chase feels extremely guilty about his operation shutting down her restaurant (not that it wasn't absolutely necessary to save lives), and what is worse, he can't breathe a word about it, having to continue the fiction about being a private security consultant, even though they both know it's untrue. After a hell of a meet-cute, their fledgling relationship has a hell of a complication to work through on the road to their HEA.
Violette and Chase are both extremely skilled at what they do. Both are completely devoted to their chosen careers, to the point where any romantic relationships they've attempted in the past have never made it past the initial first dates. Violette is used to men being put off by her self-confidence, long work hours, her need to be in control and frankly, intimidated by (and possibly jealous of) her success. Chase is a black-ops soldier, used to shipping off for months on end, working on missions he can't tell even those closest to him about, in areas where people are most likely trying to kill him and his friends. He puts his life on the line to keep people safe and even when he's on leave, he's used to living a double life. He's a very dangerous man, which doesn't mean that he doesn't want a partner to share his life with at some point, maybe even children.
Chase actually proposes marriage to Violette the first evening they meet, after she's thrown not one, but two knives towards him. Violette is a passionate woman, who will frequently fling things at Chase when she's provoked, knowing full well that he can handle it, while he finds it adorable and tries to rile her up as often as possible. Understanding very quickly that Violette enjoys being in a temper, he keeps saying and doing outrageous things just to see how she'll react. He's physically so much bigger and stronger than her, but never uses it to dominate or threaten her. Being a soldier, he's used to compartmentalising his emotions, having to shut certain parts off when he's on a mission, possibly needing to kill people. Nonetheless, with each new encounter with Violette, he feels the softer sides of his emotions leaking out.
Florand writes excellent banter, and at her best, she writes such entertaining romances. It's always fun reading about people who are extremely good at what they do. Confidence and skill is attractive and I like that both Violette and Chase are very secure in their own skins and supremely certain that they are bad-asses in their own fields, without becoming overbearing or insufferably arrogant about it. This book was initially meant to be a lot more frothy, but took on a darker note after the various terrorist attacks in Paris and other parts of Europe in the last six months. The counter-terrorism plot was supposed to be more in the background than it is now, but I don't think the added levels of real-world relevance in any way damages the story.
More often than not, I really enjoy Florand's books and there is more than enough sequel-bait set up over the course of this story. Florand has promised that Violette's friend Lena, as well as several of Chase's army buddies will have stories of their own in future books. So that's something to look forward to.
Judging a book by its cover: The cover here isn't particularly remarkable. The Eiffel Tower features in the background, because how else would you possibly know the book was set in Paris? To be fair, there is in fact a scene in the book that involves Vi and Chase looking at the Tower, so it's not entirely out of place. The woman on the cover is attractive and blond, so fits the description of Violette. Both her boots and jacket are leather, which again fits with the contents of the book. As romance covers go, it's not particularly exciting, but it's certainly not as egregiously bad as they sometimes are either.
Crossposted on Cannonball Read.
Labels:
#CBR8,
4 stars,
Chase Me,
contemporary romance,
cooking,
Diverse Reads 16,
Laura Florand,
Paris,
Paris Nights,
Romance 16,
Series 16,
Women 16
Sunday, 6 September 2015
#CBR7 Book 82: "A Wish Upon Jasmine" by Laura Florand
Page count: 323 pages
Rating: 3.5 stars
All Jasmin "Jess" Bianchi has ever wanted to do was make perfumes, like her father. The brain-child behind the massively popular Spoiled Brat, she has achieved great commercial success, but is everyone assumes that what she intended as an ironic comment on the industry is all she's capable of. When she inherits a small perfume shop in Provence, in the same year she had to bury her father and the little artisanal perfume company she had started was bought up by the powerful Rosiers, it's like a dream come true. Then she discovers that the Rosiers considers her little shop their rightful property, and the man she'll have to fight to keep it, is the man she almost lost her heart to, many months ago.
The Rosier family have a saying. "Be careful what you wish for, Damien will get it for you." While his cousins can be creative and nurturing, Damien Rosier is expected to be the calculating, ruthless and efficient one. He makes sure that the Rosier empire is strong, powerful and wealthy enough that his cousin Matt can grow roses and jasmine and his cousin Tristan can create new perfumes in his labs. Feeling deeply responsible not just for his large family, but the people and businesses in their little corner of Provence, Damien also makes sure that as many as possible are employed, preventing them from having to move from the area. He's very good at what he does, he just wishes everyone around him didn't think he was completely cold-hearted.
When Damien met Jess at an industry party many months ago, it was clear she didn't know who he was, and they shared a night of unforgettable passion. But the morning after, he woke up alone, and the next time he saw her, she looked stricken as she was told he had bought the company she was part-owner of. Now he finds her in the perfume shop where the Rosier brand started, discovering that his meddling great-aunt Colette has given it away. His grandfather wants Damien, the ruthless one, to make sure the shop is returned to the Rosiers. Damien wants an answer to why Jess just disappeared after their night of passion.
The big misunderstanding that is so often a feature in romances happens before the plot of this book really kicks off, revealed to the readers only in flashback. Jess and Damien are unaware of each other's true identities when they meet, spark an instant connection and share a night of hot sex together. Jess has to leave so early not because of second thoughts about her hook-up or guilt, but because her father is dying in hospital. All her life, Jess has heard stories of the Rosiers, who had such complete control over the region where her father was born, that as a non-Rosier perfumer, he had to leave to be able to make a name for himself. She believes them to be the enemy, a belief that isn't exactly disproved when her tiny company is gobbled up by their ruthless chief of acquisitions.
Due to their misunderstanding, the initial meetings between Jess and Damien in Provence are antagonistic, but they are also clearly crazy about each other and soon the hostility returns to the growing attraction they felt when they first met. It's pretty much confirmed that tante Colette keeps portioning out her inheritance to long-lost female heirs in some sort of really elaborate match-making scheme, but that she'd believed Jess to be a good match for Tristan, the youngest cousin.
While Laura Florand's books are always enjoyable, this one didn't really excite me much, probably because once Jess and Damien actually clear up their initial misunderstanding, there's very little tension left to overcome. Jess is also insecure to the point of stupidity, refusing to believe that Damien can have feelings for her for so long that I wanted to reach into the book and slap some sense into her.
That's not to say that I'm not going to keep reading Florand's books. There are after all, two more cousins left who haven't been paired off, and what I'm assuming are more attractive female heirs (or male, I would love if one of the cousins were gay, but I doubt it) tante Colette can give Rosier property to in upcoming books.
Crossposted on Cannonball Read.
Rating: 3.5 stars
All Jasmin "Jess" Bianchi has ever wanted to do was make perfumes, like her father. The brain-child behind the massively popular Spoiled Brat, she has achieved great commercial success, but is everyone assumes that what she intended as an ironic comment on the industry is all she's capable of. When she inherits a small perfume shop in Provence, in the same year she had to bury her father and the little artisanal perfume company she had started was bought up by the powerful Rosiers, it's like a dream come true. Then she discovers that the Rosiers considers her little shop their rightful property, and the man she'll have to fight to keep it, is the man she almost lost her heart to, many months ago.
The Rosier family have a saying. "Be careful what you wish for, Damien will get it for you." While his cousins can be creative and nurturing, Damien Rosier is expected to be the calculating, ruthless and efficient one. He makes sure that the Rosier empire is strong, powerful and wealthy enough that his cousin Matt can grow roses and jasmine and his cousin Tristan can create new perfumes in his labs. Feeling deeply responsible not just for his large family, but the people and businesses in their little corner of Provence, Damien also makes sure that as many as possible are employed, preventing them from having to move from the area. He's very good at what he does, he just wishes everyone around him didn't think he was completely cold-hearted.
When Damien met Jess at an industry party many months ago, it was clear she didn't know who he was, and they shared a night of unforgettable passion. But the morning after, he woke up alone, and the next time he saw her, she looked stricken as she was told he had bought the company she was part-owner of. Now he finds her in the perfume shop where the Rosier brand started, discovering that his meddling great-aunt Colette has given it away. His grandfather wants Damien, the ruthless one, to make sure the shop is returned to the Rosiers. Damien wants an answer to why Jess just disappeared after their night of passion.
The big misunderstanding that is so often a feature in romances happens before the plot of this book really kicks off, revealed to the readers only in flashback. Jess and Damien are unaware of each other's true identities when they meet, spark an instant connection and share a night of hot sex together. Jess has to leave so early not because of second thoughts about her hook-up or guilt, but because her father is dying in hospital. All her life, Jess has heard stories of the Rosiers, who had such complete control over the region where her father was born, that as a non-Rosier perfumer, he had to leave to be able to make a name for himself. She believes them to be the enemy, a belief that isn't exactly disproved when her tiny company is gobbled up by their ruthless chief of acquisitions.
Due to their misunderstanding, the initial meetings between Jess and Damien in Provence are antagonistic, but they are also clearly crazy about each other and soon the hostility returns to the growing attraction they felt when they first met. It's pretty much confirmed that tante Colette keeps portioning out her inheritance to long-lost female heirs in some sort of really elaborate match-making scheme, but that she'd believed Jess to be a good match for Tristan, the youngest cousin.
While Laura Florand's books are always enjoyable, this one didn't really excite me much, probably because once Jess and Damien actually clear up their initial misunderstanding, there's very little tension left to overcome. Jess is also insecure to the point of stupidity, refusing to believe that Damien can have feelings for her for so long that I wanted to reach into the book and slap some sense into her.
That's not to say that I'm not going to keep reading Florand's books. There are after all, two more cousins left who haven't been paired off, and what I'm assuming are more attractive female heirs (or male, I would love if one of the cousins were gay, but I doubt it) tante Colette can give Rosier property to in upcoming books.
Crossposted on Cannonball Read.
Sunday, 3 May 2015
#CBR7 Book 53: "All for You" by Laura Florand
Page count: 297 pages
Rating: 4 stars
Growing up in the very rough suburbs to Paris, Célie was always determined to make something of herself, unlike her drug-dealing low-life of an older brother. Apprenticing herself to a baker, the brightest part of her day was always when her brother's friend Joss came to walk her home. Pretty much at the moment Célie had worked up the courage to confess her massive crush on him, Joss broke her heart into a million pieces by going off to join the French foreign legion.
Five years later, trying to tell herself that she's completely over Josselin Castel, Célie is the right-hand woman and head chocolatier to Dominique Richard. She has a creative and demanding job that she adores, she has friends and a great boss who has taken the place her biological brother was wholly undeserving of. Then Joss walks back into her life, tall and tan and larger than life and she falls completely to pieces for a little while. Having moved on and up in the world, forcing herself to forget him, Célie is not ready to just forgive the heartache he caused her and welcome him back with open arms.
Fully aware of the crush Célie had on him, Joss was determined to change his life, to make himself worthy of her. Having lost his job as mechanic because of his association with Célie's criminal brother, Joss didn't really see that they had any future unless he made himself into something better and more capable. He wanted to be able to offer Célie something real. Of course, leaving her without a hint of what he was planning, without a word to even let her know that he was alive or dead, might not have been the best idea either. Having survived not only the initial, excruciating training for the foreign legion, but going on to become the best of the elite soldiers, a paratrooper, Joss, never a man of many words, believed that it was better if he not try to explain himself to Célie. After five years as a super soldier, he's done with the Foreign Legion, back in Paris and ready to lay all his accomplishments at the feet of the woman he loves. That she's become an accomplished and successful woman with a life with no place for him never crossed his mind. Winning the girl of his dreams over may be a bigger challenge than he had expected, but for a man who survived years in the Foreign Legion, what's another obstacle or two to win his true love?
I was actually lucky enough to be sent an ARC of this from Laura Florand, but by the time I had time to settle down and read it, the book was out in wider release, and as I had already pre-ordered the book ages ago, my review has in no way been influenced by the free copy. This is the first book in a new series, spinning off from her Amour et Chocolat books, and possibly connecting with her series set in the south of France, La Vie en Roses. With the exception of The Chocolate Heart, where the main couple are simply too angsty for me to fully enjoy the story, I either really like or absolutely adore Ms. Florand's novels. One of the things I loved in this book was that I got to see the protagonists from one of my favourites, The Chocolate Touch, as supporting characters in this. Dom and Jamie, still not married, and constantly teased by Dom's employees, are very worried when Joss' return makes the normally so cheerful Célie break down in tears and Dom would like nothing but to beat the snot out of the man whose hurt his chief chocolatier.
Célie actually spends a worrying amount of time crying over the course of the book, but the fact that it seems to be excessive is addressed as part of the plot, which makes it fine in my book. When she's not crying, she's quite possibly fiercely yelling at Joss because of he has trouble getting things into his thick head, so it's not like she's a complete cry-baby. While I understand and sympathise with her upset, I'm also glad that while it takes her some time to properly forgive Joss, she doesn't deny her attraction to him (so much stronger when he returns as a muscular and super fit 26-year-old than when he was a gangly 21-year-old) or her feelings for him.
Joss is extremely goal-orientated and now that he's achieved the first part of his plan to make himself the mate that Célie deserves, he was hoping to sweep her off her feet and take her off to some exotic location with him. Since she seems to be really very happy with her career and new found family in Paris, he sets out to get her the perfect home there instead. Frustratingly for both the reader and Célie, he doesn't consult her on her wishes, just proceeds with what he assumes she wants, because clearly presenting her with the perfect end result must be better than letting her be part of the decision-making process, right?
There is normally a strong fairy-tale aspect to Florand's contemporary romances, more overt in some than others. In this, she's not gently twisted one specific fairytale, but there are enough aspects there, with Joss imagining Célie as the princess on the glass mountain that he needs to scale and rescue, the brave knight who has quested to be worthy of her. He's certainly more than capable at scaling, at one point climbing up the wall of her building to arrive on her balcony (on the sixth floor, I believe) and another time into the lab of the chocolate shop (on the second floor) where Célie works (after a scene involving such egregious waste of expensive chocolate that I literally squeaked). As also often the case in Florand novels, it takes the protagonists most of the novel before they are able to clearly communicate their thoughts and wishes to one another, but the despite the occasional frustrations along the way, most of the book is frothy and delightful and had me laughing out loud more than once. The cross-over with previous Amour et Chocolat books was fun, and I also really liked the connection to her other new series, the Vie en Roses books, where Joss' commander from the Foreign Legion is clearly going to turn up in a future novel (I'm going to guess the final one, as he is clearly the darkest and most messed-up of the cousins). Florand has long since earned herself a spot among my auto-buy authors, and this book just confirms that she deserves to stay there.
Crossposted on Cannonball Read.
Rating: 4 stars
Growing up in the very rough suburbs to Paris, Célie was always determined to make something of herself, unlike her drug-dealing low-life of an older brother. Apprenticing herself to a baker, the brightest part of her day was always when her brother's friend Joss came to walk her home. Pretty much at the moment Célie had worked up the courage to confess her massive crush on him, Joss broke her heart into a million pieces by going off to join the French foreign legion.
Five years later, trying to tell herself that she's completely over Josselin Castel, Célie is the right-hand woman and head chocolatier to Dominique Richard. She has a creative and demanding job that she adores, she has friends and a great boss who has taken the place her biological brother was wholly undeserving of. Then Joss walks back into her life, tall and tan and larger than life and she falls completely to pieces for a little while. Having moved on and up in the world, forcing herself to forget him, Célie is not ready to just forgive the heartache he caused her and welcome him back with open arms.
Fully aware of the crush Célie had on him, Joss was determined to change his life, to make himself worthy of her. Having lost his job as mechanic because of his association with Célie's criminal brother, Joss didn't really see that they had any future unless he made himself into something better and more capable. He wanted to be able to offer Célie something real. Of course, leaving her without a hint of what he was planning, without a word to even let her know that he was alive or dead, might not have been the best idea either. Having survived not only the initial, excruciating training for the foreign legion, but going on to become the best of the elite soldiers, a paratrooper, Joss, never a man of many words, believed that it was better if he not try to explain himself to Célie. After five years as a super soldier, he's done with the Foreign Legion, back in Paris and ready to lay all his accomplishments at the feet of the woman he loves. That she's become an accomplished and successful woman with a life with no place for him never crossed his mind. Winning the girl of his dreams over may be a bigger challenge than he had expected, but for a man who survived years in the Foreign Legion, what's another obstacle or two to win his true love?
I was actually lucky enough to be sent an ARC of this from Laura Florand, but by the time I had time to settle down and read it, the book was out in wider release, and as I had already pre-ordered the book ages ago, my review has in no way been influenced by the free copy. This is the first book in a new series, spinning off from her Amour et Chocolat books, and possibly connecting with her series set in the south of France, La Vie en Roses. With the exception of The Chocolate Heart, where the main couple are simply too angsty for me to fully enjoy the story, I either really like or absolutely adore Ms. Florand's novels. One of the things I loved in this book was that I got to see the protagonists from one of my favourites, The Chocolate Touch, as supporting characters in this. Dom and Jamie, still not married, and constantly teased by Dom's employees, are very worried when Joss' return makes the normally so cheerful Célie break down in tears and Dom would like nothing but to beat the snot out of the man whose hurt his chief chocolatier.
Célie actually spends a worrying amount of time crying over the course of the book, but the fact that it seems to be excessive is addressed as part of the plot, which makes it fine in my book. When she's not crying, she's quite possibly fiercely yelling at Joss because of he has trouble getting things into his thick head, so it's not like she's a complete cry-baby. While I understand and sympathise with her upset, I'm also glad that while it takes her some time to properly forgive Joss, she doesn't deny her attraction to him (so much stronger when he returns as a muscular and super fit 26-year-old than when he was a gangly 21-year-old) or her feelings for him.
Joss is extremely goal-orientated and now that he's achieved the first part of his plan to make himself the mate that Célie deserves, he was hoping to sweep her off her feet and take her off to some exotic location with him. Since she seems to be really very happy with her career and new found family in Paris, he sets out to get her the perfect home there instead. Frustratingly for both the reader and Célie, he doesn't consult her on her wishes, just proceeds with what he assumes she wants, because clearly presenting her with the perfect end result must be better than letting her be part of the decision-making process, right?
There is normally a strong fairy-tale aspect to Florand's contemporary romances, more overt in some than others. In this, she's not gently twisted one specific fairytale, but there are enough aspects there, with Joss imagining Célie as the princess on the glass mountain that he needs to scale and rescue, the brave knight who has quested to be worthy of her. He's certainly more than capable at scaling, at one point climbing up the wall of her building to arrive on her balcony (on the sixth floor, I believe) and another time into the lab of the chocolate shop (on the second floor) where Célie works (after a scene involving such egregious waste of expensive chocolate that I literally squeaked). As also often the case in Florand novels, it takes the protagonists most of the novel before they are able to clearly communicate their thoughts and wishes to one another, but the despite the occasional frustrations along the way, most of the book is frothy and delightful and had me laughing out loud more than once. The cross-over with previous Amour et Chocolat books was fun, and I also really liked the connection to her other new series, the Vie en Roses books, where Joss' commander from the Foreign Legion is clearly going to turn up in a future novel (I'm going to guess the final one, as he is clearly the darkest and most messed-up of the cousins). Florand has long since earned herself a spot among my auto-buy authors, and this book just confirms that she deserves to stay there.
Crossposted on Cannonball Read.
Saturday, 21 February 2015
#CBR7 Book 20: "Once Upon a Rose" by Laura Florand
Page count: 300 pages
Rating: 4 stars
Layla "Belle Woods" Dubois has just won a Grammy for her Indie rock album, but is fleeing to the French countryside in a desperate hope that she will find some inspiration, or there won't be a second album any time soon. She's "accidentally" drowned her phone in a fountain and is hoping to stay away from press attention and the demands of her producers for long enough that she can write some new songs and rediscover her love of playing. Visiting the house she's inherited in Provence seems like the perfect plan.
Matthieu Rosier is one of five very competitive male cousins, and the appointed heir of their grandfather. While his other cousins have been able to go off into the world on adventures, Matt has stayed in the Rosier valley his entire life, devoting his life to taking care of its inhabitants and the precious roses that grow throughout, providing essences to the perfume industry. The valley is HIS, just as he considers his life a gift to the valley, occasionally envious of his other cousins, but all the same, content with his lot in life. So when he discovers that his great-aunt has gifted the house he has spent several months modernising and a part of the land of the valley to some petite American, he is not happy. His grandfather, one of the brave Resistance heroes of France, wants him to consider Layla as the enemy, doing everything in his power to drive her away and reclaim the family land.
Of course, when Layla and Matt first meet, neither know of the coming enmity. It's Matt's 30th birthday party and he's more than a little drunk. As Layla arrives, helplessly lost without her phone to provide GPS, he is instantly smitten and decides to introduce her to all his cousins as his girlfriend, just to make sure none of them lay claim to her first. At one point he actually bodily picks her up and carries her through the room. Layla is surprised, but quite charmed by his flirtatious behaviour. She eventually manages to get across to some of the more sober wedding guests that her car has broken down and she is lost, and is given a place to stay for the night. Of course, the next morning, the reason for her presence in the valley is revealed, and everything changes.
Laura Florand has a formula, and it's a wonderful one. Large, attractive Frenchmen falling in love with diminutive partially American women. In the Amour et Chocolat series, the men are usually emotionally vulnerable, yet professionally arrogant, brilliant masters in their fields. Here, the hero is not a chocolatier or a chef, but a rose farmer. Matt has tended to the roses on his family's land since he was a teenager. He's a handyman, able to fix engines, old plumbing, crumbling garden walls, you name it. He projects a gruff and growly exterior to hide that he's a complete softie inside. Having brawled with, teased and been teased by his cousins since they were young, he has learned not to show weakness. While he sometimes wonders what it would be like to go off and see the world like many of his other very attractive cousins (most of whom are clearly going to be heroes in upcoming books), he's also completely committed to his duty of making the valley and its roses thrive. His territorial grandfather has refused to split the land up, dividing it between the cousins, and Matt has come to think of himself as the embodiment of the valley. It hurts him deeply when he discovers that his beloved great-aunt has given away part of it to a stranger.
Layla, while absolutely loving the Rosier valley and just as smitten with its caretaker as he is with her, initially stubbornly refuses to even contemplate giving in to Matt's demands about returning the land. Yet as she observes his interaction with the workers during the rose harvest, his cousins, his elderly relatives and gets to know how caring, sensitive and considerate he is beneath his growly exterior, and how important a part the valley plays in his life, she's no longer certain she can keep the property. She discovers the reasons why she was given the land by Matt's great-aunt and gets some desperately needed time to relax and recharge, beginning to have new ideas for songs as she takes part in the rose harvest and quiet village life.
While Matt is probably too deeply rooted in his valley, needing to consider and accept the possibility of change, Layla has always been a nomad, never happy to settle too long in one place. She's been happily travelling the world, making a living from her music at various festivals the world over, long before she achieved fame with her album. She loves to play, but has come to hate the way touring and performing has exposed her and her feelings to the world. Her music and creativity has completely dried up. She hasn't allowed herself any time to rest and recuperate, and the little valley in France provides a safe haven, where she can remain anonymous and free.
Matt's many cousins are hilarious, and such a fun supporting cast. While the sequel bait was pretty obvious, I didn't mind, and I just hope that they are all as entertaining in future books as they are as secondary characters here. There is always a lovely sense of place and community in Florand's books, and here we get the French countryside and tiny villages instead of the bustling city life of Paris in her previous books. I liked how the cousins were competitive, but also deeply protective of one another. Matt's previous relationship was with a self-centred supermodel, who used him shamelessly and ended disastrously. When they discover that Layla is also famous, they are worried she will break his heart all over again. Layla, a genuinely decent person, understands their protective instinct and doesn't get offended.
In many of Florand's books, there is a strong fairytale feel, and this book is no different. There is the big gruff hero, constantly compared to a bear, the enchantingly beautiful valley full of roses, and a tiny curly-haired heroine who keeps being compared to Goldilocks. With less of the angst of some of Florand's earlier books, this is a thoroughly diverting piece of fluffy escapism. I shall have to go in search of the novella collection that features the story of how Matt's cousin Raoul and his girlfriend Allegra met, and am eagerly awaiting the sequels where Matt's three single cousins eventually find their matches.
Crossposted on Cannonball Read.
Rating: 4 stars
Layla "Belle Woods" Dubois has just won a Grammy for her Indie rock album, but is fleeing to the French countryside in a desperate hope that she will find some inspiration, or there won't be a second album any time soon. She's "accidentally" drowned her phone in a fountain and is hoping to stay away from press attention and the demands of her producers for long enough that she can write some new songs and rediscover her love of playing. Visiting the house she's inherited in Provence seems like the perfect plan.
Matthieu Rosier is one of five very competitive male cousins, and the appointed heir of their grandfather. While his other cousins have been able to go off into the world on adventures, Matt has stayed in the Rosier valley his entire life, devoting his life to taking care of its inhabitants and the precious roses that grow throughout, providing essences to the perfume industry. The valley is HIS, just as he considers his life a gift to the valley, occasionally envious of his other cousins, but all the same, content with his lot in life. So when he discovers that his great-aunt has gifted the house he has spent several months modernising and a part of the land of the valley to some petite American, he is not happy. His grandfather, one of the brave Resistance heroes of France, wants him to consider Layla as the enemy, doing everything in his power to drive her away and reclaim the family land.
Of course, when Layla and Matt first meet, neither know of the coming enmity. It's Matt's 30th birthday party and he's more than a little drunk. As Layla arrives, helplessly lost without her phone to provide GPS, he is instantly smitten and decides to introduce her to all his cousins as his girlfriend, just to make sure none of them lay claim to her first. At one point he actually bodily picks her up and carries her through the room. Layla is surprised, but quite charmed by his flirtatious behaviour. She eventually manages to get across to some of the more sober wedding guests that her car has broken down and she is lost, and is given a place to stay for the night. Of course, the next morning, the reason for her presence in the valley is revealed, and everything changes.
Laura Florand has a formula, and it's a wonderful one. Large, attractive Frenchmen falling in love with diminutive partially American women. In the Amour et Chocolat series, the men are usually emotionally vulnerable, yet professionally arrogant, brilliant masters in their fields. Here, the hero is not a chocolatier or a chef, but a rose farmer. Matt has tended to the roses on his family's land since he was a teenager. He's a handyman, able to fix engines, old plumbing, crumbling garden walls, you name it. He projects a gruff and growly exterior to hide that he's a complete softie inside. Having brawled with, teased and been teased by his cousins since they were young, he has learned not to show weakness. While he sometimes wonders what it would be like to go off and see the world like many of his other very attractive cousins (most of whom are clearly going to be heroes in upcoming books), he's also completely committed to his duty of making the valley and its roses thrive. His territorial grandfather has refused to split the land up, dividing it between the cousins, and Matt has come to think of himself as the embodiment of the valley. It hurts him deeply when he discovers that his beloved great-aunt has given away part of it to a stranger.
Layla, while absolutely loving the Rosier valley and just as smitten with its caretaker as he is with her, initially stubbornly refuses to even contemplate giving in to Matt's demands about returning the land. Yet as she observes his interaction with the workers during the rose harvest, his cousins, his elderly relatives and gets to know how caring, sensitive and considerate he is beneath his growly exterior, and how important a part the valley plays in his life, she's no longer certain she can keep the property. She discovers the reasons why she was given the land by Matt's great-aunt and gets some desperately needed time to relax and recharge, beginning to have new ideas for songs as she takes part in the rose harvest and quiet village life.
While Matt is probably too deeply rooted in his valley, needing to consider and accept the possibility of change, Layla has always been a nomad, never happy to settle too long in one place. She's been happily travelling the world, making a living from her music at various festivals the world over, long before she achieved fame with her album. She loves to play, but has come to hate the way touring and performing has exposed her and her feelings to the world. Her music and creativity has completely dried up. She hasn't allowed herself any time to rest and recuperate, and the little valley in France provides a safe haven, where she can remain anonymous and free.
Matt's many cousins are hilarious, and such a fun supporting cast. While the sequel bait was pretty obvious, I didn't mind, and I just hope that they are all as entertaining in future books as they are as secondary characters here. There is always a lovely sense of place and community in Florand's books, and here we get the French countryside and tiny villages instead of the bustling city life of Paris in her previous books. I liked how the cousins were competitive, but also deeply protective of one another. Matt's previous relationship was with a self-centred supermodel, who used him shamelessly and ended disastrously. When they discover that Layla is also famous, they are worried she will break his heart all over again. Layla, a genuinely decent person, understands their protective instinct and doesn't get offended.
In many of Florand's books, there is a strong fairytale feel, and this book is no different. There is the big gruff hero, constantly compared to a bear, the enchantingly beautiful valley full of roses, and a tiny curly-haired heroine who keeps being compared to Goldilocks. With less of the angst of some of Florand's earlier books, this is a thoroughly diverting piece of fluffy escapism. I shall have to go in search of the novella collection that features the story of how Matt's cousin Raoul and his girlfriend Allegra met, and am eagerly awaiting the sequels where Matt's three single cousins eventually find their matches.
Crossposted on Cannonball Read.
Saturday, 25 January 2014
#CBR6 Book 7: "The Chocolate Temptation" by Laura Florand
Page count: 320 pages
Rating: 4 stars
Sarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hands and does absolutely everything flawlessly, without seeming to expend even the slightest bit of effort. She hates him because every time he brushes past her, or winks at her, or jokingly flirts with her, her heart beats faster and she has trouble breathing. He is her boss, and he is godlike, and he would never even look twice at a lowly little intern who never seems to be able to do anything right.
Patrick Chevalier is madly in love with Sarah Lin, the intern in the world-famous French restaurant where they work. He is the second in command in the kitchen, he is her boss, and he knows that it is grossly inappropriate for him to even consider seducing her while she's under his tutelage. But she claims that she's going to go back to California once her internship is over in little over a month, and he might go insane if he doesn't get a chance to show her how she feels. His entire life, he has learned to keep his true hopes and dream deeply hidden, so they can't be snatched away from him. He's come to the conclusion that he has to use his wit and charm and skill to manipulate those around him to reach his goals. When Sarah in an unguarded moment lets it slip that she hates him, he's determined to turn that hate to love, just as he can turn sugar and chocolate into edible treasures.
Sarah's mother fled from North Korea and found a new life in the USA because she got pregnant and Sarah was born there. Becoming an engineer at Caltech to make her mother proud, Sarah feels as if she's let her entire family down when she gave up her high paying job as an engineer to pursue her dream to study as a pastry chef in Paris. Five months into her internship, she's wondering if she made a huge mistake. She can barely afford to pay the rent, she works until she drops, and all around her, the others in the kitchen create marvels while she feels she's a constant failure. The only woman in the whole kitchen, she struggles to keep up with the intense work, and spending so much time around a gorgeous man she's convinced could have any woman he turned his attention to, she's decided that the only way to guard her heart is by hating him intensely.
Patrick may be incredibly successful for his young age, although he never really wanted to become a chef, but an engineer. His messed-up mother made sure to crush any dream he ever had, and when he was apprenticed to up and coming Luc Leroi, one of his foster brothers, he made the best of it, using his inventiveness and intellect to excel in the kitchen. Even though no one understands why he's still content being Luc's second, when he could go off and get a brilliant career in a restaurant of his own, he knows that he is needed, and can't bring himself to leave. He also knows that he mustn't harass his pretty intern, but can't help from watching over her, trying to shield her from the hardest jobs in the kitchen, surreptitiously feeding her and making sure that he is the one who most often teaches her new techniques. He knows that she is clever and driven and just as perfectionistic as Luc, but he can't resist his protective urges. He believes himself to be sneaky, devious and ruthless and the way in which he tricks Sarah into inviting him in after a night out after work is certainly not entirely chivalrous, but while he has decided alpha male qualities (as do all of Florand's heroes), he never forces Sarah to do anything she doesn't really very much want to do.
Sarah needs to decide whether she actually wants to follow her dream to be a pastry chef and accept that she may not be a failure just because she can't keep up with insanely driven craftsmen who are at the top of their field. She comes to realise that while her birth gave her mother and sister a safe home in America, she doesn't have to live her entire life to fulfil some sort of imagined standard of perfection to prove herself worthy to them. Patrick has clearly been burned so many times growing up, and has turned the very bitter lemons of his cruddy upbringing into some fairly awesome lemonade. Yet he's desperately worried about losing Sarah once he gets his chance with her, and of all the dreams he has ever dared nurture, a relationship with her is the one that he daren't even hope he might achieve.
Compared to some of the deep emotional issues of Florand's earlier couples, Sarah and Patrick's troubles seemed a bit more low key, and it was a relief after the last two, with some very messed up protagonists and drama to work through. Parts of this book overlaps with Florand's previous book in the series, The Chocolate Heart, but I suspect it works fine on its own as well. Florand has played around with fairy tale and mythology elements in previous novels, with influences from Rapunzel, Beauty and the Beast and the myth of Hades and Persephone. In this book, there are hints of Cinderella, but while Patrick may be a prince (his surname is even Chevalier - knight), Sarah is much more than the girl who loses her shoe and heart at the ball. The author's note at the end of the book and her blog suggests that this may be the last in her Amour et Chocolat series (apparently Luc's book was supposed to be the final one, but Patrick kept stealing scenes so she had to write his story too), but she has more books planned, set in the south of France, so I suspect I will still have her delectable writing to look forward to for a while yet.
Crossposted on Cannonball Read.
Rating: 4 stars
Sarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hands and does absolutely everything flawlessly, without seeming to expend even the slightest bit of effort. She hates him because every time he brushes past her, or winks at her, or jokingly flirts with her, her heart beats faster and she has trouble breathing. He is her boss, and he is godlike, and he would never even look twice at a lowly little intern who never seems to be able to do anything right.
Patrick Chevalier is madly in love with Sarah Lin, the intern in the world-famous French restaurant where they work. He is the second in command in the kitchen, he is her boss, and he knows that it is grossly inappropriate for him to even consider seducing her while she's under his tutelage. But she claims that she's going to go back to California once her internship is over in little over a month, and he might go insane if he doesn't get a chance to show her how she feels. His entire life, he has learned to keep his true hopes and dream deeply hidden, so they can't be snatched away from him. He's come to the conclusion that he has to use his wit and charm and skill to manipulate those around him to reach his goals. When Sarah in an unguarded moment lets it slip that she hates him, he's determined to turn that hate to love, just as he can turn sugar and chocolate into edible treasures.
Sarah's mother fled from North Korea and found a new life in the USA because she got pregnant and Sarah was born there. Becoming an engineer at Caltech to make her mother proud, Sarah feels as if she's let her entire family down when she gave up her high paying job as an engineer to pursue her dream to study as a pastry chef in Paris. Five months into her internship, she's wondering if she made a huge mistake. She can barely afford to pay the rent, she works until she drops, and all around her, the others in the kitchen create marvels while she feels she's a constant failure. The only woman in the whole kitchen, she struggles to keep up with the intense work, and spending so much time around a gorgeous man she's convinced could have any woman he turned his attention to, she's decided that the only way to guard her heart is by hating him intensely.
Patrick may be incredibly successful for his young age, although he never really wanted to become a chef, but an engineer. His messed-up mother made sure to crush any dream he ever had, and when he was apprenticed to up and coming Luc Leroi, one of his foster brothers, he made the best of it, using his inventiveness and intellect to excel in the kitchen. Even though no one understands why he's still content being Luc's second, when he could go off and get a brilliant career in a restaurant of his own, he knows that he is needed, and can't bring himself to leave. He also knows that he mustn't harass his pretty intern, but can't help from watching over her, trying to shield her from the hardest jobs in the kitchen, surreptitiously feeding her and making sure that he is the one who most often teaches her new techniques. He knows that she is clever and driven and just as perfectionistic as Luc, but he can't resist his protective urges. He believes himself to be sneaky, devious and ruthless and the way in which he tricks Sarah into inviting him in after a night out after work is certainly not entirely chivalrous, but while he has decided alpha male qualities (as do all of Florand's heroes), he never forces Sarah to do anything she doesn't really very much want to do.
Sarah needs to decide whether she actually wants to follow her dream to be a pastry chef and accept that she may not be a failure just because she can't keep up with insanely driven craftsmen who are at the top of their field. She comes to realise that while her birth gave her mother and sister a safe home in America, she doesn't have to live her entire life to fulfil some sort of imagined standard of perfection to prove herself worthy to them. Patrick has clearly been burned so many times growing up, and has turned the very bitter lemons of his cruddy upbringing into some fairly awesome lemonade. Yet he's desperately worried about losing Sarah once he gets his chance with her, and of all the dreams he has ever dared nurture, a relationship with her is the one that he daren't even hope he might achieve.
Compared to some of the deep emotional issues of Florand's earlier couples, Sarah and Patrick's troubles seemed a bit more low key, and it was a relief after the last two, with some very messed up protagonists and drama to work through. Parts of this book overlaps with Florand's previous book in the series, The Chocolate Heart, but I suspect it works fine on its own as well. Florand has played around with fairy tale and mythology elements in previous novels, with influences from Rapunzel, Beauty and the Beast and the myth of Hades and Persephone. In this book, there are hints of Cinderella, but while Patrick may be a prince (his surname is even Chevalier - knight), Sarah is much more than the girl who loses her shoe and heart at the ball. The author's note at the end of the book and her blog suggests that this may be the last in her Amour et Chocolat series (apparently Luc's book was supposed to be the final one, but Patrick kept stealing scenes so she had to write his story too), but she has more books planned, set in the south of France, so I suspect I will still have her delectable writing to look forward to for a while yet.
Crossposted on Cannonball Read.
Friday, 24 January 2014
#CBR6 Book 6: "The Chocolate Heart" by Laura Florand
Page count: 320 pages
Rating: 3.5 stars
Disclaimer! I was granted an ARC of this book by Kensington Books via Netgalley in return for a fair and honest review.
Summer Corey hates Paris. It's a city where she was frequently abandoned to be raised by ever changing nannies while her parents were globe trotting or negotiating international business deals, and it's where she felt miserable, alone and outcast in boarding school from the age of thirteen. Having been forced back from her self-imposed exile, teaching on a small Pacific island, because her father has bought her a five star hotel as a Christmas present, Summer knows that everyone is only waiting to see what the spoiled and vacuous billionaire heiress will do to end up in the tabloids now.
Of course, mistaking the internationally acclaimed chef of the hotel's restaurant, Luc Leroi, for a hotel bellboy, and propositioning him rather bluntly is not getting her off to a good start. Luc, having worked his way up from begging in the Paris metro with his gypsy father to becoming the media darling and culinary superstar of French pastry, is appalled when Summer literally falls into his arms and proceeds to offer him a yacht, before passing out exhausted as soon as he gets her to her hotel room. He plans to seduce her with the most delectable desserts, only to discover that Summer Corey, through a series of very negative associations with sweet things, never eats them.
Summer needs to stay three rainy winter months in Paris, pretending to manage a hotel, so her father will donate a satellite to the islands she longs to return to, improving their communication with the outside world immensely. Luc is determined to win her over, and proceeds to outdo himself again and again with breathtaking culinary creations that Summer continues to reject. The entire hotel watches in fascination, wondering who will crack first, the stunning heiress or the perfectionist chef.
As I have mentioned in my previous reviews of her books, Florand writes to a formula. These books have extremely temperamental, arrogant and brilliant French chefs, who nonetheless are deeply emotionally vulnerable. They all seem to fall for women who are at least partly American, with emotional issues of their own. The men try to seduce the women using culinary arts, usually involving seemingly unreal creations made of chocolate, and after a lot of back and forth where they battle their insecurities, they find their HEA.
Florand works really hard to make the readers feel sympathy with Summer, and make us realise why she has very legitimate reasons for hating Paris, and having behaved like a spoiled and outrageous brat for much of her life. To say that she has enormous daddy issues is an understatement, and she seems to think that the way to punish her parents is by throwing everything like self respect out the window and use her body to manipulate men as best she can, preferably to provoke her father as much as possible. It doesn't help that he literally blackmails her in an attempt to give up her dreams, and never really seems to compliment her for anything. But the fact remains, she's insanely wealthy and because of her upbringing, quite sheltered to the issues that less obscenely rich people have to go through, and in my opinion, it takes far too long for her to realise that her behaviour towards Luc at the start of the book is wildly inappropriate and offensive to boot.
While I normally really enjoy these romances, there was something about this book that didn't grab me as much. Whether it was the fact that Luc was so intensely controlled and refused to relinquish said control for the longest time, or it was just that it took me more than half the book to warm up to Summer as a truly sympathetic heroine, I'm not sure. All I know is that I didn't enjoy this book quite as much as Florand's earlier works. It's by no means bad, though, but I'm not going to add it to my own library until I find it for sale. The next book features Luc's second in command/foster brother as the hero, and as he is wonderful in this book, I'm looking forward to his story.
Crossposted on Cannonball Read.
Rating: 3.5 stars
Disclaimer! I was granted an ARC of this book by Kensington Books via Netgalley in return for a fair and honest review.
Summer Corey hates Paris. It's a city where she was frequently abandoned to be raised by ever changing nannies while her parents were globe trotting or negotiating international business deals, and it's where she felt miserable, alone and outcast in boarding school from the age of thirteen. Having been forced back from her self-imposed exile, teaching on a small Pacific island, because her father has bought her a five star hotel as a Christmas present, Summer knows that everyone is only waiting to see what the spoiled and vacuous billionaire heiress will do to end up in the tabloids now.
Of course, mistaking the internationally acclaimed chef of the hotel's restaurant, Luc Leroi, for a hotel bellboy, and propositioning him rather bluntly is not getting her off to a good start. Luc, having worked his way up from begging in the Paris metro with his gypsy father to becoming the media darling and culinary superstar of French pastry, is appalled when Summer literally falls into his arms and proceeds to offer him a yacht, before passing out exhausted as soon as he gets her to her hotel room. He plans to seduce her with the most delectable desserts, only to discover that Summer Corey, through a series of very negative associations with sweet things, never eats them.
Summer needs to stay three rainy winter months in Paris, pretending to manage a hotel, so her father will donate a satellite to the islands she longs to return to, improving their communication with the outside world immensely. Luc is determined to win her over, and proceeds to outdo himself again and again with breathtaking culinary creations that Summer continues to reject. The entire hotel watches in fascination, wondering who will crack first, the stunning heiress or the perfectionist chef.
As I have mentioned in my previous reviews of her books, Florand writes to a formula. These books have extremely temperamental, arrogant and brilliant French chefs, who nonetheless are deeply emotionally vulnerable. They all seem to fall for women who are at least partly American, with emotional issues of their own. The men try to seduce the women using culinary arts, usually involving seemingly unreal creations made of chocolate, and after a lot of back and forth where they battle their insecurities, they find their HEA.
Florand works really hard to make the readers feel sympathy with Summer, and make us realise why she has very legitimate reasons for hating Paris, and having behaved like a spoiled and outrageous brat for much of her life. To say that she has enormous daddy issues is an understatement, and she seems to think that the way to punish her parents is by throwing everything like self respect out the window and use her body to manipulate men as best she can, preferably to provoke her father as much as possible. It doesn't help that he literally blackmails her in an attempt to give up her dreams, and never really seems to compliment her for anything. But the fact remains, she's insanely wealthy and because of her upbringing, quite sheltered to the issues that less obscenely rich people have to go through, and in my opinion, it takes far too long for her to realise that her behaviour towards Luc at the start of the book is wildly inappropriate and offensive to boot.
While I normally really enjoy these romances, there was something about this book that didn't grab me as much. Whether it was the fact that Luc was so intensely controlled and refused to relinquish said control for the longest time, or it was just that it took me more than half the book to warm up to Summer as a truly sympathetic heroine, I'm not sure. All I know is that I didn't enjoy this book quite as much as Florand's earlier works. It's by no means bad, though, but I'm not going to add it to my own library until I find it for sale. The next book features Luc's second in command/foster brother as the hero, and as he is wonderful in this book, I'm looking forward to his story.
Crossposted on Cannonball Read.
Wednesday, 24 July 2013
#CBR5 Book 100. "The Chocolate Rose" by Laura Florand
Page count: 253 pages
Rating: 4 stars
Jolie Manon's father was one of the very top chefs of France, before his restaurant lost it's third Michelin star, and he had a stroke. Now Jolie is trying to coax him back into greatness, with a cookbook featuring several of his most famous recipes, although her father is cranky and despondent and refuses to be seen in public. Of course, she can't tell her father that they're being sued, by his former employee, now a star chef in his own right. Jolie needs to go to the Côte d'Azur to negotiate some sort of compromise. She's worried that news of the lawsuit is going to make her father have a relapse.
Gabriel Delange has a three star restaurant in Provence, but still can't believe that his old nemesis, Pierre Manon, has the gall to publish a cook book where at least a third of the recipes were invented by Gabriel, while he worked himself nearly to death to secure Manon the coveted third star, sacrificing his health and losing his girlfriend. Gabriel is furious to realise that Manon won't even face him personally, but sends his youngest daughter to negotiate. He's shocked to realise that his old nemesis had a stroke, but still can't forgive him. He knows that if he forces the issue, the old man may get sicker. Maybe he can blackmail the beautiful daughter into making a deal on her father's behalf?
Jolie remembers Gabriel as a skinny and constantly overworked young man from her father's kitchen. She's not prepared for the burly, muscular and very loud man she encounters, and she certainly hadn't expected to be completely incapacitated by her attraction to him. When he promises that he will drop the lawsuit if she works on a cookbook with him, spending three days a week working in close proximity with him, she has no choice but to agree. She wants to make a name for herself as a food writer, and working with one of the star chefs of France certainly can't hurt. Of course, she remembers all too vividly how her parents' marriage fell apart, and her mother's dire warnings that she never get involved with a chef. Besides, what chance would she have with a man who considers her father his greatest enemy?
I adore Florand's romances, which seem very calculated to appeal to women on a number of levels. You have the tall, handsome, temperamental supremely confident and very capable heroes, all involved in some form of food preparation, be it chocolate, pastries or gourmet food. They're set in France, in supremely romantic locations, with lavish descriptions both of the surroundings and the many delectable things that the heroes create with their magical food preparation skills, and that they woo the heroines with. In this, Florand has also written a modern twist on a classic fairytale. There's the sick old man, the youngest and most loyal of three daughters. There's a stolen rose (in this case a famous dessert created by Gabriel, which Manon takes credit for and agrees to have on the cover of the cook book) and there is the daughter agreeing to spend time with a loud, beastly individual to protect her father's health. As variations of Beauty and the Beast go, this was a very creative and incredibly fun one.
I loved how Gabriel was both wonderfully arrogant and supremely confident both in his attractiveness and his skills as a chef, yet was so vulnerable because of his terrible luck in previous relationships and his desperate yearning for a stable, long-term relationship with a wife and kids. While Jolie has seen her parents' marriage dissolve because of her father's single-minded focus on his work, and is deeply aware of her mother's warnings, she's also clearly fascinated with the work of top chefs, and loves spending time in busy kitchens. She understands what drives Gabriel, and as she feels a need to be alone a lot, his demanding work schedule is not actually a major obstacle. Like Florand's previous novels, this was a delight to read. I can't wait for her next one.
Rating: 4 stars
Jolie Manon's father was one of the very top chefs of France, before his restaurant lost it's third Michelin star, and he had a stroke. Now Jolie is trying to coax him back into greatness, with a cookbook featuring several of his most famous recipes, although her father is cranky and despondent and refuses to be seen in public. Of course, she can't tell her father that they're being sued, by his former employee, now a star chef in his own right. Jolie needs to go to the Côte d'Azur to negotiate some sort of compromise. She's worried that news of the lawsuit is going to make her father have a relapse.
Gabriel Delange has a three star restaurant in Provence, but still can't believe that his old nemesis, Pierre Manon, has the gall to publish a cook book where at least a third of the recipes were invented by Gabriel, while he worked himself nearly to death to secure Manon the coveted third star, sacrificing his health and losing his girlfriend. Gabriel is furious to realise that Manon won't even face him personally, but sends his youngest daughter to negotiate. He's shocked to realise that his old nemesis had a stroke, but still can't forgive him. He knows that if he forces the issue, the old man may get sicker. Maybe he can blackmail the beautiful daughter into making a deal on her father's behalf?
Jolie remembers Gabriel as a skinny and constantly overworked young man from her father's kitchen. She's not prepared for the burly, muscular and very loud man she encounters, and she certainly hadn't expected to be completely incapacitated by her attraction to him. When he promises that he will drop the lawsuit if she works on a cookbook with him, spending three days a week working in close proximity with him, she has no choice but to agree. She wants to make a name for herself as a food writer, and working with one of the star chefs of France certainly can't hurt. Of course, she remembers all too vividly how her parents' marriage fell apart, and her mother's dire warnings that she never get involved with a chef. Besides, what chance would she have with a man who considers her father his greatest enemy?
I adore Florand's romances, which seem very calculated to appeal to women on a number of levels. You have the tall, handsome, temperamental supremely confident and very capable heroes, all involved in some form of food preparation, be it chocolate, pastries or gourmet food. They're set in France, in supremely romantic locations, with lavish descriptions both of the surroundings and the many delectable things that the heroes create with their magical food preparation skills, and that they woo the heroines with. In this, Florand has also written a modern twist on a classic fairytale. There's the sick old man, the youngest and most loyal of three daughters. There's a stolen rose (in this case a famous dessert created by Gabriel, which Manon takes credit for and agrees to have on the cover of the cook book) and there is the daughter agreeing to spend time with a loud, beastly individual to protect her father's health. As variations of Beauty and the Beast go, this was a very creative and incredibly fun one.
I loved how Gabriel was both wonderfully arrogant and supremely confident both in his attractiveness and his skills as a chef, yet was so vulnerable because of his terrible luck in previous relationships and his desperate yearning for a stable, long-term relationship with a wife and kids. While Jolie has seen her parents' marriage dissolve because of her father's single-minded focus on his work, and is deeply aware of her mother's warnings, she's also clearly fascinated with the work of top chefs, and loves spending time in busy kitchens. She understands what drives Gabriel, and as she feels a need to be alone a lot, his demanding work schedule is not actually a major obstacle. Like Florand's previous novels, this was a delight to read. I can't wait for her next one.
Saturday, 23 March 2013
#CBR5 Book 31. "The Chocolate Kiss" by Laura Florand
320 pages
Rating: 4 stars
Magalie Chaudron lives high in a tower over the tiny tea salon La Maison des Sorcières (the witches' house). In the window there is always a unique chocolate display depicting magical wonders, the walls are decorated with witches' hats and customers can buy divine hot chocolate that Magalie has stirred wishes of happiness and prosperity into. When world renowned pastry chef Philippe Lyonnais decides to open his most recent pastry shop just down the street from their salon, Magalie is convinced this will steal all their customers away and drive the aunts out of business. She goes to warn Philippe to stay away, but only succeeds in making him more determined.
Philippe is enchanted with the fierce woman who comes to his shop and tries to make him move his shop. He tries to placate her with a macaron made from his own hand, and she flatly refuses. In return, he refuses all of Magalie's attempts to try her hot chocolate, not entirely certain the little witch hasn't added poison to it, or whether drinking it will turn him into a toad. No matter how hateful she is to him, he is determined to win her over, becoming obsessed with discovering the perfect creation to make her fall for him, as he has fallen for her.
The Chocolate Kiss is a sequel of sorts to The Chocolate Thief, and feature cameos from Sylvain and Cade briefly, but the reader in no way needs to have read the first to enjoy the second. While The Chocolate Thief was a fluffy, light-hearted romp, there is more angst and a much slower build-up in this one. Magalie is a terribly stubborn and determined, and self-sufficient to the point of idiocy, with massive trust issues and a huge fear of commitment because her parents kept uprooting her throughout her childhood and adolescence, until she never had a proper home or anyone she could rely on.
She creates this perceived image of Philippe as a spoiled, arrogant fairy-tale prince, who will ride in to her fairy-tale existence on the Ilê de St. Louis in Paris, and lay waste to all she holds dear. She's convinced that if her aunt's cafe loses its customers, she will lose her safe haven and have to move yet again, and never stops to listen to her aunts when they tell her that they're quite happy for the tea shop to remain a secret, known only to some, and that they really don't need the revenue from it. As she keeps fighting her attraction to Philippe, her wishes seem to drive every woman who drinks a cup of her chocolate straight towards his pastry shop, until it drives him mad with frustration.
Philippe is not particularly spoiled, and has worked very hard to become as famous as he is. Like Sylvain, he can be seen as arrogant, because he knows he has no rivals in his field. A driven man, he has enormous self control, in all matters that don't concern Magalie. Because of his supportive family and thoroughly functional and happy upbringing, he is also patient and secure enough in his feelings for her that even when she tries her best to drive him away, desperately afraid that she'll get hurt, he endures Magalie's tantrums and insecurities, certain that with time, he can draw the witch out of her ivory tower and they will have their happily ever after.
On quite a few occasions while reading this book, I really did want to shake Magalie and tell her to snap out of it, and kind of thought that Philippe should probably move on and find someone who actually deserved his awesomeness, but at the same time, Florand takes the time to show why she has such a difficult time trusting people and opening herself up to others. It would have been a lot more unsatisfying and unrealistic if she jumped into Philippe's arms, ready for her HEA after one kiss and the slow build from antagonists to lovers was different from what I'd expected when reading The Chocolate Thief, but no less satisfying.
Rating: 4 stars
Magalie Chaudron lives high in a tower over the tiny tea salon La Maison des Sorcières (the witches' house). In the window there is always a unique chocolate display depicting magical wonders, the walls are decorated with witches' hats and customers can buy divine hot chocolate that Magalie has stirred wishes of happiness and prosperity into. When world renowned pastry chef Philippe Lyonnais decides to open his most recent pastry shop just down the street from their salon, Magalie is convinced this will steal all their customers away and drive the aunts out of business. She goes to warn Philippe to stay away, but only succeeds in making him more determined.
Philippe is enchanted with the fierce woman who comes to his shop and tries to make him move his shop. He tries to placate her with a macaron made from his own hand, and she flatly refuses. In return, he refuses all of Magalie's attempts to try her hot chocolate, not entirely certain the little witch hasn't added poison to it, or whether drinking it will turn him into a toad. No matter how hateful she is to him, he is determined to win her over, becoming obsessed with discovering the perfect creation to make her fall for him, as he has fallen for her.
The Chocolate Kiss is a sequel of sorts to The Chocolate Thief, and feature cameos from Sylvain and Cade briefly, but the reader in no way needs to have read the first to enjoy the second. While The Chocolate Thief was a fluffy, light-hearted romp, there is more angst and a much slower build-up in this one. Magalie is a terribly stubborn and determined, and self-sufficient to the point of idiocy, with massive trust issues and a huge fear of commitment because her parents kept uprooting her throughout her childhood and adolescence, until she never had a proper home or anyone she could rely on.
She creates this perceived image of Philippe as a spoiled, arrogant fairy-tale prince, who will ride in to her fairy-tale existence on the Ilê de St. Louis in Paris, and lay waste to all she holds dear. She's convinced that if her aunt's cafe loses its customers, she will lose her safe haven and have to move yet again, and never stops to listen to her aunts when they tell her that they're quite happy for the tea shop to remain a secret, known only to some, and that they really don't need the revenue from it. As she keeps fighting her attraction to Philippe, her wishes seem to drive every woman who drinks a cup of her chocolate straight towards his pastry shop, until it drives him mad with frustration.
Philippe is not particularly spoiled, and has worked very hard to become as famous as he is. Like Sylvain, he can be seen as arrogant, because he knows he has no rivals in his field. A driven man, he has enormous self control, in all matters that don't concern Magalie. Because of his supportive family and thoroughly functional and happy upbringing, he is also patient and secure enough in his feelings for her that even when she tries her best to drive him away, desperately afraid that she'll get hurt, he endures Magalie's tantrums and insecurities, certain that with time, he can draw the witch out of her ivory tower and they will have their happily ever after.
On quite a few occasions while reading this book, I really did want to shake Magalie and tell her to snap out of it, and kind of thought that Philippe should probably move on and find someone who actually deserved his awesomeness, but at the same time, Florand takes the time to show why she has such a difficult time trusting people and opening herself up to others. It would have been a lot more unsatisfying and unrealistic if she jumped into Philippe's arms, ready for her HEA after one kiss and the slow build from antagonists to lovers was different from what I'd expected when reading The Chocolate Thief, but no less satisfying.
Thursday, 21 March 2013
#CBR5 Book 29. "The Chocolate Thief" by Laura Florand
Page count: 320 pages
Rating: 4 stars
Cade Corey, heir to a multi-billion dollar fortune, whose family makes the mass produced chocolate bars sold in every supermarket in America, wants to establish a gourmet chocolate line, and she wants the name of a top of the line French chocolatier to help her sell the enterprise. As Sylvain Marquis is the most sought after and famous French chocolate artisan, she offers him the chance to make a fortune, and he turns her down flat, outraged at her impudence. Having worked his way up to become the best, he will not sell out to some presumptuous American, whose family makes what can barely be called chocolate.
Not one to give up easily, Cade resolves to put the arrogant, but oh so handsome man out of her mind, convinced that her family's fortunes and the promise to make insane amounts of money will sway one of the chocolatiers of Paris to join in her business venture. Of course, forgetting Sylvain Marquis would be a lot easier if the flat she had rented didn't overlook his shop, and she didn't keep running into him in shops and restaurants in the area. Her father thinks she is foolish to be wasting time in Paris in the first place, her grandfather encourages her to conduct industrial espionage and steal Sylvain's secrets. So when the opportunity arises to do just that, Cade sneaks into Sylvain's labratoire to see what she can find. Her snooping doesn't go undetected, however, and soon the Internet food blogs are abuzz with rumours of a chocolate thief stealing the delectable Marquis chocolates in the dead of night.
I discovered this book thanks to the Dabwaha tournament, an annual March Madness style competition, run by Smart Bitches, Trashy Books and Dear Author. As the book was also fortuitously on sale on Amazon the other week, I jumped at the chance to try it (not just because reading about hot Frenchmen who can do wonders with chocolate is much more fun than doing correction work), and I'm very glad I did. It was a very quick read, and I'm sure that if I'd spent days over it, I could have found more flaws. But I didn't, and I don't want to pick holes in it.
Sylvain Marquis is a wonderful hero, at once both arrogant and self-assured about his professional expertise, yet surprisingly insecure and doubtful about himself and his ability to impress women. He knows he's the best at what he does in terms of chocolate, and he knows he can win practically any woman over with the promise of his sinfully delicious gourmet treats, but never having had any success holding on to women long-term, and having been a gangly teenager who kept getting friend-zoned, he's still terrified that Cade will leave him, like all the other beautiful women have.
Cade has never met anyone who isn't impressed with her family's money and influence, and is baffled when she comes to Paris and everyone seems to find her money vulgar and offensive. Even offering exorbitant sums of money won't get her a carton of milk at a café, and the Corey family name is certainly not something any chocolatier worth his salt in France will want to be associated with. Everyone assumes she's had an easy life because of her money, when in fact, her stay in Paris is the first time in years she's had any time to herself. She's used to people constantly asking for help to fund things, and aware that most men can't see past her vast fortune to see the woman she really is. She's hard working, diligent and very loyal to her family and all the people who depend on her in the business, but in Sylvain's labratoire she experiences a magical world that she desperately wants to be a part of. That the owner of that world attracts her and infuriates her to no end, makes her livid, but she also finds it refreshing that he seems drawn to her despite her money, not because of it.
Florand clearly loves Paris, and chocolate, and chocolate making makes for a surprisingly sexy setting for a romance. It's probably not surprising that a gorgeous man who creates amazing chocolates makes for an attractive romantic hero, but it's his insecurities, and the fact that he's not actually very good with women that makes Sylvain so likable. He keeps screwing up and saying and doing the wrong things, and then he's not afraid to admit his mistakes and apologise, trying to make amends. While he's appalled by her attempts to buy his name for her company, Sylvain decides he wants to seduce Cade fairly early on, and he works very systematically and cleverly to do so. It takes a strong and stubborn woman to withstand his attentions for as long as Cade did.
There is apparently already another book in the series, which various review assure me is even more enjoyable than this one. So I will definitely be checking out more of Florand's books.
Rating: 4 stars
Cade Corey, heir to a multi-billion dollar fortune, whose family makes the mass produced chocolate bars sold in every supermarket in America, wants to establish a gourmet chocolate line, and she wants the name of a top of the line French chocolatier to help her sell the enterprise. As Sylvain Marquis is the most sought after and famous French chocolate artisan, she offers him the chance to make a fortune, and he turns her down flat, outraged at her impudence. Having worked his way up to become the best, he will not sell out to some presumptuous American, whose family makes what can barely be called chocolate.
Not one to give up easily, Cade resolves to put the arrogant, but oh so handsome man out of her mind, convinced that her family's fortunes and the promise to make insane amounts of money will sway one of the chocolatiers of Paris to join in her business venture. Of course, forgetting Sylvain Marquis would be a lot easier if the flat she had rented didn't overlook his shop, and she didn't keep running into him in shops and restaurants in the area. Her father thinks she is foolish to be wasting time in Paris in the first place, her grandfather encourages her to conduct industrial espionage and steal Sylvain's secrets. So when the opportunity arises to do just that, Cade sneaks into Sylvain's labratoire to see what she can find. Her snooping doesn't go undetected, however, and soon the Internet food blogs are abuzz with rumours of a chocolate thief stealing the delectable Marquis chocolates in the dead of night.
I discovered this book thanks to the Dabwaha tournament, an annual March Madness style competition, run by Smart Bitches, Trashy Books and Dear Author. As the book was also fortuitously on sale on Amazon the other week, I jumped at the chance to try it (not just because reading about hot Frenchmen who can do wonders with chocolate is much more fun than doing correction work), and I'm very glad I did. It was a very quick read, and I'm sure that if I'd spent days over it, I could have found more flaws. But I didn't, and I don't want to pick holes in it.
Sylvain Marquis is a wonderful hero, at once both arrogant and self-assured about his professional expertise, yet surprisingly insecure and doubtful about himself and his ability to impress women. He knows he's the best at what he does in terms of chocolate, and he knows he can win practically any woman over with the promise of his sinfully delicious gourmet treats, but never having had any success holding on to women long-term, and having been a gangly teenager who kept getting friend-zoned, he's still terrified that Cade will leave him, like all the other beautiful women have.
Cade has never met anyone who isn't impressed with her family's money and influence, and is baffled when she comes to Paris and everyone seems to find her money vulgar and offensive. Even offering exorbitant sums of money won't get her a carton of milk at a café, and the Corey family name is certainly not something any chocolatier worth his salt in France will want to be associated with. Everyone assumes she's had an easy life because of her money, when in fact, her stay in Paris is the first time in years she's had any time to herself. She's used to people constantly asking for help to fund things, and aware that most men can't see past her vast fortune to see the woman she really is. She's hard working, diligent and very loyal to her family and all the people who depend on her in the business, but in Sylvain's labratoire she experiences a magical world that she desperately wants to be a part of. That the owner of that world attracts her and infuriates her to no end, makes her livid, but she also finds it refreshing that he seems drawn to her despite her money, not because of it.
Florand clearly loves Paris, and chocolate, and chocolate making makes for a surprisingly sexy setting for a romance. It's probably not surprising that a gorgeous man who creates amazing chocolates makes for an attractive romantic hero, but it's his insecurities, and the fact that he's not actually very good with women that makes Sylvain so likable. He keeps screwing up and saying and doing the wrong things, and then he's not afraid to admit his mistakes and apologise, trying to make amends. While he's appalled by her attempts to buy his name for her company, Sylvain decides he wants to seduce Cade fairly early on, and he works very systematically and cleverly to do so. It takes a strong and stubborn woman to withstand his attentions for as long as Cade did.
There is apparently already another book in the series, which various review assure me is even more enjoyable than this one. So I will definitely be checking out more of Florand's books.
Subscribe to:
Posts (Atom)








