This is my book blog, where I review books I read as part of Cannonball Read 18, where members compete to be the first to reach 52 reviews. We also try to get people excited about books and reading, and make money for cancer charities. As always, I will be reading and reviewing in memory of friends and family who died of cancer in the past few years. Wish me luck!
Sunday, 11 October 2020
#CBR12 Book 73: "The Diviners" by Libba Bray
Sunday, 4 October 2020
#CBR12 Book 69: "Emerald Blaze" by Ilona Andrews
Saturday, 3 October 2020
#CBR12 Book 68: "Viscount Vagabond" by Loretta Chase
Friday, 2 October 2020
#CBR12 Books 65-67: "The Sandman, part 1" by Neil Gaiman and Dirk Maggs
#CBR12 Bingo: Happy (I never thought that Sandman could be adapted into an audio story, so this made me very happy indeed)
Official book description:
When The Sandman, also known as Lord Morpheus - the immortal king of dreams, stories and the imagination - is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence. As the multi-threaded story unspools, The Sandman descends into Hell to confront Lucifer, chases rogue nightmares who have escaped his realm, and crosses paths with an array of characters from DC comic books, ancient myths, and real-world history, including: Inmates of Gotham City's Arkham Asylum, Doctor Destiny, the muse Calliope, the three Fates, William Shakespeare , and many more.
In July 1998, my life changed forever. In those days, I still lived in a suburb of Oslo and didn't necessarily visit the centre of the city all that often. When I did, I always took a trip to Avalon, the dedicated fantasy/sci-fi/all things nerd book shop there (the book shop sadly closed long ago now). On a display table near the front of the shop was Fables and Reflections, by no means the first volume in the long-running Sandman series, but an excellent introduction. I think Neil Gaiman had recently visited Oslo for the first time, and the shop was promoting his most famous work. I had never read any graphic novels before but was drawn by the description of the series. I bought the book, started reading it on the bus on the way home, and my mind was blown. I had never read anything like it before, and I was utterly hooked on the stories of dreams and nightmares, the family dramas with references to all manner of mythology, classical literature, comic books, and the like.
This was a time when Norwegian libraries were not particularly well-stocked with fantasy of any kind, and certainly not English-language comic books and graphic novels (I'm happy to say that that's changed massively over the last 20 years - one of the public library branches in Oslo is now dedicated entirely to comics and graphic novels in different languages. Hence, I had to buy each volume before I could read the full story. My records show that it took me about a year to get all ten volumes of trade paperbacks, some of which I've now had signed by Neil Gaiman himself.
Funny story, one of them isn't actually signed to Malin, because my dear friend Ben was a bit of an idiot back when he took my copy of Preludes and Nocturnes to a signing in Newcastle. This was back before I really knew him, and he was still just my then-boyfriend, now-husband Mark's school friend. See, Ben and another of Mark's school friends, Ruth, had initially joked that his Norwegian girlfriend's name was Helga. By the time Ben was taking one of my precious trade paperbacks to Newcastle to get it signed as a favour, he'd met me several times, and knew my name was Malin. But when he got to the front of the signing line, and Mr. Gaiman asked him who to sign the book to, Ben (lovable moron) blurted out Helga, and only after he'd left the shop remembered that it was not, in fact, my actual name. This is also why I have a signed copy of Anansi Boys, where Neil Gaiman apologizes to me for getting my name wrong.
So how do you successfully adapt what is both a written and a visual medium, you ask? You hire an excellent ensemble cast, so that all of the various characters we meet in the pages of the first three volumes of the graphic novel opus are voiced by different and distinct voices (there's a huge ensemble of people who do multiple voices over the course of the audio drama, but never in the same scenes, making it much easier to keep track of who's speaking at any given time). You also get someone to narrate and describe the various scenes and characters in them (or occasionally add descriptions of the setting and characters to the inner monologues of one or several of the people in a scene), so the listener is told what they would have seen on the page if they were reading the comic. That the narrator here is Neil Gaiman himself (whose voice I find very soothing) just seems extra fitting.
I read several reviews of this audio drama that complained that with very few exceptions, everything is kept exactly as it was in the original 90s comics, with no attempts to adapt or bring it more up to date. This was mentioned as a criticism, I didn't think it was a problem. I also know the source material being adapted exceptionally well, having read the comics multiple times. Even so, as I kept listening, I actually pulled my trade paperbacks off the shelf to halfway follow along. To someone who's never read the original graphic novels, it may be harder to follow the plot, even though the team who adapted did a very good job in filling in with background sounds to give you an idea of action and plot.
Each issue of the comic is one approximately 30-minute long episode, with little audio credits and everything. It felt like I was listening to an old-fashioned radio play, and I loved it. How well the adaptation works for you may also depend on how you feel about James McAvoy. I love him and his voice, and think he did a splendid job voicing Lord Morpheus. Kat Dennings worked surprisingly well as Death. The only one I wasn't entirely happy with was the guy playing Desire, whose voice just didn't "fit" with my mental image of what it should be.
A brief trigger warning towards the end. In both Preludes and Nocturnes, The Doll's House and Dream Country, there are elements of horror. The issue 24 Hours, for instance, where a number of people are kept trapped in a diner by an escaped Arkham Asylum inmate in control of Dream's ancient ruby and are slowly driven increasingly more insane over the course of the story was even more horrifying than it is on the page because all the various people got their own voices and felt more real than they do when you just read them. It was harder to stay detached. There are also stories of serial killers, and child abuse and women being raped and beaten - so be aware of that.
Now I'm left impatiently waiting and hoping that this becomes enough of a success for Audible that they'll choose to adapt the rest of the series as well. Recording audio dramas must be something that should be perfectly doable even now, with production halted on so many things due to Covid-19.
While I'm choosing to use this for my "Happy" square for this year's bingo, it could just as easily have fit with "Nostalgia", since this was such an important part both of my adolescence and so ground-breaking for comics in general during the 1990s.
Judging a book by its cover: I have tried to track down the name of the cover artist for the dark, broody image of Dream, without any luck. It's a good depiction of Lord Morpheus, and I like that it looks like he himself is made up of sand or dust and kind of blurring at the edges a bit.
Crossposted on Cannonball Read.
Saturday, 26 September 2020
#CBR12 Book 63: "Boyfriend Material" by Alexis Hall
#CBR12 Bingo: Reader's Choice (replaces How-To)
Official book description:
Wanted:
One (fake) boyfriend
Practically perfect in every way
Luc O'Donnell is tangentially--and reluctantly--famous. His rock star parents split when he was young, and the father he's never met spent the next twenty years cruising in and out of rehab. Now that his dad's making a comeback, Luc's back in the public eye, and one compromising photo is enough to ruin everything.
To clean up his image, Luc has to find a nice, normal relationship...and Oliver Blackwood is as nice and normal as they come. He's a barrister, an ethical vegetarian, and he's never inspired a moment of scandal in his life. In other words: perfect boyfriend material. Unfortunately, apart from being gay, single, and really, really in need of a date for a big event, Luc and Oliver have nothing in common. So they strike a deal to be publicity-friendly (fake) boyfriends until the dust has settled. Then they can go their separate ways and pretend it never happened.
But the thing about fake-dating is that it can feel a lot like real-dating. And that's when you get used to someone. Start falling for them. Don't ever want to let them go.
A lot of contemporary romances are marketed as rom-coms nowadays, but very few of them actually feel as if they fit the description. Boyfriend Material, on the other hand, is frequently laugh out loud funny (and not just if you went to university with a bunch of British poshos, so parts of this feel terribly familiar) and the plot is even structured as a traditional British rom-com, complete several quirky and supportive secondary characters (one group for each protagonist, with some overlap) and a plot with big third act complications, grand gestures to win the other back and so forth.
While I have known of Alexis Hall as a writer since he briefly reviewed new to him classic romances in a very witty way over on Dear Author a long time ago now, I've only actually read one other of his books, and that was back in 2014. That was also a m/m romance, but it was, if I recall, considerably more angsty and Hall's writing skills have greatly improved since then.
The vast majority of contemporary romance that gets published is set in the US, and that's not surprising. Yet this book is very British, and as someone who lived in the UK for six years, and lived in dorms with and interacted with a lot of the same people as several supporting characters in this book, it felt refreshing and very comforting that this was set in London, and people drank cups of tea when they were upset and did other things that felt very familiar to me.
Luc and Oliver work as a couple because they are both absolutely hopeless but in very different ways. They're just sort of getting by until they meet the other, who both complicates and improves their life. I loved both of them and had absolutely no problem understanding why they each had a number of very supportive friend groups, who invested a lot in getting their fake relationship to blossom into something actually real.
If The Right Swipe felt like it just wasn't entirely for me, at least not at the time when I read it, this book, however, seemed like it was exactly what I needed and just hadn't realised until the moment when I picked it up. I stayed up way too late into the night reading this, which in itself is unusual these days, when it takes a lot more for a book to catch and hold my attention. As I have already mentioned, it made me laugh out loud several times while reading it. That's not to say that there isn't seriousness throughout, as well.
I would love to see this book turned into an actual movie. Netflix seems to be doing big business resurrecting the rom-com as a profitable genre. Get on this, will you?
Judging a book by its cover: I've seen this cover compared to the cover for my beloved Red, White and Royal Blue several places online, which I find amusing, because with the exception of both books featuring two cartoon dudes on the cover, they look very little alike. The former book is bright pink, while this book is actually red, white and blue - so perhaps that is the source of the confusion? I do like the various nods to London sights on the cover, not to mention the absolutely essential cup of tea.
Crossposted on Cannonball Read
Thursday, 24 September 2020
#CBR12 Book 60: "Born to Run" by Bruce Springsteen
#CBR12 Book 59: "Angus, Thongs and Full-Frontal Snogging" by Louise Rennison
Wednesday, 16 September 2020
#CBR12 Book 58: "Bellweather Rhapsody" by Kate Racculia
Monday, 3 August 2020
#CBR12 Book 54: "Take a Hint, Dani Brown" by Talia Hibbert
Rating: 5 stars
#CBR12 Bingo: Yellow
- Zaf. Zafir "Zaf" Ansari used to be a professional rugby player (not like national level or anything, but he still had a promising career ahead of him). Then his father and beloved older brother died in a car accident, and Zaf's world imploded. The press got wind of the accident and the extra attention combined with his crippling grief caused him to spiral into anxiety and depression. Now, years later, Zaf is trying to use his knowledge both of mental health issues and athletics to teach young athletes to get in touch with their softer side and combat toxic masculinity. His sports charity isn't exactly going too well though, as Zaf could be better at social media than he is, and he's also deeply reluctant to advertise his past as a professional player, worried that his tragic back story is going to be brought up again. As well as being a super guy who volunteers to work with angry youths, Zaf is a loyal friend, great son, brother-in-law and uncle (I adored the relationship he had with all of them) and he reads romance novels in his spare time! He's also tall, and strong and fit and has a gorgeous beard. How can you not love a hero like that?
- Dani. While Danika "Dani" Brown is a much harder nut to crack, being super focused on her research, her Ph.D and her goal to becoming a professor. When she's focused on work, she can forget to sleep or eat, and certainly about things like a significant other's birthday or anniversaries and such. Due to a series of bad relationships, Dani has become convinced that she is utterly unlovable and that she has neither the time for or need of softer feelings like love and affection (despite the fact that she clearly loves and is deeply loved by her two sisters, her grandmother and her best friend Socha). She wants a no-strings-attached, purely sexual relationship with someone, but nothing involving mushy things like hand-holding, cuddling, spending the night together or the like.
- The various friend and family relationships in this book, both on Zaf's and Dani's side. There's an amazing cast of supporting characters here. With the exception of Sorcha, Dani's best friend, I'd "met" all of the ones on Dani's side before, in Get a Life, Chloe Brown. Dani's older sister Chloe; Red, Chloe's boyfriend; Eve, Dani's younger sister and their rather eccentric grandmother all appear to lend support at one point or another. On Zaf's side, there is his lovely mother, his best friend Jamal, his sister-in-law Kiran and his snarky niece Fatima (who is also one of Dani's students). These characters felt completely real to me. There's a tiny secondary romance happening behind the scenes between Jamal and Kiran, which I would also happily read a whole book about.
- The relationship between Dani and Zaf, even before they agree to 'fake date' and are just flirting and trading quips every morning. The way Dani is concerned about Zaf and his feelings, even when she claims not to care about anyone else. The way Zaf is utterly fascinated by all of Dani's knowledge and academic expertise and not at all threatened by the fact that she is brilliant and driven and has very clear career plans. The scenes where they are forced to play a 'newly-weds' type game on the radio, unexpected, and discover just how much they know about each other, even though they're only pretending to be a couple, is lovely and very funny.
- The grand gesture that Dani performs in order to prove to Zaf that she actually cares about him (and the secret she reveals that she's been working on in the epilogue - such squee!)
- Slightly spoilery - NO pregnancy epilogue, because for a lot of people, having babies is NOT the goal!
Crossposted on Cannonball Read.
Sunday, 2 August 2020
#CBR12 Book 53: "The Ten Thousand Doors of January" by Alix B. Harrow
Audio book length: 12 hrs 20 mins
Rating: 4 stars
#CBR12 Bingo: Debut
Crossposted on Cannonball Read.
Friday, 31 July 2020
#CBR12 Book 52: "Call Down the Hawk" by Maggie Stiefvater
Audio book length: 13 hrs 45 mins
Rating: 4 stars
#CBR12 Bingo: Orange
Crossposted on Cannonball Read.
#CBR12 Book 51: "The Disasters" by M.K. England
Thursday, 30 July 2020
#CBR12 Book 50: "Beach Read" by Emily Henry
Audio book length: 10 hrs 13 mins
Rating: 4 stars
Crossposted on Cannonball Read.
Sunday, 12 July 2020
#CBR12 Book 41: "The House in the Cerulean Sea" by TJ Klune
Rating: 5 stars
#CBR12 Bingo: I Wish (Travelling anywhere right now seems like an utter impossibility, but I would love to be able to hang out on Marsyas Island with its cast of unique residents)
Linus Baker does not live an exciting or interesting life. When he's not visiting orphanages and checking up on children and teens with unusual abilities or magical powers, he sits in his utterly anonymous cubicle and writes detailed and thorough reports. He goes home to his non-descript little house, occasionally exchanges words with his crabby neighbour, takes care of his vicious cat and the only thing he has that brings his life any brightness are his old records, which he listens to after work at night. He doesn't even dream of anything different, he just goes about his routine life, getting a bit older every day.
Then he's given a highly unusual assignment. He's summoned by the Extremely Upper Management at the Department in Charge of Magical Youth, who feel he'd be the perfect person to carry out a very confidential mission for them. He needs to travel (for the first time ever!) to Marsyas Island, to visit the orphanage there and determine whether or not the six children who live there are dangerous, and write his usual comprehensive reports, both on the life in the orphanage and about the enigmatic Arthur Parnassus, the man who runs it. He's not allowed to tell anyone about this assignment (not that he'd have anyone to share the news with) and he has to promise to be as forthright and thorough as he always has been in the past.
Linus packs up the Department's giant book of rules and regulations, a small suitcase of clothes and his anti-social cat and takes the train, from the dreary city where he lives (and it always seems to be raining) to the stunning coastal town of Marsyas, where everything looks like a stunning postcard and it seems like everything is in bright jewel-tone colours. He's met by a rather hostile young lady who escorts him over to the island and drives him to the orphanage. She knows who he works for and doesn't seem to believe that he has the children or the orphanage's best interests at heart.
Once he's at the orphanage, Linus meets the unusual charges who reside there: a gnome who keeps threatening to murder him and bury him in her lush garden; a forest-sprite; a wyvern who collects coins and buttons; a peculiar gelatinous green blob who wants to be a bellhop more than anything in the world; a nervous, young man who turns into a Pomeranian when startled; and last, but not least, the literal Antichrist. He also meets the charismatic and charming Arthur Parnassus, who unlike the woman who drove Linus to the island, doesn't seem all too worried about Linus' reports or the fact that he's there to report back to the Department in Charge of Magical Youth.
For the entirety of the first week, Linus is rather unsettled and worried, but as he spends more time on the island, getting to know its unusual residents, as well as the tensions they face with the residents of the nearest town, he starts to loosen up, opening himself up to new experiences and change. He begins to see that while the children all have abilities that may be considered a threat, they are also still just children, who need love, protection, acceptance, and a family, which Arthur provides for them. Yet Linus comes to understand that Arthur may be too over-protective, as well, and that the only way for the locals and the orphanage to co-exist peacefully, is if there is more openness and understanding between them.
The world is a truly miserable place the moment, even in the parts of Europe where we've successfully managed to flatten the curve enough to more or less go back to the way it was before Covid-19 hit (although everyone is strongly recommended not to travel abroad anywhere unnecessarily, and I'm not sure I'd feel comfortable doing it even if the government said it was safe). Reading can be a wonderful escape from the constant onslaught of depressing news stories, and this book is truly a blessing in dark times. It's clearly going to be on my top 10 best books of the year, and it's such a delightful, magical little story.
This book is all about the need for a proper home, for someone to understand you and support you and nurture the best qualities in you, while curbing your bad impulses. Linus has been alone for so long, living such a dreary life, he doesn't even know what to do with himself when that begins to change. All the children at Marsyas Island are so strange and unusual that they don't fit anywhere else. Some of them have been shuffled from place to place, without any sense of security. Arthur meets them with love and understanding, but clearly also sets firm rules and boundaries for them. He does, of course, also have a history and reasons for acting the way he does, and once his secrets are revealed, it's not surprising that he's wary about letting the children interact more with the wider world.
As well as a lovely story about finding your true home and the blessings of found family, there is a slow-burning romance at the centre of the story. Drab, self-conscious Linus doesn't entirely know what to do with himself around the glamorous Arthur, but it becomes clear that the attraction is mutual, if very slow-burning. There is also a sweet, unexpected secondary romance revealed towards the end of the book. I absolutely loved this book and can already see myself re-reading it for comfort in the years to come. If you're looking for a respite from the horrors of reality right now, it's well worth picking up.
Judging a book by its cover: While I love the cover image, with its pastel skies and beautiful, quirky scenery, I don't recall the orphanage described as perching precariously on a cliff's edge like that, ready to plummet into the ocean the next time a violent storm swept past. I can see that it adds to the fairy tale feel of the story, but would possibly have preferred if the house looked a bit less like a potential death trap.
Crossposted on Cannonball Read.
Thursday, 9 July 2020
#CBR12 Book 38: "House of Earth and Blood" by Sarah J. Maas
Rating: 4 stars
#CBR12 Bingo: Red
Official book description:
Half-Fae, half-human Bryce Quinlan loves her life. By day, she works for an antiquities dealer, selling barely legal magical artifacts, and by night, she parties with her friends, savoring every pleasure Lunathion—otherwise known as Crescent City— has to offer. But it all comes crumbling down when a ruthless murder shakes the very foundations of the city—and Bryce’s world.
Two years later, her job has become a dead end, and she now seeks only blissful oblivion in the city’s most notorious nightclubs. But when the murderer attacks again, Bryce finds herself dragged into the investigation and paired with an infamous Fallen angel whose own brutal past haunts his every step.
Hunt Athalar, personal assassin for the Archangels, wants nothing to do with Bryce Quinlan, despite being ordered to protect her. She stands for everything he once rebelled against and seems more interested in partying than solving the murder, no matter how close to home it might hit. But Hunt soon realizes there’s far more to Bryce than meets the eye—and that he’s going to have to find a way to work with her if they want to solve this case.
As Bryce and Hunt race to untangle the mystery, they have no way of knowing the threads they tug ripple through the underbelly of the city, across warring continents, and down to the darkest levels of Hel, where things that have been sleeping for millennia are beginning to stir…
There's a lot to like about this book, and I stand by the 4-star rating I gave it back in April, when I finished reading it. It does, however, have quite a few flaws as well, such as the constant swearing to indicate the change in its intended audience.
Secondly, NO way the book needed to be over 800 pages long. Just absolutely no need for it. The first third of the book or so is super slow and Maas pretty much does the opposite of info-dumping, she portions out little bits of relevant plot information so slowly it's infuriating. It isn't until the final 150 pages or so that the reader actually starts getting a clearer picture of everything that is going on and is able to fully engage with the characters and the story. Spending as long as Maas does introducing a bunch of characters that will then not be appearing in the rest of the story, except in flashbacks, seems a little redundant, even if she wants to show just how important they are to Bryce.
Thirdly, I don't want to speculate on whether it's patriarchal expectations or the author's own preferences that make her basically write descriptions of every female character as an exaggerated parody of the male gaze. We get it, Bryce and her various female friends are all super hot, while all looking completely different, they're clearly sexual fantasy fodder for anyone who fancies women. To be fair, most of the dudes seem to be pretty heavily objectified too, but the descriptions of them didn't seem to go into so much detail.
Finally, I understand that in books like this, there is by now an expectation of a central romance. I didn't really see that Bryce and Hunt needed to get together and found their romance a lot less interesting than pretty much all the other inter-personal relationships of the book.
So, what did I like? The world-building is excellent and I found both the ancient history and the details of the way Crescent City is built up really interesting. The various supernatural creatures and the Houses that belonged to was very cool and I'm sure we'll discover more about this in later stories. The failed rebellion and the harsh way the former rebels were punished was also intriguing, and once she actually got the plot underway, and didn't just establish background info, so to speak, the mystery that Bryce and Hunt have to unravel was rather fiendish.
I liked Bryce and her relationship with her brother, for all that it's fraught, shows a lot of promise. Friendship and loyalty is a very prominent theme throughout the book, and Bryce and Danika's friendship, in particular, was incredibly strong and important. The way Bryce eventually reconnect with her other friends after processing her grief was also very encouraging to me.
Once the plot really kicked into gear, I had trouble putting the book down and blazed through the final parts. Not entirely sure that the ending played by the rules as previously established in the story, there seemed to be some "deus ex" involved, but it was nevertheless very moving, and just like I will forgive rather a lot from big dumb action movies that entertain me, I can forgive quite a bit from books like this too (this is TOTALLY the literary equivalent of a summer blockbuster, at least if you ignore the too long, super slow start).
In conclusion, as the start of a new series, I liked it more than I liked Throne of Glass and A Court of Thorns and Roses. Now, Maas completely blew me away with book 2 of ACoToR, so I have high hopes that this series may improve exponentially now that the parameters of this new fantasy world have been established.
Judging a book by its cover: I know Maas herself loves this cover, and it's certainly elaborate. I just think that there may have been too much red used, and honestly have trouble making out all the details. I can see why the intention to make it look as if the cover image is pretty much saturated with blood is there, there's some pretty bloody and gruesome murders to be solved over the course of this book, but it seems like the various intricacies of the cover image might have been easier to distinguish if there wasn't quite so much red.
Crossposted on Cannonball Read.
#CBR12 Books 34-37: "The Murderbot Diaries" by Martha Wells
Total rating for the series: 4.5 stars
#CBR12Bingo: Gateway (this would work as an excellent gateway into sci-fi fiction)
All Systems Red - 4.5 stars
I have reviewed this first novella before, back in 2018, and my original post can be found here. I decided to re-read this first Murderbot story and then read the following three novellas in preparation of the full novel about everyone's favourite misanthropic sec unit, being released in May 2020. By now, when I've finally gotten around to writing my review, the book has of course been out for several months, and I have yet to find the time to read it (June REALLY wasn't a particularly good month for me, reading-wise).
Murderbot, of course, wishes that everyone would just leave it alone to enjoy all its downloaded entertainment, but instead, the humans they're supposed to protect keep getting into scrapes and it has to do its job as a Sec Unit. Once we went into lockdown, I would have happily just self-isolated at home and binge-watched Netflix and HBO, but instead I had to take care of and entertain a rapidly developing two-year-old, and remote teach up to ninety teenagers a week (15 of which I also had to call at least once a week to make sure they were doing OK), while my own mental health steadily deteriorated. Honestly, Murderbot is way better at performing its duties in a high-pressure environment than I have been for the last few months.
It was nice to revisit the beginning and get re-familiarised with the crew that got Murderbot to start feeling all those inconvenient feelings and emotions.
Artificial Condition - 4.5 stars
Murderbot doesn't want to become anyone's "pet" Sec Unit, instead, it goes off on its own, trying to figure out what actually happened in the mining disaster where it killed a number of humans and actually became Murderbot. Discovering the truth of the past will also help Dr Mensah, the kind human who technically now owns Murderbot, as further evidence against the big corporation that may or may not have tried to kill Dr Mensah, Murderbot and their entire crew can only come in handy.
Murderbot makes a new friend, who is even smarter than it is, a Research Vessel going by ART. After a slightly tense and antagonistic start to their relationship, Murderbot and ART bond over their love for space soaps.
Along the way on its new mission, Murderbot also encounters some new humans that it starts feeling protective of. It's all very inconvenient.
Of course, Murderbot's further adventures are just as entertaining, if not better, than the first novella. I really liked ART, and the friendship that developed between it and Murderbot. I also really like how Martha Wells manages to include slower, more introspective passages with tense and fast-paced action scenes, as well as more chances for Murderbot to develop and become more of its own individual.
Rogue Protocol - 4.5 stars
Murderbot continues in its quest to gather evidence against the evil GreyCris corporation and ends up on another mission, protecting hapless humans who don't know to take proper care of themselves. Murderbot needs to find an identity of its own because it's certainly no longer a proper SecUnit, but it's also not a human, nor does it want to become one. In this story, Murderbot meets a group of people travelling with a bot, who they treat with kindness and respect, a bit like a pet (the very fate Murderbot wishes to avoid). Yet Miki the bot, who is all that is optimistic and naive, so pretty much the diametrical opposite of Murderbot, comes to teach Murderbot some important lessons.
While Miki was an interesting character to introduce, I missed Murderbot's snarky friendship with ART in this one. It's also clear that the story is moving towards reuniting Murderbot with its first crew, and I kind of just wished the story would get to that place. Of the four novellas, this was my least favourite. By all means, very good, but it felt more of a bridging story than the others.
Exit Strategy - 5 stars
Murderbot still fights the notion that it has emotions or feelings, but it's pretty much the only thing that can explain why Murderbot decides to expose itself to danger when its actions in the previous story now means that GreyCris, the corrupt corporation that previously tried to kill Dr Mensah and her crew (while Murderbot was hired to protect them) in fact means has been able to take Dr Mensah hostage. Murderbot still doesn't want to be anyone's pet android, but Dr Mensah and her crew always treated Murderbot with respect and sometimes even kindness, and it cannot stand by and let GreyCris win.
Murderbot has to reunite with its old crew, convince them that it wants to help, then they have to find Mensah and rescue her, with everyone hopefully making it back to Preservation in one piece. Of course, Murderbot doubts it will be joining the others, it seems like GreyCris are pretty determined to take it down, once and for all.
As a lot of long-time readers of my reviews know, I don't tend to read a lot of sci-fi. I'm reading more of it since I started going to my local nerd bookstore's monthly book club since we alternate a fantasy and a sci-fi book every other month. Yet the Murderbot novellas are sci-fi that I thoroughly enjoy, probably because it's very heavily character-driven (even if our protagonist is not a human) and there is a very good balance of exciting action scenes and quieter introspective scenes where Murderbot has to interact with others and further develop as an individual. I'm very glad that Martha Wells has written a full-length novel about Murderbot now, and that there seems to be another coming out in 2021. I adore Murderbot's snary, misanthropic but secretly emotional self. I will happily keep reading whatever Ms. Wells chooses to publish.
Judging the books by their covers: All the novellas in the Murderbot series have very elegantly designed covers with a thoroughly science fiction feel. I don't think you'd doubt for a second what genre of book this was, with any of them.
Crossposted on Cannonball Read.


















