#CBR8 Book 81: "The Complete Maus" by Art Spiegelman

Page count: 296 pages
Rating: 4 stars

 The two volumes of Maus are Art Spiegelman's attempts to document the struggles of his parents before and during the Second World War, as well as his not always harmonious relationship with his elderly father. The framing narrative shows Art interviewing his father Vladek about his recollections of the time before and during the war, as well as trying to deal with his temperamental parent, despite their many differences. The illustrations are famous and the subject matter is, of course, very worthy.

So why didn't I love it? It's a graphic novel depiction of the persecution of the Polish Jews and their trials during the Holocaust, which also deals with the difficult aftermath and the struggle of the survivors' offspring to understand the trials of their parents. Art wasn't born until after the war, always extremely aware of his elder brother, who died, even as his parents tried to save him by sending him away. His mother Anja seems to have been mentally fragile, even before the war, and committed suicide. His father Vladek remarried, but seems to have made strange demands of both his new wife Mala and his son, and doesn't exactly seem like the easiest of people to live with or relate to.

I really liked the historical parts that dealt with Art's parents' lives before and during the war. The framing narrative worked a lot less well for me, mainly because Vladek was such a pain! Moody, crotchety, mean to his second wife (and occasionally his son). At the same time, it seems as if the son could absolutely spend more time with his father NOT constantly badgering him to recall painful memories so said son can turn it into an award winning graphic novel - there's just a lot of people here who I don't particularly like, even though their lives have clearly been tough and full of suffering.

These two graphic novels, collected in the one volume I read, are hugely acclaimed and have won tons of awards (including the Pulitzer), so it doesn't really matter what I think, one way or another. I wanted to love this, but found a lot of it hard going to read, not mainly because of the depiction pre- and during the Holocaust, but because I just couldn't really connect with the main characters. The art is very well done (while some might say that the portrayal of the Jews as mice and the Germans/Nazis as cats is overly simple, the way other humans are depicted, like the non-Jewish Polish being pigs, or the Americans being dogs is clever, I think. I also loved that when the Jews were trying to pass for non-Jewish, they wore little pig-masks over their faces) and I recognise the importance of the work, but it really wasn't entirely my cup of tea.

Judging a book by its cover: The cover of this is as iconic as the book itself, with Spiegelman's parents as the mice and the swastika and stylised Hitler-face (the Nazis all being cats), looming in the background. The red splash of the heading, bringing to mind both spray paint and blood.

Crossposted on Cannonball Read. 

#CBR7 Book 61: "The Boy in the Striped Pyjamas" by John Boyne

Page count: 218 pages
Rating: 2 stars

Nine-year-old Bruno lives in a big house in Berlin and is not at all happy when the household is packed up and he, his mother, his older sister and the servants are forced to travel by train to a new house, far away in the desolate countryside. He misses the bustling city, the house with such a great banister for sliding down, his grandparents, his friends, even his school. At the new house, there is no one to play with, just a small garden and a tall fence in the distance, reaching as far as the eye can see. He tries to convince his parents that they need to move back, but is hopeful that his new exile will only last for maybe a month.

Of course, Bruno is wrong, and he is forced to settle into his new home. His busy father has uniformed soldiers coming in and out of his office all the time, and doesn't really have time for his wife or children any more. Going off on his own to explore the countryside, Bruno walks along the tall barbed wire fence and one day meets a skinny boy, dressed in what appears to be striped pyjamas. The boy's name is Shmuel and Bruno discovers that he too is nine years old. Not only that, they share the same birthday. Bruno doesn't tell his family about his new friend and keeps sneaking back to the fence to talk to his new friend, who seems strangely reluctant to tell Bruno too much of the details of his life. As the boys' friendship develops, Bruno becomes more and more curious about Shmuel's life behind the fence. When he decides to crawl under a loose section of the fence, it has unexpected consequences.

I'm unsure of who the intended target audience for the book is. Because it's written from the POV of a naive and sheltered child, it may seem like a children's book. But because of the subtle ways in which the story is told, you need knowledge of World War II and the Holocaust to really understand what is going on. A child wouldn't understand that "The Fury" is Hitler and "Out With is in fact, Auschwitz-Birkenau, probably the most infamous and well-known of all of the Nazi's death camps. Apparently, the author wrote the first draft of the book in about two and a half days, and intends it as a "fable" about the war. Which may describe why the story seems a bit too simplistic.

I was also expecting that a book at least tangentially about the Holocaust would affect me more emotionally, but this book really didn't make me feel much of anything, except perhaps bafflement that at nine, Bruno can be so sheltered and naive, and unwilling to question his surroundings. In one review I saw of the book, the reviewer suggested that a lot of Bruno's character traits would be more believable in a younger boy, perhaps around 6. That a nine-year-old whose father is a Commandant in the Nazi army is unable to pronounce "Der Führer" correctly, seems unlikely. Since the family aren't moved to Poland until 1943, I find it very doubtful that Bruno, in his school in Berlin, hasn't been taught about the superiority of the Aryan race and the inferiority of the Jewish race. That he doesn't know about death camps is fair, but I find it hard to believe that he wouldn't know anything about the Jews as a people and a deeply hated race.

It's not a very long book, but neither Bruno (despite the fact that we see the story through his eyes) nor any of the other characters are particularly well defined. Bruno seems rather spoiled and very oblivious. His sister is only 12, but spends much of her time attempting to flirt with some of the officers working for her father. This made me deeply uncomfortable. Bruno's parents are pretty much non-entities, although it's suggested that Bruno's mother has a drinking problem and possibly has an affair with one of the same young officers that her pre-teen daughter is trying to flirt with. Shmuel is the person who interacts the most with Bruno, but he doesn't make much of an impression either. I also question how he's able to sneak away from his work duties all the time to sit by a fence (which should surely be much more heavily guarded than it is in this book) to chat with Bruno.

The ending seems inevitable from fairly early on, and was probably supposed to affect me. I would feel like a bad person for not being moved, but the characters were too simply drawn and the whole scenario just seemed implausible to me. I know the book was made into a film in 2008, and from the plot summary, it seems that the plot has possibly been made more complex and plausible - Bruno certainly doesn't seem completely unaware of what a Jew is. Based on the book, I doubt I'd be all that interested in seeing the film either, though.

Crossposted on Cannonball Read.

#CBR5 Book 72. "Rose Under Fire" by Elizabeth Wein

Page count. 480 pages
Rating: 5 stars

This book is a companion novel to Elisabeth Wein's Code Name Verity. You don't need to have read that book to understand this one, but you should anyway, because it's one of the best books I've read in years. And you like good books, don't you?

Rose Justice is a young American woman, working for the ATA in Britain during World War II. She made friends among the other ATA pilots, she's dating a young soldier, and she writes poetry in her spare time. Her job is to taxi planes to various locations, and is on an out of the ordinary mission to France, when her plane is captured by the Germans, and she is sent to Ravensbrück, the women's concentration camp during the autumn of 1944. As very little news of the camps was actually released during the war, and what little came out was usually so horrifying that people didn't think it could be true, Rose has no idea what she's in for.

As she doesn't speak German, Rose has trouble communicating with the guards or other prisoners. As she was captured in France, she is labelled a French prisoner, even though she's American. Her clothes are taken from her, her hair is savagely shorn off her head. The treatment of the prisoners is dreadful. She's taken to work in the Siemens factory, where the prisoners get better food, and the barracks are not so crowded, but when she realises that the items she's set to make are missile components, she refuses to do any work. She's brutally beaten as punishment, and sent to a different part of the camp once she recovers enough to work. There she meets the group known as the rabbits, young women who've had horrifying and brutal medical experiments performed on them, and who have terrible scars and deformities because of it. Many of the prisoners are former students, and they love Rose's poetry. By reciting poetry she knows from her school days, or creating her own, Rose helps keep her own and the other women's spirits up.

I don't want to go into too much detail about what happens in the book, because anyone vaguely familiar with the sort of treatment prisoners of concentration camps received, will already have an idea, and anyone who doesn't know about these things, needs to read this book asap. To anyone worried, I can say that much of the book is Rose's journal entries AFTER she's back in Paris having escaped from the camp at the end of the war, so while the book is heartbreaking and serious and harrowing, I can reveal that Rose survives her terrible ordeal. Much of the story is her trying to actually process the things that happened to her. The first quarter or so of the book is her life in the UK before she's captured, and the last quarter is set later, during the Nüremberg trials, when Rose has to decide whether she is strong enough to face her tormentors and testify during the post-War tribunals about what she went through.

As was the case with Code Name Verity, this book has beautiful, touching and utterly believable depictions of female friendship. This is an even more difficult book to read, because while the former book was about two women during the war, one a pilot, the other a spy captured by the Gestapo, this book is about a group of women trying to survive against all odds in a German concentration camp. As Wein says in her afterword, while Rose Justice and several of the other women she writes about in the camp are fictional, everything she writes about the treatment of the prisoners, the unbelievable and sickening medical experiments performed on the rabbits, and the situation in Ravensbrück during the final months of the war is all true. She writes the book to educate, inform and pass on the knowledge. While it's one of the worst books I can imagine to read on a plane (as I foolishly did, literally choking back tears and trying desperately to not sob uncontrollably several times during the story), it's a wonderfully written book. It's an important book. It's without a doubt going to show up on my best of the year list.

Disclaimer! I was granted an ARC of this from the Disney Book Group through NetGalley. This has in no way influenced my review.The book is released in the US on September 10th. However, the book is already out in the UK, where I bought my own copy.

#CBR5 Book 47. "Briar Rose" by Jane Yolen

Page count: 245 pages
Rating: 5 stars

Rebecca, or Becca, is the youngest of three sisters, and has always been captivated by her grandmother Gemma's unusual version of Briar Rose, or Sleeping Beauty. Even after her older sisters got sick of hearing it, she would ask her grandmother to tell it. So when her grandmother claims to actually have been Briar Rose on her deathbed, making Becca promise to find out the truth about her family background and the castle she came from, the rest of the family, especially her sisters, are scornful and disbelieving. As Becca starts looking into her grandmother's past, she realises that no one in the family really knew who Gemma was, or where she came from.

Aided by the handsome editor at the independent newspaper where she works, Becca starts looking into her grandmother's past, and the claims that her story of Briar Rose is true. Her quest to find her family's origins take her to first through refugee records in the US, then to Europe, and Poland, and the remains of the concentration camps of the Second World War.

I love me a good fairy tale retelling. This one is more creative and better than most that I've read. Normally these retellings are fantasy, this is not one of those books. Be warned that this is not an easy read, and while this is a fictional account, the remains of the death camp that Rebecca finds in the idyllic village of Chelmno in Poland, and the stories of what went on there, are all too real. The Sleeping Beauty story that Gemma tells is very clearly a loose metaphor for the terrifying atrocities perpetrated there during the war, and it's clear that Becca's grandmother survived against all odds.

Set in a time which will have been more or less contemporary when the book was released in 1992, it's even more of a historical novel now, when the collapse of the Soviet Union and Communist Poland is almost a distant memory. It gives us insight into not only the terrifyingly efficient and systematic persecution of the Jews by the Nazis, but also that of the homosexuals, Gypsies, and anyone else who didn't fit into their vision for the Third Reich. Not all the concentration camps were for the Jews, and not all of them were places were death camps. There were also the hard labour camps, where obscene medical experiments were performed on the prisoners. Recent historical research has shown that there were a lot more camps than we previously suspected, and the extermination machinery of the Nazis was a lot more wide-spread and gruesome than anyone could have believed. Books like this are necessary so coming generations can learn about the horror, and so that we never repeat our mistakes.