CBR16 Book 53: "Slow Dance" by Rainbow Rowell

Page count: 496 pages

Rating: 4.5 stars

Smart Bitches Summer Bingo: Plants or flowers on the cover

Cary and Shiloh were best friends in high school. They saw each other every day, told each other everything, and were utterly inseparable. Everyone thought they were in love and would end up together, but by graduation, they're still just friends. Both come from unstable family environments and dream of getting out of Omaha. Shiloh is going to college to become an actress and Cary has joined the Navy. Once Cary finishes boot camp, he is certain what he wants and needs to do. He shows up at Shiloh's college and they spend 48 hours together, finally acting on their long-repressed feelings for one another. But neither of them is old or mature enough to say what they actually want and need. Shiloh knows Cary has dreamed of seeing the world and getting away from Omaha his whole life, she's not going to stop him from going. Cary has waited and longed for years, but since Shiloh seems perfectly happy to send him on his way, he assumes he misinterpreted her affections.

The two of them don't speak again for fourteen years. Shiloh gets married, has two kids, gets divorced. Cary works diligently in the Navy, slowly advancing in rank. They both get the occasional update about the other's life from their friend Mikey, who was also their best friend (but never like THAT). When Mikey marries for the second time in 2006, both Cary and Shiloh are hoping the other will be there, without wanting to admit to themselves why it's so vital for them to reunite. Shiloh is late for the ceremony, but shows up for the reception, and despite Cary being one of the groomsmen, he and Shiloh pretty much ignore everyone else the whole time, just talking, and eventually slow dancing the evening away. 

Meeting at the wedding may mean another chance for them, but neither Cary nor Shiloh are the unencumbered teenagers they once were. Shiloh is a divorced mother with two young children who lives in her childhood home with her mother, she has a manipulative ex-husband and a job she enjoys. Cary is only back in Omaha on leave for a few days, desperately trying to sort out the finances of his elderly mother and still working for the Navy. He's going to be on a ship in the Pacific for months. They finally manage to talk about their brief, passionate weekend so long ago, and the misunderstandings that led to their heartbreak and disappointment and having no contact for so long. They promise to keep in touch from now on, and Shiloh agrees to help out if something happens to Cary's mother.

This time, when Cary leaves, it's not a total goodbye. He and Shiloh send texts and e-mails and Shiloh steps in and helps when Cary's mother has a fall and needs to be taken to the hospital. Six months of e-mails, letters and care packages later, Cary is sure what he needs to do. But is it too late, has he misinterpreted things again? Can he convince Shiloh that while they squandered more than a decade of their pasts, there is still hope for their future?

I started reading this pretty immediately after finishing Sanctuary by Ilona Andrews. On the surface, the contrast between the two stories could hardly have been greater. One is an action-packed paranormal story full of magical critters and dark gods, while the other is a slow-burn contemporary novel full of wistfulness and regrets. However, both stories are about adults who have been through a lot of disappointment and hardship in their lives and are just doing their best to get by. There is a hope of reconciliation and new beginnings in each of them. 

Rainbow Rowell is one of my favourite authors. After writing the Simon Snow trilogy and for a few different Marvel comics titles, this is her first novel for adults in a decade. Alternating between the characters' present in 2006 and their past, in the 1990s, when Rowell herself was in high school, this story is absolutely not for teens. Shiloh and Cary are in their early thirties and have both lived a life, much of it away from each other, yet never really forgetting about the other. 

For a lot of this book, I felt frustrated about how many misunderstandings and how much of the story was complicated by a failure of the characters to communicate clearly. Rowell has said that of her previous novels, this one is probably a tonal sibling to Eleanor & Park, and that is a good comparison. Neither Cary nor Shiloh had happy, stable home lives growing up. They have messy family situations and life seems to throw a lot of obstacles in their path to a possible happy ending. Rowell also makes it very clear that teenagers are rarely the best at expressing themselves or knowing exactly what they want and need in any given situation. 

While the plot in 2006 progresses in chronological order, the flashbacks to the past keep jumping back to various points in Shiloh and Cary's friendship. The POV changes between Shiloh and Cary and the reader is privy to their thoughts and hopes and therefore the mutual pining for so long throughout the book. It's a very romantic story, for all that it is slow and wistful and the characters have a lot of baggage to work through before daring to take the plunge and love again. 

Both Shiloh and Cary are damaged people, who find it hard to trust. It's one of the reasons they found closeness in their teenage years, and why they still can't let go of the hope of the other, even after fourteen years apart. There's quite a bit of pain and angst before our characters finally get their happy ending, but it feels so worth it once they do. When I got the chance to buy a signed hardback copy while visiting the US, I happily took it, even though I'd already pre-ordered the book to my e-reader months before. Considering how dreadful the exchange rate is for Norwegians at the moment, that should tell you something of my love and dedication to Ms. Rowell. 

Judging a book by its cover: I really don't like the green of the cover (which is slightly lighter on the actual book than in this picture). It feels sort of putrid. The crushed, slightly wiled corsage on the cover seems very appropriate though, considering the story within. It can symbolise a number of things. 

Crossposted on Cannonball Read

CBR16 Book 52: "Sanctuary" by Ilona Andrews

Page count: 152 pages

Rating: 4.5 stars

Nowhere Bingo: Takes place during a holiday/holiday season (this is set around Christmas/a bunch of pagan midwinter rites)

362 days of the year, Roman, Black Volhv of Atlanta, dutifully serves Chernobog, the god of Destruction, Darkness, and Death. He just wants a few days of peace, to enjoy his stew, eggnog, and cookies, but it is not to be. One of the infernal paranormal critters that loves him has cleaned out both his eggnog and cookie stash and to make matters worse, there's an injured teenager on his property, begging him for sanctuary. The youth, protectively clutching a puppy, promises his sister will come for him soon, and though he really doesn't want any trouble, Roman isn't about to let the defenseless young man and his pup be harmed. 

It doesn't take long before Roman has to deal with elite mercenaries, combat mages, and mysterious priests, all very determined to stop at nothing to get their hands on the kid. Roman rolls out his unwelcome mat and shows his visitors that while it may be the holidays, he's not some helpless recluse in the woods. The Black Volhv possesses a lot of power, and he's going to need it to keep the trespassers from his door.

Roman, dark priest of Chernobog was first introduced to fans of Ilona Andrews in Magic Slays, but only appeared briefly. He was a much more prominent character in Gunmetal Magic,  a spin-off book from the Kate Daniels series. Popular from the start, he ended up appearing in a number of the later books in the series, along with his large and opinionated family. While appearing rather gloomy at times, Roman often acted as a comic relief character and seemed to never take anything too seriously. Here, the authors (Ilona Andrews is the pen name of a husband and wife duo) show us that Roman is in fact a very serious and depressed individual, whose life is not especially easy, since Chernobog is a demanding god to serve, and despite his mother's nagging, maintaining any sort of romantic relationship when you're often taken away to the pagan underworld to serve a dark deity is unlikely to work out long-term. 

One of the things I really like about Ilona Andrews' books in the Kate Daniels universe is just how much folklore and mythology they explore and occasionally reinterpret. When it comes to Roman and his sprawling magical family, Slavic mythology is the main one that is explored. As with many religions and mythologies, light and dark isn't necessarily synonymous with good and evil. Balance is the name of the game, and you cannot have one without the other. In the Slavic pantheon, Belobog is the god of Light and Creation, and his twin brother Chernobog is the god of Destruction, Darkness, and Death. Chernobog is married to Morena, the goddess of Winter and Death. Neither of these deities is evil, as everything that lives needs to eventually die and decay, or there will be chaos. In Slavic paganism, the world is separated into three (a lot like in Norse mythology). There is Prav, where the light gods (like Belobog) reside, Yav (the world of humans) and Nav (the world of the dark gods, where Chernobog and Morena reside - and keep the Chaos which is outside Nav from invading and destroying all of creation). 

In his previous appearances, it has become clear that while he's not exactly thrilled about his vocation, Roman serves his dark god because he takes his duties seriously. In this novella, we find out more about how exactly he came to be the Dark Volvh and some of what that actually entails. Humour helps him cope with his calling. Roman is not evil, nor is his god, and he's not about to let an innocent young man be taken against his will by bloodthirsty mercenaries. However, he's been a soldier, and he is willing to take lives if that is the only way to keep his property and those he protects safe. As with a lot of other Ilona Andrews stories, there is adventure, humour, action and some impressive violence in this story.

This novella started in weekly instalments on Ilona Andrews' blog. Once they decided to publish it, they took down the story and it has gone through edits, and the finished story includes an epilogue, where it becomes clear why this is part 1 of The Roman Chronicles (note the plural). It looks like the authors, gracious as they are, are considering expanding the Kate Daniels universe with more stories about one of our favourite supporting characters. Roman's adventures clearly aren't over, and there are new characters (including a likely love interest) introduced over the course of this story. There are quite a lot of other stories that the authors have stated they need to write before we are likely to get more Roman, but since I love everything they have published so far, it's not like the wait is too onerous. 

Judging a book by its cover: Here is yet another example that Ilona Andrews only ever has good cover art when they self-publish. This cover is simple, yet really cool and very atmospheric. Absolutely perfect for the story it illustrates. Why do traditional publishers keep getting it so wrong?

Crossposted on Cannonball Read. 

CBR16 Book 51: "The Earl Who Isn't" by Courtney Milan

Page count: 370 pages

Rating: 4 stars

Smart Bitches Summer Bingo: 2024 Summer Release

Disclaimer! This was an ARC from the author. This has not affected my opinions or my review. I have also paid actual money for my own copy of the book because Courtney Milan is on "my pre-order immediately when she announces a new book" list. 

Andrew Uchida works very hard to collect and cultivate seeds, plants, and vegetables, and every time he learns of a plant or vegetable that one of the diverse residents of the little town of Wedgeford misses from their homeland (Wedgeford has inhabitants who have ended up there from all sorts of corners of the globe, many of them from Asia), he does his best to figure out a way to grow it, to allow said resident to feel a bit more at home in their new homeland. He also helps run the inn that his mother, aunt and uncle own. 

Andrew has also hidden a secret for most of his life. He is, in fact, the eldest legitimate son of the Earl of Arsell, and his mother is technically a countess. Now his father (who he has never met) is dying, and Andrew is very determined not to have to become an earl. So when Lily Bei, the woman he has loved for most of his life, returns from China after seven years away, and excitedly confides in him that she has proof that he is next in line to the earldom, he isn't exactly thrilled. While he hates having to lie to and dissemble with Lily, he also can't have her "help" him by securing him a noble title he desperately doesn't want. Complicating things further, Andrew is very aware, from stories his mother told him, that the relatives of the Earl of Arsell are extremely ruthless, and are not going to accept a half-Asian man as the heir to the title. If they discover that his mother is still alive, and has a son, they are likely to try to do away with both of them.

Fear for the safety of himself, but mostly his mother, is also the reason why Andrew never told Lily how he felt about her before she was sent off to China by her grandfather. Before she left, they shared one night together (because Lily wanted to make sure she wasn't married off to anyone and made sure to ask her best friend to help divest her of her pesky virginity). Now Lily is back, and more irresistible than ever, but Andrew just cannot bear anything happening to her or any potential children they might have. 

Lily believes Andrew sees her as nothing but a good friend. She also believes her grandfather sent her to China because he was disappointed in her when she tried to join the English suffragist movement. In China, instead of learning to be a dutiful wife, she became even more radicalised and learned to use a printing press. Now she has bought one of her own and intends to print translated poetry in order to inspire universal suffrage. Never one to entirely fully understand subtle language or social cues, Lily always felt like the odd one out in Wedgeford, growing up. She is surprised to discover that many of the people she thought disliked her or wanted nothing to do with her are delighted that she's back and eager to include her in their social circle. 

The Earl Who Isn't is the third and final book in Courtney Milan's The Wedgeford Trials, about the inhabitants of the fictional village of Wedgeford in the south of England, where a large number of immigrants, especially of Asian descent have settled down and made new homes for themselves. It was established early in the series that one of the unspoken rules of the town is that newcomers aren't really asked about their past, where they came from, or why they have moved there, allowing them the possibility of a blank slate and a chance at a new beginning. In this book, we discover part of why this rule came to be. 

Andrew Uchida has been a supporting character in both the previous two novels in the series and Lily has been mentioned, although she was away when both of the other couples in the series got their happy endings. There are cameos from Chloe and Jeremy (or Posh Jim), as well as Andrew's cousin Naomi and her husband Kai, and the young and implausibly named Mr. Wilderhampsher plays a fairly significant part in the story.

In my opinion, Courtney Milan has yet to write a bad book. Some are on my all-time favourite romances list, but all are good and I always learn new things when I read them. In this, while the romance between Andrew and Lily was sweet, I found that the personal developments of each of the protagonists as well as the growing relationship between Andrew and his previously unheard-of younger brother took up more of the story than the actual romantic plot. So that makes me unable to rate it more than 4 stars. 

Judging a book by its cover: All three books in this series have had excellent covers (a far cry from the photo-shopped wedding dress covers of The Worth Saga novels). I love the colour of the woman's dress (although it seems way more bright and colourful than anything Lily is described as wearing in the story), I love the way the couple is embracing and gazing at each other. Really well done. 

Crossposted on Cannonball Read.

CBR16 Book 50: "The Ornithologist's Field Guide to Love" by India Holton

Page count: 384 pages

Rating: 4 stars

Smart Bitches Summer Bingo: Only one bed (and horse)

CBR16 Bingo: And also... (Repeat of the Bananas square, because this book fits the bill)

Beth Pickering is the youngest professor of ornithology at Oxford, and she needs to really impress the faculty if she is to get tenure. She works with wealthy widow Hippolyta Quirm to try to locate and capture rare (and usually dangerous) birds. Just as they are about to capture the coveted deathwhistler, a rival ornithologist, the dashing young Professor Devon Lockley from Cambridge, swoops in and steals the bird away from them. Not only that, he has the temerity to flirt with Beth!

Beth is determined to keep her distance from such an obvious villain as Devon, but that becomes a lot harder to do once a competition to win not only "Birder of the Year", but a large cash prize and tenure for the winning ornithologist is announced. Ornithology is a discipline full of ruthless individuals who are willing to do almost anything to catch their prey, and Beth and Devon discover that they are probably more likely to succeed if they join forces trying to track down the elusive bird in question. Of course, there can only be ONE winner, so sooner or later, one of them is going to have to betray the other. 

What Beth and Devon (and all the other unscrupulous competitors) are unaware of is that the contest is in part to drum up publicity for and increase recruitment to the ornithology departments of British universities, not to mention encourage international tourists to visit Britain. Both Beth and Devon are young, intelligent, and attractive, and publicity agents soon have newspaper reporters trailing them and emphasising just how dashing and compatible they are, spinning a fictional romance in the press long before Beth and Devon can actually act on the growing attraction between them. Constantly finding themselves in locations where there is only one room (with or without the one bed) available, or one horse that they must use to escape pursuers doesn't exactly make them less aware of one another.

Will Beth and Devon succeed in locating the rare bird needed to win "Birder of the Year"? Will they survive the various devious traps and vicious birds thrown at them by competitors (or publicists wanting to secure exciting news coverage of the competition)? Will they actually ever find privacy and peace enough to possibly act on their growing feelings for one another, or will inconvenient interruptions keep occurring? Which of them will actually win the contest (and the coveted tenured position)?

India Holton already wrote three witty and adventurous novels set in an alternate Victorian England with witches, pirates, domestic staff who were also spies, and a bunch of flying houses. In her new series, Love's Academic, there are lots magical birds all over the world, most of them in varying degrees of viciousness, and the academic discipline of ornithology is full of manipulative scoundrels, all working to one-up each other for fame and glory. I'm not going to lie, I care very little for birds, and all the actual ornithology stuff, while wildly fantastical, did very little for me.

This book is an adventure novel, through and through, taking inspiration from films like Indiana Jones, The Mummy, and Romancing the Stone. Our protagonists might seem very different at first, but it turns out that always being smarter than everyone else around them, and having to prove their brilliance in academia at a very young age, hasn't exactly made them popular growing up. While Beth has dealt with years of rejection by becoming a very proper, polite, and unfailingly kind young lady, Devon has hidden his insecurities behind a charming exterior, seemingly careless about what anyone might say or think about him. He's utterly smitten with Beth from the start, constantly in awe of both her beauty and academic achievements. Beth keeps trying to deny just how handsome and dashing she finds Devon, wanting to keep him at arm's length and calling him a villain, but she comes to discover that he's not just a charming rogue, but an equally skilled and intelligent scholar, and obviously her perfect match. 

I'm eager to see where Ms. Holton takes the series next. The next book in the series involves Devon's cousin Gabriel (he seems grumpy and deeply unimpressed with Devon's antics, but nevertheless helps him several times throughout this novel) and magical geography. The Geographer's Map to Romance isn't out until 2025, but after the teaser chapter included at the end of this book, I'm already very excited to see what happens to Gabriel and his estranged wife.

Judging the book by its cover: I love both the colours and the design of this cover, featuring no people whatsoever, just a very formidable bird and a simple and elegant design. I had pre-ordered this book long before the cover design was revealed, but now I might have to buy a physical copy, just so I can have this pretty book on my shelf. 

Crossposted on Cannonball Read. 

CBR16 Book 49: "Not Another Love Song" by Julie Soto

Page count: 384 pages

Rating: 3.5 stars

Smart Bitches Summer Bingo: Rock star or musician (this one has both)

Gwen Jackson started playing the violin at eleven and now, over a decade later, she is part of a popular ensemble orchestra and dreams of one day being famous enough to play solos and tour on her own. To pay the bills, she occasionally plays weddings on weekends with her roommate. Being told by the wedding planner that the bride wanted cello and piano, rather than violin, Gwen is forced to do her best and improvise, even though she's barely ever played the cello. She's even more flustered when the cello she's allowed to borrow belongs to Xander Thorne, popular rock star and master cellist. 

Gwen knows her performance is mediocre at best, and is painfully aware of the scrutiny of one of her musical idols. While she's loved Thorne and Roses, Xander's band for years, as well as played with him in the same orchestra for over a year, Xander doesn't seem to even know she existed prior to this wedding appearance. He certainly notices her afterward. Shortly after their first proper meeting, Gwen is promoted to First Chair at the Pops Orchestra, a position that Xander has wanted for years. He wants to despise this seemingly timid nobody but is forced to admit that she is very talented, and has every potential to become a star if she just learns to let go and forget about the audience watching her. 

While they initially dislike and distrust each other, there is also an undeniable attraction between them, and after a memorable evening when Xander invites Gwen back to his apartment to see his instruments (not actually a euphemism), it becomes clear that they collaborate beautifully together (and also really want to bang each other). Once their relationship becomes public, however, it turns out Xander's manager is less than thrilled, while Gwen's superiors at the Pops Orchestra want to mine it for ticket sales. Gwen and Xander also have very different ideas of where their career paths should lead. Will they be able to find a happy ending together?

I read Julie Soto's first novel, Forget Me Not, last year and mostly enjoyed the story of wedding planner Ama eventually reuniting with her lost love, florist extraordinaire Elliot. Both characters turn up in cameos in this novel as well. It seems that Soto, who like a lot of authors out there today, got her start as a fan fiction writer, and this book is actually a reworked Reylo fan fic that she didn't initially get a publishing deal for. There are obvious signs throughout the book that the protagonists are based on Rey and Kylo Ren, but I didn't mind it all that much. Obviously, this is a rivals to lovers story, and while it ended up being quite a cute romance, it starts out a bit rough, mainly just because I am never really a fan of the 'being mean and rude to the object of your infatuation' trope. Most of the book is written from Gwen's POV, with the occasional chapter from Xander's, so the reader is aware of how fascinated and besotted he is before Gwen is clued into the fact, mostly again, because he's rude, dismissive and outright unpleasant to her when they actually interact. 

Neither Gwen nor Xander have had the easiest time growing up. It also turns out that despite being from very different backgrounds (Xander's very privileged, Gwen's not so much so), the same woman actually taught them to play their instruments. Once Xander shows a more vulnerable side, he becomes a much less frustrating character. Part of what made this book so enjoyable was some of the supporting characters. Gwen's roommate and some of Xander's band members were a lot of fun. The villain of the story and their motivations could have been more nuanced and thought out, though.

In my review for Forget Me Not, I wrote that I hope Ama's photographer stepsister gets her own book. I still hope that, and I also hope that in the next story, the protagonists aren't Rey and Kylo Ren with the serial numbers filed off. 

Judging a book by its cover: I totally get why the author is excited to have this image on the cover of the book, it's a very memorable and sexy scene in the story. However, the cello in question is very clearly an electric one, which is NOT what is pictured here. I know that this might not matter to most readers, but I find it exasperating. 

Crossposted on Cannonball Read

CBR16 Book 48: "A Ruse of Shadows" by Sherry Thomas

Page count: 368 pages

Audio book length: 13 hrs 3 mins

Rating: 3.5 stars

Smart Bitches Summer Bingo: the latest or last book in a series

CBR16 Bingo: fan fiction

This is book 8 in the series, and really not a good place to begin. Start with A Study in Scarlet Women. 

Charlotte Holmes, more used to solving murder mysteries, now finds herself questioned by the police, the main suspect in the murder of Lord Bancroft Ashburton. Inspector Threadles is concerned for her, but needn't have worried, Ms Holmes isn't going to let something as tiresome as a charge of murder keep her down.

In the present, the reader follows Charlotte and her questioning by the police. In various flashbacks, we are given insight into what has really happened, and how Charlotte, her beloved Ash, Mrs Watson and the rest of her gang have been working on a number of different schemes, some of which did involve Lord Bancroft. 

While I really enjoyed the most recent book in the series, A Tempest at Sea (or Lady Sherlock on a Boat! as I have cheerfully renamed it in my head), this one felt like more of a chore to read. No reader of this series is actually going to believe that anyone can stick a murder charge to Charlotte Holmes, whether she actually decided to murder someone or not, so the whole framing device of her being questioned seemed a bit tedious. Then there are the flashbacks, which are spaced out oddly, and keep illuminating different aspects of the story, which obviously doesn't entirely come together properly until the end. It probably doesn't help that this story referenced things that happened fairly early on in the series and I didn't entirely remember all the details, so kept being a bit confused.

As a big fan of Thomas' romances, I was pleased to see that the relationship between Ash and Charlotte is proceeding apace, and some very lovely declarations are made over the course of the story. I always enjoy Mrs. Watson and her niece, but have to confess that I care very little for Charlotte's sister Livia and her thwarted romance with the put-upon Mr. Marbleton. This whole book felt like filler, and since the plot seems to suggest that Charlotte is gearing up to take on Mr. Moriarty in a more serious manner in upcoming books, I am not exactly thrilled by the prospect. Nevertheless, Kate Reading's narration always make these a treat, so I'll probably be reading the upcoming books as well. 

Judging a book by its cover: Another woman in an expansive dress, seen from the back, possibly running from something or towards something. Is it supposed to be Charlotte? Who knows?

Crossposted on Cannonball Read

CBR16 Book 47: "Gemina" by Amie Kaufman and Jay Kristoff

Page count: 672 pages

Rating: 5 stars

CBR16 Sweet Books: Binge

Nowhere Book Bingo: A YA novel

Smart Bitches Summer Bingo: Epistolary romance

CBR16 Bingo: Part 1 and Part 2 (the book has more than 600 pages)

This is the second book in a series, and starting with this one means a lot of stuff won't make much sense. I also don't think it's possible for me to review this book without spoiling the previous one, so if you're not up to date, start with Illuminae.

After the disastrous events, first on the mining colony of Kerenza, and then on the space fleet evacuating survivors, the only remaining ship, Hypatia, is on its way to Jump Station Heimdall, hoping for aid. BeiTech, the organisation which launched the attack on Kerenza and utilised the bioweapon which led to a plague, cannot risk word getting out about their heinous deed and therefore need to make sure that they eradicate the Hypatia. To do so, they will need to use the jump station's wormhole, and later make sure that there are no survivors on Heimdall left to reveal the truth.

Entirely unaware of BeiTech's sinister goals are two teenagers aboard the Jump Station, Hanna Donnelly and Niklas "Nik" Malikov. Hanna is the station captain's beloved and pampered daughter, Nik is part of the Malikov crime family, and Hanna's occasional drug dealer. There's clearly an attraction between them, but Hanna is in a relationship with the dashing Jackson Merrick, one of her father's officers, and consequently doesn't really have time for more than some light flirtation with Nik. Life onboard a space station surrounding a wormhole obviously isn't very exciting for either of them, but Hanna tries to pass the time by studying, parties and working out, while Nik reluctantly assists with his family's business.

Both of their lives are irrevocably changed once an elite team of BeiTech mercenaries arrive, and very rapidly take control of the station. The mercenaries start by wiping out the people who helped their ship get onboard (Nik's family) and Nik only survives because he's on his way to deliver party drugs to Hanna. Thankfully, while she's annoyed that Nik is late for their deal, Hanna is also spared from seeing her father shot in the head when the mercenaries take control of the majority of the station. Now, Hanna might seem like nothing but an airheaded, fashion-obsessed teen, but being the daughter of a military commander with a keen interest in history, she's picked up a lot of useful knowledge about strategy, tactics and how to be stealthy. Nik, meanwhile, has only one family member left alive and is determined to avenge the Malikov crew in any way he can deal hurt to the mercenaries. Unfortunately, in all the sudden danger, both Nik and his computer genious cousin Ella completely forget about the very dangerous alien parasites hatching in a secluded part of the station (long story, the drugs the Malikovs sell are derived from some truly scary creatures, who should not be left unattended and allowed to crawl through space station vents and the like). Of course, the BeiTech baddies don't know about them either.

The BeiTech kill squad need to take control of the wormhole so that a second kill team can be sent through to deal with the Hypatia. They were not expecting to be foiled by a few teenagers and a few officers having sealed themselves on the bridge of the space station. Can Hanna, Nik, and Ella with a few ragtag allies foil their enemies, warn the Hypatia, save the remaining crew and thwart BeiTech's evil schemes? (This is book 2 of 3, what do you think?)

Fans of Ezra and Kady (her dad is the chief of security on Heimdall), not to mention AIDAN, will be pleased to know that in the latter half of the book, they do appear, although they are not the focus of this story, that would be Hanna and Nik. While Kady and Ezra had a past, and many months of separation with only computer chats to make the heart grow fonder, Hanna and Nik's attraction to one another is basically put to a boil in an insanely tense and demanding situation, where they are fighting for survival, grieving loved ones and trying to find a way to help complete strangers aboard the Hypatia. 

Hanna is unbelievably badass, and Nik may seem like he's got a dangerous and ruthless past but is really just a big, tattooed cinnamon roll (who will still do what is necessary if his or others' lives are in danger, he just needs more time to process it than Hanna). Ella is more of a secondary character, but the girl is fierce, especially since she's not really able to move around except via her computer. I love all of them and am so glad that Kaufman and Kristoff had the surviving characters from Illuminae take a backseat so readers could get to know these guys as well.

I am also grateful that while the lanima (super creepy alien parasites) are scary and unpleasant, any scene involving them (including the early ones where it's explained how they incubate) was a pale shadow of all the horror with the virus rage zombies of the previous book. I really liked how the book includes the photos and call signs of all the BeiTech mercenaries, and how as the book proceeds, more and more pictures are just crossed out (they may be teenagers, but Hanna, Nik and Ella are NOT messing around). 

Having now read two of these books, I have absolutely no idea what the authors are going to come up with next, but I'm hopeful that eventually the BeiTech corporation will be brought to justice for all the horrible things it has done. Having now heard so many cool things about the audiobooks, I may do the third and final book partly in audio.

Judging a book by its cover: While the first book was all warm colours, red and orange, this one is all cold, with a cloud of something (dust? smoke?) blue over a black background. I think this entire series has a very well-done cover design, with the covers of the trilogy complementing each other so well. 

CBR16 Book 46: "Kong Krøbling" (Crippled) by Trine J. Cederløf

Page count: 145 pages

Rating: 4 stars

Nowhere Book Bingo: Disability rep

Disclaimer! The author is a friend of mine, but I paid for my own copy of the book and my opinions are my own. (Hope she'll still be speaking to me after she reads this).

In the fairy tale kingdom of The Blue Mountains, the king and queen try for many years, but the queen fails to have any living children. She encounters a witch who calls herself the Queen of Bees, who offers her a solution to her difficulties. Giving her a seed, which she must water with her tears, a plant will grow, with two flowers - one will give her a boy, the other a girl. The king and queen are desperate, so the queen eats both, and nine months later, two boys are born. The first is small and misshapen, with eyes in two different colours. The second baby is perfectly formed. The staff are worried when the firstborn, the heir, is born with physical disabilities, but the royal couple are equally delighted with both their boys. They name the eldest Vincent and his twin Niklas.

The twins grow up being treated exactly the same, and are pretty much inseperable. Vincent has to use a wheelchair, but excels in the lessons their tutor assigns them. His brother, who is handsome and healthy, struggles with understanding all the reading they are assigned. He manages to teach Vincent to swim and ride, because these are abilities important for a prince to know. Vincent helps Niklas realise that he's by no means stupid, he just has reading difficulties, so Vincent sums up their lessons to him with visual aids and helps him do his written homework. It takes their parents and tutor years to figure out their scheming, but once they do, the conclusion is that Niklas has dyslexia, and their parents realise the princes are probably old enough to go to school with other children, which means the boys start to make friends. Vincent is the more introverted and bookish one, Niklas is extroverted and excels at anything physical. Once they get older, Vincent goes to university, while Niklas joins the royal guard.

Then their mother announces that they are old enough to get married. Both princes need wives and heirs, and so they need to visit with princesses from nearby kingdoms to see whether they suit. While Vincent is well-loved and popular in his own kingdom, his visible disablilities create difficulties once the queen starts matchmaking. It turns out his perfect match is closer to home than he realised. 

This story is a retelling of a very well-known Danish fairytale called King Lindworm. Growing up, I loved mythology and folklore, and have read fairy stories from a lot of different countries. The story seemed vaguely familiar to me, but having read a summary of the original, this is not really a story that's very popular in Norway or Sweden. It also means that this book introduced me to a new (and kind of weird) fairytale, as well as a very entertaining middle grade book.

While this is aimed at a younger audience, as all the best books for children, it doesn't underestimate them or talk down to them. A number of serious issues are touched upon, such as infertility (this led to a very interesting discussion during our book club chat about this book), physical disabilities and dyslexia. At no point are the boys bullied or mistreated in their own kingdom by teachers or peers. The twins have a really close relationship, and while it's mentioned that they fight a lot as children, they always present a united front against others. Without Niklas, Vincent would not have challenged himself physically, and would have been much more limited by his disabilites. Without Vincent, Niklas would have convinced himself he was stupid and useless, and good only for grunt work. There are also several examples of openly queer characters, so while this is set in a sort of vagely 18th Century time period, there is no discrimination or prejudice (in The Blue Mountains, at least). 

While I try to challenge myself to read in Swedish a couple of times a year, so I don't forget how to, this is the first time in a very long time I had to read a whole book in Danish. To non-Scandinavians, Norwegian, Swedish and Danish would not appear to be very different from one another, and the most commonly used form of written Norwegian is directly derived from Danish. A lot of the language is therefore not that challenging, but every so often, there will be a word or expression in Danish that means something entirely different in Norwegian, and it took me out of the story for a moment. Thankfully, the book has a fun and engaging plot which moves at a nice pace, and once I actually set down and concentrated, it didn't take me long to finish the book.

To me, the opening difficulty with infertility obviously affected me greatly. Among the topics we discussed about this book is how many stories in myth and folklore involve parents who struggle to concieve or have living children, and how common infertility difficulties are, yet very rarely talked about. My little boy is the result of several long gruelling years of IVF treatment, and I feel very lucky to never have suffered a miscarriage during my many years of trying. If medical science wasn't advanced enough, would I have made a deal with a mysterious old woman in the hopes of having a baby? I suspect I would. 

Because this is the first book in a planned series, the author already has several other books in development, all focusing on different kingdoms in this fictional world. We get a glimpse of some of the neighbouring kingdoms, and one of our major complaints when discussing the book with the author was the lack of a map. The book should absolutely have included a map at the beginning (so Trine sat down and drew one for us during the meeting). Having heard her talk about her ideas for future books, and some of her influences for the various kingdoms and peoples, I cannot wait to get my hands on more of her stories.

So why only four stars? I wanted more! This story was great, but I wanted more time with these engaging characters, and I would especially have liked to know more about the Queen of Bees. 

Judging a book by its cover: I really love the simplicity of this cover, with the wheelchair which plays such an important part of the plot (and Vincent's life) front and centre. The various shades of blue are also lovely, no doubt picked because the book takes place in the fictional country of The Blue Mountains. 

Crossposted on Cannonball Read.

CBR16 Book 45: "The Ex-Talk" by Rachel Lynn Solomon

Page count: 352 pages

Rating: 4.5 stars

Smart Bitches Summer Bingo: Pets (Steve Rogers Goldstein plays a fairly major role in the book)

CBR16 Bingo: Dreams (Shay has dreamed about having her own show on public radio for over a decade)

Shay Goldstein grew up loving radio. She and her now deceased father would listen to radio together and even have their own pretend radio shows, so she is very grateful for her job as a producer at a Seattle public radio station, and is very happy with what she does. However, while trying her best to be an indespensable help to the hosts whose show she produces, she can't help but wish she could have a show of her own. She's also very frustrated about the fact that one of the radio station's new hires, Dominic Yun, keeps being given positive attention by their boss, even though Shay has worked there for a decade, while Dominic only recently graduated with a journalism degree.

Unexpectedly, during a pitch meeting (where her boss asks her to take notes, naturally, can't leave that to a man), one of Shay's ideas is met with great enthusiasm and before she knows it, Shay will have a chance to host her own live call-in show. The only problem? The show is supposed to be hosted by two exes, who now share relationship advice, rooted in their own relationship failures. The station boss proposes that Shay and Dominic pretend to be those exes, a little white lie to help bring listeners and advertising revenue to the station. Neither is happy about having to lie to their listeners, but once it becomes clear that both of them, and possibly their young producer too, are likely to lose their jobs if they don't go ahead with the show, they reluctantly agree.

The Ex-Talk very quickly becomes a huge success, and their fan base grows week by week. On social media, there is a lot of talk of Shay and Dominic's supposed relationship, with a lot of people hoping "they get back together". The co-hosts are both shocked and pleasantly surprised at how well their show is doing, but they also start feeling more and more uncomfortable about lying. Only their boss knows their relationship is pure fiction, even their producer thinks they dated for a few months but kept it quiet. What will happen if the truth comes out? After spending so much time together, discovering the other person's strengths and weaknesses, Shay and Dominic also find themselves falling in love. Can they really risk an actual relationship when their entire working life is based on them being broken up?

Confession here, I find radio generally very boring. Going to university in Scotland, with so many of my friends absolutely addicted to BBC Radio 4, I've listened to my fair share of it. I just don't get it. I don't really get podcasts either. Why would I spend lots of time listening to people talking about stuff when instead I could read, or listen to an audiobook? It just seems like wasted time. I will, on occasion, listen to pop culture related podcasts with my husband, but we also watch a lot of TV together, so it becomes more about the shared experience, and feels less like I'm frittering away time when I could be reading. So I cannot tell you how true to life all this behind the scenes in the radio world this book is.

I did, despite my indifference to radio shows and podcasts, really enjoy this book, mostly because Shay and Dominic are great characters, both separately and together. Both of them are very lonely people, and once their initial antagonism (much greater on Shay's part than on Dominic's) passes, they discover that they have a lot in common. Shay has invested sensibly and bought herself a house, but it feels far too big for her, and she can't really be there without all the lights on and TV or radio playing. Once she adopts a dog, the adorable, if somewhat demanding, Steve Rogers, her life improves, even if she now has to go home every afternoon to make sure he gets walkies.

Shay manages to squash down her misgivings about lying to their audience because she's wanted a show of her own for so long. She gets Dominic to agree to give it six months, even though he's scrupulous about workplace ethics and being truthful. As their show becomes not just a local listening success, but starts becoming a thing nationwide, both of them are uncomfortable about the way their boss is managing the situation, and especially how much he seems to ignore Shay, but listen to Dominic, even when they're saying the same thing. The job market is tough, and a steady paycheque is important, but how long can they continue lying to their family, co-workers and friends? 

My LibraryThing tells me that I own quite a few Rachel Lynn Solomon books, both YA and adult fiction. This is my first romance by her, and based on it, considering how much she made me care about characters and a premise I wasn't sure I would even like, I am absolutely going to be reading more of her books in the next year or so. 

Judging a book by its cover: I like the cute simplicity of this cover, and the two faces over the microphone. It works for me, even though I'm very aware that modern radio and podcasts in no way are recorded this way. 

Crossposted on Cannonball Read.

CBR16 Book 44: (Trust) Falling for You by Charish Reid

Page count: 145 pages

Rating: 4 stars

Nowhere Book Bingo: A novella

Smart Bitches Summer Bingo: The Great Outdoors   

Yolanda Watson tries her best to be an engaging and motivating English professor, she is well-liked by both her colleagues and her students. However, writing grant applications are not her strongest suit and she is upset that she lost out on a generous grant that could have helped a lot of her disadvantaged students.

Samuel Morris knows he's not popular, and doesn't particularly try to be either. He believes in working hard, following rules and taking things seriously. He's aware that Yolanda seems to dislike him, but doesn't really know it's because he was awared the grant she had also applied for, which he also needed the grant to help many of his own disadvantaged students. On his part, he finds Yolanda both exasperating and confounding, and wishes she'd be on time for committee meetings and show signs of taking issues seriously occasionally.  

Now the two of them are forced to share a cabin while on a team-building retreat in the woods of Wisconsin. Not only that, the people who share a cabin are Team-Building Buddies for the whole retreat and are supposed to do a lot of different bonding activities together. Samuel is a neat freak, Yolanda is chaotic and messy. Can they endure a week together? How long before their dislike turns to like, and possibly lust? And will Yolanda, very much a city girl, survive challenges like grasshoppers, spiders and even bears?

It can be tricky to write a satisfying romance in a novella, since you have a lot less space and time to get the characters together. Since Yolanda and Samuel are already coworkers and know each other, to a certain extent, they already have an established connection. Then there's the forced proximity, and various challenging situations where one of them has to help or assist the other, and since this is a small scale story without too much drama, it's not like there needs to be a third act breakup or some sort of grand gesture for them to get together. It's very quickly established that their dislike of each other comes mostly from them being very different people, and once they get a chance to talk and get to know each other better, those differences don't really matter. Over the course of the novella, Yolanda helps Samuel relax and let go a bit, while he helps her get more focused and organised (and promises to help her improve her grant applications in the future). 

This novella has been on my TBR list for a while, and seemed like the perfect choice when the Smart Bitches Summer Bingo had a square for "The Great Outdoors". Since the Nowhere Book Bingo had a square for "Novella" this worked as a two-fer, which is great.  The only other Charish Reid I've read is The Write Escape (also for the Nowhere Book Bingo, clearly Reid just writes books that fit that challenge well) and I like both stories, although the one set in Ireland is probably more to my taste than this one (like Yolanda, I'm not very comfortable outside in nature). Based on the two stories I have now read, I'll probably be moving some of my other Charish Reid books higher on my TBR. 

Judging a book by its cover: This is a pretty cute cartoony cover, although I'm pretty sure the woods described in the novella are nothing like the weird tall and strangely spaced beech trees on here. I especially like the bear peeking out from behind the bush in the background (IYKYK). 

Crossposted by Cannonball Read                                                                                       

CBR16 Book 43: "Don't Want You Like a Best Friend" by Emma R. Alban

Page count: 384 pages

Rating: 4 stars

Nowhere Book Bingo: 2024 Debut Release

Smart Bitches Summer Bingo: New to Me author

CBR16 Bingo: Scandal (Gwen and Beth's friendship lead to a scandal in the latter half of the book)

Beth is the daughter of the Viscount Demeroven, but has no brothers, and as a result, the title will pass to her cousin. If Beth doesn't find a wealthy and suitable husband during her first season, she and her mother will be left with barely anything (because her father was a very unpleasant man who didn't settle any money on them in his will). She hates being out in society, though, smiling and nodding and pretending to be a ninny just so some man might like her.

Her season gets a bit more bearable when she befriends Gwen, the daughter of a notorious rake. Gwen is in her fourth season, but since her father is wealthy, there is no real need for her to marry, and with each passing year, she becomes more certain she probably doesn't even want to. She takes an instant shine to Beth and promises to help her find a suitable match. The young ladies also notice that there is something strange going on with their parents, and discover that Beth's mother and Gwen's father were friends, and possibly more, back before Beth's mother got married. Now they seem determined to avoid one another, which is difficult as their daughters are becoming best friends.

Beth wouldn't have to get married if her mother married someone wealthy, so the young ladies start scheming (rather ineffectually) to get their parents to fall in love. While trying to push their parents together, the girls grow ever closer, and it becomes obvious that one of the reasons neither of them want to get married, is because they are madly in love with each other. Meanwhile, Beth has managed to catch the attention of a very eligible young man, and their matchmaking plan isn't going as well as they are hoping. Will our young lovers be separated because of Beth's need to secure her future?

A Victorian romance novel with a pair of lesbians with a title inspired by a Taylor Swift song? Sign me up. The book is set shortly after the introduction of the crinoline, or hoop skirt, so there is quite a lot of descriptions of the intricate garments the ladies have to wear during the various balls and such. Both young ladies, upon discovering their queerness, are able to be open with their various family members and instantly accepted, which seems unlikely for the time period, but also avoided some of the angst often present in queer historicals.

The story is mostly frothy and fun, some of the dialogue and attitudes felt anachronistic, but the characters (both the protagonists and the supporting cast) are very charming and I really enjoyed readin it. As is often the case with historical romances (hi Jane Austen!), women's rather unfortunate situations if left without generous male relations are highlighted. Beth's mother was in a similar situation to her daughter before she got married, and since Gwen's father was an untitled nobody at the time, he felt heartbroken when she chose to marry Viscount Demeroven rather than him. Sadly, the now late viscount was abusive and Beth is very aware that her parents' marriage was less than ideal. She dreams of being able to marry for love, but is all to aware that a lot of the eligible men of the ton might hide cruelty and unpleasantness behind their well-dressed facades. Gwen's father is in Parliament and trying to gather enough support to pass a bill that would make it possible for wives to divorce their husbands in cases of abuse or cruelty. Unsurprisingly, there there are a lot of noblemen opposing the bill, and as such, are not big fans of Gwen's father. 

This is Ms. Alban's debut novel. In the final part of this, she pretty heavily foreshadows the sequel, where Beth and Gwen discover that their male cousins (one of them the new Viscount Demeroven) both seem to be gay, and while they are trying to hide it, rather interested in one another. So they decide on another matchmaking scheme. I'm already looking forward the the hijinks that will no doubt ensue. 

Judging a book by its cover: Yet another wonderful cover by Leni Kaufmann, although based on their descriptions, I think Beth (the dark-haired one) should quite a bit shorter than Gwen (the blond one). Their dresses are lovely, and it's a nice touch that the main colour choices can also be found in the lesbian Pride flag. 

Crossposted on Cannonball Read 

CBR16 Book 42: "To Say Nothing of the Dog" by Connie Willis

Page count: 512 pages

Rating: 4 stars

Nowhere Book Bingo: Award Winner (Won the Hugo and Locus awards in 1998, plus a bunch of others)

Smart Bitches Summer Bingo: Scene on a boat or body of water (there's a lot of rowing on the river)

CBR16 Bingo: Tech (time travel requires pretty specific technology)

This is the second book in the Oxford Time Travel series, but you really don't need to have read the first one, Doomsday Book, to understand and enjoy this one.

In the universe these books are set in, time travel was discovered, but once it was further discovered that no items could be taken back to the future, so it couldn't be used to gain riches or plunder the past of treasures, the technology became used solely by historians, and there are strict rules that must be followed when doing it for academic pursuits.

Ned Henry is an Oxford historian in the 2050s who feels like he's going mad. Lady Schrapnell, a frightfully wealthy and extremely demanding woman is funding the recreation of Coventry Cathedral (in Oxford, for reasons not really explored in the book) and is demanding that absolutely everything is exactly like it was before the Cathedral was destroyed in an air raid during World War II. Ned has been sent on countless missions back to the past to locate something known as the bishop's bird stump (I had to google this, it turns out it's an incredibly ugly vase shaped like a tree stump with decorative birds on it), because that was one of the items apparently present in the church at the time. Because he has been unable to locate it, Ned has had to go back to the past and visit any number of church bazaars and jumble sales in the hopes of finding the blasted relic. If people are sent back too often, they start getting delerious and behave very oddly, so Ned is ordered by his boss to get some rest.

He can't get the required rest in the present, however, because if tyrannical Lady Whatsherface discovers his whereabouts, she'll just demand that he keeps looking for the bird stump. So Ned's boss sends him back to the Victorian age, to hide out for a few weeks and get the much-needed break he requires. In the Victorian age, he encounters a fellow Oxford historian, Verity Kindle, who is trying to undo an unfortunate mistake, and if they don't manage to set things right, it could have consquences for the entire future timeline. While working together to fix Verity's mistake, she and Ned also have to try to make sure that Lady Schrapnell's ancestor, a truly dimwitted girl, doesn't fall in love and marry the wrong person, a task that proves more complicated than one might first have imagined.

I read Doomsday Book back in 2016 and don't remember it very fondly. It was far too long, the plot meandered a lot and because most of the story takes place during the Black Plague, it was also pretty depressing. This book is much lighter in tone, and a lot of the plot plays out like a farce, with humorous mix-ups, misunderstandings, mistaken identities, and a fairly large cast of rather ridiculous characters. The book is also full of literary allusions and clever references to all sorts of academic things, at least 50% of which went entirely over my head. I'm not sure I'm clever enough to appreciate this book on as many levels as the author intended.

Ned and Verity are both extremely likable characters, and my main complaint about the book is that there is so much faffing about and preventing romances between other characters, so there isn't enough time for them to spend together on page, developing their own romance. Nevertheless, this was a fun read, and I'm very much looking forward to my book club's discussion of it in August (we were supposed to have the meeting in June, but too many people were sick or busy, so we just postponed everything over the summer, which also gives more people the chance to read the book). Considering some of the books we've had in the previous months have been rather disappointing, this one felt like a breath of fresh (albeit confusing) air. 

Judging a book by its cover: This book has been out for decades, and as such, there are a lot of different covers for it, most of which I dislike. The cover for my e-book copy isn't great either, but at least I like the warm colours on it. 

Crossposted on Cannonball Read

CBR16 Book 41: "Laura Dean Keeps Breaking Up with Me" by Mariko Tamaki and Rosemary Valero-O'Connell

Page count: 304 pages

Rating: 5 stars

Nowhere Books Bingo - Graphic novel

Official plot summary, because once again I have waited to long to review the book: Laura Dean, the most popular girl in high school, was Frederica Riley's dream girl: charming, confident, and SO cute. There's just one problem: Laura Dean is maybe not the greatest girlfriend.

Reeling from her latest break up, Freddy's best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it's really Laura Dean that's the problem. Maybe it's Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever. Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.

This is one of those books that I heard a lot about when it came out and bought as soon as it was available in paperback (I don't like reading comics and graphic novels digitally), then put on my bookshelf and forgot. Since we have a full floor to ceiling bookshelf dedicated entirely to comics and graphic novels, once something is shelved there, it's no longer out in the open to remind me. I probably shouldn't have waited years to read it, but at least it didn't disappoint once I got to it.

The only other graphic novel I've read by Mariko Tamaki was This One Summer, which was lovely, but had a subplot that hit a bit too close to home for me and made it a rather painful reading experience for me. This one, with its focus on (tragic) romance and friendship was more to my taste. I started reading it during a day I actually had quite a lot to do and had only intended to make a start on it, but instead ended up having to rearrange my schedule, because I once I started, I couldn't really put it down. In This One Summer, the illustrations are done by Mariko's sister Jillian, here she collaborates with Rosemary Valero-O'Connell, who captures the characters beautifully. A really good story accompanied by bad art can be enjoyed, but it's so much better when both the writing and art are both high quality.

Teenagers are often rather self-centred and selfish, caring mostly about themselves and their own issues and as such, Freddy felt very realistic. She is happy to hang out with her friends, but because she's so caught up with her own drama, she doesn't really seem to notice or care about what is happening with others. She has gotten used to her friends, including her best friend Doodle, always being there for her, listening to her and supporting her through her multiple dumpings and getting back together again with Laura Dean, but not really that Doodle and the others are clearly getting frustrated with the constant back and forth, and Freddy's complete inability to see how bad Laura Dean is for her. 

Personally, I couldn't really see what was supposed to be so great about Laura, but then I'm an asexual lady in my forties, who spends much of my working year around teenagers and their drama, so I try to live a very drama free existence the rest of the time. I shared the frustration of Freddy's friends that she would wake up and smell the toxic girlfriend sooner, but I suppose there would have been a lot less plot if the book was 'I'm sick of Laura Dean using me and stringing me along, so I'll dump her once and for all and get on with my life'. 

I think Freddy's friend Doodle was my favourite character, and I felt really bad for her, trying to support Freddy through yet another inevitable break-up with the same person, while she herself really needed a friend and support because of a complicated and sad situation of her own. The rest of the supporting cast (with the exception of Laura Dean, who is clearly the antagonist, of sorts) also added to my enjoyment of the book. 

While Freddy herself had me rolling my eyes possibly one time too many, this book in some ways reminded me of Heartstopper, because it's a story of relatable and realistic-seeming teens, many of whom are queer, including the protagonist, but it's not about awkwardly coming out, or having to struggle for acceptance among parents and friends. These teens are just allowed to be who they are, without facing hatred and bullying. I'm glad I finally read this, and will be recommending it to others looking for a quick read. 

Judging a book by its cover: The cover gives a little taste of Rosemary Valero-O'Connell's art, and while it only shows the back of Laura Dean, her jacket, posture and haircut all suggest her cool mean-girl attitude. We only get to see one eye of Freddy's, which looks a bit anxious and unsure. It's a really well-done image. 

Crossposted on Cannonball Read. 

CBR16 Book 40: "Da vi var yngre" (When we were younger) by Oliver Lovrenski

Page count: 242 pages

Rating: 4 stars

Nowhere Books Bingo: A book by a local author

Ivor and his three friends Marco, Arjan and Jonas are a tight-knit gang, their own found family. According to Ivor, school used to be easy, until he and his friends lost interest and started making money and names for themselves on the streets. Ignoring the admonition from parents, teachers, social workers and others, they live hard and fast, not really caring who they have to hurt as long as they have each other. Their way of life isn't one that leads to happy endings, however, and it's only a matter of time before tragedy strikes.

This semi-autobiographical novel, written by a 19-year-old on his phone, has been a huge success since its publication in 2023. It's won several awards, and been nominated for several more. It's a fast and relatively easy read, despite being written in a vernacular used mainly by the youths in the bigger cities, with a non-standard sentence syntax and vocabulary from a number of languages and cultures (there's a dictionary of sorts on the end papers of the book, which came in handy more than once, as I'm not as experienced with all the slang terms used here). The author writes in exactly the way a lot of people his age speak, and there is very little punctution or capitalisation in any of his many brief chapters. 

The author has in interviews confessed that by the time he was 15, he's seen several of his friends overdose, and for a while, he was honestly unsure that he would survive to see his 17th birthday, considering his drug-fueled and violent existence. In Oslo, violent crime among teenagers is on the rise, and the author says he was motivated to write his book to give more nuance to the discussion about youth gangs and crime. Basing his protagonist and other characters on himself, friends and other people in the environment in which he grew up, Lovrenski wanted to show the tightness of the bonds between these boys and the affection and loyalty between them, even as they are disappointing their family members or trying to escape foster care. 

Lovrenski has said in interviews that hopes that some of the young readers who pick up his book might recognise themselves or friends, and see that there is a way out if you work for it, and that teachers, social workers and others who work with teens might get more perspective on what it's like. Now, having turned 20, the only way he was able to get clean and stay away from his former lifestyle is by entirely cutting contact with his previous environment. He had no idea that the story he started by writing short anecdotes to himself on his phone would be picked up by a publisher in less than 24 hours, after a bidding war from several interested publishing houses, and that the book would become a huge publishing success. 

I read this in June because my co-workers and I were wondering about assigning it as a text to our 10th graders next year. Having finished it, my conclusion is that while the book is very engaging, it doesn't exactly help our pupils (many of whom struggle with reading longer texts or expressing themselves in writing) improve their own writing and it also very much glorifies drug use, violence and youth crime. While it's obvious by the end of the book that the author lived a very hard life and lost friends to overdoses and suicide, it's also not the sort of thing we necessarily need to hightlight, just in case some of the more impressionable souls decide to take inspiration from the earlier sections. It's an interesting book, though, and while I don't think we'll use the whole novel as assigned reading, it's a great example of a narrative written in a particular sociolect, and can be used to compare and contrast several other works written in the same style in the last few years.

 

Judging a book by its cover: I don't know why the publishers chose this cover design, it seems messy and a bit haphazard to me. 

Crossposted on Cannonball Read

CBR16 Book 39: "The Rom-Commers" by Katherine Center

Page count: 336 pages

Audio book length: 11 hrs 21 mins

Rating: 4.5 stars

Emma Wheeler loves romantic comedies and has even won a contest with one of her screenplays. But with a father who needs around-the-clock care, and a sister to put through school, Emma's career dreams had to take a backseat. Now her agent has an amazing job opportunity for her, to work with the screenwriter she admires the most in the world, Charlie Yates. However, there is no way she can do the job remotely, she will need to stay in LA for six weeks. Emma initially tries to say no, scared that something will go wrong with her father if she leaves, and her sister has just landed a great internship.

Emma's little sister won't let her sacrifice even more for their family, though, so she resigns from the internship and spends days learning all of Emma's routines and rules for caretaking. Emma sets off for LA, only to discover that her agent may have fudged the truth a bit. It is true that Charlie Yates has written a script for a romantic comedy that is so awful it's staggering, but he has not asked for help improving it, and he certainly won't have some "nobody" come in to offer assistance. The romantic comedy script is a job he's doing so he can get one of his own dream projects funded, he thinks romance in general is overrated, and wants to send Emma packing.

Having gone to such trouble to actually get to his house (their mutual agent seems to think the best way to make this plan work is for them to live together in Charlie's massive mansion), she isn't going to give up without a fight. Emma will make the arrogant and stuck-up Charlie take back his disdain for the romantic comedy genre and after a brief trial run of working together, Charlie is forced to admit that they make a very good team, and they could manage to pull off this job without cutting any corners. Of course, the close proximity and all the time they spend together starts to develop into closeness of a different sort, but Charlie isn't one for relationships, and Emma has only a few weeks before she needs to get back home to her family. They might finish their screenplay, but how could they ever have a happy ending together?

This is my first Katherine Center novel, and I had very high expectations, since four different friends on Goodreads whose opinions I trust had rated it five stars. I listened to the audiobook for about 2/3 of the book, and Patti Murin, the narrator, does an excellent job. Even when Charlie's being a dismissive asshole, she made it possible to see his potential as a love interest. The final third I read in e-book (because I got impatient and had to see how things ended). 

This is a romance with a grumpy-sunshine trope, where Charlie is a cynic who claims not to believe in love, while Emma is a die-hard romantic who wants happy endings for everyone, even when life has dealt her pretty much nothing but bad cards. Due to her mother's tragic death when she was a teenager, she not only has had to be the caretaker for her father, but she's also more or less been a surrogate parent for her younger sister. She's extremely focused on her father's health, and passing over responsibility for that to her sister is very difficult for her.

Charlie comes off as arrogant and unpleasant at first, but in his defense, he probably wasn't expecting his agent to turn up on his doorstep with a complete stranger. Charlie is very good at what he does, but needs to learn to accept help and how to collaborate with someone. He's an intensely private person, and has had health problems in the past that he's not really shared with anyone else. Letting Emma into his home, learning to work with her and later opening up to her and being vulnerable requires work on his part. 

One of the reasons this book isn't a full five stars for me is the final act separation of the characters, which I thought dragged out too long, and also involved one of my least favourite tropes, the 'I must drive you away for your own good'. A thing I liked throughout the book, though, and especially towards the latter half, as they grow closer is Charlie doing his best to take care of Emma. While I find the previous trope I mentioned exasperating, the 'but who takes care of YOU?' trope is one of my favourites.

Having never read any Katherine Center books before, I was surprised to discover that this is a closed door romance, i.e. you don't actually get any sex scenes on the page. I don't mind a lack of spice if the rest of the book is satisfying, but I know that it can be a deal-breaker for others. 

Judging a book by its cover: I don't entirely like the art style on this cover, but at least the two characters look like they are Emma and Charlie, so that's nice. I just think that if they decided to show the faces of the characters on the cover, the features should have been clearer. This just looks blurry and it frustrates me. 

Crossposted on Cannonball Read, 

CBR16 Book 38: "Husband Material" by Alexis Hall

Page count: 423 pages

Audio book length: 13 hrs 33 mins

Rating: 4 stars

CBR16 Bingo: Rings (a whole bunch of rings being exchanged in this book)

In Boyfriend Material, Luc and Oliver met, pretended to date for a number of reasons, pretended to be in love, fell in love, broke up, and then decided to actually date for real. By the time this book starts, they have been together for a good while (I want to say at least a year?) and as is often the case at a certain age of your life, they keep being invited to weddings. All this focus on romance and matrimony and people committing to spending their lives together. Luc begins to wonder if he and Oliver shouldn't also get married.

The structure of this book is loosely based on classic rom-com Four Weddings and a Funeral. I don't even want to go into detail about which people are getting married, because discovering that is part of the fun of the book. I can also reveal to potentially axious readers that the death that leads to the funeral is not for any of the main supporting cast (I was worried when reading the book), but does affect several of the characters. 

I have labelled this contemporary romance, even though the plot doesn't concern itself with a couple meeting, falling in love and working their way to the inevitable HEA or HFN. That was the previous book. This is a follow-up, but it is also a contemporary novel, with a central theme of romance. The ending is not in any way unhappy, and the story wouldn't work if one removed the central romance from it - hence I get to call it a contemporary romance, even if it's more of a 'What do they do after the HEA/HFN?' 

When this came out, there were a bunch of reviews saying that the tone was a lot more serious and depressing than in Boyfriend Material and a lot of people seemed to be disappointed in it. I was not in a place emotionally to be disappointed by the book, so kind of forgot about it even though I'd pre-ordered it. Then, a few months ago, my friend Ashley read a bunch of Alexis Hall books and did a vlog about it. She reminded me that this book existed, and furthermore, she was very positive about it. So back onto my soon to be read TBR it went and it seemed like a perfect fit to read in June, during Pride, since there's a bunch of queer characters in it, and the author is gay. 

Having also acquired it in an audiobook sale on Audible at some point, I mostly listened to this in audiobook while cycling to and from work. Joe Jameson also narrated Boyfriend Material and does an excellent job repeating his performance here. He has very distinct voices for most of the rather sprawling cast, and now there is no one else I would like to hear reading to me about these weirdos.

I will say, that being determined to structure it with four weddings and a funeral and giving each of the sections almost equal attention means that the book does drag on in places, and it's longer than it needed to be. It was still a very entertaining read, and I'm now very curious about another of the books Ashley talked about, 10 Things That Never Happened.

Judging a book by its cover: Very much in the style of the first book, this is a cute cover that suits the book. I don't really have much else to say about it. 

Crossposted on Cannonball Read

CBR16 Book 37: "Not in Love" by Ali Hazelwood

Page count: 384 pages

Rating: 5 stars

Rue Siebert has never wanted a relationship, she's finds men to hook up with on dating apps and has a strict rule about one night only. When her latest date is interrupted by her drunken brother and the night doesn't end the way she expected, she breaks her rule and gives the guy her phone number. Nevertheless, she doesn't expect to see him again.

Unexpectedly, she sees him again as soon as the next morning, when he is part of the venture capitalist firm, which may be taking over Kline, the food science start-up where Rue and her best friend work. Rue's boss and mentor, who she really looks up to, claim that the company will be fine, but Rue is worried. She grew up with a lot of instability and uncertainty and has finally achieved financial stability and has a career she enjoys. This possible takeover is threatening all of that.

Eli Killgore and his business partners have very specific reasons for wanting to take over Kline and have worked for nearly a decade to get where they are now. What he was not expecting was seeing Rue, the mystery woman he hasn't been able to forget after their brief, interrupted date. With the power dynamics so drastically altered, Eli should put Rue out of his mind. Rue, on the other hand, keeps being warned by her mentor to stay away from all of the venture capital people, but every interaction she has with them is pleasant and all of them seem to have science backgrounds and be genuinely interested in the work that's taking place at Kline. They don't just seem like heartless capitalists, only worried about money and the bottom line.

Even though they should stay away from each other, Eli and Rue can't seem to avoid ending up close together, and even after allowing herself one night with Eli, Rue no longer seems able to stick to her 'one night only' rule, because she is as addicted to Eli's company and attention as he seems to be to hers. Whether they have any sort of long-term future together is another issue - Rue doesn't do relationships, Eli is part of a group who seems determined to destroy her boss' career.

I may have to give up on my hopes of Hazelwood ever writing a short, dumpy hero, but at least in this book, the heroine is also tall. In another break from her earlier books, the hero hasn't been broodingly pining for the heroine for years, which I also appreciate. Here we get a heroine who is used to having to fend for herself and is unused to and to begin with, incapable of being taken care of, and that is a trope that always seems to melt my heart. The hypercompetent people who do so much to stay in control and take care of everything and everyone around them (although in Rue's case, she's a rather stand-offish, introverted, and most likely neuro-divergent grump, so there aren't that many people in her life for her to take care of), and then find that special someone who only wants to be there for them and care for them. 

Eli is good at caring, he has been taking care of his younger sister since their parents died when he was a teenager and she was much younger. His life has taken a lot of unexpected turns, and he has had to work hard to get where he is now. While he and his friends are now venture capitalists, they tend to buy up failing businesses, not to destroy and gut them, but to help the business do scientifically or technologically useful things. There is a personal aspect to their interest in Kline, the company Rue works for, but it's also nice to see a nuanced portrayal of wealthy money people, instead of the usual uncaring suits who only want results, or to destroy people's livelihoods for profit.

It tends to be much easier for me to review a book I didn't much like than one I loved. I have also not made it easier for myself by waiting nearly two months after finishing this one to review it. I don't remember all the reasons I loved this book (and the main reason I haven't re-read it is that I like doing that via audiobook, and I really disliked the narrators of this one), but I'm going to try. There are some great supporting characters in this, like Eli's younger sister, Rue's best friend, Eli's business partners who are also his friends and seem close enough to be a found family for him. There's a very good dog. There's the couple cooking together (I also love this) and because Rue and Eli both seem rather overwhelmed by the attraction between them, they have this thing where they share something really negative about themselves, like the worst things they've ever done or thought, seemingly hoping they will scare the other one away. Of course, a lot of these things just expose how vulnerable they are and how difficult their lives have been up to the point where they met each other, and it was a really nice touch.

By now it's clear that no matter what Ali Hazelwood writes, I will pre-order it and probably love it. I understand why her books are not for everyone, but for me, this worked on every level and I think it may be her strongest novel yet. If you have tried Hazelwood before and disliked her writing style, I can't promise that this will change your mind, but she's clearly evolved a lot as a writer since publishing The Love Hypothesis (her weakest book, in my opinion). I will be impatiently awaiting her next book, whether it be paranormal or regular contemporary romance. 

Judging a book by its cover: Hazelwood is lucky enough to get cover artists who actually seem to depict the characters the way they are actually described in the book (certainly not a given) and they're usually portrayed in a loving embrace of some kind. I think the artist here has managed to show how besotted Eli is with Rue, while she seems a bit more restrained. In case you didn't know that Hazelwood sets most of her books in a STEM environment, the artist has also helpfully thrown in some test tubes with mysterious liquid there on the side of the couple - science! There were apparently several special editions published of this book, with various extra art and bonus features. If you go to Hazelwood's Instagram account, there are pictures of the other images, all of which are very good. 

Crossposted on Cannonball Read